Vintage Dance Manuals

A collection of historical dance manuals,
with over 1,200 available as free downloads,
and indexes of the dances contained in them.

(2,592 listed, 1,250 downloadable, 297 indexed)

and many more coming soon!

Curated by Nick Enge

In addition, the Library of Dance
maintains a separate collection of historical
Anti-Dance Treatises.

If you know of another dance manual that is not yet listed here,
or want to contribute a digital copy of a source that is not yet available here,
.


Table of Contents

» 15th Century
» 16th Century
» 17th Century
» 18th Century
» 19th Century
» 20th Century
» 21st Century


Legend

» Bold entries denote sources that can be downloaded from this website. Other entries are known to exist, but are not yet available for download.

» (Parentheses) denote links to downloadable digital copies, in .pdf, .djvu, and .txt format. For .djvu files, you'll need a djvu reader (free). For the .txt files, take them with a grain of salt - most were OCRed by Archive.org, and while some times there's useful text, other times there's total garbage.

» {Curly brackets} denote links to additional information, including the original sources of the digital downloads, or additional analysis.

» [Square brackets] denote hard copy sources, including my library [Enge], Richard Powers' library [Powers], and other libraries around the world [WorldCat].

» A following the name of a dance denotes that accompanying music is provided in that source.

» A followed by a number denotes that the source has listed the corresponding metronome marking for that dance in beats per minute. Where metronome markings are provided in more complex forms, i.e., 88 dotted half notes per minute for Cellarius' valse à deux temps, I have converted them to simple bpm.

» A following the name of a dance denotes that a demo video is available and can be viewed by clicking on the name of the dance.

» A following the name of a dance denotes that there is a concordance page for that dance, which usually includes a reconstruction of the dance along with the text of all indexed descriptions of the dance. Click here to see a list of all such pages.



Dance Manuals (Chronological)



Turn of the 15th Century



Domenico da Piacenza. (c. 1425). De Arte Saltandi Et Choreas Ducendi. Paris Ms. (pdf) {Lindahl} {reconstructions of most figures} [Powers]


Antonio Cornazzano. (1455). Libro Dell'Arte Del Danzare. Rome Ms. [Powers] [WorldCat]


Guglielmo Ebreo. (1463). De Pratica Seu Arte Tripudii Vulgare Opusculum. Paris Ms. [Powers] [WorldCat]


Guglielmo Ebreo. (©1463/1993). De Pratica Seu Arte Tripudii Vulgare Opusculum [Barbara Sparti Translation]. Oxford. [Powers] [WorldCat]


Giovanni Ambrosio. (c.1465). De Practica Seu Arte Tripudii Vulgare Opusculum. Paris Ms. [Powers]


Guglielmo Ebreo. (©1465/1873). Trattato Dell'Arte Del Ballo [Zambrini Edition]. Florence Ms. [Powers] [WorldCat]


Michel Toulouze. (1488). S'ensuit L'Art Et Instruction De Bien Dancer. Paris. (pdf) {Lindahl} [Powers]


[Anonymous]. (c. 1495). Basses Danses Dites De Marguerite d'Autriche [a.k.a. The Brussels Manuscript]. Brussels Ms. (pdf) (djvu) {congress} {archive}


[Anonymous]. (c. 1496). The Cervera Manuscript. Cervera Ms. (pdf) {Lindahl} [Powers]



Turn of the 16th Century



Johannes Cochläus. (1517). The Nürnberg Manuscript. Nürnberg Ms. (pdf) {Lindahl} [Powers]


Robert Coplande. (1521). Manner of Dauncynge of Bace Daunces. London. (Patri transcription) [Powers]


Jacques Moderne. (c. 1532). S'ensuyvent Plusieurs Basses Dances Tant Communes Que Incommunes. Ms. (pdf) (Mathias translation) {Lindahl}


Antoine Arena. (1538). Antonius Arena, Provincialis de Bragardissima Villa de Soleriis. Leone. (pdf) {BNF}


[Anonymous]. (c. 1550). Reglas de Dançar. Madrid.


Giovannino e Il Lanzino e Il Papa. (c. 1550). Manoscritto Di Balletti. Fiorenza. (Casazza & Cain transcription)


Francesco Berdusi. (1553). Opera Nova Di Balli. Venetia. (pdf) {BSB}


Estienne de Testre. (1557). Septième Livre De Danceries Mis En Musique A Quatre Parties. Paris. (pdf) {IMSLP}


Lutio Compasso. (1560). Ballo Della Galiarda. Opera Nuova E Dilettevole. Fiorenza [Florence].


Giovvani Evangelista Pappazzoni. (c. 1576-1608). Tractatus De Arte Saltandi Italicus. Ms. (ONB)


Fabritio Caroso. (1581). Il Ballarino. Venice. (pdf1) (pdf2) (pdf3) (djvu) {Lindahl} {imslp} {congress} {archive} [Powers]


Balthasar de Beaujoyeulx. (1582). Balet Comique De La Royne, Faict Aux Nopces De Monsieur Le Duc De Joyeuse & Madamoyselle De Vaudemont, Sa Soeur. Paris. (pdf) {ONB}


Thoinot Arbeau [Jehan Tabourat]. (1589). Orchésographie. Lengres. (pdf) (djvu) {congress} {archive} [Powers]


Thoinot Arbeau [Jehan Tabourat]. (©1589/1925). Orchésographie [1925 Cyril W. Beaumont Edition]. Langres. [Powers] [WorldCat]


Thoinot Arbeau [Jehan Tabourat]. (©1589/1948). Orchésographie [1948 Mary Stewart Evans Edition]. Langres. [Powers] [WorldCat]


Thoinot Arbeau [Jehan Tabourat]. (©1589/1967). Orchésographie [1967 Julia Sutton Edition]. Langres. [Powers] [WorldCat]


Prospero Luti. (1589). Opera Bellissima Nella Quale Si Contengono Molte Partite Et Passeggi Di Gagliarda. Perugia. (Casazza transcription) (Google translation of Casazza transcription)


Giovanni Boccaccio. (1590). Il Decamerone. Venice. [Powers] [WorldCat]


John Davies. (1596). Orchestra Or A Poeme Of Dauncing: Iudicially Proouing The True Obseruation Of Time And Measure, In The Authenticall And Laudable Vse Of Dauncing. London. (pdf) {EEBO}



Turn of the 17th Century



Fabritio Caroso. (1600). Nobiltà Di Dame. Venetia [Venice]. (pdf) (djvu) {congress} {archive} [Powers]


Cesare Negri. (1602). Le Gratie D'Amore. Milano [Milan]. [Powers] [WorldCat]

Note: See Negri (1604) for later edition, identical in content. See Lindahl for (purely aesthetic) differences.


Cesare Negri. (1604). Nuove Inventioni Di Balli. Milano [Milan]. (pdf1) (pdf2) (pdf3) (pdf4) (djvu) {Lindahl} {google} {BNF} {congress} {archive} [Powers]


Thomas Pelletier. (1604). La Nourriture De La Noblesse Où Sont Representées Comme En Un Tableau, Toutes Les Plus Belles Vertus, Qui Peuvent Accomplir Un Jeune Gentilhomme. London. (pdf) {google}


[Anonymous]. (1607). Recueil Des Masquarades Et Jeu De Prix à La Course Du Sarazin, Faits Ce Karesme-Prenant En La Présence De Sa Majesté à Paris. Paris. (pdf) {BNF}


Thomas Campion. (1607). The Discription of a Maske, Presented before the Kinges Maiestie at White-Hall, on Twelfth Night Last, in Honour of the Lord Hayes, and His Bride, Daughter and Heire to the Honourable the Lord Dennye, Their Marriage Hauing Been the Same Day at Court Solemnized. London. (pdf) {Godfreys}


Livio Lupi da Carravaggio. (1607). Libro Di Gagliarda, Tordiglione, Passo È Mezzo Canari È Passegi. Palermo. (pdf) {SCA} [Powers]


Lorenzo Franceschi, Matthäus Greuter. (1608). Ballo E Giostra De'venti, Nelle Nozze Del Serenissimo Principe [Cosimo de Medici] E Della Serenissima Principessa [Maria Maddalena] Di Toscana, Arciduchessa d'Austria. Firenze [Florence]. (pdf) {google}


Jean Heroard. (1609). De l'Institution Du Prince. Paris. (pdf) {BNF}


[Anonymous]. (1610). Ballet De Monseigneur Le Duc De Vandosme. Paris. (pdf) {BNF}


Anthoine Emeraud [?]. (c. 1610). Instruction Pour Dancer Les Dances Cy Apres Nommez. Wiesbaden Ms.


[Anonymous]. (1611). Balletti Moderni Facili Per Sonar Sopra Il Liuto. Venetia [Venice]. (pdf) {BNF}


[Anonymous]. (1612). Recueil Des Plus Excellens Ballets De Ce Temps. Paris.


François Fassardi. (1612). Le Grand Bal De La Reine Marguerite. Lyon. (pdf) {BNF}


Ercole Santucci. (1614). Mastro Da Ballo. Stockholm Ms. [WorldCat]


Jacques Mangeant (pub.). (1615). Recueil Des Plus Beaux Airs Accompagnes. Caen. (pdf) {BNF}


Étienne Durand, René Bordier, Pierre Guédron. (1617). Discours Au Vrai Du Ballet Dansé Par Le Roy. Paris. (pdf) {BNF}


Marc Maillet. (1617). Balet De La Reuanche Du Mespris d'Amour. Londres. (pdf) {EEBO}


Scipion de Gramont. (1619). Relation Du Grand Ballet Du Roi. Paris. (pdf) {BNF}


Boisrobert. (1623). Le Grand Ballet De La Reyne Dansé Au Louvre Le 5 De Mars De l'An 1623. Paris. (pdf) {BNF}


F. [François] de Lauze. (1623). Apologie De La Danse. (pdf) {BNF}


F. [François] de Lauze. (©1623/1952). Apologie De La Danse [1952 Joan Wildeblood Translation]. [Powers] [WorldCat]


René Bordier. (1625). Les Fées Des Forests De Saint Germain. Paris. (pdf1) (pdf2) {BNF1} {BNF2}


René Bordier. (1626). Grand Bal De La Douairière De Billebahaut. Paris. (pdf1) (pdf2) {BNF1} {BNF2}


Claude de l'Estoile. (1626). Maistre Galimathias. Paris. (pdf) {BNF}


Fabritio Caroso. (1630). Raccolta Di Varij Balli Fatti In Occorrenze Di Nozze E Festini Da Nobili Cavalieri E Dame Di Diuerse Nationi Nuouamente Ritrouati. Paris. (pdf) {BNE}

Note: Reprint of Caroso, 1600 with new title page.


John Ramsey. (c. 1630). Practice For Dauncinge. [Powers] [WorldCat]


F. Marin Mercenne. (1636). Harmonie Universelle. Paris. (IMSLP)


George Chapman, James Shirley. (1639). The Ball. A Comedy As It Was Presented By Her Majesties Servants. London. [WorldCat]


[Anonymous]. (c. 1640). The Lovelace Manuscript. Paris. (SCA)


Juan de Esquivel Navarro. (1642). Discursos Sobre El Arte Del Dançado. Sevilla. (pdf) {BNE}


[Anonymous]. (c. 1643). Ballet Pour Le Mariage De Monsieur De La Berchère. Paris. (pdf) {BNF}


[Anonymous]. (c. 1643). Ballet Des Rues De Paris Recit Aux Dames. Paris. (pdf) {BNF}


[Anonymous]. (c. 1650). Xácara. Madrid Ms.


John Playford, ed. (1651). The English Dancing Master [1st Edition]. London. (pdf) {Lindahl} {Lewis transcription} {Keller analysis}

Note: All capitalizations and spelling sic.

Country Dances

» Upon a Summers Day (♬) (p. 1)
» Blew Cap (♬) (p. 2)
» The Night Peece (♬) (p. 3)
» Boate man (♬) (p. 4)
» The Begger Boy (♬) (p. 5)
» Parsons farewell (♬) (p. 6)
» Bobbing Joe (♬) (p. 7)
» The New Exchange (♬) (p. 8)
» The Whish (♬) (p. 9)
» Stingo, Or the Oyle of Barly (♬) (p. 10)
» The Wherligig (♬) (p. 11)
» Picking of Sticks (♬) (p. 12)
» The Old Mole (♬) (p. 13)
» Grimstock (♬) (p. 14)
» Wooddicock (♬) (p. 15)
» Greenwood (♬) (p. 16)
» The Saraband (♬) (p. 17)
» Hit and misse (♬) (p. 18)
» Confesse (♬) (p. 19)
» Mage on a Cree (♬) (p. 20)
» A Health to Betty (♬) (p. 21)
» Millisons Jegge (♬) (p. 22)
» The Spanish Jeepsie (♬) (p. 23)
» Lady Spellor (♬) (p. 24)
» Kemps Jegg (♬) (p. 25)
» The Cherping of the Larke (♬) (p. 26)
» If all the World were Paper (♬) (p. 27)
» Adsons Saraband (♬) (p. 28)
» Nonesuch (♬) (p. 29)
» Daphne (♬) (p. 30)
» The merry merry Milke Maids (♬) (p. 31)
» Mill-field (♬) (p. 32)
» The fine Companion (♬) (p. 33)
» Skellamefago (♬) (p. 34)
» Cast a Bell (♬) (p. 35)
» The Spanyard (♬) (p. 36)
» Rose is white and Rose is red (♬) (p. 37)
» Have at thy Coat old woman (♬) (p. 38)
» Drive the cold winter away (♬) (p. 39)
» The Gun (♬) (p. 40)
» Peppers Black (♬) (p. 41)
» The Maid peept out at the window, or the Frier in the Well (♬) (p. 42)
» Halfe Hannikin (♬) (p. 43)
» Lord of Carnarvans Jegg (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» Faine I would (♬) (p. 46)
» Once I loved a Maiden faire (♬) (p. 47)
» The Irish Lady, or Anniseed-water Robin (♬) (p. 48)
» All a Mode de France (♬) (p. 49)
» My Lady Cullen (♬) (p. 50)
» The Bath (♬) (p. 51)
» Goddesses (♬) (p. 52)
» Jog on (♬) (p. 53)
» Hearts Ease (♬) (p. 54)
» The Health (♬) (p. 55)
» Jack Pudding (♬) (p. 56)
» Prince Ruperts March (♬) (p. 57)
» Argeers (♬) (p. 58)
» Dissembling Love (♬) (p. 59)
» The London Gentlewoman, or the Hemp-Dresser (♬) (p. 60)
» Lavena (♬) (p. 61)
» Mayden Lane (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Chirping of the Nightingale (♬) (p. 64)
» Souldiers Life (♬) (p. 65)
» Saint Martins (♬) (p. 66)
» Cuckolds all a row (♬) (p. 67)
» Petticoat wag (♬) (p. 68)
» Pauls Steeple (♬) (p. 69)
» Rufty tufty (♬) (p. 70)
» All in a Garden green (♬) (p. 71)
» Sedanny, or Dargason (♬) (p. 71)
» The Punks Delight (The new way) (♬) (p. 72)
» Aye Me, or the Simphony (♬) (p. 73)
» Broome: The bonny bonny Broome (♬) (p. 74)
» The Milke-Mayds Bobb (♬) (p. 75)
» An Old man is a Bed full of bones (♬) (p. 76)
» Newcastle (♬) (p. 77)
» Cheerily and merrily (♬) (p. 78)
» The Countrey Coll (♬) (p. 79)
» Saturday night and Sunday morn (♬) (p. 80)
» Dull Sir John (♬) (p. 81)
» Hockley in the hole (♬) (p. 82)
» New Boe peep (♬) (p. 83)
» The Fryar and the Nun (♬) (p. 84)
» Chestnut (or Doves Figary) (♬) (p. 85)
» Pauls Wharfe (♬) (p. 86)
» Stanes Morris (♬) (p. 87)
» Tom Tinker (♬) (p. 88)
» Kettle Drum (♬) (p. 89)
» Mundesse (♬) (p. 90)
» Hide Parke (♬) (p. 91)
» Lady lye neare mee (♬) (p. 92)
» Lulle me beyond thee (♬) (p. 93)
» The Glory of the West (♬) (p. 94)
» Jenny pluck Pears (♬) (p. 95)
» Gathering Peascods (♬) (p. 96)
» Up Tailes all (♬) (p. 97)
» New New Nothing (♬) (p. 98)
» Scotch Cap (♬) (p. 99)
» Step Stately (♬) (p. 100)
» Shepheards Holyday, or Labour in Vaine (♬) (p. 101)
» Row well ye Marriners (♬) (p. 102)
» Graies Inne Maske (♬) (p. 103)
» The Slip (♬) (p. 104)

John Playford, ed. (1652). The Dancing Master [2nd Edition]. London. (pdf) {imslp} {Shipbrook transcription} {Keller analysis}

Note: All capitalizations and spelling sic. Adds dances to the 1st Edition (1651), in addition to alphabetizing the dances and changing the spelling of some of the names.

Country Dances

» All in a Garden green (♬) (p. 1)
» Adsons Saraband (♬) (p. 2)
» All a Mode de France (♬) (p. 3)
» Aye me, Or the Simphony (♬) (p. 4)
» Argeers (♬) (p. 5)
» An Old man is a Bed full of bones (♬) (p. 6)
» Blew Cap (♬) (p. 7)
» Boat-man (♬) (p. 8)
» The Begger Boy (♬) (p. 9)
» Bobbing Joe (♬) (p. 10)
» The Bath (♬) (p. 11)
» Broome: The bonny bonny Broome (♬) (p. 12)
» Confesse (♬) (p. 13)
» The Chirping of the Larke (♬) (p. 14)
» Cast a Bell (♬) (p. 15)
» Chirping of the Nightingale (♬) (p. 16)
» Cheerily and merrily (♬) (p. 17)
» The Country Coll (♬) (p. 18)
» Cuckolds all a row (♬) (p. 19)
» Chestnut (or Doves Figary) (♬) (p. 20)
» Daphne (♬) (p. 21)
» Drive the cold Winter away (♬) (p. 22)
» Dissembling Love (♬) (p. 23)
» Dargason, or Sedany (♬) (p. 24)
» Dull Sir John (♬) (p. 25)
» The Fine Companion (♬) (p. 26)
» Faine I would (♬) (p. 27)
» The Fryar and the Nun (♬) (p. 28)
» Grimstock (♬) (p. 29)
» Greenwood (♬) (p. 30)
» The Gun (♬) (p. 31)
» Goddesses (♬) (p. 32)
» Grayes Inne Maske (♬) (p. 33)
» Gathering Peascods (♬) (p. 34)
» The Glory of the West (♬) (p. 35)
» Hit and Misse (♬) (p. 36)
» A Health to Betty (♬) (p. 37)
» Have at thy Coat old woman (♬) (p. 38)
» Halfe Hannikin (♬) (p. 39)
» Hearts Ease (♬) (p. 40)
» The Health (♬) (p. 41)
» Hockley in the hole (♬) (p. 42)
» Hide Parke (♬) (p. 43)
» If all the World were Paper (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» The Irish Lady, or Aniseed-water Robin (♬) (p. 46)
» Jog on (♬) (p. 47)
» Jack Pudding (♬) (p. 48)
» Jack a Lent (♬) (p. 49)
» Jenny pluck Pears (♬) (p. 50)
» I loved thee once, I love no more (♬) (p. 51)
» Keps Jegg (♬) (p. 52)
» Kettle Drum (♬) (p. 53)
» Lady Spellor (♬) (p. 54)
» Lord of Carnarvans Jegg (♬) (p. 55)
» My Lady Cullen (♬) (p. 56)
» The London Gentlewoman, Or the Hemp-Dresser (♬) (p. 57)
» Lavena (♬) (p. 58)
» Lady lye near me (♬) (p. 59)
» Lulle me beyond thee (♬) (p. 60)
» Mage on a Cree (♬) (p. 61)
» Millisons Jegg (♬) (p. 62)
» The merry merry Milk Maids (♬) (p. 63)
» Mill-field (♬) (p. 64)
» The Maid peept out at the window, Or the Frier in the Well (♬) (p. 65)
» Mayden Lane (♬) (p. 66)
» The Milk-Mayds Bobb (♬) (p. 67)
» Mundesse (♬) (p. 68)
» The Night Peece (♬) (p. 69)
» The New Exchange (♬) (p. 70)
» None such (♬) (p. 71)
» Newcastle (♬) (p. 72)
» New New Nothing (♬) (p. 73)
» New Boe peep (♬) (p. 74)
» The Old Mole (♬) (p. 75)
» Once I lov'd a Maiden fair (♬) (p. 76)
» Parsons farewell (♬) (p. 77)
» Picking of sticks (♬) (p. 78)
» Peppers Black (♬) (p. 79)
» Petticoat wag (♬) (p. 80)
» Pauls Steeple (♬) (p. 81)
» The Punks Delight (♬) (p. 82)
» Parson upon Dorothy (♬) (p. 83)
» Pauls Wharfe (♬) (p. 84)
» Rose is white and Rose is red (♬) (p. 85)
» Row well ye Marriners (♬) (p. 86)
» Stingo, or the Oyle of Barley (♬) (p. 87)
» The Saraband (♬) (p. 88)
» The Spanish Jeepsie (♬) (p. 89)
» Skellamefago (♬) (p. 90)
» The Spanyard (♬) (p. 91)
» Souldiers life (♬) (p. 92)
» Saint Martins (♬) (p. 93)
» Saturday night and Sunday morn (♬) (p. 94)
» Stanes Morris (♬) (p. 95)
» Scotch Cap (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Solomons Jigge (♬) (p. 98)
» Shepheards Holyday, or Labour in Vain (♬) (p. 99)
» The Slip (♬) (p. 100)
» Tom Tinker (♬) (p. 101)
» Tutch and take (♬) (p. 102)
» Trenchmore (♬) (p. 103)
» Upon a Summers Day (♬) (p. 104)
» Up Tails all (♬) (p. 105)
» The Whish (♬) (p. 106)
» The Whirligig (♬) (p. 107)
» Woodicock (♬) (p. 108)
» Under and over (♬) (p. 109)
» Winifreds Knot, or Open the door to three (♬) (p. 110)
» Mr. Webbs Fancy (♬) (p. 111)
» The Silver Faulken (♬) (p. 112)

Isaac de Benserade. (1653). Ballet Royal De La Nuit. Paris. (pdf) {BNF}


Isaac de Benserade. (1654). Ballet Du Temps Dansé. Paris. (pdf) {BNF}


Isaac de Benserade. (1655). Le Grand Ballet Des Bien-Venus Dansé. Paris. (pdf) {BNF}


Isaac de Benserade. (1655). Le Ballet De La Revente Des Habits Du Ballet. Paris. (pdf) {BNF}


Michel de Marolles. (1656). Mémoires. Paris. (pdf) {BNF}


Isaac de Benserade. (1657). Amour Malade Ballet Du Roy. Paris. (pdf) {BNF}


John Playford, ed. (1657). The Dancing Master [3rd Edition, 1st Version]. London. {Keller analysis}

Notes: All capitalizations and spelling sic. Begins with superficial changes to the 2nd Edition (1652), then subtracts and adds some dances at the end.

Country Dances

» All in a Garden green (p. 1)
» Adsons Saraband (p. 2)
» All a Mode de France (p. 3)
» Aye me, Or the Symphony (p. 4)
» Argeres (p. 5)
» An Old Man is a Bed full of Bones (p. 6)
» Blew Cap (p. 7)
» Boat-man (p. 8)
» The Begger Boy (p. 9)
» Bobbing Joe (p. 10)
» The Bath (p. 11)
» Broom: The Bonny Bonny Broom (p. 12)
» Confesse (p. 13)
» The Chirping of the Larke (p. 14)
» Cast a Bell (p. 15)
» Chirping of the Nightingale (p. 16)
» Cheerily and Merrily (p. 17)
» The Country Coll (p. 18)
» Cuckolds all a Row (p. 19)
» Chestnut (or Doves Figary) (p. 20)
» Daphne (p. 21)
» Drive the Cold Winter Away (p. 22)
» Dissembling Love (p. 23)
» Dargason, or The Sedany (p. 24)
» Dull Sir John (p. 25)
» The Fine Companion (p. 26)
» Faine I would (p. 27)
» The Friar and the Nun (p. 28)
» Grimstock (p. 29)
» Greenwood (p. 30)
» The Gun (p. 31)
» Goddesses (p. 32)
» Grayes Inne Maske (p. 33)
» Gathering Peascods (p. 34)
» The Glory of the West (p. 35)
» Hit and Miss (p. 36)
» A Health to Betty (p. 37)
» Have at thy Coat old woman (p. 38)
» Halfe Hannikin (p. 39)
» Hearts-Ease (p. 40)
» The Health (p. 41)
» Hockley in the hole (p. 42)
» Hide-Park (p. 43)
» If all the World were Paper (p. 44)
» Irish Trot (p. 45)
» The Irish Lady, or Aniseed water Robin (p. 46)
» Jog On (p. 47)
» Jack Pudding (p. 48)
» Jack a Lent (p. 49)
» Jenny Pluck Pears (p. 50)
» I Loved Thee Once, I Love No More (p. 51)
» Kemps Jigge (p. 52)
» Kettle Drum (p. 53)
» Lady Spellor (p. 54)
» Lord of Carnarvan's Jegg (p. 55)
» My Lady Cullen (p. 56)
» The London Gentlewoman, Or The Hemp-Dresser (p. 57)
» Lavena (p. 58)
» Lady Lye near Me (p. 59)
» Lulle Me Beyond Thee (p. 60)
» Mage on a Cree (p. 61)
» Millisons Jigge (p. 62)
» The Merry Merry Milk-Maids (p. 63)
» Mill-field (p. 64)
» The Maid Peept out at the Window, Or the Frier in the Well (p. 65)
» Mayden Lane (p. 66)
» The Milk Maids Bob (p. 67)
» Mundesse (p. 68)
» The Night piece (p. 69)
» The New Exchange (p. 70)
» None Such (p. 71)
» Newcastle (p. 72)
» New New Nothing (p. 73)
» New Bo Peep (p. 74)
» The Old Mole (p. 75)
» Once I loved a Maiden Fair (p. 76)
» Parsons Farewell (p. 77)
» Picking of Sticks (p. 78)
» Pepper's Black (p. 79)
» Petticoat Wag (p. 80)
» Pauls Steeple (p. 81)
» The Punks Delight (The new way) (p. 82)
» Parson upon Dorothy (p. 83)
» Pauls Wharfe (p. 84)
» Rose is White and Rose is Red (p. 85)
» Row well ye Marriners (p. 86)
» Stingo, or The Oyle of Barley (p. 87)
» The Saraband (p. 88)
» The Spanish Gypsie (p. 89)
» Scellamefago (p. 90)
» The Spaniard (p. 91)
» Souldiers life (p. 92)
» Saint Martins (p. 93)
» Stanes Morris (p. 94)
» Saturday Night and Sunday Morn (p. 95)
» Scotch Cap (p. 96)
» Step Stately (p. 97)
» Solomons Jigge (p. 98)
» Shepherds Holiday, or Labour in Vain (p. 99)
» The Slip (p. 100)
» Tom Tinker (p. 101)
» Touch and Take (p. 102)
» Trenchmore (p. 103)
» Upon a Summers Day (p. 104)
» Up Tales All (p. 105)
» The Whish (p. 106)
» The Whirligig (p. 107)
» Woodycock (p. 108)
» Under and Over (p. 109)
» Open the Door to Three (p. 110)
» Watton Town's End (p. 111)
» The Twins (p. 112) » What You Please (p. 113)
» Simple Simon (p. 114)
» Spring Garden (p. 115)
» Ginnie Pug (p. 116)
» Abergenie (p. 117)
» The Divels Dream (p. 118)
» Smiths Rant (p. 119)
» Lady in the Dark (p. 120)
» Black Nagg (p. 121)
» Gelding of the Devil (p. 122)
» The Merry Conceit (p. 123)
» The New New Exchange (p. 124)
» The Duke of Lorain's March (p. 125)
» Lady Banbury's Horn Pipe (p. 126)
» Hunsdon House (p. 127)
» Chelsey Reach (p. 128)
» Althea (p. 129)
» The Gossips Frolick (p. 130)
» Oringes and Lemmons (p. 131)
» Sellengers Round (p. 132)

Isaac de Benserade. (1658). Ballet Royal d'Alcidiane. Paris. (pdf) {BNF}


Isaac de Benserade. (1659). Ballet De La Raillerie Dansé Par Sa Majesté. Paris. (pdf) {BNF}


Johann Georg Pasch. (1659). Kurtze doch Gründliche Unterrichtung der Pique. Oßnabrück. (WLB)


Isaac de Benserade. (1661). Ballet Des Saisons Dansé à Fontainebleau Par Sa Majesté. Paris. (pdf) {BNF}


[Anonymous]. (1662). Lettres Patentes Du Roy De l'Etablissement De l'Academie Royale De Danse En La Ville De Paris. Paris. (pdf) {BNF}


R. de Manley, de Languerac. (1662). Apologie Pour La Danse Aux Dames De Mastrecht. (pdf) {BNF}


John Playford, ed. (1665). The Dancing Master [3rd Edition, 2nd Version]. London. (pdf - partial book) {imslp} {Keller analysis}

Notes: All capitalizations and spelling sic. Superficial changes to the 3rd Edition (1657). This copy is missing pages 44 to the end.

Country Dances

» All in a Garden Green (p. 1)
» Adsons Saraband (p. 2)
» All a Mode de France (p. 3)
» Aye Me, or the Symphony (p. 4)
» Argeres (p. 5)
» An Old Man is a Bed full of Bones (p. 6)
» Blew Cap (p. 7)
» Boat-man (p. 8)
» The Begger Boy (p. 9)
» Bobbing Joe (p. 10)
» The Bath (p. 11)
» Broom: The Bonny Bonny Broom (p. 12)
» Confesse (p. 13)
» Chirping of the Larke (p. 14)
» Cast a Bell (p. 15)
» Chirping of the Nightingale (p. 16)
» Cheerily and Merrily (p. 17)
» The Country Coll (p. 18)
» Cuckolds all a Row (p. 19)
» Chestnut (or Doves Figary) (p. 20)
» Daphne (p. 21)
» Drive the Cold Winter Away (p. 22)
» Dissembling Love (p. 23)
» Dargason, or The Sedany (p. 24)
» Dull Sir John (p. 25)
» The Fine Companion (p. 26)
» Faine I would (p. 27)
» The Friar and the Nun (p. 28)
» Grimstock (p. 29)
» Greenwood (p. 30)
» The Gun (p. 31)
» Goddesses (p. 32)
» Grayes Inne Maske (p. 33)
» Gathering Peascods (p. 34)
» The Glory of the West (p. 35)
» Hit and Miss (p. 36)
» A Health to Betty (p. 37)
» Have at thy Coat old woman (p. 38)
» Half Hannikin (p. 39)
» Hearts-Ease (p. 40)
» The Health (p. 41)
» Hockley in the hole (p. 42)
» Hide-Park (p. 43)
» If all the World were Paper (p. 44)
» Irish Trot (p. 45)
» The Irish Lady, or Aniseed water Robin (p. 46)
» Jog On (p. 47)
» Jack Pudding (p. 48)
» Jack a Lent (p. 49)
» Jenny Pluck Pears (p. 50)
» I Loved Thee Once, I Love No More (p. 51)
» Kemps Jigge (p. 52)
» Kettle Drum (p. 53)
» Lady Spellor (p. 54)
» Lord of Carnarvan's Jegg (p. 55)
» My Lady Cullen (p. 56)
» The London Gentlewoman, Or The Hemp-Dresser (p. 57)
» Lavena (p. 58)
» Lady Lye near Me (p. 59)
» Lulle Me Beyond Thee (p. 60)
» Mage on a Cree (p. 61)
» Millisons Jigge (p. 62)
» The Merry merry Milk-Maids (p. 63)
» Mill field (p. 64)
» The Maid Peept out at the Window, Or the Frier in the Well (p. 65)
» Mayden Lane (p. 66)
» The Milk Maids Bob (p. 67)
» Mundesse (p. 68)
» The Night piece (p. 69)
» The New Exchange (p. 70)
» None Such (p. 71)
» Newcastle (p. 72)
» New New Nothing (p. 73)
» New Bo Peep (p. 74)
» The Old Mole (p. 75)
» Once I lov'd a Maiden Fair (p. 76)
» Parsons Farewell (p. 77)
» Picking of Sticks (p. 78)
» Pepper's Black (p. 79)
» Petticoat Wag (p. 80)
» Pauls Steeple (p. 81)
» The Punks Delight (The new way) (p. 82)
» Parson upon Dorothy (p. 83)
» Pauls Wharfe (p. 84)
» Rose is White and Rose is Red (p. 85)
» Row well ye Marriners (p. 86)
» Stingo, or The Oyle of Barley (p. 87)
» The Saraband (p. 88)
» The Spanish Gypsie (p. 89)
» Scellamefago (p. 90)
» The Spaniard (p. 91)
» Souldiers life (p. 92)
» Saint Martins (p. 93)
» Stanes Morris (p. 94)
» Saturday Night and Sunday Morn (p. 95)
» Scotch Cap (p. 96)
» Step Stately (p. 97)
» Solomons Jigge (p. 98)
» Shepherds Holiday, or Labour in Vain (p. 99)
» The Slip (p. 100)
» Tom Tinker (p. 101)
» Touch and Take (p. 102)
» Trenchmore (p. 103)
» Upon a Summers Day (p. 104)
» Up Tales All (p. 105)
» The Whish (p. 106)
» The Whirligig (p. 107)
» Woodycock (p. 108)
» Under and Over (p. 109)
» Open the Door to Three (p. 110)
» Watton Town's End (p. 111)
» The Twins (p. 112) » What You Please (p. 113)
» Simple Simon (p. 114)
» Spring Garden (p. 115)
» Ginnie Pug (p. 116)
» Abergenie (p. 117)
» The Divels Dream (p. 118)
» Smiths Rant (p. 119)
» Lady in the Dark (p. 120)
» Black Nagg (p. 121)
» Gelding of the Devil (p. 122)
» The Merry Conceit (p. 123)
» The New New Exchange (p. 124) » The Duke of Lorain's March (p. 125)
» Lady Banbury's Horn Pipe (p. 126)
» Hunsdon House (p. 127)
» Chelsey Reach (p. 128)
» Althea (p. 129)
» The Gossips Frolick (p. 130)
» Oringes and Lemmons (p. 131)
» Sellengers Round (p. 132)

Michel de Pure. (1668). Idée Des Spectacles Anciens Et Nouveaux. (pdf) {INHA}


Isaac de Benserade. (1669). Ballet Royal De Flore Dansé Par Sa Majesté. Paris. (pdf) {BNF}


Molière. (1670). Le Bourgeois Gentil-Homme. Paris. (pdf) {BNF}


John Playford, ed. (1670). The Dancing Master [4th Edition]. London. (pdf) {imslp} {Keller analysis}

Notes: All capitalizations and spelling sic. Completely re-arranged from the 3rd Edition (1665), with new dances added. The idea seems to have been to organize the dances by form (round vs. longways) and number of dancers, but this organization is abandoned in the later pages. This copy is missing four pages (p. 77 to 80). Other pages are mis-paginated, but that is an error in the original printing.

Country Dances

» Sellengers Round, or The begining of the World (p. 1)
» Gelding of the Divel (p. 2)
» Open the door to three (p. 3)
» Rose is white and Rose is red (p. 4)
» Peppers black (p. 5)
» Mill-field (p. 6)
» Jenny pluck Pears (p. 7)
» If all the World were Paper (p. 8)
» Gathering Peascods (p. 9)
» The fine Companion (p. 10)
» Chirping of the Nightingale (p. 11)
» Kemps Jigge (p. 12)
» Kettle Drum (p. 13)
» Mage on a Tree (p. 14)
» Mundesse (p. 15)
» Newcastle (p. 16)
» Up Tales all (p. 17)
» Sage Leaf (p. 18)
» Argeres, or the Wedding Night (p. 19)
» Hearts-ease (p. 20)
» Parsons Farewel (p. 21)
» Saint Martain (p. 22)
» Lady in the Dark (p. 23)
» Althea (p. 24)
» All in a Garden Green (p. 25)
» Adsons Saraband (p. 26)
» Al la Mode d' France (p. 27)
» Ay me, or the Symphony (p. 28)
» Blew Cap for me (p. 29)
» The Begger Boy (p. 30)
» Broom: The bonny bonny Broom (p. 31)
» Confess, or the Court Lady (p. 32)
» Chirping of the Lark (p. 33)
» Cheerily and Merrily (p. 34)
» The Country Coll, or Sir Nicholas Cully (p. 35)
» Chestnut (or Doves Figary) (p. 36)
» Cuckolds all a Row (p. 37)
» Daphne, or the Shepherdess (p. 38)
» Drive the cold Winter away (p. 39)
» Dissembling Love, (or the lost Heart) (p. 40)
» Dargason, or the Sedany (p. 41)
» The Friar and the Nun (p. 42)
» Grimstock (p. 43)
» Greenwood, or the Hunts man (p. 44)
» The Gun, or (The Valiant Captain) (p. 45)
» A Health to Betty (p. 46)
» Hit or Miss (p. 47)
» Have at thy Coat Old Woman (p. 48)
» An Old man a bed full of bones (p. 49)
» The Boat-Man (p. 50)
» Bobbing Joe (p. 51)
» The Bath (p. 52)
» Black Nagg (p. 53)
» Cast a Bell (p. 54)
» Goddesses (p. 55)
» Grayes-Inn Mask, or (Mad Tom) (p. 56)
» Half Hannykin (p. 57)
» The Healths, or (The merry Wasel) (p. 58)
» Hockley in the Hole (p. 59)
» Jog on my Honey (p. 60)
» The Irish Lady, or Anniseed-water-Robin (p. 61)
» Jack Pudding, or (Merry Andrew) (p. 62)
» Jack a Lent (p. 63)
» Blew Breeches, or (I'le love no more) (p. 64)
» Lady Spellor (p. 65)
» Lord of Carnavan's Jigg (p. 66)
» The Hemp-Dresser, or The London Maid (p. 67)
» Lady lye near me (p. 68)
» Lavena, or (The Passionate Lover) (p. 69)
» Millisons Jigg (p. 70)
» The merry merry Milk maids (p. 71)
» The Maid peept put at the Window, or (The Frier in the Well) (p. 72)
» Maiden Lane (p. 73)
» The Milk Maids Bob (p. 74)
» The Night piece, or (The shaking of the Sheets) (p. 75)
» Durham Stable, or (The New Exchange) (p. 76)
» The Old Mole (p. 77)
» The New Bo Peep, or Pickadilla (p. 78)
» Maiden Fair (p. 79)
» Picking of Sticks (p. 80)
» Pauls Steeple (p. "85"/81)
» Petticoat wag, or (The Taylors Daughter) (p. "80"/82)
» The Shepherds Daughter (p. "81"/83)
» Stingo, or the Oyl of Barley (p. 84)
» The Glory of the West (p. 85)
» New new Nothing (p. 86)
» The Maid in the Moon (p. 87)
» Putney Ferry (p. 88)
» Epping Forest (p. 89)
» Put on they Smock a Munday (p. 90)
» Oken Leaves (p. 91)
» Catching of Quailes (p. 92)
» Thomas you Cannot (p. 93)
» Sweet Kate (p. 94)
» Mall Peatly (p. 95)
» Blew Petticoats or Green Garters (p. 96)
» Step Stately (p. 97)
» Scotch Capp, or Edenborough Castle (p. 98)
» Souldiers Life (p. 99)
» Green Goose-Fair, or Solomons Jigg (p. 100)
» The Spanish Jepsie (p. 101)
» The Saraband (p. 102)
» Skellamefago, or Don Pedro (p. 103)
» Trenchmore (p. 104)
» Shepherds Holiday, or Labour in Vain (p. 105)
» Row well ye Mariners (p. 106)
» The Garland, or a Summers day (p. 107)
» Under and Over (p. 108)
» The Lord Chamberlins Delight (p. "108"/109)
» The Lady Murrys Delight (p. "109"/110)
» Pegasus, or the Flying-Horse (p. "110"/111)
» Catching of Fleas (p. "111"/112)
» The Phenix (p. "112"/113)
» Saturday night and Sunday morning (p. "113"/114)
» The Whish (p. "114"/115)
» Woddycock, or the Green man (p. "115"/116)
» What you Please (p. "116"/117)
» The Twins (p. "117"/118)
» Watton Town's end (p. "118"/119)
» Spring Garden (p. "119"/120)
» Abergenie (p. 121)
» Ginnie Pug, or Strawberries and Cream (p. 122)
» Simple Simon, or Huddle-duddle (p. 123)
» The New Conceit, or the Sparagus Garden (p. 124) » The New Royal Exchange (p. 125)
» Prince Ruperts March (p. 126)
» The Duke of Lorain's March (p. 127)
» The Cuckow, or Smiths Rant (p. 128)
» The Slip (p. 129)
» Tom Tinker (p. 130)
» The Gossips Frolick (p. 131)
» The Divels Dream (p. 132)
» The Puncks Delight (The new way) (p. 133)
» My Lady Cullen (p. 134)
» Lady banbury's Horn-Pipe (p. 135)
» The Whirligig (p. 136)
» Amarillis (p. 137)
» Black Jack (p. 138)
» The New Vegarie (p. 139)
» Cavy Lillyman (p. 140)
» Wallingford-House (p. 141)
» Jameko (p. 142)
» The Mulbury-Garden (p. 143)
» Singletons Slip (p. 144)
» Motsons Jigg (p. 145)
» Northern Nancy (p. 146)
» The Irish Trot (p. 147)
» Lulle me beyond thee (p. 148)
» Buff-coat (p. 149)
» Ten Pound Lass (p. 150)
» Buckingham-House, or Chelsey-Reach (p. 151)
» Parthenia, or Fain I would (p. 152)
» Hunsdon House (p. 153)
» Dull Sir John (p. 154)
» Oranges and Lemons (p. 155)

J. F. Schmid (Mercurius). (1670). Der Neu-Gebaute Schau-Platz Der Dantzenden. Nürnberg. (pdf) {GDZ}


Antoine de Courtin. (1671). Nouveau Traité De La Civilité Qui Se Pratique En France Parmi Les Honnestes Gens. Paris. (pdf) {google}


Molière. (1671). Ballet Des Ballets Dansé. Paris. (pdf) {BNF}


John Playford, ed. (1675). The Dancing Master [5th Edition]. London. (pdf) {imslp} {Keller analysis}

Notes: All capitalizations and spelling sic. Superficial changes to the 4th Edition (1670), with a few dances added at the end. Mis-pagination from the 4th Edition remains.

Country Dances

» Sellengers Round, or The beginning of the World (p. 1)
» Gelding of the Divel (p. 2)
» Open the Door to three (p. 3)
» Rose is white and Rose is red (p. 4)
» Peppers black (p. 5)
» Mill-field (p. 6)
» Jenny pluck Pears (p. 7)
» If all the World were Paper (p. 8)
» Gathering Peascods (p. 9)
» The Fine Companion (p. 10)
» Chirping of the Nightingale (p. 11)
» Kemps Jigg (p. 12)
» Kettle Drum (p. 13)
» Mage on a Tree (p. 14)
» Mundesse (p. 15)
» New-Castle (p. 16)
» Up Tales all (p. 17)
» Sage-Leaf (p. 18)
» Argeres, or the Wedding Night (p. 19)
» Hearts-ease (p. 20)
» Parsons Farewel (p. 21)
» Saint Martain (p. 22)
» Lady in the Dark (p. 23)
» Althea (p. 24)
» All in a Garden Green (p. 25)
» Adsons Saraband (p. 26)
» Al la Mode d' France (p. 27)
» Ay me, or the Symphony (p. 28)
» Blew Cap for me (p. 29)
» The Begger Boy (p. 30)
» Broom: The bonny bonny Broom (p. 31)
» Confess, or the Court Lady (p. 32)
» Chirping of the Lark (p. 33)
» Cherily and Merrily (p. 34)
» The Country Coll, or Sir Nicholas Cully (p. 35)
» Chestnut (or Doves Figary) (p. 36)
» Cuckolds all a Row (p. 37)
» Daphne, or the Shepherdess (p. 38)
» Drive the cold Winter away (p. 39)
» Dissembling Love, (or the lost Heart) (p. 40)
» Dargason, or the Sedany (p. 41)
» The Fryar and the Nun (p. 42)
» Grimstock (p. 43)
» Greenwood, or the Hunts-man (p. 44)
» The Gun, or (The Valiant Captain) (p. 45)
» A Health to Betty (p. 46)
» Hit or Miss (p. 47)
» Have at thy Coat old Woman (p. 48)
» An Old man a Bed full of Bones (p. 49)
» The Boat-Man (p. 50)
» Bobbing Joe (p. 51)
» The Bath (p. 52)
» Black Nagg (p. 53)
» Cast a Bell (p. 54)
» Goddesses (p. 55)
» Grayes-Inn Mask, or (Mad Tom) (p. 56)
» Half Hannykin (p. 57)
» The Healths, or (The merry Wasel) (p. 58)
» Hockley in the Hole (p. 59)
» Jog on my Honey (p. 60)
» The Irish Lady, or Anniseed-water-Robin (p. 61)
» Jack Pudding, or (Merry Andrew) (p. 62)
» Jack a Lent (p. 63)
» Blew Breeches, or (I'le love no more) (p. 64)
» Lady Spellor (p. 65)
» Lord of Carnavan's Jigg (p. 66)
» The Hemp-dresser, or the London Maid (p. 67)
» Lady lye near me (p. 68)
» Lavena, or (The Passionate Lover) (p. 69)
» Millisons Jigg (p. 70)
» The Merry merry Milk-maids (p. 71)
» The Maid peept put at the Window, or (The Fryer in the Well) (p. 72)
» Maiden-Lane (p. 73)
» The Milk-Maids Bob (p. 74)
» The Night piece, or (The shaking of the Sheets) (p. 75)
» Durham Stable, or (The New Exchange) (p. 76)
» The Old Mole (p. 77)
» The New Bo Peep, or (Pickadilla) (p. 78)
» Maiden Fair (p. 79)
» Picking of sticks (p. 80)
» Pauls Steeple (p. 81)
» Petticoat wag, or (The Taylors Daughter) (p. 82)
» The Shepherds Daughter (p. 83)
» Stingo, or the (Oyl of Barley (p. 84)
» The Glory of the West (p. 85)
» New new Nothing (p. 86)
» The Maid in the Moon (p. 87)
» Putney Ferry (p. 88)
» Epping-Forest (p. 89)
» Put on they Smock a Monday (p. 90)
» Oaken Leaves (p. 91)
» Catching of Quails (p. 92)
» Thomas you cannot (p. 93)
» Sweet Kate (p. 94)
» Mall Peatly (p. 95)
» Blew Petticoats, or Green Garters (p. 96)
» Step Stately (p. 97)
» Scotch Capp, or Edenborough Castle (p. 98)
» Souldiers Life (p. 99)
» Green-Goose-Fair, or Solomons Jigg (p. 100)
» The Spanish Jepsie (p. 101)
» The Saraband (p. 102)
» Skellamefago, or Don Pedro (p. 103)
» Trenchmore (p. 104)
» Shepherds Holiday, or Labour in Vain (p. 105)
» Row well ye Marriners (p. 106)
» The Garland, or a Summers day (p. 107)
» Under and Over (p. 108)
» The Lord Chamberlins delight (p. "108"/109)
» The Lady Murrys Delight (p. "109"/110)
» Pegasus, or the Flying-Horse (p. "110"/111)
» Catching of Fleas (p. "111"/112)
» The Phenix (p. "112"/113)
» Saturday night and Sunday morning (p. "113"/114)
» The Whish (p. "114"/115)
» Woddycock, or the Green-man (p. "115"/116)
» What you Please (p. "116"/117)
» The Twins (p. "117"/118)
» Watton Town's end (p. "118"/119)
» Spring Garden (p. "119"/120)
» Abergenie (p. 121)
» Ginnie Pug, or Strawberries and Cream (p. 122)
» Simple Simon, or Huddle-duddle (p. 123)
» The New Conceit, or the Sparaguss Garden (p. 124) » The New Royal Exchange (p. 125)
» Prince Ruperts March (p. 126)
» The Duke of Lorain's March (p. 127)
» The Cuckow, or Smiths Rant (p. 128)
» The Slip (p. 129)
» Tom Tinker (p. 130)
» The Gossips Frolick (p. 131)
» The Devils Dream (p. 132)
» The Puncks Delight (The new way) (p. 133)
» My Lady Cullen (p. 134)
» Lady Banbury's Horn-Pipe (p. 135)
» The Whirligig (p. 136)
» Amarillis (p. 137)
» Black Jack (p. 138)
» The New Vagarie (p. 139)
» Cavy Lillyman (p. 140)
» Wallingford-House (p. 141)
» Jameko (p. 142)
» The Mulberry Garden (p. 143)
» Singletons Slip (p. 144)
» Motsons Jigg (p. 145)
» Northern Nancy (p. 146)
» The Irish Trot (p. 147)
» Lulle me beyond thee (p. 148)
» Buff-Coat (p. 149)
» Ten Pound Lass (p. 150)
» Buckingham-House, or Chelsey-reach (p. 151)
» Parthenia, or Fain I would (p. 152)
» Hunsdon-House (p. 153)
» Dull Sir John (p. 154)
» Oranges and Lemons (p. 155)
» Green Stockens (p. 156)
» The Witches (p. 157)
» White-Hall (p. 158)
» The Opera (p. 159)
» New Market (p. 160)

La Roche-Guilhen. (1677). Rare En Tout, Comedie Meslée De Musique Et De Balets Represantée Devant Sa Majesté Sur Le Theatre Royal De Whitehall. Londres. [WorldCat]


John Playford, ed. (1679). The Dancing Master (6th Edition). London. (pdf) {imslp}


Juan Antonio Jaque. (1680). Libro De Danzar De Don Baltasar De Rojas Pantoja. Madrid Ms. (pdf) {BNE}


André Lorin. (c. 1680). Livre De Contredanse Presenté à Roi. Paris. (pdf) {BNF}


[Anonymous]. (1682). Des Ballets Anciens Et Modernes Selon Les Regles Du Theatre. Paris. (pdf) {Kichosho}


Thomas Corneille, Bernard le Bovier de Fontenelle. (1682). Bellerophon. Tragedie, Represetée Par l'Acedemie Royale De Musique. Paris [WorldCat]


Jean-Baptiste Lully. (1685). Idylle Sur La Paix Avec l'Eglogue De Versailles Et Plusieurs Pieces De Symphonie Mises En Musique. Paris. (pdf) {BNF}


John Playford, ed. (1686). The Dancing Master (7th Edition). London. (pdf) {imslp}


Jean Favier, André Danican Philidor. (1688). Le Mariage De La Grosse Cathos. Paris. (pdf) {BNF}


André Lorin. (1688). Livre De Contredanse Du Roy Presenté à Sa Majesté. Paris. (pdf) {BNF} [Powers]


André Danican Philidor. (1690). Recueil De Plusieurs Vieux Airs Faits Aux Sacres. Paris. (pdf) {BNF}


André Danican Philidor. (1690). Recueil De Plusieurs Anciens Ballets Dancez. Paris. (pdf) (pdf) {BNF1} {BNF2}


John Playford, ed. (1690). The Dancing Master (8th Edition). London. (pdf) {imslp}


John Playford, ed. (1695). The Dancing Master (9th Edition). London. (pdf) {imslp}


Étienne Loulié. (1696). Elements Ou Principes De Musique Mis Dans Un Nouvel Ordre. Paris. (pdf) {BNF}


John Playford, ed. (1696). The Second Part of The Dancing Master (1st Edition, Supplementing 9th Edition). London. (pdf) {imslp}


Étienne Loulié. (1698). Elements Ou Principes De Musique Mis Dans Un Nouvel Ordre. Paris. (pdf) {google}


Étienne Loulié. (1698). Nouveau Sisteme De Musique. Paris. (pdf) {BNF}


John Playford, ed. (1698). The Dancing Master (10th Edition). London. (pdf1) (pdf2) (djvu) {imslp} {congress} {archive}


John Playford, ed. (1698). The Second Part of The Dancing Master (2nd Edition, Supplementing 10th Edition). London. (pdf) {imslp}


Thomas Bray. (1699). Country Dances: Being A Composition Entirely New, And the whole Cast Different from all that have yet been Publish'd, with Bass and Treble to Each Dance. London. (pdf) {EEBO} [Powers]

Notes: All capitalizations and spelling sic. In the first part of this book, pages are double-paginated (two facing pages labeled 1, two facing pages labeled 2, etc). The page numbers below correspond to the printed page numbers, not the pages of the digital document. Page 11 is doubled in the EEBO copy, an error which has been fixed in the Library of Dance copy. In the second part, which begins on pdf page 45, music is provided for various "French dances," which have no descriptions and haven't been indexed.

Country Dances

» The Gloucester (p. 1)
» The Duke of Gloucester's March (p. 2)
» St. Jame's-House (p. 3)
» Lincolns-Inn Garden (p. 4)
» The Spring (p. 5)
» The Woman's the Man (p. 6)
» Rosamonds Pond (p. 7)
» The Parson's Cap (p. 8)
» The Wives Victory (p. 9)
» Gleanham-Hall (p. 10)
» Braye's Magott (p. 11)
» A Conceal'd Health (p. 12)
» Short and Sweet (p. 13)
» Bartlett-House (p. 14)
» Granadiers Exercise (p. 15)
» Love and Battle (p. 16)
» The Lovers Luck (p. 17)
» The Scotch Measure (p. 18)
» Cupid's Bridge (p. 19)
» the last of Twenty [A Minuet] (p. 20)


Turn of the 18th Century



[Anonymous]. (c. 1700). Contredanses; Description Des Figures, Plan Des Figures. Paris. (pdf) (djvu) {congress} {archive}


[Anonymous]. (c. 1700). Contredanses Pour Un Instrument Avec Les Figures Chorégraphique. Paris Ms. (pdf) {BNF}


[Anonymous]. (c. 1700). Piezas Para Clave. Madrid Ms. (pdf) {BNE}


[Anonymous]. (c. 1700). Follias, Ballets, Sardanas, Contradansas, Minuets, Balls, Pasapies, y Moltas Altres Cosas De Aquell Temps Vell, Que Ara Son Poch Usadas; Pero Ab Tot Son Bonicas Y Molt Alegres. Barcelona Ms. (pdf) {Catalunya}


[Anonymous]. (c. 1700). [Graces, Etc]. London Ms. (VWML)


[Anonymous]. (c. 1700). [The Rose Tree, Etc]. London Ms. (VWML)


[Anonymous]. (c. 1700). Old Reels and Dance Tunes and Old Yorkshire Tunes. London Ms. (VWML)


Pierre Beauchamp. (c. 1700). Sarabande. Salzburg Ms.


Louis Pécour. (1700). La Pavane Des Saisons, Danse Nouvelle. Paris. (pdf) {BNF}


Louis Pécour. (1700). La Passepied Nouveau. Paris.


Raoul Fueillet. (1700). Choregraphie, Ou L'Art De De'Crire La Dance. Paris. (pdf) {BNF}


Raoul Fueillet. (1700). Recueil De Dances. Paris. (pdf) {BNF}


Louis Pécour. (1700). Recueil De Dances. Paris. (pdf) {BNF}


Raoul-Auger Fueillet. (1701). Choregraphie, Ou L'Art De De'Crire La Dance. Paris. (pdf) {google} [Powers]


Francesc Olivelles. (1701). Memoria De Las Danças. Barcelona Ms.


Louis Pécour. (1701). Aimable Vainqueur, Danse Nouvelle Dansée Devant Le Roy A Marly. Paris.


John Playford, ed. (1701). The Dancing Master (11th Edition). London.


Raoul-Auger Fueillet. (1702). Premier Recueil De Danses De Bal Pour l'Année 1703. Paris. (pdf) (djvu) {congress} {archive}


Raoul-Auger Fueillet. (1702). La Trioumphante. Paris.


Louis Pécour. (1702). L'Allemande, Danse Nouvelle Dansée Devant Le Roy A Marly. Paris.


William Wycherley. (1702). The Gentleman Dancing-Master. A Comedy As It Is Acted By Their Majesties Servants. London. (pdf) {google} [Powers]


Raoul-Auger Fueillet. (1703). La Madalena, Danse Nouvelle Dédiée à Son Altesse Serenissime Monseigneur Le Duc De Mantoué. Paris.


Louis Pécour. (1703). IIme Recueil De Danses De Bal Pour l'Année 1704. Paris.


Henry Playford, ed. (1703). The Dancing Master (12th Edition). London.


Raoul-Auger Fueillet. (1704). La Bretagne, Danse Nouvelle Presentée à Madame La Duchesse De Bourgogne. Paris.


Raoul-Auger Fueillet, Louis Pécour. (1704). Recüeil De Danses. Paris. (pdf) (djvu) {congress} {archive}


Louis Pécour. (1704). IIIme Recueil De Danses De Bal Pour l'Année 1705. Paris.


Kellom Tomlinson. (c. 1704). A Small Treatise Of Time And Cadence In Dancing. Wellington Ms. (NLNZ) [Powers]


Huguo Bonneford. (1705). Abregée Des Principes De La Danse Tirée Des Meilleurs Maitres De l'Art. Braunschweig. (pdf) {WDB} [Powers]


Michel l'Affilard. (1705). Principes Tres-Faciles Pour Bien Apprendre La Musique. Paris. (pdf) {google} [Powers]


I. H. P. (1705). Maître De Danse Oder Tanz-Meister Welcher Lehret Wie En Tanzer So Die Fundamenta Gefasset Ohne Hulffe Sich Selbsten Die Gebräuchlichsten Fransoschen Täntze Beybringen Könne. Glückstadt. (pdf) {DKB} [Powers]


Louis Pécour, Raoul-Auger Fueillet. (1705). IIIIme Recueil De Danses De Bal Pour l'Année 1706. Paris.


Mr. [Edward] Isaac. (1706). A Collection Of Ball-Dances Perform'd At Court. London. (pdf) (djvu) {congress} {archive} [Powers]


Louis Pécour, Raoul-Auger Fueillet. (1705). Vme Recueil De Danses De Bal Pour l'Année 1707. Paris.


Raoul-Auger Fueillet. (1706). Recüeil De Contredances Mises En Chorégraphie. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Raoul-Auger Fueillet. (1706). The Art of Dancing Demonstrated by Characters and Figures whereby One May Learn Easily and of One's Self all Sorts of Dances. London.


Raoul-Auger Fueillet. (1706). A Small Treatise of Time and Cadence in Dancing Reduc'd to an Easy and Exact Method Shewing How Steps and Their Movements Agree with the Notes, and Division of Notes in Each Measure. London. (pdf) {Lindahl}


Raoul-Auger Fueillet. (1706). Orchesography or the Art of Dancing by Characters and Demostrative Figures. London. (pdf) (Lindahl}


John Playford, ed. (1706). The Dancing Master (13th Edition). London.


Gottfried Taubert. (1706). Kurtzer Entwurff Des Edlen. Danzig. (pdf) {BSB}


Johann Pasch. (1707). Beschreibung Wahrer Tanz-Kunst. Danzig. (pdf) {BSB}


Louis Pécour, Raoul-Auger Fueillet. (1707). VIme Recueil De Danses De Bal Pour l'Année 1708. Paris. (pdf) {BNF}


Louis Pécour. (1707). La Nouvelle Bourgogne Composée Pour La Naissance De Monsieur Le Duc De Bretagne Dédiée A Madame La Duchesse De Bourgogne. Paris. (pdf) {BNF}


Mr. [Edward] Isaac. (1707). The Union, a New Dance. London. (pdf) {Gale}

Choreographies

» The Union







J. F. Lacombe-Ferrari. (1708). l'Unique Grammaire Royale Françoise & Allemande. Paris. (pdf) {BNF}


Mr. [Edward] Isaac. (1708). The Saltarella, New Dance Made for Her Majesty's Birth Day. London.

Choreographies

» Saltarella







Louis Pécour, Raoul-Auger Fueillet. (1708). VIIme Recueil De Danses De Bal Pour l'Année 1709 Dédiée A Madame La Duchesse De Bourgogne. Paris.


Louis Pécour, Raoul-Auger Fueillet. (1708). Choregraphie Figurativa, Y Demostrativa Del Arte De Danzar, En La Forma Española. Madrid Ms.


[Anonymous]. (1709). The Camilla. London.


Samuel Rudolph Behr. (1709). Maitre De Dance. Wohlgegründete Tantz-Kunst. Leipzig. (ULB)


[Raoul-Auger] Fueillet. (1709). Recueil De Dances Composeés Par Mr. Fueillet. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Louis Pécour. (1709). Recueil De Dances Composeés Par M. Pecour. Paris. (pdf) {congress} [Powers]


Mr. [Edward] Isaac. (1709). The Royal Portuguez, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Royal Portuguez







Louis Pécour, Raoul-Auger Fueillet. (1709). VIIIme Recueil De Danses De Bal Pour l'Année 1710. Paris.


Paul Siris. (1709). The Brawl of Audenarde, New Dance for the Year 1709. London.


John Young (ed.). (1709). The Dancing-Master (14th Edition). London. (pdf - missing title page) {imslp} [Powers]


Raoul-Auger Fueillet. (c. 1710). Rés. 817. Paris Ms.


Monsr. [Raoul-Auger] Fueillet, John Essex (tr.). (1710). For The Furthur Improvement of Dancing, A Treatis of Chorography or ye Art of Dancing Country Dances after A New Character. London. (pdf) (djvu) {congress} {archive} [Powers]

Notes: All capitalizations and spelling sic.

Country Dances

» A Trip to the Iubilee (p. 29)
» Micar'eme (p. 31)
» The Diligent (p. 35)
» The Great Turk (p. 39)
» The Busie Body (p. 44)
» Pantomime (p. 49)
» Gasconne (p. 53)
» The Female Saylor (p. 61)
» The Tatler (p. 69)
» The Tost (p. 79)

Mr. [Edward] Isaac. (1710). The Royall Gailliarde, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Royall Gailliarde







Mr. [Edward] Isaac. (1710). The Princess, Mr. Isaac's New Dance Made for Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive}

Choreographies

» The Princess







Mr. [Edward] Isaac. (c. 1710). The Marlborough, A New Dance. London.

Choreographies

» The Marlborough







Kynaston. (1710). Twenty Four New Country Dances for the Year 1710 with Proper Tunes and New Figures or Directions to Each. London.


Louis Pécour, Raoul-Auger Fueillet. (1710). IXme Recueil De Danses De Bal Pour l'Année 1711. Paris.


Mr. [Edward] Isaac. (1711). The Royall: Mr. Isaac's New Dance Made for Her Majesty's Birth Day. London: Printed for I. Walsh & I. Hare. (pdf) (djvu) {congress} {archive}

Choreographies

» The Royal







Mr. [Edward] Isaac. (1711). The Rigadoon Royal, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Rigadoon Royal







E. Pemberton. (1711). An Essay For the further Improvement Of Dancing; Being a Collection of Figure Dances. London. (pdf) (djvu) {congress} {archive} [Powers]


Claude Balon, Jacques Dezais. (1712). Xme Recueil De Danses Pour l'Année 1712. Paris.


Sr. Dezais. (1712). Deuxième Recueil De Nouvelles Contradances Mises En Choregraphie. Paris. (pdf) {BNF} [Powers]


Mr. [Edward] Isaac. (1712). The Royal Ann, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Royal Ann







Mr. [Edward] Isaac. (1712). The Gloucester, New Dance Made for Her Majesty's Birth Day, Engraven in Characters & Figures For the Use of Masters. London.

Choreographies

» The Gloucester







André Danican Philidor. (1712). Suite Des Dances Pour Les Violons, Et Hautbois, Qui Se Jouent Ordinairement à Tous Les Bals Chez Le Roy. Paris Ms. (pdf) {BNF}


John Weaver. (1712). An Essay Towards An History of Dancing. London. (pdf) {BNE}


Claude Balon, Jacques Dezais. (1712). Xme Recueil De Danses Pour l'Année 1712. Paris.


Claude Balon, Jacques Dezais. (1713). XIme Recueil De Danses Pour l'Année 1713. Paris.


Samuel Rudolf Behr. (1713). L'Art De Bien Danser. Die Kunst Wohl Zu Tanzen. Leipzig.


Raoul Feuillet. (1713). Chorégraphie, Ou L'Art De Décrire La Dance Par Caracteres. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Mr. [Edward] Isaac. (1713). The Northumberland: Mr. Isaac's New Dance Made for Her Majesty's Birth Day; Engraven in Characters & Figures For the Use of Masters. London. (pdf) (djvu) {congress} {archive}

Choreographies

» The Northumberland







Mr. [Edward] Isaac. (1713). The Pastorall, Mr. Isaac's New Dance For 1713. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Pastorall







Louis Pécour. (c. 1713). Nouveau Recüeil De Dance De Bal Et Celle De Ballet. Paris. (pdf) {BNF}


John Playford (ed.). (c. 1713). The Dancing Master, Vol. The First, Or, Directions For Dancing Country Dances. London. [Powers]


John Young (ed.). (1713). The Dancing Master (15th Edition). London.


Meletaon [Johann Leonhard Rost]. (1713). Von der Nutzbarkeit des Tantzens. Frankfurt. (pdf) {WDB} [Powers]


Claude Balon, Jacques Dezais. (1714). XIIme Recueil De Danses Pour l'Année 1714. Paris.


Mr. [Edward] Isaac. (1714). The Godolphin, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Godolphin







Raoul-Auger Fueillet, John Essex (tr.). (1715). For the Furthur Improvement of Dancing. A Treatise of Cherography, or the Art of Dancing Country Dances after a New Character. London.


Paul Siris. (1715). The Siciliana. New Dance for the Year 1714. London.


Claude Balon, Jacques Dezais. (1715). XIIIme Recueil De Danses Pour l'Année 1715. Paris.


Raoul Fueillet, John Weaver (tr.). (c. 1715). Orchesography; Or, The Art Of Dancing By Characters And Demonstrative Figures. London. (pdf) (djvu) {congress} {archive} [Powers]


Mr. [Edward] Isaac. (1715). The Friendship, Mr. Isaac's New Dance For 1715. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Friendship







Anthony l'Abbée. (1715). The Princess Royal, A New Dance for His Majesty's Birth Day. London.

Choreographies

» The Princess Royal







Louis Pécour. (c. 1715). Danses Nouvelles Presentées Au Roi. London.


Anthony l'Abbée. (1716). The Princess Anna. A New Dance for His Majesty's Birth Day. London.

Choreographies

» The Princess Anna







Claude Balon, Jacques Dezais. (1716). XIIIIme Recueil De Danses Pour l'Année 1716. Paris.


Mr. [Edward] Isaac. (1716). The Morris. A New Dance for the Year 1716. London.

Choreographies

» The Morris







Gregorio Lambranzi. (1716). Nuove E Curiosa Scuola De Balls Theatrals. Paris. (pdf) {plaisirs}


John Young (ed.). (1716). The Dancing Master (16th Edition). London.


Anthony l'Abbée. (1717). The Royal George. London.

Choreographies

» The Royal George







Claude Balon, Jacques Dezais. (1717). XV Recueil De Danses Pour l'Année 1717. Paris.


Gottfried Taubert. (1717). Rechtschaffener Tantzmeister, Volume I. Leipzig.


Gottfried Taubert. (1717). Rechtschaffener Tantzmeister, Volume II. Leipzig.


Anthony l'Abbée. (1717). The Princess Amelia. London.

Choreographies

» The Princess Amelia







Claude Balon, Jacques Dezais. (1718). XVI Recueil De Danses Pour l'Année 1718. Paris.


Jean Pierre Dubrueil. (1718). La Hessoise Darmstat. Danse Figurée E Deux Pour Le Bal & Contredanse Sous Le Même Nom Composeés & Ecrire En Chorégraphie Suivie De Plusieurs Autres Danses (Munich Version). Munich.


Jean Pierre Dubrueil. (1718). La Hessoise Darmstat. Danse Figurée E Deux Pour Le Bal & Contredanse Sous Le Même Nom Composeés & Ecrire En Chorégraphie Suivie De Plusieurs Autres Danses (Wiesbaden Version). Munich.


Louis Pécour. (1718). Le Danary De Madame La Dauphine. Paris Ms.


John Young (ed.). (1718). The Dancing Master, Volume II (3rd Edition). London.


J. Walsh. (1718). The Compleat Country Dancing Master. Paris. (pdf) {imslp} [Powers]


Claude Balon, Jacques Dezais. (1719). XVII Recueil De Danses Pour l'Année 1719. Paris.


Louis Pécour. (1719). XVII Recueil De Danses Pour l'Année 1719. Paris.


John Young (ed.). (1719). The Dancing Master, Volume II (3rd Edition). London.

Note: Verbatim reprint of Young, 1718.


Anthony l'Abbée. (1719). The Princess Ann's Chaconne. London.

Choreographies

» The Princess Ann's Chaconne







J. Walsh. (1719). The Second Book Of The Compleat Country Dancing Master. Paris. (pdf) {Gale} [Powers]


Claude Balon. (1720). XVIII Recueil De Danses Pour l'Année 1719. Paris.


[Anonymous]. (c. 1720). Chorégraphie - Durlach 209. Karlsruhe Ms. (BLB)


[Anonymous]. (c. 1720). Chorégraphie - Durlach 210. Karlsruhe Ms. (BLB)


Gaetano Grossatesta. (1720). Baletti in Occasione Delle Felicissime Nozze Di Sua Eccellenza La Signora Lovedana Duodo Con Sua Eccellenza Il Signor Antonio Grimani. Venezia [Venice].


Louis Pécour. (1720). Quatrième Recueil De Danses Nouvelles Pour l'Année 1720. Paris.


Kellom Tomlinson. (c. 1720). Six Dances Compos'D by Mr. Kellom Tomlinson Being a Collection of All the Yearly Dances, Publish'D by Him from the Year 1715 to the Present Year. London.


Anthony l'Abbée. (1721). Prince William. London.

Choreographies

» Prince William







Marcelle. (1721). The Prim Rose. London.

Choreographies

» The Prim Rose







John Young (ed.). (1721). The Dancing Master (17th Edition). London.


John Weaver. (1721). Anatomical and Mechanical Lectures upon Dancing Wherein Rules and Institutions for That Art Are Laid Down and Demonstrated as They Were Read at the Academy in Chancery Lane. Paris. (pdf) {BNE}


Claude Balon, Jacques Dezais. (1722). XXe et VIe Recueil De Danses Pour l'Année 1722. Paris.


Anthony l'Abbée. (1723). The New Rigodon, a New Dance for the Year 1723. London.

Choreographies

» The New Rigodon







Jacques Bonnet. (1723). Histoire Générale de la Danse Sacrée et Profane. Paris. (pdf) {BNF}


John Playford (ed.). (c. 1723). The Dancing Master, Or, Directions For Dancing Country Dances. London. [Powers]


Anthony l'Abbée. (1723). The Canary, a New Dance for the Year 1724. London.

Choreographies

» The Canary







J. Roberts (pub.). (1724). The Ball, Stated in a Dialogue betwixt a Prude and a Coquet. London.


[Anonymous]. (c. 1725). L'Ammazzone. Paris. (nypl)

Choreographies

» L'Ammazzone







Louis Pécour, Jacques Dezais. (1722). XXIII Recueil De Danses Pour l'Année 1725. Paris.


Anthony l'Abbée. (1725). A New Collection of Dances Containing a Great Number of the Best Ball and Stage Dances. London.


Anthony l'Abbée. (1723). Prince Frederick, a New Dance for the Year 1725. London.

Choreographies

» Prince Frederick







Pierre Rameau. (1725). Le Maître a Danser. Paris. (BNF) (djvu) (txt) {BNF} {archive} [Powers]


Pierre Rameau. (©1725/1931). Le Maitre A Danser (Cyril Beaumont Translation). Paris. [Powers] [WorldCat]


Pierre Rameau. (c. 1725). Abbregé De La Nouvelle Methode. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Anthony l'Abbée. (1727). The Prince of Wales. London.

Choreographies

» The Prince of Wales







M. Moreau. (1727). Mercure de France, with a Detailed Description of the Bal de L'Opera. Paris. [Powers]


Anthony l'Abbée. (1727). Queen Caroline, A New Dance for His Majestie's Birth Day. London.

Choreographies

» Queen Caroline







Giambatista Dufort. (1728). Trattato del Ballo Nobile. Napoli. (pdf) (djvu) (txt) {congress} {archive} [Powers]


[Anonymous]. (c. 1728). Rés. 1163. Paris Ms.


Pierre Rameau. (c. 1728). Abbregé De La Nouvelle Methode (Second Edition). Paris. (pdf) {archive}


John Young (ed.). (1728). The Dancing Master (18th Edition). London.


John Young (ed.). (1728). The Dancing Master, Volume II (4th Edition). London. (pdf) (djvu) {congress} {archive}


Pierre Rameau, J. Essex (tr.). (1728). The Dancing-Master, or, The Art of Dancing Explained. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Bartolo Ganasetti. (1729). Balletto per S:A:R:Il Sig: Principe de Galles. Bologna. (nypl)


Thomas Caverley. (1729). Mr. Caverley's Slow Minuet. London.

Choreographies

» Mr. Caverley's Slow Minuet







Soame Jenyns. (1729). The Art Of Dancing. London. (pdf) (djvu) (txt) {google} {archive} [Powers]


Jean Pierre Dubrueil. (1730). La Carlstadt Danse Figurée. Munich.


Anthony l'Abbée. (1731). The Prince of Wales's Saraband, A New Dance for Her Majesty's Birth Day. London.

Choreographies

» The Prince of Wales's Saraband







Pierre Rameau, J. Essex (tr.). (1731). The Dancing-Master, or, The Art of Dancing Explained (Second Edition).


Anthony l'Abbée. (1733). The Prince of Orange, A New Dance for the Year 1733. London.

Choreographies

» The Prince of Wales's Saraband







[Anonymous]. (1735). Histoire de l'Academie Royale des Sciences avec Les Mémoires de Mathématique & de Physique. (pdf) {BNF}


Kellom Tomlinson. (1735). The Art of Dancing Explained by Reading and Figures. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Francis Nivelon. (1737). The Rudiments of Genteel Behaviour. London.


Leach Glover. (1740). The Princess of Hesse. London.

Choreographies

» The Princess of Hesse







James Grassineau. (1740). A Musical Dictionary Being a Collection of Terms and Characters as Well as Ancient as Modern Including the Theoretical, Historical and Practical Parts of Music. London.


John Johnson. (c. 1740). Two Hundred Favourite Country Dances Perform'd at Court. London. (vwml)


J. [John] Walsh. (1740). The Compleat Country-Dancing Master (Fourth Edition). Paris. (pdf) {imslp}


Wright. (c. 1740). Compleat Collection of Celebrated Country Dances Both Old and New that Are in Vogue. London. (vwml)


Valentino Trichter. (1742). Curiöses. Leipzig. (pdf) {BSB}


Kitty Bridge. (1745). A Select Collection of Country Dances. London. (vwml)


Bartholome Ferriol y Boxeraus. (1745). Reglas Utiles Para Los Aficianados A Danzar. Malaga. (pdf version 1) (pdf version 2) {BNE version 1} {BNE version 2}


J. B. E. Maupetit. (1745). Contre-Danses Nouvelles Tel Guils Ont Etés Dansés Au Bal Du Roi Et Au Bal De l'Opera Pour Les Violons, Flutes Et Hautbois Et Autres Instrument. Paris.


Signor [Pierre Jean] Burette. (1746). Prima, E Seconda Memoria per Servire alla Istoria del Ballo degli Antichi. Venezia. (pdf) (djvu) {congress} {archive}


Walter Rainstorp. (1747). Commonplace Book. London. (pdf) {yale}


Pierre Rameau. (1748). Le Maitre A Danser (Third Edition). Paris. (pdf) (djvu) {congress} {archive} [Powers]


T. Davis. (1748). Twenty Four Country Dances For The Year 1748. London. (pdf) {imslp} [Powers]


Descan. (1748). Chorégraphie. Paris Ms. (pdf) {BNF}


John Walsh. (1748). Caledonian Country Dances, Being a Collection of All the Celebrated Scotch and English Country Dances Now in Vogue. London. (pdf2) (djvu2) (pdf2) (djvu2) {archive1} {archive2}


John Walsh. (1748). Country Dances Selected as Perform'd at Court and All Publick Assemblies and Entertainments. London. (pdf) (djvu) {archive}


[Anonymous]. (1749). The Register of Dances at Castle Menzies. Menzies. (Healy transcription)


[Anonymous]. (1750). The London Magazine: Or Gentleman's Monthly Intelligencer. London. (pdf) {google}

Country Dances

» Tom Jones (p. 41)
» Ranger's Wedding (p. 88)
» Den Jumpedo (p. 136)
» The Fumbler (p. 182)
» Trip to Richmond (p. 232)
» The Drum (p. 278)
» The Rival Mimics (p. 326)
» The Coquet (p. 373)
» Trip to Teddington (p. 421)
» The Tarr's Triumph, or Bawdy-House Riot (p. 470)
» The Highwayman (p. 516)
» Trip to Clapham (p. 564)

Antoine de Courtin. (1750). Nouveau Traité De La Civilité Qui Ce Pratique En France Parmi Les Honnêtes Gens. London. (pdf) {google}


Isaac Van Damme. (c. 1750). Le Maitre A Danser. London. (pdf) {google}


[Anonymous]. (c. 1750). C. 3588. London. (pdf) {BNF}


John Johnson. (c. 1750). Caledonian Country Dances with a Through Bass for y Harpsichord (Third Edition). London. (pdf) {imslp}


John Johnson. (1750). A Choice Collection of 200 Favourite Country Dances. London.


J. Longman. (1750). XXIV New Cotillons or French Dances. London. (vwml)


Carl Christoph Lange. (1751). Anfangsgründe Zur Tanzkunst In Welchen. Erlang. (pdf) {google}


[Anonymous]. (1751). Varias Contradanzas Con Sus Músicas Y Explicaciones De Todas Figuras. Madrid. (pdf) {BNE}


Felix Kinski. (1751). Choregraphie O Arte Para Saber Danzar Todas Suertes De Danzas Por Choregraphie Con Caracteres Figuras I Senales Demonstrativas. Oporto. (BMP)


Nicholas Dukes. (1752). A Concise & Easy Method Of Learning The Figuring Part Of Country Dances. London. [Powers] [WorldCat]


[Anonymous]. (1753). The Ladies Compleat Pocket-book for the Year of Our Lord, 1753. London.


[Anonymous]. (1753). The Merry Lad: Or, a Choice Collection of Songs ... to Which is Annex'd, a Set of New Country Dances for This Season. Sheffield.


M. [Louis] de Cahusac. (1754). La Danse Ancienne et Moderne, ou Traité Historique de la Danse. Paris. (pdf) (djvu) (txt) {congress} {archive}


Peter Thompson. (1754). Twenty Four Country Dances for the Year 1754 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. Sheffield.


Giovanni Andre Gallini. (c. 1755). A New Collection Of Forty-Four Cotillions. London. [Powers] [WorldCat]


[Anonymous]. (1756). The London Magazine: Or Gentleman's Monthly Intelligencer. London. (pdf) {google}

Country Dances

» Humours of Wapping (p. 85)
» Succes to the Fleet (p. 189)
» Jovial Tars (p. 397)
» Much Ado About Nothing (p. 501)
» Amorous Old Woman (p. 605)

Pablo Minguet e Yrol. (c. 1757). Quadernillo Curioso De Vientre Contradanzas Nuevas, Escritas De Todas Quantas Maneras Se Han Inventado Hasta Aora; Tienen La Musica Muy Alegre, Y Con Su Baxo. Madrid. (pdf) {BNE}


Pablo Minguet e Irol. (1758). Arte De Danzar A La Francesa. Madrid. (pdf) (djvu) {congress} {archive} [Powers]


Pablo Minguet e Irol. (c. 1758). Breve Explication De Diferentes Danzas, Y Contradanzas, Demonstradas Con Media Chorographia. Madrid.


[Anonymous]. (1758). The Universal Magazine of Knowledge and Pleasure. London. (pdf) {google}

Country Dances

» The Stage-Coach (p. 49)
» The Maiden's Choice (p. 94)
» In the Moor Among the Heather (p. 144, 208)
» Pitt's Fancy (p. 259)
» The Hessian Dance (p. 308)
» The Beaver (p. 362)

Albert Wolfgang Winterschmid. (1758). Kurze Und Leichte Anweisung, Die Compagnie-Tänze In Die Choregraphie Zu Setzen. Altdorf.


Peter Thompson. (1758). Twenty Four Country Dances for the Year 1758 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London.


H. Waylett. (1759). Twenty Four Country Dances for the Year 1759 with Proper Tunes and Directions for Each Dance Set for the Violin, German Flute or Hautboy. London.


Mr. Landrin. (c. 1760). Potpourri François Des Contre-Danse Ancienne Tel Quil Se Danse Chez La Reine. Paris. (pdf1) (pdf2) (djvu) {BNF} {congress} {archive} [Powers]


[Jean-Georges] Noverre. (1760). Lettres Sur La Danse Et Sur Les Ballets. Lyon. (pdf1) (pdf2) (djvu) (txt) {BNF} {BNE} {archive} [Powers]


Louis-César de la Baume le Blanc la Vallière. (1760). Ballets, Opéra Et Autres Ouvrages Lyriques, Par Ordre Chronologique, Depuis Leur Origine; Avec Une Table Alphabétique Des Ouvrages Et Des Auteurs. Paris. (pdf) {BNF}


Pablo Minguet e Irol. (c. 1760). El Noble Arte De Danzar a La Francesa, y Española. Madrid.


Michael Dabney. (1760). Twelve Minuets and Twelve Dances for a Violin Hautboy and Harpsichord. London. (pdf) {UR}


[Anonymous]. (1760). The Ladies Complete Pocket-Book for the Year of Our Lord, 1760. London.


Carl Christoph Lange. (1762). Choreographische Vorstellung der Englischen und Französischen Figuren in Contretanzen Nebst einen furzen Auszug des Französischen Kunst die Tanze Aufzuzeichnen. Mit fechs Contretänzen. Erlang. (pdf) {google}


Robert. (1762). Recueil De Contredanses Dédiées à Madame De Cypierre, Intendante d'Orleans. London. (pdf) {BNE}


Giovanni Andrea Gallini. (1762). A Treatise On The Art Of Dancing. London. (pdf) {google} [Powers]


Sr. de La Cuisse. (1762). Le Répertoire Des Bals, Ou Theorie-Pratique Des Contredanses. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Peter Thompson. (1762). Twenty Four Country Dances for the Year 1762 with Proper Tunes and Directions to Each Dance, as They Are Performed at Court, Bath & All Publick Entertainments. London. (vwml)


[Anonymous]. (1762). The Ladies Complete Pocket-Book for the Year of Our Lord 1762. London.


David Wall, Joseph Harrison. (1762). A Book of Tunes. London. (pdf) (djvu) {archive}


Pablo Minguet e Irol. (1764). Breve Tratado De Los Passos Del Danzar A La Española (2nd Edition). Madrid. (pdf) {BNE}


A. D. (1764). Country-Dancing Made Plain and Easy to Every Capacity. London.


Charles Thompson, Samuel Thompson. (1765). Twenty Four Country Dances for the Year 1765 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Dominique Magny. (1765). Principes De Chorégraphie. Paris.


Mr. Landrin. (c. 1765). Recueil Danglaise: Arrangees Avec Leurs Traits Telle Quel Se Danse. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Friedrich Gottlieb Nagel. (1766). Neue Englische Taenze Nebst Darzu Componirter Music. Halle. (pdf) {BNE}


John Johnson. (1766). Twenty Four Country Dances for the Year 1765 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. Halle. (pdf) {IMSLP}


Natal Jacome Bonem. (1767). Tratado Dos Principaes Fundamentos da Dança. Coimbra. (pdf) (djvu) (txt) {congress} {archive}


J. M. de Chavanne. (1767). Principes Du Menuet Et Des Reverances, Nécessaires à La Jeunesse De Savoir, Pour Se Présenter Dans La Grand Monde. Paris.


Charles Thompson, Samuel Thompson. (1767). Twenty Four Country Dances for the Year 1767 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Gherandi. (1768). "Instructions for the More Ready and Perfect Attainment of the Cotillon or French Country Dances." The London Magazine or Gentleman's Monthly Intelligencer. London. (pdf) {google}


Friedrich Gottlieb Nagel. (1768). Samlung Einer Neuen Art Gedruckter Englischer Tänze, Nebst Der Darzu Gehörigen Vollstimmigen Musik. Halle. (pdf) {BNE}


Theodorus Franciscus Petersen. (1768). Practische Einleitung in der Chorégraphie. Hamburg. (pdf) {google}


Jean-Jacques Rousseau. (1768). Dictionnaire de Musique. Paris. (pdf) {google}


Rafael Rivas, Segismundo Torrents. (1768). Contradanzas que se han de baylar en el Theatro de esta ciudad, en los Bayles de mascara del Carnaval de 1768. Barcelona. (pdf) {BNE}


Guillaume. (1769). Almanach Dansant; Ou Positions & Attitudes De L'Allemande. Paris. (pdf) {BNF}


Jean-Georges Noverre. (1769). Briefe Über Die Tanzkunst Und Über Die Ballete. Hamburg. (pdf) {BNE}


Dubois. (c. 1769). Principes d'Allemandes. Paris. (pdf) {BNE}


Dubois. (c. 1769). Recueil De Six Menuets Et Six Allemandes. Paris. (pdf) {BNE}


Dubois, et al. (c. 1769). [Contredanses]. Paris. (pdf) {BNE}

Country Dances

» La Dubois Allemande (p. 1)
» La Nouvelle Danoise (p. 5)
» La Julie Allemande (p. 9)
» La Nouvelle Amazonne ou Les Plaisirs Champetres Allemande (p. 13)
» Les Paisirs de Lucille (p. 17)
» Les Plaisirs de l'Inconstance ou l'Infidelle (p. 21)
» L'Inconnue ou Les Plaisirs de Chantilly (p. 25)
» La Nouvelle Minette (p. 29)
» Les Nouveaux Plaisirs des Eaux de Barege (p. 33)
» Les Nouveaux Plaisirs des Festes Foraines (p. 37)
» La Nouvelle Cornet (p. 41)
» La Gratieuse (p. 45)

Benito Monsort. (1769). Contradanzas Nuevas. Valencia. (pdf) {BNE}


Simon Guillaume. (c. 1769). Caractères de la Danse Allemande. Paris.


[Anonymous]. (1769). The Ladies' Own Memorandum-Book [with Country Dances for 1769]. London.


Matthew Towle. (1770). The Young Gentleman's and Lady's Private Tutor. Oxford.


N. Malpied. (c. 1770). Les Caracteres des Contre-Danses. Paris. (pdf) {BNE}


Louis Pécour. (c. 1770). Danse de Ville ‹La Forlanne› mis en Chorégraphie. Paris. (pdf) {BNE}


Maximilien Gardel. (c. 1770). Danse de Ville ‹Gavotte du Menuet de la Cour› mis en Chorégraphie. Paris. (pdf) {BNE}


François Robert Marsel. (c. 1770). Danse de Ville ‹Menuet Dauphin› mis en Chorégraphie. Paris. (pdf) {BNE}


Maximilien Gardel. (c. 1770). Danse de Ville ‹Menuet de la Cour› mis en Chorégraphie. Paris. (pdf) {BNE}


N. Malpied. (c. 1770). Danse de Ville ‹Les Tricolets› mis en Chorégraphie. Paris. (pdf) {BNE}


la Hante, Perreau. (1770). Deuxième Recueil des Plaisirs. Paris. (pdf) {BNF}


J. Longman. (1770). Twenty Four Country Dances for year 1770 with Proper Directions to Each Dance, as They Are Performed at Court & Almacks, Bath, Scarbrough, Tunbridge & All Other Publick Assemblys. London. (pdf) {imslp}

Country Dances

» Kate's Delight (p. 25)
» Nancy's Choice (p. 25)
» A Trip To Stratford Upon Avon (p. 26)
» The Cat In Pattens (p. 26)
» Cheshunt Statute (p. 27)
» A Peep At The Jubelee (p. 27)
» The Royal Pear (p. 28)
» The Full Moon (p. 28)
» The Philosopher's Jigg (p. 29)
» The Hum Drum (p. 29)
» Harry's Frolick (p. 30)
» Mark In The Dumps (p. 30)
» Mother's Midnight Taste (p. 31)
» The Contending Parsons (p. 31)
» Nancy Under The Hill (p. 32)
» Clerkenwell Assembly (p. 32)
» Do You Know Jack Adams's Parish (p. 33)
» The Lads And The Lasses (p. 33)
» Under The Rose (p. 34)
» The Virgins Frolick (p. 34)
» Love In A Tub (p. 35)
» The New Cotillon (p. 35)
» Beckfords Election (p. 36)
» Mungo (p. 36)

Giovanni Andrea Battista Gallini. (c. 1770). A New Collection of Fourty Four Cotillons; with Figures Properly Adapted, the Music for Six Select Dances, Two of Which May Be Used as Cotillons. London. (pdf) {google}


Mr. Duseul. (c. 1770). Les Plaisirs De L'Arquebuse Contradanse Allemande (And Over 85 Other Set Dances). Paris. [Powers] [WorldCat]


Giovanni Andre Gallini. (c. 1770). Critical Observations On The Art Of Dancing. London. (pdf) {google} [Powers]


Catley, Weiwitzer. (c. 1770). New London and Dublin Song-book or Polite Musical Companion Being a Choice of the Most Favorite Songs and Airs, from Operas, Plays, the Public Gardens, &c. &c. and Private Persons, Many of Which Have Never Appeared before in Print. To Which is Added a Complete Collection of Country-Dances; and a Catalogue of the Most Fashionable Minuets, from Saint James's, the Castle of Dublin, &c. &c. Dublin.


N. Malpied. (c. 1770). Traité sur l'Art de la Danse. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Charles Thompson, Samuel Thompson. (1771). Twenty Four Country Dances for the Year 1771 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {imslp}


William Randall. (1771). Twenty Four Country Dances for the Year 1771 with Proper Tunes and Directions to Each Dance as They Are Performed at Court & All Polite Assemblys Set for the Violin, German Flute or Hautboy. London. (pdf) {imslp}


[Anonymous]. (1771). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1771 [including] Country Dances for the Year 1771. London.


Guillaume. (1771). Almanach Dansant; Ou Positions & Attitudes De L'Allemande. Paris. [Powers] [WorldCat]


V. D. W. (1772). Dansebog. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Louis Delpêch. (1772). Leçons de Danse. Dresden Ms. (SLUB)


C. J. von Feldtenstein. (1772). Erweiterung Der Kunst Nach Der Chorographie Zu Tanzen, Tänze Zu Erfinden, Und Aufzusetzen. Braunschweig. (pdf) (djvu) {congress} {archive} [Powers]


Giovanni Andrea Gallini. (1772). A Treatise On The Art Of Dancing. London. (pdf1) (pdf2) djvu) (txt) {google} {congress} {archive} [Powers]


[Anonymous]. (c. 1772). The Ladies Polite Songster. London.


Johan Bülow. (1773). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


José Marset. (1774). Contradanzas Nuevas. Madrid. (pdf) {BNE}


Charles Thompson, Samuel Thompson. (1774). Twenty Four Country Dances for the Year 1774 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Joachin Ibarra. (1775). Doce Contradanzas Nuevas Abiertas. Madrid. (pdf) {BNE}


T. Straight, T. Skillern. (c. 1775). Two Hundred & Four Favourite Country Dances Perform'd at Court, Almacks, the Pantheon and Most Publick Assemblys, with the Newest and Best Directions for Dancing Each. Set for the Violin, German Flute and Hoboy. London. (pdf) {imslp}


Peter Thompson, Samuel Thompson. (c. 1775). Compleat Collection of 200 Favourite Country Dances Perform'd at Court, Bath, Tunbridge, & All Public Assemblies with Proper Figures or Directions to Each Dance Set for the Violin, German Flute, & Hautboy. London.


Charles Thompson, Samuel Thompson. (c. 1775). Compleat Collection of 120 Favourite Hornpipes as Performed at the Public Theatres. London.


[Anonymous]. (c. 1775). The Ladies Polite Songster. London.


Charles Thompson, Samuel Thompson. (1776). Twenty Four Country Dances for the Year 1776 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


J. Longman, Broderip. (c. 1776). Compleat Collection of 100 of the Most Favorite Minuets Performed at Court, Bath, Tunbridge & All Polite Assemblies Set for the Harpsichord, Violin, Hautboy or German Flute. London.


Christian Friedrich Daniel Schubart. (1777). Vorlesungen Über Mahlerey, Kupferstecherkunst, Bildhauerkunst, Steinschneidekunst und Tanzkunst. Augsburg. (pdf) {google}


Friedrich Wilhelm Weis. (1777). Characteristische Englische Tänze. Lubec. (pdf) {Innsbruck} [Powers]


[Anonymous]. (1777). Danses Angloises. Vienne [Vienna]. (pdf) {BNE}


[Anonymous]. (1777). Les Plaisirs du Bal de Mannheim. Mannheim. (pdf) {BNF}


T. Straight, T. Skillern. (1777). Minuets for the Year 1777 as They were Perform'd at the Ball at Court and Other Publick Assemblys for the Harpsichord Violin and German Flute. London. (vwml)


Charles Thompson, Samuel Thompson. (1778). Twenty Four Country Dances for the Year 1778 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Sieur Brives. (1779). Nouvelle Méthode Pour Apprendre L'Art De La Danse Sans Maitre. Toulouse, France. (pdf) {Toulouse} [Powers]


Gennaro Magri. (1779). Trattato Teorico-Prattico Di Ballo (Mary Skeaping Translation). Naples. [Powers] [WorldCat]


Gennaro Magri. (1779). Trattato Teorico-Prattico Di Ballo, Volumes 1 & 2. Naples. (pdf) (djvu) {congress} {archive} [Powers]


T. Straight. (1779). 24 Favourite Dances for the Year 1779 with Proper Directions to Each Dance as They Are Perform'd at Court, Bath and All Publick Assemblys. London. (vwml)


Ignatius Sancho. (1779). Twelve Country Dances for the Year 1779. Set for the Harpsichord by Permission. Humbly Dedicated to the Right Honorable Miss North by her Most Obedient Servant. London. (pdf) {NA} [Powers]


Charles Thompson, Samuel Thompson. (1779). Twenty Four Country Dances for the Year 1779 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Johan Bülow. (1779). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


Pierre Laurent. (1780). Samling af de Nyeste Engelske Danse med Tourer. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


John Baptist Malchair. (1780). Tune Book. London. (vwml)


T. Skillern. (1780). Twenty Four Country Dances for the Year 1780 with Proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Public Assemblys. London. (vwml)


Peter Thompson, Samuel Thompson. (c. 1780). Compleat Collection of 200 Favorite Country Dances Perform'd at Court, Bath, Tunbridge, & All Public Assemblies with Proper Figures or Directions to Each Dance. London.


Charles Thompson, Samuel Thompson. (1780). Twenty Four Country Dances for the Year 1780 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml) [Powers]


[Anonymous]. (1780). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1780 [including] Country Dances for the Year 1780. London.


Antonio Bigatti. (1780). Description des Figures du Gros Vater que l'on Peut Même Danser Jusqu'au Nombre de 24 Paires. London.


Joseph Vernon. (c. 1780). The New London and Country Songster. London.


Longman & Lukey (pub.). (c. 1780). Set Of Cotillons, Or French Dances. London. [Powers] [WorldCat]


Louis Julien Clarchies. (c. 1781). ‹L'Été› Contredanse Française et ‹Les Deux Amis› Deuxième Contredanse. London. (pdf) {imslp}


Longman & Broderip. (1781). Compleat Collection of 200 Favorite Country Dances, Cotillons and Allemands. London. [Powers] [WorldCat]


T. Skillern. (1781). Twenty Four Country Dances for the Year 1781 with proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Public Assemblys. London. (vwml)


[Anonymous]. (1781). The Ladies Complete Pocket-book; Or Memorandum Repository for the Year 1781 [including] New Country Dances for the Year 1781. Edinburgh.


Thomas Budd. (1781). Six Favorite New Minuets, Four Cotillons & Four Country Dances. London. (pdf) {BNE}


Charles Thompson, Samuel Thompson. (1782). Twenty Four Country Dances for the Year 1782 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Jacobsen. (1782). Les Nouvelles Danses Angloises pour 1782. Copenhague [Copenhagen]. (pdf) {DKB}


Auguste Ferrère, Joseph Frederick. (1782). Cotillon et Chorégraphie. Valenciennes.


T. Skillern. (1782). Twenty Four Country Dances for the Year 1782 with Proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Public Assemblys. London. (vwml)


[Anonymous]. (1782). "The Art of Dancing." A Collection of Poems. London. 152. (pdf) {google}


Auguste Ferrère, Joseph Frederick. (1782). Cotillon et Chorégraphie. Valenciennes.


Jacobsen. (1783). Les Nouvelles Danses Angloises pour 1783. Copenhague [Copenhagen]. (pdf) {DKB}


T. Straight. (1783). 24 Favourite Dances for the Year 1783 with Proper Directions to Each Dance as They Are Perform'd at Court, Bath, and All Publick Assemblys. London. (vwml)


Guillemin. (1784). Chorégraphie, ou l'Art de Décrire la Danse. Paris.


Jonathan Bülow. (1785). Danses Angloises pour 1785 & 1786. Copenhague [Copenhagen]. (pdf) {DKB}


Joh. E. Blomgren. (c. 1785). [Untitled]. Hässlunda. (SV)


Baron Fredrik Akerhielm. (1785). Dansbok, 200 Kontradanser. Stockholm. [Powers]


M. Bacquoy-Guédon. (c. 1785). Méthode Pour Exercer L'Oreille A La Mesure, Dans L'Art De La Danse. Amsterdam. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Hezekiah Cantelo. (1785). Twenty Four American Country Dances as Danced by the British During Their Winter Quarters at Philadelphia, New York, & Charles Town. London. (pdf1) (pdf2) {imslp1} {imslp2} [Powers]


[Anonymous]. (1785). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1785 [including] Fifteen Country Dances for the Year 1785. London.


[Anonymous]. (1786). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1786 [including] Eleven Country Dances for the Year 1786. London.


S. J. Gardiner. (1786). Definition of Minuet Dancing, Rules for Behaviour in Company &c, a Dialogue between a Lady and a Dancing-Master. Madeley.


Jonathan Bülow. (1787). Danses Angloises pour 1787. Copenhague [Copenhagen]. (pdf) {DKB}


Claus Schall. (1787). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Charles Compan. (1787). Dictionnaire De Danse. Paris. (pdf) (djvu) (txt) {google} {archive} [Powers]


[Anonymous]. (1787). The Ladies' New Memorandum Book, for the Year 1787 [including] New Country Dances. London.


[Anonymous]. (1787). The Festival of Momus: Or, Polite Musical Companion. Containing a Variety of the Newest and Most Fashionable Songs, Catches, Duets, Cantatas, Country-dances, Toasts, Sentiments, &c.. Dublin.


John Griffiths. (1788). A Collection of the Newest and Most Fashionable Country Dances and Cotillions. Providence, RI: John Carter. (pdf) {NewsBank}


John Griffiths. (1788). A Collection of the Newest Cotillions, and Country Dances. Northampton, MA: William Butler. (pdf) {NewsBank}


Claus Schall. (1788). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


[Anonymous]. (1788). Pandora oder Taschenbuch des Luxus und der Moden für das Jahr 1788. Weimar.


John Fentum. (1788). Sixteen New Country Dances with Their Proper Figures for the Harp, Harpsichord, and Violin; as Performed at the Prince of Wales's & Other Grand Balls & Assemblies. Humbly Dedicated to the Nobility & Gentry, Subscribers to Willis's Rooms Festino. London.


W. H. Kingsbury. (1788). A Cotilion. Paris. (pdf) (djvu) {congress} {archive}


Claus Schall. (1789). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


[Anonymous]. (1789). Pandora oder Kalender des Luxus und der Moden für das Jahr 1788. Weimar.


John Johnson. (1789). The Ladies New and Polite Pocket Memorandum-book, for the Year of our Lord 1789 [including] New Country Dances for 1789. London.


[Anonymous]. (1789). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1789 [including] Fourteen Country Dances for the Year 1789. London.


[Anonymous]. (1789). The Irish Nosegay: or, Songster's Companion. Being a Select Collection of the Newest and Best Songs of Every Species, and Adapted to Persons of Every Kind of Taste. Together with the Most Approved Cantatas, Sonnets, and Airs, as Sung at the Theatres and Public Gardens. Also a Variety of Country-dances, Toasts, Sentiments, &c. Dublin.


Johan Bülow. (1790). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


Johan Bülow. (c. 1790). Engelske Danse i Partitur. Copenhague [Copenhagen]. (pdf) {DKB}


Claus Schall. (1790). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


[Anonymous]. (1789). Rules and Regulations for the Dancing Assembly of Savannah. Savannah.


Шарль Компан [Charles Compan]. (1790). Танцевальный словарь [Dance Dictionary]. Москва [Moscow]. (pdf) {google}


B. Cooke (pub.). (c. 1790). Tracy's Selection Of The Present Favorite Country Dances. Dublin. (pdf) {itma} [Powers]


H. Bishop, Maximilien Gardel. (1790). Six New Minuets and Six Cotillons to Which is Added a Minuet and Gavot. London. (pdf) {BNE}


[Anonymous]. (1790). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1790 [including] Twelve Country Dances for the Year 1790. London.


[Anonymous]. (1790). The Ladies Most Elegant and Convinient Pocket Book for the Year 1790. London.


Claus Schall. (1791). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1791). Taschenbuch Zum Geselligen Vergnügen. Leipzig.


Nicolas Etienne Framery, Jerome Joseph de Momigny, Pierre Louis Ginguené. (1791). Encyclopédie Méthodique. London. (pdf - volume 1) (pdf - volume 1) {google - volume 1} {google - volume 2}


Charles Thompson. (1791). Twenty Four Country Dances for the Year 1791 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {imslp} [Powers]


[Anonymous]. (1791). The Irish Nosegay: or, Songster's Companion. Being a Select Collection of the Newest and Best Songs of Every Species, and Adapted to Persons of Every Kind of Taste. Together with the Most Approved Cantatas, Sonnets, and Airs, as Sung at the Theatres and Public Gardens. Also a Variety of Country-dances, Toasts, Sentiments, &c. Dublin.

Note: Reprint of 1789 Nosegay.


Johan Bülow. (1792). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


J. W. Haskerl. (1792). Sex nye Engelske Dandse med Tourer. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


P. Thræn. (1792). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1792). Taschenbuch Zum Geselligen Vergnügen für 1792. Leipzig.


[Anonymous]. (1792). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1792 [including] Eighteen Country Dances for the Year 1792. London.


[Anonymous]. (1792). A Collection of Contra Dances Containing the Newest, Most Approved and Fashionable Figures. Stockbridge, MA: Loring Andrews. (pdf) {Newsbank}

Country Dances

» Constitution of America (p. 3)
» The American Eagle (p. 3)
» Lady Adam's Fancy (p. 3)
» The Fair American (p. 3)
» Durang's Hornpipe (p. 4)
» Miss Harman's Fancy (p. 4)
» Bowling Green (p. 4)
» City of Philadelphia (p. 4)
» The Rising Sun (p. 5)
» A Fancy Dance (p. 5)
» Lady Buckle's Whim (p. 5)
» Elegant Simplicity (p. 5)
» Chester Castle (p. 6)
» Troy Assembly (p. 6)
» The Village Maid (p. 6)
» Jackson's Baby (p. 6)
» Money Musk & Yankee Doodle (p. )
» Jackson's Jacket (p. 7)
» The Lilt (p. 7)
» Bank of Flowers (p. 7)
» Democratic Rage (p. 7)
» Irish Grove (p. 7)
» Shady Grove (p. 8)
» New Boston Assembly & King's Return (p. 8)
» New London Assembly (p. 8)
» The President (p. 8)
» Patterson's Hornpipe (p. 9)
» Miss Foster's Delight (p. 9)
» Irish Wash Woman (p. 9)
» Ema's Bower (p. 9)
» Siege of Belgrade (p. 10)
» The Ball (p. 10)
» The Pomp Room (p. 10)
» La Belle Catherine (p. 10)
» The Orange Tree (p. 10)
» Rhode-Island March or Rakes of Rodney (p. 11)
» The Myrtle Grove (p. 11)
» Miss Pitkin's Fancy (p. 11)
» The Bonny Lass (p. 12)
» The Seasons (p. 12)
» The Bells of Newhaven (p. 12)
» [Unintelligible] (p. 12)
» The Sun Flower (p. 12)
» Money in both Pockets (p. 13)
» Genet's Recall (p. 13)
» The Shepherd's Holiiday [sic] (p. 13)
» The Road to Ruin (p. 13)
» Leap Year (p. 13)
» Miss Spencer's Fancy (p. 14)
» Lancaster (p. 14)
» Reading (p. 14)
» Miss Drummond's Reel (p. 14)
» Miss Paine's Fancy (p. 14)
» The Female Soldier (p. 15)
» All goes right (p. 15)
» Step to Ireland (p. 15)
» Boston Assembly (p. 15)
» Lord St. Vincent's Glory (p. 16)
» Rickett's Hornpipe (p. 16)
» Paddy's Resort (p. 16)
» Jack's alive (p. 16)
» Money Musk (p. 16)
» Paddy Whack (p. 16)

[Anonymous]. (1792). Ladies Museum or Complete Pocket Memorandum Book for the Year 1792 [including] the Select Country Dances for the Year. London.


Wilhelm Gottlieb Becker. (1793). Taschenbuch Zum Geselligen Vergnügen für 1793. Leipzig. (pdf) {BSB}


Felipe Roxo de Flores. (1793). Tratado De Recreacion Instructiva Sobre La Danza. Madrid. (pdf) {BNE} [Powers]


Thomas Preston. (1793). Twenty Four Country Dances for the Year 1793 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblys. London. (vwml)


[Anonymous]. (1793). The Ladies' Own Memorandum-book: or, Daily Pocket Journal, for the Year 1793 [including] Twenty-One Country Dances for the Year 1793. London.


Asa Willcox. (1793). Asa Willcox's Book Of Figures, 1793. Hartford City, CT. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Иван Кусков [Ivan Kuskov]. (1794). Танцевальный учитель [Dance Teacher]. Санкт-Петербург [St. Petersburg]. [Powers]


Wilhelm Gottlieb Becker. (1794). Taschenbuch Zum Geselligen Vergnügen für 1794. Leipzig.


Thomas Preston. (1794). Twenty Four Country Dances for the Year 1794 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblys. London. (vwml)


[Anonymous]. (1794). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1794 [including] Twenty-One Country Dances for the Year 1794. London.


F. C. Groth. (1795). Sex nye Engelske Dandse med Tourer. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1795). Taschenbuch zum Geselligen Vergnügen für 1795. Leipzig. (pdf) (pdf) {google} {BSB} [Powers]


Wilhelm Gottlieb Becker. (1795). Taschenbuch und Almanach zum Geselligen Vergnügen für 1795. London.


[Anonymous]. (1795). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1795 [including] Country Dances for the Year 1795. London.


George Kauntze. (c. 1795). Collection of the Most Favorite Dances, Reels, Waltzes &c.: for the Piano Forte or Harp. London. (pdf) {BNE}


Louis Julien Clarchies. (c. 1795). Recueil Des Contre-Danses Et Walzes. Paris. (pdf) (djvu) {congress} {archive} [Powers]


M. J. C. Fraisier. (c. 1796). The Scholars Companion: Containing A Choice Collection Of Cotillons & Country-Dances. Boston. (pdf) (djvu) (txt) {congress} {archive} [Powers]


[Anonymous]. (1796). Tempel der Musen und Grazien. Mannheim. (pdf) {BSB} [Powers]


Wilhelm Gottlieb Becker. (1796). Taschenbuch Zum Geselligen Vergnügen für 1796. Leipzig.


J. G. Jacobi. (1796). Taschenbuch für 1796. Königsberg.


Johann Gottfried Pfannenberg. (1796). Ueber die Rednerische Aktion: Mit Erläuternden Beispielen; Vorzüglich für Studirende Jünglinge. Königsberg.


Thomas Preston. (1796). Twenty Four Country Dances for the Year 1796 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assebmlys. London. (vwml)


Don Preciso [Juan Antonio de Iza Zamácola]. (1796). Elementos de la Ciencia Contradanzaria. Madrid. {EMD}


B. Cooke. (1796). Selection of the Present Favorite Country Dances. Dublin. (pdf) {itma}


J. Longman, Broderip. (1796). Twenty Four Country Dances for the Year 1796 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London.


[Anonymous]. (1796). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1796 [including] Country Dances for the Year 1796. London.


[Anonymous]. (1796). Royal Fortune-telling Almanack; Or, Ladies Universal Pocket-book, for the Year 1796 [including] New Country Dances. London.


[Anonymous]. (1796). A Collection of Songs Carefully Selected from the Best Editions Ancient and Modern That Are Extant to Which Are Added a New Set of Country Dances with Their Figures Annexed. Dublin.


Wilhelm Gottlieb Becker. (1797). Taschenbuch und Alamanach zum Geselligen Vergnügen für 1797. Leipzig.


Wilhelm Gottlieb Becker. (1797). Taschenbuch zum Geselligen Vergnügen für 1793 (Second Edition). Leipzig.


J. J. Martinet. (1797). Essai, ou Principes Élémantaires de l'Art de la Danse. Lausanne. (pdf) {google} [Powers]


B. Cooke. (1797). Collection of Favorite Country Dances. Dublin. (pdf) {itma}


B. Cooke. (1797). New Dances. Dublin. (pdf) {itma}


Yarker. (1797). Tune Book. London. (vwml)


Wilhelm Gottlieb Becker. (1798). Almanach und Taschenbuch zum Geselligen Vergnügen für 1798. Leipzig.


J. B. Hullin. (1798). 2eme Recueil des Nouvelle Contre-Danses. Paris. (pdf) {BNF}


Thomas Preston. (1798). Twenty Four Country Dances for the Year 1798 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblys. London. (vwml)


[Anonymous]. (1798). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1798 [including] Country Dances for the Year 1798. London.


[Anonymous]. (1798). A Dance Fan for 1798. London. (brit)


John Griffiths. (1798). The Gentleman and Lady's Companion Containing the Newest Cotillons and Country Dances, to Which is Added Instances of Ill Manners to Be Carefully Avoided by Youth of Both Sexes. Norwich: John Trumbull. (pdf1) (pdf2) (djvu) (txt) {congress} {archive} {NewsBank} [Powers]


John Griffiths. (1798). The Gentleman and Lady's Companion; Containing, the Newest Cotillions and Country Dances; to Which Are Added, Instances of Ill Manners, to Be Carefully Avoided by Youth of Both Sexes. Norwich: John Trumbull. (pdf) {NewsBank}


John Griffiths. (1798). The Gentleman and Lady's Companion Containing the Newest Cotillons and Country Dances, to Which is Added Instances of Ill Manners to Be Carefully Avoided by Youth of Both Sexes (2nd Edition). Norwich.


Nils Peter Møller. (1799). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1799). Almanach und Taschenbuch zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {SLUB} {MN}


J. B. Hullin. (1799). 3eme Recueil des Nouvelles Contre Danses, Walzes et Bearnoize. Paris. (pdf) {BNF}


John H. Ives. (1799). Twenty-Four Figures of the Most Fashionable Country Dances: Together with Eight Cotillions, for the Year Eighteen Hundred. New-Haven: Read & Morse. (pdf) {NewsBank}


Thomas Preston. (1799). Twenty Four Country Dances for the Year 1799 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {NewsBank} {vwml}


T. Skillern. (1799). Twenty Four New Country Dances for the Year 1799 with Proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Publick Assemblys. London. (vwml)


J. Longman, Broderip. (1799). Twenty Four Country Dances for the Year 1799 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London.


[Anonymous]. (1799). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1798 [including] Country Dances for the Year 1798. London.


John Griffiths. (1799). The Gentleman and Lady's Companion Containing the Newest Cotillons and Country Dances, to Which is Added Instances of Ill Manners to Be Carefully Avoided by Youth of Both Sexes. Newport.



Turn of the 19th Century



Miller & Beacham (pub.). (c. 1800). Pop goes the Weasel or Fun & Frolic with a Full description of the Figures. Baltimore: Miller & Beacham. (pdf) {JHU}

Note: All capitalizations and spelling sic.

Country Dances

» Pop goes the Weasel (p. 5)







Wilhelm Gottlieb Becker. (1800). Almanach und Taschenbuch zum Geselligen Vergnügen für 1800. Leipzig. (pdf) {SLUB}


Wilhelm Gottlieb Becker. (1800). Taschenbuch zum Geselligen Vergnügen. Leipzig.


P. Landrin Duport. (1800). No. 1 of a New Sett of Cotilions, with Figures Called after the American Navy. New York. (pdf) {NewsBank}

Set Dances

» The Eagle (p. 2)
» The Constitution (p. 4)
» The President (p. 6)
» The Constellation (p. 8)
» The Essex (p. 10)
» The Merrimack (p. 12)
» The Chesapeak (p. 14)
» The Herald (p. 16)
» The Experiment (p. 18)
» The Enterprise (p. 20)

P. Landrin Duport. (1800). United States Country Dances, with Figures. New York. (pdf) {NewsBank}

Set Dances

» No. 1. Vermont. French Country dance (p. 3)
» No. 2 New Hampshire Allemande (p. 4)
» No. 3 Massachusett's hop (p. 5)
» No. 4 Rhode Island Jigg (p. 6)
» No. 5 Connecticut (p. 7)
» No. 6 New York (p. 8)
» No. 7 New Jersey (p. 9)
» No. 8 Pennsylvania (p. 10)
» No. 9 Delaware (p. 11)
» No. 10 Maryland (p. 12)
» No. 11 Virginia (p. 13)
» No. 12 Kentucky French Country dance (p. 14)
» No. 13 North Carolina Jigg (p. 15)
» No. 14 Tennessee (p. 16)
» No. 15 South Carolina (p. 17)
» No. 16 Georgia, French Country dance (p. 18)

Johann Heinrich Katfuss. (1800). Choregraphie oder Vollständige und Leicht Falßiche Anweisung zu den Verschiedenen Arten der Heut zu Tage Beliebtesten Gesellschaftlichen Tänze fur Tanzliebhaber, Bortänzer und Tanzmeister. Leipzig. (pdf) {google}


[Anonymous]. (1800). Taschenbuch für Liebhaber der Schönen Tanzkunst. Leipzig. (pdf) {MN}


Taschenbuch für Frauenzimmer von Bildung auf das Jahr 1800. Stuttgart.


Ferdinando Carulli. (c. 1800). Six Contre-Danses avec les Figures et Trois Valzes. Paris. (pdf) {BNF} [Powers]

Note: Also includes music for three waltzes.

Country Dances

» La Dom Quichotte (p. 1)
» La Bouillotte (p. 2)
» La Sirene (p. 3)
» La Dulcinée (p. 4)
» La Merliflor (p. 5)
» La Gaieté (p. 6)

J. B. Hullin. (1800). Trois Quadrilles de Nouvelles Contredances. Paris. (pdf) {BNE}

Note: Includes additional dance music at the end.

Quadrilles

» La Richelieu (p. 1)
» Les Petits Pates (p. 4)
» La Frivolité (p. 6)
» Zephir (p. 8)
» L'Alsacienne (p. 10)
» Les Plaisirs (p. 12)
» La Chasse Au Loup (p. 14)
» La Sultane (p. 16)
» La Sincere (p. 18)
» La Psiché (p. 20)
» La Silvie (p. 22)
» La Piemontaise (p. 24)
» L'Ingenue (p. 26)
» La Corisandre (p. 28)
» L'Impressario (p. 30)
» La Colinete (p. 32)
» La Marote (p. 34)
» La Juliete (p. 36)
» La Petite Nanete (p. 36)
» La Juliete (p. 38)
» Le Terpsichore (p. 40)
» La Volupte (p. 42)
» La Rosiere (p. 44)
» La Pastourelle (p. 46)

Thomas Preston. (1800). Twenty four Country Dances for the Year 1800 with proper Tunes and Directions to each Dance as they are performed at Court, Bath, and all Public Assemblies. London. (pdf) {vwml}

Note: All capitalizations and spelling sic. Pages are numbered between 169 and 180.

Quadrilles

» Lord Duncans Fancy (p. 169)
» Helder Point (p. 169)
» Change Alley (p. 170)
» Opera Reel (p. 170)
» Bognor Rocks (p. 171)
» Bonny Charley (p. 171)
» Unas Lock (p. 172)
» Mrs. Gardner of troops Reel (p. 172)
» Sr. Sydney Smiths triumph (p. 173)
» Duncan Davidson (p. 173)
» The Round Tower (p. 174)
» Nong tong Paw (p. 174)
» Sr. Phillip Mc. Que (p. 175)
» Barham Downs (p. 175)
» Red Cross Knight (p. 176)
» Lady Portmores Reel (p. 176)
» Hilligsburghs Strathpey (p. 177)
» Prince of Wirtemburg's Waltz (p. 177)
» Surrender of Seringapatam (p. 178)
» Lord Nelson's Hornpipe (p. 178)
» Buonapartes Defeat (p. 179)
» The Laurels of 99 (p. 179)
» Mozarts Waltz (p. 180)
» Miss Mackenzie's Strasphey (p. 180)

T. Cahusac, William Cahusac. (1800). Annual Collection of Twelve Favorite Country Dances with Their Basses. For the Year 1800. With Proper Directions to Each Dance, as They Are Performed at Court, Bath and All Public Assemblys. London.


[Anonymous]. (c. 1800). Collection of Dance Music with Steps for 12 Dancing Figures. Yale Ms. (pdf) {Yale}


Joseph Dale. (c. 1800). Dale's Selection Of The Most Favorite Country Dances, Reels, &C. With Their Proper Figures. London. (pdf1) (pdf2) {imslp} {imslp} [Powers]


Robert Harrison. (c. 1800). [Untitled]. London. (vwml)


Musical Bouquet Office (pub.). (c. 1800). Pop Goes the Weasel; La Tempete; and Le Grand Père. Three Fashionable Dances - As Performed at the Court Balls. London. (JHU)


[Anonymous]. (c. 1800). [Untitled]. London. (vwml)


W. G. (c. 1800). Set for the Violen. London. (vwml)


Johann Heinrich Kattfuss. (1800). Taschenbuch Fur Freunde Und Freundinnen Des Tänzes. Leipzig. (pdf) {google} [Powers]


J. J. Martinet. (1801). Begyndelsesgrunde i Dandsekonsten. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Francis. (c. 1801). Ball Room Assistant [No. 1]. Philadelphia. (JHU)


Francis. (c. 1801). Ball Room Assistant [No. 2]. Philadelphia. (JHU)


Francis. (c. 1801). Ball Room Assistant [No. 3]. Philadelphia. (JHU)


Francis. (c. 1801). Ball Room Assistant [No. 4]. Philadelphia. (JHU)


Wilhelm Gottlieb Becker. (1801). Taschenbuch zum Geselligen Vergnügen für 1801. Leipzig.


Médéric Louis Elie Moreau de Saint Méry. (1801). De La Danse. Parme. (pdf) (djvu) (txt) {congress} {archive} {archive2} [Powers]


Ernst Mädel. (1801). Unsangsgrunde Der Tanzkunst. Ersurk. [Powers]


Johann Heinrich Kattfuss. (1802). Choregraphie Oder Vollständige Und Leicht Falssiche. Leipzig. (pdf) {google} [Powers]


Saltator. (1802). A Treatise On Dancing ... Together with a Full Description of Dancing in General - Lessons, Steps, Figures, &c. Boston. (pdf) {Powers} {Powers reconstruction of Congo Minuet} [Powers]


Wilhelm Gottlieb Becker. (1802). Taschenbuch zum Geselligen Vergnügen. Leipzig. (pdf) (hathi) {MN}


Игнатий фон Гельд. (1802). Усовершенствованная школа для семиструнной гитары. Санкт-Петербург.


[Anonymous]. (1802). Contre Dançes Français. Madrid Ms. (pdf) {BNE}


Thompson. (1802). Twenty Four Country Dances for the Year 1802 With Figures to Each as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {Folkopedia}


Mikołaj Janicki. (c. 1803). Sześć Tańcow Polskich z Dwoch Duettow z Opery Sarginoy Innych Pięknych Aryi Zkomponowane na Frote Piano. Bydgoszcz Ms. (UMK)


Wilhelm Gottlieb Becker. (1803). Taschenbuch zum Geselligen Vergnügen für 1803. Leipzig.


Thomas Preston. (1803). Twenty Four Country Dances for the Year 1803 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {Folkopedia} [Powers]


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume I. Saint-Pétersbourg. (pdf) (djvu) {archive}


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume II. Saint-Pétersbourg. (pdf) (djvu) {archive}


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume III. Saint-Pétersbourg. (pdf) (djvu) {archive}


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume IV. Saint-Pétersbourg. (pdf) (djvu) {archive}


Médéric Louis Elie Moreau de Saint Méry. (1803). De La Danse. Parme. (pdf) {BNE} [Powers]

Note: Different title page and page layout from Méry (1801).


Gray. (1803). Twenty Four Country Dances for the Year 1803 Adapted for the Violin, German Flute, Oboe &c. with Figures. London. (pdf) (djvu) {archive}


Bland, Weller. (1803). Twenty Four Favorite Country Dances, Hornpipes & Reels with Their Proper Figures for the German Flute or Violin as Performed at Court, & All Public Assemblies. London. (pdf) {imslp}

Note: Missing pages 5-6.


Fentum. (1803). A Favourite Collection of Country Dances for the Year 1803 with Proper Tunes & Directions to Each Dance, as They Are Performed at Court, Bath and All Publick Assemblys. London.


Wilhelm Gottlieb Becker. (1804). Taschenbuch zum Geselligen Vergnügen für 1804. Leipzig.


J. H. Gourdoux-Daux. (1804). Notions Élémentaires sur l'Art de la Danse. Paris.


J. H. Gourdoux. (1804). Principes ... Sur L'Art De La Danse (English Translation By Ellis Rogers). Paris. [Powers]


Thomas Preston. (1804). Twenty Four Country Dances for the Year 1804 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {Folkopedia}


Thompson. (1804). Twenty Four Country Dances for the Year 1804 With Figures to Each as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {Folkopedia}


Guglielmo Piatti. (1805). Collezione di Musica a Ballo. Firenze [Florence].


Wilhelm Gottlieb Becker. (1805). Taschenbuch zum Geselligen Vergnügen. Leipzig. (hathi)


Franz Anton Roller. (1805). Erstes Toiletten-Geschenk für Damen. Leipzig. (UD)

Note: Dance descriptions on pages 55 to 84.


E. C. Mädel. (1805). Die Tanzkunst Für Die Elegante Welt. Erfurt. [Powers] [WorldCat]


Thomas Preston. (1805). Twenty Four Country Dances for the Year 1805 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {Folkopedia}


Gray. (1805). Twenty Four Country Dances for the Year 1805 Adapted for the Violin, German Flute, Oboe &c. with Figures. London. (pdf) {Folkopedia}


Thompson. (1805). Twenty Four Country Dances for the Year 1805 With Figures to Each as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {Folkopedia}


Francis Peacock. (1805). Sketches Relative To the History and Theory, but More Especially to the Practice Of Dancing. Aberdeen. (pdf) (djvu) (txt) {congress} {archive} {abdn} [Powers]


Wilhelm Gottlieb Becker. (1806). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {google} [Powers]


Franz Anton Roller. (1806). Zweites Toiletten-Geschenk für Damen. Leipzig. (UD)

Note: Dance descriptions on pages 111 to 130.


D. [Dietrich] A. [Alexander] V. [Valentin] Ivensen. (1806). Terpsichore, Ein Taschenbuch Für Freunde Und Freundinnen Des Tanzes In Liv-, Kur- und Ehstland [Printed Version]. Riga. (pdf) {Riga} [Powers]

Note: Page 143 is mis-numbered page 134.


D. [Dietrich] A. [Alexander] V. [Valentin] Ivensen. (1806). Terpsichore, Ein Taschenbuch Für Freunde Und Freundinnen Des Tanzes In Liv-, Kur- und Ehstland [Handwritten Version]. Riga.


A. Lefebvre. (1806). L'Ami des Jeunes Gens. 1er Recueil. Paris.


[Anonymous]. (1807, March). Cotillions & Country Dances Boston. (pdf) {Powers} {Yuriy Chernyshov transcription} [Powers]


A. Lefebvre. (c. 1807). 2me Recueil De Contredanses Nouvelles, Waltz Et Allemandes. Lyon. (pdf) {Powers} [Powers]

Contredanses

» No. 1 (p. 2)
» No. 2 (p. 3)
» No. 3 (p. 4)
» No. 4 (p. 5)
» No. 5 (p. 8)
» No. 6 (p. 9)
» No. 7 (p. 10)
» No. 8 (p. 11)

Saltator. (1807). A Treatise on Dancing and on Various Other Matters, Which Are Connected with That Accomplishment and Which Are Requisite to Make Youth Well Received, and Regulate Their Behavior in Company, Together with a Lessons, the Figures of Country Dances, and Cotillons. Boston. [Powers] [WorldCat]


Wilhelm Gottlieb Becker. (1807). Almanach und Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {google} [Powers]


Franz Anton Roller. (1807). Drittes Toiletten-Geschenk für Damen. Leipzig. (UD)

Note: Dance descriptions on pages 101 to 153.


Wilhelm Gottlieb Becker. (1808). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) (pdf3) {google} {BSB} {MN} [Powers]


Franz Anton Roller. (1808). Viertens Toiletten-Geschenk für Damen. Leipzig.

Note: Dance descriptions on pages 39 to 58.


Joseph Koslovsky. (c. 1808). Trois Polonoises, Trois Ecossaises et Une Quadrille. Saint Petersbourg.


J. T. Buckingham. (1808). A Selection Of Cotillions And Country Dances. Boston. [Powers] [WorldCat]


Thomas Wilson. (1808). An Analysis of Country Dancing Wherein are Displayed All the Figures Ever Used in Country Dances. London. (pdf) (djvu) (vwml) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1809). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) (pdf3) {google} {BSB} {MN} [Powers]


Willard Blanchard. (1809). A Collection of the Most Celebrated Country Dances and Cotillions. Windsor, VT. [Powers] [WorldCat]


Thomas Wilson. (1809). The Treasures Of Terpsichore; or, a Companion for the Ball-room. London. (vwml) [Powers]


Button, John Whitaker. (1809). Twenty Four Country Dances with Figures for the Year 1809, Adapted for the Violin, German Flute or Oboe. London. (vwml)


Wilhelm Gottlieb Becker. (1810). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN} [Powers]


Aleksandr Allabieff. (c. 1810). 3 Masurques, 2 Ecossaises, Valse et Quadrille. Moscou.


Button, John Whitaker. (1810). Twenty Four Country Dances with Figures for the Year 1810, Adapted for the Violin, German Flute or Oboe. London. (vwml)


Button, John Whitaker. (1810). Twelve Elegant New Dances for the Year 1810, Adapted for the Harp or Piano Forte with Correct Figures as Danced at Court, Bath, Brighton & All Polite Assemblies. London. (pdf) (djvu) {archive}


James P. Cassidy. (1810). A Treatise On The Theory And Practice Of Dancing. Dublin. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Thomas Wilson. (1810). The Treasures Of Terpsichore for 1810: Containing All the Most Fashionable English Country Dances for the Present Year, with Various Proper Figures Adapted to Each Dance, Being a Continuation to The Treasures of Terpsichore for 1809. London. [WorldCat]


Wilhelm Gottlieb Becker. (1811). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN} [Powers]


J. H. Gourdoux-Daux. (1811). Principes Et Notions Élémentaires Sur L'Art De La Danse Pour La Ville. Paris. [Powers] [WorldCat]


Maria Agata Szymanowska. (c. 1811). Dix-Huit Danses de Différent Genre. (pdf) {imslp} [Powers]


Thomas Wilson. (1811). An Analysis of Country Dancing wherein All the Figures Used in that Polite Amusement Are Rendered Familiar by Engraved Lines [3rd Edition]. London. (pdf) (djvu) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1812). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf) {BSB} [Powers]


[Anonymous]. (1812). Gesetze für die Erholung. Leipzig. (pdf) {google}


Thomas Wilson, William Harmony. (1812). Four New Country Dances Composed for No. 38 New Series of La Belle Assemblee. London. (pdf) (djvu) {archive}


J. Gray. (1812). Twenty Four Country Dances for the Year 1812. Bury St. Edmunds. (eatmt)


Alexander Dupouy. (c. 1812). Cotillions And Country Dances..... Philadelphia. [Powers] [WorldCat]


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen für 1791 [1813 Reissue, with Different Dances]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen [für 1792] [1813 Reissue]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen [für 1794] [1813 Reissue]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen [für 1797] [1813 Reissue]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf - partial) {MN}


Louis Julien Clarchies, Beauvarl, Charpentier. (1813). Les Soirées Agréables de la Campagne. 27eme Recueil de Contre-Danses et Walzes. Paris. (pdf) {BNF}


Thomas Wilson. (1813). Twenty Four Country Dances with Figures for the Year 1813, Adapted for the Violin, German Flute or Oboe. London. (pdf) (djvu) {archive}


Wilhelm Gottlieb Becker. (1814). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN}


Carl Friedrich Müller. (c. 1814). Quatre Quadrilles Ecossaises. Hanovre.


Wilhelm Gottlieb Becker. (1815). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN}


Thomas Wilson. (1815). Le Sylphe, an Elegant Collection of Twenty Four Country Dances for the Year 1815. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 1. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 2. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 3. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 4. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 5. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 6. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 7. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 8. London. (pdf) (djvu) {archive}


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 9. London. (pdf) (djvu) {archive}


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 10. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 11. London. (pdf) (djvu) {archive}


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 12. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 13. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 14. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 15. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 16. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 17. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 18. London. (pdf) (djvu) {archive}


Edward Payne. (c. 1815). Payne's Six New Favorite Waltzes, Including The New Darmstadt. Arranged As A Waltz Quadrille. London. (pdf) {Powers} [Powers]


Wilhelm Gottlieb Becker. (1816). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN}


John Fentum. (1816). Annual Collection of Twenty Four Favorite Dances for the Year 1816. London.


James Paine. (c. 1816). Second Set of Quadrilles with Their Proper Figures in French & English Including the Celebrated Satteuse. London. (pdf) {Powers} [Powers]


James Paine. (c. 1816). Fourth Set of Quadrilles with Their Proper Figures in French & English. London. (pdf) {Powers} [Powers]


James Paine. (c. 1816). Fifth Set Of Quadrilles ... to Which is Added the Echo Waltz and The Emperor Alexander's Favorite Polonoise. London. (pdf) {Powers} [Powers]


Thomas Wilson. (1816). A Description Of The Correct Method Of Waltzing. London. (pdf) (pdf) {BNF} {BNE} [Powers]

Note: The first known complete English language description of the waltz, and a detailed and influential source on Regency waltzing.

» French Waltzing (p. 62)
      » The Four March Steps (p. 63)
      » The Slow Waltz (p. 65)
      » The Sauteuse Waltz (p. 73)
      » The Jetté (Quick Sauteuse Waltz) (p. 73)
» German Waltzing (p. 87)

Thomas Wilson. (1816). Companion To The Ballroom. London. (pdf) {IMSLP} [Powers]


Thomas Wilson. (1816). The Treasures Of Terpsichore; Or, A Companion For The Ball-Room. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1817). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) (pdf3) {google} {BSB} {MN} [Powers]


J. H. Gourdoux-Daux, Guillou. (1817). Elements And Principles Of The Art Of Dancing, As Used In The Polite And Fashionable Circles. Philadelphia. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Monsr. Pratt. (c. 1817). Pratt's First Sett Of Quadrilles... To Which Are Added Four Favorite Waltzes. London. (pdf) {Powers} [Powers]


Иван Михайлович Долгорукий. (c. 1817). Бытие сердца моего или стихотворения. Москва. (pdf) {google}


John Duval, Spagnoletti. (c. 1817). The Lancer's Quadrilles. Dublin.


Thomas Wilson. (c. 1817). The Quadrille Instructor Containing Directions for Dancing a Variety of New Quadrilles as Introduced at the Assemblies of the Nobility and also at the Author's Balls & Assemblies. London. (pdf) {BNE}


W. Hodsoll. (1817). Collection of Popular Dances for the Piano Forte, Harp or Violin, No. 15. London. (pdf) (djvu) {archive}


Francis Johnson. (1818). A Collection of New Cotillions Published by Setts. Philadelphia. (UNC)


Иван Михайлович Долгорукий. (1818). Бытие сердца моего или стихотворения. Москва. (pdf) {google}


[Anonymous]. (1818). Contre-Danses A Paris (Manuscript). Paris. [Powers]


Wilhelm Gottlieb Becker. (1818). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {google} {BSB} [Powers]


Barclay Dun. (1818). A Translation Of Nine Of The Most Fashionable Quadrilles, Consisting Of Fifty French Country Dances as Performed in England and Scotland. Edinburgh. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Powers]


Thomas Wilson. (1818). The Ecossoise Instructor, in Which All the Figures in This New Species of Dancing Are Clearly Explained by Diagrams. London. [Powers] [WorldCat]


Thomas Wilson. (1818). Le Sylphe, an Elegant Collection of Twenty Four Country Dances for the Year 1818. London. (vwml) [Powers]


[Anonymous]. (1818). Le Maître è Danser, or the Art of Dancing Quadrilles. London. (pdf) {google}


Wilhelm Gottlieb Becker. (1819). Taschenbuch Zum Geselligen Vergnügen. Leipzig.


J. H. Gourdoux-Daux. (1819). Recueil d'un Genre Nouveau de Contredanses et Walses. Paris. (pdf) {BNE} {de Guardiola transcription} [Powers]


Thomas Wilson. (1819). L'Assemblée or Fourty Eight Elegant New Dances for the Year 1819. Leipzig.


François de Bassompierre. (1819). Memoirs of the Embassy of the Marshal de Bassopierre to the Court of England in 1626. London. (pdf) {google}


Pierce Egan. (1819). Walks through Bath, Describing Every Thing Worthy of Interest Connected with Public Buildings, the Rooms, Crescents, Theatre, Concerts, Baths, its Literature &c. Edinburgh. (pdf) (djvu) {archive}


Franz Anton Roller. (1819). Tanztouren 1819. Leipzig. [Powers]


E. Riley. (c. 1820). A Collection of Popular Airs Arranges as Cotillions for Balls and Private Parties with New Figures. New York. (pdf) (djvu) {archive}

Country Dances

» Ella Rosenberg (p. 2)
» Voulez Vous Dansez Mademoiselle (p. 2)
» Lots Of Kisses (p. 2)
» Enrico (p. 3)
» Netley Abbey (p. 3)


E. Riley. (c. 1820). A Collection of Popular Airs Arranges as Cotillions for Balls and Private Parties with New Figures. New York. (pdf) {JHU}

Note: Different from the above.

Country Dances

» Draw The Sword Scotland (p. 2)
» O This Is No My Ain Lassie (p. 2)
» I've Been Roaming (p. 2)
» Di Tanti Palpiti (p. 3)
» Lesbia Hath A Beaming Eye (p. 3)
» Where Is My Lover? (p. 3)


E. Riley. (c. 1820). A Collection of Popular Airs Arranges as Cotillions for Balls and Private Parties with New Figures. New York. (pdf) {UNC}

Note: Different from both of the above.

Country Dances

» The Plain Gold Ring (p. 6)
» Soldier's Glory (p. 6)
» Burlington Arcade (p. 6)
» Loudon's Bonnie Woods (p. 7)
» A Highland Laddie (p. 7)
» Devil Among The Tailors (p. 7)


Wilhelm Gottlieb Becker. (1820). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Powers]


L Länger. (1820). Erinnerungs-Buch zum Nutzen und Vergnügen für meine Schüler and Schülerinnen. Hildburghausen. (pdf) {KOBV}


James Paine. (1820). Le Pantalon, L'Éte, La Poule, La Trenise et La Finale; with Their Proper Figures in French & English, Directions for Each Dance as Performed at Almack's & the Nobility Assemblies. London.


Antonio Cairón. (1820). Compendio de las Principales Reglas del Baile Traducido del Francés. Madrid. (pdf) {BNE}


[Anonymous]. (c. 1820). Hart's First Set Of Mazurkas (Steps, Figures And Music). London. (See Royal Mazourkas, 1830.) [Powers]


[Anonymous]. (c. 1820). Selection Of Favorite Quadrilles... Performed By Paine's Band. London. [Powers]


Carlo Blasis. (1820). Traité Elementaire... De L'Art De La Danse. Milan. (djvu) (txt) {archive} [Powers]


Joseph Hart. (1820). Hart's Lanciers Set Of Quadrilles. London. (pdf) (djvu) {archive} [Powers]

Note: This copy missing title page.


[Anonymous]. (1820). Quadrilling. A Favourite Song Ascribed by the Author of "Rejected Addresses". Birmingham. (pdf) {JHU}


F. Simonet. (1820). Fashionable Parisian Quadrilles Performed by the Bands of Messieurs Michau, Musard and Collinet with the Appropriate Figures as Danced at Almack's, the Argyll Rooms and at the Bath & Cheltenham Assemblies. London.


C. Wheatstone. (1820). Spanish Dances with Their Appropriate Spanish & English Figures as Danced at the Nobility's Assemblies. London. (pdf) (djvu) {archive}


F. Leblond. (c. 1820). Souvenir De Terpsichore, Recueil De Contra-Danses. Paris. [Powers] [WorldCat]


Thomas Wilson. (1820). The Complete System; English Country Dancing. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Thomas Wilson. (c. 1820). A Companion to the Ball Room Containing a Choice Collection of the Most Original and Admired Country Dances, Reels, Hornpipes, Waltzes, and Quadrilles, with Appropriate Figures to Each, the Etiquette and a Dissertation on the State of the Ball Room. London. (pdf) {BNE}


Wilhelm Gottlieb Becker. (1821). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) (pdf2) (GBV) {BSB} {MN} [Powers]


Pierre Marque. (1821). Étrennes à Terpsichore, Dédiées Aux Dames Ou Recueil De Contre Danses, Anglaises Et Walzes. Paris. (pdf) {BNE} [Powers]


Joseph Binns Hart. (c. 1821). Hart's Much Admired First Set of Scotch Quadrilles. London. (pdf) (djvu) {archive}


Philippe Musard. (c. 1821). The Twelfth Set Of Quadrilles. (Paper Watermarked 1819). London. [Powers] [WorldCat]


Thomas Wilson. (1821). The Address, or an Essay on Deportments. London. [Powers]


Thomas Wilson. (1821). The Quadrille Instructor. London. (pdf) {imslp} [Powers]


John Cole (pub.). (c. 1822). Selection of Favorite Cotillions. Baltimore. (pdf) {JHU}


Wilhelm Gottlieb Becker. (1822). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Förster. (1822). Anweisung zur Tanzkunst. Proskau.


Alexander Strathy. (1822). Elements Of The Art Of Dancing; With A Description Of The Principal Figures In The Quadrille. Edinburgh. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Thomas Wilson. (1822). An Analysis Of Country Dancing ... with New Reels [4th Edition]. London. (pdf) {google} [Powers]


Thomas Wilson. (1822). The Quadrille And Cotillon Panorama [2nd Edition]. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


A Gentleman. (1823). Etiquette Of The Ball-Room.... Art Of Dancing Quadrilles. Edinburgh. [Powers] [WorldCat]


J. H. Gourdoux-Daux. (1823). De l'Art de la Danse. Paris. (pdf) {google} [Powers]


Joseph Hart. (c. 1823). Hart's Sixth Set Of Quadrilles, Including Select Airs From Rossini's Opera La Gazza Ladra. London. [Powers] [WorldCat]


Joseph Hart. (c. 1823). Hart's Seventh Set of Quadrilles, Selected from Rossini's Favorite Opera, Pietro l'Erimita. London. (pdf) (djvu) {archive}


Joseph Hart. (c. 1823). Hart's Ninth Set Of Quadrilles, Selected From Rossini's Beautiful Opera La Donna Del Lago. London. [Powers] [WorldCat]


Joseph Hart. (c. 1823). Hart's Tenth Set Of Quadrilles, Selected From Weber's Der Freyschutz. London. (pdf) (djvu) {archive} [Powers]


Jørgen Gad Lund. (1823). Terpsichore, Eller En Veiledning For Mine Dandselaerlinger. Mariboe. (pdf) {DKB} [Powers]


William Pinnock (pub.). (1823). The Harmonicon, a Journal of Music. Part I, Containing Essays, Criticisms, Biography, and Miscellanies. London. (pdf) {google}


William Pinnock (pub.). (1823). The Harmonicon, a Journal of Music. Part II, Containing a Collection of Vocal and Instrumental Music. London. (pdf) {google}


Wilhelm Gottlieb Becker. (1823). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


A. Alkman (pub.). (c. 1823). The Etiquette of the Ball-room and Delineation of the Art of Dancing Quadrilles, &c. By a Gentleman Who Was Travelled Through France, Italy, Portugal, &c. and Frequented the Most Fashionable Assemblies in England. Edinburgh.


Edmé Collinet. (c. 1823). Le Cotillon. Paris.


Edmé Collinet. (c. 1823). Les Soirées de Famille. Paris.


Friedrich Engelmann. (1823). Taschenbuch der Tanzkunst. Darmstadt.


Charles Mayer. (1823). Nouvelles Quadrilles Françaises. Saint Petersbourg.


Reissinger. (c. 1823). Le Bon Ton. Berlin.


Philippe Musard. (c. 1823). The Fifteenth Set Of Quadrilles (Paper Watermarked 1820). London. [Powers] [WorldCat]


Mme. Élise Voiart. (1823). Essai Sur La Danse Antique Et Moderne. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


E. Riley. (1824). First Sett of Cotillions. New York. (pdf) {JHU}


E. Riley. (1824). Second Sett of Cotillions. New York. (pdf) {JHU}


Francis Johnson. (1824). La Fayette Cotillions. Baltimore. (pdf) {JHU}


C. Meinecke. (1824). Three Sett of Cotillions as Danced at the Grand Ball Given at Baltimore in Honour of General La Fayette. Baltimore. (pdf) {JHU}


T. Adams. (1824). Almack's Quadrilles as Performed at Carlton House, Almack's and the Argyle Rooms with Appropriate Figures Freand & English. London. (pdf) {JHU}


Wilhelm Gottlieb Becker. (1824). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Christian Länger. (1824). Terpsichore, Ein Taschenbuch der Neuesten Gesellschaftlichen Tänze. Würzburg. (pdf) {google}


William Pinnock (pub.). (1824). The Harmonicon, a Journal of Music. Part I, Containing Essays, Criticisms, Biography, and Miscellanies. London. (pdf) {google}


William Pinnock (pub.). (1824). The Harmonicon, a Journal of Music. Part II, Containing a Collection of Vocal and Instrumental Music. London. (pdf) {google}


Sainsbury & Co. (pub.). (1824). A Dictionary of Musicians from the Earliest Ages to the Present Time, Volume I. London. (pdf) {google}


Sainsbury & Co. (pub.). (1824). A Dictionary of Musicians from the Earliest Ages to the Present Time, Volume II. London. (pdf) {google}


Joseph Hart. (c. 1824 ). Hart's Thirteenth Set of Quadrilles, Selected from Mathew Locke's Original Music in Macbeth. London. (pdf) {HDA} [Powers]


Herrn Lauchery. (1824). Tanze Mit Musik. Berlin. [Powers]


Thomas Wilson. (1824). The Danciad, or Dancer's Monitor. London. (pdf) (djvu) (txt) (Chernyshov transcription) {congress} {archive} [Powers]


P. J. Kaastrup. (1825). Veiledning for Mine Dandselærlinger. Thisted. (pdf) {DKB}


A. H. Durocher. (1825). A New Sett of Cotillions. Baltimore. (pdf) {JHU}


Wilhelm Gottlieb Becker. (1825). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Maria Agata Szymanowska. (c. 1825). Vingt-Quatre Mazurka's ou Danses Nationales de Pologne. Leipzig.


William Pinnock (pub.). (1825). The Harmonicon, a Journal of Music. Part I, Containing Essays, Criticisms, Biography, and Miscellanies. London. (pdf) {google}


[Anonymous]. (c. 1825). The Twelfth Set Of Quadrilles, To Music By P. Musard. London. [Powers] [WorldCat]


Auguste Alexis Floréal Baron. (1825). Lettres à Sophie sur la Danse. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Joseph Hart. (c. 1825). Hart's Celebrated Lanciers Set Of Quadrilles, Arranged As Duets. Description And Sheet Music. London. [Powers] [WorldCat]


Joseph Hart. (c. 1825). Hart's Thirteenth Set Of Quadrilles, Selected From Mathew Locke's Macbeth. London. [Powers] [WorldCat]


Joseph Hart. (c. 1825). Hart's Fourteenth Set Of Quadrilles, Selected From Carl Maria Von Weber's Drama Preciosa. London. [Powers] [WorldCat]


Joseph Hart. (c. 1825). Hart's Fifteenth Set Of Quadrilles, Or Second Set Selected From Weber's Der Freischutz. London. [Powers] [WorldCat]


Joseph Hart. (c. 1825). Hart's Sixteenth Set Of Quadrilles, Selected From Carl Maria Von Weber's Euryanthe. London. [Powers] [WorldCat]


Joseph Hart. (c. 1825). Hart's Eighteenth Set Of Quadrilles, Elected From Meyerbeer's Il Crociato In Egito. London. [Powers] [WorldCat]


Людовик Петровский [Ljudovik Petrovskij]. (1825). Правила для благородных общественных танцев [Rules for the Noble Social Dances]. Kharkiv. (pdf) (HDA transcription) (google translation of HDA transcription) {HDA} [Powers]


G. Riebe. (1825). Tanze Mit Musik. Berlin. [Powers]


Charles T. Sykes. (c. 1825). La Dansomanie. A Popular Set Of Quadrilles, With Entire New Figures In French And English. London. [Powers]


Thomas Tegg (pub.). (1825). Analysis Of The London Ball-Room. London. (pdf) {google} [Powers]


John Charles White. (c. 1825). Guy Mannering Quadrilles, White's 52nd Set. London. [Powers] [WorldCat]


Wilhelm Gottlieb Becker. (1826). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Louis Casorti. (1826). Der Instructive Tanzmeister Für Herren Und Damen. Almenau. (pdf) {Powers} [Powers]


Joseph Hart. (c. 1826). Hart's Twentieth Set Of Quadrilles, Selected From The Favorite Operas Of Weber. London. [Powers] [WorldCat]


G. Riebe. (1826). Tanze Mit Musik. Berlin. [Powers]


T. B. (1826). Dance Book. Wellington Ms. (NLNZ)


[Anonymous]. (1827). TEPПCИXOPA, AЛЬMAHAX MУЗЬIKИ И TAHЦEB (Terpsichore, Almanac Of Music And Dance). Moscow. [Powers]


E. H. Conway. (1827). Le Maître De Danse, or the Art of Dancing Cotillons. New York. [Powers] [WorldCat]


Joseph Hart. (c. 1827). Hart's Much Admired Eighth Set Of Scotch Quadrilles. London. (djvu) {archive} [Powers]


Joseph Hart. (c. 1827). Hart's Twenty-Fourth Set Of Quadrilles. London. (pdf) (djvu) {archive}


Sainsbury & Co. (pub.). (1824). A Dictionary of Musicians from the Earliest Ages to the Present Time, Volume I. London. (pdf) {google}


Sainsbury & Co. (pub.). (1824). A Dictionary of Musicians from the Earliest Ages to the Present Time, Volume II. London. (pdf) {google}


William Pinnock (pub.). (1824). The Harmonicon, a Journal of Music. Part I, Containing Essays, Criticisms, Biography, and Miscellanies. London. (pdf) {google}


William Pinnock (pub.). (1824). The Harmonicon, a Journal of Music. Part II, Containing a Collection of Vocal and Instrumental Music. London. (pdf) {google}


Jørgen Gad Lund. (1827). Terpsichore, Eller En Veiledning For Mine Dandse-Elever. Slagelse. (DKB) {DKB} [Powers]


Charles Mason. (1827). A Short Essay on the French Danse de Société. London: R. Ackerman. (DKB) {DKB}


James Paine. (c. 1827). Paine's Celebrated Set Of Quadrilles. (First Of Paine's Second Series Of Quadrilles). London. (pdf) {Powers} [Powers]


Daniel François Esprit Auber. (1827). The Admired Sett of Cotillions from La Dame Blanche. New York. (UNC)


Wilhelm Gottlieb Becker. (1827). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Johann Strauss. (1827). Alte und Neue Tempête. Wien. (pdf) {IMSLP} [Powers]


[Anonymous]. (1828). Собрание фигур для котильона [Collection Of Figures For The Cotillion]. Санкт-Петербург [St. Petersburg]. (HDA transcription) (Google translation of HDA transcription) [Powers]


Carlo Blasis. (1828). The Code Of Terpsichore. London. [Powers] [WorldCat]


J. S. Pollock. (c. 1828). La Terpsichore Moderne; Selection Of The Most Fashionable Quadrilles (Bound with Companion, c. 1830). London. (pdf) {Powers} [Powers]


Wilhelm Gottlieb Becker. (1828). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (hathi)


Gotthelf Tschütter. (1828). Terpsichore, Ein Taschenbuch der Neueren Tanzkunst für Anfänger und Solche. Dresden.


Henri Herz. (c. 1828). Les Coquettes. Quadrilles de Contredanses Briliantes et Variées. Milan. (pdf) (djvu) {archive}


August Bournonville. (1829). Nytaarsgave for Danse-Yndere. Kiøbenhavn [Copenhagen]. (DKB) {DKB}


Wilhelm Gottlieb Becker. (1829). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Eduard Friedrich David Helmke. (1829). Neue Tanz und Bildunsschule. Leipzig. (SBB)


Eduard Friedrich David Helmke. (1829). Vollstimmige Musikbegleitung. Leipzig.

Note: Music supplement to the above.


Franz Surbaneck. (1829). Funfzehn Taenze für das Piano-Forte. Dresden.


Christian Wilhelm Wiener. (1829). Gründliche Anweisung zu Allen Gesellschaftlichen Tänzen. Zwickau.


Николай Иванович Павлищев. (1829). Лирический альбом на 1829 год. Санкт-Петербург.


Пьер Роде, Пьер Бальот, Родольф Крейцер. (1829). Скрипичная школа с приложением первоначального понятия о нотах и других для изучения на скрипке необходимых правил. Санкт-Петербург.


O. G. F Bagge. (1829). Om Françaiser. Aarhus. (DKB) {DKB}


Joseph Hart. (1829). Hart's Royal Gallopades, As Danced At His Majesty's Grand Ball. London. [Powers] [WorldCat]


Joseph Binns Hart. (1829). Herz's Celebrated Quadrilles. London. (pdf) (djvu) {archive}


Joseph Hart. (c. 1829). Hart's Thirtieth Set, Or Celebrated Archer's Quadrilles, Arranged As Duets (Description and Sheet Music). London. (pdf) {Powers} [Powers]


Joseph Hart. (c. 1829). Hart's Thirty-First Set Of Quadrilles, From Masaniello. London. [Powers] [WorldCat]


Joseph Hart. (c. 1829). Hart's First Set Of Scotch Quadrilles, Arranged As Duets By Challoner. London. (djvu) {archive} [Powers]


Eduard F. D. Helmke. (1829). Neue Tanz Und Bildungschule. Leipzig. [Powers]


London Court Journal. (1829). The Mazurka (Article Reprinted In The 1830 Godey Lady's Book). London. [Powers]


Philippe Musard. (c. 1829). The XXXVIII Set Of Quadrilles. (Paper Watermarked 1827). London. [Powers] [WorldCat]


C. W. Wiener. (1829). Gründliche Anweisung Zu Allen Gesellschaftlichen Tänzen. Zwickau. [Powers] [WorldCat]


G. Yates. (1829). The Ball: A Glance At Almacks. London. (pdf) {google} [Powers]


Wilhelm Gottlieb Becker. (1830). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


John Moore. (c. 1830). Tune Book. London. (vwml)


Eduard Friedrich David Helmke. (1830). Almanach der Neuesten Pariser Modetänze. Naumberg.


Ricardo Porfyrio da Fonseca. (1830). The Fashionable Madeira Cotillons. New York. (congress)


J. Dale. (c. 1830). The Honey Moon. A Favorite Dance Arrang'd as a Rondo. New York. (pdf) {JHU}


Anton Weiss. (c. 1830). Favorit-Tänze für die Gitarre. New York. (pdf) {google}


[Anonymous]. (1830). The Lady's Book. Philadelphia. (pdf) {google}


[Anonymous]. (1830). The Tri-Colored Quadrilles. New York. (pdf) {JHU}


Charles Zeuner. (c. 1830). 2nd Set of Tremont Quadrilles. Boston. (pdf) {JHU}


P. E. Alerme. (1830). De La Danse, Considérée Sous Le Rapport De l'Éducation Physique. London. (pdf) (djvu) (txt) {congress} {archive}


Carlo Blasis. (1830). Manuel Complet De La Danse. Paris. (pdf) (RSL) {BNF} [Powers]


Carlo Blasis. (1830). Code Complet De La Danse. Paris. (pdf) {RSL} [Powers]


Carlo Blasis. (1830). The Code of Terpsichore. London. (pdf) {google}


Adam Black. (1830). The Mirror of the Graces or, the English Lady's Costume. Edinburgh. (pdf) {google}


[Anonymous]. (1830). The Fashionable Quadrille Preceptor Contatining the First Six Sets of Almacks, Lancers, Caledonians, Hibernians, Guards, Red Coats, Hussars, La gallopade &c. &c. London.


[Anonymous]. (1830). The Fashionable Quadrille Preceptor Containing the Most Popular Quadrilles & Other Dances of the Present Season. London. (de Guardiola transcription)


[Anonymous]. (1830). Tune Book. London. (vwml)


Thomas Westrop. (c. 1830). The Caledonian Quadrilles as Performed at the Nobility Balls. London. (pdf) {Brady}


T. Brotherton. (c. 1830). The Russian Quadrilles. The Subjects From Admired Russian Airs, Dedicated To The Duke Of Devonshire. London. [Powers] [WorldCat]


Joseph Hart. (c. 1830). Hart's Royal Mazourkas (Called Hart's 1st Set Of Mazurkas On The Internal Pages) (Steps, Figures And Music). London. (pdf) {Powers} {Lexington Vintage Dance recordings} [Powers]


R. Hill. (1830). A Guide To The Ball Room, Containing A Selection Of The Most Fashionable Quadrilles, Waltzes, Country Dances, And Gallopades. (pdf) {google} [Powers]


Frederic Knecht. (c. 1830). Dix Contredanses Pour Le Piano-Forte With Figures. Frankfort. [Powers]


Philippe Musard. (c. 1830). Musard's 1st Set Of Galoppes Favorites, Performed At Almack's And The Nobilities Balls. London. [Powers] [WorldCat]


J. S. Pollock. (c. 1830). Companion To La Terpsichore Moderne (c. 1828). London. (pdf) {Powers} [Powers]


Professor of Dancing at King's Theater. (c. 1830). The Fashionable Quadrille Preceptor: Containing the First Six Sets of Almack's Lancers, Caledonians, Hibernians, Guards, Red Coats, Hussars, La Gallopade, &c., &c. London. [Powers] [WorldCat]


Joseph Binns Hart. (c. 1831). Harts Set of Elegant Galopades and Waltzes as Performed at William the Fourth Grand Balls. Boston. (pdf) {JHU}


Wilhelm Gottlieb Becker. (1831). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Carlo Blasis. (1831). The Code Of Terpsichore. The Art Of Dancing, Comprising Its Theory And Practice (The Second Edition). London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Joseph Hart. (c. 1831). Hart's Celebrated Grenadier Quadrilles, Arranged As Duets. Description And Sheet Music. London. [Powers] [WorldCat]


Eduard F. D. Helmke. (1831). Almanach Der Neuesten Modetänze Fur Das Jahr 1831. Merseburg. [WorldCat]


Wilhelm Gottlieb Becker. (1832). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Antonio Biosca. (1832). Arte de Danzar ó Reglas é Intrucciones para los Aficionados a Bailar las Contradanzas Francesas ó Rigodones. Barcelona. (pdf) {google}


Eduard F. D. Helmke. (1832). Almanach Der Neuesten Modetänze Fur Das Jahr 1832. Merseburg. [Powers] [WorldCat]


E. A. Theleur. (1832). Letters On Dancing, Reducing This Elegant And Healthful Exercise To Easy Scientific Principles. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Rafaelle Commi. (1833). Elisa e Claudio Quadrilles. New York. (congress)


F. Greenwood. (1833). The Thistle Cotillions. New York. (congress)


C. F. Hausman. (1833). Fra Diavolo Cotillions. Philadelphia. (pdf1) (pdf2) (pdf3) (congress) {JHU1} {JHU2} {JHU3}


Wilhelm Gottlieb Becker. (1833). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB}


Eduard F. D. Helmke. (1833). Almanach Der Neuesten Modetänze Fur Das Jahr 1833. Merseburg. [WorldCat]


C. Honoré. (1833). De L'Art De La Danse. Geneva. (pdf) {google} [Powers]


Knowlton & Rice (pub.). (1833). The Letter Writer and Its Acompaniments, Being A Choice Collection Of Contra Dances And Cotillions... Watertown, NY. [Powers] [WorldCat]


Jørgen Gad Lund. (1833). Terpsichore, Eller En Veiledning For Mine Dandse-Elever. Aarhus. (pdf) {DKB} [Powers]


Franz Xaver Nadler. (1834). Kallischematik, oder Anleitung zu Einem Edlen Anstande und zur Schönen. München. (pdf) {google}


F. Greenwood. (1834). The Quadrille Allemande. New York. (congress)


Albert (Decombe). (1834). L'Art De Danser à La Ville Et à La Cour. Paris. (pdf) {BNF} [Powers]


Joseph Hart. (c. 1834). Hart's Fatherland Or Mountaineer Quadrilles, Arranged As Duets (Description And Sheet Music). London. (pdf) {Powers} [Powers]


Thomas Birch (pub.). (1834). The Quadrille Allemande, A Much Admired New Style Of Dancing With Its Proper Figures. New York. (pdf) (congress) [Powers]


J. Freidham. (1835). The Series of Cotillions. Boston. (congress)


J. G. Häcker. (1835). Der Selbstlehrende Tanzmeister. Grimma. [Powers]


T. Comer. (1836). The Boyleston Quadrilles. Boston. (pdf1) (pdf2) {JHU1} {JHU2}


A Gentleman. (1836). The Laws of Etiquette. New York. (pdf) (djvu) (txt) {congress} {archive}


I. Hazzard. (1836). The Terpsichore, a New Sett of Quadrilles. Philadelphia. (congress)


John H. Hewitt. (1836). The Fairmount Quadrilles. Philadelphia. (pdf) {JHU}


John H. Hewitt. (1836). The Nahant Quadrilles. Philadelphia. (pdf) {JHU}


Th. (Theodor) Hentschke. (1836). Allgemeine Tanzkunst. Stralsund. [Powers] [WorldCat]


Henry Whale. (1836). Hommage à Taglioni, A Fashionable Quadrille Preceptor And Ball Room Companion. Philadelphia. (pdf) {Powers} [Powers]


John H. Hewitt. (1837). The Crow Quadrilles. New York. (pdf1) (pdf2) (JHU1) (JHU2)


Francis Johnson. (1837). The Citizen's Quadrilles. Philadelphia. (congress)


Henry Whale. (1837). Military Quadrilles. Philadelphia. (congress)


John Moore. (1837). Tune Book. Philadelphia. (vwml)

Note: Missing pp. 87, 88, 104.


[Anonymous]. (1837). La Danse (Journal de Quadrilles et de Valses). Paris. (pdf) (BNF)


Philip Brown, Julius Metz. (1838). The Flower Quadrilles. New York. (congress)


John H. Hewitt. (1838). The New Brighton Quadrilles. Philadelphia. (pdf) {JHU}


C. F. Hausman. (1838). The Pickwickians, A Sett of Quadrilles. Philadelphia. (pdf) {JHU}


Robert Ashley. (c. 1838). The Crow Quadrilles. Philadelphia. (pdf) {JHU}


J. B. Dobney. (c. 1838). The Crow Quadrilles. Philadelphia. (pdf1) (pdf2) (JHU1) (JHU2)


Christian Länger. (1838). Terpsichore, Ein Taschenbuch der Neuesten Gesellschaftlichen Tänze. Würzburg. (pdf) (BSB)


Paul Bruno Bartholoman. (1838). Die Tanzkunst. Gieffen. [Powers]


F. (Francis) Lowe. (1838). The Select Quadrille Preceptor For 1838. London. (pdf) {Powers} [Powers]


Skene. (1838). Skene Manuscript. New York. (vwml1) (vwml2)


John Moore. (1839). Tune Book. London. (vwml)


Luigi Bartolotti. (1839). Della Danza Domestica. Bologna. (pdf) (BNE)


Александр Иванович Дюбюк. (1839). Французская кадриль для фортепиано. Москва.


Brunet. (1839). Théorie-Pratique Du Danseur De Société. Paris. (pdf) {BNF} [Powers]


А. Максин [A. Maksin]. (1839). Изучение бальных танцев [Study Of Ballroom Dancing]. Москва [Moscow]. [Powers]


A. Flèche. (c. 1840). The Tournament Quadrilles. New York. (pdf) {JHU}


Wilhelm Iucho. (1840). Heather Flowers or Recollections of Scotland, A Favorite Set of Quadrilles. New York. (pdf1) (pdf2) (pdf3) (JHU1) (JHU2) (JHU3)


Ch. Jarvis. (1840). Miss Fanny Elssler's Quadrilles. Philadelphia. (pdf) {JHU}


Mr. Parker, Ferdinand C. Unger. (1840). Elssler Quadrilles, Sett 1. New York: Ferdinand C. Unger. (pdf) (JHU)

Quadrilles

» Elssler Quadrilles, Sett 1 (p. 3)
      » Beniousksy (p. 3)
      » La Tarantule (p. 4)
      » La Gitana (p. 5)
      » La Sylphide (p. 6)
      » La Cracovienne (p. 7)

















Mr. Parker, Ferdinand C. Unger. (1840). Elssler Quadrilles, Sett 2. New York: Ferdinand C. Unger. (pdf) (JHU)

Quadrilles

» Elssler Quadrilles, Sett 2 (p. 3)
      » The Gypsey Girl (p. 3)
      » Pas De Matelot (p. 4)
      » La Mazourka (p. 5)
      » Pas De Zephir (p. 6)
      » La Smolenska (p. 7)

















Mr. Parker, John Weippert. (c. 1840). The Hunchback Cotillions. New York: Firth and Hall. (pdf) {JHU}

Note: No page numbered 4. Figures numbered No. 1, No. 2, No. 3, No. 5, and [no number].

Quadrilles

» Hunchback Cotillions [Quadrilles] (p. 1)
      » Master Walter (p. 1)
      » Clifford (p. 2)
      » Modus (p. 3)
      » Julia (p. 5)
      » The New Hunchback Stop Waltz (p. 6)

















F. Weiland. (1840). The Set Of Fashionable Quadrilles From Auber's Celebrated Opera of Gustavus the Third, Or The Masked Ball, As danced at Niblos And Charrauds Aseemblies. New York: Hewitt & Jaques. (pdf) {JHU}

Quadrilles

» [Masked Ball Quadrilles] (p. 3)
      » Gustavus (p. 3)
      » The Page (p. 4)
      » Madame Ankarstrom (p. 5)
      » Col. Ankarstrom (p. 6)
      » Arvedson (p. 6)

















Ch. [Charles] Zeuner. (1840). Elssler Quadrilles, No. 1. Philadelphia: Geo. W. Hewitt & Co. (pdf) {JHU}

Note: While JHU metadata says this is No. 2, and the title page is hand-labeled No. 2, the second page is not labeled No. 2, and this is different from the one clearly labeled No. 2 below, so this is likely No. 1.

Quadrilles

» Elssler Quadrilles, No. 1 (p. 2)
      » No. 1 (p. 2)
      » No. 2, La Cracovienne (p. 3)
      » No. 3, La Cachucha (p. 4)
      » No. 4, El Zapateado (p. 5)
      » No. 5, La Gitana (p. 6)

















Ch. [Charles] Zeuner. (1840). Elssler Quadrilles, No. 2. Philadelphia: Geo. W. Hewitt & Co. (pdf) {JHU}

Note: While the title page is (very lightly) hand-labeled No. 1, No. 2 is clearly printed on the second page.

Quadrilles

» Elssler Quadrilles, No. 2 (p. 2)
      » No. 1 (p. 2)
      » No. 2, La Tarantule (p. 3)
      » No. 3, La Tarantule (p. 4)
      » No. 4, La Smolenska (p. 5)
      » No. 5, La Mazurka (p. 6)

















Jacques Hébert. (1840). Description des Figures les plus Utilisées de la Contredanse Française. Trieste.


Constantine Liadoff. (1840). Quadrille pour Piano. Saint Petersbourg.


[Anonymous]. (1840). Companion to the Reticule Arranged for the Piano Forte. London. (vwml)


George Herbert Buonaparte Rodwell. (1840). Two Sets of Quadrilles From Celebrated Romance "Jack Sheppard". London: D'Almaine & Co. (pdf) {JHU}

Note: Only one set of quadrilles is present. Missing page 6. Page 7 is doubled (different scans). Missing page 11 (with description of the finale).

Quadrilles

» Jack Sheppard Quadrilles (p. 2)
      » Blueskin (p. 2)
      » Thames Darrel (p. 4)
      » [La Poule] [description, no name] (p. 7)
      » Winifred (p. 8)
      » Jack Shepard [missing description] (p. 10)

















William C. Glynn. (1841). Bay State Quadrilles. London: Henry Prentiss. (pdf) {JHU}


A. Vigell, Elias Vigell, A. Blomkvist. (1841). Notbok för Violin Primo [No. 1]. Hässlunda: Olof Andersson. (MV)


A. Vigell, Elias Vigell, A. Blomkvist. (1841). Notbok för Violin Primo [No. 2]. Visingsborg: Olof Andersson. (MV)


Constantine Liadoff. (1840). Bonjour. Contredanse Française pour le Piano. Saint Petersbourg: Depot de Musique a l'Odeon.


Huestis & Craft (pub.). (1841). The Ball-Room Instructer; Containing A Complete Description Of Cotillons And Other Popular Dances. New York: Huestis & Craft. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Group Dances and Figures

» Quadrille Figures (p. 12)
» Promiscuous Figures (p. 24)
» March Cotillon (p. 29)
» Basket Dance (p. 32)
» Cheat (p. 33)
» Spanish Dance () (p. 35)
» First Set of Caledonians (p. 37)
» Favorite Rustic Reel () (p. 39)



Charles Jarvis. (1842). The Amateur's Musical Library. Philadelphia: Godey and M'Michael. (pdf) {google}


A Man of Fashion, C. Mitchell (pub.). (c. 1842). A Guide to the Ballroom. London: C. Mitchell. (pdf) {powers}


I. Hazzard. (1842). The Alarm Gun Quadrille. Philadelphia. (congress)


Frank Johnson. (1842). The Favorite Extravaganza, Miss Lucy Song Arranged as a Cotillion. Philadelphia: George Willig. (pdf) {JHU}


[Anonymous]. (1842). Sledge Quadrilles. Boston: Henry Prentiss. (pdf) {JHU}


Cesare Pugni, W. Franck. (1842). Contredance Française du Ballet Esmeralda. Saint Petersbourg.


Un Vilain Masque. (1842). Physiologie De L'Opera, Du Carnaval, du Cancan et de la Cachucha. Paris. (pdf) {BNF} [Powers]


Johann Nicolaus Liller. (1842). Tanz-Kunst. Leipzig. (pdf) {Dresden} [Powers]


A Man of Fashion. (c. 1842). A Guide To The Ball Room, Being A Complete Compendium Of The Etiquette Of Dancing, With The Figures Of. London. [Powers] [WorldCat]


A Professor of Dancing. (1842). Figures To The 18 Setts Of Cotillons. Providence, RI. [Powers] [WorldCat]


Elias Howe. (1843). Second Part of the Musician's Companion. Boston: Charles H. Keith. (pdf) (djvu) {archive}


Joseph Wex. (1843). Quadrilles Composed for the Piano Forte. Philadelphia: A. Fiot. (congress)


Edward L. White. (1843). The Parlour Quadrilles. Boston: William H. Oakes. (congress)


Constantine Liadoff. (1843). Palermo. Contredanse Française pour le Piano. Saint Petersbourg.


Chez Aubert. (c. 1843). Le Bal De L'Opera, Illus By L. Eustache. Paris. [Powers]


Chez Aubert. (c. 1843). Histoire... Du Cancan, Illus By L. Eustache. Paris. [Powers]


Count Alfred d'Orsay [Charles William Day]. (1843). Etiquette; Or A Guide To The Usages of Society ... To Which Is Added The only True Theory of the Rhenish or Spanish Waltz, And of the German Waltz à Deux Temps; Analyzed and Explained for the First Time. New York. (pdf) {google} [Powers]

Note: Waltz descriptions almost identical to An Amateur, 1843.

Couple Dances

» Rhenish Waltz (Spanish Waltz) (p. 54)
» Reverse Rhenish Waltz (Spanish Waltz) (p. 54)
» Waltz à Deux Temps, No. 1 () (p. 58)
» Reverse Waltz à Deux Temps, No. 1 () (p. 58)
» Waltz à Deux Temps, No. 2 () (p. 59)
» Reverse Waltz à Deux Temps, No. 2 () (p. 59)
» Waltz à Deux Pas (p. 60)
» Reverse Waltz à Deux Pas (p. 60)



C. P. Huestis (pub.). (1843). The Ball-Room Instructer. New York. [Powers]

Note: Adds Dodworth Cotillions to Huestis, 1841.


Franz Anton Roller. (1843). Systematisches Lehrbuch Der Bildenden Tanzkunst. Weimar: Bernhard Fr. Boigt. [Powers] [WorldCat]


Juan Martinez Villergas. (1843). El Baile de las Brujas. Madrid: Imprenta Plazuela de S. Ginés. (pdf) {BNE}


An Amateur. (1843). Reform Your Waltzing. The True Theory of the Rhenish or Spanish Waltz, and of the German Waltz à Deux Temps, Analysed and Explained for the First Time. London: Longman, Brown, Green, and Longmans. (pdf) {google}

Note: Waltz descriptions almost identical to d'Orsay, 1843.

Couple Dances

» Rhenish Waltz (Spanish Waltz) (p. 8)
» Reverse Rhenish Waltz (Spanish Waltz) (p. 9)
» Waltz à Deux Temps () (p. 21)
» Reverse Waltz à Deux Temps () (p. 22)
» Waltz à Deux Pas (p. 26)
» Reverse Waltz à Deux Pas (p. 26)



Charles D'Albert. (1844, May). La Polka: Taught by M. D'Albert. London. (pdf) {Powers} [Powers]


[Anonymous]. (1844, May 11). "The Drawing-room Polka." The Illustrated London News. London: William Little. 300-301. (pdf) {google}


Allen Dodworth. (1844). Parade Waltz. New York: John F. Nunns. (congress)


Allen Dodworth. (1844). Indian Hunter Quick Step. New York: Firth, Hall & Pond. (pdf) (congress)


J. G. Jones. (1844). The Coryton Quadrilles. Boston: C. H. Keith. (congress)


Elias Howe. (1844). Third Part of the Musician's Companion. Boston: Charles H. Keith. (pdf) (djvu) {archive}


William Cumming Peters. (1844). The Ashland Quadrilles. Louisville. (pdf) {JHU}


H. Auguste Pond. (1844). Le Mohawk Danse Favorite. Philadelphia A. Fiot. (congress)


C. Redler. (1844). Learning to Dance, A Set of Quadrilles. Boston: Oliver Ditson. (pdf) {JHU}


L. Chledowski. (1844). Les Trois Polka Exécutées au Théatre des Variétés. Paris: J. Meissonier. (pdf) {BNF}


Alexis de Comberousse, Jules Cordier (1844). La Polka en Province, Folie-Vaudeville en un Acte. Paris: Beck. (pdf) {BNF}


[Anonymous]. (1844). Polkan Sådan Den Dansas I Salongerna: Gåva Till Polköser Och Polkörer. Stockholm. [Powers] [WorldCat]


[Anonymous]. (c. 1844). The Ball-Room Annual. London. [Powers]


[Anonymous]. (c. 1844). The Fashionable Ball Room Polka, Elegant & Grotesque, Containing Accurate Instructions How To Dance It. London. (pdf) {Powers} [Powers]

Polka Variations

» First Step (The forward) (p. 4)
» First Step (The back) (p. 4)
» Second Step (The Heel & toe) () (p. 4)
» 1 [Vis à Vis] (p. 5)
» 2 [The Pursuit] (p. 5)
» 3 [Promenade and Gallop] (p. 6)
» 4 [Heel & Toe Toss Across] () (p. 6)
» 5 [Solos] (p. 7)
» 6 [Reverse Polka] (p. 7)





Atwill's Music Repository (pub.). (1844). Correct Description of the Polka [with Sheet Music for "The New-York Polkas"]. New York. (pdf) {congress} [Powers]

Note: Dance description is identical to Jullien, c. 1844.

Polka

» [Vis-à-Vis] (p. 1)







M. [Henri] Cellarius. (1844). The Celebrated Bohemian Peasant Polka Dance, Composed For The Piano Forte. New York: Atwill's Music Repository. (pdf) {Powers} [Powers]

Polka (♬)

» [Heel Clicks] (p. 1)







L. Chledowski. (1844). La Polka, Salle De Monsieur Cellarius. Paris: J. Meissonier. (pdf) {BNF} [Powers]

Polka (♬)

» La Polka (p. 2)







E. [Eugene] Coulon. (1844). The Ball-Room Polka, Polka Cotillon And Valse à Deux Tems. London. (pdf) {Powers} [Powers]

Couple Dances

» The Polka (p. 13)
» Valse A Deux Tems () (p. 13)

Group Dances

» The Polka Cotillon (p. 19)
» Quadrilles - The First Set (p. 29)
» Paine's First Set (p. 29)
» Caledonians - First Set (p. 33)
» Caledonians - Second Set (p. 34)
» The Parisian - First Set (p. 36)
» Lancers ("Hart's Set") (p. 36)
» Windsor Castle (p. 40)
» The Queen's First Set ("Paine's Set") (p. 42)
» The Queen's Second Set ("Paine's") (p. 43)
» Royal Victoria Quadrilles ("Marshall's") (p. 45)
» Her Majesty's Favorite (p. 47)
» The Circassian Circle () (p. 49)
» Spanish Dance () (p. 50)
» La Galopade (p. 51)
» Galopade Quadrilles (p. 53)
» The Mazourka (Russian Cotillon) (p. 55)
» Royal Devonshire Mazourkas (p. 58)
» The Polonaise (p. 59)
» The Waltz Cotillon (p. 61)
» Scotch Reel (p. 63)

Adrien D. (1844). La Polka. Paris. [Powers]


[Louis-Antoine] Jullien. (c. 1844). Jullien's Celebrated Polkas, No. 1 - The Original Polka [with Sheet Music for "The Original Polka"]. London. (pdf) (pdf2) {Goucher} {HDA} [Powers]

Note: Polka description is identical to Atwill's, 1844.

Polka Variations

» [Vis-à-Vis] (p. 1)







M. [Eugène] Laborde. (c. 1844). La Mazourka, Album à La Mode. Paris. (pdf) {Powers} [Powers]

Group Dances

» Choréographie de la Mazourka (p. 26)







A Man of Fashion. (1844). The New Ball-Room Guide. New York. [Powers] [WorldCat]


Perrot & Robert, Coral. (c. 1844). La Polka, Enseignee Sans Maitre. Paris. [Powers] [WorldCat]


Auguste Perroux, Adrien Robert. (1844). La Mazurka, Chorégraphie D'Après MM. Coralli Et Élie. Paris. (pdf) {BNF} [Powers]

Mazurka Variations

» Pas de Mazurka (p. 13)
» Tourné sur place (p. 13)
» Pas allongeé (p. 14)
» Pas de basque [*] (p. 14)

Group Dances

» [Mazurka] Quadrille (p. 14)







*"Ce pas est trop connu pour qu'il soit nécessaire de le décrire ici. [This step is too well known to need to describe it here.]"


Fischer, Isidore Dannström. (1844). Theorie Complete De La Mazurka [with Sheet Music for La Nationale, La Galicienne]. Paris: Heugel. (pdf) {BNF}


Fischer, Isidore Dannström. (1844). Theorie Complete De La Mazurka [with Sheet Music for La Varsovienne. La Suédoise]. Paris: Heugel. (pdf) {BNF}


Fischer, Isidore Dannström. (1844). Theorie Complete De La Mazurka [with Sheet Music for La Moscovite]. Paris: Heugel. (pdf) {BNF} [Powers]


Pictorial Times. (1844). St. James Theatre - The Polka. Article In The April 27, 1844 Issue Of The Pictorial Times. London. [Powers]


Nick Polkmall [Chas. Narry]. (1844). Les Polkeuses, Poème Étique Sur Les Célébrités De La Polka. Paris. (pdf) {BNF} [Powers]

Note: Poems about polka dancers, no dance descriptions.


Charles Vernier (ill.). (c. 1844). La Polkamanie. Paris. (pdf) {Powers} [Powers]

Note: Captioned illustrations of polka dancers, no dance descriptions.


Auguste Vitu, Paul Farnése. (1844). Physiologie De La Polka, Apres Cellarius. Paris. (pdf) {google} [Powers]

Notes: Page 16 and 17 of Google pdf were corrupted duplicates, and have been removed from the Library of Dance copy. All edges remain cut off, and page 89 is barely readable.


Frederick [Oldfield] Ward. (1844). The Polka - A Satirical Essay. London. [Powers]


Allen Dodworth. (1845). Indian Hunter Quick Step for Four Hands. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1845). The May Dew Quick Step. New York: F. Riley & Company. (congress)


Allen Dodworth. (1845). Devilshoof Quick Step. New York. (congress)


Klemm and Brother (pub.). (1845). A Set of Quadrilles and Polka. New York: Klemm and Brother. (congress)


J. Breaute (ed.). (1845). Paris Dansant, Ou Les Filles D'Herodiade, Folles Danseuses Des Bals Publics. Paris. (pdf) {BNF} [Powers]

Note: Description of bals publics and dancers, no dance descriptions.


[Henri] Cellarius. (c. 1845). Polka Réglée Par Cellarius [Accompanying Sheet Music For La Polka De Baden-Baden]. Paris. [Powers]


Hugh Cunningham. (1845). How to Dance the Polka! London: Henry Richards. (pdf) {google}


E. Ferrett (pub.). (1845). The Pianist's Companion. Dance Music With Calls For Quadrilles And Set Dances. Philadelphia. [Powers]


E. Ferrett (pub.). (1845). "Description Of The Cellarius Waltz And Mazourka Quadrille" and "The Figures Of The London Polka Quadrilles," accompanying Les Russes, A Set Of Mazourkas And A Set Of Polkas. New York. (pdf) {Powers} [Powers]

Note: Description of Mazourka Quadrille and London Polka Quadrille, with accompanying music for both.

Couple Dances

» Cellarius Waltz [not described] (p. 3)


Set Dances

» Mazourka Quadrille (p. 3)
» London Polka Quadrilles (p. 3)






Messiurs Laborde, Corralli, and Elie. (c. 1845). "The Celebrated Mazurka of Spa," accompanying Jullien's Original Mazurka No. 1, Or The Cellarius Waltz. New York. (pdf) {Powers} [Powers]

Note: Description of The Celebrated Mazurka of Spa, with accompanying music.

Set Dances

» The Celebrated Mazurka of Spa (p. 2)







E. Ferrett (pub.). (1845). Quadrilles From The Bohemian Girl. Philadelphia. (pdf) {JHU} [Powers]

Note: Description of Quadrilles from the Bohemian Girl, with accompanying music.

Set Dances

» Quadrilles from the Bohemian Girl (p. 2)







Г. Грациеский [G. Gracieskij]. (1845). Nec plus ultra. Вальс в 3 шага. Издание настоящего года. Самоучитель. [Ultimate. Waltz in 3 Steps. The Publication of This Year. Teach-Yourself Book]. Киев [Kiev]. (pdf) {HDA}


Огюст Перро, Адриан Робер. (1845). Полька в Париже и Петербурге. Санкт-Петербург. (HDA transcription) {HDA}


C. P. Huestis (pub.). (1845). The Ball-Room Instructer [sic]. New York. [Powers] [WorldCat]


Louis Huart. (1845). Paris Au Bal. Paris. (pdf) {BNF} [Powers]


Captain [Charles Henry] Knox. (1845). The Spirit Of The Polka, Being An Historical And Analytical Disquisition On The Prevailing Epidemic, Its Origin And Mission. London: John Ollivier. (pdf) {google} [Powers]


P. Martinon (ed.). (1845). Almanach De La Polka. Paris. [Powers] [WorldCat]


George Lemore Saunders (ed.). (1845). Rock's Ball-Room Hand Book, Quadrille Preceptor, Cellarius Instructor, Mazurka And Polka Companion, And Valses À Deux Tems Danseur. London. (pdf) {Powers} [Powers]

Couple Dances

» Waltzing [Rules for...] (p. 14)
» La Polka (p. 36)
     » First Figure (p. 38)
     » Second Figure (p. 38)
     » Third Figure (p. 38)
     » Fourth Figure (p. 38)
     » Fifth Figure (p. 39)
     » Sixth Figure (p. 39)
» Polka Waltzes (p. 41)
     » First Waltz (p. 41)
     » Second Waltz (p. 41)
     » Third Waltz (p. 42)
» Valse À Deux Tems () (p. 42)
» Cellarius Valse (p. 47)
     » The Mazurka (p. 47)
     » The Cachuca (p. 47)
     » The Arab (p. 48)
     » The Moresca (p. 48)

Set Dances

» Paine's First Set (p. 17)
» The Lancers (p. 20)
» Lancers Second Set (p. 23)
» Prince of Wales's First Set (p. 25)
» The Cotillion (p. 28)
» Galopade Quadrille (p. 30)
» The Caledonian Quadrille (p. 32)
» Waltz Quadrille (p. 34)
» La Polka Cotillion (p. 39)
» La Mazurka [Quadrille] (p. 45)



Theodore Staines. (1845). Les Oiseaux De Nuit, Et Les Polkeuses Des Scènes Publiques. Paris. (pdf) {BNF} [Powers]



Frc. (Friedrich) Burgmuller (comp.). (1846). "La Redowa, Valse Bohemienne." Godey's Magazine and Lady's Book, Volume 33. Philadelphia: Louis A. Godey. (pdf) {google}

Redowa (♬) (♩160)

» The Redowa Waltz (p. 1)
» Promenade (p. 1)
» The Poursuite (p. 1)











L. Chledowski. (1846). La Redowa, Nouvelle Danse de Bohême. Paris: J. Meissonnier. (pdf) {BNF}

Music for Redowa.


Count Alfred d'Orsay [Charles William Day]. (1846). Etiquette: or a Guide to the Usages of Society ... to Which is Added the Only True Theory of the Rhenish or Spanish Waltz and of the German Waltz à Deux Temps. New York. (pdf) {google} [Powers]

Note: Identical in content to d'Orsay 1843.

Couple Dances

» Rhenish Waltz (Spanish Waltz) (p. 54)
» Waltz à Deux Temps, No. 1 () (p. 58)
» Waltz à Deux Temps, No. 2 () (p. 59)
» Waltz à Deux Pas (p. 60)













Allen Dodworth. (1846). The Young Bachelor's March. New York: Firth, Hall & Pond. (congress)

March Music.


Allen Dodworth. (1846). The Cally Polka. New York: Firth, Hall & Pond. (congress)

Polka Music.


Allen Dodworth. (1846). The Jenny Lind Polka. New York: Firth, Hall & Pond. (congress)

Polka Music.


Allen Dodworth. (1846). Knickerbocker Quadrilles. New York: Firth & Hall. (congress)

Quadrille Music.


Allen Dodworth. (1846). Olney's Quick Step. New York: Firth & Hall. (congress)

Quick Step Music.


Allen Dodworth. (1846). Mahopac Lake Waltz. New York: Firth, Hall & Pond. (congress)

Waltz Music.


Stephen Glover. (1846). The London Polka Quadrilles, With Appropriate Figures. Philadelphia: Lee & Walker. (pdf) {congress} [Powers]

Quadrilles

» The London Polka Quadrilles (p. 2)







Ch. Jarvis. (1846). A Set of Quadrilles from the Opera Luli or the Switzer's Bride. Philadelphia: A. Fiot. pdf) {congress}

Quadrilles

» Luli Quadrilles (p. 2)







Jullien. (c. 1846). The Original Redowa Waltz. New York: Firth & Hall. (pdf1) (pdf2) {JHU} {JHU2}

Music for Redowa.


Mr. Wm. Whale and Daughter. (1846). Redowa, Valse Bohemenne, With Figures By Cellarius. New York: Wm. Vanderbeek. (pdf) {congress} [Powers]

Redowa (♬)

» Promenade (p. 1)
» Redowa Waltz (Valse Redowa) (p. 1)
» The Pursuit (p. 1)












Karol Czerniawski. (1847). Charakterystyka Tańców. Warszawa: Drukarnia Stanislawa Strabskiego. (polona)


Guadenio dell'Omo d'Arme. (1847). Istruzione Complete Intorno al Ballo di Conversazione. Pisa: Tipografia Nistri. (hathi)


Allen Dodworth. (1847). &Aelig;olian March. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). The Bachelor's Button. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). Glen-Mary Quadrilles. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). Princess Helena's Polka. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). Jenny Lind Polka. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). Mahopac Lake Waltz. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). Waugh's Quick Step. New York: Firth, Hall & Pond. (congress)


Allen Dodworth. (1847). Cally Polka. New York: Firth, Hall & Pond. (congress)


Charles Durang. (1847). Durang's Terpsichore; Or, Ball Room Guide. Philadelphia: Fisher & Brother. (pdf) {Powers} [Powers]


F. (Friedrich) Burgmuller (comp.), Jules Martin (dance). (c. 1847). The Redowa Waltz, A New Bohemian Waltz. Philadelphia: A. Fiot. (pdf1) (pdf2) {JHU1} {Powers} [Powers]

Redowa (♬) (♩160)

» The Redowa Waltz (p. 1)
» Promenade (p. 1)
» The Poursuite (p. 1)











F. Raggio. (1847). West Point, New Polka, Redowa, and Polka Mazurka. New York: Philip Ernst & Son. (pdf) {JHU}

Music for Polka, Redowa, and Polka Mazurka.


Д. И. Соколов. (1847). Светский человек или руководство к познанию правил общежития. Санкт-Петербург: Типография Санкт-Петербургского губернского правления. (RSL)


[Henri] Cellarius. (1847). La Danse Des Salons. Paris: J. Hetzel. (pdf1) (pdf2) {google1} {google2} [Powers]

Couple Dances

» La polka [♩104] (p. 27)
» La valse à trois temps [♩198] (p. 35)
» La valse à deux temps [♩264] () (p. 41)
» La valse à cinq temps [♩152] () (p. 61)
» La Mazurka [♩176] (p. 65)
» La valse mazurka [♩208] (p. 91)
» La redowa [♩160] (p. 95)

Group Dances

» Le quadrille français (p. 23)
» Le quadrille mazurka (p. 81)
» Le cotillon (p. 101)
      » 1. La Course (p. 105)
      » 2. Les Ronds A Trois (p. 106)
      » 3. Les Chaises (p. 107)
      » 4. Les Fleurs (p. 107)
      » 5. Les Course Assise (p. 108)
      » 6. Les Colonnes (p. 109)
      » 7. Le Coussin (p. 109)
      » 8. Les Cartes (p. 110)
      » 9. La Pyramide (p. 110)
      » 10. La Trompeuse (p. 111)
      » 11. Le Serpent (p. 112)
      » 12. Le Rond Brisé (p. 112)
      » 13. Le Mouchoir (p. 113)
      » 14. Le Changement De Dames (p. 113)
      » 15. Le Chapeau (p. 114)
      » 16. L'Écharpe (p. 114)
      » 17. Les Dames Assises (p. 115)
      » 18. Le Verre De Vin De Champagne (p. 115)
      » 19. Les Couples Refusés (p. 116)
      » 20. Les Bouquets (p. 116)
      » 21. Les Dames Présentées (p. 117)
      » 22. Le Coussin Mobile (p. 117)
      » 23. Les Dames Trompées (p. 118)
      » 24. Le Chapeau Magique (p. 118)
      » 25. La Phalange (p. 119)
      » 26. Le Drap Mystérieux (p. 120)
      » 27. Le Cavalier Trompé (p. 120)
      » 28. La Croix Doublée (p. 121)
      » 29. Le Grand Rond (p. 121)
      » 30. Les Cercles Jumeaux (p. 122)
      » 31. Le Rond Trompeur (p. 123)
      » 32. Le Portier Du Couvent (p. 123)
      » 33. Les Mains Mystérieuses (p. 124)
      » 34. La Chasse Aux Mouchoirs (p. 124)
      » 35. La Mer Agitée (p. 125)
      » 36. Les Quatre Coins (p. 126)
      » 37. Le Berceau (p. 126)
      » 38. La Poursuite (p. 127)
      » 39. Le Rond Final (p. 128)
      » 40. Les Ronds Infinis (p. 128)
      » 41. Le Moulinet (p. 129)
      » 42. Le Moulinet Changeant (p. 130)
      » 43. Les Quatre Chaises (p. 130)
      » 44. La Contredanse (p. 131)
      » 45. Le Mouchoir (p. 131)
      » 46. Les Écharpes Volantes (p. 132)
      » 47. L'Éventail (p. 132)
      » 48. Le Colin-Maillard (p. 133)
      » 49. Les Cavaliers Ensemble (p. 133)
      » 50. Les Zigzags (p. 134)
      » 51. Les Ondulations (p. 134)
      » 52. Les Deux Lignes (p. 135)
      » 53. L'Allée Tournante (p. 136)
      » 54. Le Chapeau Fuyant (p. 136)
      » 55. Le Huit (p. 137)
      » 56. Les Bras Enlacés (p. 137)
      » 57. Le Moulinet Des Dames (p. 138)
      » 58. Les Petits Ronds (p. 139)
      » 59. Le Double Moulinet (p. 140)
      » 60. L'X Des Cavaliers (p. 140)
      » 61. L'X Du Cavalier Et De La Dame (p. 141)
      » 62. La Grande Chaine Anglaise (p. 142)
      » 63. Les Graces (p. 143)
      » 64. Les Ronds Contrariés (p. 143)
      » 65. Les Génuflexions (p. 144)
      » 66. Les Chaines A Quatre (p. 145)
      » 67. Les Chaises Croisées (p. 145)
      » 68. La Double Pastourelle (p. 146)
      » 69. La Chaine Double (p. 147)
      » 70. Les Chaines Continues (p. 147)
      » 71. Les Cavaliers Changeants (p. 148)
      » 72. Les Dames Dos A Dos (p. 149)
      » 73. Les Ronds A Quatre (p. 149)
      » 74. La Génuflexion A Quatre (p. 150)
      » 75. Le Moulinet Changé (p. 151)
      » 76. Le Triangle Changeant (p. 152)
      » 77. Les Chaines En Ligne (p. 153)
      » 78. Le Labyrinthe (p. 153)
      » 79. La Polka En Chaines Diverses (p. 154)
      » 80. La Corbeille (p. 155)
      » 81. La Triple Passe (p. 156)
      » 82. La Dame A Gauche (p. 156)
      » 83. Le Réunion Des Couples (p. 157)

W. Lipinsky. (1847). Adieu de Moscou, Quadrille. Saint Petersbourg.


[Henri] Cellarius. (1847). Fashionable Dancing. London: David Bogue. (pdf1) (pdf2) {google1} {google2} [Powers]

Couple Dances

» The Polka [♩104] (p. 22)
» The Valse À Trois Temps [♩198] (p. 27)
» The Valse À Deux Temps [♩264] () (p. 32)
» The Valse À Cinq Temps [♩152] () (p. 48)
» The Mazurka [♩176] (p. 52)
» The Waltz-Mazurka (The Cellarius) [♩208] (p. 91)
» La Redowa [♩160] (p. 76)

Group Dances

» The Quadrille Français, Or First Set (p. 17)
» The Quadrille-Mazurka (p. 68)

The Cotillon

» 1. La Course - The Course (p. 85)
» 2. Les Ronds A Trois - The Rounds Of Three (p. 86)
» 3. Les Chaises - The Chairs (p. 87)
» 4. Les Fleurs - The Flowers (p. 87)
» 5. Les Course Assise - The Course Assize (p. 88)
» 6. Les Colonnes - The Columns (p. 88)
» 7. Le Coussin - The Cushion (p. 89)
» 8. Les Cartes - The Cards (p. 89)
» 9. La Pyramide - The Pyramid (p. 90)
» 10. La Trompeuse - The Deceiver (p. 90)
» 11. Le Serpent - The Serpent (p. 91)
» 12. Le Rond Brisé - The Broken Ring (p. 92)
» 13. Le Mouchoir - The Handkerchief (p. 92)
» 14. Le Changement De Dames - Exchange Of Ladies () (p. 92)
» 15. Le Chapeau - The Hat (p. 93)
» 16. L'Écharpe - The Scarf (p. 93)
» 17. Les Dames Assises - The Ladies Seated (p. 93)
» 18. Le Verre De Vin De Champagne - The Glass Of Champagne (p. 94)
» 19. Les Couples Refusés - The Rejected Couples (p. 95)
» 20. Les Bouquets - The Nosegays (p. 95)
» 21. Les Dames Présentées - Presentation Of The Ladies (p. 95)
» 22. Le Coussin Mobile - The Movable Cushion (p. 96)
» 23. Les Dames Trompées - The Ladies Deceived (p. 96)
» 24. Le Chapeau Magique - The Magic Hat (p. 97)
» 25. La Phalange - The Phalanx (p. 97)
» 26. Le Drap Mystérieux - The Mysterious Sheet (p. 98)
» 27. Le Cavalier Trompé - The Gentleman Deceived (p. 98)
» 28. La Croix Doublée - The Doubled Cross (p. 99)
» 29. Le Grand Rond - The Grand Round (p. 99)
» 30. Les Cercles Jumeaux - The Twin Circles (p. 100)
» 31. Le Rond Trompeur - The Deceiving Circle (p. 101)
» 32. Le Portier Du Couvent - The Convent Porter (p. 101)
» 33. Les Mains Mystérieuses - The Mysterious Hands (p. 102)
» 34. La Chasse Aux Mouchoirs - The Hunt After The Handkerchiefs (p. 102)
» 35. La Mer Agitée - The Sea In A Storm (p. 103)
» 36. Les Quatre Coins - The Four Corners (p. 104)
» 37. Le Berceau - The Bower (p. 104)
» 38. La Poursuite - The Pursuit (p. 105)
» 39. Le Rond Final - The Final Circle (p. 106)
» 40. Les Ronds Infinis - The Endless Rounds (p. 106)
» 41. Le Moulinet - The Turnstile (p. 107)
» 42. Le Moulinet Changeant - The Varying Turnstile (p. 107)
» 43. Les Quatre Chaises - The Four Chairs (p. 108)
» 44. La Contredanse - The Country Dance (p. 108)
» 45. Le Mouchoir - The Handkerchief (p. 109)
» 46. Les Écharpes Volantes - The Flying Scarfs (p. 109)
» 47. L'Éventail - The Fan (p. 109)
» 48. Le Colin-Maillard - Blindman's Buff (p. 110)
» 49. Les Cavaliers Ensemble - The Gentlemen Together (p. 110)
» 50. Les Zigzags - The Zigzags (p. 111)
» 51. Les Ondulations - The Undulations (p. 111)
» 52. Les Deux Lignes - The Two Lines (p. 112)
» 53. L'Allée Tournante - The Winding Alley (p. 112)
» 54. Le Chapeau Fuyant - The Flying Hat (p. 113)
» 55. Le Huit - The Figure Of Eight (p. 113)
» 56. Les Bras Enlacés - The Arms Entwined (p. 114)
» 57. Le Moulinet Des Dames - Ladies' Moulinet (p. 114)
» 58. Les Petits Ronds - The Small Rounds (p. 115)
» 59. Le Double Moulinet - The Double Turnstile (p. 116)
» 60. L'X Des Cavaliers - The X Of The Gentlemen (p. 116)
» 61. L'X Du Cavalier Et De La Dame - The X Of The Gentlemen And His Lady (p. 117)
» 62. La Grande Chaine Anglaise - The Grand English Chain (p. 118)
» 63. Les Graces - The Graces (p. 119)
» 64. Les Ronds Contrariés - The Rounds Thwarted (p. 119)
» 65. Les Génuflexions - The Kneelings (p. 120)
» 66. Les Chaines A Quatre - The Chains With Four (p. 120)
» 67. Les Chaises Croisées - The Crossed Chains (p. 121)
» 68. La Double Pastourelle - The Double Pastourelle (p. 122)
» 69. La Chaine Double - The Double Chain (p. 122)
» 70. Les Chaines Continues - The Extended Chains (p. 123)
» 71. Les Cavaliers Changeants - The Changing Gentlemen, Or Inconstants (p. 124)
» 72. Les Dames Dos A Dos - The Ladies Back To Back (p. 124)
» 73. Les Ronds A Quatre - The Rounds Of Four (p. 125)
» 74. La Génuflexion A Quatre - The Quadruple Genuflexion (p. 126)
» 75. Le Moulinet Changé - The Moulinet Changed (p. 126)
» 76. Le Triangle Changeant - The Changing Triangle (p. 127)
» 77. Les Chaines En Ligne - The Chains In Line (p. 127)
» 78. Le Labyrinthe - The Labyrinth (p. 128)
» 79. La Polka En Chaines Diverses - The Polka In Different Chains (p. 129)
» 80. La Corbeille - The Basket (p. 129)
» 81. La Triple Passe - The Triple Pass (p. 130)
» 82. La Dame A Gauche - The Lady To The Left (p. 131)
» 83. Le Réunion Des Couples - The Reunion Of Couples (p. 157)

[Henri] Cellarius. (1847). The Drawing-Room Dances. London: E. Churton. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Note: A different English translation than the above, with added Appendix ("By The English Editor") including the English Quadrille, Lancers, Caledonians, and Spanish Dance. All capitalizations and spelling sic.

Couple Dances

» The Polka [♩104] (p. 20)
» The Waltze À Trois Temps [♩198] (p. 26)
» The Waltze À Deux Temps [♩264] () (p. 32)
» The Waltze À Cinque Temps [♩152] () (p. 48)
» The Mazurka [♩176] (p. 51)
» The Waltze-Mazurka (The Cellarius) [♩208] (p. 73)
» The Redowa [♩160] (p. 75)

Group Dances

» The French Quadrille (p. 16)
» The Quadrille-Mazurka (p. 66)
» The English Quadrille (p. 141)
» Lancers (p. 144)
» Caledonians (p. 146)
» Spanish Dance () (p. 148)

The Cotillon (p. 81)

» 1. The excursion - La Course (p. 85)
» 2. The Rounds of three - Les Rounds à trois - (p. 85)
» 3. The Chairs - Les Chaires (p. 86)
» 4. The Flowers - Les Fleurs (p. 87)
» 5. Les Course Assise (p. 87)
» 6. The Columns - Les Colonnes (p. 88)
» 7. The Cushion - Le Coussin (p. 88)
» 8. The Cardes - Les Cartes (p. 89)
» 9. The Pyramid - La Piramide (p. 89)
» 10. The Deceiver - La Trampeuse (p. 90)
» 11. The Serpent - La Serpent (p. 91)
» 12. The Broken Round - Le Rond Brisè (p. 91)
» 13. The Handkerchief - Le Monchorè (p. 92)
» 14. The Change of Ladies - Le Changement des Dames () (p. 92)
» 15. The Hat - Le Chapeau (p. 92)
» 16. The Shawl - L'Écharpe (p. 93)
» 17. The Ladies Seated - Les Dames Assises (p. 93)
» 18. The Glass of Champagne - Le Verre De Vin De Champagne (p. 94)
» 19. The Rejected Couples - Les Couples Refusés (p. 94)
» 20. The Nosegays - Les Bouquets (p. 95)
» 21. The Presentation of Ladies - Les Dames Presentées (p. 95)
» 22. The Moving Cushion - Le Coussin Mobile (p. 96)
» 23. The Ladies Mocked - Les Dames Trompées (p. 96)
» 24. The Magic Hat - Le Chapeau Magique (p. 97)
» 25. The Phalanx - La Phalange (p. 97)
» 26. The Mysterious Cloth - Le Drap Mystérieux (p. 98)
» 27. The Gentlemen Mocked - Le Cavalier Trompè (p. 98)
» 28. The Double Cross - La Croix Doublée (p. 99)
» 29. The Grand Round - Le Grand Rond (p. 99)
» 30. The Twin Circles - Les Circles jumeau (p. 100)
» 31. The Deceitful Round - Le Rond Trompense (p. 101)
» 32. The Convent-Porter - Le Portier du Couvent (p. 101)
» 33. The Mysterious Hands - Les Mains Mystérieux (p. 101)
» 34. The Handkerchief Chase - La Chasse aux Mouchoirs (p. 102)
» 35. The Stormy Sea - a Mer Agitée (p. 102)
» 36. Puss in the Corner - Les Quatre Coins (p. 103)
» 37. The Bower - Le Berceau (p. 104)
» 38. The Pursuit - La Poursuite (p. 104)
» 39. The Final Round - a Rond Final (p. 105)
» 40. The Endless Rounds - Les Ronds Infinis (p. 105)
» 41. Le Moulinet (p. 106)
» 42. Le Moulinet Changeant (p. 107)
» 43. The Four Chairs - Les Quatre Chaires (p. 107)
» 44. The Country Dance - La Contredanse (p. 108)
» 45. The Handkerchief - Le Mouchoir (p. 108)
» 46. The Flying Shawls - Les Echarpes Volantes (p. 108)
» 47. The Fan - L'Evantail (p. 109)
» 48. Blind-man's buff - La Colin Maillard (p. 109)
» 49. The Gentlemen together - Les Cavaliers ensemble (p. 110)
» 50. The Zigzags - Les Zigzags (p. 110)
» 51. The Undulations - Les Undulations (p. 111)
» 52. The two Lines - Les Deux Lignes (p. 111)
» 53. The Crooked Lane - L'Allee Tournante (p. 112)
» 54. The Flying Hat - Le Chapeau Volant (p. 113)
» 55. The figure of Eight - La Huit (p. 113)
» 56. The Intermingling of Arms - Les Bras Enlacés (p. 114)
» 57. The Ladies' Moulinet - Le Moulinet des Dames (p. 114)
» 58. The little Rounds - Les Petits Ronds (p. 115)
» 59. The Double Moulinet - Le Double Moulinet (p. 116)
» 60. The X of the Gentlemen - L'X Des Cavaliers (p. 117)
» 61. The X of the Gentleman and his Lady - L'X de Cavalier et de la Dame (p. 118)
» 62. The English Right and Left - La Grande Chaine Anglaise (p. 119)
» 63. The Graces - Les Graces (p. 119)
» 64. The Contrary Rounds - Les Ronds Contrarieés (p. 120)
» 65. The Genuflexions - Les Genuflexions (p. 121)
» 66. The Right and Left - Les Chaines à Quatre (p. 121)
» 67. The Crossed Chains - Les Chaises Croiseés (p. 122)
» 68. The Double Pastourelle - La Double Pastourelle (p. 122)
» 69. The Double Chain - La Chaine Double (p. 123)
» 70. The Uninterrupted Chains - Les Chaines Continues (p. 123)
» 71. The Inconstants - Les Cavaliers Changeants (p. 124)
» 72. The Ladies Back To Back - Les Dames Dos à Dos (p. 124)
» 73. Four Hands Round - Les Ronds à Quatre (p. 125)
» 74. The Genuflexion of Four - La Genuflexion à Quatre (p. 126)
» 75. The Change of the Moulinet - La Moulinet Changé - The Moulinet Changed (p. 127)
» 76. The Changing Triangle - La Triangle Changeant (p. 128)
» 77. The Chains in line - Les Chaines en Ligne (p. 128)
» 78. The Labyrinth - La Labyrinth (p. 129)
» 79. The Polka in Right and Left Varied - La Polka en Chaines Diverses (p. 130)
» 80. The Basket - La Corbeille (p. 130)
» 81. The Triple Pass - La Triple Passe (p. 131)
» 82. The Lady to the Left - La Dame a Gauche (p. 132)
» 83. The Reunion of Couples (p. 132)

Charles Durang, Turner & Fisher (pub.). (1847). Leaflets Of The Ball Room. Philadelphia. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. Meissonnier. (c. 1848). Mazourkas Favorites. Executees au Cours de Mr. Cellarius. Paris. (pdf) {Powers} [Powers]


B. H. Shepard (pub.). (1848). The New England Musician, Containing Five Setts of Quadrilles, A Collection of Contra Dances, Waltzes, Marches, and One Sett of Voice Quadrilles; All Arranged for Four Instruments: Namely, Violin, Clarinet, Post-Horn or Cornet, and Orphicleide. Lowell: B. H. Shepard & Co. (pdf) {Powers} [Powers]


Allen Dodworth. (1848). The Olivia Polka. New York: William Hall & Son. (congress)


Allen Dodworth. (1848). Woodman Spare That Tree, Quick Step. New York: Firth, Pond & Company. (congress)


N. P. Bach. (1848). The Gazelle, Polka. New York: P. Saracco. (pdf) {JHU}


A. F. R. Conner. (1848). The New Six Figures Cellarius Polka Quadrilles. Philadelphia: A. Fiot. (congress)


A Man of Fashion, Charles Mitchell (pub.) (c. 1848). A Guide To The Ball-Room & Illustrated Polka Lesson Book. London: Charles Mitchell. (pdf) {Powers} [Powers]


Christian Nolff. (1848). The Fortune, A Favourite Set of Redowa Waltzes. New York: William Hall & Son. (pdf) {JHU}

Music for Redowa.


Christian Nolff. (1848). The Fashion, A New Waltz in Five Steps. New York: William Hall & Son. (pdf) {congress}

Music for Five-Step Waltz.


Christian Nolff. (1848). Isabella Polka. New York: William Hall & Son. (pdf) {JHU}


Анри Целлариус. (1848). Руководство к изучению новейших бальных танцев. Санкт-Петербург: Василий Поляков. (RSL)


Irine Alafuso. (1848). Quadrille pour le piano. Moscou.


[Anonymous]. (c. 1848). La Mazurka (Illustrated, With Music). Paris. [Powers]


George S. Appleton. (1848). A Hand-Book For The Ball-Room And Evening Parties. New York. [Powers] [WorldCat]


Charles Durang. (1848/©1847). The Ball-Room Bijou And Art Of Dancing ©1847). Philadelphia: Turner & Fisher. (pdf) {Powers} [Powers]


Charles Durang. (1848). Durang's Terpsichore Or Ball-Room Guide (Hardback Leather Binding). Philadelphia. [Powers] [WorldCat]


Charles Durang. (1848). The Dancer's Own Book & Ball-Room Companion (©1847). Philadelphia. [Powers] [WorldCat]


Joseph Hart. (1848). Hart's London Lancer Quadrilles, First Introduced To The Ball Rooms Of This City By Mr. Durang & Daughter. Philadelphia. (pdf) {congress} [Powers]


Jules M. Martin. (1848). New Polka Quadrille Description, With Sheet Music For The Cellarius Polka Quadrilles. Philadelphia. [Powers]


R. Powell. (1848). Powell's Art Of Dancing; Or Dancing Made Easy. Louisville, KY: Harney, Hughes, & Hughes. (pdf) (djvu) (txt) {congress} {archive} [Powers]


C. Sheard (pub.). (c. 1848). Instructions For Dancing The Cellarius Valse (Description and Sheet Music). London: C. Cheard Musical Bouquet Office. (pdf) {Powers} [Powers]


Allen Dodworth. (1849). Cally Quadrilles. New York: William Hall & Son. (congress)


Allen Dodworth. (1849). Leggat's March. New York: Firth, Pond & Company. (congress)


Christian Nolff. (1849). The American Republic, Waltz in Five Steps. New York: P. Saracco. (pdf) {JHU}

Note: Music in 5/4 time, for dancing Five-Step Waltz.


D. L. Carpenter, E. D. Roland. (1849). The Deux Temps Quadrilles or Figures of Crosses. Philadelphia: Lee & Walker. (congress) [Powers]


[Anonymous]. (1849). Устав немецкого танцевального общества в Санкт-Петербурге 1848 года. Москва: Типография III отделения собственной его императорского величества канцелярии. (pdf) {HDA}


[Willis P. Hazard]. (1849). The Ball-Room Companion, A Hand-Book For The Ball-Room And Evening Parties. Philadelphia: George S. Appleton. (pdf) {google} [Powers]

Note: Author is listed as: The Author Of The Hand-Books Of "Etiquette," "Conversation," "The Toilette," "Courtship and Marriage," etc., etc.

Couple Dances

» The Polka (p. 38)
» Valse a Deux Tems () (p. 46)
» Cellarius Waltz (p. 51)
» The Mazourka (p. 51)
» The Redowa (p. 56)

Group Dances

» First Set (p. 24)
      » 1. Le Pantalon (p. 24)
      » 2. L'Ete (p. 25)
      » 3. La Poule (p. 25)
      » 4. La Trenise (p. 25)
      » 5. La Pastorale (p. 25)
      » 6. The Sociable (p. 26)
      » 7. Coquette (p. 26)
      » 8. Curtsy Cotillon (p. 26)
      » 9. New Year (p. 27)
      » 10. Swing Corners (p. 27)
      » 11. Basket Cotillon (p. 27)
      » 12. La Finale (p. 28)
» Caledonians - First Set (p. 28)
» Caledonians - Second Set (p. 29)
» The Lancers (Hart's Set) (p. 31)
      » 1. La Rose (p. 31)
      » 2. La Lodoiska (p. 31)
      » 3. La Dorset (p. 31)
      » 4. L'Etoile (p. 32)
      » 5. Les Lanciers (p. 32)
» Victoria Quadrilles (p. 32)
» Royal Victoria Quadrilles (Marshall's) (p. 35)
» Polka Quadrilles (Glover's) (p. 43)
» New York Polka (p. 45)
» Mons. Hazard's Polka (p. 45)
» Waltz Cotillon (p. 48)
» Waltz Quadrilles - First Set (p. 49)
» Waltz Quadrilles - Second Set (p. 50)
» Royal Devonshire Mazourkas (p. 54)
» Polish Mazourka Set (p. 55)
» Right and Left Polish Set (p. 55)
» Third Figure (p. 55)
» The Circassian Circle () (p. 57)
» Spanish Dance () (p. 58)
» The Galopade (p. 59)
» Scotch Reel (p. 60)
» Highland Reel (p. 61)
» Virginia Reel (p. 62)
» Rustic Reel () (p. 63)

[Henri] Cellarius. (1849). La Danse Des Salons (Deuxième Edition). Paris: Chez L'Auteur. (pdf1) (pdf2) (pdf3) (djvu) (txt) {google} {congress} {BNE} {archive} [Powers]

Couple Dances

» La polka [♩104] (p. 31)
» La valse à trois temps [♩198] (p. 37)
» La valse à deux temps [♩264] () (p. 37)
» La valse à cinq temps [♩152] () (p. 37)
» La Mazurka [♩176] (p. 65)
» La valse mazurka [♩208] (p. 91)
» La redowa [♩160] (p. 95)

Group Dances

» Le quadrille français (p. 23)
» Le quadrille mazurka (p. 81)

Le cotillon (p. 101)

» 1. La Course (p. 105)
» 2. Les Ronds A Trois (p. 106)
» 3. Les Chaises (p. 107)
» 4. Les Fleurs (p. 107)
» 5. Les Course Assise (p. 108)
» 6. Les Colonnes (p. 109)
» 7. Le Coussin (p. 109)
» 8. Les Cartes (p. 110)
» 9. La Pyramide (p. 110)
» 10. La Trompeuse (p. 111)
» 11. Le Serpent (p. 112)
» 12. Le Rond Brisé (p. 112)
» 13. Le Mouchoir (p. 113)
» 14. Le Changement De Dames () (p. 113)
» 15. Le Chapeau (p. 114)
» 16. L'Écharpe (p. 114)
» 17. Les Dames Assises (p. 115)
» 18. Le Verre De Vin De Champagne (p. 115)
» 19. Les Couples Refusés (p. 116)
» 20. Les Bouquets (p. 116)
» 21. Les Dames Présentées (p. 117)
» 22. Le Coussin Mobile (p. 117)
» 23. Les Dames Trompées (p. 118)
» 24. Le Chapeau Magique (p. 118)
» 25. La Phalange (p. 119)
» 26. Le Drap Mystérieux (p. 120)
» 27. Le Cavalier Trompé (p. 120)
» 28. La Croix Doublée (p. 121)
» 29. Le Grand Rond (p. 121)
» 30. Les Cercles Jumeaux (p. 122)
» 31. Le Rond Trompeur (p. 123)
» 32. Le Portier Du Couvent (p. 123)
» 33. Les Mains Mystérieuses (p. 124)
» 34. La Chasse Aux Mouchoirs (p. 124)
» 35. La Mer Agitée (p. 125)
» 36. Les Quatre Coins (p. 126)
» 37. Le Berceau (p. 126)
» 38. La Poursuite (p. 127)
» 39. Le Rond Final (p. 128)
» 40. Les Ronds Infinis (p. 128)
» 41. Le Moulinet (p. 129)
» 42. Le Moulinet Changeant (p. 130)
» 43. Les Quatre Chaises (p. 130)
» 44. La Contredanse (p. 131)
» 45. Le Mouchoir (p. 131)
» 46. Les Écharpes Volantes (p. 132)
» 47. L'Éventail (p. 132)
» 48. Le Colin-Maillard (p. 133)
» 49. Les Cavaliers Ensemble (p. 133)
» 50. Les Zigzags (p. 134)
» 51. Les Ondulations (p. 134)
» 52. Les Deux Lignes (p. 135)
» 53. L'Allée Tournante (p. 136)
» 54. Le Chapeau Fuyant (p. 136)
» 55. Le Huit (p. 137)
» 56. Les Bras Enlacés (p. 137)
» 57. Le Moulinet Des Dames (p. 138)
» 58. Les Petits Ronds (p. 139)
» 59. Le Double Moulinet (p. 140)
» 60. L'X Des Cavaliers (p. 140)
» 61. L'X Du Cavalier Et De La Dame (p. 141)
» 62. La Grande Chaine Anglaise (p. 142)
» 63. Les Graces (p. 143)
» 64. Les Ronds Contrariés (p. 143)
» 65. Les Génuflexions (p. 144)
» 66. Les Chaines A Quatre (p. 145)
» 67. Les Chaises Croisées (p. 145)
» 68. La Double Pastourelle (p. 146)
» 69. La Chaine Double (p. 147)
» 70. Les Chaines Continues (p. 147)
» 71. Les Cavaliers Changeants (p. 148)
» 72. Les Dames Dos A Dos (p. 149)
» 73. Les Ronds A Quatre (p. 149)
» 74. La Génuflexion A Quatre (p. 150)
» 75. Le Moulinet Changé (p. 151)
» 76. Le Triangle Changeant (p. 152)
» 77. Les Chaines En Ligne (p. 153)
» 78. Le Labyrinthe (p. 153)
» 79. La Polka En Chaines Diverses (p. 154)
» 80. La Corbeille (p. 155)
» 81. La Triple Passe (p. 156)
» 82. La Dame A Gauche (p. 156)
» 83. Le Réunion Des Couples (p. 157)

Allen Dodworth. (1850). Very Best Polka. New York: William Hall & Son. (duke)


Allen Dodworth. (1850). Dark Sett Quadrilles. New York: William Hall & Son. (congress)


Allen Dodworth. (1850). Jenny Lind Schottisch. New York: William Hall & Son. (congress)


Allen Dodworth. (1850). Ogden Polka. New York: William Hall & Son. (congress)


Elias Howe. (1850). First Part of the Musician's Companion. Boston: Oliver Ditson. (pdf) (djvu) {archive}


Elias Howe. (1850). Second Part of the Musician's Companion. Boston: Oliver Ditson. (pdf) (djvu) {archive}


Elias Howe. (1850). Third Part of the Musician's Companion. Boston: Oliver Ditson. (pdf) (djvu) {archive}


Henry Chadwick. (1850). Susanna Quadrilles Arranged from Christy's Melodies. New York: C. Holt Junior. (congress)


Charles Durang. (1850). The Ball-Room Bijou and the Art of Dancing. Philadelphia: Fisher & Brother. (pdf) (djvu) {archive}


A. Perrot. (1850). La Pyrenéenne, The New Quadrille. New York: William Hall & Son. (congress)


John Enninger. (c. 1850). [Untitled, No.1]. Höör. (congress)


John Enninger. (c. 1850). [Untitled, No.2]. Höör. (congress)


John Enninger. (c. 1850). [Untitled, No.3]. Höör. (congress)


G. Gerster. (c. 1850). Die Tanzkunst. Speyer: O. L. Lang. (pdf) (BSB)


Eugène. (c. 1850). The Warsaw Varsoviana with a Correct Description of the Figure. London: Louis Antoine Jullien. (Lapshin transcription)


Harriman. (1848). Danses de Salon: Schottisch, Polka, Polka-Mazurka, Redowa, Valse et Galop. Paris. (pdf) {RSL}

Music for Schottische, Polka, Polka Mazurka, Redowa, Waltz, and Galop.


Alphonse Longueville. (1848). Varsoviana.


Louis James Alfred Lefébure-Wély. (1848). La Moskowiska-Varin. Polka-Mazurke. Avec Théorie de Cette Danse. Mayence


Frances Henderson. (c. 1850). Etiquette of the Ball-room and Guide to the New and Fashionable Dances; Containing the Steps and Figures of Quadrilles, Valses, Polkas, Galops, Mazourkas, Country Dances, etc.; with Hints and Instructions Respecting Toilet and Deportment. London: George Biggs. (pdf) (google)


Joseph Lowe. (1850). Collection of Reels, Strathspeys & Jigs. Being a New & Complete Selection of the Best Dancing Tunes In Their Proper Keys as Performed at the Different Assemblies and Public Meetings Throughout Scotland. Edinburgh: Paterson & Roy. (hathi)


[Anonymous]. (1850). Tune Book. (vwml)


Lorenzo Audano. (1850). Raccolta Di Contraddanze. Torino: Tipografia Castellanzo e Degaudenzi. (pdf) {congress} [Powers]


John C. Andrews. (1850). Social Circle Or Drawing Room Companion, A Set Of Quadrilles, Polka, Spanish Dance. New York. (pdf) {congress} [Powers]


Allen Dodworth. (1850). Bolero, Or The Dodworth Schottisch, A New Dance. (Description and Sheet Music). New York. (pdf) (congress) {JHU} [Powers]

» Bolero (p. 5)
   a.k.a. The Dodworth Schottisch
   a.k.a. Dodworth's New Schottisch






Kent & Co. (pub.). (c. 1850). The Victoria Miniature Ball Room Guide. Nottingham, England: Kent & Company. (pdf) {Powers} [Powers]

Couple Dances & Figures

» Polka (p. 26)
» Valse A Deux Tems () (p. 30)

Set Dances & Figures

» Payne's First Set (p. 15)
   a.k.a. Paine's First Set [?]
» Lancers (p. 17)
   a.k.a. Hart's Set
» Caledonians (p. 19)
» Royal Victoria (p. 21)
   a.k.a. Marshall's
» Prince Albert's (p. 23)
» Galopade Quadrille (p. 24)
» Polka Cottilon (p. 28)
» The Circassian Circle () (p. 31)
» Spanish Dance () (p. 31)
» Sir Roger De Coverley () (p. 31)
» Country Dances (p. 33)
      » Triumph (p. 33)
      » Juliana (p. 33)
      » Carnival of Venice (p. 33)
      » Paddy O'Rafferty (p. 34)
      » Del Caro's Hornpipe (p. 34)
      » Lady Shaftesbury's Reel (p. 34)
      » Lady Montgomery's Reel (p. 34)
      » Cameronian Rant (p. 34)
      » Honey Moon (p. 35)
      » Woo'd and Married and a' (p. 35)
      » Captain Wyke (p. 35)
      » and 8 "Miscellaneous" Figures (p. 35)

J. Seaton. (c. 1850). The Ball-Room Manual And Etiquette Of Dancing. London. [Powers]


Eugène Voestyn. (c. 1850). Le Livre De La Danse Des Salons. Paris. [Powers] [WorldCat]


Allen Dodworth. (1851). An Original Gorlitza. New York: William Hall & Son. (congress)


Allen Dodworth. (1851). The Hertzel Polka. New York: Firth, Pond & Company. (congress)


Allen Dodworth, William Dressler. (1851). The Very Best Polka. New York: William Hall & Son. (congress)


Louis Antoine Jullien, John C. Sherpf. (1851). The Original Gorlitza with a Full Description of All the Figures. New York: William Vanderbeek. (congress)


Louis Antoine Jullien, Eugène Coulon. (c. 1851). Original Gorlitza Arranged for the Piano Forte. Boston: Oliver Ditson. (pdf) {JHU}


S. M. (c. 1851). Quadrilles from Auber's Celebrated Opera "Le Dieu et la Bayedére". Baltimore: George Willig, Junior. (pdf) {JHU}


[Anonymous]. (1851). The Ball-Room Preceptor And Polka Guide. London. [Powers]


R & E. A. Burnton. (1851). The Original Tampete, As Danced In Europe [Description and Sheet Music]. New York: William Hall & Son. (pdf) {congress} [Powers]

Set Dances

» The Original Tampete [Set Dance] (p. 2)







Alfred Webster. (1851). Dancing As A Means of Physical Eduction. New York. (pdf) (djvu) (txt) {congress} {archive}


Allen Dodworth. (1851). Grace Schottisch. New York: William Hall & Son. (congress)


Allen Dodworth. (1851). The Junior's Schottisch. New York: William Hall & Son. (congress)


Allen Dodworth. (1851). Glendon Polka. New York: William Hall & Son. (duke)


Allen Dodworth. (1851). Rover's Quick Step. New York: William Hall & Son. (congress)


J. A. G'Shwend. (1880). Hampton Five Step Waltz. Baltimore: F. D. Benteen & Co. (pdf) {congress}

Note: Music in 5/4 time, for dancing Five-Step Waltz.


Vincenzo Amici. (1852). Clifton Redowa. Baltimore: G. Willig. (pdf) {JHU}

Music for Redowa.


Allen Dodworth. (1852). The Meyen Quadrille. New York: Firth, Pond & Co. (congress)


Edward le Roy. (1852). National Gorlitza Composed & Arranged for the Piano Forte. New York: Firth, Pond & Co. (congress)


Arthur Saint-Léon. (1852). La Sténochorégraphie, ou Art d'Écrire Promptement la Danse. Paris: Ch. Barousse. (pdf) {BNF}


Eugène Mathieu. (1852). L'Impériale, Nouvelle Danse Composée par Markowski. Paris: Chabal


[Anonymous]. (1852). Rock's Ball-Room Guide And Fashionable Dance Instructor. London. [Powers]


Henry Meyen. (1852). The Ball-Room Guide, Being A Compendium Of The Theory, Practice, And Etiquette Of Dancing. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. Seaton. (1852). The Ball-Room Manual And Etiquette Of Dancing. Halifax: Milner and Sowerby. (pdf) {JHU} [Powers]


Edgar Webster. (c. 1852). The Triplet, A New Dance Comprising The Galop, Valse A Deux Temps, & Polka [Description and Sheet Music]. London. (pdf) {Powers} [Powers]

» The Triplet (p. 5)
      » Galop [Quadrille]
      » Valse Á Deux Temps [Quadrille]
      » Polka [Quadrille]



Thomas Wilson. (1852). The Art of Dancing, Comprising Its Theory and Practice, in Connexion with the Ball Room. London: William Mason. (pdf) {google}


Allen Dodworth. (1853). Timotheus Quickstep. New York: Harvey B. Dodworth. (congress)


George Wm. Warren. (1853). The Pony Redowas: Cora & Grace. New York: Firth, Pond & Co. (pdf1) (pdf2) {JHU1} {JHU2}

Music for Redowa.


Allen Dodworth. (1853). Knickerbocker Quadrilles. New York: William Hall & Son. (congress)


J. C. Beckel. (1853). The Young Bachelors Quadrilles. Philadelphia: J. C. Beckel's Music Store. (congress)


William Dressler. (1853). Knickerbocker Quadrilles. New York: William Hall & Son. (congress)


J. G. Maeder, William Dressler. (1853). Quadrilles from the Grand Fairy Opera. New York: William Hall & Son. (congress)


William Dressler. (1853). The Tampete [Description and Sheet Music]. New York: William Hall & Son. (pdf) {congress} [Powers]

Set Dances

» The Tampete [Set Dance] (p. 2)







Laborde. (1853). Le Cotillon. Paris. (pdf) {BNF} [Powers]


Alphonse Longueville. (1853). L'Impériale, Nouvelle Danse de Salon d'Apres Markowski. Paris: Heugel et Companie.


Maurice Nachmann. (1853). L'Impériale, Nouvelle Danse de Salon d'Apres Markowski. Paris: Heugel et Companie.


James Wiley. (1853). Handwritten Description Of 4 Figures Of "Schottisch Quadrille". Newark, NJ. (pdf) {Powers} [Powers]


George S. Appleton (copy.), Willis P. Hazard. (1853). A Hand-Book For The Ball-Room And Evening Parties. New York. (See 1849 Edition.) [Powers] [WorldCat]


J. B. Guttman. (1854). Operatic Cotillon. New York: Berry & Gordon. (congress)


J. B. Guttman. (1854). Party Cotillion with Popular Airs. New York: Berry & Gordon. (congress)


Hunter. (1854). Pop Goes the Weasel. Baltimore: Henry McCaffrey. (pdf) {JHU} [Powers]


[Anonymous]. (1854). Модный котильон. Санкт-Петербург: Типография морского кадетского корпуса.


Maurice Nachmann. (1854). L'Impériale, Nouvelle Danse avec la Théorie. Paris: Maison Boieldieu.


Achille Decombes. (1854). Thérésa l'Andalouse. Varsoviana pour Piano. Paris: Magasin de Musique du Bazar de l'Industrie Française. (pdf) {BNF}


Henri Herz. (1854). Grand Galop Brillant. Paris. (pdf) {imslp}


Prof. D. L. Carpenter. (1854). The Amateur's Preceptor On Dancing & Etiquette. Philadelphia: M'Laughlin Brothers. (pdf) (djvu) (txt) {archive} [Powers]


F. Fertiault. (1854). Histoire Anecdotique et Pittoresque de la Danse Chez les Peuples Anciens et Modernes. Paris: Auguste Aubry. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Powers]


Stephen C. Foster. (1854). The Social Orchestra For Flute or Violin, with Calls for Quadrilles. New York: Firth, Pond & Company. (pdf) {Powers} [Powers]


Mrs. Nicholas Henderson. (c. 1854). Etiquette Of The Ball-Room And Guide To All The New And Fashionable Dances, Containing Steps And Figures. London. [Powers]


Francis Mason. (1854). A Treatise on the Use and Peculiar Advantages of Dancing and Exercises, Considered as a Means of Refinement and Physical Development. (pdf) (djvu) {congress} {archive}


M. St. Ody. (1854). The Original Zingarilla [Description and Sheet Music]. Buffalo: J. Sage & Sons. (pdf) {congress} [Powers]

Couple Dances

» The Original Zingarilla ()







A Teacher of Dancing. (c. 1854). The Ball-Room Guide... Drawing Room Etiquette. Aberdeen. [Powers]


Allen Dodworth. (1855). The Montague Schottisch. New York: Harvey B. Dodworth. (congress)


James Bellak. (1855). Saloon Cotillon. New York: William Hall & Son. (congress)


James Bellak. (1855). Ne Plus Ultra Cotillon. New York: William Hall & Son. (congress)


Д. И. Соколов. (1855). Светский человек или руководство к познанию светский приличий и правил общежития, принятых хорошим обществом. Санкт-Петербург: Типография Санкт-Петербургского губернского правления. (RSL)


M. Baudouin. (1855). Le Bon Ton, Collection de Danses Nouvelles, No. 1, La Schottisch. Paris: Joly. (pdf) {BNF}


M. Baudouin. (1855). Le Bon Ton, Collection de Danses Nouvelles, No. 2, La Polka-Mazurka. Paris: Joly. (pdf) {BNF}


M. Baudouin. (1855). Le Bon Ton, Collection de Danses Nouvelles, No. 3, La Polka. Paris: Joly. (pdf) {BNF}


M. Baudouin. (1855). Le Bon Ton, Collection de Danses Nouvelles, No. 4, La Redowa. Paris: Joly. (pdf) {BNF}

Music for Redowa.


M. Baudouin. (1855). Le Bon Ton, Collection de Danses Nouvelles, No. 5, La Varsoviana. Paris: Joly. (pdf) {BNF}


M. Baudouin. (1855). Le Bon Ton, Collection de Danses Nouvelles, No. 6, Cotillon et Valse. Paris: Joly. (pdf) {BNF}


Camille Michel. (1855). Varsoviana sur "L'Étoile du Nord". Paris. (pdf) {RSL}


H. Elliot (pub). (c. 1855). The Ball Room Instructor, and Complete Guide to Dancing. Containing All the New & Popular Dances of the Day, Including Quadrilles, Waltzes, Polkas, Galopades, Mazourkas, Country Dances, &c., Etiquette of the Ball Room, Hints on Dress, &c. To Which is Added a Glossary of French Terms Commonly Used in Dancing. London: H. Elliot. (pdf) {google}


A Dancing Master. (c. 1855). The Art Of Dancing (Cover Is Guide To Dancing) Milner & Co., Ltd. London. [Powers]


Victor Rozier. (1855). Les Bals Publics A Paris. Paris. (pdf) {google} [Powers]


Septimus Winner. (1855). Winner's Plain Cotillons. No. 1 Black Swan Set (Description And Sheet Music). Philadelphia: William and Shuster. (pdf) (congress) {JHU} [Powers]


Septimus Winner. (1855). Winner's Plain Cotillons. No. 2 Ballad Set (Description And Sheet Music). Philadelphia: William and Shuster. (pdf) (congress) {JHU} [Powers]


Septimus Winner. (1855). Winner's Plain Cotillons. No. 3 Child's Own Set (Description And Sheet Music). Philadelphia: William and Shuster. (pdf) (congress1) (congress2) {JHU} [Powers]


Septimus Winner. (1855). Winner's Plain Cotillons. No. 4 National Set (Description And Sheet Music). Philadelphia: William and Shuster. (pdf) {JHU} [Powers]


Septimus Winner. (1855). Winner's Plain Cotillons. No. 5 Fancy Set (Description And Sheet Music). Philadelphia: William and Shuster. (congress1) (congress2) [Powers]


H. G. O. Washburn. (1855). The Ball-Room Manual. Belfast, Maine. (pdf) {harvard}


Septimus Winner. (1856). The Mocking Bird Cotillons. Philadelphia: Winner & Shuster. (congress)


James Bellak. (1856). The Popular Quadrilles. New York: Horace Winters. (congress)


William Dressler. (1856). Superb Quadrilles. New York. (congress)


John C. Scherph. (1856). Pop Goes the Weasel. Boston: Oliver Ditson. (congress)


W. C. Wallis. (1856). Old Fashioned Cotillons. Baltimore: Miller & Beachman. (congress)


Edward L. Walker. (1856). Plain Sett of Parlor Cotillons [No. 1]. Philadelphia. (congress)


Edward L. Walker. (1856). Plain Sett of Parlor Cotillons [No. 2]. Philadelphia. (congress)


Charles Durang. (1856). The Fashionable Dancer's Casket. Philadelphia: Fisher & Brother. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Charles Durang. (1856). Durang's Terpsichore Or Ball-Room Guide (Bound With 1847 The Fashionable Dancer's Casket). Philadelphia. [Powers] [WorldCat]


Charles Grube. (1856). Shells of Ocean, Redowa Waltz. Philadelphia: Lee & Walker. (pdf) {JHU}

Music for Redowa.


John W. Moore. (1856). The American Collection Of Instrumental Music (5-Part Orchestrations With Calls For Quadrilles). Boston. [Powers] [WorldCat]


H. G. O. Washburn. (1856). The Ball-Room Manual. Belfast, Maine. (pdf) {harvard}


E. Vienot. (1857). The Marine Redowa. Boston: Oliver Ditson. (pdf) {JHU}

Music for Redowa.


Allen Dodworth. (1857). Dodworth's Lancers. New York: S. T. Gordon & Son. (duke)


H. Avery. (1857). The Drawing Room Cotillons. Boston: Oliver Ditson. (congress)


J. R. Codet. (1857). New Persian Dance, La Vesta. Baltimore: Henry McCaffrey. (congress)


J. S. Knight. (1857). The Original Lancer's Quadrilles as Danced at Newport, Nahant and Saratoga. Boston: Oliver Ditson. (congress)


Франц Петер Шуберт. (1857). The Lancerиs. Английский кадриль с объяснением на русском языке. Les Lanciers. Célèbre Quadrille Anglais pour le Piano Arrangé dиAprès le Text Original. Édition avec Théorie dиAprès les plus Célèbres Professeurs de Paris et Londres. Adopté Dans tous les Cours de Danses de Paris. Санкт-Петербург: Фёдор Тимофеевич Стелловский. (pdf) (HDA transcription) {HDA}


Bernard. (1857). Les Lanciers. Nouveau Quadrille Anglais pour le Piano. Saint-Pétersbourg: Bernard.


Blancheteau. (1857). Quatre Morceaux Faciles, No. 1, Zerlina, Sicilienne. Paris: Progrès Musicale. (pdf) {BNF}


Blancheteau. (1857). Quatre Morceaux Faciles, No. 2, La Reine de Bois, Varsoviana. Paris: Progrès Musicale. (pdf) {BNF}


Blancheteau. (1857). Quatre Morceaux Faciles, No. 3, Adoré, Polka-Mazurka. Paris: Progrès Musicale. (pdf) {BNF}


Blancheteau. (1857). Quatre Morceaux Faciles, No. 4, La Caméra, Redowa. Paris: Progrès Musicale. (pdf) {BNF}

Music for Redowa.


Philippe Gawlikowski. (1857). Mazurka, Théorie des Figures et des Pas. (pdf) {Powers} Paris: Typographie de Firmin Didot Frères. [Powers]


Thomas Hillgrove. (1857). The Scholar's Companion & Ball-Room Vade-Mecum. New York: T. R. Turnbull & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Polka (p. 80)
» The Schottisch (p. 85)
» The Waltz (p. 87)
» The Polka Redowa () (p. 88)
» The Esmeralda () (p. 89)
» The Deux Temps () (p. 90)
» The Polka Mazourka () (p. 91)
» Varsovienne () (p. 92)
» La Koska (p. 93)
» The Gorlitza (p. 94)
» The Redowa (p. 95)

Group Dances

» The Quadrille (p. 25)
» The First Set of Quadrilles (Plain Quadrille) (p. 28)
» Second Set (Quadrille Basket, Basket Dance) (p. 32)
» Third Set (Quadrille Cheat and Jig) (p. 34)
» Fourth Set (March Quadrille) (p. 36)
» Fifth Set (Quadrille Minuet) (p. 38)
» Sixth Set (Quadrille Star) (p. 40)
» Seventh Set (Quadrille Sociable) (p. 42)
» Eighth Set (Quadrille Social) (p. 45)
» Ninth Set (Quadrille Social) (p. 48)
» Tenth Set (Quadrille Social) (p. 50)
» Eleventh Set (The Royal Polka Set) (p. 54)
» Twelfth Set (Quadrille Polka Redowa) (p. 56)
» Thirteenth Set (Waltz Quadrille) (p. 58)
» The London Polka Quadrille (p. 58)
» The Lancers Quadrille (p. 60)
» The Caledonians (p. 63)
» La Tempete (p. 66)
» Spanish Dance (p. 68)
» Sicilian Circle (p. 70)
» Rustic Reel (p. 71)
» Virginia Reel (p. 71)
» Pop Goes the Weasel (p. 73)
» Swedish Dance (p. 73)
» Circassian Circle (p. 75)

Contra Dances

» Money Musk (p. 78)
» Chorus Jig (p. 78)
» The Waterman, or Durang's Hornpipe (p. 78)

Camille Schubert. (c. 1857). The Lancer's. New York: C. Breusing. (JHU)


John Duval. (1854). The Lancers Quadrilles. Dublin: Robert Cocks & Company. (pdf) (djvu) (txt) {archive}


J. Albert Jarvis. (1857). Diprose's Ball Room Guide to the Figures of the Most Fashionable Dances. London: Diprose & Bateman. (pdf) {google} [Powers]


Septimus Winner. (1857). Winner's Plain and Fancy Cotillons. Topsey Set (Description And Sheet Music). Philadelphia. (pdf1) (pdf2) {JHU1} {JHU2} [Powers]


Emily Thornwell. (1857). The Lady's Guide to Perfect Gentility. New York: Derby & Jackson. (pdf) (djvu) (txt) {congress} {archive}


Dick & Fitzgerald (pub.). (1858). Inquire within for Anything You Want to Know or Over Three Thousand Seven Hundred Facts Worth Knowing. Particularly Intended as a Book for Family References on Subjects Connected with Domestic Economy, and Containing the Largest and Most Valuable Collection of Useful Information that Has Ever Yet Been Published. New York: Dick & Fitzgerald. (pdf) {google}


F. Losse. (1858). Myrtle-Leaves, Favourite Deux Temps Waltz. Philadelphia: G. Andre & Company. (JHU)


Oliver Ditson (pub.). (1858). L'Andalousie Nouvelle Varsovienne. Boston: Oliver Ditson. (JHU)


J. S. Knight. (1858). The Celebrated Varsovienne Arranged for the Piano. Boston: Oliver Ditson. (congress)


P. T. Wallenhouer. (1858). Lancers Quadrille as Played by Postlewaites Quadrille Band with an Accurate Description of all the Figures as Danced in New York, Philadelphia, Newport and other Fashionable Resorts. St. Louis: Balmer & Weber. (congress)


Henri Boizot. (1858). La Polkinade, Nouvelle Danse Originale de Salon. Paris. (BNF)

Couple Dances

» La Polkinade (♬) (p. 2)







Ferdinand Büchner. (1858). Les Lanciers. Nouvelles Quadrilles Anglaises pour le Piano. Moscou: P, Jurgenson.


[Anonymous]. (1858). The Ball Room Guide... Contra Dances Of The Day. Laconia, N.H. [Powers]


Laurence De Garmo Brookes. (1858). Les Caledonians Quadrilles (Description and Sheet Music). New York: Firth, Pond & Company. (pdf) {JHU1} {JHU2} {JHU3} [Powers]


Henri Cellarius. (1858). The Drawing-Room Dances. New York. (pdf) {google} [Powers]


Philippe Gawlikowski. (1858). Guide Complet De La Danse. Paris. (pdf) (djvu) (txt) {congress} {archive} {BNF} [Powers]


Thomas Hillgrove. (1858). Hillgrove's Scholar's Companion And Ball-Room Guide. New York. (pdf) {Powers} [Powers]


Elias Howe. (1858). Howe's Complete Ball-Room Hand-Book (Hardback Cover) Oliver Ditson Publ. Boston: Ditson & Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Elias Howe. (1858). Howe's Complete Ball-Room Hand-Book A. Williams Publ. Boston. [Powers] [WorldCat]


Elias Howe. (1858). The Pocket Ball-Room Prompter, Containing Calls For … Dances Of The Day. Boston. [Powers] [WorldCat]


Martinet (pub.). (c. 1858). Bals De Paris (12 Color Lithos Of Bals Publics). Paris. [Powers] [WorldCat]


Domingo Ibarra. (1858). Una Coleccion de Bailes de Sala. Mexico. (pdf) {google} [Powers]


Charles Vernier (ill.). (1858). La Rigolbochomanie: Croquis Lithographiques & Chorégraphiques. Paris. [Powers] [WorldCat]


H. G. O. Washburn. (1858). The Ball-Room Manual. Belfast, Maine. [Powers]


Allen Dodworth. (1858). Dodworth's Lancers. Explication Des Figures Par Cellarius (Description And Sheet Music). New York. (pdf) {JHU} [Powers]


Harvey B. Dodworth (pub.). (1859). The Caledonians as Adopter from the Highest Authorities of Paris & London, as Danced at the Academies in New-York & Brooklin, of Allen Dodworth. New York: Harvey B. Dodworth. (JHU)


Oliver Ditson & Co. (pub.). (1859). The Home Circle, A Collection Of Piano Forte Music. With Calls For Quadrilles And Set Dances. Boston. (pdf) {google} [Powers]


Edward Ferrero. (1859). The Art Of Dancing (Published By The Author). New York. [Powers]


Edward Ferrero. (1859). The Art Of Dancing (Published By Dick & Fitzgerald). New York. (pdf1) (pdf2) (djvu) (txt) {congress} {archive} [Powers]


Philippe Gawlikowski. (1859). Guide Complet De La Danse, Bibliothéque Des Salons Edition. Paris. [Powers]


Elias Howe. (1859). Howe's Complete Ball-Room Hand-Book. Boston. [Powers]


Elias Howe. (1859). Howe's Drawing Room Dances, Especially Designed For Social Evening Parties; Containing All The Popular And Fashionable Quadrilles, Cotillons, Fancy Dances, Contra Dances, &c. With Every Variety Of The Latest And Most Approved Figures and Calls for the Different Changes. Music Arranged For The Piano-Forte. Boston: Oliver Ditson & Co. (pdf) {Powers} [Powers]

Couple Dances

» The Original Gorlitza (♬) (p. 51)
» La Madrilainne (♬) (p. 51)

Group Dances

» Lancers Quadrilles (As danced in Boston) (♬) (p. 3)
» Crown Diamonds Quadrilles (♬) (p. 5)
» La Part Du Diable Quadrilles (♬) (p. 9)
» Victoria Sett of Waltz Quadrilles (♬) (p. 12)
» Alice Sett of Waltz Quadrilles (♬) (p. 14)
» Trovatore Quadrilles (♬) (p. 16)
» Maritana Quadrilles (♬) (p. 19)
» Military Cotillions (♬) (p. 23)
» Julien Polka (♬) (p. 25)
» Soiree Quadrilles (♬) (p. 26)
» Celestia Waltz Quadrilles (♬) (p. 28)
» Eugenia Waltz Quadrilles (♬) (p. 29)
» Louisville Polka (♬) (p. 31)
» Virginia Reel (Sir Roger De Coverly) (♬) (p. 31)
» Victoria's Court Quadrilles (♬) (p. 32)
» The Coquette Quadrilles (♬) (p. 34)
» Punch and Judy Set (Comic) (♬) (p. 36)
» The Empress Varsovienne (♬) (p. 39)
» Fairy Varsovienne (♬) (p. 39)
» Sociables Quadrilles (♬) (p. 40)
» Bohemian Quadrilles (♬) (p. 42)
» Calednonian Quadrille (♬) (p. 44)
» Piccolomini Quadrille No. 1 (♬) (p. 46)
» Piccolomini Quadrille No. 2 (♬) (p. 48)
» Star Quadrille (♬) (p. 52)
» Polka Quadrilles No. 1 (♬) (p. 54)
» Polka Quadrilles No. 2 (♬) (p. 56)
» Troubadour Polka (♬) (p. 58)
» The Military Sett of Polka Quadrilles (♬) (p. 59)
» Family Circle Polka Quadrilles (♬) (p. 62)
» Adelaide Polka Redowa (♬) (p. 65)
» Little Carrie's Favorite Galop (♬) (p. 65)
» Social Set of Polka Quadrilles (♬) (p. 66)
» Parlor Set of Schottische Quadrilles (♬) (p. 69)
» May Flower Schottische Quadrilles (♬) (p. 71)
» Lenore Polka Quadrilles (♬) (p. 74)
» Ronzani Gallop (♬) (p. 77)
» Storm Gallopade (♬) (p. 78)
» Coquette Polka (♬) (p. 79)
» Rose Polka Redowa (♬) (p. 80)
» Polka Mazurka (♬) (p. 81)
» Brussels Schottische (♬) (p. 82)
» Æsculap Polka (♬) (p. 83)
» Eclipse Polka (♬) (p. 84)
» College Hornpipe (♬) (p. 85)
» Washington Quickstep (♬) (p. 85)
» Durang's Hornpipe (♬) (p. 85)
» Fall of Paris (♬) (p. 86)
» Chorus Jig (♬) (p. 86)
» Hull's Victory (♬) (p. 87)
» Money Musk (♬) (p. 87)
» Devil's Dream (♬) (p. 87)
» The Campbells Are Comin' (♬) (p. 88)
» Rustic Reel () (♬) (p. 88)
» Irish Washerwoman (♬) (p. 88)
» Soldier's Joy (♬) () (p. 89)
» White Cockade (♬) (p. 89)
» Speed The Plough (♬) (p. 89)
» The Tempest (♬) (p. 90)
» The Flowers of Edinburgh (♬) (p. 90)
» Fisher's Hornpipe (♬) (p. 90)
» Pop Goes the Weasel (♬) (p. 91)
» Spanish Dance (♬) () (p. 91)
» Over the Water to Charlie (♬) (p. 91)
» Lamplighter's Hornpipe (♬) (p. 92)
» Spirits of France (♬) (p. 92)
» Thunder Hornpipe (♬) (p. 92)
» Wilders' Hornpipe (♬) (p. 93)
» Camptown Hornpipe (♬) (p. 93)
» Jordan Is A Hard Road (♬) (p. 93)

Music with No Calls

» Minuet Redowa Waltz () (p. 15)
» Fra Tante Angoscie (♬) (p. 83)
» Emily Waltz (♬) (p. 84)

Alfred Waldau. (1859). Böhmische Nationaltänze. Prague. (pdf) {google} [Powers]


Hlasko. (1859). Royal Horse Guards Quadrille (Description And Sheet Music). Philadelphia. (pdf) {Powers} [Powers]


Степан Петрович Жихарев. (1859). Записки современника с 1805 по 1819 год. Санкт-Петербург: Л. Е. Кожанчиков. (pdf) {google}


Th. Fahrbach. (1859). Le Prince Impérial, Nouveau Quadrille Français pour le Piano. Санкт-Петербург: Фёдор Тимофеевич Стелловский.


Karol Czerniawski. (c. 1860). O Tańcach Narodowych z Poglądem Historycznym i Estetycznym na Tańce Róznych Narodów a w Szczególności, na Tanće Polskie. Warszawa: Drukarnia K. Kowalewskiego. (polona)


W. H. Basley. (c. 1860). The Dancer's Assistant. London: W. H. Basley. (pdf) {google}


Allen Dodworth. (1860). Le Prince Imperial, Nouveau Quadrille Français. New York: Harvey B. Dodworth.


Allen Dodworth. (1860). Varsovienne. New York: Harvey B. Dodworth. (pdf) {duke}

Couple Dances

» Varsovienne (Varsoviana) (♬ only) (♩144) ()







Андрей Осипович Сихра. (c. 1860). Собрание разного рода лёгких пьес. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Французская кадриль господина Сонета и вальс из песни "Соловей мой соловей". Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Французская кадриль из оперы "Цампа" и русская песня "Соловушко" сочинения Варламова. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Мазурка и две песни тирольские. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Любимая полька. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Военная полька Канталя. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Полька-редова и мазурка переделанные для семиструнной гитары. Москва: А. Гутхейль. (RSL)


Lucien Marpon (pub.). (1860). Markowski et ses Salons. Esquisse Parisienne. Paris: Lucien Marpon. (pdf) {BNF}


Cellarius. (c. 1860). 100 Neue Cotillon-Touren. Erfurt, Germany. [Powers] [WorldCat]


Eugène Coulon. (1860). Coulon's Hand-Book, Containing All the Last New and Fashionable Dances. London. (pdf) (djvu) (txt) [archive]


Elias Howe. (c. 1860). The Pocket Ball-Room Prompter, Vest Pocket Edition. Boston. [Powers]


T. Lewis. (c. 1860). The Figures To The First Set Of Quadrilles. Newport. [Powers] [WorldCat]


Frederick Warne (pub.). (c. 1860). The Ball-Room Guide. London. [Powers]


J. L. Battmann. (1861). Sicilienne. Paris: Colombier. (pdf) {BNF}


G. (Gustave) Desrat. (c. 1861). Methode De Danse De Salon, Avec Musique. Paris. (pdf) {Powers} [Powers]


Albert Czerwinski. (1862). Geschichte Der Tanzkunst Bei Den Cultivirten Völkern Von Den Ersten Anfängen. Leipzig: J. J. Weber. (pdf1) (pdf2) (djvu) {google} {congress} {archive} [Powers]


Philippe Gawlikowski. (1862). Guide Complet De La Danse. Paris: Alphonse Traide. [Powers]


Mrs. Nicholas Henderson. (c. 1862). Etiquette of the Ball-room and Guide to All the New and Fashionable Dances. London: Benjamin Blake. (pdf) (djvu) (txt) {archive} [Powers]


Elias Howe. (1862). American Dancing Master, And Ball-Room Prompter: Containing About Five Hundred Dances. Boston: Cambridge, Miles & Dillingham. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Domingo Ibarra. (1862). Colección De Bailes De Sala. México: Tipografia de Nabor Chavez. (pdf) (djvu) (txt) {google} {archive} [Powers]


Rudolph Voß. (1862). Neben von Heutigen Gesellschaftlichen Tanz und das Ballet. Wiemar: L. F. A. Kühn. (pdf) {google}


Harvey B. Dodworth. (1863). Raw Recruit Quadrille with New Figures Which May Be Danced instead of the Usual Quadrille Figures. New York: Harvey B. Dodworth. (pdf) {JHU}


Wm. Iucho. (1863). The Festival and Birth Day Ball, No. 5, Redowa. Boston: Oliver Ditson & Co. (pdf) {JHU}

Music for Redowa.


Thomas Baker, R. S. Manuel. (1863). Union Quadrille. Philadelphia: Lee & Walker. (pdf) {JHU}


S. Brainard's Sons (pub.). (1863). The Golden Chord. A Choice Collection of Favorite and Modern Piano-forte Music Consisting of Marches, Waltzes, Polkas, Schottisches, Mazurkas, Dances, Piano-forte Gems, Four Hand Pieces, etc. Cleveland: S. Brainard's Sons. (pdf) {google}


S. Brainard's Sons (pub.). (1863). The Welcome Guest: A Collection of Modern Piano-Forte Music, Being a Choice Repertoire of Pieces for Home Amusement. Comprising the Most Popular Rondos, Nocturnes, Marches, Waltzes, Polkas, Schottisches, Galops, Mazurkas, Redowas, Quadrilles, Cotillons, etc. New York: S. T. Gordon & Son. (pdf) {google} [Powers]

Music for March, Polka, Schottische, Galop, Mazurka, Redowa, Quadrilles, Cotillons, etc.


Lézaro Núñez Robres. (1863). Los Nuevos Lanceros Tanda de Rigodones y Schotisch para Piano. Madrid: Casimiro Matín. (pdf) {BNE}


Oliver Ditson & Co. (pub.). (1863). The Home Circle, A Collection Of Piano Forte Music. With Calls For Quadrilles And Set Dances. Boston. [Powers] [WorldCat]


Thomas Hillgrove. (1863). Hillgrove's Ballroom Guide - Practical Dancer: A Complete And Practical Guide To The Art Of Dancing. New York. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Polkarius (pseud.). (1863). Almanach Manuel De La Danse. Paris. (pdf1) (pdf2) {google} {BNF} [Powers]


Harrison Gray Otis Washburn. (1863). The Ball-Room Manual Of Contra Dances And Social Cotillions, Vest Pocket Edition. Belfast, Maine. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Карло Блазис. (1864). Танцы вообще. Балетные знаменитости и национальные танцы. Москва: Типография Лазаревского института восточных языков. (pdf) {google}


Николай Петрович Линдрот, К. Краль. (1864). Новый русский кадриль. Посвящается воспитанницам московских училищ Ордена Святой Екатерины и Александровского, Николаевского сиротского института и Александро-Мариинского заведения. Москва: Литография С. Кондратьева. (pdf) {HDA}


D. L. Carpenter. (1864). Waltzes, Gallopes, Quadrilles, &C. Philadelphia. (pdf) {Powers} [Powers]


Alfred Delvau. (1864). Les Cythères Parisiennes; Histoire Anecdotique Des Bals De Paris. Paris. (pdf) {google} [Powers]


Philippe Gawlikowski. (c. 1864). Guide Complet De La Danse (Different From 1862 Edition). Paris. [Powers]


Thomas Hillgrove. (1864). A Complete And Practical Guide To The Art Of Dancing. New York. [Powers]


Professor Bland, et al. (c. 1865). The Art Of Dancing. London. [Powers] [WorldCat]


Henri Cellarius, Hippolyte Barrez. (1865). Arcachon, Quadrille Polka, Nouvelle Danse de Salons. Paris. (pdf) {BNF}


William B. De Garmo. (1865). The Prompter: Containing Full Descriptions Of All The Quadrilles, Figures Of The German Cotillon, Etc. New York: Raymond & Caulon. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Allen Dodworth. (1865). Assistant For A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) {Powers} [Powers]


C. A. White. (1865). Quadrille Militaire "Les Hussards," A New Military Quadrille Composed for the Piano Forte, with Original Figures. Boston: Oliver Ditson. (pdf) {JHU}


Blasis & LeMaitre. (1866). Nouveau Manuel Complet De La Danse. Paris: Librairie Encyclopédique de Roret. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Charles Brooks. (1866). The Ball-Room Monitor; Or Guide To The Learner, Containing the Most Complete Sets of Quadrilles Ever Published Philadelphia: J. H. Johnson. (pdf) (djvu) (txt) {congress} {archive} [Powers]


William B. De Garmo. (1866). The Prompter (Third Edition, Revised And Corrected). New York. [Powers] [WorldCat]


Elias Howe. (1866). American Dancing Master, and Ball-Room Prompter, Containing About Five Hundred Dances, Including All the Latest and Most Fashionable. Boston: Cambridge, Miles & Dillingham. (pdf) {google}


Henry B. Moore. (1866). Ristori Redowa. Philadelphia: J. Starr Holloway.

Music for Redowa.


Camille Schubert. (c. 1866). Les Soirees Parisiennes. No. 1. La Seduisante (Redowa de Mabille). Mayence: B. Schott. (pdf) {JHU}

Music for Redowa.


Herman Strassburg. (1866). Manual For Pupils In Dancing. Detroit, MI. (pdf) {Powers} [Powers]


Frederick Warne (pub.). (1866). The Ball Room Companion / The Ball-Room Guide (Warne's Bijou Books). London: Frederick Warne and Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Septimus Winner (pub.). (1866). Winner's Dance Music With Couple Dance Set Descriptions, Mazourka Quadrilles, Etc. Philadelphia. [Powers] [WorldCat]


The Young Ladies' Journal. (c. 1866). The Young Ladies' Journal Complete Ball-Room Guide For Ladies And Gentlemen. London. [Powers]


Culiziari Zughi. (1866). Nuovo Manualetto Pratico Dei Balli Di Societa. Napoli. [Powers]


Joseph Eager Lowe. (c. 1867). Lowe's Assembly Guide. Melbourne. (nlnz)


G. Weingarten. (1867). Our Sailor Boy, Lancer's. New York: Dodworth & Son. (pdf) {JHU}


Kate Hughes. (1867). [The Dundalk Manuscript]. Dundalk: Tom Flett's Private Library. (brady)


Laurence De Garmo Brookes. (1867). Brookes On Modern Dancing, Containing a Full Description of All Dances, As Practised in the Ball Room and at Private Parties, Together with an Essay on Etiquette. New York. (pdf1) (pdf2) (djvu) (txt) {congress} {google} {archive} [Powers]


Eugene Coulon. (c. 1867). Coulon's Hand-Book; Containing All The Last New And Fashionable Dances. London. [Powers] [WorldCat]


Dunon & Fresné Rouge. (1867). Les Joyeuses Dames De Paris (Describing Bals Publics). Paris. (pdf) {BNF} [Powers]


Prof. F. X. C. Nott. (1867). Quadrilles, &C, &C. Paris, Kentucky. [Powers] [WorldCat]


Frederick Warne (pub.). (1867). The Ball Room Companion / The Ball-Room Guide, Warne's Bijou Books. London. [Powers]


[Anonymous]. (1868). Beadle's Dime Ball-Room Companion & Guide To Dancing. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Wilhelm Angerstein. (1868). Volkstänze im Deutschen Mittelalter. Berlin. (hathi)


Prof. [Henry] Bland. (c. 1868). The Ball Room Companion. London. (pdf) {google} [Powers]

Couple Dances & Figures

» The Polka (p. 11)
» The Schottische (p. 14)
» The Redowa (p. 17)
» The Waltz (p. 20)
» The Valse A Deux Temps () (p. 22)
» The Polka Mazurka () (p. 24)
» The Danish Waltz (p. 25)

Set Dances & Figures

» Quadrilles - The First Set (p. 26)
» Quadrilles - The Lancers (p. 31)
» Quadrilles - The Caledonians (p. 35)
» The Waltz Quadrilles (p. 38)
» The Spanish Dance () (p. 40)
» The Mazurka (p. 42)
» The Triumph Country Dance (p. 45)
» Sir Roger De Coverley () (p. 46)

Ludovic Celler. (1868). Les Origines de l'Opéra et le Ballet de la Reine. Paris: Didier et Compagnie. (pdf) {google}


Robert Coote. (c. 1868). Ball-Room Dancing Without A Master. London. [Powers] [WorldCat]


William B. De Garmo. (1868). The Prompter: Containing Full Description of All the Quadrilles, Figures of the German Cotillon, etc. (Fourth Edition, Revised And Corrected). New York: William A. Pond. (pdf) {google} [Powers]


Albert de Lasalle. (1868). Dictionnaire De La Musique (With Dances). Paris. (pdf) {google} [Powers]


Thomas Hillgrove. (1868). A Complete And Practical Guide To The Art Of Dancing. New York. [Powers] [WorldCat]


Martinet (pub.). (c. 1868). Les Bals De Paris. Paris. [Powers] [WorldCat]


Giovanni Poletti. (1868). Il Dilettante Di Quadriglie, Contenente Le Instruzioni Per Ben Comandare E Dirigere Le Medesime. Milan. [Powers] [WorldCat]


Gio Battista Rossi (ed.). (1868). Manualetto Dei Balli Di Societa. Napoli, Genova. (pdf) {google} [Powers]


George Routledge (pub.). (c. 1868). The Ball-Room Companion. London: George Routledge & Sons. (djvu) (txt) {archive} [Powers]

Couple Dances & Figures

» The Polka (p. 41)
» The Cellarius (Mazourka) (p. 49)
» The Polka Mazourka () (p. 58)
» The Redowa (Redova) (p. 59)
» The Schottische (p. 61)
» The Varsoviana (Varsovienne) (p. 64)
» The Gorlitza (p. 65)
» The Valse A Trois Temps (p. 68)
» The Valse A Deux Temps () (p. 72)
» The New Valse (p. 76)
» The Galop (p. 77)

Set Dances & Figures

» First Set of Quadrilles (p. 21)
» The Caledonians (p. 28)
» The Lancers (p. 30)
» The Lancers for Sixteen, or Double Lancers (p. 36)
» Coulon's Double Quadrille (p. 38)
» The Mazurka Quadrille (p. 54)
» The Cotillon (p. 73)
» The Spanish Dance () (p. 84)
» The Tempete (p. 86)
» Sir Roger De Coverley () (p. 90)

H. D. Willock. (c. 1868). Ball-Room Guide: A Manual Of Dancing (Revised Edition). Glasgow: John Cameron. (pdf) {Powers} [Powers]


C. B. (1869). Contredanses Françaises colle Aggiunte de "Balli de Societa" in Contradanza, Walzer e Galoppo. Naples. (pdf) (djvu) (txt) {archive}


Jean Jacques. (1869). Der Maitre de Plaisir beim Tanze. Hamburg: B. S. Berendsohn. (hathi)


Prof. Alexandre. (1869). Manuel Des Danses De Société. Lyon. (pdf) {BNF} [Powers]


D. Spencer. (1869). Spencer's Terpsichorean Monitor, Containing A Full Description of all Dances, As Practised In The Ball-Room And At Private Parties, Including a Explanation of the Figures of the "German," Together With A Few Hints And Suggestions. Peoria, IL: WM. T. Dowdall. (pdf) {Powers} [Powers]

Couple Dances

» The Polka (p. 50)
» The Polka Redowa () (p. 52)
» The Galop (Gallopade) (p. 52)
» The Schottische (p. 52)
» Valse A Trois Temps (p. 53)
» Redowa Waltz (p. 53)
» Deux Temps () (p. 53)
» Mazourka [Pas Glissé] (p. 55)
» Polka Mazourka () (p. 55)
» Varsovienne (p. 55)
» Thf [sic] Danish (p. 56)
» La Esmeralda () (p. 56)

Set Dances

» Quadrille Francaise (Plain or Standard Set) (p. 35)
» Quadrille Sociable (p. 37)
» Basket Quadrille (p. 37)
» Cheat, Or Coquette (p. 38)
» Star Figure (p. 38)
» Quadrille Militaire (p. 38)
» Lanciers Quadrille (p. 39)
» Caledonian Quadrille (p. 40)
» Prince Imperial Quadrille (p. 40)
» Les Varietes Parisiennes (p. 43)
      » 1. L'Invitation (p. 43)
      » 2. L'Etoile (p. 44)
      » 3. Le Prisonnier (p. 44)
» Quadrille Militaire - Les Zouaves (p. 44)
      » 1. Reveille (p. 44)
      » 2. Assembly of the Guards (p. 45)
      » 3. Assembly (p. 45)
      » 4. Attention (p. 46)
      » 5. Tattoo (p. 46)
» Prairie Queen Quadrilles (p. 46)
» Waltz Quadrilles [mentioned only, as being out of fashion] (p. 48)
» Montebello Quadrille (p. 48)
» Quadrille Nine-Pin (p. 49)

The Cotillon

» 1. The Excursion - La Course (p. 58)
» 2. The Rounds of Three - Les Rondes a Trois (p. 58)
» 3. The Chairs - Les Chaises (p. 58)
» 4. The Flowers - Les Fleurs (p. 59)
» 5. La Course Assise (p. 59)
» 6. The Columns - Les Colounes (p. 59)
» 7. The Cushion - Le Coussin (p. 60)
» 8. The Cards - Les Cartes (p. 60)
» 9. The Pyramid - La Pyramide (p. 60)
» 10. The Deceiver - La Trompeuse (p. 61)
» 11. The Basket, Ring and Flower (p. 61)
» 12. The Serpent - La Serpente (p. 61)
» 13. The Broken Round - La Ronde Brisee (p. 62)
» 14. The Handkerchief - Le Mouchoir (p. 62)
» 15. The Change of Ladies - Le Changment des Dames () (p. 62)
» 16. The Hat - Le Chapeau (p. 62)
» 17. The Scarf - L'Echarpe (p. 63)
» 18. The Ladies Seated - Les Dames Assissees (p. 63)
» 19. The Glass of Champagne - Le Verre de Vin de Champagne (p. 63)
» 20. The Rejected Couples - Les Couples Refuses (p. 64)
» 21. The Nosegays - Les Bouquets (p. 64)
» 22. The Presentation of Ladies - Les Dames Presentees (p. 64)
» 23. The Moving Cushion - Le Coussin Mobile (p. 64)
» 24. The Ladies Mocker - Les Dames Trompees (p. 65)
» 25. The Magic Hat - La Chapeau Magique (p. 65)
» 26. The Phalanx - La Phalange (p. 65)
» 27. The Mysterious Cloth - Le Drap Mysterieux (p. 66)
» 28. The Gentelmen Mocked - Le Cavalier Trompe (p. 66)
» 29. The Double Cross - La Croix Double (p. 66)
» 30. The Grand Rond - La Grande Ronde (p. 67)
» 31. The Twin Circles - Les Cercles Jumeaux (p. 67)
» 32. The Deceitful Round - La Ronder Trompeuse (p. 67)
» 33. The Convent Porter - Le Portier du Convent (p. 68)
» 34. The Coquette (p. 68)
» 35. The Mysterious Hands - Les Mains Mysterieux (p. 68)
» 36. The Handkerchief Chase - La Chasse aux Mouchoirs (p. 69)
» 37. The Stormy Sea - La Mer Agitee (p. 69)
» 38. Puss in the Corner - Les Quatre Coins (p. 69)
» 39. The Bower - Le Berceau (p. 70)
» 40. The Endless Rounds - Les Rondes Infinies (p. 70)
» 41. The Final Round - La Ronde Finale (p. 71)
» 42. The Pursuit - La Poursuite (p. 71)
» 43. The Handerchief - Le Mouchoir (p. 71)
» 44. Le Moulinet (p. 72)
» 45. The Four Chairs - Les Quatre Chaises (p. 72)
» 46. The Country Dance - La Contredanse (p. 72)
» Also mentioned, but not described: The Flying Shawls, The Fan, Blind Man's Buff, The Gentlemen Together, The Zigzags, THe Undulations, The Two Lines, The Crooked Lane, The Flying Hat, The Figure of Eight, The Mirror, The Intermingling of Arms, The Ladies' Moulinet, The Little Rounds, The Double Moulinet (p. 72)

Rodolph Voß. (1869). Der Tanz und seine Geschichte. Eine Kulturhistorisch-Choreographische Studie. Mit einem Lexikon der Tänze. Berlin: Oswald Seehagen. (pdf) {google} [Powers]


де Колиньяр. (1869). Практический самоучитель бальных танцев для обоего пола. Москва: Типография Шуман и Глушк. (pdf) {HDA}


[Anonymous]. (1869). Устав вдовьей и сиротской кассы немецкого танцевального общества в Санкт-Петербурге. Москва: Типография братьев Круг. (pdf) {HDA}


G. C. Raynolds. (1870). Twenty Five Gems for the Piano. Boston: Elias Howe. (congress)


Septimus Winner. (1870). Party Dances for Violin and Piano or Reed Organ Consisting of the Most Popular Cotillions, Polka Quadrilles, Lancers, Fancy Dances, Waltzes, Schottisches, Reels, Honrpipes, Jigs. With the Figures or Steps for Dancing. Arranged in a Light and Easy Manner. Boston: Oliver Ditson. (hathi)


Г. Ф. Кублицкий. (1870). Кадриль Лансье. Одесса: Типография Ульриха и Шульце.


Г. Ф. Кублицкий. (1870). Французский кадриль. Одесса: Типография Ульриха и Шульце.


Николай Петрович Линдрот, Эдуард Конюс. (1870). Метелица. Кадриль с новыми фигурами. Москва: А. Гутхейль. (pdf) {HDA}


[Anonymous]. (1870). Устав санкт- петербургского танцевального собрания. Москва: Типография Э. Треймана. (pdf) {HDA}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume I]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume II]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume III]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume IV]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


B. Cerato. (1870). Mon Pauvre Amour. Valse Boston pour Piano. Kieff: Léon Idzikowski.


J. Gallay. (1870). Le Mariage de la Musique avec la Danse. Paris: Libraire de Bibliophiles.


Polkarius, O. de Seltz. (c. 1870). Almanach Manuel de la Danse. Paris: Delarue. (pdf) {BNF}


W. G. Youens. (c. 1870). Youens's Dance Album & Ball-Room Guide. London: George Routledge and Sons. (pdf) {Powers} [Powers]


Eugene Coulon. (c. 1870). Coulon's Hand-Book; Containing All The Last New And Fashionable Dances (Third Edition). (See 1873 Edition.) London. [Powers]


Emile DeWalden. (c. 1870). Dewalden's Ball-Room Companion (Pirated From Cellarius). New York. [Powers]


Elias Howe. (c. 1870). Howe's Parlor Dances (Music With Dance Descriptions). Boston. [Powers] [WorldCat]


E. B. Reilley. (1870). The Amateur's Vademecum. A Practical Treatise On The Art Of Dancing. Philadelphia: J. Nicholas. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Geo. Routledge (pub.). (c. 1870). Routledge's Ball Room Companion. London. [Powers]


Donald Richard Mackenzie. (c. 1870). Illustrated Guide to the National Dances of Scotland containing an Alphabet of the Actual Steps Positions for Self-Instruction and Improvement. (abdn)


Hermann Buchholtz. (1871). Die Tanzkunst des Euripides. Leipzig: B. G. Teubner. (pdf) {google}


Николай Петрович Линдрот. (1870). Первоначальные правила для изучения бальных танцев. Москва: Типография В. Готье.


A. Johansen. (1870). Korrekt Anviisning til at Danse "Française", "Les Lanciers", "Jule-Quadrille", "Le Prince Imperial", og "Sextour". Kiøbenhavn: V. Pio's Forlag.


Prof. Maas. (1871). The Nilsson Dance & Ball-Room Guide. New York. [Powers] [WorldCat]


W. Warwick (pub.). (1871). Canadian Ten Cent Ball-Room Companion and Guide to Dancing. Toronto. [WorldCat]


Septimus Winner. (1872). Primary School for the Flute; A Thorough and Complete Course of Instruction for the Flute, Written and Arranged for Self-instruction as Well as for Teachers Use. Containing Full Exercises and Explanations, and a Large Collection of the New and Popular Melodies of the Day. Cleveland: S. Brainard's Sons. (hathi)


Hurst & Co (pub.). (1872). Ball-Room Dancing Without A Master And Complete Guide To The... Ball-Room. New York: Hurst & Company. (pdf) (djvu) {congress} {archive} [Powers]


Mr. Layland. (c. 1872). The Victoria Danse Du Monde And Quadrille Preceptor. London. (pdf) {Powers} [Powers]


J. F. Wallace. (1872). The "Excelsior" Manual of Dancing. Glasgow: John Menzies & Co. (pdf) {google}


Elias Howe. (1873). Duets for Piano, and Violin, or Flute. Boston. (hathi)


Septimus Winner. (1873). Band of Four; Being a Choice Selections of Popular Melodies Arranged as Easy Quartets for the Violin or Flute, Cornet or Clarinet, Second Violin and Violoncello. Comprising Waltzes, Polkas, Galops, Cotillions and Other Fashionable Round, Square and Fancy Dances. New York: Oliver Ditson. (pdf) {Powers}


Septimus Winner. (1873). Musical Pastime: A New Collection of Popular Melodies, Arranged as Duets for the Violin and Piano. Consisting of the Latest and Best Marches, Galops, Waltzes, Polkas, Round and Square Dances &c. Together with a Choice Selection of Solos upon Classical Airs, Arranged for Amateurs. Boston: Oliver Ditson. (hathi)


Бернард Клемм. (1873). Теоретико-практический самоучитель общественных танцев, с аккомпаниментом музыки. Москва: Типография Н. Ф. Савича.


Eugene Coulon. (c. 1873). Coulon's Hand-Book, Containing All The Last New And Fashionable Dances (Third Edition). London: A Hammond & Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Allen Dodworth. (1873). Assistant for A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Boston (p. 33)
      » Basic Step (p. 35)
      » Pursuit Step (p. 36)
      » The Reverse (p. 37)
      » Two-Step Boston (The Dip) (p. 38)

Group Dances

» Ordinary Quadrille (p. 13)
» Jig Figure (p. 15)
» Cheat, or Coquette (p. 16)
» Basket Dance (p. 16)
» Virginia Reel, or Sir Roger De Coverly () (p. 17)
» The Lancers (p. 17)
» Caledonian Quadrille (p. 19)
» Le Prince Imperial Quadrille (p. 21)

The German (The Cotillon)
(Figures taken from Cellarius, 1847)

» La Course (p. 26)
» Les Ronds A Trois (p. 26)
» Les Chaises (p. 26)
» Les Fleures (p. 27)
» Les Cartes (p. 27)
» La Pyramide (p. 27)
» Les Petits Ronds (p. 28)
» Des Dames Moulinet (p. 28)
» Les Bras Enlaces (Charge of the Light Brigade) (p. 29)
» The Grand Chain (p. 29)
» Double Right and Left and Half Ladies' Chain (p. 30)
» Star and Circle (p. 31)
» Flag Figure (p. 31)
» Military Figure (p. 31)

Edward James (pub.). (1873). Jig, Clog And Breakdown Dancing Made Easy. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Septimus Winner. (1874). Musical Garland, A New Collection of First-class Duets for the Violin and Piano. Boston: Oliver Ditson & Company. (hathi)


Septimus Winner. (1874). Musical Present, For the Organ or Piano. Philadelphia: J. M. Stoddart & Company. (hathi)


E. J. Wivell. (1874). The Ball Room Companion and Pupil's Self-Help. Adelaide.


де Колиньяр. (1870). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 7 уроков без помощи учителя всем бальным танцам. С дополнением характерных танцев: русских плясок, венгерки, матлёта и других. Москва: Типография И. Н. Мышкина. (pdf) {HDA}


Carl Haraschin. (1874). Tanz-Fragmente. Wien. (pdf) {google}


J. J. Bordalo. (1874). Manual De Dança. Lisbon. [Powers] [WorldCat]


Arnold Brothers. (1874). Arnold Brothers' Jig, Song And Dance Book. New York. [Powers] [WorldCat]


Robert Coote. (c. 1874). Ball-Room Dancing Without A Master, For Home Practice / How To Dance, R. Cootes Ball-Room Guide. London. [Powers]


Frank Reed (pub.). (1874). The Dancer's Guide And Ball-Room Companion. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Henry Tucker. (1874). Clog Dancing Made Easy. New York: Robert M. de Witt. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Robert Eitner. (1875). Taenze des 15. Bis 17. Jahrhunderts. Aus dem Quellen Gezogen und Veröffentlicht. Leipzig: Monatsheften für Musikgeschichte.


[Anonymous]. (1875). Terpsichore. Petit Guide à l'Usage des Amateurs de Ballets. Paris: Tresse. (pdf) {RSL}


[Anonymous]. (c. 1875). Le Cancan (10 Plates Mounted On Boards, Illustrations Of A Couple Dancing Cancan). Paris. [Powers]


[Anonymous]. (c. 1875). How To Dance; Or The Etiquette Of The Ball-Room (Ward And Lock's How Hand-Books). London. [Powers] [WorldCat]


Au Bon Marché. (c. 1875). Le Cotillon, Theorie & Musique (Entirely Cotillion Figure Descriptions & Illustrations, No Music). Paris. [Powers]


Adolf Bittler. (c. 1875). Quadrille A La Cour (Similar To The Lancers). Strassburg. [Powers]


Wm. Clowes & Sons (pub.). (1875). Practical Guide To The Ballroom. London. [Powers]


William B. De Garmo. (1875). The Dance Of Society. New York: William A. Pond & Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


G. Desrat, Philippe Stutz. (1875). Nouvelle Danse Américaine De Sir Roger De Coverley. Paris: Heugel & Compagnie. (pdf) {BNE} [Powers]

Couple Dances

» Sir Roger De Coverley () (p. 3)







Allen Dodworth. (1875). Dodworth Waltz Lancers (Description, With Sheet Music). New York. (pdf) {congress} [Powers]


C. Jeffery's (pub.). (1875). Practical Guide To The Ball Room. London. [Powers] [WorldCat]


W. W. Pound. (1875). Pound's Waltz Quadrille (Description And Sheet Music). Cincinnati. {congress - music, no description} [Powers]


M. & M. Roberts. (1875). Robert's Manual Of Fashionable Dancing And Vade-Mecum For The Ball-Room. Melbourne: George Robertson. (pdf) (djvu) (txt) {congress} {archive} [Powers]


E. J. Wivell. (c. 1875). The Ball-Room Companion And Pupil's Self-Help. Adelaide, Australia. [Powers] [WorldCat]


Bernhard Klemm. (1876). Katechismus der Tanzkunst. Ein Leitfaden für Lehrer und Lernende. Leipzig: J. J. Weber. (pdf) {HDA}


[Anonymous]. (1875). Плоды досуга. Источник веселья, забавы и смеха или сокровище для развлечения и приятного времяпрепровождения. Полная библиотека для обоих полов и всех сословий. Москва: Типография С. Орлова. (RSL)

Note: Dance descriptions, copied from Klemm, 1876, begin on p. 688.


Дебэ. (1873). Новооткрытая тайна исправления и усовершенствования человеческого голоса и речи, представляющая верные и простые средства каждому выработать свой голос годным для пения и свою речь сделать звучною и правильною, а равно уничтожить во всяком возрасте недостатки речи, как то: заикание, шепеляние, невыговаривание некоторых слов и пр. Необходимое руководство для певцов и желающих учиться пению, для ораторов, артистов, актёров, учителей, воспитателей, в школах и домашнем быту и пр. С приложением приготовительного курса пения и самоучителя танцев по совершенно новой методе, в которое время обучающей грации, мимике, пантомиме и всем современным общественным танцам, как то: польке, Французской кадрили, Лансье, вальсу, польке-мазурке, шоттиш и характерным танцам по методе Блазиса и Леметра. Москва: Книжный склад "Агент."


Émile Köhler. (1876). Les Cinq Parties du Monde, Quadrille-Polka, Nouvelle Danse des Salons Composé par Henri Cellarius Neveu. Paris: J. Marie.


[Anonymous]. (c. 1876). Fashionable Dances Made Easy, Complete Instructor In ... Society Dancing. New York. [Powers] [WorldCat]


Henry Gass. (c. 1876). The Waltz C. A Combination of Curved Steps and Movements, So As to Represent or Describe the Letter C. Mobile. (pdf) (djvu) (txt) {congress} {archive}


Offenbach. (1876). Magnet Hand Book: Offenbach's Dancing Without A Master. New York. [Powers]


Offenbach. (1876). Offenbach's Dancing Without A Master (Diff. Dances From Above). New York. (pdf) (djvu) {congress} {archive} [Powers]


Mrs. Chas. Read. (1876). Mrs. Chas Read's Australian Ball Room Guide. Sydney. (pdf) {SLV} [Powers]


H. G. O. Washburn. (1876). The Ball-Room Manual Of Contra Dances & Social Cotillons. Portland, ME. [Powers]


F. Paul. (1877). Le Cotillon Et Les Quadrilles Actuels; Traité Théorique Et Pratique. Paris: E. Gerard et Compagnie. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Rudolph Radestock. (1877). The Royal Ball-Room Guide. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Eben B. Towne. (1877). Eben's Order Book For Dancing. Nashua. [Powers]


Allen Dodworth. (1878). Our Little Scarf. New York: Frederick Blume. {congress} [Powers]


Thoinot Arbeau [Jehan Tabourot]. (1878). Die Tänzes des XVI, Jahrhunderts und die alte Französische Tanzschule vor Einführung der Menuett. Danzig: Albert Czerwinski. (pdf) {BNE}


М. Ю. Петрова. (1878). Петербургский новейший самоучитель всех общественных танцев. Санкт-Петербург: И. Л. Тузов.


C. H. Cleveland, Jr. (1878). Dancing At Home And Abroad. Boston: Oliver Ditson & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Dick & Fitzgerald (pub.). (1878). Dick's Quadrille Call Book & Ball-Room Prompter (1st Edition). New York: Dick & Fitzgerald. (pdf) (djvu) {congress} {archive} [Powers]


Allen Dodworth. (1878). Assistant For A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Waltzing [commentary only] (p. 17)

Group Dances

» Ordinary Quadrille (p. 11)
» Jig Figure (p. 13)
» Cheat, or Coquette (p. 13)
» Basket Dance (p. 14)
» Virginia Reel, or Sir Roger De Coverly () (p. 14)
» The Lancers (p. 15)

The German (The Cotillon)
(Noted as being taken from Cellarius, 1847)

» 1. The Excursion (p. 24)
» 2. The Round of Three (p. 24)
» 3. The Chairs (p. 24)
» 4. The Flowers (p. 25)
» 5. La Course Assise (p. 25)
» 6. The Columns (p. 26)
» 7. The Cushion (p. 26)
» 8. The Cardes (p. 26)
» 9. The Pyramid (p. 26)
» 10. The Deceiver (p. 27)
» 11. The Serpent (p. 27)
» 12. The Broken Round (p. 28)
» 13. The Handkerchief (p. 28)
» 14. The Change of Ladies () (p. 28)
» 15. The Hat (p. 29)
» 16. The Scarf (p. 29)
» 17. The Ladies Seated (p. 29)
» 18. The Gladd of Champagne (p. 30)
» 19. The Rejected Couples (p. 30)
» 20. The Bouquets (p. 30)
» 21. The Presentation of Ladies (p. 31)
» 22. The Moving Cushion (p. 31)
» 23. The Ladies Deceived (p. 31)
» 24. The Magic Hat (p. 32)
» 25. The Phalanx (p. 32)
» 26. The Mysterious Cloth (p. 32)
» 27. The Gentlemen Deceived (p. 33)
» 28. The Double Cross (p. 33)
» 29. The Grand Round (p. 33)
» 30. The Twin Circles (p. 34)
» 31. The Deceitful Round (p. 34)
» 32. The Convent Porter (p. 35)
» 33. The Mysterious Hands (p. 35)
» 34. The Handkerchief Chase (p. 35)
» 35. The Stormy Sea (p. 36)
» 36. The Four Corners (p. 36)
      » Another (p. 37)
» 37. The Bower (p. 37)
» 38. The Pursuit (p. 38)
» 39. The Final Round (p. 38)
» 40. The Endless Rounds (p. 38)
» 41. The Windmill (p. 39)
» 42. Changing Windmill (p. 39)
» 43. The Four Chairs (p. 40)
» 44. The Country Dance (p. 40)
» 45. The Handkerchief (p. 40)
» 46. The Flying Scarfs (p. 40)
» 47. The Fan (p. 41)
» 48. Blind-man's Buff (p. 41)
» 49. The Gentlemen Together (p. 41)
» 50. The Zigzags (p. 42)
» 51. The Undulations (p. 42)
» 52. The Two Lines (p. 42)
» 53. The Crooked Lane (p. 43)
» 54. The Flying Hat (p. 43)
» 55. The Figure of Eight (p. 44)
» 56. The Intermingling of Arms (p. 44)
» 57. The Ladies' Moulinet (p. 45)
» 58. The Little Rounds (p. 45)
» 59. The Double Moulinet (p. 46)
» 60. The X of the Gentlemen (p. 46)
» 61. The X of the Gentleman and his Lady (p. 47)
» 62. The English Right and Left (p. 47)
» 63. The Graces (p. 48)
» 64. The Contrary Rounds (p. 48)
» 65. The Genuflexions (p. 49)
» 66. The Right and Left (p. 49)
» 67. The Double Pastourelle (p. 49)
» 68. The Uninterruted Chains (p. 50)
» 69. The Inconstants (p. 51)
» 70. The Ladies Back to Back (p. 51)
» 71. Four Hands Round (p. 51)
» 72. The Changing Triangle (p. 52)
» 73. The Chains in line (p. 52)
» 74. The Labyrinth (p. 53)
» 75. Right and Left Varied (p. 53)
» 76. The Basket (p. 54)
» 77. The Triple Pass (p. 54)
» 78. The Runion of Couples (p. 55)
» 79. Simple Grand Chain (p. 55)
» 80. The Order of the Garter (p. 55)
» 81. Double Quadrille (p. 56)
» 82. The Bower (p. 57)
» 83. Favors or Decorations (p. 57)
» 84. The Undulations (p. 58)
» 85. The Mouse Trap (p. 58)
» 86. The Grand Chain Double (p. 59)
» 87. Star and Circle (p. 59)
» 88. Flag Figure (p. 60)
» 89. Military Figure (p. 60)

Aristodemo Panni. (c. 1878). Il Moderno Maestro Dei Balli. Milano. [Powers]


Luis Papanti. (1878). De Witt's Ball-Room Call Book. New York. [Powers] [WorldCat]


G. H. Rowe. (1878). The Prompter's Own Book, Or, Rowe's Calls For The Ball Room. Boston: Geo. H. Rowe. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Group Dances

» March and Circle () (p. 2)
» Lancer's Quadrille (p. 2)
» Portland Fancy (p. 3)
» Plain Quadrille [No. 1] (p. 4)
» Caledonian Quadrille (p. 5)
» Virginia Reel (p. 6)
» Fisher's Hornpipe (p. 6)
» Chorus Jig (p. 7)
» Hull's Victory (p. 7)
» Plain Quadrille [No. 2] (p. 7)
» Fancy Quadrille (p. 9)
» Fancy Medley (p. 9)

Tousey & Small (pub.). (1878). How To Dance. A Complete Ball-Room & Party Guide. Containing All The Latest Figures, Together With Old-Fashioned And Contra Dances Now In General Use. New York: Tousey & Small. (pdf) (djvu) (txt) {congress} {archive}

Couple Dances

» The Waltz A Trois Temps (p. 17)
» Waltz In Double Time (p. 18)
» Cellarius Or Mazourka Waltz (p. 18)
» The Schottische (p. 19)
» The Polka (p. 20)
» The Galop (p. 21)
» Redowa (p. 21)
» Polka Redowa () (p. 22)
» Esmerelda () (p. 22)
» Danish Polka (p. 22)
» The Mazourka Valse (p. 22)
» The Varsoviana (p. 26)
» The Gorlitza (p. 26)
» The New Valse (p. 27)
» The Tango (p. 45)

Group Dances

» The Quadrille (p. 10)
» Cheat Figure (p. 13)
» Jig Figure (p. 13)
» Basket Figure (p. 13)
» Double Quadrille (p. 13)
» The "Nine Pin" (p. 14)
» The Lanciers (p. 14)
» The Caledonians (p. 16)
» The Virginia Reel (p. 17)
» The Waltz Cotillion (p. 22)
» The New Waltz Cotillion (p. 24)
» Pop Goes The Weasel (p. 28)
» Polka Country Dance (p. 28)
» The Triumph (p. 28)
» Highland Reel (p. 29)
» Arkansas Traveler (p. 29)
» Portland Fancy (p. 29)
» Camptown Hornpipe (p. 30)
» Jordan Am A Hard Road (p. 30)
» Soldier's Joy () (p. 30)
» Sicilian Circle () (p. 30)
» Rustic Reel () (p. 31, 37)
» Money Musk (p. 32)
» Chorus Jig (p. 32)
» College Hornpipe (p. 32)
» London Polka Quadrille (p. 35)
» Flower Girl's Dance (p. 36)
» Circassian Circle () (p. 36)
» Tempest (p. 36)
» Devil's Dream (p. 37)
» The European Mazourka Quadrilles (p. 39)
» Mazourka Cotillion [mentioned only, as being out of fashion] (p. 41)
» The Military Quadrilles [mentioned only, as being too complicated to describe] (p. 41)
» Hungarian Rigadoon or Menuet Quadrille of Five Figures (p. 42)
» The Triplet - Galop (p. 45)
» Russian Mazourka Quadrilles (p. 49)
» Junior Schottische Quadrille (p. 52)

The Cotillion

» The Pursuit (p. 37)
» The Final Round (p. 37)
» The Snail (p. 38)
» The Two Lines (p. 38)
» The Winding Alley (p. 38)
» The Labyrinth (p. 39)
» First Figure (p. 47)
» The Pyramid (p. 48)
» The Two Flowers (p. 48)
» The Round And Grand Chain (p. 48)
» The Star (p. 49)

Frederick Warne (pub.). (c. 1878). The Ball Room Guide. London: Warne's Bijou Books. [Powers]


F. Frerck. (1879). No. 5, Harvard Medley Quadrille (Howe's Western Orchestral Journal). Boston: Howe & Grant.


A. F. Vaas. (1879). No. 7, Vaas Waltz Lancers Quadrille (Howe's Western Orchestral Journal). Boston: Howe & Grant. (pdf) {congress}

Note: Dance descriptions accompany the 2nd Violin part.

Group Dances

» Vaas' Waltz Lancers Quadrille (♬) (p. 14)







Richard Fricke. (1878). Der Elegante Ballordner. Sammlung Neuester und Geschmackvollster Gesellschaftstänze. Cöthen: Paul Schettler's Verlag.


Constantine Carpenter. (1879). Glides, Waltzes, Galops, Quadrilles, Etc. Philadelphia. (pdf) {Powers) [Powers]


Cartier & Baron. (1879). Cartier And Baron's Practical Illustrated Waltz Instructor, Ball Room Guide, And Call Book. Giving Ample Directions For Dancing Every Kind Of Square And Round Dances, Together With Cotillons - Including The Newest and Most Popular Figures Of "The German." New York: Clinton D. De Witt. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Note: An odd little book in terms of organization and formatting, but it's quite comprehensive.

Couple Dances

» The Modern Waltz (p. 25)
      » Reverse To The Left (p. 26)
» The New Waltz (p. 28)
      » Reverse To The Left (p. 26)
» The Knickerbocker Waltz (p. 28)
» The New Five Step Waltz () (p. 28)
» The Polka (p. 28)
      » The Revolving Step (p. 28)
      » The Forward Step (p. 29)
      » The Backward Step (p. 29)
» The Polka Redowa () (p. 29)
» The Galop (p. 29)
» The Schottische (p. 29)
» Polka Mazourka () (p. 30)
» The Varsovienne (p. 30)
» Danish Dance (p. 30)
» The Esmeralda () (p. 31)
» The Deux Temps () (p. 31)

Group Dances

» The Plain Quadrille (p. 7, 42)
» Variety Quadrille Figures (The Fancy Quadrille) (p. 9)
      » The Basket Figure (p. 9, 47)
      » Quadrille Star (The Star Figure) (p. 10, 49)
      » Quadrille Sociable (The Sociable Figure) (p. 10, 50)
      » The Cheat Figure (p. 10, 53)
      » The Jig Figure (p. 11, 52)
      » Another Jig Figure (p. 52)
      » The March Figure (p. 51)
      » The Gavotte Figure (p. 54)
      » The Minuet Figure (p. 55)
» The Lancers (p. 11, 55)
» Saratoga Lancers (p. 13)
» The Glide Lancers (p. 14)
» The Caledonians (p. 15, 59)
» The Prince Imperial (Prince Imperial Quadrille) (p. 17, 71)
» The Parisian Varieties (p. 19)
» Waltz Quadrille, No. 1 (p. 21)
» Waltz Quadrille, No. 2 (p. 22)
» The March (Grand March) () (p. 42)
» The Irish Quadrille (p. 64)
» The Surprise Quadrille (p. 67)
» The Ladies' Own Quadrille (p. 75)
» The Harlequin Quadrille (p. 78)
» The Sicilian Circle () (p. 82)
» The Spanish Dance () (p. 82)
» Pop Goes The Weasel (p. 83)
» The Virginia Reel (p. 84)

The German

» 1. The Excursion (p. 33)
» 2. The Scarf (p. 33)
» 3. The Hat (p. 33)
» 4. The Glass of Wine (p. 33)
» 5. The Chair (p. 33)
» 6. The Pledges (p. 34)
» 7. The Cards (p. 34)
» 8. The Bouquets and Boutonnieres (p. 34)
» 9. The Convent Porter (p. 34)
» 10. The Mysterious Screen (p. 35)
» 11. The Flags (p. 35)
» 12. The Four Corners (p. 35)
» 13. The Mask (p. 35)
» 14. The Mysterious Hands (p. 35)
» 15. The Auction (p. 36)
» 16. The Deciever (p. 36)
» 17. The Rope (p. 36)
» 18. The Fan (p. 36)
» 19. The Handkerchief (p. 36)
» 20. The Cushion (p. 37)
» 21. The Mirror (p. 37)
» 22. The Flying Hat (p. 37)
» 23. Blind Man's Buff (p. 37)
» 24. Blind Man's Buff With Six (p. 38)
» 25. The Carnival (p. 38)
» 26. The Four Chairs (p. 38)
» 27. The Figure "8" (p. 39)
» 28. The Handkerchief Chase (p. 39)
» 29. The Basket (p. 39)
» 30. The Columns (p. 39)
» 31. The Maze (p. 40)
» 32. The Apples (p. 40)
» 33. The Two Lines (p. 40)
» 34. The Contra Dance (p. 40)
» 35. Follow Your Leader (p. 40)
» 36. The Pursuit (p. 41)
» 37. The Final Round (p. 41)

J. Daniel & Sons (pub.). (1879). Ball-Room Guide, Or Dancing Taught without a Master. Aberdeen: J. Daniel and Son. (pdf) {abdn) [Powers]

Couple Dances

» Schottische (p. 9)
» The Polka (p. 9)
» La Varsoviana (p. 13)
» The Redowa (p. 15)
» Waltz (p. 20)
» Cellarius Waltz (p. 21)
» Common Waltz (p. 23)

Group Dances

» Payne's First Set (p. 3)
» The Lancers (p. 6)
» The Caledonians (p. 8)
» La Gallopade (p. 10)
» Country Dances (p. 11)
      » Voulez aous Dancer, Mademoiselle (p. 11)
      » John of Paris (p. 11)
      » Captain Fleming (p. 11)
      » The Honey Moon (p. 11)
      » The Triumph (p. 11)
      » Sir Roger de Coverly () (p. 11)
» The Mazourka (p. 14)
» Pop Goes The Weasel (p. 17)
» Country Dance - Hands Across (p. 19)
» Scotch Reel (p. 19)
» The Highland Reel (p. 21)
» Mazourka Quadrille (p. 24)

William B. DeGarmo. (1879, January). The Dance Of Society [2nd Edition, with New Step]. New York. [Powers] [WorldCat]


William B. DeGarmo. (1879, March). The Dance Of Society [3rd Edition, with Redowa-Glissade instead of New Step]. New York. [Powers] [WorldCat]


Allen Dodworth. (1879). "Heel And Toe." Dodworth's Bohemian and Combination Polkas, With Description Of Steps. New York: Frederick Blume. (pdf) {congress} [Powers]

Couple Dances

» Bohemian (Heel and Toe Polka) () (♬) (p. 3)
» Combination Polka () (♬) (p. 4)









Two Amateur Leaders. (1879/©1878). The German. How To Give It. How To Lead It. How To Dance It. Chicago: Jansen, McClurg and Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]

The German

Simple Figures
» I. Basket (p. 56)
» II. Lines (p. 57)
» III. Jerusalem (p. 57)
» IV. Pyramid (p. 58)
» V. Over and Under (p. 59)
» VI. Presentation (p. 59)
» VII. Arbor (p. 60)
» VIII. Star (p. 61)
» IX. Tunnel (p. 61)
» X. Serpent (p. 62)
» XI. Ladies' Chain and Change (p. 62)
» XII. Chain (p. 63)
» XIII. Baskets' Grand Chain (p. 64)
» XIV. Two Or None (p. 64)
» XV. Wheel (p. 65)
» XVI. Grand Chain (p. 65)
» XVII. Not! (p. 66)
» XVIII. Figure Eight (p. 66)
» XIX. Ladies Under (p. 67)
» XX. Graces (p. 67)
» XXI. Puss In The Corner (p. 68)
» XXII. Forfeits (p. 69)
» XXIII. Pretzel (p. 69)
» XXIV. Basket Tunnel (p. 70)
» XXV. "Honors Are Easy" (p. 70)
» XXVI. Dan Tucker (p. 71)
» XXXVII. Fife Orchestra (p. 71)
» XXVIII. Virginia Reel (p. 72)
» XXIX. The X (p. 73)
» XXX. The Bower (p. 73)
» XXXI. The Weak Leading the Blind (p. 74)
» XXXII. Odd And Even Numbers (p. 75)
» XXXIII. Contest of Grace (p. 75)
» XXXIV. The Running Quadrille (p. 76)
» XXXV. Chair Circle (p. 76)
» XXXVI. Couple Circle (p. 77)
» XXXVII. Handkerchief (p. 77)
» XXXVIII. Kneeling Square (p. 78)
» XXXIX. Causeway (p. 78)
» XL. Spiral (p. 79)
» XLI. Gates Ajar (p. 80)
» XLII. Les Corbeillettes (p. 81)
» XLIII. Athletics (p. 81)
» XLIV. Waltzing Quartette (p. 82)
» XLV. Blind Man's Buff (p. 82)
» XLVI. Swinging (p. 83)
» XLVII. Snake (p. 83)
» XLVIII. Cattle Pen (p. 84)
» XLIX. Right And Left Circle (p. 84)
» L. Windmill (p. 85)
» LI. Two Names (p. 85)
» LII. 1 2 3 4 - 4 3 2 1 (p. 86)
» LIII. All Up () (p. 87)

With Properties
» I. Taper (p. 88)
» II. Rain (p. 88)
» III. Flags (p. 89)
» IV. Flower Girl (p. 89)
» V. Tournament (p. 90)
» VI. Duel (p. 91)
» VII. Mitten (p. 91)
» VIII. Chase (p. 92)
» IX. Balls (p. 93)
» X. Satyrs And Nymphs (p. 93)
» XI. Apron (p. 94)
» XII. Mysterious Hands (p. 94)
» XIII. Peg And Rings (p. 95)
» XIV. Creenmoor (p. 96)
» XV. Scarf (p. 96)
» XVI. Billets-Doux (p. 97)
» XVII. Tenpins (p. 97)
» XVIII. Chairs And Wristlets (p. 98)
» XIX. Fishing (p. 98)
» XX. Fish-Pond (p. 99)
» XXI. Fan (p. 100)
» XXII. Umbrella (p. 100)
» XXIII. Boxing Glove (p. 101)
» XXIV. Mirror (p. 101)
» XXV. Braiding (p. 102)
» XXVI. Linked Couples (p. 103)
» XXVII. Running The Gauntlet (p. 103)
» XXVIII. Twirl The Platter (p. 104)
» XXIX. Pillow (p. 104)
» XXX. Hoop (p. 105)
» XX[X]I. Hurdle (p. 105)
» XXXII. Initials (p. 106)
» XXXIII. Cards (p. 107)
» XXXIV. Grab Bag (p. 107)
» XXXV. Dice (p. 108)
» XXXVI. Hearts (p. 108)
» XXXVII. Whips (p. 109)
» XXXVIII. Race (p. 110)
» XXXIX. The Mysterious Partners (p. 110)
» XL. Darts (p. 111)
» XLI. Prisoners (p. 112)
» XLII. Kings And Queens (p. 112)
» XLIII. Swallow Swallow (p. 113)
» XLIV. Mulligan Guards (p. 113)
» XLV. May Pole (p. 115)
» XLVI. Candle (p. 116)
» XLVII. Lassoo (p. 116)

Hall Figures
» I. Labyrinth (p. 117)
» II. Plaiting (p. 117)
» III. Wheel And Spiral Rings (p. 118)
» [I]V. Sun (p. 119)
» V. Four Rings (p. 119)
» VI. Mine (p. 120)

E. C. Spink (inventor), G. Weingarten (comp.). (c. 1880). The New Dance Columbia with Steps. London: Charles Sheard & Co. (pdf) {NLA}

Couple Dances

» Columbia (♬) (p. 2)







Allen Dodworth. (1880). The New Knickerbocker Dance with Song. New York: Frederick Blume. {congress}


Allen Dodworth. (1880). New Court Minuet. New York: Frederick Blume. {congress}


Allen Dodworth. (1880). The Polo. A New Quarille. Original Figures by A. Paul. New York: William A. Pond & Company. {congress}


John M. Loretz, Jr. (1880). Five Step Waltz. New York: Wm. A. Pond & Co. (pdf) {congress}

Note: Music in 5/4 time, for dancing Five-Step Waltz.


[Anonymous]. (1880). Abhandlung über Gesellschafts-Tänze nebst Beschreibung der Arlequinaden.


Wilhelm Jenny. (1880). Buch der Reigen. Eine Sammlung von Tanzreigen, Auszügen mit Gesang, Liederreigen und Kanonreigen zum Gebrauche beim Schulturnen, min Einleitungen und einem Anhange zur Selschichte des Reingens.


[Anonymous]. (c. 1880). Премия от парфюмерной фабрики "А. Ралле и компания." Москва. (pdf) {HDA}


Samuel Baron. (1880). Prof. Baron's Complete Instructor In All The Society Dances. New York. [Powers] [WorldCat]


James Dorney. (c. 1880). The Dancer's Friend. W'Bool, Australia. [Powers]


Myles B. Foster. (1880). Routledge's Singing Quadrille. London. [Powers] [WorldCat]


Elias Howe. (c. 1880). Fifty Contra Dances. Boston. (pdf) {Goucher} [Powers]


Margitta Roséri. (c. 1880). Katechismus Der Tanzkunst. Leipzig. [Powers] [WorldCat]


M. Judson Sause. (1880). The Art Of Dancing: Embracing a Full Description of the Various Dances of the Present Day, Together with Chapters on Etiquette, the Benefits, and History of Dancing (2nd Edition). New York. (djvu) (txt) {archive} [Powers]


James Scott Skinner & William Scott. (c. 1880s). A Guide to Fashionable Dancing. Aberdeen. (abdn)


Prof. H. Stanley. (1880). Prof. H. Stanley, Teacher of (Fashionable and Select) Dancing, Etiquette, Etc. Latest Glides, Waltzes, Galops, Quadrilles, Etc., Etc. Sandusky. [WorldCat]


A Teacher of Dancing. (c. 1880). The Ball-Room Guide with a Few Hints On Drawing-Room Etiquette. Aberdeen. [Powers] [WorldCat]


Prof. G. W. Williams. (c. 1880). Mazourka Quadrille. [Powers]


Prof. G. W. Williams. (c. 1880). Polacca Quadrille. [Powers]


Prof. G. W. Williams. (c. 1880). Robinson Schottisch Quadrille. [Powers]


Allen Dodworth. (1881). Polo Quadrille. New York: William A. Pond & Company. {congress}


George W. Allen. (1881). Lawn Tennis Quadrille. Figures Composed by the Society of Professors of Dancing, New York. New York: William A. Pond. (pdf) {JHU}


G. A. Gaskell. (1881). Compendium of Forms, Educations, Social, Legal and Commercial: Embracing a Complete Self-teaching Course in Penmanship and Bookkeeping, and Aid to English Composition; Including Orthography, Capital Letters, Punctuation, Composition, Elocution, Oratory, Rhetoric, Letter Writing in All Its Forms, the Laws and By-laws of Social Etiquette, Business, Law and Commercial Forms, Complete Dictionary of Legal and Commercial Terms, Synonyms, Abbreviations, Foreign Phrases, Poetry, etc. etc. Also a Manual of Agriculture and Mechanics. With a Complete Guide to Parliamentary Practice. Rules of Order for Deliberative Assemblies, Organization and Conduct of Business, etc. etc. Elegantly Illustrated. Chicago: Fairbanks, Palmer & Company.

Note: Ball etiquette begins on p. 424.


Clarence R. Sidney. (1881). Original Five Step Waltz with Figures in Full for Dancing as Taught and Danced by Professor S. Asher, Member of The N. Y. Society of Professors of Dancing. Philadelphia: Lee & Walker. (pdf) {congress}

Couple Dances

» The Original Five Step Waltz ()







Primera de Papel (pub.). (1881). Teoría del Baile. Habana: Primera de Papel. (pdf) {BNE} [Powers]


[Anonymous]. (c. 1881). Köhler's Violin Repository of Dance Music, Comprising Reels, Strathspeys, Hornpipes, Country Dances, Quadrilles, Waltzes, &c., Book I Edinburgh: Ernest Köhler & Son. (pdf) {imslp}


[Anonymous]. (c. 1881). Köhler's Violin Repository of Dance Music, Comprising Reels, Strathspeys, Hornpipes, Country Dances, Quadrilles, Waltzes, &c., Book II Edinburgh: Ernest Köhler & Son. (pdf) {imslp}


[Anonymous]. (c. 1881). Köhler's Violin Repository of Dance Music, Comprising Reels, Strathspeys, Hornpipes, Country Dances, Quadrilles, Waltzes, &c., Book III Edinburgh: Ernest Köhler & Son. (pdf) {imslp}


Samuel Baron. (1881). Prof. Baron's Complete Instructor In All The Society Dances Of America. New York. [Powers] [WorldCat]


Champion Publishing Company (pub.). (1881). The Way To Dance (Same As Wehman Bros., 1881). New York. [Powers]


A. L. Burt (pub.). (c. 1881). Popular Hand Books For Young People - The Way To Dance - Illustrated (Same As Wehman Bros., 1881). New York. [Powers]


Wehman Bros. (pub.). (1881). The Way To Dance, Or Dancing Without A Master. N.J. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Chas. D. Blake. (1882). Lily Redowa. Chicago: White, Smith & Company. (pdf) {JHU}

Music for Redowa.


Allen Dodworth. (1882). New Varsoviana with Description of Step. New York: William A. Pond & Company. {congress}


Александра Константиновна Буринская. (1882). Дамский сборник, настольная книга для дам и девиц. Санкт- Петербург: Бюро дамских поручений для иногородних.


[Anonymous]. (1882). Beadle's Dime Ball-Room Companion & Guide To Dancing. New York. [Powers]


Lucien O. Carpenter. (1882). J. W. Pepper's Universal Dancing Master, Prompter's Call Book And Violinist's Guide. Philadelphia. (pdf) (djvu) {congress} {archive} [Powers]


P. Valleau Cartier. (1882). Professor Cartier's Practical Illustrated Waltz Instructor, Ball Room Guide, And Call Book. New York: De Witt. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. H. Christison. (1882). J. H. Christison's Manual Of Dancing & Etiquette. Maitland, Australia. [Powers] [WorldCat]


Collier (pub.). (1882). Collier's Cyclopedia of Commercial and Social Information and Treasury of Useful and Entertaining Knowledge on Art, Science, Pastimes, Belles-lettres, and Many Other Subjects of Interest in the American Home Circle (including Dances). New York. (pdf) {google} [Powers]


G. (Gustave) Desrat. (1882). Le Cotillon, Vade-Mecum. Paris. [Powers] [WorldCat]


A.J. Dick & E.J.H. Stecher. (1882). Clog, Jig, Reel And Song And Dance Instructor. New York. [Powers]


Prof. William W. Florence. (1882). Esmeralda Waltz-Lanciers. St. Louis: Esmeralda Club. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Wm. E. Greene. (1882). Newport Waltzes, With A Full Description Of The Steps And Manner Of Dancing (Description And Music). Boston. (pdf) {congress} [Powers]

Couple Dances

» The Newport ()







Elias Howe. (1882). Howe's New American Dancing Master. Boston. [Powers] [WorldCat]


Bobby Newcomb. (1882). Tambo: His Jokes and Funny Sayings with Hints to the Amateur Minstrel. New York. [Powers] [WorldCat]


Francois Paul. (1882). Le Polo Américain, Nouveau Quadrille, Avec Explication Des Figures (Description And Sheet Music). Paris. [Powers] [WorldCat]


Frank Tousey (pub.). (1882). How To Dance, A Complete Ball-Room & Party Guide (B&W Cover). New York. [Powers]


Allen Dodworth. (1882). Materna Polka. Boston: Elias Howe. {congress}


де Колиньяр. (1883). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 7 уроков без помощи учителя всем бальным танцам. С дополнением характерных плясок: камаринской, казачка, матросской и венгерской и полного курса светских приличий. Москва: Типография А. Гатцука. (pdf) {HDA}


М. Ю. Петрова. (1883). Петербургский новейший самоучитель всех общественных танцев (для обоего пола). Искусство в самое короткое время выучиться всем общественным, то есть бальным и характерным или костюмированным танцам, без помощи учителя. С политипажами в тексте. Санкт-Петербург: Типо-литография дома призрения малолетних и бедных. (pdf) {HDA}


Eugene Clement. (c. 1883). Manuel Du Cotillon (Cover: Le Cotillon, Manuel De La Danse). Paris. [Powers]


Allen Dodworth. (1883). Assistant For A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) {abdn) [Powers]


M. M. Gutstadt. (1883). The Prompter. Watertown, NY. [Powers] [WorldCat]


Mathias J. Koncen. (1883). Prof. M. J. Koncen's Quadrille Call Book & Ball Room Guide. St. Louis: S. P. Brearly & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]


E. Woodworth Masters. (1883). The Standard Dance Album. Boston. [Powers] [WorldCat]


Karol Mestenhauser. (c. 1884). Szkoła tańza [Volume I]. Warszawa. {polona}


Karol Mestenhauser. (c. 1884). Szkoła tańza [Volume II]. Warszawa. {polona}


Karol Mestenhauser. (c. 1884). Szkoła tańza [Volume III]. Warszawa. {polona}


E. N. Catlin. (1884). Quadrille "Prompter's Delight." Boston: Elias Howe. {congress}


Septimus Winner. (1884). Social Pastime. A Collection of Popular and Standard Melodies Arranged for Violin and Piano. Boston: Oliver Ditson & Company. {congress}


Septimus Winner. (1884). Social Pastime. A Collection of Popular and Standard Melodies Arranged for Violin. Boston: Oliver Ditson & Company. {congress}


Henri Herz. (1884). Polka Caprice for the Piano-Forte. Philadelphia: The United States Music Engraving & Printing Company. (pdf) {imslp}


Бернард Клемм. (1884). Теоретико- практический самоучитель общественных танцев и русских плясок, с аккомпаниментом музыки. Москва: Типография Е. И. Погодиной.


[Anonymous]. (1884). Новейший самоучитель к изучению общественных и художественных танцев. Санкт-Петербург: Типография А. Каспари.


Г. Ф. Кублицкий. (1884). Французская кадриль с финалом. Одесса: Типография Алексомати.


Альберт Яковлевич Цорн. (1884). Французский кадриль. Одесса: Типография А. Шульце.


Carlo Blasis. (1884). Nouveau Manuel Complet de la Danse. Paris: Librairie Encyclopédique de Roret. (pdf) {BNE}


Eugène Damaré. (1884). Manon. Polka sur les Motifs de l'Opéra Comique. Paris: Georges Hartmann. (pdf) {BNF}


James Scott Skinner. (1884). Dancing, Marching, Indian Rod and Expander Exercises. Aberdeen. (abdn)


Henry Huntlea. (1884). Tune Book. Cambridge. (vwml)


Jane Austen. (1884). Letters, Volume I. London: Richard Bentley & Son. (pdf) (djvu) (txt) {archive}


Jane Austen. (1884). Letters, Volume II. London: Richard Bentley & Son. (pdf) (djvu) (txt) {archive}


Prof. Bonstein. (1884). Dancing And Prompting, Etiquette And Deportment Of Society And Ball Room. Boston: White, Smith & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Prof. L. E. Dare. (1884). Fashionable Quadrille Manual. Harrisburg, PA: Lane S. Hart. (pdf) {Powers) [Powers]


William B. DeGarmo. (1884). The Dance Of Society (4th Edition, Paperback, With 26 Pages Of Dances Appended). New York. [Powers] [WorldCat]


Norman Pearson. (1884). "The Philosophy And Art Of Dancing" (Essay on Waltz). Lippincott's Magazine. New York. [Powers]


George Wilson. (1884). Wilson's Ball-Room Guide; Or, Dancing Self Taught. New York: Excelsior Publishing House. (pdf) {Powers} [Powers]


George Wilson. (1884). Wilson's Modern Dances (1892 Cover But The © And Contents Are All 1884). New York. [Powers] [WorldCat]


R. S. Sinclair. (1885). Louava Quadrille. Boston: Elias Howe. {congress}


A. H. Uhle. (1885). La Gorlitza. W. F. Shaw. {congress}


A. Freising. (1885). Neuestes Saison-Tanz-Album. Anleitung zum besseren Verständuss der Ball-Ordnung nebst einer Sammlung der neuesten und beliebtesten Tänze. Berlin: Plahn'schen Buchhandlung.


Алексей Балабанов. (1885). Кадриль "Цыганка Стёша" для фортепиано в 2 руки. Санкт-Петербург: Музыкальный магазин "Северная лира."


[Anonymous]. (c. 1885). Лихой русский танцор и плясун без помощи учителя или книга, школа и самоучитель всех русских плясок и домашних, бальных и общественных танцев. Москва: Типография Ф. К. Иогансон.


Louis Roland, Achille Decombes. (1885). Roland's Quick-Step. Nouvelle Danse de Salon. Paris: O. Legouix. (pdf) {BNF}


[Anonymous]. (c. 1885). Calls For Orchestrone Quadrille. [Powers]


Am. Society of Professors of Dancing. (1885). Society Quadrille (Description And Sheet Music). New York. (pdf) {congress} [Powers]


Eugéne Clement. (c. 1885). Petit Aide-Mémoire. Guide Des Quadrilles & Du Cotillion Pour Les Bals Officiels, Noces, Sauteries De Famille, Etc. Paris. (pdf) {HDA} [Powers]


Eugene Clement. (c. 1885). Polka, Polka-Mazurke, Schotisch Et Valse. Paris. [Powers]


Prof. DeVere. (c. 1885). Prof. Deveaux' Ball-Room Guide And Call-Book. New York. [Powers]


A. J. Dick (pub.). (c. 1885). Ball-Room Guide And Call Book. New York. [Powers] [WorldCat]


Allen Dodworth. (1885). Dancing and Its Relations to Education and Social Life with a New Method of Instruction Including a Complete Guide to the Cotillon (German) with 250 Figures. New York: Harper & Brothers. (pdf) {google} [Powers]


Eugène Giraudet. (1885). La Danse, La Tenue, Le Maintien. Paris. (pdf1) (pdf2) (djvu1) (djvu2) (txt1) (txt2) {congress} {congress2} {archive} {archive2} [Powers]


Loomis' Dancing Academy. (c. 1885). Lanciers Quadrille And Loomis' Minuet Lanciers. New Haven, CT. [Powers]


An M. C., R. S. Cartwright (pub.). (c. 1885). How To Dance. London. [Powers]


Prof. J. F. Davis. (1885). Le Bronco, A Round Dance [Description And Sheet Music]. Boston. (See 1888 Version.) [Powers]

Couple Dances

» Le Bronco (♩120) () (p. 2)







C. H. Rivers. (1885). A Full Description Of Modern Dances. Brooklyn. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Franz Magnus Böhme. (1886). Geschichte des Tanzes in Deutschland. Beitrag zur deutschen Sitten-, Literatur- und Musikgeschichte. Nach den quellen zum erstenmal bearbeitet und mit alten Tanzliedern und Musikproben, Volume I. Leipzig: Breitkopf & Härtel. (pdf) (djvu) (txt) {archive}


Franz Magnus Böhme. (1886). Geschichte des Tanzes in Deutschland. Beitrag zur deutschen Sitten-, Literatur- und Musikgeschichte. Nach den quellen zum erstenmal bearbeitet und mit alten Tanzliedern und Musikproben, Volume II. Leipzig: Breitkopf & Härtel. (pdf) (djvu) (txt) {archive}


H. Diringer. (1886). Die Tanz-Kunst. Kulturhistorische Skizze. Die Tänze der einzelnen Völter und die practische Lehre der modernen Salon-Tänze nebst einem illustrirten Cotillon. München: Cäsar Frirsch.


[Anonymous]. (1886). Настольная книга для молодых людей, составленная под руководством "артистов Императорских театров" московским учителем танцев. Тифлис: Типография А. А. Михельсона.


Léopold Bagnat. (1886). Le Carillon. Danse de Salon. Paris: A. Biloir. (pdf) {BNF}


O. F. "Cub" Berdan. (1886). One Night In A Ball Room - Call Book. Detroit, MI. [Powers] [WorldCat]


Cartier. (1886). Cartier's Pocket Guide And Calls For Square Dances. New York. [Powers] [WorldCat]


Elias Howe. (1886). The Pocket Ball-Room Prompter. Boston: O. Ditson & Co. (pdf) (djvu) (txt) {congress} {archive}


Pennsylvania Company (pub.). (1886). Social Amusements: A Choice Collection of Parlor Games, Tricks, Charades, Tableaux, Parlor Theatricals, Pantomimes and Palmistry, and Figures and Calls for Dancing, and the Language of the Flowers, Etc., Etc. Chicago. (pdf) {google} [Powers]


F. Trifet. (1886). Trifet's Acme Of Dances, With Calls And Figures, 114 Dances. [Powers] [WorldCat]


Frederick Warne and Co. (pub.). (c. 1886). The Ball-Room Guide, A Handy Manual. London & New York. (pdf) {google} [Powers]


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part I].


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part II].


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part III].


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part IV].


Edward Scott. (c. 1887). Dancing As It Should Be (1st Edition). London. [Powers] [WorldCat]


Mrs. John Sherwood. (1887). Manners and Social Usages. New York: Harper & Brothers. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Frederick Blume (pub.). (1887). Dodworth's Five Step Waltz. New York: Frederick Blume. (pdf) {duke}

Note: Music in 5/4 time, for dancing Five-Step Waltz.


A. Squire. (1887). Squire's Practical Prompter Or Ball-Room Call Book. Cincinnati. (pdf) {Powers} [Powers]


Frederick Warne & Co. (1887). Modern Etiquette In Public And Private (with Dance Descriptions). London & New York. (pdf) (djvu) (txt) {archive} [Powers]


[Anonymous]. (1888). Manuale Complete dei Balli di Società Ossia il Maestro da Ballo in Famiglia con le Istruzioni per Comandare e Dirigere Contradanze, Quadriglie, Cotillons, ecc. Milano: Casa Editice Guigoni.


Лев Петрович Стуколкин. (1888). Кают-компания. Мазурка. Санкт-Петербург: Николай Христианович Давингоф.


Meyer Lutz (comp.). (1888). Pas de Quatre, The Enormously Successful Dance from Opera Burlesque "Faust Up to Date." [London]. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 2)







Prof. J. F. Davis. (1888). Le Bronco, A Round Dance (Description And Sheet Music). Boston. (pdf) {Powers} [Powers]

Couple Dances

» Le Bronco (♩120) () (p. 2)







Allen Dodworth. (1888). Dancing And Its Relations To Education And Social Life, With A New Method Of Instruction, Including A Complete Guide To The Cotillion (German) With 250 Figures (New and Enlarged Edition). New York: Harper & Brothers. (pdf) {google} [Powers]


E. W. Masters. (1888). La Marjolaine. The New Society Dance. (Description And Sheet Music). Boston. [Powers]

Couple Dances

» La Marjolaine







Edward Scott. (1888). Dancing And Dancers, Or, Grace And Folly. London. (pdf) {google} [Powers]


Two Amateur Leaders. (1888). The German - How To Dance It (©1878). Chicago. (See 1879 Edition.) [Powers] [WorldCat]


Lucien O. Carpenter. (1889). J. W. Pepper's Universal Dancing Master, Prompter's Call Book And Violinist's Guide. Philadelphia. (See 1882 Edition.) [Powers]


William E. Greene. (1889). The Terpsichorean Monitor. Providence, RI. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. H. Harvey. (1889). Wehman's Complete Dancing Master and Call Book: Containing a Full and Complete Description of All the Modern Dances, together with the Figures of the German. New York: Henry J. Wehman. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Elias Howe (pub.). (1889). Howe's New Ball-Room Guide (©1883). Boston. [Powers] [WorldCat]


E. W. Masters. (1889). The Original Yorke. A New Dance. (Description And Orchestra Music). Boston. [Powers]


Judson Sause. (1889). The Art Of Dancing, Embracing A Full Description Of The Various Dances Of The Present Day (5th Edition). New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


L. F. Segadlo. (1889). Course Of Instruction In Dancing And Aesthetic Development Of The Body. Newark, NJ. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Herman Strassburg. (c. 1889). Quadrilles As Taught By Herman Strassburg & Son. Detroit, MI. [Powers]


Herman A. Strassburg. (1889). Call Book Of Modern Quadrilles. Detroit: American Music Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Septimus Winner. (1890). Banner Folio for Violin and Piano Containing the Most Popular Melodies of the Day, Introducing Selections, Variations, Medleys, Round and Square Dances, All Arranged in an Easy Manner for Amateurs. Boston: Oliver Ditson Company. (pdf) {google}

Notes: Description of Plain Quadrille on p. 81, all else is music only.

Dance Music

» La Pére La Victoire Marche (Father of Victory) (♬ only) (p. 3)
» Bum-Ta-Da-Ra-Ta (♬ only) (p. 6)
» Sylphide Polka (♬ only) (p. 7)
» Heavenward March (♬ only) (p. 8)
» Boulanger's March (♬ only) (p. 10)
» Everybody's Darling Schottische (♬ only) (p. 12)
» Etta Gavotte (♬ only) (p. 14)
» Happy Birdling Polka (♬ only) (p. 16)
» Sparkling Jewels Polka (♬ only) (p. 18)
» Ta-Ta Polka (♬ only) (p. 20)
» Berlin Polka (♬ only) (p. 23)
» Italian Madolin (Berlin) Polka (♬ only) (p. 26)
» Zephyrs of the South Waltz (♬ only) (p. 29)
» Love's Dreamland Waltzes (♬ only) (p. 32)
» Gitana Waltz (♬ only) (p. 36)
» Knight Waltzes (♬ only) (p. 39)
» Santiago Waltz (♬ only) (p. 42)
» Little Annie Rooney Waltz (♬ only) (p. 45)
» Carnival of Venice (with Variations) (♬ only) (p. 45)
» Nearer, My God, To Thee (♬ only) (p. 50)
» Old Folks At Home (Swanee River) (♬ only) (p. 52)
» Listen to the Mocking Bird (♬ only) (p. 54)
» Old Rosin the Beau (with Variation) (♬ only) (p. 58)
» Little Fishermaiden (♬ only) (p. 60)
» Gipsey Rondo (♬ only) (p. 62)
» Fond Hearts Must Part (♬ only) (p. 64)
» Austrian Song (♬ only) (p. 66)
» Clover or Hunting for Luck (♬ only) (p. 68)
» Lullaby Erminie (♬ only) (p. 70)
» Sweet Spirit Hear My Prayer (♬ only) (p. 72)
» Soldier's Song (♬ only) (p. 74)
» Annie Dear I'm Called Away (♬ only) (p. 75)
» Killaloe (♬ only) (p. 76)
» Enniscorthy (♬ only) (p. 77)
» Bally Hooly (♬ only) (p. 78)
» We've Both Been There Before, Many A Time (♬ only) (p. 79)
» Happy Whistling Coon (♬ only) (p. 80)
» Plain Quadrille Cotillon (♬ & Description) (p. 81)
» Lenox Lancers (♬ only) (p. 84)
» Polacca Quadrille (♬ only) (p. 88)
» Giselle, or Robinson's Schottische Quadrille (♬ only) (p. 92)

де Колиньяр. (1890). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 9 уроков без помощи учителя всем бальным танцам. С дополнением гран-рона, котильона, мазурки, характерных плясок: камаринской, казачка, матросской и венгерской и полного курса светский приличий. Москва: Типография А. Гатцука. (pdf) {HDA}


В. С. Дунин-Барковская. (1890). Новейший учебник и самоучитель танцев. Тифлис.


Лев Петрович Стуколкин. (1890). Преподаватель и распорядитель бальных танцев. Общедоступное руководство к изучению всех общественных танцев и руководство для распорядителей на балах и семейных вечерах с указателем фигур для кадрили, котильона и мазурки. С приложением статей: 1) О пользе препопадавания танцев. 2) Краткий исторический очерк появления салонных танцев. 3) Характеристика национальных танцев. Санкт- Петербург: Типография А. Н. Тихонова.


[Anonymous]. (1890). Жизнь в свете, дома и при дворе. Санкт-Петербург.


Альберт Яковлевич Цорн. (1890). Грамматика танцевального искусства и хореографии. Одесса: Типография А. Шульце. (pdf) {RSL}


Альберт Яковлевич Цорн. (1890). Атлас к грамматике танцевального искусства и хореографии. Одесса: Типография А. Шульце. (pdf) {RSL)


Wiktor Kaźyński. (1890). Polka-Tremblante. Vienne: H. F. Müller.


Edouard Jouve, J. Molina de Silva. (c. 1890). Les Patineurs Anglais. English Skating Dance. Nouvelle Danse. Paris: Jacques Pisa.


C. Perrin, Albert Clément. (1890). La Berline. Danse Nouvelle. Paris. (pdf) {BNF}


Gustave Desrat. (c. 1890). Traité de la Danse. Paris: H. Delarue. (pdf) {BNE}


Alvare Dias Patricio. (c. 1890). Novissimo e Completo Manual de Dança. Rio de Janeiro: B. L. Garnier. (pdf) {BNE}


Lucie H. Armstrong. (c. 1890). The Ball-room Guide Containing the Barn Dance, "The Minuet," Skirt-Dancing and Hints on Fancy Dress Balls &c (New and Revised Edition). London.


Frank Kidson. (1890). Old English Country Dances Gathered from Scarce Printed Collections, and from Manuscripts. With Illustrative Notes and a Bibliography of English Country Dance Music. London: William Reeves. (pdf) {imslp}


Cole's Book Arcade (bookseller). (c. 1890). The Pocket Guide To The Dances. Melbourne, Australia. (pdf) {SLV} [Powers]

Set Dances

» First Set Quadrille
» Parisian Quadrille
» Waltz Cotillion
» Alberts Quadrille
» Fitzroy Quadrille
» Exions Quadrille
» Caledonians Quadrille
» Lancers

Lucie H. Armstrong. (c. 1890). The Ball-Room Guide, A New And Revised Edition. London/New York. [Powers] [WorldCat]


Prof. S. (Solomon) Asher. (1890). Prof. S. Asher's Pocket Edition On Dancing (Pocket Guide For Beginners And Advanced Dancers). Philadelphia. [Powers] [WorldCat]


Horace W. Beek. (1890). The Oxford Minuet: New Dance with Instructions for Dancing (Description and Sheet Music). Chicago. [Powers] [WorldCat]


Prof. W. F. Braun. (1890). Braun's Manual. Calls And Dances. (W. F. Braun's Name And Address Handwritten Inside Cover). Pittsburgh, PA. [Powers]


M. [Melvin] B. [Ballou] Gilbert. (1890). Round Dancing. Portland, ME. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Full Playlist

Polka

» The Polka (★) (p. 45)
      » with Preliminary Hop (★) (p. 45)
» Reverse Polka (★) (p. 50)
      » Transition to Reverse Polka (★) (p. 52)
      » Transition from Reverse Polka (★) (p. 52)
» Glide Polka (★) (p. 53)
      a.k.a. Coquette Polka (p. 53)
      a.k.a. Rush Polka (p. 54)
      a.k.a. Three Slide Polka (p. 54)
» Cross Step Polka (★) () (p. 54)
» La Esmeralda () (★) (p. 55)
» Bohemian Polka () (★) (p. 55)
      a.k.a. Heel and Toe Polka (p. 56)
» Combination Polka () (★) (p. 56)
» The Berlin (★) (p. 56)
      a.k.a. German Polka (p. 63)
» The Wave (★) (p. 58)
» The Ruchter (★) (p. 58)
      a.k.a. Babies On Our Block (p. 59)
      a.k.a. Little Sallie Waters (p. 59)
      » in Military Position (★) (p. 59)
» The Portland (★) (p. 60)
» Polka Militaire (★) (p. 60)
      a.k.a. Coquette (p. 60)
» The Duchess (★) (p. 61)
» New Side Step Polka (p. 62)
» The Alsacian (★) (p. 62)
      a.k.a. Berlin Polka (p. 63)
» American Gavotte (★) (p. 63)
» Hornpipe Polka (★) (p. 64)
» The Metropolitan (★) (p. 64)
» The Carlton (★) (p. 64)
» The Antlers (★) (p. 65)
» The Ashland (★) (p. 65)
» Polka Russe (★) (p. 66)
» Baby Polka (★) (p. 69)

Pas De Basque

» Pas de Basque in 2/4 Time (p. 73)
» Pas de Basque in 3/4 Time (p. 75)

The Waltz

» The Waltz (★) (p. 76, 79)
      [a.k.a. Side-Step Redowa]
      a.k.a. The Present Popular Waltz
      » Reverse Waltz (p. 76, 79)
      » Transition to Reverse (p. 85)
      » Transition from Reverse (p. 85)
» The Glide Waltz (p. 88)
      » Reverse Glide Waltz (p. 88)
      » Transition to Reverse (p. 88)
      » Transition from Reverse (p. 88)
» The Original Waltz (p. 91)
      a.k.a. La Valse a Trois Temps (p. 62)
» La Valse a Deux Temps () (p. 92)
» Hop Waltz (p. 92)
» Redowa Waltz (p. 93)
» The Boston (p. 93)
» Boston Dip (p. 94)
» Polka Dot Waltz (p. 94)
» The Bowdoin (p. 94)
» Double Glide Waltz (p. 95)
» Knickerbocker Waltz (p. 95)
» Gavotte Glide (p. 96)
» Philadelphia Glide (p. 96)
» College Step (p. 96)
» The Eugenie (p. 97)
» Diagonal Waltz (p. 98)
» Redowa Glissade (p. 98)
» Racket Waltz (p. 99)
» Fascination (p. 99)
» La Madrilane (p. 100)
» Le Metropole (p. 100)
» The Society () (p. 101)
» Valse Les Patineurs (The Skaters Waltz) (p. 101)
» Waltz Minuet (p. 102)
» The Rosita (p. 103)
» Military Times (p. 103)
» Military Waltz (p. 103)

The Galop

» The Galop (p. 107)
      a.k.a. La Valse a Deux Temps () (p. 107)
      » Reverse Galop (p. 108)
      » Transition to Reverse (p. 108)
      » Transition from Reverse (p. 108)
» Four Step Galop (p. 109)
      a.k.a. Le Galop a Quatre Temps (p. 109)
      a.k.a. Four Slide Galop (p. 109)
» The Racket (p. 109)
» One Slide Racket (p. 110)
» Three Slide Racket (p. 110)
» Waltz Galop () (p. 110)
» The Jersey () (p. 110)
      a.k.a. Ripple Combination (p. 111)
» Ripple Galop () (p. 111)
» Le Galop a Pas Saute (p. 111)
» The Puritan Waltz () (p. 111)
      a.k.a. The Jubilee (p. 115)
» Polish Galop (p. 112)
» The Gaiety (p. 112)
» L'Eclair (p. 113)
      » Reverse L'Eclair (p. 114)
» Wave Galop (p. 114)
» Narragansett Pier (p. 114)
» Hecla Galop () (p. 115)
» The Fairy (p. 115)
» Le Beau (p. 116)
» Military Galop (p. 116)

The Schottische

» The Schottische (★) (p. 119)
» Military Schottische (★) (p. 120)
      a.k.a. Dancing in the Barn (p. 121)
      a.k.a. Kentucky Jubilee (p. 121)
      » Waltz Galop Version (★) (p. 120)
» Gavotte Schottische (p. 121)
» Glide Schottische (No. 1) (p. 121)
» Five Step Schottische (p. 122)
      a.k.a. Redowa Schottische (p. 127)
      a.k.a. New Schottische (p. 127)
      » Reverse Five Step Schottische (p. 122)
» Star Schottische (★) (p. 123)
» The Caprice (p. 123)
      a.k.a. Caprice Schottische (p. 131)
» Imperial Gavotte (p. 124)
» Bon-Ton Gavotte (p. 125)
» The Harvard (★) (p. 125)
» Polka Schottische (★) (p. 126)
» Schottische A Pas Saute (★) (p. 126)
      a.k.a. Hop Waltz (p. 126)
» Schottische Gavotte (p. 127)
» Stephanie Gavotte (p. 128)
» Loomis New Gavotte (p. 129)
» The Knickerbocker (★) (by Masters) (p. 130)
» Glide Schottische (No. 2) (p. 130)
» Edinburgh Schottische (p. 130)
» Gavotte (p. 131)
» The Vienna (p. 131)
» The Columbia (p. 132)
» The Mettlesome (p. 133)
» The Skaters (p. 134)
» The Knickerbocker (by Dodworth) (p. 134)
» The Celtic (p. 135)
» Highland Schottische (p. 135)
» Highland Gavotte (p. 137)
» Highland Glide (p. 138)

Redowa and Mazurka

» The Redowa (p. 141)
» Polka Redowa () (p. 141)
» The Mazurka (p. 141)
» Polka-Mazurka () (p. 142)
      » Reverse Polka-Mazurka (p. 142)
      » Zig Zag Polka-Mazurka (p. 142)
» The York (p. 143)
» The New York (by Cartier) (p. 143)
» The Newport () (p. 144)
      a.k.a. The Ripple (p. 145)
      a.k.a. La Mode (p. 145)
» The Ocean (p. 145)
» Ma Belle (p. 145)
» The Russia (p. 146)
» La Russe (p. 147)
» La Coska () (p. 147)
» Loomis Glide Mazurka (p. 148)
» Glide Mazurka (p. 148)
» The Rye (p. 148)
» Harriet Mazurka (p. 149)
» Loomis Yale University York (p. 149)
» Spanish Mazurka () (p. 150)
» Two Slide Racket (p. 110, 150)
» Three Step Galop () (p. 108, 151)
      a.k.a. Le Galop a Trois Temps (p. 108, 151)
      a.k.a. Le Galop a Trois Pas (p. 108, 151)
      a.k.a. Three Slide Galop (p. 108, 151)
» Gitana Waltz () (p. 151)
» La Zingarilla () (p. 151)
» The America (p. 152)
» The Latest York (p. 152)
» New York (by Brenneke) (p. 153)
» Five Step York (p. 153)
» The Musette (p. 154)
» Independent York (p. 154)
» Redowa L'Eclair (p. 154)
» The Maniton (p. 155)

Miscellaneous Dances

» La Reve (p. 159)
» The Detroit (p. 159)
» La Marjolaine (p. 160)
» Imperial Polka (p. 161)
» Waltz Gavotte (p. 161)
» The Sicilienne (p. 162)
» The Glissade (p. 163)
» The Rockaway (p. 163)
» Cadet Waltz (p. 164)
» The Bronco (♩120) () (p. 165)
» The Victoria (p. 165)
» The Varsouvianna (No. 1) (p. 166)
      » Zig Zag Varsouvianna (p. 166)
» The Varsouvianna (No. 2) (p. 167)
» The Varsouvianna (No. 3) (p. 167)
» Advance Varsouvianna (p. 167)
» The Maryland (Varsouvianna) (p. 168)
» Danish Dance (No. 1) (p. 169)
» Danish Dance (No. 2) (p. 170)
» Five Step Waltz (No. 1) () (p. 170)
» Five Step Waltz (No. 2) () (p. 171)

Eugène Giraudet. (c. 1890). Traité De La Danse - Seul Guide Complet Renfermant 200 Danses Differentes De Salons. Paris: A Veutin. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Prof. Grant. (1890). The Highland Fling and How to Teach It. Buffalo: Electric City Press. (pdf) (djvu) (txt) {congress} {archive}


Elias Howe. (1890). Howe's New American Dancing Master. Boston. [Powers]


An M. C. (c. 1890). How To Dance And Guide To The Ball-Room. London. [Powers]


John M. Schell. (1890). Prompting, How To Do It. New York. (djvu) (txt) {archive} [Powers]

Circle Dances

» The March () (p. 9)
» Sicilian Circle () (p. 10)
» Circassian Circle () (p. 47)
» Flowers of Edinburgh (p. 50)
» Merry Haymakers (p. 57)
» Merry Midsummer (p. 57)
» Mischief (p. 57)
» Rustic Reel () (p. 61)
» Soldier's Joy () (p. 62)
» Spanish Dance () (p. 62)

Quadrilles

» [Schell's] First Plain Quadrille (p. 11)
» [Schell's] Second Plain Quadrille (p. 12)
» [Schell's] Third Plain Quadrille (p. 14)
» [Schell's] Fourth Plain Quadrille (p. 15)
» [Schell's] Fifth Plain Quadrille (p. 17)
» [Schell's] Sixth Plain Quadrille (p. 18)
» [Schell's] Seventh Plain Quadrille (p. 19)
» [Schell's] Eighth Plain Quadrille (p. 21)
» [Schell's] Ninth Plain Quadrille (p. 22)
» [Schell's] Tenth Plain Quadrille (p. 24)
» [Schell's] Eleventh Plain Quadrille (p. 25)
» [Schell's] Twelfth Plain Quadrille (p. 26)
» Portland Fancy Quadrille (p. 28)
» Caledonian (p. 28)
» Eight-Hand Reel (p. 30)
» Ninepin Quadrille (p. 30)
» Walk Around (p. 31)
» Standard Lancers (p. 32)
» Original Lancers (p. 33)
» Saratoga Lancers (p. 35)
» Centennial or Double Lancers (p. 37)
» Minuet Lancers (p. 38)
» Waltz Lancers (p. 40)
» Rage Quadrille (p. 41)
» Waltz Quadrille (p. 42)
» Fancy Medley (p. 43)

Contra Dances

» American Hornpipe (p. 44)
» Angenette's or Annie's Fancy (p. 45)
» Arkansas Traveller (p. 45)
» Beaux of Albany (p. 45)
» Beaux of Oak Hill (p. 45)
» Bennett's Favorite Reel (p. 45)
» Boston Fancy (p. 45)
» Bricklayer's Hornpipe (p. 45)
» Buckley's Favorite Reel (p. 46)
» Buenavista (p. 46)
» Campbells Are Coming (p. 46)
» Camptown Hornpipe (p. 46)
» Chase the Lady (p. 46)
» Chase the Squirrel (p. 46)
» Cheat the Lady (p. 47)
» Chorus Jig (p. 47)
» Christmas Hornpipe (p. 47)
» Cincinnati Hornpipe (p. 47)
» Cinderella Waltz (p. 47)
» College Hornpipe (p. 48)
» Constitution Hornpipe (p. 48)
» Democratic Hornpipe (p. 48)
» Derby Hornpipe (p. 48)
» Devil's Dream (p. 48)
» Dick Sands' Hornpipe (p. 48)
» Douglass' Favorite or Mountain Hornpipe (p. 49)
» Downfall of Paris (p. 49)
» Drunken Sailor (p. 49)
» Dundee Hornpipe (p. 49)
» Durang's Hornpipe (p. 49)
» Favorite Scotch Hornpipe (p. 50)
» Fiddle-Bow Reel (p. 50)
» Figure Eight (p. 50)
» Fisher's Hornpipe (p. 50)
» Flower Girl's Dance (p. 50)
» Fly (p. 51)
» Follow Me, Harry (p. 51)
» French Four (p. 51)
» Galway Reel (p. 51)
» German Polka (p. 51)
» Gipsey's Hornpipe (p. 51)
» Girl I Left Behind Me (p. 52)
» Good for the Tongue (p. 52)
» Good Girl (p. 52)
» Guilderoy (p. 52)
» Half Moon (p. 52)
» Hattie's Favorite (p. 53)
» Hewett's Fancy (p. 53)
» Highland Reel (p. 53)
» Highland Schottische (p. 53)
» Hohnstock's Polka (p. 53)
» Hull's Victory (p. 53)
» Irish Hornpipe (p. 54)
» Irish Washer-Woman (p. 54)
» Jackson's Hornpipe (p. 54)
» Jakie's Hornpipe (p. 54)
» Jenny-Lind Polka (p. 54)
» Jordan Is A Hard Road (p. 54)
» Kendall's Hornpipe (p. 55)
» Lady of the Lake (p. 55)
» Lady's Triumph (p. 55)
» Lady Walpole's Reel (p. 55)
» Lady Washington's Reel (p. 55)
» Lamplighter's Hornpipe (p. 55)
» Land of Sweet Erin (p. 56)
» Larry O'Gaff (p. 56)
» Le Petre's Hornpipe (p. 56)
» Life Let Us Cherish (p. 56)
» Light Artillery (p. 56)
» Light Dragoon (p. 56)
» Maid in the Pump Room (p. 57)
» Merry Dance (p. 57)
» Miss Brown's Reel (p. 57)
» Miss Gay's Reel (p. 58)
» Miss McLeod's Reel (p. 58)
» Money Musk (p. 58)
» Morning Fair Hornpipe (p. 58)
» New Century Hornpipe (p. 58)
» New York Fancy (p. 58)
» Niagara Hornpipe (p. 58)
» Old Countryman's Reel (p. 59)
» Old Zip Coon (p. 59)
» Ole Bull Hornpipe (p. 59)
» Opera Rel (p. 59)
» Oregon Hornpipe (p. 59)
» Oyster River (p. 59)
» Parish Hornpipe (p. 60)
» Petronella (p. 60)
» Pop Goes the Weasel (p. 60)
» Queen's Favorite (p. 60)
» Red Lion Hornpipe (p. 60)
» Reefer's Hornpipe (p. 60)
» Rickett's Hornpipe (p. 61)
» Roy's Wife (p. 61)
» Sailors Set on Stone (p. 61)
» Saratoga Hornpipe (p. 61)
» Savin-Hill Hornpipe (p. 61)
» Scotch Hornpipe (p. 62)
» Scottish Dance (p. 62)
» Shunster's Hornpipe (p. 62)
» Smith's Hornpipe (p. 62)
» Spanish Waltz (p. 63)
» Speed the Cable (p. 63)
» Speed the Plough (p. 63)
» Spirits of France (p. 63)
» Steamboat Quickstep (p. 63)
» St. Patrick's Day (p. 63)
» Tempest (p. 64)
» The Cuckoo (p. 64)
» The Coquette (p. 65)
» The Graces (p. 65)
» Thunder Hornpipe (p. 65)
» Tom and Jerry (p. 65)
» Trip to Nahant (p. 65)
» Twin Sisters (p. 65)
» Uncle Jasper's Reel (p. 66)
» Village Hornpipe (p. 66)
» Vinton's Hornpipe (p. 66)
» Virginia Reel (p. 66)
» Washington Quickstep (p. 66)
» Whipple's Hornpipe (p. 67)
» White Cockade (p. 67)

C. H. Rivers. (1891). New Dances. Brooklyn.


Людвиг Игнатьевич Праусс. (1891). Подробное описание французской кадрили (контрданса) с финалом. Одесса: Типография А. Шульце.


В. Ф. Яцковский. (1891). 100 фигур мазурки с обозначениями главных правил её и употребляемых в ней терминов (с приложением подробных чертежей). Необходимое и единственное полное руководство для дирижёров, а равно и для всех желающих изучить этот танец. Выбранное из польских руководств и дополненное. Кострома: Губернская типография.


R. Crompton (ed.). (1891 to 1893). Dancing Monthly Magazine (Bound Reprinting Of 24 Issues). London. [Powers]


The Musical Herald (pub.). (1891, August 1). "Questions and Answers: Metronome Rates." The Musical Herald. London. (pdf) {google}

Note: Metronome markings only, no dance descriptions.

Couple Dances

» Waltz (♩216)
» Polka (♩108)
» Schottische (♩126)











Prof. J. D. Holt. (1891). Practical Illustrated Waltz Instructor And Ball Room Guide. Pennsylvania. [Powers] [WorldCat]


"T. Erp Sichore" Brown. (1891). A Treatise On The Elements Of Dancing. San Francisco: The Bankcroft Company. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Powers]

Couple Dances

» The Waltz (p. 17)
» The Polka (Round Polka) (p. 51)
» The Glide Polka (p. 57)
» The Heel and Toe Polka () (p. 58)
» The Schottische (p. 59)
» The Redowa (p. 61)
» The Polka Redowa () (p. 61)
» The Mazourka (p. 61)
» The Varsovienne (p. 62)
» The Racquet (p. 63)

Quadrilles

» The Plain Quadrille (p. 71)
      » The Basket Figure (p. 73)
      » The Star Figure (p. 74)
      » The Coquette (p. 74)
      » The Sociable (p. 75)
» The Saratoga Lancers (p. 76)
» The Lancers (p. 80)
» Waltz Quadrille No. 1 (p. 82)
» Waltz Quadrille No. 2 (p. 84)
» Parisian Varieties (p. 86)
» The Polacca or Glide Waltz Quadrille (p. 89)
» Virginia Reel (p. 93)
» The Tempete (p. 96)

The German or Cotillion

» Bouquets and Boutonnieres (p. 99)
» The Chair (p. 100)
» The Columns (p. 100)
» The Chances (p. 101)
» The Cards (p. 101)
» The Triangular Moulinet (p. 102)
» The Changing Moulinet (p. 102)
» The Alternate Moulinet (p. 103)
» The Double Moulinet (p. 103)
» The Ladies' Moulinet (p. 104)
» The Country Dance (p. 105)
» The Choice (p. 105)
» Arches and Circles (p. 106)
» The Figure 8 (p. 106)
» The Pledges Redeemed (p. 107)
» The Pyramids (p. 107)
» The Screen (p. 108)
» Puss in the Corner (p. 108)
» The Flowers (p. 109)
» The Flags (p. 110)
» The Glass of Wine (p. 110)
» The Basket (p. 111)
» Basket, Ring and Flower (p. 111)
» The Masks (p. 112)
» The Rounds of Three (p. 112)
» The Excursion (p. 113)
» The Hat (p. 113)
» The Scarf (p. 114)
» The Change of Ladies () (p. 114)
» The Twin Circle (p. 114)
» The Grand Round (p. 115)
» The Deceptive Round (p. 116)
» The Moving Hat (p. 116)
» The Double Pastourelle (p. 117)
» The Grand Chain (p. 117)
» The Coquet (p. 118)
» The Genuflections (p. 118)
» The Pursuit (p. 118)
» The Two Lines (p. 119)
» The Final Round (p. 119)

Edward Scott. (1891). Description of Steps and Movements of the Chorolistha, the New Round Dance. London. [WorldCat]


Edward Scott. (1891). The Versa, a New Valse Dance. London. [WorldCat]


Frederick Warne & Co. (1891). Modern Etiquette In Public And Private (with Dance Descriptions). London & New York. (See 1887 Version.) [Powers]


Horace W. Beek. (1892). Majestic Polonaise. Chicago: Lyon & Healy. (pdf) {JHU}


W. J. Stépanow. (1892). Alphabet des Mouvements du Corps Humain. Paris: Paul Vigot.


Theo Bonheur. (c. 1892). The Washington Post: Barn Dance (Description And Sheet Music). London. [Powers] [WorldCat]


Robert Cocks & Co. (c. 1892). Robert Cocks Dance Album No. 3. London. [Powers]


William B. DeGarmo. (1892). The Dance Of Society (5th Edition, with New Dances Added). New York. [Powers]


G. (Gustave) Desrat. (c. 1892). Traité De La Danse Et Du Cotillon. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Prof. L. H. Elmwell. (1892). Prompter's Pocket Instruction Book. Boston: White-Smith Music Publishing Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Quadrilles

» [Elmwell's] Plain Quadrille No. 1 (p. 3)
» The Grand March () (p. 4)
» Portland Fancy (p. 6)
» [Elmwell's] Plain Quadrille [No. 2] (p. 7)
» [Elmwell's] Plain Quadrille [No. 3] (p. 8)
» [Elmwell's] Plain Quadrille [No. 4] (p. 9)
» [Elmwell's] Plain Quadrille [No. 5] (p. 11)
» [Elmwell's] Plain Quadrille [No. 6] (p. 11)
» [Elmwell's] Plain Quadrille [No. 7] (p. 12)
» [Elmwell's] Plain Quadrille [No. 8] (p. 13)
» [Elmwell's] Plain Quadrille [No. 9] (p. 14)
» [Elmwell's] Plain Quadrille [No. 10] (p. 16)
» [Elmwell's] Plain Quadrille [No. 11] (p. 16)
» [Elmwell's] Plain Quadrille [No. 12] (p. 18)
» [Elmwell's] Plain Quadrille [No. 13] (p. 19)
» [Elmwell's] Plain Quadrille [No. 14] (p. 20)
» [Elmwell's] Plain Quadrille [No. 15] (p. 21)
» [Elmwell's] Plain Quadrille [No. 16] (p. 22)
» Caledonian Quadrille (p. 24)
» Lancers Quadrille (p. 25)
» Lancers Quadrille [from San Francisco] (p. 27)
» Saratoga Lancers (p. 29)
» Waltz Lancers (p. 30)
» Polka Quadrille (p. 31)
» Schottische Quadrille (p. 32)
» Galop Quadrille (p. 32)
» Waltz Quadrille (p. 32)
» Fancy Medley [of all four dances] (p. 33)
» Nine-Pin Quadrille (p. 35)
» Eight Hand Reel (p. 35)

Circle Dances

» The German: Grand Right and Left Figure () (p. 34)

Contra Dances

» Arkansas Traveler (p. 37)
» American Hornpipe (p. 37)
» Boston Fancy (p. 37)
» Beaux of Albany (p. 37)
» Bricklayer's Hornpipe (p. 38)
» Buckley's Favorite Reel (p. 38)
» Camptown Hornpipe (p. 38)
» Campbells Are Coming (p. 38)
» Chase the Lady (p. 38)
» Chase the Squirrel (p. 39)
» Cheat the Lady (p. 39)
» Chorus Jig (p. 39)
» Cincinnati Hornpipe (p. 39)
» Circassian Circle () (p. 39)
» College Hornpipe (p. 40)
» Democratic Hornpipe (p. 40)
» Devil's Dream (p. 40)
» Dick Sand's Hornpipe (p. 40)
» Drunken Sailor (p. 40)
» Durang's Hornpipe (p. 41)
» Favourite Scotch Hornpipe (p. 41)
» Fisher's Hornpipe (p. 41)
» French Four (p. 41)
» Gipsey's Hornpipe (p. 41)
» Girl I Left Behind (p. 42)
» Good for the Tongue (p. 42)
» Highland Reel (p. 42)
» Hull's Victory (p. 42)
» Irish Washer-Woman (p. 43)
» Jordan Is A Hard Road (p. 43)
» Kendall's Hornpipe (p. 43)
» Lady of the Lake (p. 43)
» Lady's Triumph (p. 43)
» Lady Walpole's Reel (p. 44)
» Lady Washington's Reel (p. 44)
» Lamplighters Hornpipe (p. 44)
» Larry O'Gaff (p. 44)
» Maid in the Pump Room (p. 44)
» Merry Dance (p. 45)
» Mrs. Brown's Reel (p. 45)
» Miss McLeod's Reel (p. 45)
» Money Musk (p. 45)
» Old Zip Coon (p. 45)
» Oyster River (p. 46)
» Petronella (p. 46)
» Pop Goes the Weasel (p. 46)
» Roy's Wife (p. 46)
» Saratoga Hornpipe (p. 46)
» Soldier's Joy () (p. 47)
» Speed the Plough (p. 47)
» Steamboat Quickstep (p. 47)
» St. Patrick's Day (p. 47)
» Tempest (p. 48)
» Twin Sisters (p. 48)
» Virginia Reel (p. 48)
» Washington Quickstep (p. 48)
» White Cockade (p. 49)

R. G. Huntinghouse. (1892). The Illinois: A New Danse for Piano (Description and Sheet Music). Chicago / NY. (pdf) {google} [Powers]

Couple Dances

» The Illinois







Mathias & Strickland (pub.). (c. 1892). The Washington Post (Description and Sheet Music). London. [Powers] [WorldCat]


Edward Scott. (1892). Dancing As An Art And Pastime. London. (pdf) (djvu) (txt) {google} {archive} [Powers]

Square Dances (Quadrilles)

» The Quadrille (p. 151)
» The Lancers (p. 152)
» The Caledonians (p. 154)
» The Valse Cotillon (p. 155)
» The American or Diagonal Lancers (p. 155)

Round Dances (Couple Dances)

» The Polka (p. 164)
» The Schottische (p. 168)
» The Barn Dance, or Military Schottische (p. 170)
» The Highland Schottische [with variations] (p. 173)
» The Chorolistha (p. 173)
» The Polka-Mazurka (p. 181)
» The Galop (p. 183)
» The Waltz (p. 183)
» Reversing [Reverse Waltz] (p. 197)
» The Versa (p. 204)

А. Розенберг. (1893). Клико. Вальс. Санкт-Петербург: П. К. Сильвестров.


Edmond Antréassian. (1893). La Véritable Ostendaise pour Piano. Paris: E. Deplaix. (pdf) {BNF}


J. Edward Geary. (1893). Yale Schottische for Piano. New Haven: Geary Brothers. (pdf) {JHU}


The Butterick Publishing Co. (pub.). (1893). Fancy Drills for Evening and Other Entertainments. New York. (pdf) (djvu) (txt) {google} {archive} [Powers]

Note: No social dancing, just exhibition dances.


Александр Дмитриевич Чистяков. (1893). Методическое руководство к обучению танцам в средне-учебных заведениях с 20-ю рисунками в тексте. С приложением руководства для дирижёров, с 157-ю фигурами для кадрили, мазурки, вальса, польки и котильона. Пособие для учителей танца в кадетских корпусах. Составлено применительно к требованиям утверждённого главным начальником военно-учебных заведений 27 июля 1890 г. Наставления для ведения внеклассных занятий в кадетских корпусах. Санкт-Петербург: Паровая скоропечатня П. О. Яблонского. (pdf) (djvu) {congress} {archive} [Powers]


J. A. French (ed.). (1893). The Prompter's Hand Book. Philadelphia. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Circle Dances

» Grand March () (p. 12)
» Sicilian Circle () (p. 13)
» Waltz - The German () (p. 51)

Quadrilles

» [French's] Quadrille [No. 1] (p. 16)
» [French's] Quadrille [No. 2] (p. 19)
» [French's] Quadrille [No. 3] (p. 22)
» [French's] Quadrille [No. 4] (p. 24)
» [French's] Quadrille [No. 5] (p. 27)
» [French's] Quadrille [No. 6] (p. 30)
» Portland Fancy (p. 33)
» Caledonian Quadrille (p. 34)
» Lancers (p. 37)
» Saratoga Lancers (p. 40)
» Centennial Lancers [for Eight Couples] (p. 43)
» Waltz Lancers (p. 46)
» Waltz Quadrille (p. 48)
» Polka Quadrille (p. 49)
» Fancy Medley [of Polka, Schottische, Waltz] (p. 50)
» [Antoine's] Society Quadrille (p. 53)
» [Watts'] Plain Quadrille (p. 55)
» [Sturtevant's] Plain Quadrille (p. 58)
» [Buffum's] Plain Quadrille (p. 60)
» [Carter's] Plain Quadrille (p. 62)
» [Barnes'] Plain Quadrille (p. 64)
» [Edney's] Lancers (p. 66)
» [Dyer's] Plain Quadrille (p. 68)
» [Russo's] Quadrille (p. 70)
» [Brigham's] Quadrille (p. 72)
» [Martin's] Quadrille (p. 74)
» [Austin's] Quadrille (p. 76)
» Eight-Hand Reel (p. 88)

Contra Dances

» Boston Fancy (p. 78)
      a.k.a. Lady Washington's Reel (p. 83)
» Chorus Jig (p. 79)
» College Hornpipe (p. 79)
» Cheat the Lady (p. 79)
» Chase the Squirrel (p. 79)
» Constitution Hornpipe (p. 80)
» Devil's Dream (p. 80)
» Durang's Hornpipe (p. 80)
» Fisher's Hornpipe (p. 80)
» French Four (p. 81)
» Girl I Left Behind Me (p. 81)
» Hulls' Victory (p. 81)
» Hay Makers (p. 81)
» Irish Washerwoman (p. 82)
» Kendall's Hornpipe (p. 82)
» Lady of the Lake (p. 82)
» Lady's Triumph (p. 82)
» Lady Walpole's Reel (p. 83)
» Land of Sweet Erin (p. 83)
» Lamplighters' Hornpipe (p. 83)
» Maid in the Pump Room (p. 83)
» Money Musk (p. 84)
» Oyster River (p. 84)
» Petronella (p. 84)
» Pop Goes the Weasel (p. 84)
» Roy's Wife (p. 85)
» Soldiers' Joy (p. 85)
» Speed the Plough (p. 85)
» Steamboat Quickstep (p. 86)
» Tempest (p. 86)
» Twin Sisters (p. 86)
» Virginia Reel (p. 86)
» White Cockade (p. 87)
» Walk Around (p. 87)

H. (Horatio) N. Grant. (1893). Grant's Dancing Academy (Lists All Dances Taught, And In Previous Years, Since 1887). Buffalo, NY. [Powers]


H. (Horatio) N. Grant. (1893). Guide to Quadrille Dancing, Consisting of Modern Society Dances from Many Prominent Authors. Buffalo, NY. [WorldCat]


H. (Horatio) N. Grant. (1893). How To Become Successful Teachers Of The Art Of Dancing In Conjunction with How to Manage a Favor-German. Buffalo, NY: Kraft & Stern. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Waltz (p. 3)
» The Redowa (p. 20)
» The Mazurka (p. 21)
» The Polka (p. 21)

The German

» The Opening March (p. 25)
» No. 1, The General Round (p. 28)
» No. 2, Favor Figure [No. 1] (p. 28)
» No. 3, Have A Hack (p. 29)
» No. 3 [sic], Favor Figure [No. 2] (p. 28)
» No. 4, Diminishing Rounds (p. 30)
» No. 5, Puss in the Corner (p. 31)
» No. 5, The Vanquished Couple (p. 31)

H. (Horatio) N. Grant. (1893). The Sailors Hornpipe and How To Teach It. Buffalo, NY. [Powers] [WorldCat]


J. G. Hoffman. (1893). The American National Call Book. Waverly, NY. [Powers]


Chas. (Charles) Link (pub.). (1893). Unique Dancing Call Book. Rochester, NY. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Set Dances

» Plain Quadrille (p. 3)
» Lanciers Quadrille (p. 9)
» Caledonias Quadrille (p. 14)
» Waltz Quadrille (p. 19)
» Prairie Queen (p. 22)
» Brookes Waltz Quadrille (p. 26)
» Glide Lanciers (p. 31)
» Varieties Quadrille (p. 35)
» Saratoga Lanciers (p. 40)
» National Guard Quadrille (p. 45)
» Centennial Lanciers (p. 51)
» Virginia Reel (p. 56)
» Monnie Musk (p. 57)
» Lady Washington (p. 57)
» Opera Reel (p. 58)
» Tempest (p. 58)
» Portland Fancy (p. 59)
» Scotch Reel (p. 59)
» Sicilian Circle () (p. 60)
» Firemans Dance (p. 60)
» Irish Trott (p. 61)
» Crocket S (p. 61)
» Old Dan Tucker (p. 62)
» Fiske Lanciers (p. 63)
» Minuet Lanciers (p. 68)
» Glide Elite (p. 73)
» May Queen Quadrille (p. 76)
» Elite Lanciers (p. 80)

Routledge (pub.). (1893). How To Dance: A New And Complete Guide. London. [Powers] [WorldCat]


Mrs. S. J. Severance. (1893). Badger Gavotte (Description And Sheet Music). Milwaukee, WI. [Powers]


Septimus Winner. (1893). Music and Steps of the Round and Square Dances. Boston. [Powers] [WorldCat]


Л. Дюкомен. (1894). Сорвалось. Мазурка. Санкт-Петербург: Я. А. Соколов. (pdf) {HDA}


Лев Петрович Стуколкин. (1894). Новый салонный танец "Кадриль-мазурка." Санкт-Петербург: Типография Б. Н. Лебедева.


Gustave Dauvin. (1894). Pas de Quatre pour Piano. Paris: Léon Grus. (pdf) {BNF}


J. Lagus, Paul Chabeaux. (1894). Biarritz. Pas de Quatre. Paris: E. Fromont. (pdf) {BNF}


E. Louis, F. Bouget. (1894). Menuet-Trianon. Nouvelle Danse. Paris: Bossard-Bonnel. (pdf) {BNF}


Edna Witherspoon, Butterick Publishing Co. (pub.). (1894, May). The Perfect Art Of Modern Dancing, Vol. 7, No. 2. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Gallop [sic] (p. 20)
      » Right Turn (p. 20)
      » Left Turn (p. 20)
      » Forward Change (p. 21)
      » Backward Change (p. 21)
» The Polka (p. 21)
      » Right Turn (p. 22)
      » Left Turn (p. 22)
      » The Pursuit (p. 22)
      » Forward Change (p. 22)
      » Backward Change (p. 22)
» The Polka Redowa () (p. 22)
» The Polka-Mazourka (p. 23)
» The Three-Slide Polka (p. 23)
» The Varsovianna (p. 23)
» The Racket (p. 24)
» The Society (Racket Waltz) (p. 24)
» The Two-Slide Racket (p. 25)
» The Three-Slide Racket (p. 25)
» The Three-Plus-One Racket (p. 25)
» The Schottische (p. 25)
» The Waltz (p. 26)
      » The Pursuit (p. 27)
» The Knickerbocker (p. 28)
» The Bohemian or Heel-and-Toe Polka () (p. 54)
» The Yorke (p. 55)
» The American Gavotte (in Polka Time) (p. 55)
» Gavotte (in Schottische Time) (p. 55)
» Waltz-Galop (p. 55)
» The Minuet (p. 56)

Square Dances (Quadrilles)

» The Plain Quadrille (p. 5)
» Plain Quadrille in Lines (p. 9)
» The Lancers (p. 10)
» The New York Lancers (p. 13)
» The Caledonians (p. 46)
» The Waltz or Glide Caledonians (p. 48)
» Waltz Quadrille No. 1 (p. 49)
» Waltz Quadrille No. 2 (p. 50)
» The Cally Polka Quadrille (p. 52)
» The Quadrille Minuet (p. 57)
» The Kaiser's New Court Dance (The Gavotte Lanciers) (p. 58)

Contra-Dances

» The Virginia Reel (Sir Roger de Coverly) () (p. 15)
» La Tempête (The Storm) (p. 17)

The German

Figures of One Couple
» 1. The Excursion (p. 33)
» 2. Rounds of Three (p. 33)
» 3. The Columns (p. 34)
» 4. The Serpent (p. 34)
» 5. The Hat (p. 34)
» 6. The Scarf (p. 34)
» 7. The Chair (p. 34)
» 8. The Cheat (p. 34)
» 9. The Broken Circle (p. 34)
» 10. The Coquette (p. 34)
» 11. The Circle of Deceivers (p. 34)
» 12. The Two Lines of Six (p. 34)
» 13. The Fan (p. 34)
» 14. The Basket, Ring, and Flower (p. 35)
» 15. The Zigzags (p. 35)
» 16. The Knotted Handkerchief (p. 35)
» 17. The X of the Lady and Gentleman (p. 35)
» 18. The Cards (p. 35)
» 19. The Forfeits (p. 35)
» 20. The Raffle (p. 35)
» 21. The Basket of Six (p. 35)
» 21. The Love Knot (p. 36)
» 21. The Bridge (p. 36)
» 21. The Reunion of Couples (p. 36)

Figures of Two Couples
» 25. The Ladies Seated (p. 36)
» 26. The Change of Ladies () (p. 36)
» 27. The Phalanx (p. 36)
» 28. The Ladies' Moulinet (p. 36)
» 29. The Turning Hat (p. 36)
» 30. The X of the Gentlemen (p. 36)
» 31. Involution (p. 37)
» 32. The Rounds of Four (p. 37)
» 33. The Change of Four (p. 37)
» 34. The Royal Arch (p. 37)
» 35. The Rhymes (p. 38)
» 36. The Double Chain Anglaise (p. 38)
» 37. The Change of Ladies () (p. 38)
» 38. Quadrille No. 1 (p. 38)
» 39. Quadrille No. 2 (p. 38)
» 40. The Deceitful Round (p. 38)
» 41. The Changing Moulinet (p. 38)
» 42. Right and Left Varied (p. 38)
» 43. The Triple Pass (p. 38)
» 44. The Double Windmill, No. 1 (p. 38)

Figures of Three Couples
» 45. The Double Windmill, No. 2 (p. 38)
» 46. The Pyramid (p. 39)
» 47. The Mysterious Screen (p. 39)
» 48. The Changing Star (p. 39)
» 49. The May-Pole (p. 39)
» 50. The Reversed Round (p. 40)
» 51. The New Deal (p. 40)
» 52. The Inverted Column (p. 40)
» 53. The Pursuit (p. 41)

Figures of Four Couples
» 54. The Two Circles (p. 41)
» 55. The Grand Round (p. 41)
» 56. The Country Dance (p. 41)
» 57. The Ladies Reversed (p. 41)
» 58. The Double Pastourelle (p. 41)
» 59. The Star and Circle (p. 42)
» 60. The Little Rounds (p. 42)

Figures of Six Couples Up
» 61. The Extended Circle (p. 42)
» 62. The Double Grand Chain (p. 43)
» 63. The Bower (p. 43)
» 64. The Rencontres (p. 43)

Figures of Unlimited Couples
» 65. The Flower Girl (p. 43)
» 66. Over and Under (p. 43)
» 67. Peg and Rings (p. 43)
» 68. Braiding (p. 44)
» 69. The Grab-Bag (p. 44)
» 70. Whips (p. 44)
» 71. The Mulligan Guards (p. 44)
» 72. The Handkerchief Chase (p. 44)
» 73. The Continued Bridge (p. 44)
» 74. The Round (p. 45)
» 75. The Circular Round (p. 45)
» 76. The Knot (p. 45)
» 77. The Final Round (p. 45)

Elias Howe (pub.). (1894/©1883). Howe's New Ball-Room Guide. Boston. [Powers] [WorldCat]


Prof. A. C. Wirth. (1894). National Quadrille (Description And Sheet Music). Milwaukee, WI. [Powers]


Мейер Лутц. (1895). Pas de Quatre. Новый танец с фигурами. Объяснения на русском, французском и немецком языках. Москва: К. И. Мейков. (pdf) {HDA}


Мейер Лутц. (1895). Pas de Quatre. Новый танец с фигурами. Объяснения на русском, французском и немецком языках. Москва: А. Гутхейль. (pdf) {HDA}


Мейер Лутц. (1895). Pas de Quatre из комической английской оперетты "Современный Фауст" (Faust Up to Date). Санкт-Петербург: Нотопечатня В. Бессель и Компания. (pdf) {HDA}


Л. Г. Халиф. (1895). Искусство быть дирижёром. Сборник необходимых советов и наставлений танцующим, желающим быть распорядителями на свадебных вечерах, балах и семейно-танцевальных собраниях с приложением разных названий фигур, "па" и других танцевальных терминов. Одесса: Нотопечатня В. Типография З. Л. Слапака.


Р. Э. Щавурский. (1895). Мазурка. Практический урок для дирижёров. Житомир: Типо-литография М. Дененмана.


E. Beïsson. (1895). Pas de Quatre pour Piano. Paris: H. Thauvin. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







F. Boisson. (1895). La Flamande, Ostendaise. Paris: Margueritat. (pdf) {BNF}


Paul Dedieu-Petérs. (1895). La Chasse, Pas de Quatre avec la Théorie. Paris: Costallat & Compagnie. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







Paul Dedieu-Petérs. (1895). Royal-Gardénia. Pas de Quatre pour le Piano. Paris: Ph. Maquet. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







E. Louis (dance), F. Bouget (music). (1895). Coquette Bretonne, Nouvelle Danse de Salon. Paris: J. Abot. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







E. Louis (dance), F. Bouget (music). (1895). Dinardaise, Souvenir de Dinard. Paris: J. Abot. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







Mozart Allan. (c. 1895). Allan's Reference Guide To The Ball-Room. Glasgow. [Powers] [WorldCat]


P. Bail & G. Stilb (1895). Guide Du Cotillon (Bound Les Danses De Salon). Paris. [Powers] [WorldCat]


Savin Balonchard. (1895). Ostendaise (Avec Théorie), Musique Nouvelle pour Piano. Paris: Emile Gallet. (pdf) {BNF}

Couple Dances

» Ostendaise (p. 2)







A. Busch. (c. 1895). Der Gewandte Tanz-Meister. Braunschweig. [Powers]


Raoul Charbonnel. (1895). La Danse: Comment On Dansait, Comment On Danse, Technique De Berthe Bernay. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Eugéne Clément. (c. 1895). Manuel Du Cotillon, Nouvelle Édition. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Polka (p. 123)
» Polka-Mazurke (p. 123)
» Schotisch (p. 123)
» Valse (p. 123)

Le Cotillon

Figures Avec Accessoires
» En Garde! (p. 13)
» La Balance Des Cœurs (p. 14)
» L'Orphéon (p. 15)
» On Ne Badine Pas Avec Le Feu (p. 16)
» La Marmite (p. 17)
» Le Dé (p. 18)
» Le Thermomètre (p. 19)
» La Houlette Avec Drapeaux Ou Folies (p. 20)
» La Cruche Cassée (p. 21)
» Pile Ou Face (p. 22)
» Oui Et Non (p. 23)
» L'Armement Des Chevaliers (p. 24)
» Le Rappel Des Tambours (p. 25)
» A Toute Vapeur (p. 26)
» La Laitière (p. 27)
» Le Jeu De Bagues (p. 28)
» La Plume Au Vent (p. 29)
» Le Jeu Normand (p. 30)
» Les Roseaux (p. 31)
» L'Heure Agréable (p. 32)
» Le Fruit Défendu (p. 33)
» Les Dés (p. 34)
» La Bonne Coupe (p. 35)
» Le Menu (p. 36)
» L'Ombre Chinoise (p. 37)
» Les Grosses Têtes (p. 38)
» La Pêche Aux Quilles (p. 39)
» En Flagrant Délit (p. 40)
» Tout En Rose (p. 41)
» Le Lawn Tennis (p. 42)
» La Crémaillère (p. 43)
» Dans Les Blés (p. 44)
» Les Fourches Caudines (p. 45)
» Le Diable M'Emporte (p. 46)
» Les Chiffres Magiques (p. 47)
» Les Guirlandes, Ou Danse Sous La Feuillée (p. 48)
» Le Seau Et La Cloche (p. 49)
» Le Tournoi (p. 50)
» Le Télégraphe (p. 51)
» Les Touristes (p. 52)
» Le Chapeau De Bocquillon (p. 53)
» Le Tir Au Pigeon (p. 54)
» Les Cloches De Corneville (p. 55)
» Le Judas Indiscret (p. 56)
» Les Graces (p. 57)
» Le Duel (p. 57)
» Les Sources Minérales de France (p. 58)
» La Cible (p. 59)
» Aïda (p. 60)
» 3,000f De Revenu En Élevant Des Lapins (p. 61)
» Le Téléphone (p. 62)
» Faisons Des Crêpes (p. 63)
» La Permission De Dix Heures (p. 64)

Figures Avec Accessoires
» L'Éventail (p. 65)
» L'Arcade (p. 66)
» Bon Gré, Mal Gré (p. 67)
» Attendez-Moi Sous L'Orme (p. 67)
» La Fourberie (p. 68)
» Le Bandeau (p. 68)
» La Barrière (p. 69)
» Le Préféré - La Préférée (p. 69)
» Le Piège (p. 70)
» Libre Échange (p. 70)
» Le Ravisseur (p. 71)
» L'Acceptation (p. 71)
» La Volte-Face (p. 72)
» Les Tabliers (p. 73)
» L'Ombrelle (p. 73)
» Le Tabouret (p. 74)
» Le Miroir De La Vérité (p. 75)
» Le Bonnet De Coton (p. 76)
» La Verre De Champagne (p. 76)
» Le Défileé (p. 77)
» L'Orange (p. 78)
» Les Quatre Coins (p. 78)
» Les Vis-A-Vis (p. 79)
» Le Destin Des Fleurs (p. 79)
» La Tombola (p. 80)
» La Quête (p. )
» L'Impromptu (p. 81)
» Le Mouchoir (p. 81)
» La Ronde Générale (p. 82)
» Les Arcades (p. 82)
» Le Colin-Maillard (p. 83)
» Le Moulinet (p. 84)
» La Rouge Et La Noire (p. 84)
» Le Fichu (p. 85)
» Les Présentations (p. 85)
» Le Grand Rond (p. 86)
» L'Aller Et Retour (p. 86)
» Le Pont D'Amour (p. 87)
» Les Mains Du Destin (p. 87)
» Le Guet-Apens (p. 88)
» Les Papillotes (p. 88)
» L'Obstacle (p. 89)
» L'Ouverture De La Pêche (p. 89)
» Les Adieux (p. 90)
» Les Grand Moulinet (p. 91)
» L'Écharpe (p. 92)
» L'Étegnoir (p. 92)
» Les Décorations (p. 93)
» Les Bouquets (p. 93)

F. Leslie Clendenen. (1895). Fashionable Quadrille Book And Guide To Etiquette. Davenport, IA. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Circle Dances

» Grand Promenade () (p. 13)

Quadrilles

» [Clendenen's] Plain Quadrille No. 1 (p. 17)
» [Clendenen's] Plain Quadrille No. 2 (p. 18)
» [Clendenen's] Plain Quadrille No. 3 (p. 19)
» [Clendenen's] Plain Quadrille No. 4 (p. 20)
» [Clendenen's] Plain Quadrille No. 5 (p. 21)
» [Clendenen's] Plain Quadrille No. 6 (p. 21)
» [Christy's] U.S. Quadrille (p. 23)
» [Aker's] Francaise (p. 24)
» [Clendenen's] Plain Lanciers (p. 25)
» Loomis' Saratoga Lanciers (p. 26)
» Loomis' Academy Lanciers (p. 27)
» Loomis' Lanciers (p. 28)
» Loomis' Metropolitan Lanciers (p. 29)
» Loomis' College Lanciers (p. 31)
» Loomis' Minuet Lanciers (p. 32)
» [Gibson's] Columbian Lanciers (p. 33)
» Sheldon's Deer Park Lanciers (p. 35)
» Prof. Cheldon's Oakland Minuet (p. 36)
» Chessman's Gulf City Lancers [No. 1] (p. 37)
» American National Lanciers (p. 39)
» Fiske Lanciers (p. 39)
» [Wirth's] Military Lanciers (p. 41)
» [Chessman's] Gulf City lancers [No. 2] (p. 43)
» [Carpenter's] St. George Lancers (p. 45)
» [Clendenen's] Cadet Lancers (p. 47)
» Waltz Lanciers (p. 48)
» De Gormo (p. 49)
» Waltz Quadrille (p. 49)
» [Hoffman's] Polacca (p. 50)
» The Chautauqua Square (p. 52)
» National Quadrille (p. 53)
» Prof. Sheldon's Presidential Polka Quadrille (p. 55)
» Parisienne (p. 56)
» Prairie Queen Quadrille (p. 57)
» Varieties Quadrille (p. 58)

» Mentioned, but not described:
Skirt Dance, Spanish Tambourine Dance, Spanish Castinet Dance, Sailors' hornpipe, Sand Jig, Skipping Rope, La Violet, Serpentine Dance, Otero Dance, Cachuca, Highland Fling, Fireman's Dance, Butterfly Dance, Salvation Tambourine, Indian [War Dance], Crinoline Dance, Grotesque, Boquet Polka, Quarrel Dance, Gitana, Carmencita, La Monola, La Zingarella, Crackovienna or the Daughter of the Regiment, La Tyrolean, Esmeralda, Pas Styrian, Espagnola, Sword Dance, Irish Washerwoman, Essence of Old Virginia (p. 61)

R. (Robert) Coote. (c. 1895). How To Dance The Old Dances. London. [Powers]


Robert Coote. (c. 1895). Ball-Room Dancing Without A Master For Home Practice. London. [Powers]


Henri de Soria Fils. (c. 1895). Manuel Du Maintien Et De La Danse (Deuxième Édition). Paris. (djvu) (txt) {archive} [Powers]

Couple Dances

» Valse En Deux Temps () (p. 50)
» Valse En Trois Temps (p. 51)
» Le Boston (p. 55)
» L'Américaine (Pas De Quatre) (p. 63)
» La Polka (p. 68)
» La Coquette (p. 69)
» La Polka Russe (p. 70)
» La Berline (Polka Militaire) (p. 74)
» La Raquette (p. 77)
» La Schottisch (p. 82)
» La Polka-Mazurka (p. 82)
» Rousskaia - Mazourka (Mazurka Russe) (p. 84)

» Generally described (music, no footwork):
Le Menuet (p. 19), La Gavotte (p. 20), La Pavane (p. 20), La Sarabande (p. 21), La Courante (p. 22), Le Passepied (p. 22), La Chacone (p. 23), La Passacaille (p. 24), La Bocane (p. 24), La Galliarde (p. 25), Le Rigaudon (p. 26), La Forlane (p. 26), La Volte (p. 27), Les Canaries (p. 28), La Bourrée (p. 29), La Gigue (p. 29)

» Mentioned, but not described:
» Le Branle (p. 28), Le Fandango, Le Zapateado, Le Zorongo, Le Bolero, La Cachucha, La Tarentelle, La Sicilienne, La Trévisane, La Mont-Ferrine (p. 30)

Set Dances

» Menuet De La Reine (p. 31)
» Le Quadrille Américain (p. 96)
» Quadrille Des Lanciers (p. 103)

G. (Gustave) Desrat. (1895). Dictionnaire De La Danse. Paris. (pdf) (djvu) (txt) {google} {archive} [Powers]


Dick & Fitzgerald (pub.). (1895). Dick's Quadrille Call Book (Revised Edition, Dick & Fitzgerald). New York. [Powers] [WorldCat]


Dick & Fitzgerald (pub.). (1895). How To Lead The German. New York: Dick & Fitzgerald. (pdf) (djvu) (txt) {congress} {archive} [Powers]

The German

Figures of One Couple
» 1. Excursion (p. 13)
» 2. Circles of Three (p. 13)
» 3. Columns (p. 13)
» 4. Serpent (p. 13)
» 5. Choice (p. 14)
» 6. Flowers (p. 14)
» 7. Cheat (p. 14)
» 8. Broken Circle (p. 15)
» 9. Rejected Couples (p. 15)
» 10. Rejected Ladies (p. 15)
» 11. Ladies Deluded (p. 16)
» 12. Love-Knot (p. 16)
» 13. Kangaroos (p. 17)
» 14. Bridge (p. 17)
» 15. Serpentine (p. 17)
» 16. Circle of Deceivers (p. 18)
» 17. Basket of Six (p. 18)

Figures of Two Couples
» 18. Basket of Twelve (p. 19)
» 19. Phalanx (p. 19)
» 20. Change of Ladies () (p. 20)
» 21. Changing Moulinet (p. 20)
» 22. Involution (p. 20)
» 23. Hungarian (p. 21)
» 24. Ladies' Moulinet (p. 21)
» 25. Gentleman's Cross (p. 22)
» 26. Grand Scotch Chain (p. 23)
» 27. Grand English Chain (p. 23)
» 28. Kneeling Knights (p. 23)
» 29. Double Pastourelle (p. 24)
» 30. Lanciers (p. 24)
» 31. Rounds of Four (p. 25)
» 32. Quadrille (p. 25)
» 33. Flirtation (p. 33)
» 34. Rings (p. 34)
» 35. Royal Arch (p. 34)

Figures of Three Couples
» 36. Pyramid (p. 27)
» 37. Triangular Moulinet (p. 28)
» 38. Double Moulinet (p. 28)
» 39. Two Lines of Six (p. 28)
» 40. Zigzags (p. 29)
» 41. Reversible Moulinet (p. 29)
» 42. Triple Basket (p. 29)
» 43. Changing Triangle (p. 30)
» 44. Reversed Round (p. 30)
» 45. New Deal (p. 31)
» 46. Inverted Columns (p. 32)
» 47. Arbor (p. 33)

Figures of Four or More Couples
» 48. Two Circles (p. 33)
» 49. Grand Round (p. 34)
» 50. Ladies Back to Back (p. 34)
» 51. The Inconstants (p. 35)
» 52. Country Dance (p. 35)
» 53. Square Right and Left (p. 35)
» 54. Star and Circle (p. 36)
» 55. Little Rounds (p. 36)
» 56. Captives Released (p. 37)
» 57. Opposing Columns (p. 37)
» 58. Perpetual Chains (p. 38)
» 59. Gentlemen Cheated (p. 39)
» 60. Maze (p. 39)
» 61. Grand Arbor (p. 40)
» 62. Revolving Star (p. 41)
» 63. Line Chains (p. 41)
» 64. Moulinet and Rings (p. 41)
» 65. Double Windmill (p. 42)
» 66. Gentlemen Mocked (p. 42)
» 67. Grand Chain (p. 43)
» 68. Changing Windmill (p. 43)
» 69. Spiral (p. 43)

Figures of Unlimited Couples
» 70. Arbor (p. 44)
» 71. Labyrinth (p. 45)
» 72. Pursuit (p. 45)
» 73. Winding Alley (p. 46)
» 74. Gentlemen to the Right (p. 46)
» 75. Two Lines (p. 46)
» 76. Final Round (p. 47)
» 77. Archway (p. 47)
» 78. In and Out (p. 47)
» 79. Two Columns (p. 48)
» 80. Covered Archway (p. 48)

Figures of Unlimited Couples
» 81. Hat (p. 49)
» 82. Scarf (p. 49)
» 83. Coquette (p. 49)
» 84. Glass of Champagne (p. 50)
» 85. Mysterious Hands (p. 50)
» 86. Parallel Chairs (p. 50)
» 87. Blind Man's Buff (p. 51)
» 88. Basket, Ring, and Flower (p. 51)
» 89. Figure Eight (p. 51)
» 90. Knotted Handkerchief (p. 52)
» 91. Cards (p. 52)
» 92. Pledges Redeemed (p. 52)
» 93. Raffle (p. 53)
» 94. Mirror (p. 53)
» 95. Fan (p. 53)
» 96. Parasol (p. 53)
» 97. Balloon (p. 54)
» 98. Four in Hand (p. 54)
» 99. Two Windmills (p. 54)
» 100. Ladies' Oracle (p. 55)
» 101. Blackballed (p. 55)
» 102. Flying Hat (p. 55)
» 103. Twisted Handkerchief (p. 56)
» 104. Surprise (p. 56)
» 105. Mysterious Screen (p. 56)
» 106. Masks (p. 57)
» 107. Handkerchief Chase (p. 57)
» 108. Rope (p. 57)
» 109. Flying Scarfs (p. 58)
» 110. Padlocks (p. 58)
» 111. Riddles (p. 58)
» 112. Mitten (p. 58)
» 113. Discord (p. 59)
» 114. Flags (p. 59)
» 115. Military Flags (p. 59)
» 116. May-Pole (p. 60)

Fitzgerald Publ. Co. (1895). Dick's Quadrille Call Book (Revised Edition, Fitzgerald). New York. [Powers]


Prof. Grant. (1895). Irine Skipping Rope Dance, Originated and Described. Buffalo: Electric City Press. (pdf) (djvu) (txt) {congress} {archive}

Note: No social dancing, just exhibition dances.


Prof. Grant. (1895). The Double Sword Dance. Buffalo: Electric City Press. (pdf) (djvu) (txt) {congress} {archive}

Note: No social dancing, just exhibition dances.


Prof. Grant. (1895). Song and Dance The "Little School Girl." Buffalo. (pdf) (djvu) (txt) {archive}

Note: No social dancing, just exhibition dances.


H. R. Johnson. (c. 1895). Pocket Guide To Ball Room Dances. London. [Powers]


Lilly Grove, F.R.G.S., and others. (1895). Dancing, with Musical Examples. London. (djvu) (txt) {archive} [Powers]


Rud. Knoll. (c. 1895). Rud. Knoll's Tanzbuchlein, Anleitung Zum Kommandieren. Hamburg. [Powers]


J. Lagus. (1895). Reglas Para Los Bailes De Salon. Barcelona: José González. (pdf) {BNE} [Powers]

Couple Dances

» Polka (p. 13)
» Polka-Mazurka (p. 15)
» El Vals Á Tres Tiempos (p. 17)
» El Vals Á Dos Tiempos (p. 19)
» Galop (p. 20)
» El Vals Boston (Vals Americano) (p. 21)
» El Schottisch Francés (p. 24)
» El Schottisch Americano (p. 25)
» Redowa (p. 28)
» El York (p. 30)
» El Ostendés (p. 31)
» Minué (p. 32)
» Pavana (p. 37)
» La Berlina (p. 39)
» La Varsoviana (p. 73)
» El Pas De Quatre (p. 77)

Quadrilles

» Los Lanceros (p. 44)
» Polo (p. 51)
» Cuadrilla Francesa: Rigodón (p. 56)
» Nueva Cuadrilla Americana (p. 63)
» Cuadrilla Parisién (p. 68)
» El Huracán (p. 74)

Cotillon Figures

» El Cotillón (p. 79)
» Las Damas En Línea (p. 81)
» Los Dos Cocineros (p. 81)
» El Pañuelo (p. 81)
» El Encuentro (p. 81)
» Las Flores (p. 82)
» Las Medias Vueltas (p. 82)
» Las Espadas (p. 83)
» El Dado (p. 83)
» Los Brazaletes (p. 83)
» Las Escarapelas (p. 83)
» Los Gallardetes (p. 84)
» La Charanga (p. 84)
» El Desquite (p. 85)
» La Sultana (p. 85)
» La Marcha Hacia Atrás (p. 86)
» El Chasco (p. 86)
» La Reparación (p. 86)
» Los Dos Rivales (p. 86)
» Las Cabezas Simpáticas (p. 87)
» Las Cuatro Sillas En Cuadrado (p. 87)
» El Sol (p. 88)
» La Copa De Champagne (p. 89)
» Los Caballeros En Acecho
» La Pirámide (p. 90)
» Los Cajones (p. 91)
» Caballero Con Retraso (p. 91)
» El Molino De Viento (p. 92)
» Las Dos Ruedas (p. 93)
» Las Cuatro Esquinas (p. 93)
» Los Elegidos (p. 94)
» Los Vis Á Vis (p. 94)
» Las Paralelas (p. 94)
» La Cacería (p. 95)
» Bajo Los Tilos (p. 96)
» Paseo Variado (p. 97)
» El Lazo De Cintas (p. 97)
» Pasillo Cubierto (p. 98)
» La Bóveda (p. 98)
» Pasillo Volteado (p. 99)
» El Tú Trasladado (p. 100)
» Las Vueltas De Manos Continuas (p. 101)
» El Saludo Final (p. 102)

Anna Lorenzová. (c. 1895). Elegantní Tanecník. Bohemia. (pdf) (djvu) {congress} {archive} [Powers]


E. Woodworth Masters (ed.). (1895). The Galop Magazine Vol. 12, No. 9. Boston. [Powers]


C. J. Melrose. (c. 1895). Dancing Up To Date, Ball Room Dancing Taught On Scientific Principles. London. [Powers]


Prof. G. Stilb. (1895). Les Danses De Salon (Bound with Guide Du Cotillon). Paris. [Powers] [WorldCat]


Frank Tousey. (1895). How To Dance, A Complete Ball-Room & Party Guide (Same As 1882, B&W Cover). New York. [Powers]


Оскар Морлей. (1896). Mignon. Миньон. Новый танец (объяснение на русском и французском языках). Москва: К. И. Мейков. (pdf) {HDA}


Оскар Морлей. (1896). Mignon. Миньон. Новый танец (объяснение на русском и французском языках). Москва: К. И. Мейков. (pdf) {HDA}


де Колиньяр. (1896). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 9 уроков без помощи учителя всем бальным танцам. С дополнением гран-рона, котильона, мазурки, характерных плясок: камаринской, казачка, матросской и венгерской и полного курса светский приличий. Москва: Типография Вильде. (pdf) {HDA}


Л. Г. Халиф. (1896). Французская кадриль. Одесса: Коммерческая типография Б. Сапожникова.


[Anonymous]. (1896). Руководство, как распоряжаться танцами на балах и танцевальных вечерах. Москва.


Ф. В. Раевский. (1896). Дирижёр. Практическое руководство дирижировать бальными и общественными танцами. Наставление для распорядителей на балах и семейных вечерах с приложением описания многих характерных танцев и терминологии для распорядителей. Санкт-Петербург: Типография А. Якобсона.


Mr. Stilb, Paul Dedieu-Péters (comp.). (1896). Menuet Dansé pour Piano. Paris: Costallat & Compagnie. (pdf) {BNF}

Couple Dances

» Menuet (♬) (p. 1)







Henri de Soria fils, Auguste Bosc. (c. 1896). Marche des Petits Pierrots. Two Step (Deux Pas). Nouvelle Danse Américaine. Paris: Auguste Bosc. (pdf) {BNF}

Couple Dances

» Two Step (Deux Pas) (♬) (p. 1)







Robert Coote. (c. 1896). Ball-Room Dancing Without A Master, For Home Practice (New Edition). London. [Powers]


Gail & Ax's Navy Libra. (1896). Good Form. New York. [Powers]


E. H. Kopp. (1896). The American Prompter And Guide To Etiquette. Cincinnati: The John Church Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Asher's Glide Two-Step (p. 103)
» Wirth's La Carmencita Waltz (p. 104)
» Wirth's Cream City Minuet (p. 105)
» Wirth's Rye Waltz (p. 106)
» Wirth's Wirth Schottische (p. 107)
» Henshel's Assembly Glide (p. 108)
» Gearen's Chicago Glide (p.109 )
» Gearen's The Americus (p. 110)
» Chambers' The Society Minuet (p. 111)
» Chambers' The Dance Arlington (p. 112)
» Carr's La Veta (p. 113)
» Huntinghouse's The Tuxedo (p. 113)
» Masters' A l'Avenir (p. 114)
» Granger's U. of M. Waltz (p. 115)
» Granger's L'Athens (p. 116)
» Granger's Agatha Waltz (p. 116)
» Granger's The Waltz-Oxford (p. 117)
» Granger's The Peacock Stride (p. 118)
» Severance's The Badger Gavotte (p. 119)
» Severance's Santa Marie (p. 119)
» Sweet's The Aurora (p. 120)
» Sweet's Dance Infanta (p. 121)
» Thuma's The Pirouette (p. 122)
» Metcalfe's La Zelda (p. 123)
» Metcalfe's Dorado Paso (Golden Step) (p. 124)
» Metcalfe's Harvard Gavotte (p. 125)
» Worthington's The Carlyle (p. 126)
» Worthington's La Reve Polka (p. 127)
» Worthington's The Altoona (p. 128)
» The Narragansett (p. 128)
» Worthington's Weary Willie Schottische (p. 128)
» Gearen's De La Grand (p. 129)

Circle Dances

» Grand Promenade () (p. 15)

Quadrilles

» Plain Quadrille (Many Figures) (p. 21)
» Jig Figures (p. 37)
» Cheat Figure (p. 38)
» Basket Figure (p. 38)
» Dixie Figure (p. 39)
» Asher's Plain Quadrille (p. 39)
» Tietzel's Mariella Quadrille (p. 40)
» Rutherford's Masons' Quadrille (p. 41)
» Lanciers (Standard) (p. 42)
» Beek's Standard Lanciers (p. 43)
» Masters' American National Lanciers (Diagonal) (p. 44)
» Wirth's Military Lanciers (p. 45)
» Worthington's Military Lanciers (p. 47)
» Sheldon's Deer Park Lanciers (p. 48)
» Sheldon's Oakland Minuet (p. 49)
» Chessman's Gulf City Lanciers (p. 50)
» Asher's Saratoga Lanciers (p. 52)
» Stillman's Two-Step Lanciers (p. 53)
» Waltz Lanciers (p. 54)
» Rutherford's New Glide Lanciers (p. 55)
» Mittmann's National Glide Lanciers (p. 56)
» Worthington's Contra Lanciers (p. 57)
» Worthington's Tally-Ho Lanciers (p. 58)
» Sweet's National Park Quadrille (p. 61)
» Montibello Quadrille (p. 62)
» Caledonian Quadrille (Scotch Varieties) (p. 64)
» The Caledonian Quadrille (p. 64)
» Le Prince Imperiale Quadrille (p. 65)
» Huntinghouse's Prince Imperial Quadrille (p. 66)
» Asher's Society Quadrille (p. 67)
» Wirth's National Quadrille (p. 68)
» Metcalf's Garden City Quadrille (p. 69)
» Masters' Triangle Cotilion Quadrille (p. 70)
» Asher's Polacca or Glide Quadrille (p. 72)
» Masters' Minuet Polacca Quadrille (p. 73)
» Parisian Varieties Quadrille (p. 74)
» Prairie Queen Quadrille (p. 75)
» Rutherford's Prairie Queen Quadrille (p. 77)
» Allen's Waltz Quadrille (p. 77)
» Waltz Quadrille No. 1 (p. 78)
» Rimpler's Favorite Waltz Quadrille (p. 79)
» Pound's Waltz Quadrille (Standard) (p. 79)
» Asher's Waltz Quadrille (p. 80)
» The De Garmo Quadrille (Standard) (p. 81)
» Waltz Quadrille No. 2 (p. 81)
» Prof. Asher's Original Mazurka Quadrille (p. 82)
» Mittmann's Minuet-Americaine Quadrille (p. 83)
» Sheldon's Presidential Polka Quadrille (p. 84)
» Asher's Polka Quadrille (p. 85)
» Worthington's The Royal Guards Quadrille (p. 86)

Contra Dances

» Wirth's The Kaleidoscope (p. 88)
» The Tempete (p. 89)
» The Tempest (p. 89)
» The Portland Fancy (p. 90)
» The Girl I Left Behind (p. 90)
» The Sicilian Circle () (p. 91)
» The Firemen's Dance (p. 91)
» The Opera Reel (p. 91)
» The Money Musk (p. 92)
» The Ninepin (p. 92)
» The Virginia Reel (p. 93)
» Old Dan Tucker (p. 93)

Der Cotillion (The German)

» I. Lawn Tennis (p. 95)
» II. Pyramid (p. 95)
» III. The Grand Round (p. 95)
» IV. The Zigzags (p. 96)
» V. The Fan (p. 96)
» VI. Flower Figure (p. 96)
» VII. Letter-Carrier Figure (p. 97)
» VIII. The Serpent (p. 97)
» IX. The Cards (p. 97)
» X. The Nosegays (p. 98)
» XI. The Scarf (p. 98)
» XII. The Basket, Ring, and Flower (p. 98)
» XIII. The Magic Hat (p. 99)
» XIV. The Figure Eight (p. 99)
» XV. The Glass of Wine (p. 99)
» XVI. Bad Weather (p. 100)
» XVII. The Danger Signal (p. 100)
» XVIII. The Mask Figure (p. 100)
» XIX. Scissors to Grind (p. 101)
» XX. Blind Buff of Six (p. 101)
» XXI. The Columns (p. 102)

Tempos Only (No Descriptions)

» Waltz (♩186)
» Redowa (Mazurka) (♩135 to 165)
» Galop (Two-Step) (♩90 to 130)
» Polka (♩110 to 120)
» Schottische (♩90)
» Quadrille (♩118 to 136)

F. C. Nott. (1896). Stage And Fancy Dancing. Cincinnati: J. M. Wright. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Note: As title suggests, this describes dances for the stage.


E. T. Root (pub.). (1896). Gems Of The Ball-Room, Call Book. Chicago. [Powers]


[Anonymous]. (1897). "Американская кадриль." Вестник моды. Журнал моды, хозяйства и литературы. (pdf) {HDA }


Julian Horoszkiewicz. (c. 1897). Taniec Polski Według Dawnego Zwyczaju. Lwów: Drukarnia Ludowa. {polona}


Николай Людвигович Гавликовский, С. Ниторабов. (c. 1897). Новый салонный танец "Аликаз." "Alicase." Valse à Quatre Temps. Nouvelle Danse de Salon. Санкт-Петербург: Музыкальный магазин "Северная Лира."


Николай Людвигович Гавликовский, П. Константинов. (1897). La Chaconne. Новый салонный танец "Шакон." Санкт-Петербург: Музыкальный магазин "Северная Лира." (pdf) {HDA }


Николай Людвигович Гавликовский, П. Константинов. (1897). Danse Noble "La Chaconne." Санкт-Петербург: Музыкальный магазин "Северная Лира." (pdf) {HDA }


Оскар Морлей, Николай Людвигович Гавликовский. (1897). Новый салонный танец "Миньон." Санкт-Петербург: Музыкальный магазин "Северная Лира." (pdf) {HDA }


И. Лабади. (c. 1897). Венгерка. Москва: А. Гутхейль


Ferdinand Bolze. (1897). Traité Des Danses, Anciennes et Nouvelles. Lyon, France. [Powers]


J. R. Bosshardt-Strübi. (1897). Leitfaden Für Den Tanz Und Körperbildungs-Unterricht. Zurich: Zuchli & Beck. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Der Walzer (p. 55)
      » 3 over 6 Schrittwalzer (p. 56)
      » Englischer Walzer (p. 57)
      » 2 oder 4 Schrittwalzer (p. 58)
      » Wiener-Walzer (p. 59)
      » 1 oder 2 Schrittwalzer (p. 61)
      » Balance-Walzer (p. 61)
» Der Schottisch (p. 62)
» Die Mazurka (p. 63)
» Die Rheinländer-Polka (p. 63)
» Die Polka-Mazurka (p. 65)
» Der Galopp (p. 66)
» Der Menuett-Walzer (p. 67)
» Salon-Csárdás (p. 69)
» Kreuz-Polka (p. 71)
» Strakschak (p. 72)

Quadrilles

» La Contredance Française (p. 26)
» Quadrille "Les Lanciers" (p. 39)

Circle Dances

» La Polonaise (p. 51)

Cotillion Figures

» 1. Spiegeltour (p. 74)
» 2. Das Polsterkissen (p. 74)
» 3. Leuchterbrandle (p. 74)
» 4. Das ABC (p. 75)
» 5. Ringerlreihen (p. 75)
» 6. Der Knoten(p. 75)
» 7. Blinde Kuh (p. 76)
» 8. Kartenspiel-Tour(p. 76)
» 9. Fächer-Tour (p. 77)
» 10. Ballwerfen (p. 77)

[Edna Witherspoon], The Butterick Publishing Co. (pub.). (1897). The Perfect Art Of Modern Dancing. London: The Butterick Publishing Co. (hathi) [Powers]

Note: Same as Witherspoon, 1894.

Couple Dances

» The Gallop [sic] (p. 20)
      » Right Turn (p. 20)
      » Left Turn (p. 20)
      » Forward Change (p. 21)
      » Backward Change (p. 21)
» The Polka (p. 21)
      » Right Turn (p. 22)
      » Left Turn (p. 22)
      » The Pursuit (p. 22)
      » Forward Change (p. 22)
      » Backward Change (p. 22)
» The Polka Redowa () (p. 22)
» The Polka-Mazourka (p. 23)
» The Three-Slide Polka (p. 23)
» The Varsovianna (p. 23)
» The Racket (p. 24)
» The Society (Racket Waltz) (p. 24)
» The Two-Slide Racket (p. 25)
» The Three-Slide Racket (p. 25)
» The Three-Plus-One Racket (p. 25)
» The Schottische (p. 25)
» The Waltz (p. 26)
      » The Pursuit (p. 27)
» The Knickerbocker (p. 28)
» The Bohemian or Heel-and-Toe Polka () (p. 54)
» The Yorke (p. 55)
» The American Gavotte (in Polka Time) (p. 55)
» Gavotte (in Schottische Time) (p. 55)
» Waltz-Galop (p. 55)
» The Minuet (p. 56)

Square Dances (Quadrilles)

» The Plain Quadrille (p. 5)
» Plain Quadrille in Lines (p. 9)
» The Lancers (p. 10)
» The New York Lancers (p. 13)
» The Caledonians (p. 46)
» The Waltz or Glide Caledonians (p. 48)
» Waltz Quadrille No. 1 (p. 49)
» Waltz Quadrille No. 2 (p. 50)
» The Cally Polka Quadrille (p. 52)
» The Quadrille Minuet (p. 57)
» The Kaiser's New Court Dance (The Gavotte Lanciers) (p. 58)

Contra-Dances

» The Virginia Reel (Sir Roger de Coverly) () (p. 15)
» La Tempête (The Storm) (p. 17)

The German

Figures of One Couple
» 1. The Excursion (p. 33)
» 2. Rounds of Three (p. 33)
» 3. The Columns (p. 34)
» 4. The Serpent (p. 34)
» 5. The Hat (p. 34)
» 6. The Scarf (p. 34)
» 7. The Chair (p. 34)
» 8. The Cheat (p. 34)
» 9. The Broken Circle (p. 34)
» 10. The Coquette (p. 34)
» 11. The Circle of Deceivers (p. 34)
» 12. The Two Lines of Six (p. 34)
» 13. The Fan (p. 34)
» 14. The Basket, Ring, and Flower (p. 35)
» 15. The Zigzags (p. 35)
» 16. The Knotted Handkerchief (p. 35)
» 17. The X of the Lady and Gentleman (p. 35)
» 18. The Cards (p. 35)
» 19. The Forfeits (p. 35)
» 20. The Raffle (p. 35)
» 21. The Basket of Six (p. 35)
» 21. The Love Knot (p. 36)
» 21. The Bridge (p. 36)
» 21. The Reunion of Couples (p. 36)

Figures of Two Couples
» 25. The Ladies Seated (p. 36)
» 26. The Change of Ladies () (p. 36)
» 27. The Phalanx (p. 36)
» 28. The Ladies' Moulinet (p. 36)
» 29. The Turning Hat (p. 36)
» 30. The X of the Gentlemen (p. 36)
» 31. Involution (p. 37)
» 32. The Rounds of Four (p. 37)
» 33. The Change of Four (p. 37)
» 34. The Royal Arch (p. 37)
» 35. The Rhymes (p. 38)
» 36. The Double Chain Anglaise (p. 38)
» 37. The Change of Ladies () (p. 38)
» 38. Quadrille No. 1 (p. 38)
» 39. Quadrille No. 2 (p. 38)
» 40. The Deceitful Round (p. 38)
» 41. The Changing Moulinet (p. 38)
» 42. Right and Left Varied (p. 38)
» 43. The Triple Pass (p. 38)
» 44. The Double Windmill, No. 1 (p. 38)

Figures of Three Couples
» 45. The Double Windmill, No. 2 (p. 38)
» 46. The Pyramid (p. 39)
» 47. The Mysterious Screen (p. 39)
» 48. The Changing Star (p. 39)
» 49. The May-Pole (p. 39)
» 50. The Reversed Round (p. 40)
» 51. The New Deal (p. 40)
» 52. The Inverted Column (p. 40)
» 53. The Pursuit (p. 41)

Figures of Four Couples
» 54. The Two Circles (p. 41)
» 55. The Grand Round (p. 41)
» 56. The Country Dance (p. 41)
» 57. The Ladies Reversed (p. 41)
» 58. The Double Pastourelle (p. 41)
» 59. The Star and Circle (p. 42)
» 60. The Little Rounds (p. 42)

Figures of Six Couples Up
» 61. The Extended Circle (p. 42)
» 62. The Double Grand Chain (p. 43)
» 63. The Bower (p. 43)
» 64. The Rencontres (p. 43)

Figures of Unlimited Couples
» 65. The Flower Girl (p. 43)
» 66. Over and Under (p. 43)
» 67. Peg and Rings (p. 43)
» 68. Braiding (p. 44)
» 69. The Grab-Bag (p. 44)
» 70. Whips (p. 44)
» 71. The Mulligan Guards (p. 44)
» 72. The Handkerchief Chase (p. 44)
» 73. The Continued Bridge (p. 44)
» 74. The Round (p. 45)
» 75. The Circular Round (p. 45)
» 76. The Knot (p. 45)
» 77. The Final Round (p. 45)

M. B. Gilbert. (1897, December to 1898, November). The Director: Dancing, Deportment, Etiquette, Aesthetics, Physical Training [Monthly Magazine, Bound As Book]. Portland, Maine: Melvin Ballou Gilbert. (pdf) {google} [Enge] [Powers]

Couple Dances

» The Boston Dip (Glissade Waltz, Cambridge Waltz, Dip Waltz) (1.1, p. 17)
» The Modern Varsovienne (p. 65)
» The Harvard Caprice (p. 212)
» The Varsovienne Series (p. 230)
» Harvard Dip (p. 246)
» Polka Series (p. 300)

Set Dances

» March for Sixteen (p. 106)
» Carl Marweg's Newport Lancers (p. 130)
» The Lancers as Danced at Mr. Frank Dodworth's (p. 178)

The German

» Octagonal Booth (p. 113)
» Baby Mine (p. 114)
» Matching Colors (p. 114)
» Final Figure (p. 114)
» Sweetmeats (p. 148)
» The Weak Leading the Blind (p. 148)
» Charge of the Light Brigade (p. 148)
» Umbrellas (p. 148)
» The Knot (p. 211)
» The Sprinters (p. 211)
» The Seated Circle (p. 211)
» The Bells Go Ringing for Sarah (p. 211)

William Lamb, Saxon & Co. (pub.). (c. 1897). Everybody's Guide To Ball-Room Dancing. London. [Powers]


Edward Lawson. (1897). Guide To Dancing. London. [Powers] [WorldCat]


Edward Scott. (1897). Dancing. London. [Powers]


W. Willemot. (1897). Skating. Pas Des Patineurs. Nouvelle Danse De Salon. Paris: Emile Gallet. (pdf) {JHU [Powers]

Note: JHU (and Library of Dance) copy is missing the dance description.

Couple Dances

» Pas De Patineurs [missing] (♬)







Эдуард Жув, Николай Николаевич Яковлев. (1898). Конькобежцы. Новый салонный танец. Pas des Patineurs. Nouvelle Danse de Salon. Санкт-Петербург: А. Йогансон. (pdf) {HDA}


Оскар Морлей, Роберт Моррис Кромптон. (1898). The Arcadian (Aркадиен). Новый оригинальный бальный танец. Киев: Густав Форнер. (pdf) {HDA}


Paul André. (1898). Royalty. Pas de Quatre. Paris: Emile Deplaix. (pdf) {BNF}

Couple Dances

» Pas De Quatre (♬) (p. 3)







E. Louis, V. Casquil (comp.). (1898). Passepied. Danse à Quatre. Paris: Emile Gallet. (pdf) {BNF}

Note: Last page includes advertisements for many more dances with musical accompaniment.

Group Dances

» Passepied (Danse A Quatre) (♬) (p. 2)







Paul Raymond, Louis Balleron (comp.). (1898). Gavotte-Boston. Nouvelle Danse de Salon. Paris: Alfred Jullien. (pdf) {BNF}

Couple Dances

» Gavotte-Boston (♬) (p. 2)







Piotr Maszyński. (1898). Polonez "Dawnej daty." Polonaise Ancienne pour Piano. Berlin: Carl Simon.


T. Leggett Byrne. (1898). Terpsichore, Her Votaries And Fashions. Dublin. [Powers]


P. Gavina. (1898). Il Ballo, Storia Della Danza. Milano: Ulrico Hoepli. (pdf) {google} [Powers]

Couple Dances

» Waltzer a Sei (p. 46)
» Waltzer in Due Tempi (p. 54)
» Waltzer Saltato (p. 56)
» Polka (p. 56)
      » Season (p. 64)
      » Coquette (p. 66)
» Polka-Mazurka (p. 58)
» Boston (p. 60)
» Galop (p. 62)
» Schottisch (p. 63)
      » Dancig [sic] in the Barn (p. 67)
» Waltzer Louis XV (p. 68)
» Minuetto (p. 172)
» Gavotta (p. 179)
» Mazurka (p. 183)
» Redowa e Varsoviana (p. 187)
» Badoise (p. 187)

Set Dances

» La Quadriglia Inglese o i Lancieri (p. 76)
» Quadriglia Francese (p. 102)
» Quadriglia Delle Famiglie (p. 114)
» Quadriglia "Croisé" (p. 118)
» Quadriglia Americana (p. 133)
» Il Polo (p. 137)
» Giga Americana (p. 146)
» Quadriglia Irregolari (p. 150)

The German

» 1. Il Viale Mobile (p. 158)
» 2. La Parete (p. 159)
» 3. Il Ventaglio (p. 159)
» 4. I Dadi (p. 160)
» 5. A Mosca Cieca (p. 160)
» 6. La Caccia Ai Fazzoletti (p. 161)
» 7. I Gomitoli (p. 161)
» 8. I Biglietti Ferroviari (p. 161)
» 9. Il Cuscino (p. 162)
» 10. Il Giuoco Delle Carte (p. 162)
» 11. I Fiori (p. 162)
» 12. I Quattro Cantoni (p. 163)
» 13. I Braccialetti (p. 163)
» 14. Gli Amanti Celebri (p. 164)
» 15. Lo Specchio (p. 164)
» 16. I Pegni (p. 165)
» 17. Dos Á Dos (p. 165)
» 18. La Candela (p. 165)
» 19. Cambiamento Di Dama (p. 165)
» 20. La Figura Del Numero Otto (p. 166)
» 21. Le Dame Rifiutate (p. 166)
» 22. I Cucinieri (p. 166)
» 23. Lo Zig-Zag (p. 167)
» 24. La Separazione (p. 157)
» 25. Il Sole (p. 167)
» 26. El Viale Coperto (p. 168)
» 27. La Gara Del Circo (p. 168)
» 28. La Palla (p. 169)
» 29. La Fanfara (p. 169)
» 30. L'Addio Finale (p. 169)
» 31. Galop Finale (p. 169)

M. Molina da Silva. (c. 1898). On Dansera! Recueil De Danses Et Pas Nouveaux. Paris. [Powers]


M. Molina da Silva. (c. 1898). Pas De Quatre. Description And Sheet Music. Paris. [Powers]


J. [James] Scott Skinner (ed.). (c. 1898). The People's Ball Room Guide And Manual Of Dancing. Dundee: John Leng & Company. (pdf) {adbn} [Powers]

Set Dances

» The Reel (p. 11)
» Grand March (p. 12)
» The Reel O' Tulloch (Hoolichan, Thuilleachan) (p. 17)
» The Eightsome Reel (p. 18)
» The Quadrille (p. 19)
» The Lancers' Quadrille (p. 24)

Couple Dances

» The Waltz (Valse) (p. 26)
» The Galop (p. 30)
» The Polka (p. 31)
» La Varsoviana (La Va) (p. 33)
» The Highland Schottische (p. 35)
» German Schottische (p. 36)
» Pas De Quatre (Barn Dance) (p. 37)
» The Polka Mazurka () (p. 38)

Country Dances

» The Triumph (p. 39)
» Petronella (p. 42)
» The Flowers of Edinburgh (p. 42)
» La Tempete (p. 43)
» Rory O' More (p. 44)
» Waltz Country Dance (The Medley) (p. 44)
» The Merry Lads O' Ayr (p. 45)
» Circassian Circle () (p. 46)
» Galopade Country Dance (p. 46)
» The Haymakers (Sir Roger De Coverley) () (p. 47)

Exhibition Dances

» The Highland Fling [Solo] (p. 52)
» Sean Trews [Mentioned] (p. 54)
» Ghillie Callum (Sword Dance) [Mentioned] (p. 54)
» The Hornpipe [Solo] (p. 55)
» The Jig [Mentioned] (p. 57)

Frank Tousey (pub.). (1898). How To Dance, A Complete Ball-Room & Party Guide [Same As 1882, with Color Cover]. New York. [Powers]


Gaston Vuillier. (1898). La Danse. Paris: Hachette et Compagnie. (pdf) (djvu) (txt) {BSB} {archive} [Powers]


George Wilson. (1898). The Little Dancing Master. New York: Excelsior Publishing House. (pdf) {Powers} [Powers]


[Anonymous]. (1898). The Two Step Monthly Magazine, October Issue. New York. [Powers]


Otto Mieczysław Żukowski. (1899). O Polonezie. Przyczynek do Dziejów Choreografii i Muzyki Polskiej. Lwów: Drukarnia Ludowa. {SBC}


[Anonymous]. (1899). Оригинальный кэк-вок. Американский танец. Original Cake Walk. Санкт-Петербург: П. Н. Селиверстов. (RSL)


Владимир Христианович Давингоф. (1899). Придворный шакон. Санкт-Петербург: Николай Христианович Давингоф. (RSL)


Эдуард Жув, М. Виллемот. (1899). Краковяк. Из польских мотивов. Санкт-Петербург: К. И. Мейков. (pdf) {HDA}


Г. А. Казаченко. (1899). Pas des Patineurs. Конькобежцы. Nouvelle Danse Noble de Salon. Санкт-Петербург: П. Н. Селиверстов. (pdf) {HDA}


Оскар Морлей. (1899). Том-Тит. Новый английский танец. Санкт-Петербург: Музыкальный магазин "Северная лира."


Оскар Морлей. (1899). Tom Tit. Frühlings Tanz. Том-Тит. Новый английский танец. Москваг: П. А. Гутхейль. (pdf) {HDA}


И. В. Зет. (1899). Новый салонный танец "Каприз." Киев: Лито-типография И. Н. Харитонова.


Александр Александрович Царман. (1899). Новый салонный танец "Pas d'Espagne." Moсква: Печатня В. Гроссе.


С. Кузнецов, Николай Николаевич Яковлев. (1899). Помпадур. Новый салонный танец. Pompadour. Nouvelle Danse de Salon. Санкт-Петербург: Музыкальный магазин "Северная лира."


Николай Людвигович Гавликовский. (1899). Руководство для изучения танцев. Санкт-Петербург: Типо-литография В. А. Вацлика. (pdf) {HDA}


М. И. Идельсон. (1899). Венский вальс с фигурами. Гомель: Типо-литография Ш. Сеськина и Х. Кагана.


Э. Х. Кеворков. (1899). Дирижер бальных вечеров с исполнением обыкновенной Кадрили и Контрданс. Екатеринодар: Типо-литография А. П. Сташевского.


П. Маслов. (1899). Танцор и дирижёр. Полный самоучитель танцев. Руководство в самое короткое время выучиться без помощи учителя всем общеупотребительным танцам и дирижировать ими. С объяснением кадрили и приложением фигур для гран-рон. Необходимая книга для молодых людей обоего пола. Москва: Типография П. П. Булгакова.


Александр Алексеевич Плещеев. (1899). Наш балет (1673-1899). Балет в России до начала XIX столетия и балет в Санкт-Петербурге до 1899 года. Санкт-Петербург: O. А. Переяславцев, Александр Алексеевич Плещеев. (pdf) {HDA}


T. [Talbot] Ledgett-Byrne (1899). Terpsichore: Her Votaries and Fashions. Dublin: Illustrated Advertising Association, Ltd. (pdf) {Brady}

Note: Also includes "Health Exercises" including stretches and dumb bell exercises.

Couple Dances

» The Waltz (p. 16)
      » The Chassé Step [Pursuit] (p. 18)
» The Valse À Deux Temps () (p. 20)
» Rheinländer (p. 21)
» Polka (p. 22)
» Berlin Polka (p. 23)
» The Alsation Polka (p. 24)
» The Galop (p. 27)
» Barn Dance (Pas De Quatre) (Schottische Militaire) (p. 28)
» Washington Post (p. 29)
» Schottische (p. 30)
» Highland Schottische (p. 33)
» Polka Mazurka () (p. 34)
» Tantivy (The New Hunt Dance) (p. 35)
» Mignon (New Ball-room Dance) (p. 41)

Group Dances

» Lancers For 8 (p. 44)
» Lancers For 16 (p. 52)
» The Quadrilles (p. 62)
» Flirtation Figure (p. 72)
» Quadrille for 16 (p. 73)
» The Caledonians (p. 74)
» The Prince Imperial Quadrille (p. 83)
» Valse Cotillion (p. 90)
» Sir Roger de Coverley () (p. 91)
» Norwegian Country Dance (p. 93)
» Circassian Circle () (p. 94)
» La Tempête (p. 97)

F. Leslie Clendenen. (1899). Fashionable Quadrille Book And Guide To Etiquette. Contains All The Latest Dances. Chicago: Chas. Himmelman & Co. (djvu) (txt) {archive}

Note: The Table of Contents in this book has many errors. The index below is more accurate.

Circle Dances

» Grand Promenade (p. 13)

Quadrilles (♩58 to 68)

» Trilby Two-Step Quadrille (p. 16)
» [Clendenen's] Plain Quadrille [No. 1] (p. 17)
» [Clendenen's] Plain Quadrille [No. 2] (p. 18)
» [Clendenen's] Plain Quadrille [No. 3] (p. 19)
» [Clendenen's] Plain Quadrille [No. 4] (p. 20)
» [Clendenen's] Plain Quadrille [No. 5] (p. 21)
» [Clendenen's] Plain Quadrille [No. 6] (p. 21)
» [Christy's] U.S. Quadrille (p. 23)
» [Aker's] Francaise Quadrille (p. 24)
» [Clendenen's] Plain Lanciers (p. 25)
» Loomis' Saratoga Lanciers (p. 26)
» Loomis' Academy Lanciers (p. 27)
» Loomis' Lanciers (p. 28)
» Loomis' Metropolitan Lanciers (p. 29)
» Loomis' College Lanciers (p. 31)
» Loomis' Minuet Lanciers (p. 32)
» Gibson's Columbian Lanciers (p. 33)
» [Hall's] K. of. P Triangle Quadrille (p. 35)
» Prof. Sheldon's Oakland Minuet (p. 36)
» [Gilbert's] Standard Lanciers (p. 37)
» Sheldon's Deer Park Lanciers (p. 38)
» American National Lanciers (p. 39)
» Fiske Lanciers (p. 39)
» [Wirth's] Military Lanciers (p. 41)
» Gulf City Lancers (p. 43)
» St. George Lancers (p. 45)
» Cadet Lancers (p. 47)
» Waltz Lanciers (p. 48)
» De Gormo [Quadrille] (p. 49)
» Waltz Quadrille (p. 49)
» [Hoffman's Waltz Quadrille] Polacca (p. 50)
» The Chautauqua Square (p. 52)
» National Quadrille (p. 53)
» Prof. Sheldon's National Polka Quadrille (p. 55)
» Parisienne (p. 56)
» Prairie Queen Quadrille (p. 57)
» Varieties Quadrille (p. 58)
» [Basler's] Two Step Quadrille (p. 60)
» [Carr's] Montibello Quadrille (p. 61)
» Dixie Figure (p. 62)
» Virginia Reel (p. 62)
» Money Musk (p. 63)
» Old Dan Tucker (p. 63)
» Highland Two-Step (p. 63)
» La Veta (p. 64)
» The Gilbert (p. 64)
» The Schiller (p. 64)
» Le-Bijou (The Jewel) (p. 65)
» The Aurora (p. 66)
» The National Park Quadrille (p. 67)
» The Oxford Minuet (p. 68)
» Chicago Glide (p. 69)
» Waltz Cotillion (p. 70)

The German

» Figure No. 1 (p. 71)
» Figure No. 2 (p. 71)
» Figure No. 3 (p. 71)
» Figure No. 4 (p. 71)
» Figure No. 5 (p. 72)
» Figure No. 6 (p. 72)
» Figure No. 7 (p. 72)
» Figure No. 8 (p. 73)
» Figure No. 9 (p. 73)
» Figure No. 10 (p. 73)
» Figure No. 11 (p. 73)
» Figure No. 12 (p. 74)
» Figure No. 13 (p. 74)
» Figure No. 14 (p. 74)
» Figure No. 15 (p. 74)
» Figure No. 16 (p. 74)
» Figure No. 17 (p. 74)
» Figure No. 18: A Free Bus (p. 74)
» Figure No. 19: Parachute-1899 (p. 74)
» Oh, Please Do! (p. 75)
» The "Dewey" Figure (p. 75)
» Another Figure Based on War Lines (p. 76)
» The Knot (p. 76)
» The Sprinters (p. 76)
» The Weak Leading the Blind (p. 77)
» Charge of the Light Brigade (p. 77)
» Umbrellas (p. 77)
» Matching Colors (p. 77)
» The Finale Figure (p. 78)
» The Seated Circle (p. 78)
» The Bells Go Ringing for Sarah (p. 78)
» Windmill Figure (p. 79)
» Ballet Figure (p. 79)
» Tissue Paper Screens (p. 79)
» Octagonal Booths (p. 79)
» Baby Mine (p. 80)
» Bonbon Figure (p. 80)
» Good Closing Figures (p. 80)

Gennaro de Angelis. (1899). La Quadriglia Napolitana - I Lanciers E Il Cotillon. Naples. [Powers]


Henri de Soria fils. (1899). Le Cotillon, Theorie Complete. Paris. [Powers] [WorldCat]


Frank Dumont. (1899). The Witmark Amateur Minstrel Guide And Burnt Cork Encyclopedia. Chicago: M. Witmark & Sons. (pdf) (djvu) (txt) {google} {archive} [Powers]

Choreographies

» The Darktown Society Cake-Walk (p. 99)







N. L. Gavlikovsky. (1899). Ballroom Dancing Guide. St. Petersburg. [Powers]


George Prutting, Jr. (1899). The Netherland - Latest Society Dance. Boston: White-Smith Music Publishing Co. (pdf) {goucher} [Powers]

Couple Dances

» The Netherland (♬) (♩162) (p. 2)







Marguerite Wilson. (1899). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. Philadelphia: The Penn Publishing Company. [Powers]

Same as:

Marguerite Wilson. (©1899). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. (1904, 1911, and 1913 Reprints). Philadelphia: The Penn Publishing Company. (pdf-1904) (pdf-1911) (djvu-1913) (txt-1913) {google-1904} {google-1911} {archive-1913}

Note: Though music is advertised in the title, no music is provided.

Couple Dances

» The Waltz (p. 109)
» The Deux-Temps (Two Step) (p. 114)
» The Galop (p. 115)
» The Polka (p. 116)
» The Three-Slide Polka (Esmeralda) (p. 119)
» The Berlin (p. 119)
» Heel-and-Toe Polka (Bohemienne) (p. 120)
» [Combination Polka] (p. 120)
» The Military Schottische (Dancing in the Barn) (p. 121)
» The Five-Step (p. 122)
» The Yorke (p. 123)
» The Caprice Waltz (p. 124)
» Christmas Polka (p. 125)
» The Racket (p. 126)
» Highland Schottische (p. 127)

Circle Dances

» The Grand March (p. 21)

Quadrilles

» Plain Quadrille (p. 31)
» Waltz Quadrille No. 1 (p. 38)
» Waltz Quadrille No. 2 (p. 41)
» Additional Quadrille Figures:
      » Basket Figure (p. 44)
      » Cheat Figure (p. 45)
      » Minuet Figure (p. 46)
      » The Sociable (p. 47)
      » Jig Figure (p. 49)
      » Nine-Pin Figure (p. 49)
      » Star Figure (p. 50)
» The Lancers (p. 51)
» Waltz Lancers (p. 56)
» Saratoga Lancers (p. 59)
» The Caledonians (p. 63)
» The Waltz Caledonians (p. 68)
» The Cally Polka Quadrille (p. 69)
» Prince Imperial Quadrille (p. 77)
» Parisian Varieties (p. 84)
» National Guard Quadrille (p. 88)
» The Quadrille Minuet (p. 195)
» La Pavane (p. 198)

Contra Dances

» The Virginia Reel (Sir Roger De Coverly) (p. 95)
» Pop Goes the Weasel (p. 98)
» La Tempête (p. 100)
» The Spanish Dance (p. 102)
» The Sicilian Circle (p. 104)

The German

Figures of One Couple
» 1. The Waltz Favor (p. 135)
» 2. Choice (p. 135)
» 3. Excursion (p. 135)
» 4. Cheat (p. 136)
» 5. Kangaroos (p. 136)
» 6. Serpentine (p. 136)
» 7. The Love Knot (p. 137)
» 8. The Zigzagg (p. 138)
» 9. The Cards (p. 138)
» 10. The Doll (p. 138)
» 11. The Forfeits (p. 139)
» 12. The Hat (p. 139)
» 13. The Scarf (p. 139)
» 14. The Bridge (p. 140)
» 15. The Broken Circle (p. 140)
» 16. Circles of Three (p. 143)
» 17. The Taper (p. 143)
» 18. The Coquette (p. 143)
» 19. The Signal of Distress (p. 144)
» 20. Columns (p. 144)
» 21. Flowers (p. 145)
» 22. Rejected Couples (p. 145)
» 23. The Circle of Deceivers (p. 146)
» 24. Pussy Wants a Corner (p. 146)
» 25. The Basket of Six (p. 147)
» 26. The Raffle (p. 148)
» 27. The Fan (p. 148)
» 28. The Umbrella (p. 149)
» 29. The Knotted Handkerchief (p. 149)
» 30. The Basket, Ring, and Flower (p. 149)
» 31. The Screen (p. 150)
» 32. The Masks (p. 150)
» 33. Parallel Chairs (p. 150)
» 34. Two Windmills (p. 151)
» 35. Blind Man's Buff (p. 151)
» 36. The Oracle (p. 152)
» 37. Four-In-Hand (p. 152)

Figures of Two Couples
» 38. Basket of Twelve (p. 153)
» 39. Change of Ladies (p. 154)
» 40. The Phalanx (p. 154)
» 41. The Ladies' Moulinet (p. 155)
» 42. The Turning Hat (p. 155)
» 43. Involution (p. 156)
» 44. The Royal Arch (p. 156)
» 45. The Rhymes (p. 157)
» 46. The Double Windmill (p. 157)
» 47. Grand Scotch Chain (p. 158)
» 48. Kneeling Knights (p. 158)
» 49. Rings (p. 161)
» 50. Quadrille (p. 162)
» 51. The Twisted Handkerchief (p. 162)
» 52. Rounds of Four (p. 162)

Figures of Three Couples
» 53. The Pyramid (p. 163)
» 54. The Changing Star (p. 164)
» 55. The Pursuit (p. 165)
» 56. Reversed Round (p. 165)
» 57. The Arbor (p. 166)
» 58. The Handkerchief Chase (p. 167)

Figures of Four or More Couples
» 59. The Two Couples (p. 167)
» 60. The Grand Round (p. 168)
» 61. The Christmas Trees (p. 168)
» 62. The Inconstants (p. 169)
» 63. Country Dance (p. 169)
» 64. Star and Circle (p. 169)
» 65. Little Rounds (p. 170)
» 66. Captives Released (p. 171)
» 67. Opposing Columns (p. 172)
» 68. Gentlemen Cheated (p. 173)
» 69. Moulinet and Rings (p. 173)
» 70. Grand Chain (p. 174)
» 71. The Changing Windmill (p. 174)
» 72. The Circular Road (p. 175)
» 73. Gentlemen to the Right (p. 176)
» 74. Final Round (p. 176)
» 75. Archway (p. 176)
» 76. In and Out (p. 177)
» 77. Covered Archway (p. 177)
» 78. Flying Scarfs (p. 178)
» 79. Conundrums (p. 178)
» 80. Distinguished People (p. 179)
» 81. Mittens and Hearts (p. 179)
» 82. Discord (p. 180)
» 83. Flags (p. 180)
» 84. The May-Pole (p. 183)
» 85. The Flower Girl (p. 183)
» 86. Braiding (p. 184)
» 87. The Grab-Bag (p. 185)
» 88. The Mulligan Guards (p. 185)
» 89. The Knot (p. 186)
» 90. The Double Pastourelle (p. 187)
» 91. Double Quadrille (p. 187)
» 92. The Recontres (p. 188)
» 93. The Gentlemen Back to Back (p. 188)
» 94. The Opposite Rounds (p. 188)
» 95. Le Bandeau (p. 189)
» 96. A Succession of Moulinets (p. 189)
» 97. Le Chat Et La Souris (p. 190)
» 98. Le Carillon De Dunkirque (p. 191)
» 99. The Inscriptions (p. 191)
» 100. Les Dames Ensemble (p. 192)


Turn of the 20th Century



H. M. Audran. (c. 1900). Nouveau Traité Pratique De Danse Et De Maintien. Paris. (pdf) {BNF} [Powers]


Molina da Silva. (c. 1900). On Dansera, Recueil De Danses Et Pas Nouveaux. Paris. [Powers]


G. (Gustave) Desrat. (c. 1900). Traité De La Danse, Contenant La Théorie Et L'Histoire Des Danses Anciennes Et Modernes (Nouvelle Édition). Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Allen Dodworth. (1900). Dancing And Its Relations To Education And Social Life (New and Enlarged Edition). New York. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive1} {archive2} [Powers]


Francis & Day (pub.). (1900). Francis & Day's Album Of Old Favorite Dances. London. [Powers]


Philippe Gawlikowski. (c. 1900). Guide Complet De La Danse [Different From 1862 Edition]. Paris: Ernest Flammarion. (pdf) {BNF} [Powers]


Eugène Giraudet. (1900). Traité De La Danse. Paris. (djvu) (txt) {archive} [Powers]


Prof. D. F. Jay. (1900). A.B.C. Guide To Ball-Room Dancing & Quadrille Call Book. Chicago. [Powers] [WorldCat]


J. Lagus. (1900). Progres De La Danse, Quatre Danses De Caractere. Paris. [Powers]


Edward Lawson. (c. 1900). Guide To Dancing, With Notes On Its Origin. London. [Powers] [WorldCat]


Lussan-Borel. (1900). Traité De Danse Avec Musique. Paris. (hathi) [Powers]


Lussan-Borel. (1900). Traité De Danse Avec Musique (Different Typesetting, Cake-Walk Added). Paris. [Powers]


Jacob Mahler. (1900). Original Cotillion Figures. St. Louis. (pdf) {google} [Powers]


Arabella E. Moore (tr.). (1900). The Dance, Ancient And Modern. Philadelphia. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Arthur Morris. (1900). The Veleta - The Original Round Dance (Description And Sheet Music). London. {Powers reconstruction} [Powers]


P. Orsoni (ed.). (c. 1900). La Danse, Theorique Et Pratique. Paris. [Powers]


H. Roussel. (c. 1900). Theorie Du Pas De Quatre (Barn Dance) (Description And Sheet Music). Paris. [Powers]


Edward Scott. (c. 1900). The A. B. C. Of Dancing. London. [Powers]


The Home Queen (pub.). (1900). How To Dance - Complete Instructions For Waltzing And Two-Stepping. Waterville, ME. [Powers]


Frank Tousey. (1900). How To Dance, A Complete Ball-Room & Party Guide (Same As 1882, Color Cover). New York. [Powers]


[Anonymous]. (1901). Samouchitel' Modnykh Bal'nykh I Kharakternykh Tantsev. (pdf) (djvu) {congress} {archive}


Edmond Bourgeois. (1901). Traite Pratique Et Theorique De La Danse. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Aleksei Dmitrie Tikhomirov. (1901). Samouchitel' Modnykh Bal'nykh I Kharakternykh Tantsev (With Mazurka And Hongroise). Moscow. [Powers]


Marguerite Wilson. (1901). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. Philadelphia: The Penn Publishing Company. (See 1899 Edition.) [Powers]


Prof. A. C. Wirth. (1902). Complete Call Book And Dance Master. Chicago. [Powers]


Prof. A. C. Wirth. (1902). Complete Quadrille Call Book And Dancing Master. Chicago. (djvu) (txt) {archive}


F. Leslie Clendenen. (1903). Clendenen's Treatise on Elementary and Classical Dancing. Davenport: Instructor Publishing Company. (pdf) (djvu) (txt) [congress][archive]


Prof. Frederico d'Alfonzo. (1903). Trattato Dei Balli Di Societa. Naples, Italy. [Powers]


Jack Haverly. (1903). Negro Minstrels. Chicago. (pdf) {google} [Powers]


William Lamb. (1903). How & What To Dance. London. [Powers]


Washington Lopp. (1903). La Danse [bound with Encyclopédie Mondaine by J. Chéron]. Paris: A. Lahure. (pdf) {google} [Powers]

Waltz

» Le Boston (♩184) (p. 55)
» La Valse Viennoise (♩192) (p. 65)
» Valse Sautée (♩192) (p. 66)
» Le Boston Dip (Valse) (♩184) (p. 66)
» Le Double Boston (♩184) (p. 67)
» La One Step (Valse) (♩184) (p. 68)
» La Carmencita (Valse) (♩184) (p. 68)
» La Racket (Valse) (♩192) (p. 70)
» La Valse Des Patineurs (♩192) (p. 70)
» La Gavotte Glide (Valse) (♩192) (p. 71)
» Philadelphie Glide (Valse) (♩184) (p. 72)
» La Société (Valse) (♩192) (p. 72)
» Valse Bostonée (♩192) (p. 72)
» La Métropole (♩184) (p. 73)
» La Madrilène (Valse) (♩192) (p. 73)
» La Fascination (Valse) (♩184) (p. 74)
» La Redowa Glissade (Valse) (♩184) (p. 75)
» Le Zigzag (♩184) (p. 76)
» La Valse Diagonale (♩184) (p. 76)
» Le Harvard (♩184) (p. 77)
» Le New Women (Valse) (♩184) (p. 77)
» Le Menuet (Valse) (♩184) (p. 78)
» La Knickerbocker (♩184) (p. 80)
» L'Euénie (Valse) (♩184) (p. 81)
» La Collège Step (Valse) (♩184) (p. 81)
» La Military Times (Valse) (♩184) (p. 82)
» La Redowa (Valse) (♩184) (p. 83)
» Polka Dot (Valse) (♩184) (p. 84)
» Le Bowdoin (Valse) (♩196) (p. 84)
» Rey (Valse) (♩184) (p. 85)
» Le Military Boston (♩184) (p. 86)
» Le Pan American (Menuet Valse) (♩184) (p. 86)

Polka

» La Polka Simple (♩116) (p. 90)
» Le Pas De Polka En Avant (♩116) (p. 91)
» Le Polka Coquette (♩116) (p. 92)
» La Troïka (Polka) (♩116) (p. 94)
» La Berline (Polka) (♩116) (p. 95)
» La Polka Militaire (♩116) (p. 97)
      a.k.a. Le Berline Mondaine (p. 99)
» La Polka Duchesse (♩116) (p. 99)
» L'Esméralda (Polka) (♩116) (p. 100)
» Polka Croisée (♩116) (p. 100)
» La Military (Polka) (♩116) (p. 101)
» La Polka Alsacienne (♩116) (p. 101)
» Portland (Polka) (♩116) (p. 102)
» Polka Croisée Double (♩116) (p. 103)
» Polka Américaine (American Gavotte) (♩116) (p. 104)
» Polka Russe No. 1 (♩116) (p. 105)
» Polka Russe No. 2 (♩116) (p. 106)
» Nouvelle Polka Dansée De Côté (♩116) (p. 107)
» La Polka Dauntless (♩116) (p. 107)
» La Polka Combinée (♩116) (p. 108)
» La Ruchter (♩116) (p. 109)
» La Vague (The Wave) (♩116) (p. 110)
» Menuet Polka (♩116) (p. 111)
» La Polka Internationale (♩116) (p. 112)
» La Polka Auvergnate (♩116) (p. 113)
» La Polka Bébé (♩116) (p. 113)
» La Polka Métropolitaine (♩116) (p. 115)
» La Polka Carlton (♩116) (p. 116)
» Polka Talon Et Pointe (Heel and Toe) (♩116) (p. 116)
» La Polka Ashland (♩116) (p. 117)
» Le Matelot Polka (Horn Pipe Polka) (♩116) (p. 118)
» Patinage-Polka (Polka) (♩116) (p. 118)

Mazurka and Three Step

» Holupec (♩144) (p. 122)
» Mazurka (♩144) (p. 122)
» La Polka Mazurka (♩144) (p. 123)
» La Glissade Américaine (Mazurka) (♩144) (p. 123)
» La Zingarella (Mazurka) (♩144) (p. 124)
» Le Newport (Mazurka) (♩144) (p. 125)
» La Musette (Mazurka) (♩144) (p. 126)
» L'Amérique (Mazurka) (♩144) (p. 126)
» Le Western Normal Newport (Mazurka) (♩144) (p. 127)
» Loomis (Mazurka Glissée) (♩144) (p. 128)
» La Coska (Mazurka) (♩144) (p. 129)
» La Russie (Mazurka) (♩144) (p. 130)
» L'Ondulation (Mazurka) (♩144) (p. 130)
» La Raquette Glissée (Mazurka) (♩144) (p. 131)
» La Mazurka Espagnole (♩144) (p. 132)
» La Rye (Mazurka) (♩144) (p. 133)
» La Mazurka Glisée (♩144) (p. 133)
» La Harriet Mazurka (♩144) (p. 134)
» La Mazurka Américaine (♩144) (p. 135)
» Le Yorke (Mazurka) (♩144) (p. 135)
» La Nouvelle York (Mazurka) (♩144) (p. 136)
» Le York (Mazurka) (♩144) (p. 137)
» Le York Américain (Mazurka) (♩144) (p. 138)
» Yale Université York (Mazurka) (♩144) (p. 138)
» L'Impériale Polonaise (Mazurka) (♩144) (p. 139)
» La New York (Mazurka) (♩144) (p. 140)
» La Nouvelle York (Mazurka) (♩144) (p. 140)
» Belle (Mazurka) (♩144) (p. 141)
» Le York A 5 Pas (Mazurka) (♩144) (p. 142)
» Le Galop A 3 Temps (Mazurka) (♩144) (p. 143)
» L'Indépendant York (Mazurka) (♩144) (p. 143)
» La Polka-Rédowa (Mazurka) (♩144) (p. 144)
» L'Éclair (Mazurka) (♩144) (p. 144)
» La Saintarie (Mazurka) (♩144) (p. 145)
» Tzarine (Mazurka) (♩144) (p. 147)
» L'Océan (Mazurka) (♩144) (p. 148)
» La Varsouvienne (Mazurka) (♩144) (p. 148)
» Le Wentworth (Mazurka) (♩144) (p. 149)
» Le Maniton (Mazurka) (♩144) (p. 150)
» La Marylande Varsouvienne (Mazurka) (♩144) (p. 151)
» La Varsouvienne En Avant (Mazurka) (♩144) (p. 152)
» Novita (Mazurka) (♩144) (p. 153)
» La Madrilaine (Mazurka) (♩144) (p. 154)
» La Nouvelle Varsouvienne (Mazurka) (♩144) (p. 154)
» Le Briskane (Mazurka) (♩144) (p. 155)
» The Three Step (Mazurka) (♩144) (p. 218)
» Capital Three Step (Mazurka) (♩144) (p. 219)
» Le Dewey Three Step (Mazurka) (♩144) (p. 220)
» La Russe (Mazurka) (♩144) (p. 221)

Schottische

» La Highland Schottisch (♩84) (p. 158)
» La Schottisch (♩76) (p. 162)
» La Military Schottisch (Pas De Quatre) (♩76) (p. 163)
» Somerset-Menuet-Schottisch (♩76) (p. 164)
» La Gavotte Schottisch (♩76) (p. 165)
» La Schottisch Étoile (♩76) (p. 166)
» La Valse Gavotte (Schottisch) (♩76) (p. 166)
» Le Nouveau Caprice (Schottisch) (♩76) (p. 167)
» La Rosite (Schottisch) (♩76) (p. 168)
» La Schottisch A 5 Pas (♩76) (p. 169)
» Le Two Step De 1900 (Schottisch) (♩76) (p. 170)
» Le Fanchon Gavotte (Schottisch) (♩76) (p. 170)
» La Caprice Schottisch (♩76) (p. 171)
» Spring (Schottisch) (♩76) (p. 172)
» Le Manitou (Schottisch) (♩76) (p. 173)
» La Wirth Schottisch (♩76) (p. 174)
» L'Adèle Gavotte (Schottisch) (♩76) (p. 177)
» La Badger Gavotte (Schottisch) (♩76) (p. 178)
» La Lorraine Gavotte (Schottisch) (♩76) (p. 179)
» Les Patineurs (♩76) (p. 182)
» Le Knickerbocker (Schottisch) (♩76) (p. 184)
» Le Mousquetaire (Schottisch) (♩76) (p. 185)
» La Mettlesone (Schottisch) (♩76) (p. 185)
» La Viennoise (Schottisch) (♩76) (p. 187)
» Le Tip Toe Two Step Schottisch (♩76) (p. 188)
» L'Edimbourg (Schottisch) (♩76) (p. 189)
» La Columbia (♩76) (p. 189)
» Le Celtic (Schottisch) (♩76) (p. 190)
» La Gavotte Schottisch (♩76) (p. 191)
» La Schottisch Glissarde (♩76) (p. 192)
» Le Highland Gavotte (Schottisch) (♩76) (p. 193)
» La Nouvelle Gavotte (Schottisch) (♩76) (p. 194)
» Schottisch Gavotte (♩76) (p. 195)
» La Schottisch A Pas Sauté (♩84) (p. 196)
» Le Harvard Gavotte (♩72) (p. 197)
» Polka Schottisch (♩72) (p. 197)
» Le Bon Ton Gavotte (Schottisch) (♩72) (p. 198)
» Le Four Step Schottisch (♩84) (p. 199)
» Le Rédowa Schottisch (♩72) (p. 199)
» L'Impérial Gavotte (Schottisch) (♩76) (p. 201)
» La Highland Glide (Schottisch) (♩76) (p. 201)
» La Gavotte Stéphanie (Schottisch) (♩76) (p. 202)
» La Knickerbocker (Schottisch) (♩84) (p. 204)
» Danse Des Patineurs (Schottisch) (♩76) (p. 204)
» Pas Des Patineurs (Schottisch) (♩76) (p. 205)
» Le Pas Français (Schottisch) (♩84) (p. 206)
» Le Franco-Russe (Schottisch) (♩84) (p. 207)
» Pas Des Moujiks (Schottisch) (♩84) (p. 208)

Two Step

» Two Step Et Three Step (♩120) (p. 209)
» Le Trilby Two Step (♩120) (p. 210)
» Batery D. Two Step (♩120) (p. 210)
» Le Klondike Two Step (♩120) (p. 211)
» La Del Monte (♩120) (p. 212)
» La Victoria (♩120) (p. 213)
» La Bronco (♩120) (p. 214)
» Le Rockaway (♩120) (p. 215)
» Le Rève (♩120) (p. 215)
» La Marjolaine (♩120) (p. 216)
» Le Détroit (♩120) (p. 217)
» La Sicilienne (♩120) (p. 217)

Galop

» Le Galop (♩144) (p. 224)
» Le Niagara (♩144) (p. 224)
» Le Jersey (p. 225)
» Le Ripple Galop (p. 226)
» La Raquette (♩120) (p. 226)
» Le Galop A 4 Temps (♩144) (p. 227)
» La Raquette A 3 Pas (p. 228)
» La Valse Galop (♩192) (p. 228)
» La Puritan Galop (p. 228)
» Le Polonais Galop (p. 229)
» La Gaité (Galop) (p. 230)
» La Nawaguasett Pier (Galop) (p. 231)
» Le Wave Galop (p. 231)
» L'Hecla Galop (p. 232)
» Le Galop A Pas Sauté (♩144) (p. 232)
» L'Éclair (p. 233)
» Le Military Galop (p. 234)
» La Fée (p. 234)
» Le Beau (p. 235)

Miscellaneous Dances

» La Valse A 5 Pas (♩144) (p. 236)
» L'Élégante (Marche Et Valse) (p. 236)
» La Nouvelle Valse A 5 Pas (p. 237)
» Le Balancé (p. 237)
» La Valse Cadet (p. 238)
» Fandango Basque (p. 239)
» La Valse Gavotte (Schottisch) (♩144) (p. 239)
» Trin-Trin (♩192) (p. 240)
» The Washington (p. 241)
» La Comus Valse (p. 243)
» The Danish Dance (p. 243)
» Berline De La Cour (p. 244)
» Le Cream City Menuet (p. 245)
» La Polka Impériale (p. 247)
» American Medley (p. 248)
» En Tandem (♩120) (p. 249)
» Puebla (p. 250)
» La Delannoyenne (p. 251)
» La Galopade (Galop Et Polka) (p. 251)
» La Bernayenne (Redowa Et Mazurka) (p. 252)
» Mignon-Coquette (Mazurka Et Polka) (p. 252)

Albert W. Newman. (1903). A Complete Practical Guide To Modern Society Dancing. Philadelphia. (pdf) {google} [Powers]

Couple Dances

» Polka (p. 19)
» Glide Polka (p. 20)
» Polka (Esmeralda) () (p. 20)
» Heel and Toe Polka () (p. 20)
» [Combination Polka] () (p. 20)
» Berlin Polka (p. 20)
» Redowa (p. 21)
» Mazourka (Polka) (p. 21)
» Yorke (Mazourka) (p. 22)
» Two Step (p. 22)
» Glide Two Step (p. 22)
» Military Two Step (p. 22)
» Schottische (p. 23)
» Waltz (Correct) (p. 24)
» Waltz (Backward) (p. 24)
» Reversing in the Waltz (p. 25)
» Norma Waltz (p. 25)
» Military Schottische (p. 26)
» Minuet Waltz (p. 27)

Circle Dances

» Round Two Step () (p. 28, 50)

Quadrilles

» Plain Quadrille (p. 32)
» La Tempete (p. 34)
» Lancers (Loomis) (p. 35)
» Waltz Quadrille (p. 37)
» Polka Quadrille (p. 38)
» Polacca Quadrille (p. 39)
» Saratoga Lancers (p. 41)
» Newman Minuet (p. 43)
» Virginia Reel (Sir Roger De Coverly) () (p. 45)

The German (Cotillion)

» The Basket of Boutonnieres (p. 48)
» The Flower Girl (p. 48)
» The Handkerchief Chase (p. 48)
» The Grab Bag (p. 49)
» The Twin Circles (p. 49)
» The Cards (p. 49)
» Blind Man's Bluff (p. 50)

Prof. M. I. Quick. (1903). Complete Guide To Dancing, Ball Room Etiquette And Quadrille Call Book. Chicago. [Powers] [WorldCat]


Heinrich Reisinger. (1903). Wiener Tanzschule. Vienna. [Powers]


Prof. A. C. Wirth. (1903). Complete Quadrille Call Book And Dancing Master. Chicago. [Powers]


George Caskey. (c. 1904). African Snow-Ball, Eccentric Black Face Dance Novelty. New York. [Powers]


William Lamb. (c. 1904). Everybody's Guide To Ball-Room Dancing (Madgwick, Houlston & Co.) London. [Powers]


William Lamb. (1904). Everybody's Guide To Ball-Room Dancing (W.R. Russell & Co.) London. [Powers]


William Lamb. (1904). How And What To Dance. London. [Powers]


Prof. Wilkinson. (1904). Dancing Without An Instructor. Philadelphia. (pdf) {google} [Powers]


Marguerite Wilson. (1904). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. Philadelphia: The Penn Publishing Company. (See 1899 Edition.) [Powers]


Felicien de Menil. (1905). Histoire De La Danse A Travers Les Ages. Paris. [Powers] [WorldCat]


Allen Dodworth. (1905). Dancing And Its Relations To Education And Social Life (Revised Edition). New York. [Powers]


Mr. Eugénio. (1905). La Mattchiche. Paris. (pdf) {Powers} [Powers]

Couple Dances

» La Mattchiche [Maxixe] (♬) (p. 2)








Edward Scott. (c. 1905). How To Dance, And Guide To The Ball-Room. London. [Powers]


Albert Zorn. (1905). Grammar Of The Art Of Dancing (Translation Of 1887 Edition). Boston. (pdf) {congress} {archive} [Powers]


Albert Zorn. (1905). Musical Score Of The Grammar Of The Art Of Dancing. Boston. (pdf) (djvu) {congress} {archive} [Powers]


[Anonymous]. (1905). The Two Step Monthly Magazine June Issue. New York. [Powers]


Butterick (pub.). (1906). Masquerades, Tableaux And Drills. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Arthur Hornblow, ed. (1906). Review Of "Herald Square" Starring Vernon Castle, Coralie Blythe In Theatre Magazine. New York. [Powers]


Reginald St. Johnston. (1906). A History of Dancing. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


F. von Reznicek. (1906). Der Tanz. Munich. [Powers]


[Anonymous]. (1906). Playbill Program Of "Herald Square" Starring Vernon Castle, Coralie Blythe In Theatre Magazine. New York. [Powers]


[Anonymous]. (1906). The Two Step Monthly Magazine All Issues, Bound. New York. [Powers]


[Anonymous]. (1907). Rinnce na h-Éireann: A Simplified Work on the Performance of the Dances of Ireland. (pdf) (djvu) (txt) {congress} {archive}


Lilly Grove. (1907). Dancing. London. (pdf) (djvu) (txt) {congress} {archive}


R. E. A. Hildesley. (c. 1907). Guide To The Square Dances, With A Technical Glossary. London. [Powers]


Ardern Holt. (1907). How To Dance The Revived Ancient Dances. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Paul Pierce. (1907). Parties And Entertainments. Chicago. [Powers]


Emilie Winkler. (1907). The Student's Chapter Hand-Book On Dancing. Philadelphia. [Powers]


[Anonymous]. (1907). The Two Step Monthly Magazine All Issues, Bound. New York. [Powers]


Mario De'Fiori. (1908). Il Ballo, Mauuale Completo Dei Balli Di Etichetta E Di Famiglia. Florence. [Powers] [WorldCat]


Thomas Hillgrove. (c. 1908). A Complete And Practical Guide To The Art Of Dancing. New York. [Powers]


George R. Puckett. (1908). The Quake (Description And Sheet Music). San Francisco. (pdf) {Powers} [Powers]

Couple Dances

» The Quake







George Stevens. (1908). Love's Golden Dream, Redowa. Chicago: Arnett Delonais Co. (pdf1) (pdf2) {JHU1} {JHU2}

Music for Redowa.


[Anonymous]. (1908). The Two Step Monthly Magazine Sept., Nov., & Dec. Issues. New York. [Powers]


[Anonymous]. (1908). The Two Step Monthly Magazine All Issues, Bound. New York. [Powers]


F. Leslie Clendenen. (c. 1909). Cake Walks Plainly Described. St. Louis. [Powers] [UNH] [WorldCat]


Marguerite Wilson. (1909). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. Philadelphia: The Penn Publishing Company. (See 1899 Edition.) [Powers]


[Anonymous]. (1909). The Two Step Monthly Magazine Mar, May, June, Oct, Nov., & Dec. Issues. New York. [Powers]


[Anonymous]. (1910). Hand Written Notebook Of Quadrille Figures. [Powers]


Prof. R. O. Blackburn. (1910). The Skibo, A New Ball Room Dance (Description And Sheet Music). Cleveland. [Powers] [WorldCat]


Louis Chazottes. (1910). La Polkinette with sheet music for La Polkinette. Paris: E. Gaudet. (pdf) {BNF} [Powers]

Couple Dances

» La Polkinette (p. 3)







Grace Livingstone Hegger. (1910, November). "Winter Dances and Cotillions." Woman's Home Companion. New York: The Crowell Publishing Company. 41. (pdf) {google}

Couple Dances

» Nantucket, or Paul Jones (p. 41)
» Cotillion Figures (p. 41)









William Lamb. (1910). How And What To Dance. London. [Powers]


Jacob Mahler. (1910). The Ostende: The Original New Society Ball-Room Dance. St. Louis: Buck & Lowney. (pdf) {duke} [Powers]

Couple Dances

» The Ostende (p. 2)







Donald Richard Mackenzie. (1910). Illustrated Guide to the National Dances of Scotland Aberdeen. (adbn)

Group Dances

» Original Chain Figure (p. 17)
» The Foursome Scotch Reel (p. 19)
» The Reel of Tulloch (p. 20)
» The Strathspey (p. 21)
» The Scotch Reel (p. 25)
» The Highland Fling (p. 33)
» The Sword Dance (p. 41)
» Mary Queen of Scots (p. 47)
» Rory O'More (p. 48)
» Petronella (p. 49)
» Triumph (p. 50)
» Flowers of Edinburgh (p. 51)
» The Duke of Perth (p. 52)
» The Eightsome Reel (p. 57)

J. B. M'Ewen. (c. 1910). Dance Culture: All the Latest and Most Fashionable Dances. Glasgow. [Powers]


Edward Scott. (1910). The New Dancing As It Should Be: For the Ball-Room, the Class-Room, and the Stage. London: George Routledge & Sons, Limited. {nypl} [Powers]

Couple Dances

» The Polka (p. 14)
» The Schottische (p. 17)
» The Barn Dance (p. 22)
» The Alsatian Polka (p. 25)
» The Berlin Polka (p. 27)
» The Galop (p. 27)
» The Two-Step (p. 28)
» The Polka Mazurka (p. 29)
» The "Boston" (p. 31)
» The Waltz (p. 64)

Set Dances

» The First Set of Quadrilles (p. 37)
» The "Flirtation Figure" (p. 43)
» The Lancers (p. 47)
» A New Ring Dance (p. 56)

Ethel L. Urlin. (1910). Dancing, Ancient And Modern. London. (djvu) (txt) {archive} [Powers]

Note: A history of dancing, including social dances.


[Anonymous]. (1910). The Two Step Monthly Magazine. New York. [Powers]


Charles Lefort. (c. 1911). L'Art de la Danse: Au Théâtre et à la Ville. Paris. (pdf of Tango) {Powers} [Powers]

Couple Dances

» Tango Argentin
      » Premier Motif
      » Deuxième Motif
      » Troisième Motif
» Habanera Argentine
      » Première Variante
      » Deuxième Variante
      » Troisième Variante
» Five Step Argentin























P. J. S. Richardson (ed.). (1911). The Dancing Times Magazine. London. [Powers]


L. Robert. (1911). Theorie du Vrai Tango Argentin (El Choclo). Paris: Salabert. (pdf) {Powers} [Powers]

» 1st Figure
» 2nd Figure
» 3rd Figure
» 4th Figure
» 5th Figure (Le Huit)
» 6th Figure
» 7th Figure
» 8th Figure
» 9th Figure
» 10th Figure (Pas Carré)

Edward Scott. (c. 1911). How to Dance, and Guide to the Ball-Room. London. [Powers]


Joel H. Watkins. (1911). Cotillion Figures. New York: The Neale Publishing Company. (color pdf) (b&w pdf) (b&w djvu) {Powers} {congress} {archive} [Powers]

Cotillion Figures

» Figure No. 1 (p. 10)
» Figure No. 2 (p. 12)
» Figure No. 3 (p. 14)
» Figure No. 4 (p. 16)
» Figure No. 5 (p. 18)
» Figure No. 6 (p. 20)
» Figure No. 7 (p. 22)
» Figure No. 8 (p. 24)
» Figure No. 9 (p. 26)
» Figure No. 10 (p. 28)
» Figure No. 11 (p. 30)
» Figure No. 12 (p. 32)
» Figure No. 13 (p. 34)
» Figure No. 14 (p. 36)
» Figure No. 15 (p. 38)
» Figure No. 16 (p. 40)
» Figure No. 17 (p. 42)
» Figure No. 18 (p. 44)
» Figure No. 19 (p. 46)
» Figure No. 20 (p. 48)
» Figure No. 21 (p. 50)
» Figure No. 22 (p. 52)
» Figure No. 23 (p. 54)
» Figure No. 24 (p. 56)

Marguerite Wilson. (1911). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. Philadelphia: The Penn Publishing Company. (See 1899 Edition.)


World's Fair Publishing (pub.). (1911). Texas Tommy Swing [Collection of newspaper articles published with sheet music for Texas Tommy]. San Francisco. [Powers]


[Anonymous]. (1911). The Two Step Monthly Magazine. New York. [Powers]


George Grossmith (dance), Paul A. Rubens (music). (1912). The Argentine Tango with sheet music for The Argentine. London: Chappell & Co., Limited. (pdf) {Powers} [Powers]

Couple Dances

» The Argentine Tango (♬) (p. 1)
      » First Movement (p. 1)
      » Second Movement (p. 1)
      » Third Movement (p. 1)
      » Fourth Movement (p. 1)
      » Variations (p. 1)

















[Anonymous] (dance), Carlos Roberto (music). (1912). The Tango Dance with sheet music for La Bella Argentina. New York: Carl Fischer. (pdf) {HDA} [Powers]

Note: This is a very brief description of the Tango that claims it originated in either Mexico or Spain.


Prof. Bacton. (1912). Theorie Complete Et Authentique Du Tango Argentin. Paris.


Prof. B. Bottallo. (1912). Guide Du Bon Danseur. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» La Polka (p. 47)
» Polka Piquée (p. 49)
» Polka Mazurke ou Marurka (p. 50)
» Scottish (p. 51)
» Valse à Trois Temps (p. 52)
» Valse à Deux Temps (p. 56)
» Valse-Boston (p. 57)
» One-Step ou Boston à Un Temps (p. 59)
» Two-Step ou Boston à Deux Temps (p. 60)
» Boston Américain (p. 61)
» Balancés du Boston (p. 65)
» Double-Boston Select (p. 67)
» Double-Boston Glissé (p. 69)
» Le Tree-Step (p. 73)
» Triple-Boston (p. 75)
» Pas de Quatre (p. 78)
» Pas des Patineurs (p. 79)
» Berline (p. 81)
» L'Ostendaise (p. 82)
» Badoise Polka (p. 83)
» La Franco-Russe (p. 84)
» Barn-Dance (p. 85)
» Polka Russe (p. 85)
» Ganglovienne (p. 86)
» Troïka (p. 87)
» Pas de Trois (p. 88)
» L'Américaine (p. 93)
» La Capricieuse (p. 98)
» Les Patineurs Franco-Hollandais (p. 101)
» La Marocaine (p. 104)
» Danse des Tambourins (p. 106)
» Les Pas des Aviateurs (p. 109)
» Valse Viennoise (p. 112)
» Pas Canadien (p. 114)
» Pas d'Espagne (p. 114)
» Tango-Argentin (p. 117)
      » Demi-Corte (p. 118)
      » Le Corte (p. 118)
      » Pas Glissés (p. 119)

Set Dances

» Lanciers Mondains (p. 124)
» Quadrille Américain (p. 135)
» Quadrille Croisé (p. 138)
» Quadrille Des Variétés (p. 141)
» Lanciers Valsés (p. 147)
» Les Balancés (p. 153)
» 30+ Cotillon Figures (p. 155)

Caroline & Charles Caffin. (1912). Dancing And Dancers Of Today. New York. (pdf) (djvu) (txt) {google} {archive} [Powers]

Note: A survey of dancing and dancers, including social dances.


Uriel Davis. (1912). How to Dance the Horse Trot with sheet music for The Horse Trot. New York: Jerome H. Remick & Co. (pdf1) (pdf2) {Powers} {york} [Powers]

Couple Dances

» The Horse Trot (♬) (p. 1)








Arthur Liddy. (c. 1912). Dancing in Australia. Sydney: Ferndale Academy. (pdf) {NLA}

» The Waltz (p. 6)
» The Reverse Waltz (p. 11)
» The Schottische (p. 11)
» The Mazurka (p. 13)
» Military Schottische, or Two-Step (p. 15)
» The Bon-Ton Schottische (p. 17)
» The La Rinka (p. 18)
» The Lancers (p. 19)
» The Quadrilles (p. 28)
» The Alberts (p. 28)

D. McLeod. (1912). Dorothy Waltz, A New Round Dance (Description And Sheet Music). London. [Powers]


Madame Minchin. (1912). "Theorie du Tango Argentin." Paris: A. Durand & Fils. (pdf) {Powers}

Couple Dances

» Tango Argentin (p. 1)
      » Paseo (p. 1)
      » Corte (p. 1)
      » El Ocho (p. 1)
      » Media Luna (p. 1)
      » El Paso de Lado (p. 1)
      » Las Tijeras (p. 1)
      » Volteo (p. 1)





















José Otero. (1912). Tratado De Bailes. Seville. [Powers]


Georges Parmentier (pub.). (c. 1912). Ce Qui Se Danse Aujourd'hui Dans Les Salons. Paris. (pdf) {Powers} [Powers]

Couple Dances

» La Maxixe ou Tango Brésilien (p. 2)
» Le Castle-Walk ou Pas du Poisson (p. 2)
» Le Boston (p. 30)
» Le Double Boston (p. 30)
» Le Triple Boston (p. 30)
» Le Tango (p. 31)
» Le One-Step (p. 32)
» La Danse de l'Ours (p. 32)
» Le Two-Step (p. 32)
» Le Bostang (p. 32)
» La Valse Brésilienne (Tango-Boston) (p. 32)

Professeur L. Robert (dance), Francis Salabert (music). (1912). Le Vrai Turkey Trot with sheet music for Everybody's Doing It. Paris: Francis Salabert. (pdf) {Powers} [Powers]

Couple Dances

» Le Vrai Turkey Trot (♬) (p. 1)








Professeur L. Robert (dance), Francis Salabert (music). (1912). Maxixe Brésilienne with sheet music for Maxixe Brésilienne. Paris: Francis Salabert. (pdf) {Powers} [Powers]

Couple Dances

» Maxixe Brésilienne (♬) (p. 1)








A. J. Sheafe (dance), J. Monroe (music). (1912). Instructions For Dancing The Turkey Trot, with sheet music for The Gobbler. Boston: The Boston Music Co. (pdf) {Powers} [Powers]

Couple Dances

» The Turkey Trot (♬) (p. 1)








H. Layton Walker. (1912). Twentieth Century Cotillion Figures, In Conjunction With How To Manage A Favor German. Buffalo, NY. (pdf) {google} [Powers]

Cotillion Figures

» A huge collection of cotillion figures








[Anonymous]. (1912). The Two Step Monthly Magazine Feb, Apr, Jun & Oct. Issues. New York. [Powers]


Professeur Bacton. (c. 1913). "Théorie du Tango Argentin" with sheet music for Azenenaga, Tango Argentin. Paris: G. Siéver [WorldCat]


Lucien O. Carpenter. (1913). J. W. Pepper's Universal Dancing Master, Prompter's Call Book. Philadelphia. [Powers]


Gladys Crozier. (1913). The Tango And How To Dance It. London: Andrew Melrose, Limited. (pdf) {Powers} [Powers]

Note: In addition to a large collection of unique tango figures, this books includes information on tango music, tango dance venues, tango attire, and even "tango dancing on roller skates."

Couple Dances

» The Parisian Tango (p. 21)
      » La Promenade (The Walk) (p. 28)
      » Le Corté (The Link-Step) (p. 29)
      » Media Luna (The Half Moon) (p. 30)
      » Pas Oriental À Gauche (Oriental Steps to the Left) (p. 30)
      » Pas Oriental À Droite (Oriental Steps to the Right) (p. 31)
      » Les Ciseaux (The Scissors) (p. 32)
      » Corté En Arrière (Corté Performed Backwards) (p. 33)
      » Le Huite (The "8") (p. 34)
      » "La Fascination" Figure (p. 38)
      » "Ciseaux à l'Envers" Figure (Scissors Reversed) (p. 39)
      » Scraping Figure (p. 40)
      » "Le Grand Corté" (The Large Corté) (p. 42)
      » "Pas Oriental Croisé" Figure (Oriental Steps, Crossed) (p. 42)
      » "Allez et Retour" (Go and Return Figure) (p. 44)
      » Sheaves Figure (p. 46)
      » Mazurka Figure (p. 49)
      » "Scissors, Big and Small" Figure (The Farmyard Figure, The Hen) (p. 52)
      » The "Dip" Figure ("Sea Bathing" Figure) (p. 54)
      » The Tango Waltz Figure (p. 56)
      » The Square Figure (p. 58)
      » The Rocking-Horse Figure (p. 59)
      » The Tapping Figure (p. 61)
      » The Dutch Figure (p. 63)
      » The Tapping and Dutch Figure Combined (p. 64)
      » The Swing Figure (p. 67)
      » The Promenade with a Half-Crescent Figure (p. 68)
      » The "Screw" Figure (p. 70)
      » The Twisting Figure (p. 70)
      » The Flicking Figure (p. 73)
      » Corté to the Side (p. 74)

Charles d'Albert. (1913). Technical Encylopædia & Technical Glossary of The Art of Dancing. London. (djvu) (txt) {archive} [Powers]

Note: This is an encyclopedia and glossary of dance terms.


Charles d'Albert. (c. 1913). The Argentine Tango. London. [WorldCat]


M. B. Gilbert, Susan Hoffman Gilman (ed.). (1913). Gilbert Dances, Volume I. New York: G. Schirmer. (pdf) {google} [Powers]

Couple Dances

» Polkas
      » The Berlin (♬) (p. 3)
      » La Polka Française (♬) (p. 5)
      » The Iris (♬) (p. 9)
      » First Polka Series (♬) (p. 12)
      » Polka De La Cour (♬) (p. 17)
      » Sylphette (♬) (p. 19)
      » The Secret Polka (♬) (p. 24)
» Caprices
      » Benita Caprice (♬) (p. 27)
      » Miladi Caprice (♬) (p. 31)
      » Ideal Caprice (♬) (p. 33)
      » Fantana (♬) (p. 37)
      » Harvard Caprice (♬) (p. 40)
      » The Dainty Shepherdess (♬) (p. 44)
      » Maid of the Mist (♬) (p. 47)
» Mazurkas
      » May Mazurka (♬) (p. 50)
      » Wild Bird (♬) (p. 55)
      » Empress Mazurka (♬) (p. 61)
      » Dance of the Cupids (♬) (p. 67)
      » La Tzigane (♬) (p. 71)
» Waltzes
      » The Novelette (♬) (p. 83)
      » American Beauty (♬) (p. 88)
      » The Primrose (♬) (p. 93)
      » Matinée Waltzes (♬) (p. 99)
      » First Waltz Series (♬) (p. 105)
      » Starlight (♬) (p. 112)
      » Valse des Fleurs (♬) (p. 119)
      » Waltz-Caprice (♬) (p. 125)
      » Faust Waltz I (♬) (p. 132)
      » Faust Waltz II (♬) (p. 133)

M. B. Gilbert, Susan Hoffman Gilman (ed.). (1913). Gilbert Dances, Volume II. New York: G. Schirmer. (pdf) {google} [Powers]

Couple Dances

» Dances in 6-8 and 2-4 Time
      » Thistle-Down (♬) (p. 6)
      » The Cascade (♬) (p. 9)
      » Dill Pickles (♬) (p. 13)
      » La Sauterelle (♬) (p. 17)
      » Motor March (♬) (p. 19)
      » The Sunset (♬) (p. 21)
      » Will-O'-The-Wisp (♬) (p. 25)
      » The Lark (♬) (p. 30)
      » The Chase (♬) (p. 33)
» Gavottes
      » Wayside Gavotte (♬) (p. 39)
      » Floralma (♬) (p. 43)
      » Royal Gavotte (♬) (p. 46)
      » Impromptu-Gavotte (♬) (p. 49)
» Minuets
      » La Preciosa Minuet (♬) (p. 51)
      » Waltz-Minuet (♬) (p. 56)
      » Verona Minuet (♬) (p. 60)
» Spanish Dances
      » Españita (♬) (p. 65)
      » Rose of Mexico (♬) (p. 69)
      » Santiago (♬) (p. 75)
      » Bolero-Waltz (♬) (p. 84)
» Square Dances
      » Worchester Lancers (♬) (p. 91)
      » Esprit d'Amérique (♬) (p. 98)
      » Portland Fancy (♬) (p. 101)
      » Tarantella (♬) (p. 107)
» Miscellaneous Dances
      » Chorus Jig (♬) (p. 108)
      » Fling (♬) (p. 109)
      » Japonica (♬) (p. 114)
      » Marching Calisthenics (♬) (p. 117)
      » Hornpipe (♬) (p. 118)
      » May-Pole Dance (♬) (p. 127)
      » Tarantella (♬) (p. 133)

M. B. Gilbert, Susan Hoffman Gilman (ed.). (1913). School Dances. New York: G. Schirmer. (djvu) (txt) {archive}

Couple Dances

» Baby Polka (♬) (p. 3)
» Bean Porridge (♬) (p. 5)
» The Brownies (♬) (p. 7)
» Dancing Topsy (♬) (p. 8)
» The Washerwoman (♬) (p. 9)
» Eloise Gavotte (♬) (p. 13)
» How Do You Do? (♬) (p. 15)
» Ugly Mug (♬) (p. 16)
» Pop Goes the Weasel (♬) (p. 17)
» Class-Day Polka (♬) (p. 19)
» Military Schottische Series (♬) (p. 21)
» Board-Walk (♬) (p. 24)
» Cinderella (♬) (p. 25)
» Alumni Mazurka (♬) (p. 27)
» La Pastourelle (♬) (p. 29)
» The Girl I Left Behind Me (♬) (p. 30)
» The Varsovienne I (♬) (p. 33)
» The Varsovienne II (♬) (p. 33)
» Dainty Steps (♬) (p. 36)

George Grossmith. (1913). The Argentine Tango and Other Dances (Silent Film). London. [IMDB]


Knickerbocker Theatre. (1913). The Sunshine Girl Playbill Featuring Vernon Castle, with Julia Sanderson, including Irene Castle. New York. [Powers]


F. W. [Franz Wolfgang] Koebner, R. L. Leonard. (1913). Das Tanz-Brevier. Berlin: Dr. Eysler & Co. (pdf) {google} [Powers]


Pierre Lafitte (ed.). (1913, May). Musica: Numéro Spécial Entièrement Consacré Aux Danses Nouvelles. Paris: Pierre Lafitte & Cie. (pdf) {Powers} [Powers]

Couple Dances

» Le Tango Brésilien (p. 81)
» Le Tango Argentin (p. 81)
» Le Double Boston (p. 85)
» Le Triple Boston (p. 87)
» Le Royal Boston (p. 88)
» La Danse de L'Ours (p. 90)
» Le One Step (p. 92)
» Le Turkey Trot (p. 93)
» La Maxixe Brésilienne (p. 89, 94)
» La Mazurka Russe (p. 96)
» Le Scotch Time (p. 98)

Marquis and Clayton. (c. 1913). How to Dance the Tango. London: George Newnes. [WorldCat]


Max Rivera. (1913). Le Tango Et Les Danses Nouvelles. Paris: Pierre Lafitte. (pdf) {Powers} [Powers]

Couple Dances

» Le Tango Argentin (p. 17)
» Le Double Boston (p. 35)
» Le Triple Boston (p. 41)
» Le Royal Boston (p. 45)
» La Danse de L'Ours (p. 51)
» Le One Step (p. 63)
» Le Two Step (p. 71)
» La Maxixe Brésilienne (p. 73)
» Le Turkey Trot (p. 79)
» La Mazurka Russe (p. 85)

N. Georgevitch (dance), Cecil Macklin (comp.). (1913). Theorie of the "Castle-Walk"-Dance with sheet music for Très Moutarde. Berlin: Adolph Fürstner. (pdf) {Powers} {Powers reconstruction} [Powers]

Couple Dances

» Castle-Walk (♬) (p. 1)







Laura Guerite. (1913). Modern Dances, The Tango And Turkey Trot, Made Easy. New York: Parpen Publishing Company. (pdf) {Powers} [Powers]

Couple Dances

» The Tango (p. 6)
      » First Figure (p. 8)
      » Second Figure - The Corte (p. 8)
      » Third Figure (p. 8)
      » Fourth Figure - The Eight (p. 8)
      » Fifth Figure (p. 10)
      » Sixth Figure - The Media Luna (p. 10)
      » Seventh Figure (p. 10)
      » Eighth Figure (p. 10)
      » Ninth Figure (p. 10)
      » Step 1 (p. 12)
      » Step 2 (p. 12)
      » Step 3 (p. 12)
      » Step 4 (p. 12)
      » Step 5 (p. 12)
      » Step 6 (p. 12)
» The Turkey Trot or One-Step (p. 18)
      » First Figure - Plain Walk Step (p. 18)
      » Second Figure - Zigzag or Serpentine Dip (p. 20)
      » Third Figure - The One-Step Glide (p. 20)
» The Boston Dip Waltz (p. 28)
» La Senorita (p. 32)

A. Montel (dance), René André (music). (1913). Théorie Exacte du Tango Argentin with sheet music for Magic-Tango. Paris: F. D. Marchetti. (pdf) {bnf} [Powers]

Couple Dances

» Tango Argentin (p. 2)
      » 1re Figure - La Marche (p. 2)
      » 2me Figure - Le Médio Corté (p. 2)
      » 3me Figure - Le Corté (p. 2)
      » 4me Figure - Le Chassé (p. 2)
      » 5me Figure - Les Ciseaux (p. 2)
      » 6me Figure - La Roue (p. 2)
      » Pas Oriental (p. 2)
      » 7me Figure - Le Huit Argentin (p. 2)
      » 8me Figure - La Demi-Lune (p. 2)
      » 9me Figure - L'Éventail (p. 2)
      » 10me Figure - Les Pas de Changement (p. 2)
      » Le Rondo (p. 2)

Edward Scott. (1913). All About the Boston: A Critical and Practical Treatise on Modern Waltz Variations. London: George Routledge & Sons, Limited. (pdf) {hathi} [Powers]

Couple Dances

» The Boston (p. 26)
» The Zigzag "Boston" or Diagonal Waltzing (p. 37)
» Variations of the "Boston" or Ornamental Waltzing (p. 40)













Alfonso Joseph Sheafe. (1913). The Fascinating Boston, How to Dance and How to Teach the Popular New Social Favorite. Boston: The Boston Music Company. (djvu) (txt) {archive} [Powers]

Couple Dances

» The Boston (♬ list) (p. 1)
      » The Boston (p. 12)
      » The Reverse (p. 17)
      » The Long Boston (p. 22)
      » The Short Boston (p. 23)
      » The Open Boston (p. 24)
      » The Boston Dip (p. 25)
» The Turkey Trot (♬ list) (p. 27)
» The Aeroplane Glide (p. 28)
» The Tango (p. 29)
      » Tango No. 1 (p. 30)
      » Tango No. 2 (p. 31)

Mrs. Joseph H. Nathan and Rodney Peters (dance), E. J. Stark and B.R. Whitlow (comp.). (1913). La Mode, Tango Time, The New Dance Sensation. St. Louis: Stark Music Co. (pdf) {duke} [Powers]

Couple Dances

» La Mode (♬) (p. 2)







Marcel Neerman (dance), H. Herpin (music). (1913). Véritable Tango Argentin accompanying sheet music for El Quéso. Paris: E. Jouve. (pdf) {Powers} [Powers]

Couple Dances

» Tango Argentin (p. 1)
      » Step 1 (p. 1)
      » Step 2 (p. 1)
      » Step 3 (p. 1)
      » Step 4 (p. 1)
      » Step 5 (p. 1)
      » Step 6 (p. 1)
      » Step 7 (p. 1)
      » Step 8 (p. 1)
      » Step 9 (p. 1)

























Emilie Walbom, Peter Bacton. (1913). Tango. København. [WorldCat]


Willi Weissbart (dance), Arthur Steinke (music). (1913). Der Heutige Gesellschaftstango accompanying sheet music for Tango Galiziano. Berlin. (pdf) {Powers} [Powers]

Couple Dances

» Tango (p. 1)
      » I. Figur (p. 1)
      » II. Figur (p. 1)
      » III. Figur (p. 1)
      » IV. Figur (p. 1)
      » V. Figur (p. 1)
      » VI. Figur (p. 1)
      » VII. Figur (p. 1)
      » VIII. Figur (p. 1)
      » IX. Figur (p. 1)

























Marguerite Wilson. (1913). Dancing. A Complete Guide to all Dances, with a Full List of Calls, the Music for each Figure, Etiquette of the Dances, and One Hundred Figures for the German. Philadelphia: The Penn Publishing Company. (See 1899 Edition.) [Powers]


[Anonymous]. (1913). The Two Step Monthly Magazine June Issue. New York. [Powers]


Enrique Arenas. (1914). Le Pas Du Serpent. Théorie Du One Step Et De Ses Variétés. Paris: G. Parmentier. (pdf) {gallica} [Powers]

Couple Dances

» Le One Step (p. 1)
      » Pas Croisés à Droite (p. 1)
      » Le Pas Du Poisson (p. 1)
      » Le Pas Du Serpent (♬) (p. 1)













Ridley Bell. (1914). How To Dance The New Dances - Hesitation, Tango, One Step, Boston, and Others. New York: Book Publisher's Press. (pdf) {Powers} [Powers]

Couple Dances

» The Hesitation (p. 6)
      » Variations (p. 8)
      » The "Twinkle" (p. 12)
» The Tango (p. 13)
      » [Walking] (p. 13)
      » [Circling] (p. 13)
      » The "Grapevine" (p. 14)
      » The Draw (p. 14)
» [The One Step] (p. 17)
      » The Lame Duck (p. 17)
      » [Step Tap] (p. 17)
      » [Skaters' Snake] (p. 18)
      » [Saw Blade] (p. 18)
      » [The Come-Back] (p. 18)
      » Castle Walk [The Spiral] (p. 19)
» The Boston (p. 19)

C. F. Burgess, Virtus R. Scott. (1914). King's Booklet On Dancing. New York: Wehman Bros. (pdf) {Powers} [Powers]

Couple Dances

» One-Step (p. 4)
      » Square Walk (p. 5)
      » Lame Duck (p. 5)
      » Marcel Wave, or Grapevine (p. 6)
      » The Boatswing (p. 7)
      » The Aeroplane Walk (p. 7)
      » The Scissor (p. 8)
      » La Bursco (p. 9)
» Hesitation Walk (p. 10)
» Hesitation Glide (p. 11)
» Butterfly (p. 12)
» Innovation (p. 12)
» Boston (p. 13)
» Rocking Step (p. 14)
» Squirrel Step (p. 15)
» Dew Drop (p. 15)
» El Corte (p. 16)
» Double Corte (p. 16)
» Throwaway (p. 17)
» Oriole (p. 18)
» El Roueda (p. 19)
» Courtesy (p. 19)
» Half and Half (p. 20)
» Maxixe Glide (p. 21)
» Maxixe Waltz (p. 21)
» Skating Step (p. 22)
» Brazilian (p. 23)
» Heel Waltz (p. 23)

Mr. and Mrs. Vernon [& Irene] Castle. (1914). Modern Dancing (Special Edition). New York: The World Syndicate Co. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive1} {archive2} [Powers]

Couple Dances

» The One Step (p. 43)
      » The Castle Walk (p. 47)
      » The Eight Step (p. 51)
      » The Spin (p. 52)
      » The Step Out (p. 54)
      » A More Difficult Step Out (p. 54)
      » One Step Cortez (p. 58)
      » The Outer Edge (p. 58)
      » Zig Zag (p. 59)
      » The Polka Skip (p. 61)
      » The Wind-Up (p. 61)
» The Hesitation Waltz (p. 71)
      » The Waltz Walk (p. 74)
      » The Swing Step (p. 77)
      » The Side Waltz (p. 77)
      » The Eight Step (p. 78)
      » The Lame Duck (p. 79)
» Tango (p. 37, 83)
      » The Cortez (p. 89)
      » The Promenade (p. 91)
      » Media Luna (p. 92)
      » Scissors (p. 92)
      » El Charron (p. 96)
      » The Ring (p. 96)
      » Tango Volta (p. 101)
      » The Eight Step (p. 101)
      » The Innovation (p. 102)
» The Tango Brésilienne, or Maxixe (p. 107)
      » First Step—The Two Step (p. 108)
      » Second Step—The Single, Les À-Côte (p. 112)
      » The Skating Step, or Le Corta Jaca (p. 114, 125)
      » The Back Two Step (p. 119)
      » The Turn (p. 120)
      » Maxixe Rotation (p. 126)
» The Half and Half (p. 130)

Vernon & Irene Castle. (1914). Modern Dancing, Castle House Edition, Signed By Vernon Castle. New York. [Powers]


Vernon & Irene Castle. (1914). Three Modern Dances, Illustrated By Motion Picture, The One-Step, Hesitation, and Tango. Camden: Victor Talking Machine Co. (pdf) {Powers} [Powers]

Couple Dances

» Castle Walk (p. 5)
      » Reverse Dip Step (p. 7)
      » Cross Eight Swing (p. 10)
» The Hesitation (♬ list) (p. 12)
      » Hesitation Waltz (p. 13)
      » Side Hesitation (p. 14)
      » Skating Dip Step (p. 15)
      » Hesitation Balance with Dip (p. 17)
      » Hesitation Walking Dip and Reverse (p. 18)
» The Tango (♬ list) (p. 20)
      » Cortez Step (p. 21)
      » Seven Step (p. 23)
      » Media de Luna (p. 26)

Vernon & Irene Castle. (1914). Victor Records For Dancing. New York. (pdf) {Powers} [Powers]

Couple Dances

» Castle Walk (p. 5)
      » Get-Over Step (p. 5)
» Waltz (♬ list) (p. 11)
      » Combination Waltz (p. 11)
      » Walk Waltz (p. 11)
      » Canter Waltz (p. 11)
» Fox Trot (♬ list) (p. 15)
» Tango (♬ list) (p. 17)
      » Cortez Step (Sentado) (p. 17)
      » Media Luna (p. 19)
      » Cross Eight Step (p. 19)
      » Cortez (p. 20)
      » Running Cortez (p. 20)
      » Media Cortez (p. 20)
      » Media Luna (p. 20)
      » Chassé (p. 20)
» Three Step (♬ list) (p. 21)
      » Mazurka Step (p. 21)
» Globe Trot (♬ list) (p. 22)
      » Walking and Polka Step (p. 22)
      » Chinese Waddle (p. 22)
      » Japanese Toddle (p. 22)
» Varsovienne (♬ list) (p. 23)
» Schottische (♬ list) (p. 24)
» Polka (♬ list) (p. 25)

Group Dances

» Paul Jones (♬ list) (p. 26)
» Tom Tucker (♬ list) (p. 26)

Vernon & Irene Castle. (1914, October). "The Castle Polka." Ladies Home Journal. New York. (pdf) {hathi} [Powers]

Couple Dances

» The Castle Polka (p. 38)








Vernon & Irene Castle. (1914, November). "The Castle Gavotte." Ladies Home Journal. New York. (pdf) {hathi} [Powers]

Couple Dances

» The Castle Gavotte (p. 22)








Vernon & Irene Castle. (1914, December). "The Castle Fox Trot." Ladies Home Journal. New York. (pdf) {hathi} [Powers]

Couple Dances

» The Castle Fox Trot (p. 24)








(Vernon & Irene Castle). (1914). "An Epidemic Of Dance Madness (Issue On The Castles)." Leslie's Magazine. [Powers]


Louis Chalif. (1914). Russian Quadrille - National Dance For 8 Couples (Description And Sheet Music). New York. [Powers]


S. Beach Chester. (1914). Secrets Of The Tango. London: T. Werner Laurie, Ltd. (pdf) {harvard} [Powers]

Couple Dances

» The Tango (p. 23)
      » 1st Figure - El Paseo (p. 26)
      » 2nd Figure - El Corte (p. 26)
      » 3rd Figure - Corte de la Dama (p. 28)
      » 4th Figure - La Cruz (p. 28)
      » 5th Figure - Corte de Lado (p. 28)
      » 6th Figure - El Ocho (p. 30)
      » 7th Figure - La Rueda (p. 30)
      » 8th Figure - La Media Luna (p. 34)
      » 9th Figure - Figure del Ebrio (p. 34)
      » 10th Figure - Variations of El Paseo (p. 36)
      » 11th Figure - La Figura Criolla (p. 36)
      » 12th Figure - Variations of La Cruz (p. 36)

F. Leslie Clendenen. (1914). Dance Mad, Or The Dances Of The Day. [Early 1914 Edition.] St. Louis: Arcade Print Co. (pdf) {google} [Powers]

Couple Dances

» The Maxixe or Mattchiche (p. 14)
» Maxixe No. 2 (p. 19)
» Maxixe No. 3 (p. 21)
» One Step (p. 22)
      » One Step No. 2 (p. 22)
» One Step "Variations" (p. 22)
      » No. 1 - Crab Step (p. 22)
      » No. 2 - Single Crab (p. 22)
      » Double Crab (p. 23)
      » Drag Step (p. 23)
      » The Kangaroo Hop (p. 23)
      » Wallaby Jump (p. 23)
      » The Judy Walk (p. 23)
      » Duck Waddle (p. 23)
      » Lame Duck (p. 23)
      » Turkey Trot (p. 23)
      » Toe and Heel (p. 24)
      » The Points (p. 24)
» Castle Walk (p. 26)
      » Castle Walk No. 1 (p. 26)
      » Castle Walk No. 2 (p. 27)
      » Castle Walk No. 3 (p. 27)
      » Castle Walk No. 4 (p. 27)
      » Castle Walk No. 5 (p. 28)
      » Castle Walk No. 6 (p. 28)
      » Castle Walk No. 7 (p. 28)
      » [Sampson's] Castle Walk (p. 29)
      » The Cassell Glide (p. 29)
      » Sorority Glide (p. 36)
» Tangos (p. 30)
      [Missing pages]
      » Tango No. 1 (p. 34)
      » Two-Step Tango (p. 35)
      » South Indian "Harem Tango" (p. 35)
      » The Butterfly Tango (p. 37)
      » [Zebley's] Tango (p. 38)
      » "Mixed Pickles" Tango (p. 40)
      » Newman Tango (p. 60)
      » Newman Tango "Argentine" (p. 62)
      » [Newman's] Tango (p. 63)
      » Fan Tango (p. 64)
» Hesitation Bostons and Waltz Combinations (p. 41)
      » Hesitation (p. 42)
      » Atlantic City of American Beauty Hesitation (p. 43)
      » Hesitations (p. 44)
      » The Var-Sou Hesitation (p. 46)
      » [Faurot's] Hesitation Waltz (p. 47)
      » Dream Waltz (p. 49)
      » One Step Waltz (p. 51)
      » Hesitation with "Stroll Walk" (p. 52)
      » Lane School Waltz (p. 53)
      » Charmeuse Waltz or Boston (p. 54)
      » Cinderella (p. 55)
      » "Skip Boston" (p. 55)
      » Pompadour Waltz (p. 56)
      » The Marie Waltz (p. 56)
      » Humming Bird Dance (p. 57)
      » Original Boston (p. 58)
      » Boston Glide (p. 58)
      » The Long Boston (p. 59)
      » The Royal (p. 59)
      » Four Step Waltz (p. 65)
      » English Boston (p. 66)
      » Philadelphia Boston (p. 66)
      » Boston Spanish (p. 67)
      » Herring Bone Boston (p. 67)
      » Five Step Waltz (p. 68)
      » Aeroplane Waltz (p. 68)
      » [Newman's] Hesitation Waltz (p. 69)
» Texas Tommy (p. 64)
» Dip Schottische (p. 71)
» Dixie Swirl (p. 71)
» The Arcade (p. 71)
» Universal Schottische (p. 72)
» The Eloise Three Step (p. 72)

F. Leslie Clendenen. (1914). Dance Mad, Or The Dances Of The Day. [Late 1914 Edition.] St. Louis: Arcade Print Co. {nypl}

Couple Dances

» Tango (p. 9)
      » Stage Tango (p. 17)
      » Tango No. 1 (p. 23)
      » Two-Step Tango (p. 23)
      » South Indian "Harem Tango" (p. 24)
      » The Butterfly Tango (p. 24)
      » [Zebley's] Tango (p. 25)
      » "Mixed Pickles" Tango (p. 27)
» Argentine Tango (p. 29)
      » Corte No. 1 (p. 30)
      » Corte No. 2 (p. 31)
      » Corte No. 3 (p. 31)
      » El Corte No. 4 (p. 31)
      » Le Corte No. 5 (p. 31)
      » El Corte No. 6 (p. 31)
      » Le Corte No. 7 (p. 32)
      » Le Corte No. 8 (p. 32)
      » El Medio Corte No. 9 (p. 32)
      » Circa No. 10 (p. 32)
      » Carre (The Square) No. 11 (p. 32)
      » Cruzado con Corte No. 12 (p. 33)
      » Corte con Quebrado No. 13 (p. 33)
      » El Cruzado No. 14 (p. 33)
      » Les Ciseaux No. 15 (p. 33)
      » Le Huit Croise No. 16 (p. 34)
      » Huit Croise (The 8 Crosses) No. 17 (p. 34)
      » La Marche No. 17X (p. 34)
      » La Media Luna (The Half Moon) No. 18 (p. 35)
      » Media Luna No. 19 (p. 35)
      » La Media Luna No. 20 (p. 35)
      » La Media Luna No. 21 (p. 35)
      » Media Luna (Half Moon) No. 22 (p. 35)
      » The Paseo (The Walk) No. 23 (p. 36)
      » El Paseo de Lado No. 25 [sic] (p. 36)
      » El Paseo de Lado No. 25 (p. 36)
      » El Paseo No. 26 (p. 36)
      » Paseo con Golpe No. 27 (p. 37)
      » El Ocho (The Eighth) No. 28 (p. 37)
      » Las Tijeras (The Scissors) No. 29 (p. 37)
      » La Rueda (The Wheel) No. 30 (p. 38)
      » La Rueda No. 31 (p. 38)
      » The Fan No. 32 (p. 38)
      » Le Ronde No. 33 (p. 38)
      » La Promenade No. 34 (p. 39)
      » Tap Step No. 34X (p. 39)
      » Volteo No. 35 (p. 39)
      » Open Walk No. 36 (p. 39)
      » Tango No. 37 (p. 40)
      » Half-Time Step No. 38 (p. 40)
      » Corkscrew No. 39 (p. 40)
      » El Golpeado No. 40 (p. 40)
      » Argentine No. 1 (p. 41)
      » Argentine No. 2 (p. 41)
      » Argentine No. 3 (p. 41)
      » Argentine No. 4 (p. 42)
      » Argentine No. 5 (p. 42)
      » Argentine No. 6 (p. 42)
      » Recognized Tango Steps (p. 45)
      » Corte (p. 45)
      » El Paseo (p. 45)
      » Corte de la Dama (p. 46)
      » Corte de Lado (p. 46)
      » El Ocho Argentino (p. 47)
      » La Rueda (p. 47)
      » La Media Luna (p. 47)
      » Figura-del-Ebrio (p. 47)
      » Variations of El Paseo (p. 47)
      » La Figura Criolla (p. 48)
      » La Cruz (Variations) (p. 48)
      » Parisienne Tango (p. 49)
» The Maxixe or Mattchiche (p. 52)
      » Maxixe No. 2 (p. 57)
      » Maxixe No. 3 (p. 59)
      » Brazilian Maxixe (p. 60)
» La Forlana (p. 62)
» Castle Walks and One Steps (p. 66)
      » Castle Walk No. 1 (p. 67)
      » Castle Walk No. 2 (p. 68)
      » Castle Walk No. 3 (p. 68)
      » Castle Walk No. 4 (p. 68)
      » Castle Walk No. 5 (p. 69)
      » Castle Walk No. 6 (p. 69)
      » Castle Glide of Walk No. 7 (p. 69)
      » [Sampson's] Castle Walk (p. 70)
      » The Cassell Glide (p. 70)
      » One Step (p. 71)
      » One Step No. 2 (p. 71)
      » One Step "Variations" (p. 71)
      » No. 1 - Crab Step (p. 71)
      » No. 2 - Single Crab (p. 71)
      » Double Crab (p. 72)
      » Drag Step (p. 72)
      » The Kangaroo Hop (p. 72)
      » Wallaby Jump (p. 72)
      » The Judy Walk (p. 72)
      » Duck Waddle (p. 72)
      » Lame Duck (p. 72)
      » Turkey Trot (p. 72)
      » Toe and Heel (p. 73)
      » The Points (p. 73)
» Hesitations Waltz Combinations and Bostons (p. 74)
      » Hesitation (p. 75)
      » Atlantic City of American Beauty Hesitation (p. 76)
      » Hesitations (p. 77)
      » The Var-Sou Hesitation (p. 79)
      » [Faurot's] Hesitation Waltz (p. 80)
      » Rye Hesitation (p. 82)
      » One Step Hesitation (p. 83)
      » Dream Waltz (p. 84)
      » One Step Waltz (p. 86)
      » Hesitation with "Stroll Walk" (p. 87)
      » Lane School Waltz (p. 88)
      » Charmeuse Waltz or Boston (p. 89)
      » Cinderella (p. 90)
      » "Skip Boston" (p. 90)
      » Pompadour Waltz (p. 91)
      » The Marie Waltz (p. 91)
      » Humming Bird Dance (p. 92)
      » Original Boston (p. 93)
      » Boston Glide (p. 93)
      » The Long Boston (p. 94)
      » The Royal (p. 94)
» Combination Dances (p. 94)
      » Newman Tango (p. 96)
      » Newman Tango "Argentine" (p. 98)
      » Tango (p. 99)
      » Fan Tango (p. 100)
      » Texas Tommy (p. 100)
      » Four Step Waltz (p. 101)
      » English Boston (p. 102)
      » Philadelphia Boston (p. 102)
      » The Boston Spanish (p. 103)
      » Herring Bone Boston (p. 103)
      » Five Step Waltz (p. 104)
      » Aeroplane Waltz (p. 104)
      » [Newman's] Hesitation Waltz (p. 105)
      » Viennese Waltz (p. 108)
      » Luxembourg Valse (p. 108)
      » Dip Schottische (p. 110)
      » Dixie Swirl (p. 110)
      » The Arcade (p. 110)
      » Universal Schottische (p. 111)
      » The Eloise Three Step (p. 111)
      » Sorority Glide (p. 112)
      » Gavotte (p. 114)
      » Half and Half (p. 114)
» New Dances 1914-1915 (p. 116)
      » Ta Tao (p. 119)
      » One Step - The Walk (p. 122)
      » One Step - The Swirl, Circle, or Turn (p. 122)
      » One Step - Grape Vine of Serpentine (p. 122)
      » One Step - The Draw or Drag (p. 123)
      » One Step No. 2 (p. 123)
      » One Step No. 3 (p. 123)
      » One Step - The Pivot Turn (p. 123)
      » One Step - The Dip (p. 124)
      » One Step - The Grape Vine (p. 124)
      » One Step - The One Step Eight (p. 124)
      » One Step - The Square (p. 124)
      » One Step - Chassez Step (p. 124)
      » One Step - Third Bar (p. 124)
      » One Step - Fix and Sixth Bars (p. 124)
      » One Step - The Castle Turn (Arabesque Turn) (p. 125)
      » One Step - The Crosses and Turn (p. 125)
      » One Step - The Pivot (p. 125)
      » One Step - The Walk Around Pivot (p. 125)
      » One Step - Lame Duck Step (p. 126)
      » One Step - Side by Side Step (p. 126)
      » One Step - The Tap (p. 126)
      » One Step - The Whirl (p. 126)
      » One Step - The Two Circles (p. 126)
      » One Step - Serpentine Step (p. 127)
      » One Step - Serpentine One Step (p. 127)
      » One Step - The Point (p. 127)
      » One Step - Skip One Step (p. 127)
      » One Step - Castle Walk or One Step (p. 127)
      » One Step Hesitation (p. 128)
      » One Step (p. 129)
      » [Rothard's] One Step (p. 129)
      » One Step (p. 131)
      » One Step Canter (p. 132)
      » One Step Canter (p. 133)
      » Waltz Canter (p. 133)
      » [Quinlan] Half and Half (p. 134)
      » [Miles'] Half and Half (p. 137)
      » [Castle] Half and Half (p. 138)
      » Furlana (p. 141)
      » Venetian Rose (La Furlano) (p. 143)
      » The Twinkle (p. 146)
      » Twinkle No. 2 (p. 146)
      » Twinkle Hesitation Waltz (p. 147)
      » Blue Danube Hesitation (p. 148)
      » Twinkle Hesitation (p. 149)
      » "Scroll" Hesitation Waltz (p. 150)
      » [Soby's] Hesitation Waltz (p. 150)
      » Hesitation Undercut (p. 151)
      » [Prinz's] Hesitation Waltz (p. 151)
      » [Zebley's] Hesitation Waltz (p. 152)
      » Spanish Hesitation Waltz (p. 153)
      » Mistletoe Hesitation (p. 154)
      » Exeter Waltz (p. 154)
      » Waltz of the Winds (p. 155)
      » Brazilian Polka (p. 157)
      » Lu-Lu-Fada (p. 157)
      » Yankee Doodle One Step (p. 158)
      » Society Jingle (p. 159)
      » [Sampson's] Maxixe (p. 159)
      » Exeter Caprice (p. 160)
      » Pan-American Glide (p. 161)
      » American Grapevine Dance (p. 161)
      » Fox Trot (p. 162)
      » Fox Trot No. 2 (p. 163)

Cole's Book Arcade. (c. 1914). The Pocket Guide to the Dances. Melbourne: Cole's Book Arcade. (pdf) {NLA} [Powers]

Set Dances

» First Set Quadrille (p. 1)
» Parisian Quadrille (p. 1)
» Waltz Cotillion (p. 1)
» Alberts Quadrille (p. 1)
» Fitzroy Quadrille (p. 1)
» Exions Quadrille (p. 1)
» Caledonians Quadrille (p. 1)
» Lancers (p. 1)

Charles d'Albert. (1914). Ta-Tao - A Description of the Dance. [WorldCat]


Danse Publishing Co. (pub.) (1914). The New Dances: As Executed by the Foremost Exponents of the Danse. New York: Danse Publishing Co. [WorldCat]


Dare, Phyllis. (c. 1914). "Tips for the Tango." Strand Magazine. London George Newnes. (pdf) {archive}


Mr. & Mrs. Rowley Downes. (1914). Modern Dancing Simplified. Worcester, MA: Harrigan Press, Inc. (pdf) {Powers} [Powers]

Couple Dances

» The One-Step (p. 18)
      » The Lame Duck (p. 20)
      » The Single Cross-Over (p. 20)
      » The Double Cross-Over (p. 21)
      » The Polka Skip (p. 22)
      » Turning Corners (p. 23)
» Hesitation Waltz (p. 25)
      » The Hesitation Waltz Step (p. 25)
      » The Viennese Turn (p. 27)
      » The Single Cross-Over (p. 28)
      » The Double Cross-Over (p. 29)
      » The Lame Duck (p. 29)
      » Turning Corners (p. 30)
» The Maxixe (p. 31)
      » First Step (Maxixe Walk) (p. 32)
      » Second Step (Maxixe Step) (p. 33)
      » Third Step (Heel and Toe Forward) (p. 34)
      » Fourth Step (Heel and Toe Back) (p. 35)
      » Second Step (p. 35)
      » Fifth Step (Skip Maxixe) (p. 36)
      » Sixth Step (Half Circle Maxixe) (p. 36)
      » Seventh Step (Skate Step) (p. 37)
      » Eight Step (Heel and Toe Forward Reverse Position) (p. 38)
      » Ninth Step (Heel and Toe Back Reverse Position) (p. 38)
      » Tenth Step (Maxixe Reverse Position) (p. 39)
      » Eleventh Step (The Flirtation Step) (p. 39)
      » Twelfth Step (The Turn and Circle Maxixe) (p. 40)
      » Thirteenth Step (The Straight Arm Maxixe) (p. 40)
      » Fourteenth Step (Regular Maxixe) (p. 40)
      » Additional Step of the Maxixe (p. 41)
» The Argentine Tango (p. 42)
      » First Step (The Walk) (p. 44)
      » Second Step (The Cortez) (p. 44)
      » The Double Cortez (p. 46)
      » The Double Scissors (p. 48)
      » The Single Scissors (p. 48)
      » The Walk and Touch (p. 49)
      » The Circle (p. 51)
      » Additional Steps (p. 51)
» Combination Dances (p. 53)

Fatima Turkish Blend Cigarettes. (1914). Fatima Moving Picture Dance Book [A series of flip books, each showing a couple dancing]. San Francisco: Liggett & Myers Tobacco Company. [UVL]

Couple Dances

» A. One Step
» B. Argentine Tango
» C. Hesitation Step and Butterfly
» D. Maxixe Steps
» E. Russian Steps of the Maxixe
» F. One Step
» G. Argentine Tango
» H. Aeroplane Steps of the Maxixe
» I. Flirtation Steps of the Maxixe
» J. Circle Steps of the Maxixe

Fatima Turkish Blend Cigarettes. (c. 1914). Fancy Hesitation Waltz, as danced by Emily Francis & Ellsworth Cook. San Francisco: Liggett & Myers Tobacco Company. [UVL]


Fatima Turkish Blend Cigarettes. (c. 1914). Hesitation Waltz, as danced by Miss Ray Gilmore and Mr. Herbert Davis San Francisco: Liggett & Myers Tobacco Company. [UVL]


Prof. Ch. Favart. (c. 1913). Il Tango: Come Si Balla Il Tango, Il Passo Dell'Orso, Il Trotto Del Tacchino, L'One-Step, Il "Triple" Boston E La Maxixe Brasiliana. Milan. (pdf) {Powers} [Powers]

Couple Dances

» Il Tango (p. 41)
» Il Passo dell'Orso (p. 46)
» Il Trotto del Tacchino (p. 48)
» L' One Step (p. 50)
» Il Triple Boston (p. 53)
» La Maxixe Brasiliana (p. 55)

















Malvin M. Franklin. (1914). Modern Dances: Society's Latest Dance Folio, No. 1. New York: Knickerbocker Music. (pdf) [Powers]

Couple Dances

» Tango (♬) (p. 4)
      » No. 1 (p. 4)
      » No. 2 (p. 4)
      » No. 3 (p. 4)
      » No. 4 (p. 4)
      » No. 5 (p. 4)
      » No. 6 (p. 4)
» Hesitation and Boston (♬) (p. 8)
      » No. 1 (p. 8)
      » No. 2 (p. 8)
      » No. 3 (p. 8)
      » No. 4 (p. 8)
      » No. 5 (p. 8)
      » No. 6 (p. 8)
» Maxixe (♬) (p. 12)
      » No. 1 (p. 12)
      » No. 2 (p. 12)
      » No. 3 (p. 12)
      » No. 4 (p. 12)
      » No. 5 (p. 12)
      » No. 6 (p. 12)
      » No. 7 (p. 12)
» Trot (♬) (p. 17)
      » No. 1 (p. 17)
      » No. 2 (p. 17)
      » No. 3 (p. 17)
      » No. 4 (p. 17)
      » No. 5 (p. 17)
      » No. 6 (p. 17)
» Half and Half (♬) (p. 22)
      » No. 1 (p. 22)
      » No. 2 (p. 22)
      » No. 3 (p. 22)
      » No. 4 (p. 22)
      » No. 5 (p. 22)
      » No. 6 (p. 22)

Francesco Giovannini. (1914). Ballo D'Oggi. Milan. [Powers] [WorldCat]


Eugène Giraudet. (1914). Methode Moderne De Danse. Paris. (pdf for Tango) {Powers} [Powers]

Couple Dances

» Habanera (Lolita) (p. 156)
» L'Imitative (p. 158)
» Le Tango-Boston (p. 159)
» Le Bostang (p. 161)
» Tango (p. 162)
      » El Paséo (p. 164)
      » La Marche (p. 165)
      » El Médio Corté (p. 165)
      » El Corté (p. 165)
      » Média Luna (p. 167)
      » El Cruzado (p. 168)
      » El Chassé (p. 169)
      » El Ocho (p. 170)
      » La Ruada (p. 171)
      » El Frotado (p. 171)
      » El Abanico (p. 172)
      » El Molinete (p. 173)
» Tango No. 13 (p. 174)
» Tango de Salon Abrégé (p. 175)
» Tango de Casinos (p. 175)
» Pas de L'Ours (p. 176)
» Pas Canadien (p. 177)
» Pas de Six (p. 178)
» Cake-Walk Parisien (p. 179)
» La Béguinette (p. 181)

J. S. Hopkins. (1914). The Tango And Other Up-To-Date Dances. Chicago: The Saalfield Publishing Company. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Powers]

Couple Dances

» The One Step (p. 20)
» The Grapevine Dip (p. 24)
» The One Step (p. 25)
» The Serpentine or Grapevine One Step (p. 27)
» The Skip One Step (p. 32)
» The Castle Walk (p. 34)
» The Lame Duck Step (p. 36)
» The Tango (p. 41)
» The Maurice Tango (p. 45)
» The Santley Tango (p. 54)
» The Argentine Tango (p. 63)
» The Argentine Tango, No. 2 (p. 70)
» The Innovation (p. 76)
» The Brazilian Maxixe (p. 79)
» The Shuffle (p. 86)
» The Twinkle (p. 89)
» The Hesitation Waltz (p. 91)
» The Long Boston (p. 96)
» The Hesitation Waltz, No. 2 (p. 100)
» The Castle Hesitation (p. 101)
» Hesitation Waltz, No. 3 (p. 102)
» The Dow Hesitation (p. 105)
» Hesitation (p. 106)
» The Dip Hesitation (p. 109)
» Hesitation, No. 2 (p. 110)
» The Maori Hesitation (p. 113)
» The Sebastian Hesitation (p. 114)
» Hesitation, No. 3 (p. 115)
» The Dream Hesitation (p. 116)
» Hesitation, No. 4 (p. 119)
» The Swallow Hesitation (p. 120)
» Hesitation, No. 5 (p. 123)
» The Ocean Roll Hesitation (p. 124)
» The Parisienne Kick Hesitation (p. 127)
» The Pivot Hesitation (p. 131)
» The Stately Hesitation (p. 132)
» The Open Hesitation (p. 136)

Charles L. Johnson. (1914). Honeysuckle Tango or One-Step, with Correct Tango Steps. Chicago: Foster Music Publisher. (pdf) {google} {york}

Couple Dances

» The Tango (♬) (p. 1)
      » [The Walk] (p. 1)
      » [The Corté] (p. 1)
      » The "Three-Step" (p. 1)
      » The "Scissors Step" (p. 1)
      » The "Four-Step" (p. 1)













Troy and Margaret West Kinney. (1914). Social Dancing Of To-Day, Demonstrated By Mr. John Murray Anderson. New York: Frederick A. Stokes Company. (pdf1) (pdf2) (djvu) (djvu) {google} {archive} {archive2} [Powers]

Couple Dances

» The One-Step (p. 11)
      » The Castle Walk (p. 11)
      » The Turn (p. 11)
      » The Dip (p. 13)
      » The Grape-Vine (p. 13)
      » The One-Step Eight (p. 14)
      » The Square (p. 14)
      » Figure 7 (p. 16)
      » The Murray Anderson Turn (p. 17)
      » Figure 9 (p. 18)
      » Figure 10 (p. 19)
» The Boston (p. 21)
      » Figure 1 (p. 21)
      » Figure 2 (p. 22)
      » The Boston Dip (p. 22)
      » Figure 4 (p. 26)
      » Figure 5 (p. 26)
» The Hesitation Waltz (p. 27)
      » Figure 1 (p. 27)
      » The Reverse (p. 28)
      » Figure 3 (p. 28)
      » The Lyon Chasse (p. 28)
» The Argentine Tango (p. 30)
      » The Tango Walk (El Paseo, Le Promenade) (p. 35)
      » The Corte (p. 37)
      » The Scissors (Las Tijeras, Les Ciseaux) (p. 37)
      » The Media Luna (La Demi-Lune) (p. 39)
      » The Eight (El Ocho, Le Huit) (p. 39)
      » A Waltz Turn (p. 41)
      » An Easy Step (p. 42)
      » An Exhibition Figure (p. 43)
      » El Volteo (The Whirl) (p. 45)
» Brazilian Maxixe (p. 45)
      » Figure 1 (p. 46)
      » A Flying Two-Step (p. 46)
      » Figure 3 (p. 46)
      » An Arch a La Pirouette (p. 47)

Troy and Margaret West Kinney. (1914). The Dance: Its Place In Art And Life. New York: Frederick A. Stokes Company. (pdf) (djvu) (txt) {google} {archive} [Powers]

Note: This is an extensive history of dancing around the world, along with some Ragtime dance descriptions. The descriptions are largely the same as the above, but in some cases (for example, the last figure) they are slightly different.

Couple Dances

» The One-Step (p. 277)
      » The Castle Walk (p. 277)
      » The Turn (p. 277)
      » The Dip (p. 278)
      » The Grape-Vine (p. 278)
      » The One-Step Eight (p. 279)
      » The Square (p. 279)
      » Figure 7 (p. 280)
      » The Murray Anderson Turn (p. 281)
      » Figure 9 (p. 282)
      » Figure 10 (p. 283)
» The Boston (p. 284)
      » Figure 1 (p. 284)
      » Figure 2 (p. 285)
      » The Boston Dip (p. 285)
      » Figure 4 (p. 288)
      » Figure 5 (p. 288)
» The Hesitation Waltz (p. 289)
      » Figure 1 (p. 289)
      » The Reverse (p. 290)
      » Figure 3 (p. 290)
      » The Lyon Chasse (p. 290)
» The Argentine Tango (p. 291)
      » The Tango Walk (El Paseo, Le Promenade) (p. 294)
      » The Corte (p. 295)
      » The Scissors (Las Tijeras, Les Ciseaux) (p. 295)
      » The Media Luna (La Demi-Lune) (p. 296)
      » The Eight (El Ocho, Le Huit) (p. 296)
      » A Waltz Turn (p. 297)
      » An Easy Step (p. 298)
      » An Exhibition Figure (p. 299)
      » El Volteo (The Whirl) (p. 300)
» Brazilian Maxixe (p. 300)
      » Figure 1 (p. 301)
      » A Flying Two-Step (p. 301)
      » Figure 3 (p. 301)
      » An Arch a La Pirouette (p. 302)
      » Figure 5 (p. 301)

T. G. MacLennan. (1914). Ta-Tao - Directions For Correctly Dancing The Latest London And Paris Success (Description And Music). New York. [Powers]


Chicago Tribune (pub.). (1914, June 9). "Tango's Wiggles to Be Amputated." Chicago Tribune. (html)

Note: This is an article naming some recent developments in the waltz and "heralding" the Ta-Tao.


Alice Martin (theory), McNari Ilgenfritz (comp.). (1914). Original Hesitation Waltz. New York: Edward Schuberth & Co. (pdf1) (pdf2) {Powers} {jhu} [Powers]

Couple Dances

» The Original Hesitation Waltz (♬) (p. 1)
      » The Hesitation Step (p. 1)
      » The Change (p. 1)
      » The Pivot Turn (p. 1)
      » The Straight Drop (p. 1)
      » The Slanting Drop (p. 1)
      » The Back Bend (p. 1)
      » Long Sliding Step (p. 1)
      » The Pirouette (p. 1)























Thomas McDougall (dance), William Penn (comp.). (1914). The Fox Trot - Dance Description, with Sheet Music for Old Homestead Fox Trot. New York: The Penn Music Co. (pdf1) (