Vintage Dance Manuals

A collection of historical dance descriptions,
with over 1,500 available as free downloads,
and indexes of the dances contained in them.

(3,988 listed, 1,510 downloadable, 1,679 indexed)

and many more coming soon!

Curated by Nick Enge

In addition, the Library of Dance
maintains a separate collection of historical
Anti-Dance Treatises.

If you know of another dance manual that is not yet listed here,
or want to contribute a digital copy of a source that is not yet available here,
.


Table of Contents

» 15th Century
» 16th Century
» 17th Century
» 18th Century
» 19th Century
» 20th Century
» 21st Century


Legend

» Bold entries denote sources that can be downloaded from this website. Other entries are known to exist, but are not yet available for download.

» (Parentheses) denote links to downloadable digital copies, in .pdf, .djvu, and .txt format. For .djvu files, you'll need a djvu reader (free). For the .txt files, take them with a grain of salt - most were OCRed by Archive.org, and while some times there's text that's useful (mostly for search purposes), other times there's total garbage.

» {Curly brackets} denote links to additional information, including the original sources of the digital downloads, or additional analysis. Downloads unique to this page (i.e., those from my personal collection) can be found by searching for {Enge}.

» [Square brackets] denote copies known to exist in my library [Enge], Richard Powers' library [Powers], and other libraries around the world [WorldCat].

» A following the name of a dance denotes that accompanying music is provided in that source.

» A followed by a number denotes that the source has listed the corresponding metronome marking for that dance in beats per minute. Where metronome markings are provided in more complex forms, i.e., 88 dotted half notes per minute for Cellarius' valse à deux temps, I have converted them to simple bpm.



Dance Manuals (Chronological)



Turn of the 15th Century



Domenico da Piacenza. (c. 1425). De Arte Saltandi Et Choreas Ducendi. Paris Ms. (pdf) {Lindahl} {reconstructions of most figures} [Powers]


Antonio Cornazzano. (1455). Libro Dell'Arte Del Danzare. Rome Ms. [Powers] [WorldCat]


Guglielmo Ebreo. (1463). De Pratica Seu Arte Tripudii Vulgare Opusculum. Paris Ms. [Powers] [WorldCat]


Guglielmo Ebreo. (©1463/1993). De Pratica Seu Arte Tripudii Vulgare Opusculum [Barbara Sparti Translation]. Oxford. [Powers] [WorldCat]


Giovanni Ambrosio. (c.1465). De Practica Seu Arte Tripudii Vulgare Opusculum. Paris Ms. [Powers]


Guglielmo Ebreo. (©1465/1873). Trattato Dell'Arte Del Ballo [Zambrini Edition]. Florence Ms. [Powers] [WorldCat]


Michel Toulouze. (1488). S'ensuit L'Art Et Instruction De Bien Dancer. Paris. (pdf) {Lindahl} [Powers]


[Anonymous]. (c. 1495). Basses Danses Dites De Marguerite d'Autriche [a.k.a. The Brussels Manuscript]. Brussels Ms. (pdf) (djvu) {congress} {archive}


[Anonymous]. (c. 1496). The Cervera Manuscript. Cervera Ms. (pdf) {Lindahl} [Powers]



Turn of the 16th Century



Johannes Cochläus. (1517). The Nürnberg Manuscript. Nürnberg Ms. (pdf) {Lindahl} [Powers]


Robert Coplande. (1521). Manner of Dauncynge of Bace Daunces. London. (Patri transcription) [Powers]


Jacques Moderne. (c. 1532). S'ensuyvent Plusieurs Basses Dances Tant Communes Que Incommunes. Ms. (pdf) (Mathias translation) {Lindahl}


Antoine Arena. (1538). Antonius Arena, Provincialis de Bragardissima Villa de Soleriis. Leone. (pdf) {BNF}


[Anonymous]. (c. 1550). Reglas de Dançar. Madrid.


Giovannino e Il Lanzino e Il Papa. (c. 1550). Manoscritto Di Balletti. Fiorenza. (Casazza & Cain transcription)


Francesco Berdusi. (1553). Opera Nova Di Balli. Venetia. (pdf) {BSB}


Estienne de Testre. (1557). Septième Livre De Danceries Mis En Musique A Quatre Parties. Paris. (pdf) {IMSLP}


Lutio Compasso. (1560). Ballo Della Galiarda. Opera Nuova E Dilettevole. Fiorenza [Florence].


Giovvani Evangelista Pappazzoni. (c. 1576-1608). Tractatus De Arte Saltandi Italicus. Ms. (ONB)


Fabritio Caroso. (1581). Il Ballarino. Venice. (pdf1) (pdf2) (pdf3) (djvu) {Lindahl} {imslp} {congress} {archive} [Powers]


Balthasar de Beaujoyeulx. (1582). Balet Comique De La Royne, Faict Aux Nopces De Monsieur Le Duc De Joyeuse & Madamoyselle De Vaudemont, Sa Soeur. Paris. (pdf) {ONB}


Thoinot Arbeau [Jehan Tabourat]. (1589). Orchésographie. Lengres. (pdf) (djvu) {congress} {archive} [Powers]


Thoinot Arbeau [Jehan Tabourat]. (©1589/1925). Orchésographie [1925 Cyril W. Beaumont Edition]. Langres. [Powers] [WorldCat]


Thoinot Arbeau [Jehan Tabourat]. (©1589/1948). Orchésographie [1948 Mary Stewart Evans Edition]. Langres. [Powers] [WorldCat]


Thoinot Arbeau [Jehan Tabourat]. (©1589/1967). Orchésographie [1967 Julia Sutton Edition]. Langres. [Powers] [WorldCat]


Prospero Luti. (1589). Opera Bellissima Nella Quale Si Contengono Molte Partite Et Passeggi Di Gagliarda. Perugia. (Casazza transcription) (Google translation of Casazza transcription)


Giovanni Boccaccio. (1590). Il Decamerone. Venice. [Powers] [WorldCat]


John Davies. (1596). Orchestra Or A Poeme Of Dauncing: Iudicially Proouing The True Obseruation Of Time And Measure, In The Authenticall And Laudable Vse Of Dauncing. London. (pdf) {EEBO}



Turn of the 17th Century



Fabritio Caroso. (1600). Nobiltà Di Dame. Venetia [Venice]. (pdf) (djvu) {congress} {archive} [Powers]


Cesare Negri. (1602). Le Gratie D'Amore. Milano [Milan]. [Powers] [WorldCat]

Note: See Negri (1604) for later edition, identical in content. See Lindahl for (purely aesthetic) differences.


Cesare Negri. (1604). Nuove Inventioni Di Balli. Milano [Milan]. (pdf1) (pdf2) (pdf3) (pdf4) (djvu) {Lindahl} {google} {BNF} {congress} {archive} [Powers]


Thomas Pelletier. (1604). La Nourriture De La Noblesse Où Sont Representées Comme En Un Tableau, Toutes Les Plus Belles Vertus, Qui Peuvent Accomplir Un Jeune Gentilhomme. London. (pdf) {google}


[Anonymous]. (1607). Recueil Des Masquarades Et Jeu De Prix à La Course Du Sarazin, Faits Ce Karesme-Prenant En La Présence De Sa Majesté à Paris. Paris. (pdf) {BNF}


Thomas Campion. (1607). The Discription of a Maske, Presented before the Kinges Maiestie at White-Hall, on Twelfth Night Last, in Honour of the Lord Hayes, and His Bride, Daughter and Heire to the Honourable the Lord Dennye, Their Marriage Hauing Been the Same Day at Court Solemnized. London. (pdf) {Godfreys}


Livio Lupi da Carravaggio. (1607). Libro Di Gagliarda, Tordiglione, Passo È Mezzo Canari È Passegi. Palermo. (pdf) {SCA} [Powers]


Lorenzo Franceschi, Matthäus Greuter. (1608). Ballo E Giostra De'venti, Nelle Nozze Del Serenissimo Principe [Cosimo de Medici] E Della Serenissima Principessa [Maria Maddalena] Di Toscana, Arciduchessa d'Austria. Firenze [Florence]. (pdf) {google}


Jean Heroard. (1609). De l'Institution Du Prince. Paris. (pdf) {BNF}


[Anonymous]. (1610). Ballet De Monseigneur Le Duc De Vandosme. Paris. (pdf) {BNF}


Anthoine Emeraud [?]. (c. 1610). Instruction Pour Dancer Les Dances Cy Apres Nommez. Wiesbaden Ms.


[Anonymous]. (1611). Balletti Moderni Facili Per Sonar Sopra Il Liuto. Venetia [Venice]. (pdf) {BNF}


[Anonymous]. (1612). Recueil Des Plus Excellens Ballets De Ce Temps. Paris.


François Fassardi. (1612). Le Grand Bal De La Reine Marguerite. Lyon. (pdf) {BNF}


Ercole Santucci. (1614). Mastro Da Ballo. Stockholm Ms. [WorldCat]


Jacques Mangeant (pub.). (1615). Recueil Des Plus Beaux Airs Accompagnes. Caen. (pdf) {BNF}


Étienne Durand, René Bordier, Pierre Guédron. (1617). Discours Au Vrai Du Ballet Dansé Par Le Roy. Paris. (pdf) {BNF}


Marc Maillet. (1617). Balet De La Reuanche Du Mespris d'Amour. Londres. (pdf) {EEBO}


Scipion de Gramont. (1619). Relation Du Grand Ballet Du Roi. Paris. (pdf) {BNF}


Boisrobert. (1623). Le Grand Ballet De La Reyne Dansé Au Louvre Le 5 De Mars De l'An 1623. Paris. (pdf) {BNF}


F. [François] de Lauze. (1623). Apologie De La Danse. (pdf) {BNF}


F. [François] de Lauze. (©1623/1952). Apologie De La Danse [1952 Joan Wildeblood Translation]. [Powers] [WorldCat]


René Bordier. (1625). Les Fées Des Forests De Saint Germain. Paris. (pdf1) (pdf2) {BNF1} {BNF2}


René Bordier. (1626). Grand Bal De La Douairière De Billebahaut. Paris. (pdf1) (pdf2) {BNF1} {BNF2}


Claude de l'Estoile. (1626). Maistre Galimathias. Paris. (pdf) {BNF}


Fabritio Caroso. (1630). Raccolta Di Varij Balli Fatti In Occorrenze Di Nozze E Festini Da Nobili Cavalieri E Dame Di Diuerse Nationi Nuouamente Ritrouati. Paris. (pdf) {BNE}

Note: Reprint of Caroso, 1600 with new title page.


John Ramsey. (c. 1630). Practice For Dauncinge. [Powers] [WorldCat]


F. Marin Mercenne. (1636). Harmonie Universelle. Paris. (IMSLP)


George Chapman, James Shirley. (1639). The Ball. A Comedy As It Was Presented By Her Majesties Servants. London. [WorldCat]


[Anonymous]. (c. 1640). The Lovelace Manuscript. Paris. (SCA)


Juan de Esquivel Navarro. (1642). Discursos Sobre El Arte Del Dançado. Sevilla. (pdf) {BNE}


[Anonymous]. (c. 1643). Ballet Pour Le Mariage De Monsieur De La Berchère. Paris. (pdf) {BNF}


[Anonymous]. (c. 1643). Ballet Des Rues De Paris Recit Aux Dames. Paris. (pdf) {BNF}


[Anonymous]. (c. 1650). Xácara. Madrid Ms.


John Playford, ed. (1651). The English Dancing Master [1st Edition]. London. (pdf) {Lindahl} {Lewis transcription} {Keller analysis}

Note: All capitalizations and spelling sic.

Country Dances

» Upon a Summers Day (♬) (p. 1)
» Blew Cap (♬) (p. 2)
» The Night Peece (♬) (p. 3)
» Boate man (♬) (p. 4)
» The Begger Boy (♬) (p. 5)
» Parsons farewell (♬) (p. 6)
» Bobbing Joe (♬) (p. 7)
» The New Exchange (♬) (p. 8)
» The Whish (♬) (p. 9)
» Stingo, Or the Oyle of Barly (♬) (p. 10)
» The Wherligig (♬) (p. 11)
» Picking of Sticks (♬) (p. 12)
» The Old Mole (♬) (p. 13)
» Grimstock (♬) (p. 14)
» Wooddicock (♬) (p. 15)
» Greenwood (♬) (p. 16)
» The Saraband (♬) (p. 17)
» Hit and misse (♬) (p. 18)
» Confesse (♬) (p. 19)
» Mage on a Cree (♬) (p. 20)
» A Health to Betty (♬) (p. 21)
» Millisons Jegge (♬) (p. 22)
» The Spanish Jeepsie (♬) (p. 23)
» Lady Spellor (♬) (p. 24)
» Kemps Jegg (♬) (p. 25)
» The Cherping of the Larke (♬) (p. 26)
» If all the World were Paper (♬) (p. 27)
» Adsons Saraband (♬) (p. 28)
» Nonesuch (♬) (p. 29)
» Daphne (♬) (p. 30)
» The merry merry Milke Maids (♬) (p. 31)
» Mill-field (♬) (p. 32)
» The fine Companion (♬) (p. 33)
» Skellamefago (♬) (p. 34)
» Cast a Bell (♬) (p. 35)
» The Spanyard (♬) (p. 36)
» Rose is white and Rose is red (♬) (p. 37)
» Have at thy Coat old woman (♬) (p. 38)
» Drive the cold winter away (♬) (p. 39)
» The Gun (♬) (p. 40)
» Peppers Black (♬) (p. 41)
» The Maid peept out at the window, or the Frier in the Well (♬) (p. 42)
» Halfe Hannikin (♬) (p. 43)
» Lord of Carnarvans Jegg (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» Faine I would (♬) (p. 46)
» Once I loved a Maiden faire (♬) (p. 47)
» The Irish Lady, or Anniseed-water Robin (♬) (p. 48)
» All a Mode de France (♬) (p. 49)
» My Lady Cullen (♬) (p. 50)
» The Bath (♬) (p. 51)
» Goddesses (♬) (p. 52)
» Jog on (♬) (p. 53)
» Hearts Ease (♬) (p. 54)
» The Health (♬) (p. 55)
» Jack Pudding (♬) (p. 56)
» Prince Ruperts March (♬) (p. 57)
» Argeers (♬) (p. 58)
» Dissembling Love (♬) (p. 59)
» The London Gentlewoman, or the Hemp-Dresser (♬) (p. 60)
» Lavena (♬) (p. 61)
» Mayden Lane (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Chirping of the Nightingale (♬) (p. 64)
» Souldiers Life (♬) (p. 65)
» Saint Martins (♬) (p. 66)
» Cuckolds all a row (♬) (p. 67)
» Petticoat wag (♬) (p. 68)
» Pauls Steeple (♬) (p. 69)
» Rufty tufty (♬) (p. 70)
» All in a Garden green (♬) (p. 71)
» Sedanny, or Dargason (♬) (p. 71)
» The Punks Delight (The new way) (♬) (p. 72)
» Aye Me, or the Simphony (♬) (p. 73)
» Broome: The bonny bonny Broome (♬) (p. 74)
» The Milke-Mayds Bobb (♬) (p. 75)
» An Old man is a Bed full of bones (♬) (p. 76)
» Newcastle (♬) (p. 77)
» Cheerily and merrily (♬) (p. 78)
» The Countrey Coll (♬) (p. 79)
» Saturday night and Sunday morn (♬) (p. 80)
» Dull Sir John (♬) (p. 81)
» Hockley in the hole (♬) (p. 82)
» New Boe peep (♬) (p. 83)
» The Fryar and the Nun (♬) (p. 84)
» Chestnut (or Doves Figary) (♬) (p. 85)
» Pauls Wharfe (♬) (p. 86)
» Stanes Morris (♬) (p. 87)
» Tom Tinker (♬) (p. 88)
» Kettle Drum (♬) (p. 89)
» Mundesse (♬) (p. 90)
» Hide Parke (♬) (p. 91)
» Lady lye neare mee (♬) (p. 92)
» Lulle me beyond thee (♬) (p. 93)
» The Glory of the West (♬) (p. 94)
» Jenny pluck Pears (♬) (p. 95)
» Gathering Peascods (♬) (p. 96)
» Up Tailes all (♬) (p. 97)
» New New Nothing (♬) (p. 98)
» Scotch Cap (♬) (p. 99)
» Step Stately (♬) (p. 100)
» Shepheards Holyday, or Labour in Vaine (♬) (p. 101)
» Row well ye Marriners (♬) (p. 102)
» Graies Inne Maske (♬) (p. 103)
» The Slip (♬) (p. 104)

John Playford, ed. (1652). The Dancing Master [2nd Edition]. London. (pdf) {imslp} {Shipbrook transcription} {Keller analysis}

Note: All capitalizations and spelling sic. Adds dances to the 1st Edition (1651), in addition to alphabetizing the dances and changing the spelling of some of the names.

Country Dances

» All in a Garden green (♬) (p. 1)
» Adsons Saraband (♬) (p. 2)
» All a Mode de France (♬) (p. 3)
» Aye me, Or the Simphony (♬) (p. 4)
» Argeers (♬) (p. 5)
» An Old man is a Bed full of bones (♬) (p. 6)
» Blew Cap (♬) (p. 7)
» Boat-man (♬) (p. 8)
» The Begger Boy (♬) (p. 9)
» Bobbing Joe (♬) (p. 10)
» The Bath (♬) (p. 11)
» Broome: The bonny bonny Broome (♬) (p. 12)
» Confesse (♬) (p. 13)
» The Chirping of the Larke (♬) (p. 14)
» Cast a Bell (♬) (p. 15)
» Chirping of the Nightingale (♬) (p. 16)
» Cheerily and merrily (♬) (p. 17)
» The Country Coll (♬) (p. 18)
» Cuckolds all a row (♬) (p. 19)
» Chestnut (or Doves Figary) (♬) (p. 20)
» Daphne (♬) (p. 21)
» Drive the cold Winter away (♬) (p. 22)
» Dissembling Love (♬) (p. 23)
» Dargason, or Sedany (♬) (p. 24)
» Dull Sir John (♬) (p. 25)
» The Fine Companion (♬) (p. 26)
» Faine I would (♬) (p. 27)
» The Fryar and the Nun (♬) (p. 28)
» Grimstock (♬) (p. 29)
» Greenwood (♬) (p. 30)
» The Gun (♬) (p. 31)
» Goddesses (♬) (p. 32)
» Grayes Inne Maske (♬) (p. 33)
» Gathering Peascods (♬) (p. 34)
» The Glory of the West (♬) (p. 35)
» Hit and Misse (♬) (p. 36)
» A Health to Betty (♬) (p. 37)
» Have at thy Coat old woman (♬) (p. 38)
» Halfe Hannikin (♬) (p. 39)
» Hearts Ease (♬) (p. 40)
» The Health (♬) (p. 41)
» Hockley in the hole (♬) (p. 42)
» Hide Parke (♬) (p. 43)
» If all the World were Paper (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» The Irish Lady, or Aniseed-water Robin (♬) (p. 46)
» Jog on (♬) (p. 47)
» Jack Pudding (♬) (p. 48)
» Jack a Lent (♬) (p. 49)
» Jenny pluck Pears (♬) (p. 50)
» I loved thee once, I love no more (♬) (p. 51)
» Keps Jegg (♬) (p. 52)
» Kettle Drum (♬) (p. 53)
» Lady Spellor (♬) (p. 54)
» Lord of Carnarvans Jegg (♬) (p. 55)
» My Lady Cullen (♬) (p. 56)
» The London Gentlewoman, Or the Hemp-Dresser (♬) (p. 57)
» Lavena (♬) (p. 58)
» Lady lye near me (♬) (p. 59)
» Lulle me beyond thee (♬) (p. 60)
» Mage on a Cree (♬) (p. 61)
» Millisons Jegg (♬) (p. 62)
» The merry merry Milk Maids (♬) (p. 63)
» Mill-field (♬) (p. 64)
» The Maid peept out at the window, Or the Frier in the Well (♬) (p. 65)
» Mayden Lane (♬) (p. 66)
» The Milk-Mayds Bobb (♬) (p. 67)
» Mundesse (♬) (p. 68)
» The Night Peece (♬) (p. 69)
» The New Exchange (♬) (p. 70)
» None such (♬) (p. 71)
» Newcastle (♬) (p. 72)
» New New Nothing (♬) (p. 73)
» New Boe peep (♬) (p. 74)
» The Old Mole (♬) (p. 75)
» Once I lov'd a Maiden fair (♬) (p. 76)
» Parsons farewell (♬) (p. 77)
» Picking of sticks (♬) (p. 78)
» Peppers Black (♬) (p. 79)
» Petticoat wag (♬) (p. 80)
» Pauls Steeple (♬) (p. 81)
» The Punks Delight (♬) (p. 82)
» Parson upon Dorothy (♬) (p. 83)
» Pauls Wharfe (♬) (p. 84)
» Rose is white and Rose is red (♬) (p. 85)
» Row well ye Marriners (♬) (p. 86)
» Stingo, or the Oyle of Barley (♬) (p. 87)
» The Saraband (♬) (p. 88)
» The Spanish Jeepsie (♬) (p. 89)
» Skellamefago (♬) (p. 90)
» The Spanyard (♬) (p. 91)
» Souldiers life (♬) (p. 92)
» Saint Martins (♬) (p. 93)
» Saturday night and Sunday morn (♬) (p. 94)
» Stanes Morris (♬) (p. 95)
» Scotch Cap (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Solomons Jigge (♬) (p. 98)
» Shepheards Holyday, or Labour in Vain (♬) (p. 99)
» The Slip (♬) (p. 100)
» Tom Tinker (♬) (p. 101)
» Tutch and take (♬) (p. 102)
» Trenchmore (♬) (p. 103)
» Upon a Summers Day (♬) (p. 104)
» Up Tails all (♬) (p. 105)
» The Whish (♬) (p. 106)
» The Whirligig (♬) (p. 107)
» Woodicock (♬) (p. 108)
» Under and over (♬) (p. 109)
» Winifreds Knot, or Open the door to three (♬) (p. 110)
» Mr. Webbs Fancy (♬) (p. 111)
» The Silver Faulken (♬) (p. 112)

Isaac de Benserade. (1653). Ballet Royal De La Nuit. Paris. (pdf) {BNF}


Isaac de Benserade. (1654). Ballet Du Temps Dansé. Paris. (pdf) {BNF}


Isaac de Benserade. (1655). Le Grand Ballet Des Bien-Venus Dansé. Paris. (pdf) {BNF}


Isaac de Benserade. (1655). Le Ballet De La Revente Des Habits Du Ballet. Paris. (pdf) {BNF}


Michel de Marolles. (1656). Mémoires. Paris. (pdf) {BNF}


Isaac de Benserade. (1657). Amour Malade Ballet Du Roy. Paris. (pdf) {BNF}


John Playford, ed. (1657). The Dancing Master [3rd Edition, 1st Version]. London. {Keller analysis}

Notes: All capitalizations and spelling sic. Begins with superficial changes to the 2nd Edition (1652), then subtracts and adds some dances at the end.

Country Dances

» All in a Garden green (p. 1)
» Adsons Saraband (p. 2)
» All a Mode de France (p. 3)
» Aye me, Or the Symphony (p. 4)
» Argeres (p. 5)
» An Old Man is a Bed full of Bones (p. 6)
» Blew Cap (p. 7)
» Boat-man (p. 8)
» The Begger Boy (p. 9)
» Bobbing Joe (p. 10)
» The Bath (p. 11)
» Broom: The Bonny Bonny Broom (p. 12)
» Confesse (p. 13)
» The Chirping of the Larke (p. 14)
» Cast a Bell (p. 15)
» Chirping of the Nightingale (p. 16)
» Cheerily and Merrily (p. 17)
» The Country Coll (p. 18)
» Cuckolds all a Row (p. 19)
» Chestnut (or Doves Figary) (p. 20)
» Daphne (p. 21)
» Drive the Cold Winter Away (p. 22)
» Dissembling Love (p. 23)
» Dargason, or The Sedany (p. 24)
» Dull Sir John (p. 25)
» The Fine Companion (p. 26)
» Faine I would (p. 27)
» The Friar and the Nun (p. 28)
» Grimstock (p. 29)
» Greenwood (p. 30)
» The Gun (p. 31)
» Goddesses (p. 32)
» Grayes Inne Maske (p. 33)
» Gathering Peascods (p. 34)
» The Glory of the West (p. 35)
» Hit and Miss (p. 36)
» A Health to Betty (p. 37)
» Have at thy Coat old woman (p. 38)
» Halfe Hannikin (p. 39)
» Hearts-Ease (p. 40)
» The Health (p. 41)
» Hockley in the hole (p. 42)
» Hide-Park (p. 43)
» If all the World were Paper (p. 44)
» Irish Trot (p. 45)
» The Irish Lady, or Aniseed water Robin (p. 46)
» Jog On (p. 47)
» Jack Pudding (p. 48)
» Jack a Lent (p. 49)
» Jenny Pluck Pears (p. 50)
» I Loved Thee Once, I Love No More (p. 51)
» Kemps Jigge (p. 52)
» Kettle Drum (p. 53)
» Lady Spellor (p. 54)
» Lord of Carnarvan's Jegg (p. 55)
» My Lady Cullen (p. 56)
» The London Gentlewoman, Or The Hemp-Dresser (p. 57)
» Lavena (p. 58)
» Lady Lye near Me (p. 59)
» Lulle Me Beyond Thee (p. 60)
» Mage on a Cree (p. 61)
» Millisons Jigge (p. 62)
» The Merry Merry Milk-Maids (p. 63)
» Mill-field (p. 64)
» The Maid Peept out at the Window, Or the Frier in the Well (p. 65)
» Mayden Lane (p. 66)
» The Milk Maids Bob (p. 67)
» Mundesse (p. 68)
» The Night piece (p. 69)
» The New Exchange (p. 70)
» None Such (p. 71)
» Newcastle (p. 72)
» New New Nothing (p. 73)
» New Bo Peep (p. 74)
» The Old Mole (p. 75)
» Once I loved a Maiden Fair (p. 76)
» Parsons Farewell (p. 77)
» Picking of Sticks (p. 78)
» Pepper's Black (p. 79)
» Petticoat Wag (p. 80)
» Pauls Steeple (p. 81)
» The Punks Delight (The new way) (p. 82)
» Parson upon Dorothy (p. 83)
» Pauls Wharfe (p. 84)
» Rose is White and Rose is Red (p. 85)
» Row well ye Marriners (p. 86)
» Stingo, or The Oyle of Barley (p. 87)
» The Saraband (p. 88)
» The Spanish Gypsie (p. 89)
» Scellamefago (p. 90)
» The Spaniard (p. 91)
» Souldiers life (p. 92)
» Saint Martins (p. 93)
» Stanes Morris (p. 94)
» Saturday Night and Sunday Morn (p. 95)
» Scotch Cap (p. 96)
» Step Stately (p. 97)
» Solomons Jigge (p. 98)
» Shepherds Holiday, or Labour in Vain (p. 99)
» The Slip (p. 100)
» Tom Tinker (p. 101)
» Touch and Take (p. 102)
» Trenchmore (p. 103)
» Upon a Summers Day (p. 104)
» Up Tales All (p. 105)
» The Whish (p. 106)
» The Whirligig (p. 107)
» Woodycock (p. 108)
» Under and Over (p. 109)
» Open the Door to Three (p. 110)
» Watton Town's End (p. 111)
» The Twins (p. 112) » What You Please (p. 113)
» Simple Simon (p. 114)
» Spring Garden (p. 115)
» Ginnie Pug (p. 116)
» Abergenie (p. 117)
» The Divels Dream (p. 118)
» Smiths Rant (p. 119)
» Lady in the Dark (p. 120)
» Black Nagg (p. 121)
» Gelding of the Devil (p. 122)
» The Merry Conceit (p. 123)
» The New New Exchange (p. 124)
» The Duke of Lorain's March (p. 125)
» Lady Banbury's Horn Pipe (p. 126)
» Hunsdon House (p. 127)
» Chelsey Reach (p. 128)
» Althea (p. 129)
» The Gossips Frolick (p. 130)
» Oringes and Lemmons (p. 131)
» Sellengers Round (p. 132)

Isaac de Benserade. (1658). Ballet Royal d'Alcidiane. Paris. (pdf) {BNF}


Isaac de Benserade. (1659). Ballet De La Raillerie Dansé Par Sa Majesté. Paris. (pdf) {BNF}


Johann Georg Pasch. (1659). Kurtze doch Gründliche Unterrichtung der Pique. Oßnabrück. (WLB)


Isaac de Benserade. (1661). Ballet Des Saisons Dansé à Fontainebleau Par Sa Majesté. Paris. (pdf) {BNF}


[Anonymous]. (1662). Lettres Patentes Du Roy De l'Etablissement De l'Academie Royale De Danse En La Ville De Paris. Paris. (pdf) {BNF}


R. de Manley, de Languerac. (1662). Apologie Pour La Danse Aux Dames De Mastrecht. (pdf) {BNF}


John Playford, ed. (1665). The Dancing Master [3rd Edition, 2nd Version]. London. (pdf - partial book) {imslp} {Keller analysis}

Notes: All capitalizations and spelling sic. Superficial changes to the 3rd Edition (1657). This copy is missing pages 44 to the end.

Country Dances

» All in a Garden Green (p. 1)
» Adsons Saraband (p. 2)
» All a Mode de France (p. 3)
» Aye Me, or the Symphony (p. 4)
» Argeres (p. 5)
» An Old Man is a Bed full of Bones (p. 6)
» Blew Cap (p. 7)
» Boat-man (p. 8)
» The Begger Boy (p. 9)
» Bobbing Joe (p. 10)
» The Bath (p. 11)
» Broom: The Bonny Bonny Broom (p. 12)
» Confesse (p. 13)
» Chirping of the Larke (p. 14)
» Cast a Bell (p. 15)
» Chirping of the Nightingale (p. 16)
» Cheerily and Merrily (p. 17)
» The Country Coll (p. 18)
» Cuckolds all a Row (p. 19)
» Chestnut (or Doves Figary) (p. 20)
» Daphne (p. 21)
» Drive the Cold Winter Away (p. 22)
» Dissembling Love (p. 23)
» Dargason, or The Sedany (p. 24)
» Dull Sir John (p. 25)
» The Fine Companion (p. 26)
» Faine I would (p. 27)
» The Friar and the Nun (p. 28)
» Grimstock (p. 29)
» Greenwood (p. 30)
» The Gun (p. 31)
» Goddesses (p. 32)
» Grayes Inne Maske (p. 33)
» Gathering Peascods (p. 34)
» The Glory of the West (p. 35)
» Hit and Miss (p. 36)
» A Health to Betty (p. 37)
» Have at thy Coat old woman (p. 38)
» Half Hannikin (p. 39)
» Hearts-Ease (p. 40)
» The Health (p. 41)
» Hockley in the hole (p. 42)
» Hide-Park (p. 43)
» If all the World were Paper (p. 44)
» Irish Trot (p. 45)
» The Irish Lady, or Aniseed water Robin (p. 46)
» Jog On (p. 47)
» Jack Pudding (p. 48)
» Jack a Lent (p. 49)
» Jenny Pluck Pears (p. 50)
» I Loved Thee Once, I Love No More (p. 51)
» Kemps Jigge (p. 52)
» Kettle Drum (p. 53)
» Lady Spellor (p. 54)
» Lord of Carnarvan's Jegg (p. 55)
» My Lady Cullen (p. 56)
» The London Gentlewoman, Or The Hemp-Dresser (p. 57)
» Lavena (p. 58)
» Lady Lye near Me (p. 59)
» Lulle Me Beyond Thee (p. 60)
» Mage on a Cree (p. 61)
» Millisons Jigge (p. 62)
» The Merry merry Milk-Maids (p. 63)
» Mill field (p. 64)
» The Maid Peept out at the Window, Or the Frier in the Well (p. 65)
» Mayden Lane (p. 66)
» The Milk Maids Bob (p. 67)
» Mundesse (p. 68)
» The Night piece (p. 69)
» The New Exchange (p. 70)
» None Such (p. 71)
» Newcastle (p. 72)
» New New Nothing (p. 73)
» New Bo Peep (p. 74)
» The Old Mole (p. 75)
» Once I lov'd a Maiden Fair (p. 76)
» Parsons Farewell (p. 77)
» Picking of Sticks (p. 78)
» Pepper's Black (p. 79)
» Petticoat Wag (p. 80)
» Pauls Steeple (p. 81)
» The Punks Delight (The new way) (p. 82)
» Parson upon Dorothy (p. 83)
» Pauls Wharfe (p. 84)
» Rose is White and Rose is Red (p. 85)
» Row well ye Marriners (p. 86)
» Stingo, or The Oyle of Barley (p. 87)
» The Saraband (p. 88)
» The Spanish Gypsie (p. 89)
» Scellamefago (p. 90)
» The Spaniard (p. 91)
» Souldiers life (p. 92)
» Saint Martins (p. 93)
» Stanes Morris (p. 94)
» Saturday Night and Sunday Morn (p. 95)
» Scotch Cap (p. 96)
» Step Stately (p. 97)
» Solomons Jigge (p. 98)
» Shepherds Holiday, or Labour in Vain (p. 99)
» The Slip (p. 100)
» Tom Tinker (p. 101)
» Touch and Take (p. 102)
» Trenchmore (p. 103)
» Upon a Summers Day (p. 104)
» Up Tales All (p. 105)
» The Whish (p. 106)
» The Whirligig (p. 107)
» Woodycock (p. 108)
» Under and Over (p. 109)
» Open the Door to Three (p. 110)
» Watton Town's End (p. 111)
» The Twins (p. 112) » What You Please (p. 113)
» Simple Simon (p. 114)
» Spring Garden (p. 115)
» Ginnie Pug (p. 116)
» Abergenie (p. 117)
» The Divels Dream (p. 118)
» Smiths Rant (p. 119)
» Lady in the Dark (p. 120)
» Black Nagg (p. 121)
» Gelding of the Devil (p. 122)
» The Merry Conceit (p. 123)
» The New New Exchange (p. 124) » The Duke of Lorain's March (p. 125)
» Lady Banbury's Horn Pipe (p. 126)
» Hunsdon House (p. 127)
» Chelsey Reach (p. 128)
» Althea (p. 129)
» The Gossips Frolick (p. 130)
» Oringes and Lemmons (p. 131)
» Sellengers Round (p. 132)

Michel de Pure. (1668). Idée Des Spectacles Anciens Et Nouveaux. (pdf) {INHA}


Isaac de Benserade. (1669). Ballet Royal De Flore Dansé Par Sa Majesté. Paris. (pdf) {BNF}


Molière. (1670). Le Bourgeois Gentil-Homme. Paris. (pdf) {BNF}


John Playford, ed. (1670). The Dancing Master [4th Edition]. London. (pdf) {imslp} {Keller analysis}

Notes: All capitalizations and spelling sic. Completely re-arranged from the 3rd Edition (1665), with new dances added. The idea seems to have been to organize the dances by form (round vs. longways) and number of dancers, but this organization is abandoned in the later pages. This copy is missing four pages (p. 77 to 80). Other pages are mis-paginated, but that is an error in the original printing.

Country Dances

» Sellengers Round, or The begining of the World (p. 1)
» Gelding of the Divel (p. 2)
» Open the door to three (p. 3)
» Rose is white and Rose is red (p. 4)
» Peppers black (p. 5)
» Mill-field (p. 6)
» Jenny pluck Pears (p. 7)
» If all the World were Paper (p. 8)
» Gathering Peascods (p. 9)
» The fine Companion (p. 10)
» Chirping of the Nightingale (p. 11)
» Kemps Jigge (p. 12)
» Kettle Drum (p. 13)
» Mage on a Tree (p. 14)
» Mundesse (p. 15)
» Newcastle (p. 16)
» Up Tales all (p. 17)
» Sage Leaf (p. 18)
» Argeres, or the Wedding Night (p. 19)
» Hearts-ease (p. 20)
» Parsons Farewel (p. 21)
» Saint Martain (p. 22)
» Lady in the Dark (p. 23)
» Althea (p. 24)
» All in a Garden Green (p. 25)
» Adsons Saraband (p. 26)
» Al la Mode d' France (p. 27)
» Ay me, or the Symphony (p. 28)
» Blew Cap for me (p. 29)
» The Begger Boy (p. 30)
» Broom: The bonny bonny Broom (p. 31)
» Confess, or the Court Lady (p. 32)
» Chirping of the Lark (p. 33)
» Cheerily and Merrily (p. 34)
» The Country Coll, or Sir Nicholas Cully (p. 35)
» Chestnut (or Doves Figary) (p. 36)
» Cuckolds all a Row (p. 37)
» Daphne, or the Shepherdess (p. 38)
» Drive the cold Winter away (p. 39)
» Dissembling Love, (or the lost Heart) (p. 40)
» Dargason, or the Sedany (p. 41)
» The Friar and the Nun (p. 42)
» Grimstock (p. 43)
» Greenwood, or the Hunts man (p. 44)
» The Gun, or (The Valiant Captain) (p. 45)
» A Health to Betty (p. 46)
» Hit or Miss (p. 47)
» Have at thy Coat Old Woman (p. 48)
» An Old man a bed full of bones (p. 49)
» The Boat-Man (p. 50)
» Bobbing Joe (p. 51)
» The Bath (p. 52)
» Black Nagg (p. 53)
» Cast a Bell (p. 54)
» Goddesses (p. 55)
» Grayes-Inn Mask, or (Mad Tom) (p. 56)
» Half Hannykin (p. 57)
» The Healths, or (The merry Wasel) (p. 58)
» Hockley in the Hole (p. 59)
» Jog on my Honey (p. 60)
» The Irish Lady, or Anniseed-water-Robin (p. 61)
» Jack Pudding, or (Merry Andrew) (p. 62)
» Jack a Lent (p. 63)
» Blew Breeches, or (I'le love no more) (p. 64)
» Lady Spellor (p. 65)
» Lord of Carnavan's Jigg (p. 66)
» The Hemp-Dresser, or The London Maid (p. 67)
» Lady lye near me (p. 68)
» Lavena, or (The Passionate Lover) (p. 69)
» Millisons Jigg (p. 70)
» The merry merry Milk maids (p. 71)
» The Maid peept put at the Window, or (The Frier in the Well) (p. 72)
» Maiden Lane (p. 73)
» The Milk Maids Bob (p. 74)
» The Night piece, or (The shaking of the Sheets) (p. 75)
» Durham Stable, or (The New Exchange) (p. 76)
» The Old Mole (p. 77)
» The New Bo Peep, or Pickadilla (p. 78)
» Maiden Fair (p. 79)
» Picking of Sticks (p. 80)
» Pauls Steeple (p. "85"/81)
» Petticoat wag, or (The Taylors Daughter) (p. "80"/82)
» The Shepherds Daughter (p. "81"/83)
» Stingo, or the Oyl of Barley (p. 84)
» The Glory of the West (p. 85)
» New new Nothing (p. 86)
» The Maid in the Moon (p. 87)
» Putney Ferry (p. 88)
» Epping Forest (p. 89)
» Put on they Smock a Munday (p. 90)
» Oken Leaves (p. 91)
» Catching of Quailes (p. 92)
» Thomas you Cannot (p. 93)
» Sweet Kate (p. 94)
» Mall Peatly (p. 95)
» Blew Petticoats or Green Garters (p. 96)
» Step Stately (p. 97)
» Scotch Capp, or Edenborough Castle (p. 98)
» Souldiers Life (p. 99)
» Green Goose-Fair, or Solomons Jigg (p. 100)
» The Spanish Jepsie (p. 101)
» The Saraband (p. 102)
» Skellamefago, or Don Pedro (p. 103)
» Trenchmore (p. 104)
» Shepherds Holiday, or Labour in Vain (p. 105)
» Row well ye Mariners (p. 106)
» The Garland, or a Summers day (p. 107)
» Under and Over (p. 108)
» The Lord Chamberlins Delight (p. "108"/109)
» The Lady Murrys Delight (p. "109"/110)
» Pegasus, or the Flying-Horse (p. "110"/111)
» Catching of Fleas (p. "111"/112)
» The Phenix (p. "112"/113)
» Saturday night and Sunday morning (p. "113"/114)
» The Whish (p. "114"/115)
» Woddycock, or the Green man (p. "115"/116)
» What you Please (p. "116"/117)
» The Twins (p. "117"/118)
» Watton Town's end (p. "118"/119)
» Spring Garden (p. "119"/120)
» Abergenie (p. 121)
» Ginnie Pug, or Strawberries and Cream (p. 122)
» Simple Simon, or Huddle-duddle (p. 123)
» The New Conceit, or the Sparagus Garden (p. 124) » The New Royal Exchange (p. 125)
» Prince Ruperts March (p. 126)
» The Duke of Lorain's March (p. 127)
» The Cuckow, or Smiths Rant (p. 128)
» The Slip (p. 129)
» Tom Tinker (p. 130)
» The Gossips Frolick (p. 131)
» The Divels Dream (p. 132)
» The Puncks Delight (The new way) (p. 133)
» My Lady Cullen (p. 134)
» Lady banbury's Horn-Pipe (p. 135)
» The Whirligig (p. 136)
» Amarillis (p. 137)
» Black Jack (p. 138)
» The New Vegarie (p. 139)
» Cavy Lillyman (p. 140)
» Wallingford-House (p. 141)
» Jameko (p. 142)
» The Mulbury-Garden (p. 143)
» Singletons Slip (p. 144)
» Motsons Jigg (p. 145)
» Northern Nancy (p. 146)
» The Irish Trot (p. 147)
» Lulle me beyond thee (p. 148)
» Buff-coat (p. 149)
» Ten Pound Lass (p. 150)
» Buckingham-House, or Chelsey-Reach (p. 151)
» Parthenia, or Fain I would (p. 152)
» Hunsdon House (p. 153)
» Dull Sir John (p. 154)
» Oranges and Lemons (p. 155)

J. F. Schmid (Mercurius). (1670). Der Neu-Gebaute Schau-Platz Der Dantzenden. Nürnberg. (pdf) {GDZ}


Antoine de Courtin. (1671). Nouveau Traité De La Civilité Qui Se Pratique En France Parmi Les Honnestes Gens. Paris. (pdf) {google}


Molière. (1671). Ballet Des Ballets Dansé. Paris. (pdf) {BNF}


John Playford, ed. (1675). The Dancing Master [5th Edition]. London. (pdf) {imslp} {Keller analysis}

Notes: All capitalizations and spelling sic. Superficial changes to the 4th Edition (1670), with a few dances added at the end. Mis-pagination from the 4th Edition remains.

Country Dances

» Sellengers Round, or The beginning of the World (p. 1)
» Gelding of the Divel (p. 2)
» Open the Door to three (p. 3)
» Rose is white and Rose is red (p. 4)
» Peppers black (p. 5)
» Mill-field (p. 6)
» Jenny pluck Pears (p. 7)
» If all the World were Paper (p. 8)
» Gathering Peascods (p. 9)
» The Fine Companion (p. 10)
» Chirping of the Nightingale (p. 11)
» Kemps Jigg (p. 12)
» Kettle Drum (p. 13)
» Mage on a Tree (p. 14)
» Mundesse (p. 15)
» New-Castle (p. 16)
» Up Tales all (p. 17)
» Sage-Leaf (p. 18)
» Argeres, or the Wedding Night (p. 19)
» Hearts-ease (p. 20)
» Parsons Farewel (p. 21)
» Saint Martain (p. 22)
» Lady in the Dark (p. 23)
» Althea (p. 24)
» All in a Garden Green (p. 25)
» Adsons Saraband (p. 26)
» Al la Mode d' France (p. 27)
» Ay me, or the Symphony (p. 28)
» Blew Cap for me (p. 29)
» The Begger Boy (p. 30)
» Broom: The bonny bonny Broom (p. 31)
» Confess, or the Court Lady (p. 32)
» Chirping of the Lark (p. 33)
» Cherily and Merrily (p. 34)
» The Country Coll, or Sir Nicholas Cully (p. 35)
» Chestnut (or Doves Figary) (p. 36)
» Cuckolds all a Row (p. 37)
» Daphne, or the Shepherdess (p. 38)
» Drive the cold Winter away (p. 39)
» Dissembling Love, (or the lost Heart) (p. 40)
» Dargason, or the Sedany (p. 41)
» The Fryar and the Nun (p. 42)
» Grimstock (p. 43)
» Greenwood, or the Hunts-man (p. 44)
» The Gun, or (The Valiant Captain) (p. 45)
» A Health to Betty (p. 46)
» Hit or Miss (p. 47)
» Have at thy Coat old Woman (p. 48)
» An Old man a Bed full of Bones (p. 49)
» The Boat-Man (p. 50)
» Bobbing Joe (p. 51)
» The Bath (p. 52)
» Black Nagg (p. 53)
» Cast a Bell (p. 54)
» Goddesses (p. 55)
» Grayes-Inn Mask, or (Mad Tom) (p. 56)
» Half Hannykin (p. 57)
» The Healths, or (The merry Wasel) (p. 58)
» Hockley in the Hole (p. 59)
» Jog on my Honey (p. 60)
» The Irish Lady, or Anniseed-water-Robin (p. 61)
» Jack Pudding, or (Merry Andrew) (p. 62)
» Jack a Lent (p. 63)
» Blew Breeches, or (I'le love no more) (p. 64)
» Lady Spellor (p. 65)
» Lord of Carnavan's Jigg (p. 66)
» The Hemp-dresser, or the London Maid (p. 67)
» Lady lye near me (p. 68)
» Lavena, or (The Passionate Lover) (p. 69)
» Millisons Jigg (p. 70)
» The Merry merry Milk-maids (p. 71)
» The Maid peept put at the Window, or (The Fryer in the Well) (p. 72)
» Maiden-Lane (p. 73)
» The Milk-Maids Bob (p. 74)
» The Night piece, or (The shaking of the Sheets) (p. 75)
» Durham Stable, or (The New Exchange) (p. 76)
» The Old Mole (p. 77)
» The New Bo Peep, or (Pickadilla) (p. 78)
» Maiden Fair (p. 79)
» Picking of sticks (p. 80)
» Pauls Steeple (p. 81)
» Petticoat wag, or (The Taylors Daughter) (p. 82)
» The Shepherds Daughter (p. 83)
» Stingo, or the (Oyl of Barley (p. 84)
» The Glory of the West (p. 85)
» New new Nothing (p. 86)
» The Maid in the Moon (p. 87)
» Putney Ferry (p. 88)
» Epping-Forest (p. 89)
» Put on they Smock a Monday (p. 90)
» Oaken Leaves (p. 91)
» Catching of Quails (p. 92)
» Thomas you cannot (p. 93)
» Sweet Kate (p. 94)
» Mall Peatly (p. 95)
» Blew Petticoats, or Green Garters (p. 96)
» Step Stately (p. 97)
» Scotch Capp, or Edenborough Castle (p. 98)
» Souldiers Life (p. 99)
» Green-Goose-Fair, or Solomons Jigg (p. 100)
» The Spanish Jepsie (p. 101)
» The Saraband (p. 102)
» Skellamefago, or Don Pedro (p. 103)
» Trenchmore (p. 104)
» Shepherds Holiday, or Labour in Vain (p. 105)
» Row well ye Marriners (p. 106)
» The Garland, or a Summers day (p. 107)
» Under and Over (p. 108)
» The Lord Chamberlins delight (p. "108"/109)
» The Lady Murrys Delight (p. "109"/110)
» Pegasus, or the Flying-Horse (p. "110"/111)
» Catching of Fleas (p. "111"/112)
» The Phenix (p. "112"/113)
» Saturday night and Sunday morning (p. "113"/114)
» The Whish (p. "114"/115)
» Woddycock, or the Green-man (p. "115"/116)
» What you Please (p. "116"/117)
» The Twins (p. "117"/118)
» Watton Town's end (p. "118"/119)
» Spring Garden (p. "119"/120)
» Abergenie (p. 121)
» Ginnie Pug, or Strawberries and Cream (p. 122)
» Simple Simon, or Huddle-duddle (p. 123)
» The New Conceit, or the Sparaguss Garden (p. 124) » The New Royal Exchange (p. 125)
» Prince Ruperts March (p. 126)
» The Duke of Lorain's March (p. 127)
» The Cuckow, or Smiths Rant (p. 128)
» The Slip (p. 129)
» Tom Tinker (p. 130)
» The Gossips Frolick (p. 131)
» The Devils Dream (p. 132)
» The Puncks Delight (The new way) (p. 133)
» My Lady Cullen (p. 134)
» Lady Banbury's Horn-Pipe (p. 135)
» The Whirligig (p. 136)
» Amarillis (p. 137)
» Black Jack (p. 138)
» The New Vagarie (p. 139)
» Cavy Lillyman (p. 140)
» Wallingford-House (p. 141)
» Jameko (p. 142)
» The Mulberry Garden (p. 143)
» Singletons Slip (p. 144)
» Motsons Jigg (p. 145)
» Northern Nancy (p. 146)
» The Irish Trot (p. 147)
» Lulle me beyond thee (p. 148)
» Buff-Coat (p. 149)
» Ten Pound Lass (p. 150)
» Buckingham-House, or Chelsey-reach (p. 151)
» Parthenia, or Fain I would (p. 152)
» Hunsdon-House (p. 153)
» Dull Sir John (p. 154)
» Oranges and Lemons (p. 155)
» Green Stockens (p. 156)
» The Witches (p. 157)
» White-Hall (p. 158)
» The Opera (p. 159)
» New Market (p. 160)

La Roche-Guilhen. (1677). Rare En Tout, Comedie Meslée De Musique Et De Balets Represantée Devant Sa Majesté Sur Le Theatre Royal De Whitehall. Londres. [WorldCat]


John Playford, ed. (1679). The Dancing Master (6th Edition). London. (pdf) {imslp}


Juan Antonio Jaque. (1680). Libro De Danzar De Don Baltasar De Rojas Pantoja. Madrid Ms. (pdf) {BNE}


André Lorin. (c. 1680). Livre De Contredanse Presenté à Roi. Paris. (pdf) {BNF}


[Anonymous]. (1682). Des Ballets Anciens Et Modernes Selon Les Regles Du Theatre. Paris. (pdf) {Kichosho}


Thomas Corneille, Bernard le Bovier de Fontenelle. (1682). Bellerophon. Tragedie, Represetée Par l'Acedemie Royale De Musique. Paris [WorldCat]


Jean-Baptiste Lully. (1685). Idylle Sur La Paix Avec l'Eglogue De Versailles Et Plusieurs Pieces De Symphonie Mises En Musique. Paris. (pdf) {BNF}


John Playford, ed. (1686). The Dancing Master (7th Edition). London. (pdf) {imslp}


Jean Favier, André Danican Philidor. (1688). Le Mariage De La Grosse Cathos. Paris. (pdf) {BNF}


André Lorin. (1688). Livre De Contredanse Du Roy Presenté à Sa Majesté. Paris. (pdf) {BNF} [Powers]


André Danican Philidor. (1690). Recueil De Plusieurs Vieux Airs Faits Aux Sacres. Paris. (pdf) {BNF}


André Danican Philidor. (1690). Recueil De Plusieurs Anciens Ballets Dancez. Paris. (pdf) (pdf) {BNF1} {BNF2}


John Playford, ed. (1690). The Dancing Master (8th Edition). London. (pdf) {imslp}


John Playford, ed. (1695). The Dancing Master (9th Edition). London. (pdf) {imslp}


Étienne Loulié. (1696). Elements Ou Principes De Musique Mis Dans Un Nouvel Ordre. Paris. (pdf) {BNF}


John Playford, ed. (1696). The Second Part of The Dancing Master (1st Edition, Supplementing 9th Edition). London. (pdf) {imslp}


Étienne Loulié. (1698). Elements Ou Principes De Musique Mis Dans Un Nouvel Ordre. Paris. (pdf) {google}


Étienne Loulié. (1698). Nouveau Sisteme De Musique. Paris. (pdf) {BNF}


John Playford, ed. (1698). The Dancing Master (10th Edition). London. (pdf1) (pdf2) (djvu) {imslp} {congress} {archive}


John Playford, ed. (1698). The Second Part of The Dancing Master (2nd Edition, Supplementing 10th Edition). London. (pdf) {imslp}


Thomas Bray. (1699). Country Dances: Being A Composition Entirely New, And the whole Cast Different from all that have yet been Publish'd, with Bass and Treble to Each Dance. London. (pdf) {EEBO} [Powers]

Notes: All capitalizations and spelling sic. In the first part of this book, pages are double-paginated (two facing pages labeled 1, two facing pages labeled 2, etc). The page numbers below correspond to the printed page numbers, not the pages of the digital document. Page 11 is doubled in the EEBO copy, an error which has been fixed in the Library of Dance copy. In the second part, which begins on pdf page 45, music is provided for various "French dances," which have no descriptions and haven't been indexed.

Country Dances

» The Gloucester (p. 1)
» The Duke of Gloucester's March (p. 2)
» St. Jame's-House (p. 3)
» Lincolns-Inn Garden (p. 4)
» The Spring (p. 5)
» The Woman's the Man (p. 6)
» Rosamonds Pond (p. 7)
» The Parson's Cap (p. 8)
» The Wives Victory (p. 9)
» Gleanham-Hall (p. 10)
» Braye's Magott (p. 11)
» A Conceal'd Health (p. 12)
» Short and Sweet (p. 13)
» Bartlett-House (p. 14)
» Granadiers Exercise (p. 15)
» Love and Battle (p. 16)
» The Lovers Luck (p. 17)
» The Scotch Measure (p. 18)
» Cupid's Bridge (p. 19)
» the last of Twenty [A Minuet] (p. 20)


Turn of the 18th Century



[Anonymous]. (c. 1700). Contredanses; Description Des Figures, Plan Des Figures. Paris. (pdf) (djvu) {congress} {archive}


[Anonymous]. (c. 1700). Contredanses Pour Un Instrument Avec Les Figures Chorégraphique. Paris Ms. (pdf) {BNF}


[Anonymous]. (c. 1700). Piezas Para Clave. Madrid Ms. (pdf) {BNE}


[Anonymous]. (c. 1700). Follias, Ballets, Sardanas, Contradansas, Minuets, Balls, Pasapies, y Moltas Altres Cosas De Aquell Temps Vell, Que Ara Son Poch Usadas; Pero Ab Tot Son Bonicas Y Molt Alegres. Barcelona Ms. (pdf) {Catalunya}


[Anonymous]. (c. 1700). [Graces, Etc]. London Ms. (VWML)


[Anonymous]. (c. 1700). [The Rose Tree, Etc]. London Ms. (VWML)


[Anonymous]. (c. 1700). Old Reels and Dance Tunes and Old Yorkshire Tunes. London Ms. (VWML)


Pierre Beauchamp. (c. 1700). Sarabande. Salzburg Ms.


Louis Pécour. (1700). La Pavane Des Saisons, Danse Nouvelle. Paris. (pdf) {BNF}


Louis Pécour. (1700). La Passepied Nouveau. Paris.


Raoul Fueillet. (1700). Choregraphie, Ou L'Art De De'Crire La Dance. Paris. (pdf) {BNF}


Raoul Fueillet. (1700). Recueil De Dances. Paris. (pdf) {BNF}


Louis Pécour. (1700). Recueil De Dances. Paris. (pdf) {BNF}


Raoul-Auger Fueillet. (1701). Choregraphie, Ou L'Art De De'Crire La Dance. Paris. (pdf) {google} [Powers]


Francesc Olivelles. (1701). Memoria De Las Danças. Barcelona Ms.


Louis Pécour. (1701). Aimable Vainqueur, Danse Nouvelle Dansée Devant Le Roy A Marly. Paris.


John Playford, ed. (1701). The Dancing Master (11th Edition). London.


Raoul-Auger Fueillet. (1702). Premier Recueil De Danses De Bal Pour l'Année 1703. Paris. (pdf) (djvu) {congress} {archive}


Raoul-Auger Fueillet. (1702). La Trioumphante. Paris.


Louis Pécour. (1702). L'Allemande, Danse Nouvelle Dansée Devant Le Roy A Marly. Paris.


William Wycherley. (1702). The Gentleman Dancing-Master. A Comedy As It Is Acted By Their Majesties Servants. London. (pdf) {google} [Powers]


Raoul-Auger Fueillet. (1703). La Madalena, Danse Nouvelle Dédiée à Son Altesse Serenissime Monseigneur Le Duc De Mantoué. Paris.


Louis Pécour. (1703). IIme Recueil De Danses De Bal Pour l'Année 1704. Paris.


Henry Playford, ed. (1703). The Dancing Master (12th Edition). London.


Raoul-Auger Fueillet. (1704). La Bretagne, Danse Nouvelle Presentée à Madame La Duchesse De Bourgogne. Paris.


Raoul-Auger Fueillet, Louis Pécour. (1704). Recüeil De Danses. Paris. (pdf) (djvu) {congress} {archive}


Louis Pécour. (1704). IIIme Recueil De Danses De Bal Pour l'Année 1705. Paris.


Kellom Tomlinson. (c. 1704). A Small Treatise Of Time And Cadence In Dancing. Wellington Ms. (NLNZ) [Powers]


Huguo Bonneford. (1705). Abregée Des Principes De La Danse Tirée Des Meilleurs Maitres De l'Art. Braunschweig. (pdf) {WDB} [Powers]


Michel l'Affilard. (1705). Principes Tres-Faciles Pour Bien Apprendre La Musique. Paris. (pdf) {google} [Powers]


I. H. P. (1705). Maître De Danse Oder Tanz-Meister Welcher Lehret Wie En Tanzer So Die Fundamenta Gefasset Ohne Hulffe Sich Selbsten Die Gebräuchlichsten Fransoschen Täntze Beybringen Könne. Glückstadt. (pdf) {DKB} [Powers]


Louis Pécour, Raoul-Auger Fueillet. (1705). IIIIme Recueil De Danses De Bal Pour l'Année 1706. Paris.


Mr. [Edward] Isaac. (1706). A Collection Of Ball-Dances Perform'd At Court. London. (pdf) (djvu) {congress} {archive} [Powers]


Louis Pécour, Raoul-Auger Fueillet. (1705). Vme Recueil De Danses De Bal Pour l'Année 1707. Paris.


Raoul-Auger Fueillet. (1706). Recüeil De Contredances Mises En Chorégraphie. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Raoul-Auger Fueillet. (1706). The Art of Dancing Demonstrated by Characters and Figures whereby One May Learn Easily and of One's Self all Sorts of Dances. London.


Raoul-Auger Fueillet. (1706). A Small Treatise of Time and Cadence in Dancing Reduc'd to an Easy and Exact Method Shewing How Steps and Their Movements Agree with the Notes, and Division of Notes in Each Measure. London. (pdf) {Lindahl}


Raoul-Auger Fueillet. (1706). Orchesography or the Art of Dancing by Characters and Demostrative Figures. London. (pdf) (Lindahl}


John Playford, ed. (1706). The Dancing Master (13th Edition). London.


Gottfried Taubert. (1706). Kurtzer Entwurff Des Edlen. Danzig. (pdf) {BSB}


Johann Pasch. (1707). Beschreibung Wahrer Tanz-Kunst. Danzig. (pdf) {BSB}


Louis Pécour, Raoul-Auger Fueillet. (1707). VIme Recueil De Danses De Bal Pour l'Année 1708. Paris. (pdf) {BNF}


Louis Pécour. (1707). La Nouvelle Bourgogne Composée Pour La Naissance De Monsieur Le Duc De Bretagne Dédiée A Madame La Duchesse De Bourgogne. Paris. (pdf) {BNF}


Mr. [Edward] Isaac. (1707). The Union, a New Dance. London. (pdf) {Gale}

Choreographies

» The Union







J. F. Lacombe-Ferrari. (1708). l'Unique Grammaire Royale Françoise & Allemande. Paris. (pdf) {BNF}


Mr. [Edward] Isaac. (1708). The Saltarella, New Dance Made for Her Majesty's Birth Day. London.

Choreographies

» Saltarella







Louis Pécour, Raoul-Auger Fueillet. (1708). VIIme Recueil De Danses De Bal Pour l'Année 1709 Dédiée A Madame La Duchesse De Bourgogne. Paris.


Louis Pécour, Raoul-Auger Fueillet. (1708). Choregraphie Figurativa, Y Demostrativa Del Arte De Danzar, En La Forma Española. Madrid Ms.


[Anonymous]. (1709). The Camilla. London.


Samuel Rudolph Behr. (1709). Maitre De Dance. Wohlgegründete Tantz-Kunst. Leipzig. (ULB)


[Raoul-Auger] Fueillet. (1709). Recueil De Dances Composeés Par Mr. Fueillet. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Louis Pécour. (1709). Recueil De Dances Composeés Par M. Pecour. Paris. (pdf) {congress} [Powers]


Mr. [Edward] Isaac. (1709). The Royal Portuguez, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Royal Portuguez







Louis Pécour, Raoul-Auger Fueillet. (1709). VIIIme Recueil De Danses De Bal Pour l'Année 1710. Paris.


Paul Siris. (1709). The Brawl of Audenarde, New Dance for the Year 1709. London.


John Young (ed.). (1709). The Dancing-Master (14th Edition). London. (pdf - missing title page) {imslp} [Powers]


Raoul-Auger Fueillet. (c. 1710). Rés. 817. Paris Ms.


Monsr. [Raoul-Auger] Fueillet, John Essex (tr.). (1710). For The Furthur Improvement of Dancing, A Treatis of Chorography or ye Art of Dancing Country Dances after A New Character. London. (pdf) (djvu) {congress} {archive} [Powers]

Notes: All capitalizations and spelling sic.

Country Dances

» A Trip to the Iubilee (p. 29)
» Micar'eme (p. 31)
» The Diligent (p. 35)
» The Great Turk (p. 39)
» The Busie Body (p. 44)
» Pantomime (p. 49)
» Gasconne (p. 53)
» The Female Saylor (p. 61)
» The Tatler (p. 69)
» The Tost (p. 79)

Mr. [Edward] Isaac. (1710). The Royall Gailliarde, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Royall Gailliarde







Mr. [Edward] Isaac. (1710). The Princess, Mr. Isaac's New Dance Made for Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive}

Choreographies

» The Princess







Mr. [Edward] Isaac. (c. 1710). The Marlborough, A New Dance. London.

Choreographies

» The Marlborough







Kynaston. (1710). Twenty Four New Country Dances for the Year 1710 with Proper Tunes and New Figures or Directions to Each. London.


Louis Pécour, Raoul-Auger Fueillet. (1710). IXme Recueil De Danses De Bal Pour l'Année 1711. Paris.


Mr. [Edward] Isaac. (1711). The Royall: Mr. Isaac's New Dance Made for Her Majesty's Birth Day. London: Printed for I. Walsh & I. Hare. (pdf) (djvu) {congress} {archive}

Choreographies

» The Royal







Mr. [Edward] Isaac. (1711). The Rigadoon Royal, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Rigadoon Royal







E. Pemberton. (1711). An Essay For the further Improvement Of Dancing; Being a Collection of Figure Dances. London. (pdf) (djvu) {congress} {archive} [Powers]


Claude Balon, Jacques Dezais. (1712). Xme Recueil De Danses Pour l'Année 1712. Paris.


Sr. Dezais. (1712). Deuxième Recueil De Nouvelles Contradances Mises En Choregraphie. Paris. (pdf) {BNF} [Powers]


Mr. [Edward] Isaac. (1712). The Royal Ann, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Royal Ann







Mr. [Edward] Isaac. (1712). The Gloucester, New Dance Made for Her Majesty's Birth Day, Engraven in Characters & Figures For the Use of Masters. London.

Choreographies

» The Gloucester







André Danican Philidor. (1712). Suite Des Dances Pour Les Violons, Et Hautbois, Qui Se Jouent Ordinairement à Tous Les Bals Chez Le Roy. Paris Ms. (pdf) {BNF}


John Weaver. (1712). An Essay Towards An History of Dancing. London. (pdf) {BNE}


Claude Balon, Jacques Dezais. (1712). Xme Recueil De Danses Pour l'Année 1712. Paris.


Claude Balon, Jacques Dezais. (1713). XIme Recueil De Danses Pour l'Année 1713. Paris.


Samuel Rudolf Behr. (1713). L'Art De Bien Danser. Die Kunst Wohl Zu Tanzen. Leipzig.


Raoul Feuillet. (1713). Chorégraphie, Ou L'Art De Décrire La Dance Par Caracteres. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Mr. [Edward] Isaac. (1713). The Northumberland: Mr. Isaac's New Dance Made for Her Majesty's Birth Day; Engraven in Characters & Figures For the Use of Masters. London. (pdf) (djvu) {congress} {archive}

Choreographies

» The Northumberland







Mr. [Edward] Isaac. (1713). The Pastorall, Mr. Isaac's New Dance For 1713. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Pastorall







Louis Pécour. (c. 1713). Nouveau Recüeil De Dance De Bal Et Celle De Ballet. Paris. (pdf) {BNF}


John Playford (ed.). (c. 1713). The Dancing Master, Vol. The First, Or, Directions For Dancing Country Dances. London. [Powers]


John Young (ed.). (1713). The Dancing Master (15th Edition). London.


Meletaon [Johann Leonhard Rost]. (1713). Von der Nutzbarkeit des Tantzens. Frankfurt. (pdf) {WDB} [Powers]


Claude Balon, Jacques Dezais. (1714). XIIme Recueil De Danses Pour l'Année 1714. Paris.


Mr. [Edward] Isaac. (1714). The Godolphin, Mr. Isaac's New Dance Made For Her Majesty's Birth Day. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Godolphin







Raoul-Auger Fueillet, John Essex (tr.). (1715). For the Furthur Improvement of Dancing. A Treatise of Cherography, or the Art of Dancing Country Dances after a New Character. London.


Paul Siris. (1715). The Siciliana. New Dance for the Year 1714. London.


Claude Balon, Jacques Dezais. (1715). XIIIme Recueil De Danses Pour l'Année 1715. Paris.


Raoul Fueillet, John Weaver (tr.). (c. 1715). Orchesography; Or, The Art Of Dancing By Characters And Demonstrative Figures. London. (pdf) (djvu) {congress} {archive} [Powers]


Mr. [Edward] Isaac. (1715). The Friendship, Mr. Isaac's New Dance For 1715. London. (pdf) (djvu) {congress} {archive} [Powers]

Choreographies

» The Friendship







Anthony l'Abbée. (1715). The Princess Royal, A New Dance for His Majesty's Birth Day. London.

Choreographies

» The Princess Royal







Louis Pécour. (c. 1715). Danses Nouvelles Presentées Au Roi. London.


Anthony l'Abbée. (1716). The Princess Anna. A New Dance for His Majesty's Birth Day. London.

Choreographies

» The Princess Anna







Claude Balon, Jacques Dezais. (1716). XIIIIme Recueil De Danses Pour l'Année 1716. Paris.


Mr. [Edward] Isaac. (1716). The Morris. A New Dance for the Year 1716. London.

Choreographies

» The Morris







Gregorio Lambranzi. (1716). Nuove E Curiosa Scuola De Balls Theatrals. Paris. (pdf) {plaisirs}


John Young (ed.). (1716). The Dancing Master (16th Edition). London.


Anthony l'Abbée. (1717). The Royal George. London.

Choreographies

» The Royal George







Claude Balon, Jacques Dezais. (1717). XV Recueil De Danses Pour l'Année 1717. Paris.


Gottfried Taubert. (1717). Rechtschaffener Tantzmeister, Volume I. Leipzig.


Gottfried Taubert. (1717). Rechtschaffener Tantzmeister, Volume II. Leipzig.


Anthony l'Abbée. (1717). The Princess Amelia. London.

Choreographies

» The Princess Amelia







Claude Balon, Jacques Dezais. (1718). XVI Recueil De Danses Pour l'Année 1718. Paris.


Jean Pierre Dubrueil. (1718). La Hessoise Darmstat. Danse Figurée E Deux Pour Le Bal & Contredanse Sous Le Même Nom Composeés & Ecrire En Chorégraphie Suivie De Plusieurs Autres Danses (Munich Version). Munich.


Jean Pierre Dubrueil. (1718). La Hessoise Darmstat. Danse Figurée E Deux Pour Le Bal & Contredanse Sous Le Même Nom Composeés & Ecrire En Chorégraphie Suivie De Plusieurs Autres Danses (Wiesbaden Version). Munich.


Louis Pécour. (1718). Le Danary De Madame La Dauphine. Paris Ms.


John Young (ed.). (1718). The Dancing Master, Volume II (3rd Edition). London.


J. Walsh. (1718). The Compleat Country Dancing Master. Paris. (pdf) {imslp} [Powers]


Claude Balon, Jacques Dezais. (1719). XVII Recueil De Danses Pour l'Année 1719. Paris.


Louis Pécour. (1719). XVII Recueil De Danses Pour l'Année 1719. Paris.


John Young (ed.). (1719). The Dancing Master, Volume II (3rd Edition). London.

Note: Verbatim reprint of Young, 1718.


Anthony l'Abbée. (1719). The Princess Ann's Chaconne. London.

Choreographies

» The Princess Ann's Chaconne







J. Walsh. (1719). The Second Book Of The Compleat Country Dancing Master. Paris. (pdf) {Gale} [Powers]


Claude Balon. (1720). XVIII Recueil De Danses Pour l'Année 1719. Paris.


[Anonymous]. (c. 1720). Chorégraphie - Durlach 209. Karlsruhe Ms. (BLB)


[Anonymous]. (c. 1720). Chorégraphie - Durlach 210. Karlsruhe Ms. (BLB)


Gaetano Grossatesta. (1720). Baletti in Occasione Delle Felicissime Nozze Di Sua Eccellenza La Signora Lovedana Duodo Con Sua Eccellenza Il Signor Antonio Grimani. Venezia [Venice].


Louis Pécour. (1720). Quatrième Recueil De Danses Nouvelles Pour l'Année 1720. Paris.


Kellom Tomlinson. (c. 1720). Six Dances Compos'D by Mr. Kellom Tomlinson Being a Collection of All the Yearly Dances, Publish'D by Him from the Year 1715 to the Present Year. London.


Anthony l'Abbée. (1721). Prince William. London.

Choreographies

» Prince William







Marcelle. (1721). The Prim Rose. London.

Choreographies

» The Prim Rose







John Young (ed.). (1721). The Dancing Master (17th Edition). London.


John Weaver. (1721). Anatomical and Mechanical Lectures upon Dancing Wherein Rules and Institutions for That Art Are Laid Down and Demonstrated as They Were Read at the Academy in Chancery Lane. Paris. (pdf) {BNE}


Claude Balon, Jacques Dezais. (1722). XXe et VIe Recueil De Danses Pour l'Année 1722. Paris.


Anthony l'Abbée. (1723). The New Rigodon, a New Dance for the Year 1723. London.

Choreographies

» The New Rigodon







Jacques Bonnet. (1723). Histoire Générale de la Danse Sacrée et Profane. Paris. (pdf) {BNF}


John Playford (ed.). (c. 1723). The Dancing Master, Or, Directions For Dancing Country Dances. London. [Powers]


Anthony l'Abbée. (1723). The Canary, a New Dance for the Year 1724. London.

Choreographies

» The Canary







J. Roberts (pub.). (1724). The Ball, Stated in a Dialogue betwixt a Prude and a Coquet. London.


[Anonymous]. (c. 1725). L'Ammazzone. Paris. (nypl)

Choreographies

» L'Ammazzone







Louis Pécour, Jacques Dezais. (1722). XXIII Recueil De Danses Pour l'Année 1725. Paris.


Anthony l'Abbée. (1725). A New Collection of Dances Containing a Great Number of the Best Ball and Stage Dances. London.


Anthony l'Abbée. (1723). Prince Frederick, a New Dance for the Year 1725. London.

Choreographies

» Prince Frederick







Pierre Rameau. (1725). Le Maître a Danser. Paris. (BNF) (djvu) (txt) {BNF} {archive} [Powers]


Pierre Rameau. (©1725/1931). Le Maitre A Danser (Cyril Beaumont Translation). Paris. [Powers] [WorldCat]


Pierre Rameau. (c. 1725). Abbregé De La Nouvelle Methode. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Anthony l'Abbée. (1727). The Prince of Wales. London.

Choreographies

» The Prince of Wales







M. Moreau. (1727). Mercure de France, with a Detailed Description of the Bal de L'Opera. Paris. [Powers]


Anthony l'Abbée. (1727). Queen Caroline, A New Dance for His Majestie's Birth Day. London.

Choreographies

» Queen Caroline







Giambatista Dufort. (1728). Trattato del Ballo Nobile. Napoli. (pdf) (djvu) (txt) {congress} {archive} [Powers]


[Anonymous]. (c. 1728). Rés. 1163. Paris Ms.


Pierre Rameau. (c. 1728). Abbregé De La Nouvelle Methode (Second Edition). Paris. (pdf) {archive}


John Young (ed.). (1728). The Dancing Master (18th Edition). London.


John Young (ed.). (1728). The Dancing Master, Volume II (4th Edition). London. (pdf) (djvu) {congress} {archive}


Pierre Rameau, J. Essex (tr.). (1728). The Dancing-Master, or, The Art of Dancing Explained. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Bartolo Ganasetti. (1729). Balletto per S:A:R:Il Sig: Principe de Galles. Bologna. (nypl)


Thomas Caverley. (1729). Mr. Caverley's Slow Minuet. London.

Choreographies

» Mr. Caverley's Slow Minuet







Soame Jenyns. (1729). The Art Of Dancing. London. (pdf) (djvu) (txt) {google} {archive} [Powers]


Jean Pierre Dubrueil. (1730). La Carlstadt Danse Figurée. Munich.


Anthony l'Abbée. (1731). The Prince of Wales's Saraband, A New Dance for Her Majesty's Birth Day. London.

Choreographies

» The Prince of Wales's Saraband







Pierre Rameau, J. Essex (tr.). (1731). The Dancing-Master, or, The Art of Dancing Explained (Second Edition).


Anthony l'Abbée. (1733). The Prince of Orange, A New Dance for the Year 1733. London.

Choreographies

» The Prince of Wales's Saraband







[Anonymous]. (1735). Histoire de l'Academie Royale des Sciences avec Les Mémoires de Mathématique & de Physique. (pdf) {BNF}


Kellom Tomlinson. (1735). The Art of Dancing Explained by Reading and Figures. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Francis Nivelon. (1737). The Rudiments of Genteel Behaviour. London.


Leach Glover. (1740). The Princess of Hesse. London.

Choreographies

» The Princess of Hesse







James Grassineau. (1740). A Musical Dictionary Being a Collection of Terms and Characters as Well as Ancient as Modern Including the Theoretical, Historical and Practical Parts of Music. London.


John Johnson. (c. 1740). Two Hundred Favourite Country Dances Perform'd at Court. London. (vwml)


J. [John] Walsh. (1740). The Compleat Country-Dancing Master (Fourth Edition). Paris. (pdf) {imslp}


Wright. (c. 1740). Compleat Collection of Celebrated Country Dances Both Old and New that Are in Vogue. London. (vwml)


Valentino Trichter. (1742). Curiöses. Leipzig. (pdf) {BSB}


Kitty Bridge. (1745). A Select Collection of Country Dances. London. (vwml)


Bartholome Ferriol y Boxeraus. (1745). Reglas Utiles Para Los Aficianados A Danzar. Malaga. (pdf version 1) (pdf version 2) {BNE version 1} {BNE version 2}


J. B. E. Maupetit. (1745). Contre-Danses Nouvelles Tel Guils Ont Etés Dansés Au Bal Du Roi Et Au Bal De l'Opera Pour Les Violons, Flutes Et Hautbois Et Autres Instrument. Paris.


Signor [Pierre Jean] Burette. (1746). Prima, E Seconda Memoria per Servire alla Istoria del Ballo degli Antichi. Venezia. (pdf) (djvu) {congress} {archive}


Walter Rainstorp. (1747). Commonplace Book. London. (pdf) {yale}


Pierre Rameau. (1748). Le Maitre A Danser (Third Edition). Paris. (pdf) (djvu) {congress} {archive} [Powers]


T. Davis. (1748). Twenty Four Country Dances For The Year 1748. London. (pdf) {imslp} [Powers]


Descan. (1748). Chorégraphie. Paris Ms. (pdf) {BNF}


John Walsh. (1748). Caledonian Country Dances, Being a Collection of All the Celebrated Scotch and English Country Dances Now in Vogue. London. (pdf2) (djvu2) (pdf2) (djvu2) {archive1} {archive2}


John Walsh. (1748). Country Dances Selected as Perform'd at Court and All Publick Assemblies and Entertainments. London. (pdf) (djvu) {archive}


[Anonymous]. (1749). The Register of Dances at Castle Menzies. Menzies. (Healy transcription)


[Anonymous]. (1750). The London Magazine: Or Gentleman's Monthly Intelligencer. London. (pdf) {google}

Country Dances

» Tom Jones (p. 41)
» Ranger's Wedding (p. 88)
» Den Jumpedo (p. 136)
» The Fumbler (p. 182)
» Trip to Richmond (p. 232)
» The Drum (p. 278)
» The Rival Mimics (p. 326)
» The Coquet (p. 373)
» Trip to Teddington (p. 421)
» The Tarr's Triumph, or Bawdy-House Riot (p. 470)
» The Highwayman (p. 516)
» Trip to Clapham (p. 564)

Antoine de Courtin. (1750). Nouveau Traité De La Civilité Qui Ce Pratique En France Parmi Les Honnêtes Gens. London. (pdf) {google}


Isaac Van Damme. (c. 1750). Le Maitre A Danser. London. (pdf) {google}


[Anonymous]. (c. 1750). C. 3588. London. (pdf) {BNF}


John Johnson. (c. 1750). Caledonian Country Dances with a Through Bass for y Harpsichord (Third Edition). London. (pdf) {imslp}


John Johnson. (1750). A Choice Collection of 200 Favourite Country Dances. London.


J. Longman. (1750). XXIV New Cotillons or French Dances. London. (vwml)


Carl Christoph Lange. (1751). Anfangsgründe Zur Tanzkunst In Welchen. Erlang. (pdf) {google}


[Anonymous]. (1751). Varias Contradanzas Con Sus Músicas Y Explicaciones De Todas Figuras. Madrid. (pdf) {BNE}


Felix Kinski. (1751). Choregraphie O Arte Para Saber Danzar Todas Suertes De Danzas Por Choregraphie Con Caracteres Figuras I Senales Demonstrativas. Oporto. (BMP)


Nicholas Dukes. (1752). A Concise & Easy Method Of Learning The Figuring Part Of Country Dances. London. [Powers] [WorldCat]


[Anonymous]. (1753). The Ladies Compleat Pocket-book for the Year of Our Lord, 1753. London.


[Anonymous]. (1753). The Merry Lad: Or, a Choice Collection of Songs ... to Which is Annex'd, a Set of New Country Dances for This Season. Sheffield.


M. [Louis] de Cahusac. (1754). La Danse Ancienne et Moderne, ou Traité Historique de la Danse. Paris. (pdf) (djvu) (txt) {congress} {archive}


Peter Thompson. (1754). Twenty Four Country Dances for the Year 1754 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. Sheffield.


Giovanni Andre Gallini. (c. 1755). A New Collection Of Forty-Four Cotillions. London. [Powers] [WorldCat]


[Anonymous]. (1756). The London Magazine: Or Gentleman's Monthly Intelligencer. London. (pdf) {google}

Country Dances

» Humours of Wapping (p. 85)
» Succes to the Fleet (p. 189)
» Jovial Tars (p. 397)
» Much Ado About Nothing (p. 501)
» Amorous Old Woman (p. 605)

Pablo Minguet e Yrol. (c. 1757). Quadernillo Curioso De Vientre Contradanzas Nuevas, Escritas De Todas Quantas Maneras Se Han Inventado Hasta Aora; Tienen La Musica Muy Alegre, Y Con Su Baxo. Madrid. (pdf) {BNE}


Pablo Minguet e Irol. (1758). Arte De Danzar A La Francesa. Madrid. (pdf) (djvu) {congress} {archive} [Powers]


Pablo Minguet e Irol. (c. 1758). Breve Explication De Diferentes Danzas, Y Contradanzas, Demonstradas Con Media Chorographia. Madrid.


[Anonymous]. (1758). The Universal Magazine of Knowledge and Pleasure. London. (pdf) {google}

Country Dances

» The Stage-Coach (p. 49)
» The Maiden's Choice (p. 94)
» In the Moor Among the Heather (p. 144, 208)
» Pitt's Fancy (p. 259)
» The Hessian Dance (p. 308)
» The Beaver (p. 362)

Albert Wolfgang Winterschmid. (1758). Kurze Und Leichte Anweisung, Die Compagnie-Tänze In Die Choregraphie Zu Setzen. Altdorf.


Peter Thompson. (1758). Twenty Four Country Dances for the Year 1758 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London.


H. Waylett. (1759). Twenty Four Country Dances for the Year 1759 with Proper Tunes and Directions for Each Dance Set for the Violin, German Flute or Hautboy. London.


Mr. Landrin. (c. 1760). Potpourri François Des Contre-Danse Ancienne Tel Quil Se Danse Chez La Reine. Paris. (pdf1) (pdf2) (djvu) {BNF} {congress} {archive} [Powers]


[Jean-Georges] Noverre. (1760). Lettres Sur La Danse Et Sur Les Ballets. Lyon. (pdf1) (pdf2) (djvu) (txt) {BNF} {BNE} {archive} [Powers]


Louis-César de la Baume le Blanc la Vallière. (1760). Ballets, Opéra Et Autres Ouvrages Lyriques, Par Ordre Chronologique, Depuis Leur Origine; Avec Une Table Alphabétique Des Ouvrages Et Des Auteurs. Paris. (pdf) {BNF}


Pablo Minguet. (c. 1760). El Noble Arte De Danzar a La Francesa, y Española. Madrid. (pdf) {BNE} [Enge]


Michael Dabney. (1760). Twelve Minuets and Twelve Dances for a Violin Hautboy and Harpsichord. London. (pdf) {UR}


[Anonymous]. (1760). The Ladies Complete Pocket-Book for the Year of Our Lord, 1760. London.


Carl Christoph Lange. (1762). Choreographische Vorstellung der Englischen und Französischen Figuren in Contretanzen Nebst einen furzen Auszug des Französischen Kunst die Tanze Aufzuzeichnen. Mit fechs Contretänzen. Erlang. (pdf) {google}


Robert. (1762). Recueil De Contredanses Dédiées à Madame De Cypierre, Intendante d'Orleans. London. (pdf) {BNE}


Giovanni Andrea Gallini. (1762). A Treatise On The Art Of Dancing. London. (pdf) {google} [Powers]


Sr. de La Cuisse. (1762). Le Répertoire Des Bals, Ou Theorie-Pratique Des Contredanses. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Peter Thompson. (1762). Twenty Four Country Dances for the Year 1762 with Proper Tunes and Directions to Each Dance, as They Are Performed at Court, Bath & All Publick Entertainments. London. (vwml)


[Anonymous]. (1762). The Ladies Complete Pocket-Book for the Year of Our Lord 1762. London.


David Wall, Joseph Harrison. (1762). A Book of Tunes. London. (pdf) (djvu) {archive}


Pablo Minguet e Irol. (1764). Breve Tratado De Los Passos Del Danzar A La Española (2nd Edition). Madrid. (pdf) {BNE}


A. D. (1764). Country-Dancing Made Plain and Easy to Every Capacity. London.


Charles Thompson, Samuel Thompson. (1765). Twenty Four Country Dances for the Year 1765 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Dominique Magny. (1765). Principes De Chorégraphie. Paris.


Mr. Landrin. (c. 1765). Recueil Danglaise: Arrangees Avec Leurs Traits Telle Quel Se Danse. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Friedrich Gottlieb Nagel. (1766). Neue Englische Taenze Nebst Darzu Componirter Music. Halle. (pdf) {BNE}


John Johnson. (1766). Twenty Four Country Dances for the Year 1765 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. Halle. (pdf) {IMSLP}


Natal Jacome Bonem. (1767). Tratado Dos Principaes Fundamentos da Dança. Coimbra. (pdf) (djvu) (txt) {congress} {archive}


J. M. de Chavanne. (1767). Principes Du Menuet Et Des Reverances, Nécessaires à La Jeunesse De Savoir, Pour Se Présenter Dans La Grand Monde. Paris.


Charles Thompson, Samuel Thompson. (1767). Twenty Four Country Dances for the Year 1767 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Gherandi. (1768). "Instructions for the More Ready and Perfect Attainment of the Cotillon or French Country Dances." The London Magazine or Gentleman's Monthly Intelligencer. London. (pdf) {google}


Friedrich Gottlieb Nagel. (1768). Samlung Einer Neuen Art Gedruckter Englischer Tänze, Nebst Der Darzu Gehörigen Vollstimmigen Musik. Halle. (pdf) {BNE}


Theodorus Franciscus Petersen. (1768). Practische Einleitung in der Chorégraphie. Hamburg. (pdf) {google}


Jean-Jacques Rousseau. (1768). Dictionnaire de Musique. Paris. (pdf) {google}


Rafael Rivas, Segismundo Torrents. (1768). Contradanzas que se han de baylar en el Theatro de esta ciudad, en los Bayles de mascara del Carnaval de 1768. Barcelona. (pdf) {BNE}


Guillaume. (1769). Almanach Dansant; Ou Positions & Attitudes De L'Allemande. Paris. (pdf) {BNF}


Jean-Georges Noverre. (1769). Briefe Über Die Tanzkunst Und Über Die Ballete. Hamburg. (pdf) {BNE}


Dubois. (c. 1769). Principes d'Allemandes. Paris. (pdf) {BNE}


Dubois. (c. 1769). Recueil De Six Menuets Et Six Allemandes. Paris. (pdf) {BNE}


Dubois, et al. (c. 1769). [Contredanses]. Paris. (pdf) {BNE}

Country Dances

» La Dubois Allemande (p. 1)
» La Nouvelle Danoise (p. 5)
» La Julie Allemande (p. 9)
» La Nouvelle Amazonne ou Les Plaisirs Champetres Allemande (p. 13)
» Les Paisirs de Lucille (p. 17)
» Les Plaisirs de l'Inconstance ou l'Infidelle (p. 21)
» L'Inconnue ou Les Plaisirs de Chantilly (p. 25)
» La Nouvelle Minette (p. 29)
» Les Nouveaux Plaisirs des Eaux de Barege (p. 33)
» Les Nouveaux Plaisirs des Festes Foraines (p. 37)
» La Nouvelle Cornet (p. 41)
» La Gratieuse (p. 45)

Benito Monsort. (1769). Contradanzas Nuevas. Valencia. (pdf) {BNE}


Simon Guillaume. (c. 1769). Caractères de la Danse Allemande. Paris.


[Anonymous]. (1769). The Ladies' Own Memorandum-Book [with Country Dances for 1769]. London.


Matthew Towle. (1770). The Young Gentleman's and Lady's Private Tutor. Oxford.


N. Malpied. (c. 1770). Les Caracteres des Contre-Danses. Paris. (pdf) {BNE}


Louis Pécour. (c. 1770). Danse de Ville ‹La Forlanne› mis en Chorégraphie. Paris. (pdf) {BNE}


Maximilien Gardel. (c. 1770). Danse de Ville ‹Gavotte du Menuet de la Cour› mis en Chorégraphie. Paris. (pdf) {BNE}


François Robert Marsel. (c. 1770). Danse de Ville ‹Menuet Dauphin› mis en Chorégraphie. Paris. (pdf) {BNE}


Maximilien Gardel. (c. 1770). Danse de Ville ‹Menuet de la Cour› mis en Chorégraphie. Paris. (pdf) {BNE}


N. Malpied. (c. 1770). Danse de Ville ‹Les Tricolets› mis en Chorégraphie. Paris. (pdf) {BNE}


la Hante, Perreau. (1770). Deuxième Recueil des Plaisirs. Paris. (pdf) {BNF}


J. Longman. (1770). Twenty Four Country Dances for year 1770 with Proper Directions to Each Dance, as They Are Performed at Court & Almacks, Bath, Scarbrough, Tunbridge & All Other Publick Assemblys. London. (pdf) {imslp}

Country Dances

» Kate's Delight (p. 25)
» Nancy's Choice (p. 25)
» A Trip To Stratford Upon Avon (p. 26)
» The Cat In Pattens (p. 26)
» Cheshunt Statute (p. 27)
» A Peep At The Jubelee (p. 27)
» The Royal Pear (p. 28)
» The Full Moon (p. 28)
» The Philosopher's Jigg (p. 29)
» The Hum Drum (p. 29)
» Harry's Frolick (p. 30)
» Mark In The Dumps (p. 30)
» Mother's Midnight Taste (p. 31)
» The Contending Parsons (p. 31)
» Nancy Under The Hill (p. 32)
» Clerkenwell Assembly (p. 32)
» Do You Know Jack Adams's Parish (p. 33)
» The Lads And The Lasses (p. 33)
» Under The Rose (p. 34)
» The Virgins Frolick (p. 34)
» Love In A Tub (p. 35)
» The New Cotillon (p. 35)
» Beckfords Election (p. 36)
» Mungo (p. 36)

Giovanni Andrea Battista Gallini. (c. 1770). A New Collection of Fourty Four Cotillons; with Figures Properly Adapted, the Music for Six Select Dances, Two of Which May Be Used as Cotillons. London. (pdf) {google}


Mr. Duseul. (c. 1770). Les Plaisirs De L'Arquebuse Contradanse Allemande (And Over 85 Other Set Dances). Paris. [Powers] [WorldCat]


Giovanni Andre Gallini. (c. 1770). Critical Observations On The Art Of Dancing. London. (pdf) {google} [Powers]


Catley, Weiwitzer. (c. 1770). New London and Dublin Song-book or Polite Musical Companion Being a Choice of the Most Favorite Songs and Airs, from Operas, Plays, the Public Gardens, &c. &c. and Private Persons, Many of Which Have Never Appeared before in Print. To Which is Added a Complete Collection of Country-Dances; and a Catalogue of the Most Fashionable Minuets, from Saint James's, the Castle of Dublin, &c. &c. Dublin.


N. Malpied. (c. 1770). Traité sur l'Art de la Danse. Paris. (pdf) (djvu) {congress} {archive} [Powers]


Charles Thompson, Samuel Thompson. (1771). Twenty Four Country Dances for the Year 1771 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {imslp}


William Randall. (1771). Twenty Four Country Dances for the Year 1771 with Proper Tunes and Directions to Each Dance as They Are Performed at Court & All Polite Assemblys Set for the Violin, German Flute or Hautboy. London. (pdf) {imslp}


[Anonymous]. (1771). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1771 [including] Country Dances for the Year 1771. London.


Guillaume. (1771). Almanach Dansant; Ou Positions & Attitudes De L'Allemande. Paris. [Powers] [WorldCat]


V. D. W. (1772). Dansebog. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Louis Delpêch. (1772). Leçons de Danse. Dresden Ms. (SLUB)


C. J. von Feldtenstein. (1772). Erweiterung Der Kunst Nach Der Chorographie Zu Tanzen, Tänze Zu Erfinden, Und Aufzusetzen. Braunschweig. (pdf) (djvu) {congress} {archive} [Powers]


Giovanni Andrea Gallini. (1772). A Treatise On The Art Of Dancing. London. (pdf1) (pdf2) djvu) (txt) {google} {congress} {archive} [Powers]


[Anonymous]. (c. 1772). The Ladies Polite Songster. London.


Johan Bülow. (1773). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


José Marset. (1774). Contradanzas Nuevas. Madrid. (pdf) {BNE}


Charles Thompson, Samuel Thompson. (1774). Twenty Four Country Dances for the Year 1774 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Joachin Ibarra. (1775). Doce Contradanzas Nuevas Abiertas. Madrid. (pdf) {BNE}


T. Straight, T. Skillern. (c. 1775). Two Hundred & Four Favourite Country Dances Perform'd at Court, Almacks, the Pantheon and Most Publick Assemblys, with the Newest and Best Directions for Dancing Each. Set for the Violin, German Flute and Hoboy. London. (pdf) {imslp}


Peter Thompson, Samuel Thompson. (c. 1775). Compleat Collection of 200 Favourite Country Dances Perform'd at Court, Bath, Tunbridge, & All Public Assemblies with Proper Figures or Directions to Each Dance Set for the Violin, German Flute, & Hautboy. London.


Charles Thompson, Samuel Thompson. (c. 1775). Compleat Collection of 120 Favourite Hornpipes as Performed at the Public Theatres. London.


[Anonymous]. (c. 1775). The Ladies Polite Songster. London.


Charles Thompson, Samuel Thompson. (1776). Twenty Four Country Dances for the Year 1776 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


J. Longman, Broderip. (c. 1776). Compleat Collection of 100 of the Most Favorite Minuets Performed at Court, Bath, Tunbridge & All Polite Assemblies Set for the Harpsichord, Violin, Hautboy or German Flute. London.


Christian Friedrich Daniel Schubart. (1777). Vorlesungen Über Mahlerey, Kupferstecherkunst, Bildhauerkunst, Steinschneidekunst und Tanzkunst. Augsburg. (pdf) {google}


Friedrich Wilhelm Weis. (1777). Characteristische Englische Tänze. Lubec. (pdf) {Innsbruck} [Powers]


[Anonymous]. (1777). Danses Angloises. Vienne [Vienna]. (pdf) {BNE}


[Anonymous]. (1777). Les Plaisirs du Bal de Mannheim. Mannheim. (pdf) {BNF}


T. Straight, T. Skillern. (1777). Minuets for the Year 1777 as They were Perform'd at the Ball at Court and Other Publick Assemblys for the Harpsichord Violin and German Flute. London. (vwml)


Charles Thompson, Samuel Thompson. (1778). Twenty Four Country Dances for the Year 1778 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Sieur Brives. (1779). Nouvelle Méthode Pour Apprendre L'Art De La Danse Sans Maitre. Toulouse, France. (pdf) {Toulouse} [Powers]


Gennaro Magri. (1779). Trattato Teorico-Prattico Di Ballo (Mary Skeaping Translation). Naples. [Powers] [WorldCat]


Gennaro Magri. (1779). Trattato Teorico-Prattico Di Ballo, Volumes 1 & 2. Naples. (pdf) (djvu) {congress} {archive} [Powers]


T. Straight. (1779). 24 Favourite Dances for the Year 1779 with Proper Directions to Each Dance as They Are Perform'd at Court, Bath and All Publick Assemblys. London. (vwml)


Ignatius Sancho. (1779). Twelve Country Dances for the Year 1779. Set for the Harpsichord by Permission. Humbly Dedicated to the Right Honorable Miss North by her Most Obedient Servant. London. (pdf) {NA} [Powers]


Charles Thompson, Samuel Thompson. (1779). Twenty Four Country Dances for the Year 1779 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Johan Bülow. (1779). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


Pierre Laurent. (1780). Samling af de Nyeste Engelske Danse med Tourer. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


John Baptist Malchair. (1780). Tune Book. London. (vwml)


T. Skillern. (1780). Twenty Four Country Dances for the Year 1780 with Proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Public Assemblys. London. (vwml)


Peter Thompson, Samuel Thompson. (c. 1780). Compleat Collection of 200 Favorite Country Dances Perform'd at Court, Bath, Tunbridge, & All Public Assemblies with Proper Figures or Directions to Each Dance. London.


Charles Thompson, Samuel Thompson. (1780). Twenty Four Country Dances for the Year 1780 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml) [Powers]


[Anonymous]. (1780). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1780 [including] Country Dances for the Year 1780. London.


Antonio Bigatti. (1780). Description des Figures du Gros Vater que l'on Peut Même Danser Jusqu'au Nombre de 24 Paires. London.


Joseph Vernon. (c. 1780). The New London and Country Songster. London.


Longman & Lukey (pub.). (c. 1780). Set Of Cotillons, Or French Dances. London. [Powers] [WorldCat]


Louis Julien Clarchies. (c. 1781). ‹L'Été› Contredanse Française et ‹Les Deux Amis› Deuxième Contredanse. London. (pdf) {imslp}


Longman & Broderip. (1781). Compleat Collection of 200 Favorite Country Dances, Cotillons and Allemands. London. [Powers] [WorldCat]


T. Skillern. (1781). Twenty Four Country Dances for the Year 1781 with proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Public Assemblys. London. (vwml)


[Anonymous]. (1781). The Ladies Complete Pocket-book; Or Memorandum Repository for the Year 1781 [including] New Country Dances for the Year 1781. Edinburgh.


Thomas Budd. (1781). Six Favorite New Minuets, Four Cotillons & Four Country Dances. London. (pdf) {BNE}


Charles Thompson, Samuel Thompson. (1782). Twenty Four Country Dances for the Year 1782 with Proper Tunes and Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (vwml)


Jacobsen. (1782). Les Nouvelles Danses Angloises pour 1782. Copenhague [Copenhagen]. (pdf) {DKB}


Auguste Ferrère, Joseph Frederick. (1782). Cotillon et Chorégraphie. Valenciennes.


T. Skillern. (1782). Twenty Four Country Dances for the Year 1782 with Proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Public Assemblys. London. (vwml)


[Anonymous]. (1782). "The Art of Dancing." A Collection of Poems. London. 152. (pdf) {google}


Auguste Ferrère, Joseph Frederick. (1782). Cotillon et Chorégraphie. Valenciennes.


Jacobsen. (1783). Les Nouvelles Danses Angloises pour 1783. Copenhague [Copenhagen]. (pdf) {DKB}


T. Straight. (1783). 24 Favourite Dances for the Year 1783 with Proper Directions to Each Dance as They Are Perform'd at Court, Bath, and All Publick Assemblys. London. (vwml)


Guillemin. (1784). Chorégraphie, ou l'Art de Décrire la Danse. Paris.


Jonathan Bülow. (1785). Danses Angloises pour 1785 & 1786. Copenhague [Copenhagen]. (pdf) {DKB}


Joh. E. Blomgren. (c. 1785). [Untitled]. Hässlunda. (SV)


Baron Fredrik Akerhielm. (1785). Dansbok, 200 Kontradanser. Stockholm. [Powers]


M. Bacquoy-Guédon. (c. 1785). Méthode Pour Exercer L'Oreille A La Mesure, Dans L'Art De La Danse. Amsterdam. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Hezekiah Cantelo. (1785). Twenty Four American Country Dances as Danced by the British During Their Winter Quarters at Philadelphia, New York, & Charles Town. London. (pdf1) (pdf2) {imslp1} {imslp2} [Powers]


[Anonymous]. (1785). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1785 [including] Fifteen Country Dances for the Year 1785. London.


[Anonymous]. (1786). The Ladies' Own Memorandum-book; Or, Daily Pocket Journal, for the Year 1786 [including] Eleven Country Dances for the Year 1786. London.


S. J. Gardiner. (1786). Definition of Minuet Dancing, Rules for Behaviour in Company &c, a Dialogue between a Lady and a Dancing-Master. Madeley.


Jonathan Bülow. (1787). Danses Angloises pour 1787. Copenhague [Copenhagen]. (pdf) {DKB}


Claus Schall. (1787). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Charles Compan. (1787). Dictionnaire De Danse. Paris. (pdf) (djvu) (txt) {google} {archive} [Powers]


[Anonymous]. (1787). The Ladies' New Memorandum Book, for the Year 1787 [including] New Country Dances. London.


[Anonymous]. (1787). The Festival of Momus: Or, Polite Musical Companion. Containing a Variety of the Newest and Most Fashionable Songs, Catches, Duets, Cantatas, Country-dances, Toasts, Sentiments, &c.. Dublin.


John Griffiths. (1788). A Collection of the Newest and Most Fashionable Country Dances and Cotillions. Providence, RI: John Carter. (pdf) {NewsBank}


John Griffiths. (1788). A Collection of the Newest Cotillions, and Country Dances. Northampton, MA: William Butler. (pdf) {NewsBank}


Claus Schall. (1788). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


[Anonymous]. (1788). Pandora oder Taschenbuch des Luxus und der Moden für das Jahr 1788. Weimar.


John Fentum. (1788). Sixteen New Country Dances with Their Proper Figures for the Harp, Harpsichord, and Violin; as Performed at the Prince of Wales's & Other Grand Balls & Assemblies. Humbly Dedicated to the Nobility & Gentry, Subscribers to Willis's Rooms Festino. London.


W. H. Kingsbury. (1788). A Cotilion. Paris. (pdf) (djvu) {congress} {archive}


Claus Schall. (1789). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


[Anonymous]. (1789). Pandora oder Kalender des Luxus und der Moden für das Jahr 1788. Weimar.


John Johnson. (1789). The Ladies New and Polite Pocket Memorandum-book, for the Year of our Lord 1789 [including] New Country Dances for 1789. London.


[Anonymous]. (1789). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1789 [including] Fourteen Country Dances for the Year 1789. London.


[Anonymous]. (1789). The Irish Nosegay: or, Songster's Companion. Being a Select Collection of the Newest and Best Songs of Every Species, and Adapted to Persons of Every Kind of Taste. Together with the Most Approved Cantatas, Sonnets, and Airs, as Sung at the Theatres and Public Gardens. Also a Variety of Country-dances, Toasts, Sentiments, &c. Dublin.


Johan Bülow. (1790). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


Johan Bülow. (c. 1790). Engelske Danse i Partitur. Copenhague [Copenhagen]. (pdf) {DKB}


Claus Schall. (1790). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


[Anonymous]. (1789). Rules and Regulations for the Dancing Assembly of Savannah. Savannah.


Шарль Компан [Charles Compan]. (1790). Танцевальный словарь [Dance Dictionary]. Москва [Moscow]. (pdf) {google}


B. Cooke (pub.). (c. 1790). Tracy's Selection Of The Present Favorite Country Dances. Dublin. (pdf) {itma} [Powers]


H. Bishop, Maximilien Gardel. (1790). Six New Minuets and Six Cotillons to Which is Added a Minuet and Gavot. London. (pdf) {BNE}


[Anonymous]. (1790). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1790 [including] Twelve Country Dances for the Year 1790. London.


[Anonymous]. (1790). The Ladies Most Elegant and Convenient Pocket Book for the Year 1790. London.



Mr. Roger (dance), Mr. Feret (music). (c. 1790). Les Quatres Nieces, Contredanse Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» Les Quatres Nieces (♬) (p. 2)






Mr. Dusuel (dance), Mr. Jalodin (music). (c. 1790). La Jasuel, Contredanse Nouvelle. Paris. (pdf) {congress} [Enge]

Contredanses

» La Jasuel (♬) (p. 2)






Mr. Dusuel. (c. 1790). Les Plaisirs de L'Arquebuse, Contredanse Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» Les Plaisirs de L'Arquebuse (♬) (p. 2)






Mr. Roger. (c. 1790). La Nouvelle Yorck, Contredanse Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» La Nouvelle Yorck (♬) (p. 2)






Mr. Roger (dance), Monsieur Jalodin. (c. 1790). La Brandebourg, Contredanse Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» La Brandebourg (♬) (p. 2)






Mr. Amateur. (c. 1790). La Lucille, Contredanse Nouvelle. Paris. (pdf) {congress} [Enge]

Contredanses

» La Lucille (♬) (p. 2)






Mr. Battu. (c. 1790). L'E Toile, Contredanse Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» L'E Toile (♬) (p. 2)






Mr. Roger (dance), Mr. Feret (music). (c. 1790). La Chasse de Diane, Contredanse Francaise et Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» La Chasse de Diane (♬) (p. 2)






Mr. Roger. (c. 1790). Les Graces Allemandes. Paris. (pdf) {congress} [Enge]

Contredanses

» Les Graces Allemandes (♬) (p. 2)






Sieur Battu Fils. (c. 1790). La Petite Battu, Contredance Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» La Petite Battu (♬) (p. 2)






Serviteur Courtat Amateur. (c. 1790). La Petite Eclusel, Contredance Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» La Petite Eclusel (♬) (p. 2)






Mr. Roger. (c. 1790). Les Plaisirs de la Chasse, Contredanse Française. Paris. (pdf) {congress} [Enge]

Contredanses

» Les Plaisirs de la Chasse (♬) (p. 2)






Mr. Battu. (c. 1790). La Nouvelle de Lille, Allemande. Paris. (pdf) {congress} [Enge]

Contredanses

» La Nouvelle de Lille (♬) (p. 2)






Mr. Allard. (c. 1790). La Zelmire, Contredanse Nouvelle. Paris. (pdf) {congress} [Enge]

Contredanses

» La Nouvelle de Lille (♬) (p. 2)






Mr. D (dance), Monsieur Lormer (music). (c. 1790). Les Amours D'Eglé, Contre Danse Française. Paris. [Enge]

Contredanses

» Les Amours D'Eglé (♬) (p. 2)






Mr. Habit (dance), Mr. Liesse (music). (c. 1790). Les Fetes Villageoise, Contredanse Française. Paris. [Enge]

Contredanses

» Les Fetes Villageoise (♬) (p. 2)






Mr. Forestier. (c. 1790). La Fée Bordeloise, Contredanse Nouvelle. Paris. [Enge]

Contredanses

» La Fée Bordeloise (♬) (p. 2)






Mr. Landrin (dance), Mr. Lahante (music). (c. 1790). La Ville Flix, Contre-Danse Françoise. Paris. [Enge]

Contredanses

» La Ville Flix (♬) (p. 2)






Mr. Landrin (dance), Mr. Lahante (music). (c. 1790). La Ville Flix, Contre-Danse Française. Paris. [Enge]

Contredanses

» La Ville Flix (♬) (p. 2)






Mr. Landrin. (c. 1790). La Nouvelle Sara, Contre-Danse Françoise. Paris. [Enge]

Contredanses

» La Nouvelle Sara (♬) (p. 2)






Mr. Landrin. (c. 1790). La Resource Comique, Contre-Danse Française. Paris. [Enge]

Contredanses

» La Resource Comique (♬) (p. 2)






Monsieur Lenoir. (c. 1790). La Charme De L'Amour, Contre-Danse Allemande. Paris. [Enge]

Contredanses

» La Charme De L'Amour (♬) (p. 2)






Mr. M. (c. 1790). La Bizarre, Contredanse. Paris. [Enge]

Contredanses

» La Bizarre (♬) (p. 2)






M. Landrin (dance), M. L. (music). (c. 1790). La Petite Louise, Contre-Danse Françoise. Paris. [Enge]

Contredanses

» La Petite Louise (♬) (p. 2)






Mr. Landrin. (c. 1790). L'Arnelinde, Contre-Danse Française. Paris. [Enge]

Contredanses

» L'Arnelinde (♬) (p. 2)






Mr. Landrin. (c. 1790). L'Ami de la Maison, Contre-Danse Française. Paris. [Enge]

Contredanses

» L'Ami de la Maison (♬) (p. 2)






M. Landrin (dance), M. L. (music). (c. 1790). La Petite Rosinne, Contre-Danse Françoise. Paris. [Enge]

Contredanses

» La Petite Rosinne (♬) (p. 2)






M. Landrin (dance), M. L. (music). (c. 1790). L'Etiquette, Contre-Danse Allemande. Paris. [Enge]

Contredanses

» L'Etiquette (♬) (p. 2)






1791



Claus Schall. (1791). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1791). Taschenbuch Zum Geselligen Vergnügen. Leipzig.


Nicolas Etienne Framery, Jerome Joseph de Momigny, Pierre Louis Ginguené. (1791). Encyclopédie Méthodique. London. (pdf - volume 1) (pdf - volume 1) {google - volume 1} {google - volume 2}


Charles Thompson. (1791). Twenty Four Country Dances for the Year 1791 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {imslp} [Powers]


[Anonymous]. (1791). The Irish Nosegay: or, Songster's Companion. Being a Select Collection of the Newest and Best Songs of Every Species, and Adapted to Persons of Every Kind of Taste. Together with the Most Approved Cantatas, Sonnets, and Airs, as Sung at the Theatres and Public Gardens. Also a Variety of Country-dances, Toasts, Sentiments, &c. Dublin.

Note: Reprint of 1789 Nosegay.


Johan Bülow. (1792). [Untitled]. Copenhague [Copenhagen]. (pdf) {DKB}


J. W. Haskerl. (1792). Sex nye Engelske Dandse med Tourer. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


P. Thræn. (1792). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1792). Taschenbuch Zum Geselligen Vergnügen für 1792. Leipzig.


[Anonymous]. (1792). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1792 [including] Eighteen Country Dances for the Year 1792. London.


[Anonymous]. (1792). A Collection of Contra Dances Containing the Newest, Most Approved and Fashionable Figures. Stockbridge, MA: Loring Andrews. (pdf) {Newsbank}

Country Dances

» Constitution of America (p. 3)
» The American Eagle (p. 3)
» Lady Adam's Fancy (p. 3)
» The Fair American (p. 3)
» Durang's Hornpipe (p. 4)
» Miss Harman's Fancy (p. 4)
» Bowling Green (p. 4)
» City of Philadelphia (p. 4)
» The Rising Sun (p. 5)
» A Fancy Dance (p. 5)
» Lady Buckle's Whim (p. 5)
» Elegant Simplicity (p. 5)
» Chester Castle (p. 6)
» Troy Assembly (p. 6)
» The Village Maid (p. 6)
» Jackson's Baby (p. 6)
» Money Musk & Yankee Doodle (p. )
» Jackson's Jacket (p. 7)
» The Lilt (p. 7)
» Bank of Flowers (p. 7)
» Democratic Rage (p. 7)
» Irish Grove (p. 7)
» Shady Grove (p. 8)
» New Boston Assembly & King's Return (p. 8)
» New London Assembly (p. 8)
» The President (p. 8)
» Patterson's Hornpipe (p. 9)
» Miss Foster's Delight (p. 9)
» Irish Wash Woman (p. 9)
» Ema's Bower (p. 9)
» Siege of Belgrade (p. 10)
» The Ball (p. 10)
» The Pomp Room (p. 10)
» La Belle Catherine (p. 10)
» The Orange Tree (p. 10)
» Rhode-Island March or Rakes of Rodney (p. 11)
» The Myrtle Grove (p. 11)
» Miss Pitkin's Fancy (p. 11)
» The Bonny Lass (p. 12)
» The Seasons (p. 12)
» The Bells of Newhaven (p. 12)
» [Unintelligible] (p. 12)
» The Sun Flower (p. 12)
» Money in both Pockets (p. 13)
» Genet's Recall (p. 13)
» The Shepherd's Holiiday [sic] (p. 13)
» The Road to Ruin (p. 13)
» Leap Year (p. 13)
» Miss Spencer's Fancy (p. 14)
» Lancaster (p. 14)
» Reading (p. 14)
» Miss Drummond's Reel (p. 14)
» Miss Paine's Fancy (p. 14)
» The Female Soldier (p. 15)
» All goes right (p. 15)
» Step to Ireland (p. 15)
» Boston Assembly (p. 15)
» Lord St. Vincent's Glory (p. 16)
» Rickett's Hornpipe (p. 16)
» Paddy's Resort (p. 16)
» Jack's alive (p. 16)
» Money Musk (p. 16)
» Paddy Whack (p. 16)

[Anonymous]. (1792). Ladies Museum or Complete Pocket Memorandum Book for the Year 1792 [including] the Select Country Dances for the Year. London.


Wilhelm Gottlieb Becker. (1793). Taschenbuch Zum Geselligen Vergnügen für 1793. Leipzig. (pdf) {BSB}


Felipe Roxo de Flores. (1793). Tratado De Recreacion Instructiva Sobre La Danza. Madrid. (pdf) {BNE} [Powers]


Thomas Preston. (1793). Twenty Four Country Dances for the Year 1793 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblys. London. (vwml)


[Anonymous]. (1793). The Ladies' Own Memorandum-book: or, Daily Pocket Journal, for the Year 1793 [including] Twenty-One Country Dances for the Year 1793. London.


Asa Willcox. (1793). Asa Willcox's Book Of Figures, 1793. Hartford City, CT. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Иван Кусков [Ivan Kuskov]. (1794). Танцевальный учитель [Dance Teacher]. Санкт-Петербург [St. Petersburg]. [Powers]


Wilhelm Gottlieb Becker. (1794). Taschenbuch Zum Geselligen Vergnügen für 1794. Leipzig.


Thomas Preston. (1794). Twenty Four Country Dances for the Year 1794 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblys. London. (vwml)


[Anonymous]. (1794). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1794 [including] Twenty-One Country Dances for the Year 1794. London.


F. C. Groth. (1795). Sex nye Engelske Dandse med Tourer. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1795). Taschenbuch zum Geselligen Vergnügen für 1795. Leipzig. (pdf) (pdf) {google} {BSB} [Powers]


Wilhelm Gottlieb Becker. (1795). Taschenbuch und Almanach zum Geselligen Vergnügen für 1795. London.


[Anonymous]. (1795). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1795 [including] Country Dances for the Year 1795. London.


George Kauntze. (c. 1795). Collection of the Most Favorite Dances, Reels, Waltzes &c.: for the Piano Forte or Harp. London. (pdf) {BNE}


Louis Julien Clarchies. (c. 1795). Recueil Des Contre-Danses Et Walzes. Paris. (pdf) (djvu) {congress} {archive} [Powers]


M. J. C. Fraisier. (c. 1796). The Scholars Companion: Containing A Choice Collection Of Cotillons & Country-Dances. Boston. (pdf) (djvu) (txt) {congress} {archive} [Powers]


[Anonymous]. (1796). Tempel der Musen und Grazien. Mannheim. (pdf) {BSB} [Powers]


Wilhelm Gottlieb Becker. (1796). Taschenbuch Zum Geselligen Vergnügen für 1796. Leipzig.


J. G. Jacobi. (1796). Taschenbuch für 1796. Königsberg.


Johann Gottfried Pfannenberg. (1796). Ueber die Rednerische Aktion: Mit Erläuternden Beispielen; Vorzüglich für Studirende Jünglinge. Königsberg.


Thomas Preston. (1796). Twenty Four Country Dances for the Year 1796 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assebmlys. London. (vwml)


Don Preciso [Juan Antonio de Iza Zamácola]. (1796). Elementos de la Ciencia Contradanzaria. Madrid. {EMD}


B. Cooke. (1796). Selection of the Present Favorite Country Dances. Dublin. (pdf) {itma}


J. Longman, Broderip. (1796). Twenty Four Country Dances for the Year 1796 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London.


[Anonymous]. (1796). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1796 [including] Country Dances for the Year 1796. London.


[Anonymous]. (1796). Royal Fortune-telling Almanack; Or, Ladies Universal Pocket-book, for the Year 1796 [including] New Country Dances. London.


[Anonymous]. (1796). A Collection of Songs Carefully Selected from the Best Editions Ancient and Modern That Are Extant to Which Are Added a New Set of Country Dances with Their Figures Annexed. Dublin.


Wilhelm Gottlieb Becker. (1797). Taschenbuch und Alamanach zum Geselligen Vergnügen für 1797. Leipzig.


Wilhelm Gottlieb Becker. (1797). Taschenbuch zum Geselligen Vergnügen für 1793 (Second Edition). Leipzig.


J. J. Martinet. (1797). Essai, ou Principes Élémantaires de l'Art de la Danse. Lausanne. (pdf) {google} [Powers]


B. Cooke. (1797). Collection of Favorite Country Dances. Dublin. (pdf) {itma}


B. Cooke. (1797). New Dances. Dublin. (pdf) {itma}


Yarker. (1797). Tune Book. London. (vwml)


Wilhelm Gottlieb Becker. (1798). Almanach und Taschenbuch zum Geselligen Vergnügen für 1798. Leipzig.


J. B. Hullin. (1798). 2eme Recueil des Nouvelle Contre-Danses. Paris. (pdf) {BNF}


Thomas Preston. (1798). Twenty Four Country Dances for the Year 1798 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblys. London. (vwml)


[Anonymous]. (1798). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1798 [including] Country Dances for the Year 1798. London.


[Anonymous]. (1798). A Dance Fan for 1798. London. (brit)


John Griffiths. (1798). The Gentleman and Lady's Companion Containing the Newest Cotillons and Country Dances, to Which is Added Instances of Ill Manners to Be Carefully Avoided by Youth of Both Sexes. Norwich: John Trumbull. (pdf1) (pdf2) (djvu) (txt) {congress} {archive} {NewsBank} [Powers]


John Griffiths. (1798). The Gentleman and Lady's Companion; Containing, the Newest Cotillions and Country Dances; to Which Are Added, Instances of Ill Manners, to Be Carefully Avoided by Youth of Both Sexes. Norwich: John Trumbull. (pdf) {NewsBank}


John Griffiths. (1798). The Gentleman and Lady's Companion Containing the Newest Cotillons and Country Dances, to Which is Added Instances of Ill Manners to Be Carefully Avoided by Youth of Both Sexes (2nd Edition). Norwich.


Nils Peter Møller. (1799). Tolv nye Engelske Dandse med Toure. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Wilhelm Gottlieb Becker. (1799). Almanach und Taschenbuch zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {SLUB} {MN}


J. B. Hullin. (1799). 3eme Recueil des Nouvelles Contre Danses, Walzes et Bearnoize. Paris. (pdf) {BNF}


John H. Ives. (1799). Twenty-Four Figures of the Most Fashionable Country Dances: Together with Eight Cotillions, for the Year Eighteen Hundred. New-Haven: Read & Morse. (pdf) {NewsBank}


Thomas Preston. (1799). Twenty Four Country Dances for the Year 1799 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {NewsBank} {vwml}


T. Skillern. (1799). Twenty Four New Country Dances for the Year 1799 with Proper Directions to Each Dance as They Are Perform'd at Court, Almacks, Bath, Pantheon and All Publick Assemblys. London. (vwml)


J. Longman, Broderip. (1799). Twenty Four Country Dances for the Year 1799 with Proper Tunes & Directions to Each Dance as They Are Performed at Court, Bath & All Publick Assemblys. London.


[Anonymous]. (1799). The Ladies' Own Memorandum-book: or, Daily Pocket Journal for the Year 1798 [including] Country Dances for the Year 1798. London.


John Griffiths. (1799). The Gentleman and Lady's Companion Containing the Newest Cotillons and Country Dances, to Which is Added Instances of Ill Manners to Be Carefully Avoided by Youth of Both Sexes. Newport.



Turn of the 19th Century



Wilhelm Gottlieb Becker. (1800). Almanach und Taschenbuch zum Geselligen Vergnügen für 1800. Leipzig. (pdf) {SLUB}


Wilhelm Gottlieb Becker. (1800). Taschenbuch zum Geselligen Vergnügen. Leipzig.


P. Landrin Duport. (1800). No. 1 of a New Sett of Cotilions, with Figures Called after the American Navy. New York. (pdf) {NewsBank}

Set Dances

» The Eagle (p. 2)
» The Constitution (p. 4)
» The President (p. 6)
» The Constellation (p. 8)
» The Essex (p. 10)
» The Merrimack (p. 12)
» The Chesapeak (p. 14)
» The Herald (p. 16)
» The Experiment (p. 18)
» The Enterprise (p. 20)

P. Landrin Duport. (1800). United States Country Dances, with Figures. New York. (pdf) {NewsBank}

Set Dances

» No. 1. Vermont. French Country dance (p. 3)
» No. 2 New Hampshire Allemande (p. 4)
» No. 3 Massachusett's hop (p. 5)
» No. 4 Rhode Island Jigg (p. 6)
» No. 5 Connecticut (p. 7)
» No. 6 New York (p. 8)
» No. 7 New Jersey (p. 9)
» No. 8 Pennsylvania (p. 10)
» No. 9 Delaware (p. 11)
» No. 10 Maryland (p. 12)
» No. 11 Virginia (p. 13)
» No. 12 Kentucky French Country dance (p. 14)
» No. 13 North Carolina Jigg (p. 15)
» No. 14 Tennessee (p. 16)
» No. 15 South Carolina (p. 17)
» No. 16 Georgia, French Country dance (p. 18)

Johann Heinrich Katfuss. (1800). Choregraphie oder Vollständige und Leicht Falßiche Anweisung zu den Verschiedenen Arten der Heut zu Tage Beliebtesten Gesellschaftlichen Tänze fur Tanzliebhaber, Bortänzer und Tanzmeister. Leipzig. (pdf) {google}


[Anonymous]. (1800). Taschenbuch für Liebhaber der Schönen Tanzkunst. Leipzig. (pdf) {MN}


Taschenbuch für Frauenzimmer von Bildung auf das Jahr 1800. Stuttgart.


Ferdinando Carulli. (c. 1800). Six Contre-Danses avec les Figures et Trois Valzes. Paris. (pdf) {BNF} [Powers]

Note: Also includes music for three waltzes.

Country Dances

» La Dom Quichotte (p. 1)
» La Bouillotte (p. 2)
» La Sirene (p. 3)
» La Dulcinée (p. 4)
» La Merliflor (p. 5)
» La Gaieté (p. 6)

J. B. Hullin. (1800). Trois Quadrilles de Nouvelles Contredances. Paris. (pdf) {BNE}

Note: Includes additional dance music at the end.

Cotillions

» La Richelieu (p. 1)
» Les Petits Pates (p. 4)
» La Frivolité (p. 6)
» Zephir (p. 8)
» L'Alsacienne (p. 10)
» Les Plaisirs (p. 12)
» La Chasse Au Loup (p. 14)
» La Sultane (p. 16)
» La Sincere (p. 18)
» La Psiché (p. 20)
» La Silvie (p. 22)
» La Piemontaise (p. 24)
» L'Ingenue (p. 26)
» La Corisandre (p. 28)
» L'Impressario (p. 30)
» La Colinete (p. 32)
» La Marote (p. 34)
» La Juliete (p. 36)
» La Petite Nanete (p. 36)
» La Juliete (p. 38)
» Le Terpsichore (p. 40)
» La Volupte (p. 42)
» La Rosiere (p. 44)
» La Pastourelle (p. 46)

Thomas Preston. (1800). Twenty four Country Dances for the Year 1800 with proper Tunes and Directions to each Dance as they are performed at Court, Bath, and all Public Assemblies. London. (pdf) {vwml}

Note: All capitalizations and spelling sic. Pages are numbered between 169 and 180.

Country Dances

» Lord Duncans Fancy (p. 169)
» Helder Point (p. 169)
» Change Alley (p. 170)
» Opera Reel (p. 170)
» Bognor Rocks (p. 171)
» Bonny Charley (p. 171)
» Unas Lock (p. 172)
» Mrs. Gardner of troops Reel (p. 172)
» Sr. Sydney Smiths triumph (p. 173)
» Duncan Davidson (p. 173)
» The Round Tower (p. 174)
» Nong tong Paw (p. 174)
» Sr. Phillip Mc. Que (p. 175)
» Barham Downs (p. 175)
» Red Cross Knight (p. 176)
» Lady Portmores Reel (p. 176)
» Hilligsburghs Strathpey (p. 177)
» Prince of Wirtemburg's Waltz (p. 177)
» Surrender of Seringapatam (p. 178)
» Lord Nelson's Hornpipe (p. 178)
» Buonapartes Defeat (p. 179)
» The Laurels of 99 (p. 179)
» Mozarts Waltz (p. 180)
» Miss Mackenzie's Strasphey (p. 180)

T. Cahusac, William Cahusac. (1800). Annual Collection of Twelve Favorite Country Dances with Their Basses. For the Year 1800. With Proper Directions to Each Dance, as They Are Performed at Court, Bath and All Public Assemblys. London.


[Anonymous]. (c. 1800). Collection of Dance Music with Steps for 12 Dancing Figures. Yale Ms. (pdf) {Yale}


Joseph Dale. (c. 1800). Dale's Selection Of The Most Favorite Country Dances, Reels, &C. With Their Proper Figures. London. (pdf1) (pdf2) {imslp} {imslp} [Powers]


Robert Harrison. (c. 1800). [Untitled]. London. (vwml)


[Anonymous]. (c. 1800). [Untitled]. London. (vwml)


W. G. (c. 1800). Set for the Violen. London. (vwml)


Johann Heinrich Kattfuss. (1800). Taschenbuch Fur Freunde Und Freundinnen Des Tänzes. Leipzig. (pdf) {google} [Powers]


J. J. Martinet. (1801). Begyndelsesgrunde i Dandsekonsten. Kiøbenhavn [Copenhagen]. (pdf) {DKB}


Francis. (c. 1801). Ball Room Assistant [No. 1]. Philadelphia. (JHU)


Francis. (c. 1801). Ball Room Assistant [No. 2]. Philadelphia. (JHU)


Francis. (c. 1801). Ball Room Assistant [No. 3]. Philadelphia. (JHU)


Francis. (c. 1801). Ball Room Assistant [No. 4]. Philadelphia. (JHU)


Wilhelm Gottlieb Becker. (1801). Taschenbuch zum Geselligen Vergnügen für 1801. Leipzig.


Médéric Louis Elie Moreau de Saint Méry. (1801). De La Danse. Parme. (pdf) (djvu) (txt) {congress} {archive} {archive2} [Powers]


Ernst Mädel. (1801). Unsangsgrunde Der Tanzkunst. Ersurk. [Powers]


Johann Heinrich Kattfuss. (1802). Choregraphie Oder Vollständige Und Leicht Falssiche. Leipzig. (pdf) {google} [Powers]


Saltator. (1802). A Treatise On Dancing ... Together with a Full Description of Dancing in General - Lessons, Steps, Figures, &c. Boston. (pdf) {Powers} {Powers reconstruction of Congo Minuet} [Powers]


Wilhelm Gottlieb Becker. (1802). Taschenbuch zum Geselligen Vergnügen. Leipzig. (pdf) (hathi) {MN}


Игнатий фон Гельд. (1802). Усовершенствованная школа для семиструнной гитары. Санкт-Петербург.


[Anonymous]. (1802). Contre Dançes Français. Madrid Ms. (pdf) {BNE}


Thompson. (1802). Twenty Four Country Dances for the Year 1802 With Figures to Each as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {Folkopedia}


Mikołaj Janicki. (c. 1803). Sześć Tańcow Polskich z Dwoch Duettow z Opery Sarginoy Innych Pięknych Aryi Zkomponowane na Frote Piano. Bydgoszcz Ms. (UMK)


Wilhelm Gottlieb Becker. (1803). Taschenbuch zum Geselligen Vergnügen für 1803. Leipzig.


Thomas Preston. (1803). Twenty Four Country Dances for the Year 1803 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {Folkopedia} [Powers]


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume I. Saint-Pétersbourg. (pdf) (djvu) {archive}


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume II. Saint-Pétersbourg. (pdf) (djvu) {archive}


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume III. Saint-Pétersbourg. (pdf) (djvu) {archive}


Jean-Georges Noverre. (1803). Lettres sur la Danse, sur les Ballets et les Arts, Volume IV. Saint-Pétersbourg. (pdf) (djvu) {archive}


Médéric Louis Elie Moreau de Saint Méry. (1803). De La Danse. Parme. (pdf) {BNE} [Powers]

Note: Different title page and page layout from Méry (1801).


Gray. (1803). Twenty Four Country Dances for the Year 1803 Adapted for the Violin, German Flute, Oboe &c. with Figures. London. (pdf) (djvu) {archive}


Bland, Weller. (1803). Twenty Four Favorite Country Dances, Hornpipes & Reels with Their Proper Figures for the German Flute or Violin as Performed at Court, & All Public Assemblies. London. (pdf) {imslp}

Note: Missing pages 5-6.


Fentum. (1803). A Favourite Collection of Country Dances for the Year 1803 with Proper Tunes & Directions to Each Dance, as They Are Performed at Court, Bath and All Publick Assemblys. London.


Wilhelm Gottlieb Becker. (1804). Taschenbuch zum Geselligen Vergnügen für 1804. Leipzig.


J. H. Gourdoux-Daux. (1804). Notions Élémentaires sur l'Art de la Danse. Paris.


J. H. Gourdoux. (1804). Principes ... Sur L'Art De La Danse (English Translation By Ellis Rogers). Paris. [Powers]


Thomas Preston. (1804). Twenty Four Country Dances for the Year 1804 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {Folkopedia}


Thompson. (1804). Twenty Four Country Dances for the Year 1804 With Figures to Each as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {Folkopedia}


Guglielmo Piatti. (1805). Collezione di Musica a Ballo. Firenze [Florence].


Wilhelm Gottlieb Becker. (1805). Taschenbuch zum Geselligen Vergnügen. Leipzig. (hathi)


Franz Anton Roller. (1805). Erstes Toiletten-Geschenk für Damen. Leipzig. (UD)

Note: Dance descriptions on pages 55 to 84.


E. C. Mädel. (1805). Die Tanzkunst Für Die Elegante Welt. Erfurt. [Powers] [WorldCat]


Thomas Preston. (1805). Twenty Four Country Dances for the Year 1805 with Proper Tunes and Directions for Each Dance as They are Performed at Court, Bath and All Public Assemblies. London. (pdf) {Folkopedia}


Gray. (1805). Twenty Four Country Dances for the Year 1805 Adapted for the Violin, German Flute, Oboe &c. with Figures. London. (pdf) {Folkopedia}


Thompson. (1805). Twenty Four Country Dances for the Year 1805 With Figures to Each as They Are Performed at Court, Bath & All Publick Assemblys. London. (pdf) {Folkopedia}


Francis Peacock. (1805). Sketches Relative To the History and Theory, but More Especially to the Practice Of Dancing. Aberdeen. (pdf) (djvu) (txt) {congress} {archive} {abdn} [Powers]


Wilhelm Gottlieb Becker. (1806). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {google} [Powers]


Franz Anton Roller. (1806). Zweites Toiletten-Geschenk für Damen. Leipzig. (UD)

Note: Dance descriptions on pages 111 to 130.


D. [Dietrich] A. [Alexander] V. [Valentin] Ivensen. (1806). Terpsichore, Ein Taschenbuch Für Freunde Und Freundinnen Des Tanzes In Liv-, Kur- und Ehstland [Printed Version]. Riga. (pdf) {Riga} [Powers]

Note: Page 143 is mis-numbered page 134.


D. [Dietrich] A. [Alexander] V. [Valentin] Ivensen. (1806). Terpsichore, Ein Taschenbuch Für Freunde Und Freundinnen Des Tanzes In Liv-, Kur- und Ehstland [Handwritten Version]. Riga.


A. Lefebvre. (1806). L'Ami des Jeunes Gens. 1er Recueil. Paris.


[Anonymous]. (1807, March). Cotillions & Country Dances Boston. (pdf) {Powers} {Yuriy Chernyshov transcription} [Powers]


A. Lefebvre. (c. 1807). 2me Recueil De Contredanses Nouvelles, Waltz Et Allemandes. Lyon. (pdf) {Powers} [Powers]

Contredanses

» No. 1 (p. 2)
» No. 2 (p. 3)
» No. 3 (p. 4)
» No. 4 (p. 5)
» No. 5 (p. 8)
» No. 6 (p. 9)
» No. 7 (p. 10)
» No. 8 (p. 11)

Saltator. (1807). A Treatise on Dancing and on Various Other Matters, Which Are Connected with That Accomplishment and Which Are Requisite to Make Youth Well Received, and Regulate Their Behavior in Company, Together with a Lessons, the Figures of Country Dances, and Cotillons. Boston. [Powers] [WorldCat]


Wilhelm Gottlieb Becker. (1807). Almanach und Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {google} [Powers]


Franz Anton Roller. (1807). Drittes Toiletten-Geschenk für Damen. Leipzig. (UD)

Note: Dance descriptions on pages 101 to 153.


Wilhelm Gottlieb Becker. (1808). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) (pdf3) {google} {BSB} {MN} [Powers]


Franz Anton Roller. (1808). Viertens Toiletten-Geschenk für Damen. Leipzig.

Note: Dance descriptions on pages 39 to 58.


Joseph Koslovsky. (c. 1808). Trois Polonoises, Trois Ecossaises et Une Quadrille. Saint Petersbourg.


J. T. Buckingham. (1808). A Selection Of Cotillions And Country Dances. Boston. [Powers] [WorldCat]


Thomas Wilson. (1808). An Analysis of Country Dancing Wherein are Displayed All the Figures Ever Used in Country Dances. London. (pdf) (djvu) (vwml) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1809). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) (pdf3) {google} {BSB} {MN} [Powers]


Willard Blanchard. (1809). A Collection of the Most Celebrated Country Dances and Cotillions. Windsor, VT. [Powers] [WorldCat]


Thomas Wilson. (1809). The Treasures Of Terpsichore; or, a Companion for the Ball-room. London. (vwml) [Powers]


Button, John Whitaker. (1809). Twenty Four Country Dances with Figures for the Year 1809, Adapted for the Violin, German Flute or Oboe. London. (vwml)


Wilhelm Gottlieb Becker. (1810). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN} [Powers]


Aleksandr Allabieff. (c. 1810). 3 Masurques, 2 Ecossaises, Valse et Quadrille. Moscou.


Button, John Whitaker. (1810). Twenty Four Country Dances with Figures for the Year 1810, Adapted for the Violin, German Flute or Oboe. London. (vwml)


Button, John Whitaker. (1810). Twelve Elegant New Dances for the Year 1810, Adapted for the Harp or Piano Forte with Correct Figures as Danced at Court, Bath, Brighton & All Polite Assemblies. London. (pdf) (djvu) {archive}


James P. Cassidy. (1810). A Treatise On The Theory And Practice Of Dancing. Dublin. (pdf) (djvu) (txt) {congress} {archive} [Powers]


John Cherry. (c. 1810). A Treatise on the Art of Dancing in the Ball Room. London. (pdf) {iowa} [Enge] [Powers]


Thomas Wilson. (1810). The Treasures Of Terpsichore for 1810: Containing All the Most Fashionable English Country Dances for the Present Year, with Various Proper Figures Adapted to Each Dance, Being a Continuation to The Treasures of Terpsichore for 1809. London. [WorldCat]


Wilhelm Gottlieb Becker. (1811). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN} [Powers]


J. H. Gourdoux-Daux. (1811). Principes Et Notions Élémentaires Sur L'Art De La Danse Pour La Ville. Paris. [Powers] [WorldCat]


Maria Agata Szymanowska. (c. 1811). Dix-Huit Danses de Différent Genre. (pdf) {imslp} [Powers]


Thomas Wilson. (1811). An Analysis of Country Dancing wherein All the Figures Used in that Polite Amusement Are Rendered Familiar by Engraved Lines [3rd Edition]. London. (pdf) (djvu) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1812). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf) {BSB} [Powers]


[Anonymous]. (1812). Gesetze für die Erholung. Leipzig. (pdf) {google}


Thomas Wilson, William Harmony. (1812). Four New Country Dances Composed for No. 38 New Series of La Belle Assemblee. London. (pdf) (djvu) {archive}


J. Gray. (1812). Twenty Four Country Dances for the Year 1812. Bury St. Edmunds. (eatmt)


Alexander Dupouy. (c. 1812). Cotillions And Country Dances..... Philadelphia. [Powers] [WorldCat]


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen für 1791 [1813 Reissue, with Different Dances]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen [für 1792] [1813 Reissue]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen [für 1794] [1813 Reissue]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen [für 1797] [1813 Reissue]. Leipzig. (pdf) {BSB}


Wilhelm Gottlieb Becker. (1813). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf - partial) {MN}


Louis Julien Clarchies, Beauvarl, Charpentier. (1813). Les Soirées Agréables de la Campagne. 27eme Recueil de Contre-Danses et Walzes. Paris. (pdf) {BNF}


Thomas Wilson. (1813). Twenty Four Country Dances with Figures for the Year 1813, Adapted for the Violin, German Flute or Oboe. London. (pdf) (djvu) {archive}


Wilhelm Gottlieb Becker. (1814). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN}


Carl Friedrich Müller. (c. 1814). Quatre Quadrilles Ecossaises. Hanovre.


Wilhelm Gottlieb Becker. (1815). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN}


Thomas Wilson. (1815). Le Sylphe, an Elegant Collection of Twenty Four Country Dances for the Year 1815. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 1. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 2. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 3. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 4. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 5. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 6. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 7. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 8. London. (pdf) (djvu) {archive}


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 9. London. (pdf) (djvu) {archive}


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 10. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 11. London. (pdf) (djvu) {archive}


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 12. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 13. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 14. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 15. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 16. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 17. London.


Button, John Whitaker. (c. 1815). Selection of Dances, Reels and Waltzes for the Piano Forte, Harp, Violin or German Flute, No. 18. London. (pdf) (djvu) {archive}


Edward Payne. (c. 1815). Payne's Six New Favorite Waltzes, Including The New Darmstadt. Arranged As A Waltz Quadrille. London. (pdf) {Powers} [Powers]


Wilhelm Gottlieb Becker. (1816). Taschenbuch zum geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {BSB} {MN}


John Fentum. (1816). Annual Collection of Twenty Four Favorite Dances for the Year 1816. London.


James Paine. (c. 1816). Paine, of Almacks, Quadrilles [Paine's First Set]. London: H. Falkner. (pdf) {archive}

Note: Also includes music for Prince Frederick of Prussia's Waltz.

Quadrilles

» La Pantalon (La Paysanne) (♬) (p. 2)
» L'Ete (La Flora) (♬) (p. 3)
» La Poule (Le Cobourg) (♬) (p. 4)
» La Trénise (La Felisia) (♬) (p. 5)
» La Pastoralle [missing] (p. 6)
» Promenade (La Nouvelle Chasse) (♬) (p. 7)

















James Paine. (c. 1816). Paine of Almacks Second Set of Quadrilles. London: Falkner's. (pdf) {Powers} [Powers]

Note: Also includes music for Tyrole Waltz, Polish Waltz, and Sauteuse.

Quadrilles

» La Penelope (♬) (p. 2)
» La Daphne (♬) (p. 3)
» La Poule Anglaise (♬) (p. 4)
» La Theresia (♬) (p. 5)
» Le Wellington (♬) (p. 6)
» Les Echo's (♬) (p. 7)


















James Paine. (c. 1816). Third Set of Quadrilles. London.

Quadrilles

» La Lisette (♬)
» La Villageoise (♬)
» La Matilda (♬)
» L'Eugene (♬)
» L'Heureuse Fantasie (♬)
» Les Graces (♬)


















James Paine. (c. 1816). Paine of Almack's Fourth Set of Quadrilles London: Falkner's. (pdf) {Powers} [Powers]

Note: Also includes music for Countess Leivens Favorite Waltz, The Brussels Waltz, and The Russian Waltz.

Quadrilles

» Pantalon (La Magdonal) (♬) (p. 2)
» L'Eté (La Nouvelle Eté) (♬) (p. 3)
» La Poule (La Non Chalant) (♬) (p. 4)
» La Nouvelle Pastorale (♬) (p. 5)
» Finale (La Veritable Chasse) (♬) (p. 6)















Thomas Wilson. (1816). Wilson's Companion to the Ballroom. London. [Powers]


Thomas Wilson. (1816). A Description Of The Correct Method Of Waltzing. London. (pdf) (pdf) {BNF} {BNE} [Powers]

Note: The first known complete English language description of the waltz, and a detailed and influential source on Regency waltzing.

» French Waltzing (p. 62)
      » The Four March Steps (p. 63)
      » The Slow Waltz (p. 65)
      » The Sauteuse Waltz (p. 73)
      » The Jetté (Quick Sauteuse Waltz) (p. 73)
» German Waltzing (p. 87)

Thomas Wilson. (1816). The Treasures Of Terpsichore; Or, A Companion For The Ball-Room. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1817). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) (pdf3) {google} {BSB} {MN} [Powers]


J. H. Gourdoux-Daux, Guillou. (1817). Elements And Principles Of The Art Of Dancing, As Used In The Polite And Fashionable Circles. Philadelphia. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Monsr. Pratt. (c. 1817). Pratt's First Sett Of Quadrilles... To Which Are Added Four Favorite Waltzes. London. (pdf) {Powers} [Powers]


James Paine. (c. 1817). Paine of Almack's Fifth Set Of Quadrilles. London: Falkner's. (pdf) {Powers} [Powers]

Note: Also includes music for The Echo Waltz and The Emperor Alexanders Favorite Polonaise.

Quadrilles

» Pantalon (L'Elegante) (♬) (p. 2)
» L'Eté (La Petite Montignard) (♬) (p. 3)
» La Poule (La Zephyr) (♬) (p. 4)
» La Trenise (L'Inconstant) (♬) (p. 5)
» Finale (La Favorite) (♬) (p. 6)















James Paine. (c. 1817). Sixth Set of Quadrilles. London.

Quadrilles

» La Nouvelle Favorite (♬)
» La Fauvette (♬)
» L'Amulette (♬)
» La Charmeuse (♬)
» La Chasseuse (♬)















James Paine. (c. 1817). Seventh Set of Quadrilles. London.

Quadrilles

» La Pauline (♬)
» La Parmesane (♬)
» La Bassana (♬)
» La Carrillard de Brantignez (♬)
» La Conquerante (♬)















James Paine. (c. 1817). Eighth Set of Quadrilles. London.

Quadrilles

» La D'Artoise (♬)
» La Serant (♬)
» La Duchesse D'Angouleme (♬)
» La Berri (♬)
» Henri Quatre (♬)















Иван Михайлович Долгорукий. (c. 1817). Бытие сердца моего или стихотворения. Москва. (pdf) {google}


John Duval, Spagnoletti. (c. 1817). The Lancer's Quadrilles. Dublin.


Thomas Wilson. (c. 1817). The Quadrille Instructor Containing Directions for Dancing a Variety of New Quadrilles as Introduced at the Assemblies of the Nobility and also at the Author's Balls & Assemblies. London. (pdf) {BNE}


W. Hodsoll. (1817). Collection of Popular Dances for the Piano Forte, Harp or Violin, No. 15. London. (pdf) (djvu) {archive}


Francis Johnson. (1818). A Collection of New Cotillions Published by Setts. Philadelphia. (UNC)


Иван Михайлович Долгорукий. (1818). Бытие сердца моего или стихотворения. Москва. (pdf) {google}


[Anonymous]. (1818). Contre-Danses A Paris (Manuscript). Paris. [Powers]


Wilhelm Gottlieb Becker. (1818). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf1) (pdf2) {google} {BSB} [Powers]


Barclay Dun. (1818). A Translation Of Nine Of The Most Fashionable Quadrilles, Consisting Of Fifty French Country Dances as Performed in England and Scotland. Edinburgh. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Powers]


Joseph Hart. (c. 1818). Hart's Second Set of Quadrilles. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Second Set (♬) (p. 2)
» Hart's Tempẽte Dance (♬) (p. 9)










James Paine. (c. 1818). Ninth Set of Quadrilles. London.

Quadrilles

» La Diane (♬)
» L'Eucharis (♬)
» L'Egerie (♬)
» La Calypso (♬)
» La Carinthia (♬)















James Paine. (c. 1818). Tenth Set of Quadrilles. London.

Quadrilles

» L'Erato (♬)
» La Terpsichore (♬)
» La Thalie (♬)
» L'Euphrosyne (♬)
» La Bellone (♬)
» La Nouvelle Finale (♬)


















James Paine. (c. 1818). Eleventh Set of Quadrilles. London.

Quadrilles

» La Lorette (♬)
» La Pamela (♬)
» L'Alzaide (♬)
» La Florian (♬)
» L'Amusante (♬)
» La Diomede (♬)


















Thomas Wilson. (1818). The Ecossoise Instructor, in Which All the Figures in This New Species of Dancing Are Clearly Explained by Diagrams. London. [Powers] [WorldCat]


Thomas Wilson. (1818). Le Sylphe, an Elegant Collection of Twenty Four Country Dances for the Year 1818. London. (vwml) [Powers]


[Anonymous]. (1818). Le Maître è Danser, or the Art of Dancing Quadrilles. London. (pdf) {google}


Wilhelm Gottlieb Becker. (1819). Taschenbuch Zum Geselligen Vergnügen. Leipzig.


J. H. Gourdoux-Daux. (1819). Recueil d'un Genre Nouveau de Contredanses et Walses. Paris. (pdf) {BNE} {de Guardiola transcription} [Powers]


Thomas Wilson. (1819). L'Assemblée or Fourty Eight Elegant New Dances for the Year 1819. Leipzig.


François de Bassompierre. (1819). Memoirs of the Embassy of the Marshal de Bassopierre to the Court of England in 1626. London. (pdf) {google}


Pierce Egan. (1819). Walks through Bath, Describing Every Thing Worthy of Interest Connected with Public Buildings, the Rooms, Crescents, Theatre, Concerts, Baths, its Literature &c. Edinburgh. (pdf) (djvu) {archive}


James Paine. (c. 1819). Twelfth Set of Quadrilles. London.

Quadrilles

» La Belle Flamand (♬)
» La Tambour de la Garde (♬)
» L'Aimable (♬)
» La Caprice de Vauxhall (♬)
» La Nouvelle Fantasia (♬)















James Paine. (c. 1819). Thirteenth Set of Quadrilles. London.

Quadrilles

» L'Aurore (♬)
» Le Chasseur (♬)
» La Belinda (♬)
» L'Andromede (♬)
» Fin Ch'han dal Vino (♬)















James Paine. (c. 1819). Fourteenth Set of Quadrilles. London.

Quadrilles

» La Duchesse de Clarence (♬)
» La Fitzherbert (♬)
» La Beaufremont (♬)
» La Don Giovanni (♬)
» La Donna Elvira (♬)















Franz Anton Roller. (1819). Tanztouren 1819. Leipzig. [Powers]


1820


W. [Wilhelm] G. [Gottlieb] Becker. (1820). Taschenbuch Zum Geselligen Vergnügen. Leipzig: Georg Joachim Göschen. (pdf) {BSB} [Enge] [Powers]


Ch. Blasis. (1820). Traité Élementaire, Théorique et Practique de L'Art de la Danse. Milan: Joseph Beati et Antoine Tenenti. (djvu) (txt) {archive} [Enge] [Powers]


Geo. Willig Jr. (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties [Sheet Music with Dance Description]. Baltimore: Geo. Willig Jr. (pdf) {hathi} [Enge]

Cotillions

» Fitz James (♬) (p. 1)
» Columbus (♬) (p. 1)
» The Cauliflower (♬) (p. 1)
» The Circassian (♬) (p. 2)
» The Sociable (♬) (p. 2)
» The Campbells are Comin (♬) (p. 2)


















Mesier (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 2nd Sett [Sheet Music with Dance Description]. New York: E. S. Mesier. (pdf) {hathi} [Enge]

Cotillions

» May Day (♬) (p. 1)
» Cataract of the Ganges (♬) (p. 1)
» The Pantaloon (♬) (p. 1)
» The Sea Shore (♬) (p. 2)
» The Coquette (♬) (p. 2)
» The Jig (♬) (p. 2)


















G. E. Blake (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 3rd Sett [Sheet Music with Dance Description]. Philadelphia: G. E. Blake. (pdf) {hathi} [Enge]

Cotillions

» Draw the Sword Scotland (♬) (p. 6)
» O This Is No My Ain Lassie (♬) (p. 6)
» I've Been Roaming (♬) (p. 6)
» Di Tanti Palpiti (♬) (p. 7)
» Lesbia Hath A Beaming Eye (♬) (p. 7)
» Where Is My Lover (♬) (p. 7)


















Bourne (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 4th Sett [Sheet Music with Dance Description]. New York: Bourne. (pdf) {hathi} [Enge]

Cotillions

» Sing Sing Music Was Given (♬) (p. 8)
» The Carrier Pigeon (♬) (p. 8)
» I Left Thee Where I Found Thee (♬) (p. 8)
» O 'Tis Love (♬) (p. 9)
» O Whistle and I'll Come to You My Lad (♬) (p. 9)
» Mrs Edmontons Reel (♬) (p. 9)


















Bourne (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 5th Sett [Sheet Music with Dance Description]. New York: Bourne. (pdf) {hathi} [Enge]

Cotillions

» O Nothing in Life (♬) (p. 10)
» Over the Hills and Far Away (♬) (p. 10)
» The Bonnie Boat (♬) (p. 10)
» Oscar and Malvina (♬) (p. 11)
» My Heart and Lute (♬) (p. 11)
» Dearest Lassie (♬) (p. 11)


















Bourne (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 6th Sett [Sheet Music with Dance Description]. New York: Bourne. (pdf) {hathi} [Enge]

Cotillions

» The Plain Gold Ring (♬) (p. 12)
» Soldiers Glory (♬) (p. 12)
» Burlington Arcade (♬) (p. 12)
» Loudon's Bonnie Woods (♬) (p. 13)
» A Highland Laddie (♬) (p. 13)
» Devil Among the Tailors (♬) (p. 13)


















Bourne (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 7th Sett [Sheet Music with Dance Description]. New York: Bourne. (pdf) {hathi} [Enge]

Cotillions

» Philadelphia Arcade (♬) (p. 14)
» My Love She's But A Lassie Yet (♬) (p. 14)
» Sea Shore (♬) (p. 14)
» The Bonnie Wee Wife (♬) (p. 15)
» Duncan Gray (♬) (p. 15)
» Honey Moon (♬) (p. 15)


















G. E. Blake (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 8th Sett [Sheet Music with Dance Description]. Philadelphia: G. E. Blake. (pdf) {hathi} [Enge]

Cotillions

» The Bridesmaid's Song (♬) (p. 16)
» La Dame Blanche (♬) (p. 16)
» The Hunter's Chorus (♬) (p. 16)
» Hey the Boonie Breast Knots (♬) (p. 17)
» Hurrah for the Bonnets of Blue (♬) (p. 17)
















G. E. Blake (pub.). (c. 1820). Admired Cottillions for Balls and Private Parties, 9th Sett [Sheet Music with Dance Description]. Philadelphia: G. E. Blake. (pdf) {hathi} [Enge]

Cotillions

» Gallopade (♬) (p. 18)
» The Chorister (♬) (p. 18)
» The Bee (♬) (p. 19)
» The Beloved (♬) (p. 19)
» Cherry Ripe (♬) (p. 19)
» New English Jigg (♬) (p. 19)


















Antonio Cairon. (1820). Compendio de las Principales Reglas del Baile Traducido del Francés. Madrid: Imprenta de Repullés. (pdf) {BNE} [Enge]


G. M. S. Chivers. (c. 1820). Chivers' New Set of Contre Danses. London: G. M. S. Chivers.


G. M. S. Chivers. (1820). The Royal Stars, A Favorite Set of Quadrilles. London: G. M. S. Chivers.


G. M. S. Chivers. (c. 1820). The Hibernians, An Original Set of Irish Quadrilles. London: G. M. S. Chivers.


Christie. (c. 1820). Les Quadrilles du Parterre, A New Set. London: Regent's Harmonic Institution.


Hamlin, Joseph Collins. (c. 1820). Six Sets of Favorite Quadrilles. London: C. Wheatstone.


Joseph Hart. (1820). Hart's Celebrated Hussars, A Third Set of New Quadrilles. London: Mayhew & Co. (pdf) {archive} [Enge]

Group Dances

» Hart's Celebrated Hussars (♬) (p. 2)






Joseph Hart. (1820). Hart's Lanciers Set of Quadrilles. London. (pdf) (djvu) {archive} [Enge] [Powers]

Note: This copy is missing the title page.

Group Dances

» Hart's Lanciers Set (♬) (p. 1)






L Länger. (1820). Erinnerungs-Buch zum Nutzen und Vergnügen für meine Schüler and Schülerinnen [Memorial Book for the Benefit and Pleasure of My Students]. Hildburghausen. (pdf) {KOBV} [Enge]


F. Leblond. (c. 1820). Souvenir De Terpsichore, Recueil De Contra-Danses. Paris. [Powers] [WorldCat]


James Paine. (c. 1820). Fifteenth Set of Quadrilles. London.

Quadrilles

» La Duchesse de Dan Carlos (♬)
» Miss Mitchell (♬)
» La Comptesse St. Antonio (♬)
» La Duchesse de Wellington (♬)
» Le Kruitzer (♬)















James Paine. (1820). Le Pantalon, L'Éte, La Poule, La Trenise et La Finale; with Their Proper Figures in French & English, Directions for Each Dance as Performed at Almack's & the Nobility Assemblies. London: C. Christmas.


E. Riley (pub.). (c. 1820). A Collection of Popular Airs Arranged as Cotillions for Balls and Private Parties with New Figures, Sett 1. New York: E. Riley. (pdf) {JHU} [Enge]

Note: Different from the above.

Country Dances

» Draw The Sword Scotland (♬) (p. 2)
» O This Is No My Ain Lassie (♬) (p. 2)
» I've Been Roaming (♬) (p. 2)
» Di Tanti Palpiti (♬) (p. 3)
» Lesbia Hath A Beaming Eye (♬) (p. 3)
» Where Is My Lover? (♬) (p. 3)


















E. Riley. (c. 1820). A Collection of Popular Airs Arranged as Cotillions for Balls and Private Parties with New Figures, Sett 3. New York: E. Riley. (pdf) {UNC} [Enge]

Country Dances

» The Plain Gold Ring (♬) (p. 6)
» Soldier's Glory (♬) (p. 6)
» Burlington Arcade (♬) (p. 6)
» Loudon's Bonnie Woods (♬) (p. 7)
» A Highland Laddie (♬) (p. 7)
» Devil Among The Tailors (♬) (p. 7)


















E. Riley (pub.). (c. 1820). A Collection of Popular Airs Arranged as Cotillions for Balls and Private Parties with New Figures, Sett 9 [?]. New York: E. Riley. (pdf) (djvu) {archive} [Enge]

Note: The Sett number on this one is extremely faint. It looks most like a 9, but a 2 would make more sense.

Country Dances

» Ella Rosenberg (♬) (p. 2)
» Voulez Vous Dansez Mademoiselle (♬) (p. 2)
» Lots Of Kisses (♬) (p. 2)
» Enrico (♬) (p. 3)
» Netley Abbey (♬) (p. 3)

















F. Simonet. (c. 1820). Fashionable Parisian Quadrilles. London: C. Wheatstone. (pdf) {google} [Enge]


W. Hawkes Smith (pub.). (1820). Quadrilling, A Favourite Song [Sheet Music with Illustrations of Dancing]. Birmingham, England: W. Hawkes Smith. (pdf) {JHU} [Enge]


C. Wheatstone (pub.). (c. 1820). Selection of Favorite Quadrilles ... Performed By Paine's Band. London: C. Wheatstone. (pdf) {archive} [Enge] [Powers]


C. Wheatstone (pub.). (c. 1820). No. 1 of Spanish Dances with Their Appropriate Spanish & English Figures as Danced at the Nobility's Assemblies. London: C. Wheatstone. (pdf) (djvu) {archive} [Enge]


Thomas Wilson. (1820). The Complete System of English Country Dancing. London: Sherwood, Neeley and Jones. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Thomas Wilson. (c. 1820). A Companion to the Ball Room [Fourth Edition]. London: D. Mackay. (pdf1) (pdf2) {BNE} {IMSLP} [Enge]


1821


W. [Wilhelm] G. [Gottlieb] Becker. (1821). Taschenbuch Zum Geselligen Vergnügen. Leipzig: Georg Joachim Göschen. (pdf) (pdf2) (GBV) {BSB} {MN} [Enge] [Powers]


G. M. S. Chivers. (c. 1821). The Dancers' Guide. London: T. Denham. (pdf) {BL} [Enge] [Powers]


G. M. S. Chivers. (c. 1821). The Original Caledonians, An Admired Highland Set of Quadrilles with New Figures in French and English. London: Bedford Musical Repository. (pdf) {Goucher} [Enge]

Group Dances

» The Original Caledonians (♬) (p. 2)






J. F. Cunningham (c. 1821). A New Set of Quadrilles, with Improved Figures. London: Hebner. [BL]


Joseph Hart. (c. 1821). Hart's Fourth Set of Quadrilles. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Fourth Set (♬) (p. 1)






Joseph Hart. (c. 1821). Hart's Much Admired First Set of Scotch Quadrilles. London: Mayhew & Co. (pdf) (djvu) {archive} [Enge]

Group Dances

» First Set of Scotch Quadrilles (♬) (p. 2)






[Pierre] Marque. (1821). Étrennes à Terpsichore, Dédiées Aux Dames Ou Recueil De Contre Danses, Anglaises Et Walzes. Paris: Gide Fils. (pdf) {BNE} [Enge] [Powers]


Philippe Musard. (c. 1821). The Twelfth Set Of Quadrilles. (Paper Watermarked 1819). London. [Powers] [WorldCat]


James Paine. (c. 1821). Paine of Almack's First Set of Quadrilles [1821 Reprinting]. London. [Powers]


James Paine. (c. 1821). Sixteenth Set of Quadrilles. London.

Quadrilles

» La Cephale (♬)
» L'Eveline (♬)
» La Julian (♬)
» Le Barbier de Seville (♬)
» Cinderella (♬)















James Paine. (c. 1821). Seventeenth Set of Quadrilles. London.

Quadrilles

» La Triomphante (♬)
» Lady Stewart (♬)
» Le Pavilion (♬)
» Miss Thompson (♬)
» Les Nouveaux Echo (♬)















Thomas Wilson. (1821). An Address, or Essay on Deportment. London. [Powers]


Thomas Wilson. (1821). The Quadrille Instructor. London: Button, Whitaker & Comp. (pdf) {imslp} [Enge] [Powers]


1822


Wilhelm Gottlieb Becker. (1822). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Enge]


G. M. S. Chivers. (1822). The Modern Dancing Master. London. [BL]


G. M. S. Chivers. (c. 1822). The Quadrille Preceptor. London. [BL]


John Cole (pub.). (c. 1822). Selection of Favorite Cotillions, No. 1. Baltimore: John Cole. (pdf1) (pdf2) {Goucher} {archive} [Enge]

Cotillions

» Ellen (♬) (p. 2)
» The Campbell's Are Coming (♬) (p. 2)
» Auld Lang Syne (♬) (p. 3)
» Bon Ami (♬) (p. 3)
» Oh! 'Tis Love (♬) (p. 4)
» Basket Cotillion (♬) (p. 4)
» Rustic Reel (♬ only) (p. 4)





















John Cole (pub.). (c. 1822). Selection of Favorite Cotillions, No. 2. Baltimore: John Cole. (pdf) {JHU} [Enge]

Cotillions

» The Village Dance (♬) (p. 2)
» Lord Milton (♬) (p. 2)
» 'Tis All But A Dream (♬) (p. 3)
» La Morgan (♬) (p. 3)
» Columbus (♬) (p. 4)
» Storm (♬) (p. 4)
» Kinloch of Kinloch (♬) (p. 4)





















Förster. (1822). Anweisung zur Tanzkunst. Proskau.


Alexander Strathy. (1822). Elements of the Art of Dancing, with A Description of the Principal Figures in the Quadrille. Edinburgh: E. Pillans. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Thomas Wilson. (1822). An Analysis of Country Dancing ... with New Reels (4th Edition). London: W. Calvert. (pdf) {google} [Enge] [Powers]


Thomas Wilson. (1822). The Quadrille and Cotillion Panorama (2nd Edition). London: R. & E. Williamson. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


1823


A. Alkman (pub.). (c. 1823). The Etiquette of the Ball-room and Delineation of the Art of Dancing Quadrilles, &c. By a Gentleman Who Was Travelled Through France, Italy, Portugal, &c. and Frequented the Most Fashionable Assemblies in England. Edinburgh.


Wilhelm Gottlieb Becker. (1823). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Enge]


[Edmé] Collinet (ed.). (c. 1823). Le Cotillon. Paris: Chez Collinet. (pdf) {Harvard} [Enge]


Edmé Collinet. (c. 1823). Recueil Unique ou Choix de Danses de Divers Caractères avec Figures Variées et Clairement Détaillées. Paris.


Friedrich Engelmann. (1823). Taschenbuch der Tanzkunst. Darmstadt: J. W. Hener.


A Gentleman. (1823). Etiquette Of The Ball-Room ... Art Of Dancing Quadrilles. Edinburgh. [Powers] [WorldCat]


J. H. Gourdoux-Daux. (1823). De l'Art de la Danse (3e Edition). Paris: Chez L'Auteur. (pdf) {google} [Enge] [Powers]


Joseph Hart. (c. 1823). Hart's Fifth Set of Quadrilles. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Fifth Set (♬) (p. 1)






Joseph Hart. (c. 1823). Hart's Sixth Set of Quadrilles, Including Select Airs from Rossini's Opera La Gazza Ladra. London. (pdf) {Enge} [Enge] [Powers]

Group Dances

» Hart's Sixth Set (♬) (p. 2)






Joseph Hart. (c. 1823). Hart's Seventh Set of Quadrilles, Selected from Rossini's Favorite Opera, Pietro l'Erimita. London. (pdf) (djvu) {archive} [Enge]

Group Dances

» Hart's Seventh Set (♬) (p. 2)






Joseph Hart. (c. 1823). Hart's Eighth Set of Quadrilles, The Airs Selected from the Most Favorite English Melodies. London. (pdf) {Enge} [Enge]

Group Dances

» Hart's Eighth Set (♬) (p. 2)






Joseph Hart. (c. 1823). Hart's Ninth Set Of Quadrilles, Selected From Rossini's Beautiful Opera La Donna Del Lago. London: Mayhew & Co. (pdf) [Enge] [Powers]

Group Dances

» Hart's Ninth Set (♬) (p. 2)






Joseph Hart. (c. 1823). Hart's Tenth Set Of Quadrilles, Selected From Weber's Der Freyschutz. London: Mayhew & Co. (pdf) (djvu) {archive} [Enge] [Powers]

Group Dances

» Hart's Tenth Set (♬) (p. 2)






John G. Klemm (pub.). (c. 1823). Oh 'Tis Love, Basket Cotillion, Rustic Reel. Philadelphia: John G. Klemm. (pdf) {Goucher} [Enge]

Group Dances

» Oh 'Tis Love (♬) (p. 1)
» Basket Cotillion (♬) (p. 1)
» Rustic Reel (♬ only) (p. 1)












Jørgen Gad Lund. (1823). Terpsichore, Eller En Veiledning For Mine Dandselaerlinger. Mariboe. (pdf) (HDA transcription) {DKB} [Enge] [Powers]


Philippe Musard. (c. 1823). The Fifteenth Set Of Quadrilles. London. [Powers] [WorldCat]


Reissinger. (c. 1823). Le Bon Ton. Berlin.


Mme. Élise Voiart. (1823). Essai Sur La Danse Antique Et Moderne. Paris. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


1824


T. Adams. (1824). Almack's Quadrilles, as Performed at Carlton House, Almack's and the Argyle Rooms with Appropriate Figures in French & English. London: G. Shade. (pdf) {JHU} [Enge]

Group Dances

» Almack's Quadrilles (♬) (p. 2)






Wilhelm Gottlieb Becker. (1824). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Enge]


Joseph Hart. (c. 1824). Hart's Eleventh Set of Quadrilles, Selected from Rossini's Beautiful Opera of Zelmira. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Eleventh Set (♬) (p. 2)






Joseph Hart. (c. 1824). Hart's Twelfth Set of Quadrilles. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Twelfth Set (♬) (p. 3)






Joseph Hart. (c. 1824 ). Hart's Thirteenth Set of Quadrilles, Selected from Mathew Locke's Original Music in Macbeth. London: Mayhew & Co. (pdf) {HDA} [Enge] [Powers]

Group Dances

» Hart's Thirteenth Set (♬) (p. 2)






F. [Francis] Johnson. (c. 1824). General La Fayette Bugle Waltz with Johnson's Contillions [sic]. Baltimore: G. Willig. (pdf) {Goucher} [Enge]

Note: There are multiple page 2s, 3s, and 4s in this copy (with different dances on the same numbered page), presented in no particular order.

Cotillions

» Love in a Village (♬) (p. 4)
» Tom & Jerry (♬) (p. 2)
» Anna (♬) (p. 2)
» Cadwallader (♬) (p. 4)
» La Fayette (♬) (p. 2)
» Washington (♬) (p. 2)
» The Morris (♬) (p. 3)
» The National Guest (♬) (p. 3)
» Alice (♬) (p. 3)
» Ballston (♬) (p. 3)


























F. [Francis] Johnson. (1824). La Fayette Cotillions. Baltimore: G. Willig. (pdf) {JHU} [Enge]

Cotillions

» Brandywine (♬) (p. 1)
» Yorktown (♬) (p. 2)
» Monmouth (♬) (p. 2)
» Olmutz (♬) (p. 3)
» Virginia (♬) (p. 4)
» Entrance into Madrid (♬) (p. 4)


















Christian Länger. (1824). Terpsichore, Ein Taschenbuch der Neuesten Gesellschaftlichen Tänze. Würzburg. (pdf) {google} [Enge]


Herrn Lauchery. (1824). Tanze Mit Musik. Berlin. [Powers]


C. Meinecke. (1824). Three Sets of Cotillions, As Danced at the Grand Ball Given at Baltimore in Honour of Genl. La Fayette. Baltimore: John Cole. (pdf) {JHU} [Enge]

Cotillions

» First Set (♬) (p. 3)
      » The Welcome (♬) (p. 3)
      » La Fayette's Favourite (♬) (p. 3)
      » The Cadmus (♬) (p. 4)
      » La Bonne Mere (♬) (p. 4)
» Second Set (♬) (p. 5)
      » Carrolton (♬) (p. 5)
      » The Nations Guest (♬) (p. 5)
      » York Town (♬) (p. 6)
      » Washingtons Tent (♬) (p. 6)
» Third Set (♬) (p. 7)
      » Belvidere (♬) (p. 7)
      » The Noble Volunteer (♬) (p. 7)
      » The Marquis (♬) (p. 8)
      » The General (♬) (p. 8)
» Columbus, or the Drunken Sailor (♬) (p. 9)
» Contentment & Love, or Kinloch of Kinloch (♬) (p. 9)
» Rustic Reel (♬ only) (p. 9)

E. Riley (pub.). (1824). First Sett of Cotillions. New York: E. Riley. (pdf) {JHU} [Enge]

Cotillions

» Auld Lang Syne (♬) (p. 3)
» Bruce's Address (♬) (p. 4)
» Bonnie Laddie (♬) (p. 5)
» Oh What A Row (♬) (p. 6)
» Oh 'Tis Love (♬) (p. 7)
















E. Riley (pub.). (1824). Second Sett of Cotillions. New York: E. Riley. (pdf) {JHU} [Enge]

Cotillions

» The Beggar Girl (♬) (p. 3)
» Jockey to the Fair (♬) (p. 4)
» Life Let Us Cherish (♬) (p. 5)
» Paddy the Piper (♬) (p. 6)
» The Priest in His Boots (♬) (p. 7)
» Massa Georgee Washington &c. &c. (♬) (p. 8)


















Thomas Wilson. (1824). The Danciad, or Dancer's Monitor. London: Thomas Wilson. (pdf) (djvu) (txt) (HDA transcription) {congress} {archive} [Enge] [Powers]


1825


Auguste Alexis Floréal Baron. (1825). Lettres à Sophie sur la Danse. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Wilhelm Gottlieb Becker. (1825). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Enge]


G. M. S. Chivers. (c. 1825). The Celebrated Imperial Gallopades. London: G. Walker & Son.


Collinet (dance), P. Musard (music). (c. 1825). Deux Quadrilles Français. Paris: Edmé Collinet. (pdf) {Harvard} [Enge]


Edmé Collinet. (1825). Le Recueil Unique ou Choix de Cinquante Danses Originals de Divers Caractères. Paris.


A. H. Durocher. (1825). A New Sett of Cotillions. Baltimore. (pdf) {JHU} [Enge]

Cotillions

» Eloisa (♬) (p. 1)
» Maria (♬) (p. 2)
» Caroline (♬) (p. 2)
» Elizabeth (♬) (p. 3)
» Laura (♬) (p. 4)
















Joseph Hart. (c. 1825). Hart's Celebrated Lanciers Set of Quadrilles [Sheet Music with Dance Description]. London. [Powers] [WorldCat]


Joseph Hart. (c. 1825). Hart's Fourteenth Set of Quadrilles, Selected from Carl Maria Von Weber's Celebrated Drama of Preciosa. London. (pdf) {Enge} [Enge] [Powers]

Group Dances

» Hart's Fourteenth Set (♬) (p. 1)






Joseph Hart. (c. 1825). Hart's Fifteenth Set of Quadrilles, or Second Set Selected from Carl Maria von Weber's Der Freischutz. London: Mayhew & Co. (pdf) {google} [Enge] [Powers]

Group Dances

» Hart's Fifteenth Set (♬) (p. 2)






Joseph Hart. (c. 1825). Hart's Sixteenth Set Of Quadrilles, Selected from Carl Maria Von Weber's Celebrated New Opera Euryanthe. London. (pdf) {Enge} [Enge] [Powers]

Group Dances

» Hart's Sixteenth Set (♬) (p. 2)






Joseph Hart. (c. 1825). Hart's Seventeenth Set of Quadrilles, Selected from John Whitaker's Most Favorite Operas. London.

Group Dances

» Hart's Seventeenth Set (♬) (p. 2)






Joseph Hart. (c. 1825). Hart's Eighteenth Set of Quadrilles, Selected From Meyerbeer's Il Crociato In Egito. London. [Powers] [WorldCat]

Group Dances

» Hart's Eighteenth Set (♬) (p. 2)






P. J. Kaastrup. (1825). Veiledning for Mine Dandselærlinger. Thisted. (pdf) {DKB} [Enge]


P. Musard (music). (c. 1825). The Twelfth Set Of Quadrilles. London. [Powers] [WorldCat]


Людовик Петровский [Ljudovik Petrovskij]. (1825). Правила для благородных общественных танцев [Rules for the Noble Social Dances]. Kharkiv. (pdf) (HDA transcription) (google translation of HDA transcription) {HDA} [Enge] [Powers]


Charles T. Sykes. (c. 1825). La Dansomanie. A Popular Set Of Quadrilles, With Entire New Figures In French And English. London. [Powers]


Maria Agata Szymanowska. (c. 1825). Vingt-Quatre Mazurka's ou Danses Nationales de Pologne. Leipzig.


Thomas Tegg (pub.). (1825). Analysis Of The London Ball-Room. London. (pdf) {google} [Enge] [Powers]


John Charles White. (c. 1825). Guy Mannering Quadrilles, White's 52nd Set. London. [Powers] [WorldCat]


1826


T. B. (1826). Dance Book. Wellington Ms. (pdf) {NLNZ} [Enge] [Powers]


Wilhelm Gottlieb Becker. (1826). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Enge]


Louis Casorti. (1826). Der Instructive Tanzmeister Für Herren Und Damen. Almenau. (pdf) {Powers} [Enge] [Powers]


Joseph Hart. (c. 1826). Hart's Nineteenth Set of Quadrilles, Selected from Rossini's Favorite Opera of Semiramide. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Nineteenth Set (♬) (p. 2)






Joseph Hart. (c. 1826). Hart's Twentieth Set of Quadrilles, Selected from the Favorite Operas of Carl Maria Von Weber. London: Mayhew & Co. (pdf) {Enge} [Enge] [Powers]

Group Dances

» Hart's Twentieth Set (♬) (p. 2)






Joseph Hart. (c. 1826). Hart's Twenty-First Set of Quadrilles. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Twenty-First Set (♬) (p. 2)






Mr. Mann (dance), William Staunton (music). (c. 1826). A Sett of Fashionable Cottilions as Danced at Monsieur Labasses Academy. Boston: James L. Hewitt & Co. (pdf) {Goucher} [Enge]

Group Dances

» Pantheon Hall (♬) (p. 2)
» Mary's Favorite (♬) (p. 3)
» Georgiana (♬) (p. 4)
» No. 4 (♬) (p. 5)
» The Bonny Boat (♬) (p. 6)
» A Trip to Cambridge (♬) (p. 7)


















Mr. Mann. (c. 1826). A Fashionable Sett of Fashionable Cottilion as Danced at Corinthian Hall. Boston: James L. Hewitt & Co. (pdf) {Goucher} [Enge]

Group Dances

» Corinthian Hall (♬) (p. 2)
» L'Amore (♬) (p. 2)
» Salina (♬) (p. 3)
» The Faries (♬) (p. 4)
» My Love She's But A Lassie Yet (♬) (p. 5)
» Good Night and Joy Be Wi'ye (♬) (p. 6)
» My Ain Kind Dearie (♬) (p. 7)





















James Paine. (c. 1826). Semiramide Quadrilles. London.


G. Riebe. (1826). Tanze Mit Musik. Berlin. [Powers]


1827


D. F. E. Auber. (c. 1827). The Admired Sett of Cotillions from the Opera of La Dame Blanche. New York. (pdf) {UNC} [Enge]

Group Dances

» Seigneior (♬) (p. 2)
» Georges (♬) (p. 3)
» White Lady (♬) (p. 4)
» The Overture (♬) (p. 5)
» The Mountaineers (♬) (p. 6)















Wilhelm Gottlieb Becker. (1827). Taschenbuch Zum Geselligen Vergnügen. Leipzig. (pdf) {BSB} [Enge]


Bourne (pub.). (c. 1827). The Village Dance. New York: Bourne. (pdf) {UNC} [Enge]

Group Dances

» The Village Dance (♬) (p. 1)
» The Red Red Rose (♬) (p. 1)









E. H. Conway. (1827). Le Maitre De Danse, or the Art of Dancing Cotillons. New York: C. S. Van Winkle. (pdf) {google} [Enge] [Powers]


Joseph Hart. (c. 1827). Hart's Much Admired Eighth Set Of Scotch Quadrilles. London. (djvu) {archive} [Enge] [Powers]

Group Dances

» Hart's Eight Set of Scotch Quadrilles (♬) (p. 2)






[Joseph Binns] Hart. (c. 1827). Hart's Twenty-Second Set of Quadrilles, Selected from Boieldieu's La Dame Blanche. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Twenty-Second Set (♬) (p. 1)






[Joseph Binns] Hart. (c. 1827). Hart's Twenty-Third Set of Quadrilles. London: Mayhew & Co. (pdf) {Enge} [Enge]

Group Dances

» Hart's Twenty-Third Set (♬) (p. 1)






Joseph Hart. (c. 1827). Hart's Twenty-Fourth Set Of Quadrilles. London. (pdf) (djvu) {archive} [Enge]

Group Dances

» Hart's Twenty-Fourth Set of Quadrilles (♬) (p. 2)






Jørgen Gad Lund. (1827). Terpsichore, Eller En Veiledning For Mine Dandse-Elever. Slagelse. (DKB) {DKB} [Enge] [Powers]


Charles Mason. (1827). A Short Essay on the French Danse de Société. London: R. Ackermann. (pdf) {google} [Enge]


James Paine. (c. 1827). Paine's Celebrated Set Of Quadrilles [First of Paine's Second Series Of Quadrilles]. London. (pdf) {Powers} [Enge] [Powers]

Group Dances

» Paine's Celebrated Set of Quadrilles (♬) (p. 2)






James Paine. (c. 1827). Royal Harmonic Institution Quadrilles. London.

Group Dances

» Royal Harmonic Institution Quadrilles (♬) (p. 2)






[Anonymous]. (1827). TEPПCИXOPA, AЛЬMAHAX MУЗЬIKИ И TAHЦEB (Terpsichore, Almanac Of Music And Dance). Moscow. [Powers]


1828


Carlo Blasis. (1828). The Code Of Terpsichore. London. [Powers] [WorldCat]


Gourdoux Fils. (1828). Description des Figures les Plus Utilisées de la Contredanse Française. Paris: Gourdoux Fils. (pdf) {BNF} [Enge]


Jas. Mc. Ewen. (c. 1828). The First Sett of Fashionable Quadrilles from Auber's Celebrated Opera of Masaniello. London: J. Duncombe & Company. (pdf) {Goucher} [Enge]

Quadrilles

» Quadrilles from Masaniello (♬) (p. 1)






J. S. Pollock. (c. 1828). La Terpsichore Moderne; Selection Of The Most Fashionable Quadrilles [Bound with Companion, c. 1830]. London. (pdf) {Powers} [Enge] [Powers]


Gotthelf Tschütter. (1828). Terpsichore, Ein Taschenbuch der Neueren Tanzkunst für Anfänger und Solche. Dresden.


[Anonymous]. (1828). Собрание фигур для котильона [Collection Of Figures For The Cotillion]. Санкт-Петербург [St. Petersburg]. (pdf) (HDA transcription) (Google translation of HDA transcription) [Enge] [Powers]


1829


Joseph Hart. (c. 1829). Herz's Celebrated Quadrilles. London: Mayhew & Co. (pdf) (djvu) {archive} [Enge]

Group Dances

» Herz's Celebrated Quadrilles (♬) (p. 3)






Joseph Hart. (c. 1829). Hart's Thirtieth Set, or Celebrated Archer's Quadrilles [Sheet Music and Dance Description]. London: Mayhew & Co. (pdf) {Powers} [Enge] [Powers]

Group Dances

» Hart's Thirtieth Set (♬) (p. 3)






[Joseph Binns] Hart. (c. 1829). Hart's Thirty-First Set of Quadrilles from Masaniello. London. (pdf) {Enge} [Enge] [Powers]

Note: Music only, no dance descriptions.


Joseph Hart. (c. 1829). Hart's First Set Of Scotch Quadrilles. London. (djvu) {archive} [Enge] [Powers]

Group Dances

» Hart's First Set of Scotch Quadrilles (♬) (p. 3)






Eduard Friedrich David Helmke. (1829). Neue Tanz und Bildunsschule. Leipzig. (pdf) {SBB} [Enge] [Powers]


Eduard Friedrich David Helmke. (1829). Vollstimmige Musikbegleitung. Leipzig.

Note: Music supplement to the above.


London Court Journal. (1829). The Mazurka (Article Reprinted In The 1830 Godey Lady's Book). London. [Powers]


Philippe Musard. (c. 1829). The XXXVIII Set Of Quadrilles [Paper Watermarked 1827]. London. [Powers] [WorldCat]


C. W. Wiener. (1829). Gründliche Anweisung Zu Allen Gesellschaftlichen Tänzen. Zwickau. [Powers] [WorldCat]


G. Yates. (1829). The Ball: A Glance At Almacks. London. (pdf) {google} [Enge] [Powers]


1830


P. E. Alerme. (1830). De La Danse, Considérée Sous Le Rapport De l'Éducation Physique. Paris: Imprimerie De Goetschy. (pdf) (djvu) (txt) {congress} {archive} [Enge]

Note: Discussion of the importance of dance, but no dance descriptions.


O. G. F. Bagge. (1830). Om Françaiser. Aarhus. (pdf) {DKB} [Enge]

Note: General discussion of dance, but no dance descriptions.


[Carlo] Blasis. (1830). Manuel Complet De La Danse. Paris: Librairie Encyclopédique de Roret. (pdf) {BNF} [Enge] [Powers]


[Carlo] Blasis. (1830). Code Complet De La Danse. Paris: Audin. (pdf) {RSL} [Enge] [Powers]


C. [Carlo] Blasis, R. Barton (tr.). (1830). The Code of Terpsichore. London: Edward Bull. (pdf) {google} [Enge]


T. Brotherton. (c. 1830). The Russian Quadrilles, The Subjects from Admired Russian Airs. London. [Powers] [WorldCat]


J. Dale. (c. 1830). The Honey Moon. A Favorite Dance Arrang'd as a Rondo. New York: J. & M. Paff. (pdf) {JHU} [Enge]

Group Dances

» The Honey Moon (♬) (p. 1)






Jean-Henri Gourdoux-Daux. (1830). Die Tanzkunst als Bildungsmittel der Jugend oder Methodik. Wien: L. Haas'schen Buchhandlung. (pdf) {google} [Enge]


Joseph Hart. (c. 1830). Hart's Royal Mazourkas [a.k.a. Hart's 1st Set of Mazurkas]. London. (pdf) {Powers} {Lexington Vintage Dance recordings} [Enge] [Powers]

Group Dances

» Hart's Royal Mazourkas (♬) (p. 2)






Eduard Friedrich David Helmke. (1830). Almanach der Neuesten Pariser Modetänze. Naumberg.


R. Hill. (1830). A Guide to the Ball Room, Containing a Selection of the Most Fashionable Quadrilles, Waltzes, Country Dances, and Gallopades. Lincoln, England: W. Brooke and Sons. (pdf) {google} [Enge] [Powers]


Frederic Knecht. (c. 1830). Dix Contredanses Pour Le Piano-Forte With Figures. Frankfort. [Powers]


Philippe Musard. (c. 1830). Musard's 1st Set Of Galoppes Favorites, Performed At Almack's And The Nobilities Balls. London. [Powers] [WorldCat]


J. S. Pollock. (c. 1830). Companion To La Terpsichore Moderne (c. 1828). London. (pdf) {Powers} [Enge] [Powers]


Ricardo Porfyrio da Fonseca. (1830). The Fashionable Madeira Cotillions. New York: E. Riley. (pdf) {congress} [Enge]

Group Dances

» Madeira Cotillions (♬) (p. 2)






L. A. Godey & Co. (pub.). (1830). "The Mazurka." The Lady's Book [Reprinted from the London Court Journal]. Philadelphia: L. A. Godey &. Co. (pdf) {google} [Enge]

Group Dances

» The Mazurka (p. 107)






J. L. Hewitt (pub.). (1830). The Tri-Colored Quadrilles. New York: J. L. Hewitt. (pdf) {JHU} [Enge]

Group Dances

» The Tri-Colored Quadrilles (♬) (p. 2)






Professor of Dancing at King's Theater. (c. 1830). The Fashionable Quadrille Preceptor: Containing the First Six Sets of Almack's Lancers, Caledonians, Hibernians, Guards, Red Coats, Hussars, La Gallopade, &c., &c. London. [Powers] [WorldCat]


Sebastian Willibald Schiessler (pub.). (1830). Carnevals-Almanach auf das Jahr 1830. Prag: Sebastian Willibald Schiessler. (pdf) {google} [Enge]

Group Dances

» Kegel=Quadrille (p. 304)
» Consersations=Tanz (p. 305)
» Masur (p. 305)
      » Pas zum Masur (p. 306)
» Cotillon (I through XXXIV) (p. 306)
» Damen=Quadrille (p. 309)

















[Thomas] Westrop. (c. 1830). The Caledonian Quadrilles, As Performed at the Nobility's Balls. London: C. Sheard. (pdf) {Brady} [Enge]

Group Dances

» The Caledonian Quadrilles (♬) (p. 2)






George Willig (pub.). (c. 1830). The Village Dance. Baltimore: George Willig. (pdf) {Goucher} [Enge]

Group Dances

» The Village Dance (♬) (p. 1)
» The Red Red Rose (♬) (p. 1)









Charles Zeuner. (c. 1830). 2nd Set of Tremont Quadrilles. Boston: Henry Prentiss. (pdf) {JHU} [Enge]

Group Dances

» 2nd Set of Tremont Quadrilles (♬) (p. 2)






1831


Carlo Blasis. (1831). The Code of Terpsichore, The Art Of Dancing, Comprising Its Theory and Practice (Second Edition). London. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Joseph Hart. (c. 1831). Harts Set of Elegant Galopades and Waltzes as Performed at William the Fourth Grand Balls. Boston: John Ashton. (pdf) {JHU} [Enge]


Joseph Binns Hart. (c. 1831). Hart's Grenadier Quadrilles. London. (pdf) {google} [Enge] [Powers]

Quadrilles

» Grenadier Quadrilles (♬) (p. 2)






Eduard F. D. Helmke. (1831). Almanach Der Neuesten Modetänze Fur Das Jahr 1831. Merseburg. [WorldCat]


E. J. Westrop (c. 1831). The Royal Blue Jackets, A Favorite Set of Quadrilles. London: Z. T. Purday. (pdf) {archive} [Enge]

Quadrilles

» The Royal Blue Jackets (♬) (p. 2)






1832


Antonio Biosca. (1832). Arte de Danzar ó Reglas é Intrucciones para los Aficionados a Bailar las Contradanzas Francesas ó Rigodones. Barcelona. (pdf) {google} [Enge]


François-Henri-Joseph Blaze. (1832). La Danse et Les Ballets. Paris: Paulin. (pdf) {google} [Enge]


Gourdoux Fils. (1832). Description des Figures les Plus Utilisées de la Contredanse Française. Paris: Imprimerie et Fonderie de A. Pinard. (pdf) {BNF} [Enge]


[Joseph Binns] Hart. (c. 1832). Hart's Hunter of Tyrol or Alpine Quadrilles. London: Leoni Lee. (pdf) {archive} [Enge]

Quadrilles

» Hunter of Tyrol Quadrilles (♬) (p. 2)






Eduard F. D. Helmke. (1832). Almanach Der Neuesten Modetänze Fur Das Jahr 1832. Merseburg. [Powers] [WorldCat]


Horatio Smith, Samuel Woodworth. (1832). Festivals, Games and Amusements, Ancient and Modern. New York: J. & J. Harper. (pdf) {hathi} [Enge] [Powers]


E. A. Theleur. (1832). Letters on Dancing, Reducing This Elegant and Healthful Exercise to Easy Scientific Principles (Second Edition). London: Sherwood & Co. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


1833


P. Brown, Rafaelle Commi. (1833). Elisa e Claudio Quadrilles. New York: Thos. Birch. (pdf) {congress} [Enge]

Cotillions

» Elisa e Claudio Quadrilles (♬) (p. 2)






P. Brown, F. Greenwood. (1833). The Thistle Cotillions. New York: Thos. Birch. (pdf) {congress} [Enge]

Cotillions

» The Thistle Cotillions (♬) (p. 2)






C. F. Hausman. (1833). Fra Diavolo Cotillions. Philadelphia: Geo. W. Hewitt. (pdf1) (pdf2) (pdf3) (pdf4) {JHU1} {JHU2} {JHU3} {congress} [Enge]

Cotillions

» Fra Diavolo Cotillions (♬) (p. 2)






Eduard F. D. Helmke. (1833). Almanach Der Neuesten Modetänze Fur Das Jahr 1833. Merseburg. [WorldCat]


C. Honoré. (1833). De L'Art De La Danse. Geneva. (pdf) {google} [Enge] [Powers]


Knowlton & Rice (pub.). (1833). The Letter Writer and Its Acompaniments, Being A Choice Collection Of Contra Dances And Cotillions... Watertown, NY. [Powers] [WorldCat]


Jørgen Gad Lund. (1833). Terpsichore, Eller En Veiledning For Mine Dandse-Elever. Aarhus. (pdf) {DKB} [Enge] [Powers]


1834


Thomas Birch (pub.). (1834). The Quadrille Allemande, A Much Admired New Style of Dancing with Its Proper Figures. New York: Thomas Birch. (pdf) (congress) [Enge] [Powers]

Quadrilles

» The Quadrille Allemande (♬) (p. 1)






Albert [Decombe]. (1834). L'Art De Danser a La Ville Et a La Cour. Paris: Chez L'Éditeur. (pdf) {BNF} [Enge] [Powers]


Joseph Hart. (c. 1834). Hart's Fatherland or Mountaineer Quadrilles. London: Leoni Lee. (pdf) {Powers} [Enge] [Powers]

Quadrilles

» Fatherland or Mountaineer Quadrilles (♬) (p. 2)






Joseph Hart. (c. 1834). Hart's First Set of Waverley Quadrilles. London: Leoni Lee. (pdf) {archive} [Enge]

Quadrilles

» First Set of Waverley Quadrilles (♬) (p. 2)






Franz Xaver Nadler. (1834). Kallischematik, oder Anleitung zu Einem Edlen Anstande und zur Schönen. München: George Jacquet. (pdf) {google} [Enge]


1835


J. Bertram (dance), F. J. Klose (music). (c. 1835). The Five Sistes, A Favorite Quadrille. London: Birchall & Co. (pdf) {Goucher} [Enge]

Quadrilles

» The Five Sisters (♬) (p. 1)






J. Friedheim. (1835). No. 6, 7, 8, 9 & 10 of the Series of Cotillions. Boston. (pdf) {congress} [Enge]

Cotillions

» No. 6 (♬) (p. 1)
» No. 7 (♬) (p. 1)
» No. 8 (♬) (p. 1)
» No. 9 (♬) (p. 2)













J. G. Häcker. (1835). Der Selbstlehrende Tanzmeister. Grimma. [Powers]


Saint-Jacome, dit Templeux. (1835). Souvenir des Figures Françaises les Plus Usitées. Paris: Imprimerie de P. Baudouin. (pdf) {BNF} [Enge]


1836


T. Comer. (1836). The Boyleston Quadrilles. Boston: T. Comer. (pdf1) (pdf2) {JHU1} {JHU2} [Enge]

Quadrilles

» The Boyleston Quadrilles (♬) (p. 2)






I. Hazzard. (1836). The Terpsichore, A New Sett of Quadrilles. Philadelphia: I. Hazzard. (pdf) {congress} [Enge]

Quadrilles

» The Terpsichore (♬) (p. 2)






John H. Hewitt. (1836). The Fairmount Quadrilles. Philadelphia: John F. Nunns. (pdf) {JHU} [Enge]

Quadrilles

» The Fairmount Quadrilles (♬) (p. 2)






John H. Hewitt. (1836). The Nahant Quadrilles. Philadelphia: John F. Nunns. (pdf) {JHU} [Enge]

Quadrilles

» The Nahant Quadrilles (♬) (p. 2)






Th. (Theodor) Hentschke. (1836). Allgemeine Tanzkunst. Stralsund. [Powers] [WorldCat]


Henry Whale. (1836). Hommage à Taglioni, A Fashionable Quadrille Preceptor and Ball Room Companion. Philadelphia: Henry Whale. (pdf) {Powers} [Enge] [Powers]


1837


John H. Hewitt. (1837). The Crow Quadrilles. Philadelphia: John F. Nunns. (pdf1) (pdf2) (JHU1) (JHU2) [Enge]

Quadrilles

» The Crow Quadrilles (♬) (p. 2)






Francis Johnson. (1837). The Citizen's Quadrilles. Philadelphia: Fiot, Meignen & Co. (pdf) {congress} [Enge]

Quadrilles

» The Citizen's Quadrilles (♬) (p. 2)






Henry Whale. (1837). Military Quadrilles. Philadelphia: John F. Nunns. (pdf) {congress} [Enge]

Quadrilles

» Military Quadrilles (♬) (p. 2)






1838


Robert Ashley. (c. 1838). The Crow Quadrilles [1st Sett]. Philadelphia: Atwills Music Saloon. (pdf) {JHU} [Enge]

Quadrilles

» The Crow Quadrilles [1st Sett] (♬) (p. 2)






Paul Bruno Bartholoman. (1838). Die Tanzkunst. Gieffen. [Powers]


Philip Brown, Julius Metz. (1838). The Flower Quadrilles. New York: F. Riley. (pdf) {congress} [Enge]

Quadrilles

» The Flower Quadrilles (♬) (p. 2)






J. B. Dobney. (c. 1838). The Crow Quadrilles, 2nd Sett. Philadelphia. (pdf) (JHU) [Enge]

Quadrilles

» The Crow Quadrilles, 2nd Sett (♬) (p. 2)






Chs. F. Hausman. (c. 1838). The Pickwickians, A Sett of Quadrilles. Philadelphia: John F. Nunns. (pdf) {JHU} [Enge]

Quadrilles

» The Pickwickians (♬) (p. 2)






John H. Hewitt. (1838). The New Brighton Quadrilles. Philadelphia: John F. Nunns. (pdf) {JHU} [Enge]

Quadrilles

» The New Brighton Quadrilles (♬) (p. 2)






Christian Länger. (1838). Terpsichore, Ein Taschenbuch der Neuesten Gesellschaftlichen Tänze. Würzburg. (pdf) (BSB) [Enge]


F. (Francis) Lowe. (1838). The Select Quadrille Preceptor for 1838. London: I. Pashen. (pdf) {Powers} [Enge] [Powers]


Geo. Willig (pub.). (c. 1838). The Crow Quadrilles [1st Sett]. Baltimore: G. Willig. (pdf) (JHU) [Enge]

Quadrilles

» The Crow Quadrilles [1st Sett] (♬) (p. 2)






1839


Luigi Bartolotti. (1839). Della Danza Domestica (Seconda Edizione). Bologna: Nobili et Comp. (pdf) (BNE) [Enge]


Brunet. (1839). Théorie-Pratique Du Danseur De Société. Paris. (pdf) {BNF} [Enge] [Powers]


А. Максин [A. Maksin]. (1839). Изучение бальных танцев [The Study Of Ballroom Dancing]. Москва [Moscow]. (HDA transcription) [Enge] [Powers]


1840


A. Flèche. (c. 1840). The Tournament Quadrilles. New York: Firth & Hall. (pdf) {JHU} [Enge]

Quadrilles

» The Tournament Quadrilles (♬) (p. 3)






Jacques Hébert. (c. 1840). Description des Figures les plus Usitées de la Contredanse Française. Trieste: Chez Michel Weis. (pdf) {hathi} [Enge]

Quadrilles

» Figures of the Quadrille (p. 7)






Wilhelm Iucho. (1840). Heather Flowers or Recollections of Scotland, A Favorite Set of Quadrilles. New York: Firth & Hall. (pdf1) (pdf2) (pdf3) (pdf4) (JHU1) (JHU2) (JHU3) (Goucher) [Enge]

Quadrilles

» Heather Flowers,
     or Recollections of Scotland (♬) (p. 1)









Francis Johnson. (1840). Johnson's Celebrated Voice Quadrilles. Philadelphia: Geo. W. Hewitt & Co. (pdf) {Goucher} [Enge]

Quadrilles

» Voice Quadrilles (♬) (p. 2)






Louis Antoine Jullien. (c. 1840). The Admired Quadrilles. London: G. Walker & Son. [BL]


Louis Antoine Jullien. (1840). Ave Maria, New and Brilliant Quadrille. London: G. Walker & Son. [BL]


Louis Antoine Jullien. (c. 1840). Summers' Evenings at Pausilippo, Brilliant Quadrille. London: G. Walker & Son. [BL]


Louis Antoine Jullien. (c. 1840). Le Voyage Musicale, Grand Quadrilles. London: G. Walker & Son. [BL]


Augustus Muzard. (c. 1840). A Set of Quadrilles and a Waltz, from Mercadante's Celebrated Opera Elise e Claudio. London: Walker & Son. [BL]


Mr. Parker (dance), Ferdinand C. Unger (music). (1840). Elssler Quadrilles, Sett 1. New York: Ferdinand C. Unger. (pdf) (JHU) [Enge]

Quadrilles

» Elssler Quadrilles, Sett 1 (♬) (p. 3)






Mr. Parker (dance), Ferdinand C. Unger (music). (1840). Elssler Quadrilles, Sett 2. New York: Ferdinand C. Unger. (pdf) {JHU} [Enge]

Quadrilles

» Elssler Quadrilles, Sett 2 (♬) (p. 3)






Mr. Parker (dance), John Weippert (music). (c. 1840). The Hunchback Cotillions. New York: Firth and Hall. (pdf) {JHU} [Enge]

Note: No page numbered 4. Figures numbered No. 1, No. 2, No. 3, No. 5, and [no number].

Cotillions

» Hunchback Cotillions (♬) (p. 1)






[George Herbert Buonaparte] Rodwell. (c. 1840). Two Sets of Quadrilles from Rodwell's Celebrated Romance Jack Sheppard. London: D'Almaine & Co. (pdf) {HDA} [Enge]

Quadrilles

» Jack Sheppard Quadrilles (♬) (p. 2)






Jean-Baptiste-Joseph Tolbecque. (c. 1840). Grand Quadrilles from Auber's Opera Le Dilettante d'Avignon. London: G. Walker & Son. [BL]


James Howard Tully. (c. 1840). Punch's Income Tax Quadrilles. London: Walker & Son. [BL]


F. Weiland. (1840). The Set of Fashionable Quadrilles from Auber's Celebrated Opera of Gustavus the Third, or The Masked Ball. New York: Hewitt & Jaques. (pdf1) (pdf2) {JHU} {Goucher} [Enge]

Quadrilles

» Quadrilles from The Masked Ball (♬) (p. 3)






David Young. (c. 1840). The Montrose Quadrilles. London: J. Duff & Compnay. [BL]


Ch. [Charles] Zeuner. (1840). Elssler Quadrilles, No. 1. Philadelphia: Geo. W. Hewitt & Co. (pdf) {JHU} [Enge]

Note: While JHU metadata says this is No. 2, and the title page is hand-labeled No. 2, the second page is not labeled No. 2, and this is different from the one clearly labeled No. 2 below, so this is likely No. 1.

Quadrilles

» Elssler Quadrilles, No. 1 (♬) (p. 2)






Chs. [Charles] Zeuner, Francis Weiland. (1840). Elssler Quadrilles, No. 2. New York: John F. Nunns. (pdf1) (pdf2) {JHU} {Goucher} [Enge]

Note: While the title page is (very lightly) hand-labeled No. 1, No. 2 is clearly printed on the second page.

Quadrilles

» Elssler Quadrilles, No. 2 (♬) (p. 2)






1841


Матвей Иванович Бернард [Matvej Ivanovich Bernard]. (1841). Радостный день. Французская кадриль, сочинённая по случаю бракосочетания Его императорского Высочества государя цесаревича наследника престола [Happy Day, French Quadrille, Composed on the Occasion of the Marriage of His Imperial Highness the Sovereign of the Crown Prince of the Heir to the Throne]. Санкт-Петербург [St. Petersburg]: Magasin de musique de I. Paez.


William C. Glynn. (1841). Bay State Quadrilles. London: Henry Prentiss. (pdf1) (pdf2) {JHU} {Goucher} [Enge]

Quadrilles

» Bay State Quadrilles (♬) (p. 3)






Huestis & Craft (pub.). (1841). The Ball-Room Instructer; Containing a Complete Description of Cotillons and Other Popular Dances. New York: Huestis & Craft. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]

Note: Includes a glossary of technical dance terms at the end (p. 42).

Group Dances

» Quadrille Figures (p. 12)
» Promiscuous Figures (p. 24)
» March Cotillon (p. 29)
» Basket-Dance (p. 32)
» Cheat (p. 33)
» Spanish Dance (p. 35)
» First Set of Caledonians (p. 37)
» Favorite Rustic Reel (p. 39)



G. Weippert. (c. 1841). Les Melodieuses, or Portrait Quadrilles. London: Z. T. Purday. [BL]


1842


I. Hazzard. (1842). The Alarm Gun Quadrille. Philadelphia: I. Hazzard. (pdf) {congress} [Enge]

Quadrilles

» The Alarm Gun Quadrille (♬) (p. 2)






Charles Jarvis. (1842). The Amateur's Musical Library. Philadelphia: Godey and M'Michael. (pdf) {google} [Enge]

Note: Lots of dance music, and one set of quadrilles.

Quadrilles

» A Sett of Quadrilles (♬) (p. 74)






Frank Johnson. (1842). The Favorite Extravaganza, Miss Lucy Song Arranged as a Cotillion. Philadelphia: George Willig. (pdf) {JHU} [Enge]

Cotillions

» Miss Lucy Long (♬) (p. 2)






Johann Nicolaus Liller. (1842). Tanz-Kunst. Leipzig. (pdf) {Dresden} [Enge] [Powers]

Couple Dances

» Walzer (p. 21)
» Schottisch (p. 21)
» Berliner Walzer, Gallop, Rutscher (p. 22)

Group Dances

» Die Contre-Tänze (Francaisen) (p. 18)
» Polonaise (p. 20)
» Allemande (p. 25)
» Schottische Quadrille (p. 26)
» Ecossaise (p. 27)
» Tempête (p. 28)
» Quadrillen (p. 29)
» Cotillon (p. 29)
» Der Neue Mazurek (p. 33)
» Masurek (p. 35)

A Man of Fashion, C. Mitchell (pub.). (c. 1842). A Guide to the Ballroom. London: C. Mitchell. (pdf) {Powers} [Enge] [Powers]

Group Dances

» Quadrilles, The First Set (p. 36)
» The Lancers (p. 40)
» The Caledonians, First Set (p. 42)
» The Caledonians, Second Set (p. 42)
» The First Set, with the Old Finale (p. 47)
» Second Set (p. 48)
» Third Set (p. 50)
» Fourth Set (p. 51)
» Fifth Set (p. 53)
» The Albert Quadrilles (p. 54)
» The Queen's Own (p. 58)
» Spanish Dance, or Saraband of Spain (p. 61)
» Waltz Quadrilles, First Set (p. 64)
» Waltz Quadrilles, Second Set (p. 65)
» Waltz Cotillion (p. 66)
» The Gallopade Quadrilles (p. 66)
» The Mazourka [Quadrille] (p. 67)
» The Polonaise (p. 71)
» Sir Roger de Coverley [Handwritten] (p. 83)

Couple Dances

» La Gallopade (p. 67)

Henry Prentiss (pub.). (1842). Sledge Quadrilles. Boston: Henry Prentiss. (pdf) (pdf2) {JHU} {Goucher} [Enge]

Quadrilles

» Sledge Quadrilles (p. 3)






A Professor of Dancing. (1842). Figures to the 18 Setts of Cotillons. Providence, RI. [Powers] [WorldCat]


Tilt & Bogue (pub.). (1842). The Ball-Room Preceptor (Third Edition). London: Tilt & Bogue. (pdf) {Enge} [Enge]

Group Dances

» Paine's First Set (p. 27)
» Caledonians - First Set (p. 28)
» Caledonians - Second Set (p. 30)
» The Parisian - First Set (p. 31)
» Lancers - First Set (Duval's) (p. 33)
» Lancers - Second Set (Hart's Set) (p. 34)
» Windsor Castle (p. 36)
» The Queen's First Set (Paine's Set) (p. 37)
» The Queen's Second Set (Paine's) (p. 38)
» The Queen's Third Set (Paine's) (p. 39)
» The Queen's Fourth Set (Paine's) (p. 40)
» The Queen's Fifth Set (Paine's) (p. 42)
» Victoria Quadrilles (p. 43)
» Royal Victoria Quadrilles (Marshall's) (p. 45)
» Her Majesty's Favourite (p. 46)
» The Circassian Circle (p. 49)
» Spanish Dance (p. 50)
» La Galopade (p. 50)
» Galopade Quadrilles (p. 52)
» The Mazourka, or Russian Cotillon (p. 53)
» Royal Devonshire Mazourkas (p. 56)
» The Polonaise (p. 57)
» Waltz Cotillon (p. 58)
» Scotch Reel (p. 60)

Un Vilain Masque. (1842). Physiologie De L'Opéra, Du Carnaval, du Cancan et de la Cachucha. Paris: Raymond-Bocquet. (pdf) {BNF} [Powers]

Note: Description of Parisian balls, but no step descriptions.


1843


An Amateur. (1843). Reform Your Waltzing, The True Theory of the Rhenish or Spanish Waltz, and of the German Waltz à Deux Temps, Analysed and Explained for the First Time. London: Longman, Brown, Green, and Longmans. (pdf) {google} [Enge] [Powers]

Note: Waltz descriptions almost identical to d'Orsay 1843.

Couple Dances

» Rhenish Waltz (Spanish Waltz) (p. 8)
» Reverse Rhenish Waltz (Spanish Waltz) (p. 9)
» Waltz à Deux Temps (p. 21)
» Reverse Waltz à Deux Temps (p. 22)
» Waltz à Deux Pas (p. 26)
» Reverse Waltz à Deux Pas (p. 26)



Chez Aubert, L. Eustache (ill.). (c. 1843). Le Bal De L'Opera. Paris. [Powers]


Chez Aubert, L. Eustache (ill.). (c. 1843). Histoire... Du Cancan. Paris. [Powers]


J. Cronin. (c. 1843). The Old English Country Dances. London: D'Almain & Company. (pdf) {Goucher} [Enge]

Group Dances

» The Triumph (♬) (p. 1)
» Sir Roger De Coverley (♬) (p. 9)









Allan Dodworth. (c. 1843). Amilie Quadrilles. New York: Atwill. (pdf) {Goucher} [Enge]

Quadrilles

» Amilie Quadrilles (♬) (p. 3)






Count Alfred d'Orsay [Charles William Day]. (1843). Etiquette; or A Guide to the Usages of Society ... to Which Is Added the Only True Theory of the Rhenish or Spanish Waltz, and of the German Waltz à Deux Temps; Analyzed and Explained for the First Time. New York. (pdf) {google} [Enge] [Powers]

Note: Waltz descriptions almost identical to An Amateur, 1843. In the similar Hints on Etiquette by Charles William Day, Day claims that an unprincipled bookseller in New York incorrectly attributed this to d'Orsay, and that Day is the real author.

Couple Dances

» Rhenish Waltz (Spanish Waltz) (p. 54)
» Reverse Rhenish Waltz (Spanish Waltz) (p. 54)
» Waltz à Deux Temps, No. 1 (p. 58)
» Reverse Waltz à Deux Temps, No. 1 (p. 58)
» Waltz à Deux Temps, No. 2 (p. 59)
» Reverse Waltz à Deux Temps, No. 2 (p. 59)
» Waltz à Deux Pas (p. 60)
» Reverse Waltz à Deux Pas (p. 60)



Elias Howe, Jr. (1843). Second Part of the Musician's Companion. Boston: Charles H. Keith. (pdf) (djvu) {archive} [Enge]

Cotillions

» Harrison Sett (♬) (p. 78)
» Coquette Sett (♬) (p. 80)
» Providence Sett (♬) (p. 82)
» Mellow Horn Sett (♬) (p. 84)
» Hamilton Sett (♬) (p. 86)
» Lowell Sett (♬) (p. 88)
» Cinderella Sett (♬) (p. 90)
» Columbian Sett (♬) (p. 92)
» Victoria's Sett (♬) (p. 94)
» Bunker Hill Sett (♬) (p. 96)
» Phantom Sett (♬) (p. 98)
» Franklin Sett (♬) (p. 100)
» Boston Sett (♬) (p. 102)
» Manilla Sett (♬) (p. 104)
» Bayadere Sett (♬) (p. 106)
» Marshall Sett (♬) (p. 108)
» American Sett (♬) (p. 110)
» Whipple's Sett (♬) (p. 112)
» Gambler's Sett (♬) (p. 114)
» Barcarole Sett (♬) (p. 116)
» Cotillion (from the Opera of
   La Somnambula) (♬) (p. 118)
» Fra Diavolo Sett (♬) (p. 120)
» Massasoit Sett (♬) (p. 122)
» Narraganset Sett (♬) (p. 124)
» White Lady Sett (♬) (p. 126)
» Westminster Sett (♬) (p. 128)
» Italian Sett (♬) (p. 130)
» Free Suffrage Sett (♬) (p. 132)
» Irish Sett (♬) (p. 134)
» Hurricane Sett (♬) (p. 136)
» Republican Sett (♬) (p. 138)
» Milford Sett (♬) (p. 140)
» Cuckoo Sett (♬) (p. 142)
» Algerine Sett (♬) (p. 144)
» Spanish Sett (♬) (p. 146)
» Grand Military Sett (♬) (p. 148)

C. P. Huestis (pub.). (1843). The Ball-Room Instructer. New York. [Powers]

Note: Adds Dodworth Cotillions to Huestis, 1841.


Franz Anton Roller. (1843). Systematisches Lehrbuch Der Bildenden Tanzkunst. Weimar: Bernhard Fr. Boigt. (pdf) {Dresden} [Enge] [Powers]


Joseph Wex Herman. (1843). Quadrilles Composed for the Piano Forte. Philadelphia: A. Fiot. (pdf) {congress} [Enge]

Quadrilles

» Wex's Quadrilles (p. 2)






William Whale. (1843). Mister Whale's Waltz & March Quadrilles. Philadelphia: Osbourn's Music Saloon. (pdf) {Goucher} [Enge]

Quadrilles

» Waltz Quadrille (p. 1)
» March Cotillion (p. 2)






Edward L. White. (1843). The Parlour Quadrilles. Boston: William H. Oakes. (pdf) {congress} [Enge]

Quadrilles

» The Parlour Quadrilles (p. 3)






1844


Atwill's Music Repository (pub.). (1844). The New-York Polkas, with Correct Description of the Polka. New York: Atwill's Music Repository. (pdf) {congress} [Enge] [Powers]

Note: Dance description is identical to Jullien, c. 1844.

Polka

» [Vis-à-Vis] (p. 1)







M. [Henri] Cellarius. (1844). The Celebrated Bohemian Peasant Polka Dance. New York: Atwill's Music Repository. (pdf) (pdf) {Powers} {Goucher} [Enge] [Powers]

Polka (♬)

» [Heel Clicks] (p. 1)







L. Chledowski. (1844). Salle De Monsieur Cellarius. La Polka. Paris: J. Meissonier. (pdf) {BNF} [Enge] [Powers]

Polka (♬)

» La Polka (p. 2)







E. [Eugene] Coulon. (1844). The Ball-Room Polka, Polka Cotillon, and Valse à Deux Tems. London: David Bogue. (pdf) {Powers} [Enge] [Powers]

Note: Missing pages 15 and 16.

Couple Dances

» The Polka (♬) (p. 13)
» Valse A Deux Tems (p. 13)

Group Dances

» The Polka Cotillon (p. 19)
» Quadrilles (The First Set) (p. 29)
» Paine's First Set (p. 29)
» Caledonians (First Set) (p. 33)
» Caledonians (Second Set) (p. 34)
» The Parisian (First Set) (p. 36)
» Lancers ("Hart's Set") (p. 36)
» Windsor Castle (p. 40)
» The Queen's First Set ("Paine's Set") (p. 42)
» The Queen's Second Set ("Paine's") (p. 43)
» Royal Victoria Quadrilles ("Marshall's") (p. 45)
» Her Majesty's Favorite (p. 47)
» The Circassian Circle (p. 49)
» Spanish Dance (p. 50)
» La Galopade (p. 51)
» Galopade Quadrilles (p. 53)
» The Mazourka, or Russian Cotillon (p. 55)
» Royal Devonshire Mazourkas (p. 58)
» The Polonaise (p. 59)
» The Waltz Cotillon (p. 61)
» Scotch Reel (p. 63)

Charles D'Albert (dance), Charles Coote (arr.). (1844, May). A Set of Brilliant Polkas Composed by E. Schulz, Pugni, and Burgmüller, the Figures by Monsr. D'Albert. London: Chappell. (pdf) {Powers} [Enge] [Powers]

Couple Dances

» La Polka (♬) (p. 2)
      » Figure 1 (p. 2)
      » Figure 2 (p. 2)
      » Figure 3 (p. 2)
      » Figure 4 (p. 2)
      » Figure 5 (p. 2)
      » Figure 6 (p. 2)
      » Figure 7 (p. 2)
      » Figure 8 (p. 2)
      » Figure 9 (p. 2)
      » Figure 10 (p. 2)
      » Figure 11 (p. 2)
      » Figure 12 (p. 2)
      » Figure 13 (p. 2)
      » Figure 14 (p. 2)
      » Figure 15 (p. 2)
      » Figure 16 (p. 2)
      » Figure 17 (p. 2)

Adrien D. (1844). La Polka. Paris. [Powers] [WorldCat]


Fischer (dance), Isidore Dannström (music). (1844). Theorie Complete De La Mazurka with sheet music for La Moscovite. Paris: Heugel. (pdf) {BNF} [Enge] [Powers]

Couple Dances

» La Mazurka (♬) (p. 7)







Fischer (dance), Isidore Dannström (music). (1844). Theorie Complete De La Mazurka, with sheet music for La Nationale and La Galicienne. Paris: Heugel. (pdf) {BNF} [Enge]

Couple Dances

» La Mazurka (♬) (p. 7)







Fischer (dance), Isidore Dannström (music). (1844). Theorie Complete De La Mazurka with sheet music for La Varsovienne and La Suédoise. Paris: Heugel. (pdf) {BNF} [Enge]

Couple Dances

» La Mazurka (♬) [missing description] (p. 7)







James Hemmenway. (1844). The New Years and Curtsy Cotillion's [sic]. Philadelphia: J. C. Smith's Music Saloon. (pdf) {Goucher} [Enge] [Powers]

Cotillions

» New Years Cotillion (p. 1)
» Curtsey Cotillion (p. 3)









Elias Howe. (1844). Third Part of the Musician's Companion. Boston: Charles H. Keith. (pdf) (djvu) {archive} [Enge]

Cotillions

» Fanny Jones' Sett (♬) (p. 78)
» Baltimore Sett (♬) (p. 80)
» Opera Sett (♬) (p. 82)
» Coquette Sett (♬) (p. 84)
» St. Louis Sett (♬) (p. 86)
» Black Hawk Sett (♬) (p. 88)
» Blackstone Sett (♬) (p. 90)
» Winthrop Hall Sett (♬) (p. 92)
» Horn Pond Sett (♬) (p. 94)
» Medway Sett (♬) [missing p. 97] (p. 96)
» Metamora Sett (♬) (p. 98)
» Highland Sett (♬) (p. 100)
» St. Lawrence Sett (♬) (p. 102)
» Columbian Sett (♬) (p. 104)
» Warren Sett (♬) (p. 106)
» Emma Quadrille (♬) (p. 108)
» Rochester Sett (♬) (p. 110)
» Auburn Sett (♬) (p. 112)
» Long Island Sett (♬) (p. 114)
» Lady Gay Spanker's Sett (♬) (p. 116)
» Niagara Sett (♬) (p. 118)
» Tremont Sett (♬) (p. 120)
» Beethoven Sett (♬) (p. 122)
» Woonsocket Sett (♬) (p. 124)
» Pilgrim Sett (♬) (p. 126)
» Jim Crow Sett (♬) (p. 128)
» Extravagant Sett (♬) (p. 130)
» Battle of New Orleans (♬) (p. 132)
» Paul Jones' Sett (♬) (p. 134)
» Concord Sett (♬) (p. 136)
» Washington Sett (♬) (p. 138)
» Isle of Shoals' Sett (♬) (p. 140)
» Tom Moore's Sett (♬) (p. 142)
» Pantheon Sett (♬) (p. 144)
» La Somnambula Sett (♬) (p. 146)
» Court Street Sett (♬) (p. 148)
» Lucy Long Sett (♬) (p. 150)
» Master Humphrey's Sett (♬) (p. 152)
» Concert Hall Sett (♬) (p. 154)
» Yankee Hill's Sett (♬) (p. 156)

J. G. Jones. (1844). The Coryton Quadrilles. Boston: C. H. Keith. (pdf) {congress} [Enge]

Quadrilles

» The Coryton Quadrilles (p. 2)






[Louis-Antoine] Jullien. (c. 1844). Jullien's Celebrated Polkas, No. 1 - The Original Polka. London: Jullien. (pdf 1) (pdf 2) (pdf 3) {HDA} {Goucher 1} {Goucher 2} [Enge] [Powers]

Note: Polka description is identical to Atwill's, 1844.

Polka Variations

» [Vis-à-Vis] (p. 1)







M. [Eugène] Laborde. (c. 1844). La Mazourka, Album à La Mode. Paris: Chez Aubert. (pdf) {Powers} [Enge] [Powers]

Group Dances

» Choréographie de la Mazourka (p. 26)







London Illustrated News. (1844, May 11). "The Drawing-Room Polka." The Illustrated London News. London: William Little. 300-301. (pdf) {google} [Enge]

Couple Dances

» La Polka (p. 300)
      » [Figure 1] (p. 300)
      » Figure 2 (p. 300)
      » Figure 3 (p. 301)
      » Figure 4 (p. 301)
      » Figure 5 (p. 301)

A Man of Fashion. (1844). The New Ball-Room Guide. New York. [Powers] [WorldCat]


Auguste Perroux, Adrien Robert. (1844). La Mazurka, Chorégraphie D'Après MM. Coralli Et Élie. Paris. (pdf) {BNF} [Enge] [Powers]

Mazurka Variations

» Pas de Mazurka (p. 13)
» Tourné sur place (p. 13)
» Pas allongeé (p. 14)
» Pas de basque [*] (p. 14)

Group Dances

» [Mazurka] Quadrille (p. 14)







* "Ce pas est trop connu pour qu'il soit nécessaire de le décrire ici. [This step is too well known to need to describe it here.]"


W. H. Plumstead (music). (c. 1844). The Fashionable Ball Room Polka, Elegant & Grotesque, Containing Accurate Instructions How to Dance It. London. (pdf) {Powers} [Enge] [Powers]

Polka (♬)

» First Step (The forward) (p. 4)
» First Step (The back) (p. 4)
» Second Step (The Heel & toe) (p. 4)
» 1 [Vis à Vis] (p. 5)
» 2 [The Pursuit] (p. 5)
» 3 [Promenade and Gallop] (p. 6)
» 4 [Heel & Toe Toss Across] (p. 6)
» 5 [Solos] (p. 7)
» 6 [Reverse Polka] (p. 7)





C. Redler. (1844). Learning to Dance, A Set of Quadrilles. Boston: Oliver Ditson. (pdf) {JHU} [Enge]

Quadrilles

» Learning to Dance (♬) (p. 3)






Perrot & Robert, Coral. (c. 1844). La Polka, Enseignee Sans Maitre. Paris. [Powers] [WorldCat]


Pictorial Times. (1844, April 27). "St. James Theatre - The Polka." The Pictorial Times. London. [Powers]


Nick Polkmall [Charles Narrey]. (1844). Les Polkeuses, Poème Étique Sur Les Célébrités De La Polka. Paris. (pdf) {BNF} [Enge] [Powers]

Note: Poems about polka dancers, no dance descriptions.


L:S Gust. Rylander (pub.). (1844). Polkan Sådan Den Dansas I Salongerna: Gåva Till Polköser Och Polkörer. Stockholm: L:S Gust. Rylander. (pdf) {NLS} [Enge] [Powers]


Charles Vernier (ill.). (c. 1844). La Polkamanie. Paris. (pdf) {Powers} [Enge] [Powers]

Note: Captioned illustrations of polka dancers, no dance descriptions.


Auguste Vitu, Paul Farnése. (1844). Physiologie De La Polka, Apres Cellarius. Paris: Imprimerie de Worms et Compagnie. (pdf 1) (pdf 2) {google} {BNF} [Enge] [Powers]

Notes: Page 16 and 17 of Google pdf were corrupted duplicates, and have been removed from the Library of Dance copy. All edges remain cut off, and page 89 is barely readable.


Frederick [Oldfield] Ward. (1844). The Polka [A Satirical Essay]. London. [Powers]


[Anonymous]. (c. 1844). The Ball-Room Annual. London. [Powers]


1845


Klemm and Brother (pub.). (1845). A Set of Quadrilles and Polka. New York: Klemm and Brother. (pdf) {congress} [Enge]

Quadrilles

» A Set of Quadrilles (♬) (p. 3)






J. Breaute (ed.). (1845). Paris Dansant, Ou Les Filles D'Herodiade, Folles Danseuses Des Bals Publics. Paris. (pdf) {BNF} [Enge] [Powers]

Note: Description of bals publics and dancers, no step descriptions.


[Henri] Cellarius. (c. 1845). Polka Réglée Par Cellarius accompanying sheet music for La Polka De Baden-Baden. Paris. [Powers]


Laborde, Corralli, E. Coulon (dance), Jullien (music). (c. 1845). The Celebrated Mazurka and the Cellarius Waltz accompanying sheet music for The Original Mazurka. London: Jullien. (pdf) {Goucher} [Enge]

Set Dances

» Mazourka Quadrille (♬) (p. 3)
Couple Dances

» Cellarius Valse Mazurka (♬) (p. 5)




Laborde, Corralli, E. Coulon (dance), Jullien (music). (c. 1845). The Celebrated Mazurka and the Cellarius Waltz accompanying sheet music for The Varsovien Mazurka. London: Jullien. (pdf) {Goucher} [Enge]

Set Dances

» Mazourka Quadrille (♬) (p. 3)
Couple Dances

» Cellarius Valse Mazurka (♬) (p. 5)




Hugh Cunningham (pub.). (c. 1845). How to Dance the Polka! and All the Quadrilles, German Waltz, Highland Reels, &c. &c. London: Hugh Cunningham. (pdf) {google} [Enge]

Couple Dances

» The Polka (p. 7)




Group Dances

» Lancers, First Set (p. 32)
» Lancers, First Set (p. 34)
» Caledonians (p. 37)
» Galopade Quadrilles (p. 40)
» La Renaissance Quadrilles (Called also "Paine's") (p. 42)
» Prince Albert's Choice [Contre-Danse] (p. 46)
» The German Waltz (p. 46)
» Scotch Reel (p. 48)
» The Cosaque Polonaise (p. 50)
» The Russian Mazourka (p. 52)

E. Ferrett (pub.). (1845). The Pianist's Companion. Dance Music With Calls For Quadrilles And Set Dances. Philadelphia. [Powers]


E. Ferrett (pub.). (1845). "Description Of The Cellarius Waltz And Mazourka Quadrille" and "The Figures Of The London Polka Quadrilles," accompanying Les Russes, A Set of Mazourkas and A Set of Polkas. New York. (pdf 1) (pdf 2) {Powers} {UNC} [Enge] [Powers]

Couple Dances

» Cellarius Waltz [not described] (p. 3)


Set Dances

» Mazourka Quadrille (♬) (p. 3)
» London Polka Quadrilles (♬) (p. 3)






Messiurs Laborde, Corralli, and Elie. (c. 1845). "The Celebrated Mazurka of Spa" accompanying Jullien's Original Mazurka No. 1, Or The Cellarius Waltz. New York. (pdf 1) (pdf 2) (pdf 3) {Powers} {JHU} {Goucher} [Enge] [Powers]

Set Dances

» The Celebrated Mazurka of Spa (♬) (p. 2)







E. Ferrett (pub.). (1845). Quadrilles From The Bohemian Girl. Philadelphia. (pdf) {JHU} [Enge] [Powers]

Set Dances

» Quadrilles from the Bohemian Girl (♬) (p. 2)







E. Ferrett (pub.). (c. 1845). Seven Mazurkas, with an Illustration. Philadelphia: E. Ferrett & Company. (pdf) {Goucher} [Enge]

Group Dances

» Punch's Mazurka (♬) (p. 2)







Г. Грациеский [G. Gracieskij]. (1845). Nec plus ultra. Вальс в 3 шага. Издание настоящего года. Самоучитель. [Ultimate. Waltz in 3 Steps. The Publication of This Year. Teach-Yourself Book]. Киев [Kiev]. (pdf) {HDA} [Enge]


Огюст Перро, Адриан Робер. (1845). Полька в Париже и Петербурге [Polka in Paris and St. Petersburg]. Санкт-Петербург. (pdf) (HDA transcription) {HDA} [Enge]

Couples Dances

» The Polka [5 Figures] (p. 56)






C. P. Huestis (pub.). (1845). The Ball-Room Instructer [sic]. New York. [Powers] [WorldCat]


Louis Huart. (1845). Paris Au Bal. Paris. (pdf) {BNF} [Enge] [Powers]

Note: Description of bals publics, but no step descriptions.


Captain [Charles Henry] Knox. (1845). The Spirit of the Polka, Being an Historical and Analytical Disquisition on the Prevailing Epidemic, Its Origin and Mission. London: John Ollivier. (pdf) {google} [Enge] [Powers]

Note: Commentary on the polka, but no step descriptions.


P. Martinon (ed.). (1845). Almanach De La Polka. Paris. [Powers] [WorldCat]


George Lemore Saunders (ed.). (1845). Rock's Ball-Room Hand Book, Quadrille Preceptor, Cellarius Instructor, Mazurka and Polka Companion, and Valses À Deux Tems Danseur. London. (pdf 1) (pdf 2) {Powers} {google} [Enge] [Powers]

Couple Dances

» Waltzing [Rules for...] (p. 14)
» La Polka (p. 36)
     » First Figure (p. 38)
     » Second Figure (p. 38)
     » Third Figure (p. 38)
     » Fourth Figure (p. 38)
     » Fifth Figure (p. 39)
     » Sixth Figure (p. 39)
» Polka Waltzes (p. 41)
     » First Waltz (p. 41)
     » Second Waltz (p. 41)
     » Third Waltz (p. 42)
» Valse À Deux Tems (p. 42)
» Cellarius Valse (p. 47)
     » The Mazurka (p. 47)
     » The Cachuca (p. 47)
     » The Arab (p. 48)
     » The Moresca (p. 48)

Set Dances

» Paine's First Set (p. 17)
» The Lancers (p. 20)
» Lancers Second Set (p. 23)
» Prince of Wales's First Set (p. 25)
» The Cotillion (p. 28)
» Galopade Quadrille (p. 30)
» The Caledonian Quadrille (p. 32)
» Waltz Quadrille (p. 34)
» La Polka Cotillion (p. 39)
» La Mazurka [Quadrille] (p. 45)



Theodore Staines. (1845). Les Oiseaux De Nuit, Et Les Polkeuses Des Scènes Publiques. Paris. (pdf) {BNF} [Enge] [Powers]

Note: Commentary on the polka, but no step descriptions.


1846


Frc. [Friedrich] Burgmuller (comp.). (1846). "La Redowa, Valse Bohemienne." Godey's Magazine and Lady's Book, Volume 33. Philadelphia: Louis A. Godey. (pdf) {google} [Enge]

Couple Dances

» Redowa (♬) (♩160) (p. 1)
      » The Redowa Waltz (p. 1)
      » Promenade (p. 1)
      » The Poursuite (p. 1)













Count Alfred d'Orsay [Charles William Day]. (1846). Etiquette: or a Guide to the Usages of Society ... to Which is Added the Only True Theory of the Rhenish or Spanish Waltz and of the German Waltz à Deux Temps. New York. (pdf) {google} [Enge]

Note: Identical in content to the 1843 edition. In the similar Hints on Etiquette by Charles William Day, Day claims that an unprincipled bookseller in New York incorrectly attributed this to d'Orsay, and that Day is the real author.

Couple Dances

» Rhenish Waltz (Spanish Waltz) (p. 54)
» Waltz à Deux Temps, No. 1 (p. 58)
» Waltz à Deux Temps, No. 2 (p. 59)
» Waltz à Deux Pas (p. 60)













Stephen Glover. (1846). The London Polka Quadrilles, With Appropriate Figures. Philadelphia: Lee & Walker. (pdf 1) (pdf 2) (pdf 3) {congress} {Goucher} {Goucher} [Enge] [Powers]

Quadrilles

» The London Polka Quadrilles (p. 2)







Ch. Jarvis. (1846). A Set of Quadrilles from the Opera Luli or the Switzer's Bride. Philadelphia: A. Fiot. (pdf) {congress} [Enge]

Quadrilles

» Luli Quadrilles (♬) (p. 2)







Mr. Wm. Whale (dance), Ph. Gawlikowski (music). (c. 1846). The Redowa, A New Bohemian Waltz. New York: F. Riley. (pdf) {Goucher} [Enge]

Couple Dances

» La Redowa (♬) (p. 2)
      » The Promenade (p. 2)
      » Redowa Waltz (p. 2)
      » The Pursuit (p. 2)













Mr. Wm. Whale and Daughter. (1846). Redowa, Valse Bohemenne, With Figures By Cellarius. New York: Wm. Vanderbeek. (pdf) {congress} [Enge] [Powers]

Couple Dances

» Redowa (♬) (p. 1)
      » Promenade (p. 1)
      » Redowa Waltz (Valse Redowa) (p. 1)
      » The Pursuit (p. 1)













1847


C. [Carlo] Blasis. (1847). Notes Upon Dancing, Historical and Practical. London. (pdf1) (pdf2) {google} {archive} [Enge] [Powers]


F. [Friedrich] Burgmuller (comp.), Jules Martin (dance). (c. 1847). The Redowa Waltz, A New Bohemian Waltz. Philadelphia: A. Fiot. (pdf1) (pdf2) (pdf3) {JHU1} {Powers} {Goucher} [Enge] [Powers]

Couple Dances

» Redowa (♬) (♩160) (p. 1)
      » The Redowa Waltz (p. 1)
      » Promenade (p. 1)
      » The Poursuite (p. 1)













[Henri] Cellarius. (1847). La Danse Des Salons. Paris: J. Hetzel. (pdf 1) (pdf 2) {google 1} {google 2} [Enge] [Powers]

Couple Dances

» La polka (♩104) (p. 27)
» La valse à trois temps (♩198) (p. 35)
» La valse à deux temps (♩264) (p. 41)
» La valse à cinq temps (♩152) (p. 61)
» La Mazurka (♩176) (p. 65)
» La valse mazurka (♩208) (p. 91)
» La redowa (♩160) (p. 95)

Group Dances

» Le quadrille français (p. 23)
» Le quadrille mazurka (p. 81)
» Le cotillon (p. 101)
      » 1. La Course (p. 105)
      » 2. Les Ronds A Trois (p. 106)
      » 3. Les Chaises (p. 107)
      » 4. Les Fleurs (p. 107)
      » 5. Les Course Assise (p. 108)
      » 6. Les Colonnes (p. 109)
      » 7. Le Coussin (p. 109)
      » 8. Les Cartes (p. 110)
      » 9. La Pyramide (p. 110)
      » 10. La Trompeuse (p. 111)
      » 11. Le Serpent (p. 112)
      » 12. Le Rond Brisé (p. 112)
      » 13. Le Mouchoir (p. 113)
      » 14. Le Changement De Dames (p. 113)
      » 15. Le Chapeau (p. 114)
      » 16. L'Écharpe (p. 114)
      » 17. Les Dames Assises (p. 115)
      » 18. Le Verre De Vin De Champagne (p. 115)
      » 19. Les Couples Refusés (p. 116)
      » 20. Les Bouquets (p. 116)
      » 21. Les Dames Présentées (p. 117)
      » 22. Le Coussin Mobile (p. 117)
      » 23. Les Dames Trompées (p. 118)
      » 24. Le Chapeau Magique (p. 118)
      » 25. La Phalange (p. 119)
      » 26. Le Drap Mystérieux (p. 120)
      » 27. Le Cavalier Trompé (p. 120)
      » 28. La Croix Doublée (p. 121)
      » 29. Le Grand Rond (p. 121)
      » 30. Les Cercles Jumeaux (p. 122)
      » 31. Le Rond Trompeur (p. 123)
      » 32. Le Portier Du Couvent (p. 123)
      » 33. Les Mains Mystérieuses (p. 124)
      » 34. La Chasse Aux Mouchoirs (p. 124)
      » 35. La Mer Agitée (p. 125)
      » 36. Les Quatre Coins (p. 126)
      » 37. Le Berceau (p. 126)
      » 38. La Poursuite (p. 127)
      » 39. Le Rond Final (p. 128)
      » 40. Les Ronds Infinis (p. 128)
      » 41. Le Moulinet (p. 129)
      » 42. Le Moulinet Changeant (p. 130)
      » 43. Les Quatre Chaises (p. 130)
      » 44. La Contredanse (p. 131)
      » 45. Le Mouchoir (p. 131)
      » 46. Les Écharpes Volantes (p. 132)
      » 47. L'Éventail (p. 132)
      » 48. Le Colin-Maillard (p. 133)
      » 49. Les Cavaliers Ensemble (p. 133)
      » 50. Les Zigzags (p. 134)
      » 51. Les Ondulations (p. 134)
      » 52. Les Deux Lignes (p. 135)
      » 53. L'Allée Tournante (p. 136)
      » 54. Le Chapeau Fuyant (p. 136)
      » 55. Le Huit (p. 137)
      » 56. Les Bras Enlacés (p. 137)
      » 57. Le Moulinet Des Dames (p. 138)
      » 58. Les Petits Ronds (p. 139)
      » 59. Le Double Moulinet (p. 140)
      » 60. L'X Des Cavaliers (p. 140)
      » 61. L'X Du Cavalier Et De La Dame (p. 141)
      » 62. La Grande Chaine Anglaise (p. 142)
      » 63. Les Graces (p. 143)
      » 64. Les Ronds Contrariés (p. 143)
      » 65. Les Génuflexions (p. 144)
      » 66. Les Chaines A Quatre (p. 145)
      » 67. Les Chaises Croisées (p. 145)
      » 68. La Double Pastourelle (p. 146)
      » 69. La Chaine Double (p. 147)
      » 70. Les Chaines Continues (p. 147)
      » 71. Les Cavaliers Changeants (p. 148)
      » 72. Les Dames Dos A Dos (p. 149)
      » 73. Les Ronds A Quatre (p. 149)
      » 74. La Génuflexion A Quatre (p. 150)
      » 75. Le Moulinet Changé (p. 151)
      » 76. Le Triangle Changeant (p. 152)
      » 77. Les Chaines En Ligne (p. 153)
      » 78. Le Labyrinthe (p. 153)
      » 79. La Polka En Chaines Diverses (p. 154)
      » 80. La Corbeille (p. 155)
      » 81. La Triple Passe (p. 156)
      » 82. La Dame A Gauche (p. 156)
      » 83. Le Réunion Des Couples (p. 157)

[Henri] Cellarius. (1847). Fashionable Dancing. London: David Bogue. (pdf 1) (pdf 2) {google 1} {google 2} [Enge] [Powers]

Couple Dances

» The Polka (♩104) (p. 22)
» The Valse À Trois Temps (♩198) (p. 27)
» The Valse À Deux Temps (♩264) (p. 32)
» The Valse À Cinq Temps (♩152) (p. 48)
» The Mazurka (♩176) (p. 52)
» The Waltz-Mazurka (The Cellarius) (♩208) (p. 91)
» La Redowa (♩160) (p. 76)

Group Dances

» The Quadrille Français, Or First Set (p. 17)
» The Quadrille-Mazurka (p. 68)

The Cotillon

» 1. La Course - The Course (p. 85)
» 2. Les Ronds A Trois - The Rounds Of Three (p. 86)
» 3. Les Chaises - The Chairs (p. 87)
» 4. Les Fleurs - The Flowers (p. 87)
» 5. Les Course Assise - The Course Assize (p. 88)
» 6. Les Colonnes - The Columns (p. 88)
» 7. Le Coussin - The Cushion (p. 89)
» 8. Les Cartes - The Cards (p. 89)
» 9. La Pyramide - The Pyramid (p. 90)
» 10. La Trompeuse - The Deceiver (p. 90)
» 11. Le Serpent - The Serpent (p. 91)
» 12. Le Rond Brisé - The Broken Ring (p. 92)
» 13. Le Mouchoir - The Handkerchief (p. 92)
» 14. Le Changement De Dames - Exchange Of Ladies (p. 92)
» 15. Le Chapeau - The Hat (p. 93)
» 16. L'Écharpe - The Scarf (p. 93)
» 17. Les Dames Assises - The Ladies Seated (p. 93)
» 18. Le Verre De Vin De Champagne - The Glass Of Champagne (p. 94)
» 19. Les Couples Refusés - The Rejected Couples (p. 95)
» 20. Les Bouquets - The Nosegays (p. 95)
» 21. Les Dames Présentées - Presentation Of The Ladies (p. 95)
» 22. Le Coussin Mobile - The Movable Cushion (p. 96)
» 23. Les Dames Trompées - The Ladies Deceived (p. 96)
» 24. Le Chapeau Magique - The Magic Hat (p. 97)
» 25. La Phalange - The Phalanx (p. 97)
» 26. Le Drap Mystérieux - The Mysterious Sheet (p. 98)
» 27. Le Cavalier Trompé - The Gentleman Deceived (p. 98)
» 28. La Croix Doublée - The Doubled Cross (p. 99)
» 29. Le Grand Rond - The Grand Round (p. 99)
» 30. Les Cercles Jumeaux - The Twin Circles (p. 100)
» 31. Le Rond Trompeur - The Deceiving Circle (p. 101)
» 32. Le Portier Du Couvent - The Convent Porter (p. 101)
» 33. Les Mains Mystérieuses - The Mysterious Hands (p. 102)
» 34. La Chasse Aux Mouchoirs - The Hunt After The Handkerchiefs (p. 102)
» 35. La Mer Agitée - The Sea In A Storm (p. 103)
» 36. Les Quatre Coins - The Four Corners (p. 104)
» 37. Le Berceau - The Bower (p. 104)
» 38. La Poursuite - The Pursuit (p. 105)
» 39. Le Rond Final - The Final Circle (p. 106)
» 40. Les Ronds Infinis - The Endless Rounds (p. 106)
» 41. Le Moulinet - The Turnstile (p. 107)
» 42. Le Moulinet Changeant - The Varying Turnstile (p. 107)
» 43. Les Quatre Chaises - The Four Chairs (p. 108)
» 44. La Contredanse - The Country Dance (p. 108)
» 45. Le Mouchoir - The Handkerchief (p. 109)
» 46. Les Écharpes Volantes - The Flying Scarfs (p. 109)
» 47. L'Éventail - The Fan (p. 109)
» 48. Le Colin-Maillard - Blindman's Buff (p. 110)
» 49. Les Cavaliers Ensemble - The Gentlemen Together (p. 110)
» 50. Les Zigzags - The Zigzags (p. 111)
» 51. Les Ondulations - The Undulations (p. 111)
» 52. Les Deux Lignes - The Two Lines (p. 112)
» 53. L'Allée Tournante - The Winding Alley (p. 112)
» 54. Le Chapeau Fuyant - The Flying Hat (p. 113)
» 55. Le Huit - The Figure Of Eight (p. 113)
» 56. Les Bras Enlacés - The Arms Entwined (p. 114)
» 57. Le Moulinet Des Dames - Ladies' Moulinet (p. 114)
» 58. Les Petits Ronds - The Small Rounds (p. 115)
» 59. Le Double Moulinet - The Double Turnstile (p. 116)
» 60. L'X Des Cavaliers - The X Of The Gentlemen (p. 116)
» 61. L'X Du Cavalier Et De La Dame - The X Of The Gentlemen And His Lady (p. 117)
» 62. La Grande Chaine Anglaise - The Grand English Chain (p. 118)
» 63. Les Graces - The Graces (p. 119)
» 64. Les Ronds Contrariés - The Rounds Thwarted (p. 119)
» 65. Les Génuflexions - The Kneelings (p. 120)
» 66. Les Chaines A Quatre - The Chains With Four (p. 120)
» 67. Les Chaises Croisées - The Crossed Chains (p. 121)
» 68. La Double Pastourelle - The Double Pastourelle (p. 122)
» 69. La Chaine Double - The Double Chain (p. 122)
» 70. Les Chaines Continues - The Extended Chains (p. 123)
» 71. Les Cavaliers Changeants - The Changing Gentlemen, Or Inconstants (p. 124)
» 72. Les Dames Dos A Dos - The Ladies Back To Back (p. 124)
» 73. Les Ronds A Quatre - The Rounds Of Four (p. 125)
» 74. La Génuflexion A Quatre - The Quadruple Genuflexion (p. 126)
» 75. Le Moulinet Changé - The Moulinet Changed (p. 126)
» 76. Le Triangle Changeant - The Changing Triangle (p. 127)
» 77. Les Chaines En Ligne - The Chains In Line (p. 127)
» 78. Le Labyrinthe - The Labyrinth (p. 128)
» 79. La Polka En Chaines Diverses - The Polka In Different Chains (p. 129)
» 80. La Corbeille - The Basket (p. 129)
» 81. La Triple Passe - The Triple Pass (p. 130)
» 82. La Dame A Gauche - The Lady To The Left (p. 131)
» 83. Le Réunion Des Couples - The Reunion Of Couples (p. 157)

[Henri] Cellarius. (1847). The Drawing-Room Dances. London: E. Churton. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]

Note: A different English translation than the above, with added Appendix ("By The English Editor") including the English Quadrille, Lancers, Caledonians, and Spanish Dance. All capitalizations and spelling sic.

Couple Dances

» The Polka (♩104) (p. 20)
» The Waltze À Trois Temps (♩198) (p. 26)
» The Waltze À Deux Temps (♩264) (p. 32)
» The Waltze À Cinque Temps (♩152) (p. 48)
» The Mazurka (♩176) (p. 51)
» The Waltze-Mazurka (The Cellarius) (♩208) (p. 73)
» The Redowa (♩160) (p. 75)

Group Dances

» The French Quadrille (p. 16)
» The Quadrille-Mazurka (p. 66)
» The English Quadrille (p. 141)
» Lancers (p. 144)
» Caledonians (p. 146)
» Spanish Dance (p. 148)

The Cotillon (p. 81)

» 1. The excursion - La Course (p. 85)
» 2. The Rounds of three - Les Rounds à trois - (p. 85)
» 3. The Chairs - Les Chaires (p. 86)
» 4. The Flowers - Les Fleurs (p. 87)
» 5. Les Course Assise (p. 87)
» 6. The Columns - Les Colonnes (p. 88)
» 7. The Cushion - Le Coussin (p. 88)
» 8. The Cardes - Les Cartes (p. 89)
» 9. The Pyramid - La Piramide (p. 89)
» 10. The Deceiver - La Trampeuse (p. 90)
» 11. The Serpent - La Serpent (p. 91)
» 12. The Broken Round - Le Rond Brisè (p. 91)
» 13. The Handkerchief - Le Monchorè (p. 92)
» 14. The Change of Ladies - Le Changement des Dames (p. 92)
» 15. The Hat - Le Chapeau (p. 92)
» 16. The Shawl - L'Écharpe (p. 93)
» 17. The Ladies Seated - Les Dames Assises (p. 93)
» 18. The Glass of Champagne - Le Verre De Vin De Champagne (p. 94)
» 19. The Rejected Couples - Les Couples Refusés (p. 94)
» 20. The Nosegays - Les Bouquets (p. 95)
» 21. The Presentation of Ladies - Les Dames Presentées (p. 95)
» 22. The Moving Cushion - Le Coussin Mobile (p. 96)
» 23. The Ladies Mocked - Les Dames Trompées (p. 96)
» 24. The Magic Hat - Le Chapeau Magique (p. 97)
» 25. The Phalanx - La Phalange (p. 97)
» 26. The Mysterious Cloth - Le Drap Mystérieux (p. 98)
» 27. The Gentlemen Mocked - Le Cavalier Trompè (p. 98)
» 28. The Double Cross - La Croix Doublée (p. 99)
» 29. The Grand Round - Le Grand Rond (p. 99)
» 30. The Twin Circles - Les Circles jumeau (p. 100)
» 31. The Deceitful Round - Le Rond Trompense (p. 101)
» 32. The Convent-Porter - Le Portier du Couvent (p. 101)
» 33. The Mysterious Hands - Les Mains Mystérieux (p. 101)
» 34. The Handkerchief Chase - La Chasse aux Mouchoirs (p. 102)
» 35. The Stormy Sea - a Mer Agitée (p. 102)
» 36. Puss in the Corner - Les Quatre Coins (p. 103)
» 37. The Bower - Le Berceau (p. 104)
» 38. The Pursuit - La Poursuite (p. 104)
» 39. The Final Round - a Rond Final (p. 105)
» 40. The Endless Rounds - Les Ronds Infinis (p. 105)
» 41. Le Moulinet (p. 106)
» 42. Le Moulinet Changeant (p. 107)
» 43. The Four Chairs - Les Quatre Chaires (p. 107)
» 44. The Country Dance - La Contredanse (p. 108)
» 45. The Handkerchief - Le Mouchoir (p. 108)
» 46. The Flying Shawls - Les Echarpes Volantes (p. 108)
» 47. The Fan - L'Evantail (p. 109)
» 48. Blind-man's buff - La Colin Maillard (p. 109)
» 49. The Gentlemen together - Les Cavaliers ensemble (p. 110)
» 50. The Zigzags - Les Zigzags (p. 110)
» 51. The Undulations - Les Undulations (p. 111)
» 52. The two Lines - Les Deux Lignes (p. 111)
» 53. The Crooked Lane - L'Allee Tournante (p. 112)
» 54. The Flying Hat - Le Chapeau Volant (p. 113)
» 55. The figure of Eight - La Huit (p. 113)
» 56. The Intermingling of Arms - Les Bras Enlacés (p. 114)
» 57. The Ladies' Moulinet - Le Moulinet des Dames (p. 114)
» 58. The little Rounds - Les Petits Ronds (p. 115)
» 59. The Double Moulinet - Le Double Moulinet (p. 116)
» 60. The X of the Gentlemen - L'X Des Cavaliers (p. 117)
» 61. The X of the Gentleman and his Lady - L'X de Cavalier et de la Dame (p. 118)
» 62. The English Right and Left - La Grande Chaine Anglaise (p. 119)
» 63. The Graces - Les Graces (p. 119)
» 64. The Contrary Rounds - Les Ronds Contrarieés (p. 120)
» 65. The Genuflexions - Les Genuflexions (p. 121)
» 66. The Right and Left - Les Chaines à Quatre (p. 121)
» 67. The Crossed Chains - Les Chaises Croiseés (p. 122)
» 68. The Double Pastourelle - La Double Pastourelle (p. 122)
» 69. The Double Chain - La Chaine Double (p. 123)
» 70. The Uninterrupted Chains - Les Chaines Continues (p. 123)
» 71. The Inconstants - Les Cavaliers Changeants (p. 124)
» 72. The Ladies Back To Back - Les Dames Dos à Dos (p. 124)
» 73. Four Hands Round - Les Ronds à Quatre (p. 125)
» 74. The Genuflexion of Four - La Genuflexion à Quatre (p. 126)
» 75. The Change of the Moulinet - La Moulinet Changé - The Moulinet Changed (p. 127)
» 76. The Changing Triangle - La Triangle Changeant (p. 128)
» 77. The Chains in line - Les Chaines en Ligne (p. 128)
» 78. The Labyrinth - La Labyrinth (p. 129)
» 79. The Polka in Right and Left Varied - La Polka en Chaines Diverses (p. 130)
» 80. The Basket - La Corbeille (p. 130)
» 81. The Triple Pass - La Triple Passe (p. 131)
» 82. The Lady to the Left - La Dame a Gauche (p. 132)
» 83. The Reunion of Couples (p. 132)

Karola Czerniawskiego. (1847). Charakterystyka Tańców. Warszawa: W Drukarni Stanisława Strąbskiego. (pdf) {polona} [Enge]

Note: Includes sections on Polka, Polonez, Krakowiak, and Mazur.


Gaudenzio dell'Omo d'Arme. (1847). Istruzioni Complete Intorno al Ballo di Conversazione (Seconda Edizione). Pisa: Tipografia Nistri. (pdf) {hathi} [Enge]

Note: Includes sections on Wals, Contraddanza Italiana, Quadriglie Francesi.


Allen Dodworth. (1847). Glen-Mary Quadrilles. New York: Firth, Hall & Pond. (pdf) {congress} [Enge]

Quadrilles

» Glen-Mary Quadrilles (♬) (p. 2)







Charles Durang. (1847). Durang's Terpsichore; or, Ball Room Guide. Philadelphia: Fisher & Brother. (pdf) {Powers} [Enge] [Powers]


[Charles Durang], Turner & Fisher (pub.). (1847). Leaflets Of The Ball Room. Philadelphia: Turner & Fisher. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]

Group Dances

» [Glover's] Polka Quadrilles (p. 6)
» Mazurka Quadrilles [from Almack's] (p. 9)
» Durang's Grand Baden Polka (p. 13)
» Waltz Cotillion (p. 14)
» A Galopade Quadrille (p. 14)
» Spanish Dance (p. 15)
Couple Dances

» The New Redowa (p. 12)













E. Ferrett (pub.). (c. 1847). Celebrated Quadrilles, New Ethiopian. Philadelphia: E. Ferrett. (pdf 1) (pdf 2) {JHU} {Goucher} [Enge]

Quadrilles

» New Ethiopian Quadrilles (♬) (p. 2)







J. Harrison. (1847). The Jenny Lind Quadrilles. Boston: Prentiss & Clark. (pdf) {Goucher} [Enge]

Quadrilles

» The Jenny Lind Quadrilles (♬) (p. 3)







[Anonymous]. (1847). "Народные танцы." Иллюстрация. Санкт-Петербург: Типография книжного магазина П. Крашенинникова и Коми. 137-138. (pdf) (HDA transcription) {RSL} {HDA} [Enge]


1848


Анри Целлариус [Henri Cellarius]. (1848). Руководство к изучению новейших бальных танцев [A Guide to Learning the Latest Ballroom Dances]. Санкт-Петербург: Василий Поляков. (RSL) [Enge]

Note: This is a Russian translation of Cellarius' La Danse Des Salons. See two English translations (with indices) here and here.


Charles Durang. (1848/©1847). The Ball-Room Bijou and Art Of Dancing. Philadelphia: Turner & Fisher. (pdf) {Powers} [Enge] [Powers]

Note: As explained by Susan de Guardiola, this manual is actually a set of excerpts, so the pagination is odd. But everything that's in the book is in the copy above and indexed below.

Group Dances

» [Glover's] Polka Quadrilles (p. 115)
» Monterey Polka Quadrilles (p. 123)
» Buena Vista Polka Quadrilles (p. 131)
» New York Polka (p. 133)
» A Polka Finale Quadrille (p. 133)
» Durang's Grand Baden Polka (p. 134)
» The Ravel Polka Quadrille [only mentioned] (p. 136)
» Evergreen Polka (p. 136)
» Jinny Crack Corn Polka [mentioned as new music for Jealousy figure] (p. 136)
» Monsieur Hazard's Polka (p. 137)
» Mazurka Quadrilles [from Alamck's] (n.p.)
» Kolo Polish Mazurka Set (p. 142)
» [Julien's] Mazurka Quadrilles (p. 142)
» La Gallopade (p. 143)
» A Gallopade Quadrille (p. 143)
» The Polonaise (p. 144)
» Waltz Quadrilles (p. 149)
» Waltz Cotillion (n.p.)
» A Gallopade Quadrille (n.p.)
» Pas de Matelot, A Sailor Hornpipe (p. 158)

Couple Dances

» The Waltz (p. 145)
» La Valse Hongroise [general description] (p. 150)
» The Reydowak (and Reydowtzka) [general description] (p. 150)
» The Redowa (p. 152)
» Cellarius Waltz (p. 153)

Charles Durang. (1848). Durang's Terpsichore Or Ball-Room Guide [Hardback Leather Binding]. Philadelphia. (See 1847 Edition.) [Powers] [WorldCat]


Charles Durang. (1848/©1847). The Dancer's Own Book & Ball-Room Companion. Philadelphia. [Powers] [WorldCat]


[Joseph Binns] Hart. (1848). Hart's London Lancer Quadrilles [Dance Description with Sheet Music]. Philadelphia: Lee & Walker. (pdf) {congress} [Enge] [Powers]

Group Dances

» London Lancer Quadrilles (♬) (♩168) (p. 2)






[Willis P. Hazard]. (1848). A Hand-Book for the Ball-Room and Evening Parties. New York. (See 1849 Edition.) [Powers]


A Man of Fashion, Charles Mitchell (pub.) (c. 1848). A Guide To The Ball-Room & Illustrated Polka Lesson Book. London: Charles Mitchell. (pdf) {Powers} [Enge] [Powers]

Group Dances

» Quadrilles, The First Set (p. 28)
» The Lancers (p. 32)
» The Caledonians, First Set (p. 34)
» The Caledonians, Second Set (p. 37)
» The First Set with the Old Finale (p. 39)
» Second Set (p. 40)
» Third Set (p. 42)
» Fourth Set (p. 43)
» Fifth Set (p. 45)
» The Albert Quadrilles (p. 46)
» The Queen's Own (p. 50)
» Spanish Dance (p. 53)
» Waltz Quadrilles, First Set (p. 56)
» Waltz Quadrilles, Second Set (p. 56)
» Waltz Cotillion (p. 58)
» La Galopade (p. 59)
» The Galopade Quadrilles (p. 60)
» The Mazourka (p. 61)
» The Polonaise (p. 63)
» Highland Reel (p. 64)
» Polka Quadrilles (p. 90)
» The First New Mazourka Quadrille (The Polish Mazourka) (p. 99)
» The Second New Mazourka Quadrille (p. 109)
» Sir Roger De Coverley (p. 117)

Couple Dances

» The Polka (p. 65)
      » The Promenade (p. 72)
      » The Waltz (p. 74)
      » Waltz à Rebours (Contrariwise) (p. 75)
      » Whirling Waltz, or Valse Tortilée (p. 75)
      » Bohemian Step (p. 76)
      » Changing Arms (p. 78)
      » Bohemian Step, Changing Arms and Waltzing (p. 79)
      » Moulinet of One Hand (p. 80)
      » Moulinet, Following the Lady, and Making Her Turn (p. 81)
      » Double Pass (p. 82)
» Drawing-Room Polka (p. 83)
      » First Figure (p. 85)
      » Second Figure (p. 86)
      » Third Figure (p. 88)
      » Fourth Figure (p. 88)
      » Fifth Figure (p. 89)
» Valse à Deux Tems (p. 94)
» The Redova (Valse) (p. 98)
» The Valse Mazourka (La Cellarius) (p. 115)

Jules Martin (dance), A. F. R. Conner (music). (1848). The New Six Figures Cellarius Polka Quadrilles. Philadelphia: A. Fiot. (pdf) {congress} [Enge] [Powers]

Group Dances

» New Polka Quadrille (♬) (p. 2)






J. Meissonnier (pub.), L. Chledowski (music). (c. 1848). Mazourkas Favorites, Executées au Cours de Mr. Cellarius [Dance Description with Sheet Music]. Paris: J. Meissonnier. (pdf) {Powers} [Enge] [Powers]

Group Dances

» La Mazourka (♬) (♩168) (p. 2)






R. Powell. (1848). Powell's Art Of Dancing; Or, Dancing Made Easy. Louisville, KY: Harney, Hughes, & Hughes. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]

Group Dances

» First Sett (Nos. 1 through 3) (p. 29)
» Second Sett (Nos. 1 through 3) (p. 30)
» Third Sett (Nos. 1 through 3) (p. 30)
» Fourth Sett (Nos. 1 through 4) (p. 31)
» Fifth Sett (Nos. 1 through 11) (p. 32)
» Polka, Mazourka, and Polish Quadrilles
   (Nos. 1 through 9) (p. 34)



















C. Sheard (pub.). (c. 1848). Instructions For Dancing The Cellarius Valse accompanying sheet music for The Cellarius Waltz. London: C. Sheard. (pdf) {Powers} [Enge] [Powers]

Couple Dances

» The Cellarius Valse (♬) (p. 2)






Henry Whale. (1848). Paris Polka Quadrilles with New Figures. Philadelphia: E. Ferrett & Company. (pdf) {Princeton} [Enge] [Powers]

Couple Dances

» Paris Polka Quadrilles (♬) (p. 3)






[Anonymous]. (c. 1848). La Mazurka (Illustrated, with Music). Paris. [Powers]


1849


D. L. Carpenter (dance), E. D. Roland (music). (1849). The Deux Temps Quadrilles or Figures of Crosses. Philadelphia: Lee & Walker. (pdf) {congress} [Enge] [Powers]

Couple Dances

» Deux Tem Quadrilles (p. 3)






[Henri] Cellarius. (1849). La Danse Des Salons (Deuxième Edition). Paris: Chez L'Auteur. (pdf1) (pdf2) (pdf3) (djvu) (txt) {google} {congress} {BNE} {archive} [Powers]

Couple Dances

» La polka (♩104) (p. 31)
» La valse à trois temps (♩198) (p. 37)
» La valse à deux temps (♩264) (p. 37)
» La valse à cinq temps (♩152) (p. 37)
» La Mazurka (♩176) (p. 65)
» La valse mazurka (♩208) (p. 91)
» La redowa (♩160) (p. 95)

Group Dances

» Le quadrille français (p. 23)
» Le quadrille mazurka (p. 81)

Le cotillon (p. 101)

» 1. La Course (p. 105)
» 2. Les Ronds A Trois (p. 106)
» 3. Les Chaises (p. 107)
» 4. Les Fleurs (p. 107)
» 5. Les Course Assise (p. 108)
» 6. Les Colonnes (p. 109)
» 7. Le Coussin (p. 109)
» 8. Les Cartes (p. 110)
» 9. La Pyramide (p. 110)
» 10. La Trompeuse (p. 111)
» 11. Le Serpent (p. 112)
» 12. Le Rond Brisé (p. 112)
» 13. Le Mouchoir (p. 113)
» 14. Le Changement De Dames (p. 113)
» 15. Le Chapeau (p. 114)
» 16. L'Écharpe (p. 114)
» 17. Les Dames Assises (p. 115)
» 18. Le Verre De Vin De Champagne (p. 115)
» 19. Les Couples Refusés (p. 116)
» 20. Les Bouquets (p. 116)
» 21. Les Dames Présentées (p. 117)
» 22. Le Coussin Mobile (p. 117)
» 23. Les Dames Trompées (p. 118)
» 24. Le Chapeau Magique (p. 118)
» 25. La Phalange (p. 119)
» 26. Le Drap Mystérieux (p. 120)
» 27. Le Cavalier Trompé (p. 120)
» 28. La Croix Doublée (p. 121)
» 29. Le Grand Rond (p. 121)
» 30. Les Cercles Jumeaux (p. 122)
» 31. Le Rond Trompeur (p. 123)
» 32. Le Portier Du Couvent (p. 123)
» 33. Les Mains Mystérieuses (p. 124)
» 34. La Chasse Aux Mouchoirs (p. 124)
» 35. La Mer Agitée (p. 125)
» 36. Les Quatre Coins (p. 126)
» 37. Le Berceau (p. 126)
» 38. La Poursuite (p. 127)
» 39. Le Rond Final (p. 128)
» 40. Les Ronds Infinis (p. 128)
» 41. Le Moulinet (p. 129)
» 42. Le Moulinet Changeant (p. 130)
» 43. Les Quatre Chaises (p. 130)
» 44. La Contredanse (p. 131)
» 45. Le Mouchoir (p. 131)
» 46. Les Écharpes Volantes (p. 132)
» 47. L'Éventail (p. 132)
» 48. Le Colin-Maillard (p. 133)
» 49. Les Cavaliers Ensemble (p. 133)
» 50. Les Zigzags (p. 134)
» 51. Les Ondulations (p. 134)
» 52. Les Deux Lignes (p. 135)
» 53. L'Allée Tournante (p. 136)
» 54. Le Chapeau Fuyant (p. 136)
» 55. Le Huit (p. 137)
» 56. Les Bras Enlacés (p. 137)
» 57. Le Moulinet Des Dames (p. 138)
» 58. Les Petits Ronds (p. 139)
» 59. Le Double Moulinet (p. 140)
» 60. L'X Des Cavaliers (p. 140)
» 61. L'X Du Cavalier Et De La Dame (p. 141)
» 62. La Grande Chaine Anglaise (p. 142)
» 63. Les Graces (p. 143)
» 64. Les Ronds Contrariés (p. 143)
» 65. Les Génuflexions (p. 144)
» 66. Les Chaines A Quatre (p. 145)
» 67. Les Chaises Croisées (p. 145)
» 68. La Double Pastourelle (p. 146)
» 69. La Chaine Double (p. 147)
» 70. Les Chaines Continues (p. 147)
» 71. Les Cavaliers Changeants (p. 148)
» 72. Les Dames Dos A Dos (p. 149)
» 73. Les Ronds A Quatre (p. 149)
» 74. La Génuflexion A Quatre (p. 150)
» 75. Le Moulinet Changé (p. 151)
» 76. Le Triangle Changeant (p. 152)
» 77. Les Chaines En Ligne (p. 153)
» 78. Le Labyrinthe (p. 153)
» 79. La Polka En Chaines Diverses (p. 154)
» 80. La Corbeille (p. 155)
» 81. La Triple Passe (p. 156)
» 82. La Dame A Gauche (p. 156)
» 83. Le Réunion Des Couples (p. 157)

[Willis P. Hazard]. (1849/©1848). The Ball-Room Companion, A Hand-Book For The Ball-Room And Evening Parties. Philadelphia: George S. Appleton. (pdf) {google} [Powers]

Note: Author is listed as: The Author Of The Hand-Books Of "Etiquette," "Conversation," "The Toilette," "Courtship and Marriage," etc., etc.

Couple Dances

» The Polka (p. 38)
» Valse a Deux Tems (p. 46)
» Cellarius Waltz (p. 51)
» The Mazourka (p. 51)
» The Redowa (p. 56)

Group Dances

» First Set (p. 24)
      » 1. Le Pantalon (p. 24)
      » 2. L'Ete (p. 25)
      » 3. La Poule (p. 25)
      » 4. La Trenise (p. 25)
      » 5. La Pastorale (p. 25)
      » 6. The Sociable (p. 26)
      » 7. Coquette (p. 26)
      » 8. Curtsy Cotillon (p. 26)
      » 9. New Year (p. 27)
      » 10. Swing Corners (p. 27)
      » 11. Basket Cotillon (p. 27)
      » 12. La Finale (p. 28)
» Caledonians - First Set (p. 28)
» Caledonians - Second Set (p. 29)
» The Lancers (Hart's Set) (p. 31)
      » 1. La Rose (p. 31)
      » 2. La Lodoiska (p. 31)
      » 3. La Dorset (p. 31)
      » 4. L'Etoile (p. 32)
      » 5. Les Lanciers (p. 32)
» Victoria Quadrilles (p. 32)
» Royal Victoria Quadrilles (Marshall's) (p. 35)
» Polka Quadrilles (Glover's) (p. 43)
» New York Polka (p. 45)
» Mons. Hazard's Polka (p. 45)
» Waltz Cotillon (p. 48)
» Waltz Quadrilles - First Set (p. 49)
» Waltz Quadrilles - Second Set (p. 50)
» Royal Devonshire Mazourkas (p. 54)
» Polish Mazourka Set (p. 55)
» Right and Left Polish Set (p. 55)
» Third Figure (p. 55)
» The Circassian Circle (p. 57)
» Spanish Dance (p. 58)
» The Galopade (p. 59)
» Scotch Reel (p. 60)
» Highland Reel (p. 61)
» Virginia Reel (p. 62)
» Rustic Reel (p. 63)

[Anonymous]. (1849). "Ball-Kalender nach Cellarius." Illustrirter Kalender für 1849. Leipzig. 143-146. (pdf) {google} [Enge]


1850


John C. Andrews. (1850). Social Circle or Drawing Room Companion [Sheet Music with Dance Descriptions]. New York: Wm. Hall & Son. (pdf) {congress} [Enge] [Powers]

Group Dances

» The Five Friends (♬) (p. 3)
» Grand Hungarian Polka (♬) (p. 8)
» Spanish Dance (♬) (p. 9)
» New Scotch Reel (♬) (p. 9)














Lorenzo Audano. (1850). Raccolta Di Contraddanze Ovvero Pot-Pourri. Torino: Tipografia Castellanzo e Degaudenzi. (pdf) {Powers} [Enge] [Powers]

Note: This is an unpaginated collection of 51 numbered contra dances. Aside from the final four, they aren't given names.

Contra Dances

» 1
» 2
» 3
» 4
» 5
» 6
» 7
» 8
» 9
» 10
» 11
» 12
» 13
» 14
» 15
» 16
» 17
» 18
» 19
» 20
» 21
» 22
» 23
» 24
» 25
» 26
» 27
» 28
» 29
» 30
» 31
» 32
» 33
» 34
» 35
» 36
» 37
» 38
» 39
» 40
» 41
» 42
» 43
» 44
» 45
» 46
» 47
» 48. La Pastorelle
» 49. Le Pantalon
» 50. L'Été
» 51. La Poule

Henry Chadwick. (1850). Susanna Quadrilles [Sheet Music with Dance Description]. New York: C. Holt Junior. (pdf) {congress} [Enge]

Quadrilles

» Susanna Quadrilles (♬) (p. 3)






Eugène Coulon. (c. 1850). The Warsaw Varsoviana with a Correct Description of the Figure [Sheet Music with Dance Description]. London: Louis Antoine Jullien. (HDA transcription) {HDA} [Enge]

Couple Dances

» Varsoviana (♬)






E. Coulon (dance), Jullien (music). (c. 1850). The Favorite Mazurka Quadrilles [Sheet Music with Dance Description]. Philadelphia: G. E. Blake. (pdf) {Goucher} [Enge]

Quadrilles

» The Favorite Mazurka Quadrilles (♬) (p. 2)






Allen Dodworth. (1850). Bolero, or The Dodworth Schottisch, A New Dance [Sheet Music with Dance Description]. New York: Wm. Hall & Son. (pdf1) (pdf2) {Goucher} {JHU} [Enge] [Powers]

Couple Dances

» Bolero (♬) (p. 5)
   a.k.a. The Dodworth Schottisch
   a.k.a. Dodworth's New Schottisch











Charles Durang. (c. 1850). The Ball-Room Bijou and the Art of Dancing. Philadelphia: Fisher & Brother. (pdf) (djvu) {archive} [Enge]


M. Frederick (dance), George Loder (music). (1850). The Serious Family Polka [Sheet Music with Dance Description]. S. C. Jollie. (pdf) {JHU} [Enge]

Quadrilles

» Serious Family Polka (♬)






G. Gerster. (c. 1850). Die Tanzkunst. Speyer: O. L. Lang. (pdf) (BSB) [Enge]


Mrs. Nicholas [Frances] Henderson. (c. 1850). Etiquette of the Ball-room and Guide to the New and Fashionable Dances. London: George Biggs. (pdf) {google} [Enge] [Powers]


Elias Howe. (1850). First Part of the Musician's Companion. Boston: Oliver Ditson & Co. (pdf) (djvu) {archive} [Enge] [Powers]

Cotillions

» Cotillion No. 1 (♬) (p. 68)
» Cotillion No. 2 (♬) (p. 70)
» Cotillion No. 3 (♬) (p. 72)
» Cotillion No. 4 (♬) (p. 74)
» Cotillion No. 5 (♬) (p. 76)
» Cotillion No. 6 (♬) (p. 78)
» Cotillion No. 7 (♬) (p. 80)
» Cotillion No. 8 (♬) (p. 83)
» Cotillion No. 9 (♬) (p. 86)
» Cotillion No. 10 (♬) (p. 88)
» Cotillion No. 11 (♬) (p. 90)
» Cotillion No. 12 (♬) (p. 92)
» Cotillion No. 13 (♬) (p. 94)
» Cotillion No. 14 (♬) (p. 96)
» Cotillion No. 15 (♬) (p. 98)
» Cotillion No. 16 (♬) (p. 100)
» Cotillion No. 17 (♬) (p. 102)
» Cotillion No. 18 (♬) (p. 104)

Elias Howe. (1850). Second Part of the Musician's Companion. Boston: Oliver Ditson & Co. (pdf) (djvu) {archive} [Enge] [Powers]

Note: Same dances as Howe, 1843.

Cotillions

» Harrison Sett (♬) (p. 78)
» Coquette Sett (♬) (p. 80)
» Providence Sett (♬) (p. 82)
» Mellow Horn Sett (♬) (p. 84)
» Hamilton Sett (♬) (p. 86)
» Lowell Sett (♬) (p. 88)
» Cinderella Sett (♬) (p. 90)
» Columbian Sett (♬) (p. 92)
» Victoria's Sett (♬) (p. 94)
» Bunker Hill Sett (♬) (p. 96)
» Phantom Sett (♬) (p. 98)
» Franklin Sett (♬) (p. 100)
» Boston Sett (♬) (p. 102)
» Manilla Sett (♬) (p. 104)
» Bayadere Sett (♬) (p. 106)
» Marshall Sett (♬) (p. 108)
» American Sett (♬) (p. 110)
» Whipple's Sett (♬) (p. 112)
» Gambler's Sett (♬) (p. 114)
» Barcarole Sett (♬) (p. 116)
» Cotillion (from the Opera of
   La Somnambula) (♬) (p. 118)
» Fra Diavolo Sett (♬) (p. 120)
» Massasoit Sett (♬) (p. 122)
» Narraganset Sett (♬) (p. 124)
» White Lady Sett (♬) (p. 126)
» Westminster Sett (♬) (p. 128)
» Italian Sett (♬) (p. 130)
» Free Suffrage Sett (♬) (p. 132)
» Irish Sett (♬) (p. 134)
» Hurricane Sett (♬) (p. 136)
» Republican Sett (♬) (p. 138)
» Milford Sett (♬) (p. 140)
» Cuckoo Sett (♬) (p. 142)
» Algerine Sett (♬) (p. 144)
» Spanish Sett (♬) (p. 146)
» Grand Military Sett (♬) (p. 148)

Elias Howe. (1850). Third Part of the Musician's Companion. Boston: Oliver Ditson & Co. (pdf) (djvu) {archive} [Enge] [Powers]

Note: Same dances as Howe, 1844.

Cotillions

» Fanny Jones' Sett (♬) (p. 78)
» Baltimore Sett (♬) (p. 80)
» Opera Sett (♬) (p. 82)
» Coquette Sett (♬) (p. 84)
» St. Louis Sett (♬) (p. 86)
» Black Hawk Sett (♬) (p. 88)
» Blackstone Sett (♬) (p. 90)
» Winthrop Hall Sett (♬) (p. 92)
» Horn Pond Sett (♬) (p. 94)
» Medway Sett (♬) [missing p. 97] (p. 96)
» Metamora Sett (♬) (p. 98)
» Highland Sett (♬) (p. 100)
» St. Lawrence Sett (♬) (p. 102)
» Columbian Sett (♬) (p. 104)
» Warren Sett (♬) (p. 106)
» Emma Quadrille (♬) (p. 108)
» Rochester Sett (♬) (p. 110)
» Auburn Sett (♬) (p. 112)
» Long Island Sett (♬) (p. 114)
» Lady Gay Spanker's Sett (♬) (p. 116)
» Niagara Sett (♬) (p. 118)
» Tremont Sett (♬) (p. 120)
» Beethoven Sett (♬) (p. 122)
» Woonsocket Sett (♬) (p. 124)
» Pilgrim Sett (♬) (p. 126)
» Jim Crow Sett (♬) (p. 128)
» Extravagant Sett (♬) (p. 130)
» Battle of New Orleans (♬) (p. 132)
» Paul Jones' Sett (♬) (p. 134)
» Concord Sett (♬) (p. 136)
» Washington Sett (♬) (p. 138)
» Isle of Shoals' Sett (♬) (p. 140)
» Tom Moore's Sett (♬) (p. 142)
» Pantheon Sett (♬) (p. 144)
» La Somnambula Sett (♬) (p. 146)
» Court Street Sett (♬) (p. 148)
» Lucy Long Sett (♬) (p. 150)
» Master Humphrey's Sett (♬) (p. 152)
» Concert Hall Sett (♬) (p. 154)
» Yankee Hill's Sett (♬) (p. 156)

Kent & Co. (pub.). (c. 1850). The Victoria Miniature Ball Room Guide. Nottingham, England: Kent & Company. (pdf) {Powers} [Enge] [Powers]

Couple Dances & Figures

» Polka (p. 26)
» Valse A Deux Tems () (p. 30)

Set Dances & Figures

» Payne's First Set (p. 15)
   a.k.a. Paine's First Set [?]
» Lancers (p. 17)
   a.k.a. Hart's Set
» Caledonians (p. 19)
» Royal Victoria (p. 21)
   a.k.a. Marshall's
» Prince Albert's (p. 23)
» Galopade Quadrille (p. 24)
» Polka Cottilon (p. 28)
» The Circassian Circle () (p. 31)
» Spanish Dance () (p. 31)
» Sir Roger De Coverley () (p. 31)
» Country Dances (p. 33)
      » Triumph (p. 33)
      » Juliana (p. 33)
      » Carnival of Venice (p. 33)
      » Paddy O'Rafferty (p. 34)
      » Del Caro's Hornpipe (p. 34)
      » Lady Shaftesbury's Reel (p. 34)
      » Lady Montgomery's Reel (p. 34)
      » Cameronian Rant (p. 34)
      » Honey Moon (p. 35)
      » Woo'd and Married and a' (p. 35)
      » Captain Wyke (p. 35)
      » and 8 "Miscellaneous" Figures (p. 35)

Alphonse Longueville. (c. 1850). Varsoviana [Sheet Music with Dance Description]. (pdf) (HDA transcription) {HDA} [Enge]

Couple Dances

» Varsoviana (♬) (p. 2)






J. Mitchell. (c. 1850). J. Mitchell's Quadrille Preceptor [a.k.a. The Fashionable Quadrille Preceptor]. London. [Powers]


A. Perrot. (1850). La Pyrenéenne, The New Quadrille. New York: William Hall & Son. (congress) [Enge]

Quadrilles

» La Pyrenéenne (p. 2)






J. Seaton. (c. 1850). The Ball-Room Manual And Etiquette Of Dancing. London. [Powers]


Mr. Varin (dance), Lefébure-Wély (music). (c. 1850). La Moskowiska-Varin, Polka-Mazurke [Sheet Music with Dance Description]. Paris. (pdf) (HDA transcription) {HDA} [Enge]

Couple Dances

» La Polka Mazurke (♬) (p. 2)






1851


R & E. A. Burnton (dance), William Dressler (music). (1851). The Original Tampete [Sheet Music with Dance Description]. New York: William Hall & Son. (pdf) {congress} [Enge] [Powers]

Group Dances

» The Original Tampete (p. 2)






E. Coulon (dance), Jullien (music). (c. 1851). Jullien's Original Gorlitza [Sheet Music with Dance Description]. Boston: Oliver Ditson. (pdf) {JHU} [Enge]

Couple Dances

» The Gorlitza [general description] (♬) (p. 3)






S. M. (c. 1851). Quadrilles from Auber's Celebrated Opera "Le Dieu et la Bayedére" [Sheet Music with Dance Description]. Baltimore: G. Willig, Jr. (pdf) {JHU} [Enge]

Quadrilles

» [Le Dieu Quadrilles] (♬) (p. 3)






Mr. Whale & Daughter (dance), John C. Scherpf (music). (1851). La Tempete [Sheet Music with Dance Description]. New York: Wm. Vanderbeek. (pdf) {Goucher} [Enge]

Group Dances

» La Tampete (p. 2)






[Anonymous]. (1851). The Ball-Room Preceptor and Polka Guide. London. [Powers]


1852


W. Cunningham. (c. 1852). The Red-Coat Quadrilles [Sheet Music with Dance Description]. Sydney: F. Ellard's. (pdf) {NLA} [Enge]

Quadrilles

» The Red-Coat Quadrilles (♬) (p. 3)






Allen Dodworth. (1852). The Meyen Quadrille [Sheet Music with Dance Description]. New York: Firth, Pond & Co. (congress) [Enge]

Quadrilles

» The Meyen Quadrille (♬) (p. 3)






Edward Le Roy. (1852). National Gorlitza [Sheet Music with Dance Description]. New York: Firth, Pond & Co. (congress) [Enge]

Couple Dances

» The Gorlitza [general description] (♬) (p. 3)






Markowski (dance), Eugène Mathieu (music). (1852). L'Impériale, Nouvelle Danse. Paris: Chabal

Couple Dances

» L'Impériale (♬)






Henry Meyen. (1852). The Ball-Room Guide, Being a Compendium of the Theory, Practice, and Etiquette of Dancing. New York. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Rock & Co. (pub.). (1852). Rock's Ball-Room Guide and Fashionable Dance Instructor [a.k.a. Rock's Ball Room Conductor]. London. [Powers]


Arthur Saint-Léon. (1852). La Sténochorégraphie, ou Art d'Écrire Promptement la Danse. Paris: Ch. Barousse. (pdf) {BNF} [Enge]


J. Seaton. (1852). The Ball-Room Manual and Etiquette of Dancing. Halifax: Milner and Sowerby. (pdf) {Powers} [Enge] [Powers]


Edgar Webster. (c. 1852). The Triplet, A New Dance Comprising the Galop, Valse à Deux Temps, & Polka [Sheet Music with Dance Description]. London: James Smith. (pdf) {Powers} [Enge] [Powers]

Quadrilles

» The Triplet (♬) (p. 5)
      » Galop (p. 5)
      » Valse á Deux Temps (p. 5)
      » Polka (p. 5)














Eugène Wœstyn. (1852). Le Livre de la Danse. Paris: Charles Ploche. (pdf) {BNF} [Enge] [Powers]


Thomas Wilson. (c. 1852). The Art of Dancing, Comprising Its Theory and Practice, in Connexion with the Ball Room. London: William Mason. (pdf) {google} [Enge] [Powers]


1853


J. C. Beckel. (1853). The Young Bachelors Quadrilles [Sheet Music with Dance Description]. Philadelphia: J. C. Beckel's Music Store. (congress) [Enge]

Quadrilles

» The Young Bachelors Quadrilles (♬) (p. 3)






Eugene Coulon (dance), John C. Scherpf (music). (1853). Pop Goes the Weasel, The New Dance [Sheet Music with Dance Description]. New York: Saml. C. Jollie. (pdf) {JHU} [Enge]

Group Dances

» Pop Goes the Weasel (♬) (p. 5)






Allen Dodworth. (1853). Knickerbocker Quadrilles [Sheet Music with Dance Description]. New York: William Hall & Son. (congress) [Enge]

Quadrilles

» Knickerbocker Quadrilles (♬) (p. 3)






William Dressler. (1853). Knickerbocker Quadrilles [Sheet Music with Dance Description]. New York: William Hall & Son. (congress) [Enge]

Quadrilles

» Knickerbocker Quadrilles (♬) (p. 3)






William Dressler. (1853). The Tampete [Sheet Music with Dance Description]. New York: Wm. Hall & Son. (pdf) {congress} [Enge] [Powers]

Set Dances

» The Tampete [Set Dance] (p. 2)





Willis P. Hazard. (1853). A Hand-Book for the Ball-Room and Evening Parties. New York. (See 1849 Edition.) [Powers] [WorldCat]


Laborde. (1853). Le Cotillon. Paris: Laborde. (pdf) {BNF} [Enge] [Powers]


J. G. Maeder, William Dressler. (1853). Quadrilles from the Grand Fairy Opera [Sheet Music with Dance Description]. New York: William Hall & Son. (congress) [Enge]

Quadrilles

» Grand Fairy Opera Quadrilles (♬) (p. 3)






Markowski (dance), Alphonse Longueville (music). (1853). L'Impériale, Nouvelle Danse de Salon [Sheet Music with Dance Description]. Paris: Heugel et Companie.

Couple Dances

» L'Impériale (♬)






Markowski (dance), Maurice Nachmann (music). (1853). L'Impériale, Nouvelle Danse de Salon [Sheet Music with Dance Description]. Paris: Heugel et Companie. (HDA transcription) {HDA} [Enge]

Couple Dances

» L'Impériale (♬)






J. Seaton. (1853). The Ball-Room Manual and Etiquette of Dancing. Halifax: Milner & Sowerby. (BL) [Enge]


James Wiley. (1853). Handwritten Description of 4 "Schottisch Quadrille" Figures. Newark, NJ. (pdf) (HDA transcription) {Powers} {HDA} [Powers]

Schottische Quadrilles

» No. 1 (p. 2)
» No. 2 (p. 2)
» No. 3 (p. 2)
» No. 4 (p. 2)












1854


Prof. D. L. Carpenter. (1854). The Amateur's Preceptor on Dancing & Etiquette. Philadelphia: M'Laughlin Brothers. (pdf) (djvu) (txt) {archive} [Enge] [Powers]


F. Fertiault. (1854). Histoire Anecdotique et Pittoresque de la Danse Chez les Peuples Anciens et Modernes. Paris: Auguste Aubry. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Enge] [Powers]


Stephen C. Foster. (1854). The Social Orchestra For Flute or Violin, with Calls for Quadrilles. New York: Firth, Pond & Company. (pdf) {Powers} [Enge] [Powers]

Quadrilles

» Village Festival (♬) (p. 59)
» Old Folks Quadrilles (♬) (p. 67)










J. B. Guttman. (1854). Operatic Cotillion. New York: Berry & Gordon. (pdf) {congress} [Enge]

Cotillions

» Operatic Cotillion (♬) (p. 3)






J. B. Guttman. (1854). Party Cotillion. New York: Berry & Gordon. (pdf) {congress} [Enge]

Cotillions

» Party Cotillion (♬) (p. 3)






Mrs. Nicholas Henderson. (c. 1854). Etiquette of the Ball-Room and Guide to All the New and Fashionable Dances. London: George Biggs. (pdf) {JHU} [Enge] [Powers]


Hunter. (1854). Pop Goes the Weasel. Baltimore: Henry McCaffrey. (pdf) {JHU} [Enge] [Powers]

Country Dances

» Pop Goes the Weasel (♬) (p. 3)






Markowski (dance), B. T. Missler (music). (c. 1854). Le Tango (Tango Americano), Nouvelle Danse de Salon. Paris: St. Etienne. (pdf) (HDA transcription) {KVC} [Enge]

Couple Dances

» Le Tango (♬) (p. 1)
      » Premier Pas (p. 1)
      » Deuxieme Pas (p. 1)












Miller & Beacham (pub.). (c. 1854). Pop goes the Weasel or Fun & Frolic with a Full description of the Figures. Baltimore: Miller & Beacham. (pdf 1) (pdf 2) {Duke} {JHU} [Enge]

Country Dances

» Pop Goes the Weasel (p. 5)






Musical Bouquet Office (pub.). (c. 1854). Pop Goes the Weasel; La Tempete; and Le Grand Père. Three Fashionable Dances, As Performed at the Court Balls. London: Musical Bouquet Office. (pdf) {JHU} [Enge]

Country Dances

» Pop Goes the Weasel (p. 1)






Maurice Nachmann. (1854). L'Impériale, Nouvelle Danse avec la Théorie. Paris: Maison Boieldieu. (HDA transcription) [Enge]


M. St. Ody. (1854). The Original Zingarilla [Description and Sheet Music]. Buffalo: J. Sage & Sons. (pdf) {congress} [Enge] [Powers]

Couple Dances

» The Original Zingarilla






A Teacher of Dancing. (c. 1854). The Ball-Room Guide... Drawing Room Etiquette. Aberdeen. [Powers]


[Anonymous]. (1854). Модный котильон [Fashion Cotillion]. Санкт-Петербург [St. Petersburg]: Типография морского кадетского корпуса [Printing House of the Sea Cadet Corps]. (HDA transcription) [Enge]

Cotillions

» Fashion Cotillion






1855


James Bellak. (1855). Saloon Cottillion. New York: William Hall & Son. (pdf) {congress} [Enge]

Cotillions

» Saloon Cottillion (♬) (p. 3)






James Bellak. (1855). Ne Plus Ultra Cotillion. New York: William Hall & Son. (pdf) (congress) [Enge]

Cotillions

» Ne Plus Ultra Cotillion (♬) (p. 3)






Gustave Boullay. (1855). Réforme de la Danse des Salons (Deuxième Édition). Paris: E. Dentu. (pdf) (hathi) [Enge] [Powers]


A Dancing Master. (c. 1855). The Art Of Dancing [a.k.a. Guide To Dancing]. London: Milner & Co., Ltd. [Powers]


H. Elliot (pub). (c. 1855). The Ball Room Instructor, and Complete Guide to Dancing. London: H. Elliot. (pdf) {google} [Enge] [Powers]


Berhard Klemm. (1855). Katechismus der Tanzkunst. Leipzig: J. J. Weber. (pdf) (BNF) [Enge] [Powers]


Victor Rozier. (1855). Les Bals Publics A Paris. Paris: Gustave Havard. (pdf) {google} [Enge] [Powers]


H. G. O. Washburn. (1855). The Ball-Room Manual. Belfast, ME; H. G. O. Washburn. (pdf) {harvard} [Enge] [Powers]

Note: Also includes a general discussion of "Cotillons," "Quadrille," and "Spanish Dance or Waltz."

Contra Dances

» Downfall of Paris (p. 4)
» Isle of Skye (p. 4)
» Girls of Belfast (p. 5)
» Chorus Jig (p. 5)
» Money Musk (p. 5)
» Fisher's Hornpipe (p. 6)
» Drunken Sailor (p. 6)
» Cincinnatti Hornpipe (p. 6)
» Durand's Hornpipe (p. 6)
» Miss Brown's Reel (p. 6)
» Maid in the Pump-Room (p. 7)
» Rickett's Hornpipe (p. 7)
» College Hornpipe (p. 7)
» Hull's Victory (p. 7)
» Chassard Hornpipe (p. 8)
» Lady's Triumph (p. 8)
» Speed the Plough (p. 9)
» Beaux of Oak Hill (p. 9)
» New Century Hornpipe (p. 9)
» Humors of the Priesthouse (p. 9)
» Beaux of Albany (p. 10)
» Pop Goes the Weasel (p. 10)
» Twin Sisters (p. 10)
» Hob or Nob (p. 11)
» Cheat the Lady (p. 11)
» Fly (p. 11)
» Chase the Lady (p. 12)
» Thursday Night (p. 12)
» Sackett's Harbor (p. 12)
» Roy's Wife (p. 12)
» Lady of the Lake (p. 13)
» Forest of Bondi (p. 13)
» Jackson's Hornpipe (p. 13)
» Boston Fancy (p. 13)
» Opera Reel (p. 14)
» Virginia Reel (p. 14)
» Village Reel (p. 15)
» California Reel (p. 16)
» Cicillian Dance (p. 16)
» New York Gazelle (p. 16)
» Soldier's Joy (p. 17)
» Mischief (p. 17)
» Tempest (p. 17)
» Portland Fancy (p. 18)
» Kentucky Reel (p. 18)

Septimus Winner. (1855). Winner's Plain Cotillons, No. 1, Black Swan Set [Sheet Music with Dance Description]. Philadelphia: William and Shuster. (pdf) {JHU} [Enge] [Powers]

Cotillions

» Black Swan Set (♬) (p. 2)






Septimus Winner. (1855). Winner's Plain Cotillons, No. 2, Ballad Set [Sheet Music with Dance Description]. Philadelphia: William and Shuster. (pdf) {JHU} [Enge]

Cotillions

» Ballad Set (♬) (p. 2)






Septimus Winner. (1855). Winner's Plain Cotillons, No. 3, Child's Own Set [Sheet Music with Dance Description]. Philadelphia: William and Shuster. (pdf) {JHU} [Enge]

Cotillions

» Child's Own Set (♬) (p. 2)






Septimus Winner. (1855). Winner's Plain Cotillons, No. 4, National Set [Sheet Music with Dance Description]. Philadelphia: William and Shuster. (pdf) {JHU} [Enge]

Cotillions

» National Set (♬) (p. 2)






Septimus Winner. (1855). Winner's Plain Cotillons, No. 5, Fancy Set [Sheet Music with Dance Description]. Philadelphia: William and Shuster. (pdf) (congress) [Enge]

Cotillions

» Fancy Set (♬) (p. 2)






1856


James Bellak. (1856). The Popular Quadrilles. New York: Horace Waters. (pdf) {congress} [Enge]

Quadrilles

» The Popular Quadrilles (♬) (p. 3)






Eugene Coulon (dance), John C. Scherph (music). (1856). Pop Goes the Weasel, The New Dance. Boston: Oliver Ditson. (pdf) {congress} [Enge]

Group Dances

» Pop Goes the Weasel (♬) (p. 5)






William Dressler. (1856). Dressler's Superb Quadrilles. New York: William Dressler. (pdf) {congress} [Enge]

Quadrilles

» Dressler's Superb Quadrilles (♬) (p. 2)






Charles Durang. (1856). The Fashionable Dancer's Casket. Philadelphia: Fisher & Brother. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Charles Durang. (1856). Durang's Terpsichore or Ball-Room Guide [Bound With 1847 The Fashionable Dancer's Casket]. Philadelphia. [Powers]


John W. Moore. (1856). The American Collection of Instrumental Music. Boston: Geo. P. Reed & Co. (pdf) {Enge} [Enge] [Powers]

Cotillons

» Island-House Cotillons (♬) (p. 62)






J. Seaton & Prof. Bland. (1856). The Ball-Room, Manual & Etiquette of Dancing. London. [Powers]


Hans Wachenhusen. (1856). Cancan, Pariser Aquarellen. Berlin. (pdf1) (pdf2) {google} [Enge] [Powers]


Edward L. Walker (pub.). (1856). Plain Sett of Parlor Cotillons, No. 1. Philadelphia: Edward L. Walker. (pdf) {congress} [Enge]

Cotillions

» Wait for the Wagon (♬) (p. 2)
» Tother Side of Jordan (♬) (p. 3)
» Basket (♬) (p. 4)
» Three Bells (♬) (p. 4)
» Few Days (♬ only) (p. 5)
















Edward L. Walker (pub.). (1856). Plain Sett of Parlor Cotillons, No. 2. Philadelphia: Edward L. Walker. (pdf) {congress} [Enge]

Cotillions

» Opera of Martha (♬) (p. 2)
» Bould Soldier Boy (♬) (p. 3)
» Cauliflower (♬) (p. 4)
» Villikins and his Dinah (♬) (p. 5)
» Coming Thro' the Rye (♬) (p. 5)
















W. C. Wallis. (1856). Old Fashioned Cotillions, First Sett. Baltimore: Miller & Beachman. (pdf) (Duke) [Enge]

Cotillions

» Basket Cotillion (♬) (p. 3)
» Cauliflower (♬) (p. 3)
» Country Cotillion (♬) (p. 4)
» Coquette Cotillion (♬) (p. 4)
» New Year Cotillion (♬) (p. 5)
















W. C. Wallis. (1856). Old Fashioned Cotillions, Second Sett. Baltimore: Miller & Beachman. (pdf) {congress} [Enge]

Cotillions

» No. 1 (♬) (p. 3)
» No. 2 (♬) (p. 3)
» No. 3 (♬) (p. 4)
» The Sociable (♬) (p. 5)
» Virginia Reel (♬ only) (p. 5)
















H. G. O. Washburn. (1856). The Ball-Room Manual (Revised Edition). Belfast, ME: H. G. O. Washburn. (pdf1) (pdf2) {harvard} {UNH} [Enge]

Note: Adds dances to Washburn, 1855. Added dances are italicized below.

Contra Dances

» Downfall of Paris (p. 5)
» Isle of Skye (p. 6)
» Girls of Belfast (p. 6)
» Chorus Jig (p. 6)
» Money Musk (p. 6)
» Fisher's Hornpipe (p. 7)
» Drunken Sailor (p. 7)
» Cincinnati Hornpipe (p. 7)
» Durand's Hornpipe (p. 8)
» Miss Brown's Reel (p. 8)
» Maid in the Pump-Room (p. 8)
» Rickett's Hornpipe (p. 8)
» College Hornpipe (p. 9)
» Hull's Victory (p. 9)
» Chassard Hornpipe (p. 9)
» Lady's Triumph (p. 10)
» Speed the Plough (p. 10)
» Beaux of Oak Hill (p. 10)
» New Century Hornpipe (p. 11)
» Humors of the Priesthouse (p. 11)
» Beaux of Albany (p. 12)
» Pop Goes the Weasel (p. 12)
» Twin Sisters (p. 12)
» Hob or Nob (p. 13)
» Cheat the Lady (p. 13)
» Fly (p. 13)
» Chase the Lady (p. 14)
» Thursday Night (p. 14)
» Sackett's Harbor (p. 14)
» Roy's Wife (p. 15)
» Megunticook Reel (p. 15)
» Figure Eight (p. 15)
» Ive's Hornpipe (p. 15)
» Eureka (p. 16)
» The Girl I Left Behind Me (p. 16)
» Morning Fair Hornpipe (p. 16)
» Weasel Fancy (p. 17)
» Hard Times (p. 17)
» Opera Reel (p. 18)
» Virginia Reel (p. 18)
» Village Reel (p. 19)
» Lady of the Lake (p. 20)
» Belles of Damariscotta (p. 20)
» Forest of Bondi (p. 20)
» Jackson's Hornpipe (p. 21)
» Boston Fancy (p. 21)
» Reefer's Hornpipe (p. 21)
» Partners All (p. 22)
» California Reel (p. 22)
» Cicillian Circle (p. 23)
» New York Gazelle (p. 23)
» Soldier's Joy (p. 23)
» Mischief (p. 24)
» Tempest (p. 24)
» Portland Fancy (p. 24)
» Kentucky Reel (p. 25)
» Favorite Rustic Reel (p. 25)

Septimus Winner. (1856). The Mocking Bird Cotillons. Philadelphia: Winner & Shuster. (pdf) {congress} [Enge]

Cotillions

» Hold Your Horses (♬) (p. 2)
» Mocking Bird (♬) (p. 3)
» Villikins and His Dinah (♬) (p. 4)
» Lulu (♬) (p. 4)
» Aunt Jemima's Plaster (♬) (p. 5)
















1857


H. Avery. (1857). The Drawing Room Cotillions. Boston: Oliver Ditson. (pdf) {congress} [Enge]

Cotillions

» Fairy Dell (♬) (p. 2)
» Come Take A Sail (♬) (p. 3)
» Haste Thee Home My Minnie (♬) (p. 4)
» The Gold Hunter (♬) (p. 5)














M. Bernard. (1857). Les Lanciers, Nouveau Quadrille Anglais. S. Pétersbourg: M. Bernard. (pdf) {RSL} [Enge]

Quadrilles

» Les Lanciers (♬) (p. 3)






Henri Boizot. (c. 1857). Les Calédonien. Paris: Henri Boizot. (pdf) {BNF} [Enge]

Quadrilles

» Les Calédonien (♬) (p. 2)






J. R. Codet. (1857). New Persian Dance, La Vesta. Baltimore: Henry McCaffrey. (pdf) {congress} [Enge]

Group Dances

» La Vesta (♬) (p. 2)






Allen Dodworth (dance), F. B. Helmsmuller (music). (1857). Dodworth's Lancers. New York: S. T. Gordon & Son. (pdf) {duke} [Enge]

Quadrilles

» The Lancers Quadrilles (♬) (p. 2)






Allen Dodworth (dance), F. B. Helmsmuller (music). (1857). Quadrilles Les Lanciers a-la-Mode de Paris. New York: H. B. Dodworth. (pdf) {Goucher} [Enge]

Quadrilles

» The Lancers Quadrilles (♬) (p. 2)






[John] Duval. (1857). The Lancers Quadrilles, or's Second Set. Dublin: Cocks & Co. (pdf) {archive} [Enge]

Quadrilles

» The Lancer's Quadrilles (♬) (p. 2)






Philippe Gawlikowski. (1857). Mazurka, Théorie des Figures et des Pas. Paris: Typographie de Firmin Didot Frères. (pdf) {Powers} [Enge] [Powers]


Thomas Hillgrove. (1857). The Scholar's Companion & Ball-Room Vade-Mecum. New York: T. R. Turnbull & Co. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]

Couple Dances

» The Polka (p. 80)
» The Schottisch (p. 85)
» The Waltz (p. 87)
» The Polka Redowa () (p. 88)
» The Esmeralda () (p. 89)
» The Deux Temps () (p. 90)
» The Polka Mazourka () (p. 91)
» Varsovienne () (p. 92)
» La Koska (p. 93)
» The Gorlitza (p. 94)
» The Redowa (p. 95)

Group Dances

» The Quadrille (p. 25)
» The First Set of Quadrilles (Plain Quadrille) (p. 28)
» Second Set (Quadrille Basket, Basket Dance) (p. 32)
» Third Set (Quadrille Cheat and Jig) (p. 34)
» Fourth Set (March Quadrille) (p. 36)
» Fifth Set (Quadrille Minuet) (p. 38)
» Sixth Set (Quadrille Star) (p. 40)
» Seventh Set (Quadrille Sociable) (p. 42)
» Eighth Set (Quadrille Social) (p. 45)
» Ninth Set (Quadrille Social) (p. 48)
» Tenth Set (Quadrille Social) (p. 50)
» Eleventh Set (The Royal Polka Set) (p. 54)
» Twelfth Set (Quadrille Polka Redowa) (p. 56)
» Thirteenth Set (Waltz Quadrille) (p. 58)
» The London Polka Quadrille (p. 58)
» The Lancers Quadrille (p. 60)
» The Caledonians (p. 63)
» La Tempete (p. 66)
» Spanish Dance (p. 68)
» Sicilian Circle (p. 70)
» Rustic Reel (p. 71)
» Virginia Reel (p. 71)
» Pop Goes the Weasel (p. 73)
» Swedish Dance (p. 73)
» Circassian Circle (p. 75)

Contra Dances

» Money Musk (p. 78)
» Chorus Jig (p. 78)
» The Waterman, or Durang's Hornpipe (p. 78)

J. Albert Jarvis. (1857). Diprose's Ball Room Guide to the Figures of the Most Fashionable Dances. London: Diprose & Bateman. (pdf) {google} [Enge] [Powers]


J. S. Knight. (1857). The Original Lancer's Quadrilles as Danced at Newport, Nahant and Saratoga. Boston: Oliver Ditson. (pdf) (congress) [Enge]

Quadrilles

» The Lancer's Quadrilles (♬) (p. 3)






Knight and Son (pub.). (c. 1857). The Ball-Room Guide, bound with Etiquette for Gentlemen. London: Knight and Son. (pdf) {google} [Enge]


Milner and Sowerby (pub.). (c. 1857). Etiquette for Ladies and Gentlemen ... to Which is Added the Ball-Room Manual. London: Milner and Sowerby. (pdf) {Stanford} [Enge]

Note: Dance descriptions taken from Seaton, 1852.


Moda (pub.). (1857). Les Lanciers. St. Peterburg: Moda. (pdf) (HDA transcription) {HDA} [Enge]

Quadrilles

» Les Lanciers (♬) (p. 2)






J. Renausy. (c. 1857). The Horse-Guard Lancers. New York: C. Breusing. (pdf) {Goucher} [Enge]

Quadrilles

» The Horse-Guard Lancers (♬) (p. 3)






Louis Schaefer. (1857, March 15). "Quadrille à la Cour." Der Bazar. Berlin: Louis Schaefer. (pdf) (google) [Enge]

Quadrilles

» Quadrille à la Cour (p. 87)






F. Schubert. (1857). Les Lanciers, Célèbre Quadrille Anglais. S. Pétersbourg: Th. Stellowsky. (pdf) (HDA transcription) {HDA} [Enge]

Quadrilles

» Les Lanciers (♬) (p. 3)






H. G. O. Washburn. (1857/©1856). The Ball-Room Manual (Revised Edition). Belfast, ME: H. G. O. Washburn. (pdf) {UNH} [Enge] [Powers]

Note: Same dances as Washburn, 1856.

Contra Dances

» Downfall of Paris (p. 5)
» Isle of Skye (p. 6)
» Girls of Belfast (p. 6)
» Chorus Jig (p. 6)
» Money Musk (p. 6)
» Fisher's Hornpipe (p. 7)
» Drunken Sailor (p. 7)
» Cincinnati Hornpipe (p. 7)
» Durand's Hornpipe (p. 8)
» Miss Brown's Reel (p. 8)
» Maid in the Pump-Room (p. 8)
» Rickett's Hornpipe (p. 8)
» College Hornpipe (p. 9)
» Hull's Victory (p. 9)
» Chassard Hornpipe (p. 9)
» Lady's Triumph (p. 10)
» Speed the Plough (p. 10)
» Beaux of Oak Hill (p. 10)
» New Century Hornpipe (p. 11)
» Humors of the Priesthouse (p. 11)
» Beaux of Albany (p. 12)
» Pop Goes the Weasel (p. 12)
» Twin Sisters (p. 12)
» Hob or Nob (p. 13)
» Cheat the Lady (p. 13)
» Fly (p. 13)
» Chase the Lady (p. 14)
» Thursday Night (p. 14)
» Sackett's Harbor (p. 14)
» Roy's Wife (p. 15)
» Megunticook Reel (p. 15)
» Figure Eight (p. 15)
» Ive's Hornpipe (p. 15)
» Eureka (p. 16)
» The Girl I Left Behind Me (p. 16)
» Morning Fair Hornpipe (p. 16)
» Weasel Fancy (p. 17)
» Hard Times (p. 17)
» Opera Reel (p. 18)
» Virginia Reel (p. 18)
» Village Reel (p. 19)
» Lady of the Lake (p. 20)
» Belles of Damariscotta (p. 20)
» Forest of Bondi (p. 20)
» Jackson's Hornpipe (p. 21)
» Boston Fancy (p. 21)
» Reefer's Hornpipe (p. 21)
» Partners All (p. 22)
» California Reel (p. 22)
» Cicillian Circle (p. 23)
» New York Gazelle (p. 23)
» Soldier's Joy (p. 23)
» Mischief (p. 24)
» Tempest (p. 24)
» Portland Fancy (p. 24)
» Kentucky Reel (p. 25)
» Favorite Rustic Reel (p. 25)

Septimus Winner. (1857). Winner's Plain and Fancy Cotillons, Medley Set [Sheet Music with Dance Description]. Cincinnati: W. C. Peters and Sons. (pdf) {google} [Enge]

Cotillions

» Wait for the Wagon (♬) (p. 2)
» Few Days a Kemo Kimo (♬) (p. 3)
» Villikins & Pop Goes the Weasel (♬) (p. 4)
» Jordan (♬) (p. 4)
» Coquette (♬) (p. 5)
















Septimus Winner. (1857). Winner's Plain and Fancy Cotillons, Pic-Nic Set [Sheet Music with Dance Description]. Cincinnati: W. C. Peters and Sons.


Septimus Winner. (1857). Winner's Plain and Fancy Cotillons, Tip Top Set [Sheet Music with Dance Description]. Cincinnati: W. C. Peters and Sons.


Septimus Winner. (1857). Winner's Plain and Fancy Cotillons, Topsey Set [Sheet Music with Dance Description]. Cincinnati: W. C. Peters and Sons. (pdf1) (pdf2) {JHU1} {JHU2} [Enge] [Powers]

Cotillions

» Wake Up Jake (♬) (p. 2)
» Widow Bedot's Lament (♬) (p. 3)
» Kitty Tyrrell (♬) (p. 4)
» Uncle Ned (♬) (p. 4)
» Courtsey Cotillon (♬) (p. 4)
















Septimus Winner. (1857). Winner's Plain and Fancy Cotillons, Yankee Set [Sheet Music with Dance Description]. Cincinnati: W. C. Peters and Sons.


1858


James Bellak. (1858). Traviata Quadrille. Philadelphia: G. André & Co. (pdf) {duke} [Enge]

Quadrilles

» Traviata Quadrille (♬) (p. 3)






Henri Boizot. (1858). La Polkinade, Nouvelle Danse Originale de Salon. Paris: Boizot. (pdf) (BNF) [Enge]

Couple Dances

» La Polkinade (♬) (p. 2)






Bonds. (1858). The Celebrated Danish Dance, Lott Is Does. New York: Firth, Pond & Co. (pdf) (BNF) [Enge]

Couple Dances

» The Celebrated Danish Dance (♬) (p. 3)






Henri Cellarius. (1858). The Drawing-Room Dances. New York: Dinsmore & Co. (pdf) {google} [Enge] [Powers]


L. De Garmo Brookes. (1858). Les Caledonians Quadrilles [Sheet Music with Dance Description]. New York: Firth, Pond & Co. (pdf) [Enge] [Powers]

Quadrilles

» Caledonians Quadrilles (♬) (p. 3)






Edmund Delonge. (1858). Beschreibung der Lance-, Lanciers- und Française-Quadrillen. Augsburg: F. C. Kremer'schen Buchdruckerei. (pdf) {BSB} [Enge]


Dick & Fitzgerald (pub.). (1858). Inquire Within for Anything You Want to Know. New York: Dick & Fitzgerald. (pdf) {google} [Enge]


Oliver Ditson (pub.). (c. 1858). L'Andalousie, Nouvelle Varsovienne. Boston: Oliver Ditson & Co. (pdf) {JHU} [Enge]

Couple Dances

» Varsovienne (♬) (p. 3)






Philippe Gawlikowski. (1858). Guide Complet De La Danse. Paris: Taride. (pdf) (djvu) (txt) {congress} {archive} {BNF} [Enge] [Powers]


Mrs. Nicholas Henderson. (c. 1858). Etiquette of the Ball-Room and Guide to All the New and Fashionable Dances (7th Edition). London. [Powers]


Thomas Hillgrove. (1858). Hillgrove's Scholar's Companion and Ball-Room Guide. New York. (pdf) {Powers} [Enge] [Powers]


Elias Howe. (1858). Howe's Complete Ball-Room Hand Book. Boston: Ditson & Co. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Elias Howe. (1858). Howe's Complete Ball-Room Hand Book. Boston: A. Williams. [Powers] [WorldCat]


Elias Howe. (1858). The Pocket Ball-Room Prompter. Boston. (pdf) {congress} [Enge] [Powers]


Elias Howe. (1858). Howe's New American Flute School. Boston: Russell & Tolman. [Powers]


Domingo Ibarra. (1858). Una Coleccion de Bailes de Sala. Mexico. (pdf) {google} [Enge] [Powers]


J. S. Knight. (c. 1858). The Celebrated Varsovienne. Boston: Oliver Ditson. (pdf) {Goucher} [Enge]

Couple Dances

» Varsovienne (♬) (p. 3)






Albert de Lasalle. (1858, December). "Le Quadrille du Prince Impérial." Le Monde Illustré. Boston: Oliver Ditson. (pdf) {BNF} [Enge]

Couple Dances

» Le Quadrille du Prince Impérial (p. 394)






Edwd. G. Lehmann (dance), Danl. Feldman (music). (1858). The Lancers Quadrilles Baltimore: Miller & Beacham. (pdf) {JHU} [Enge]

Couple Dances

» The Lancers Quadrilles (p. 2)






Martinet (pub.). (c. 1858). Bals De Paris [12 Color Lithos Of Bals Publics]. Paris. [Powers] [WorldCat]


Miller & Beacham. (1858). The Lancers Quadrilles (Les Lanciers). Baltimore: Miller & Beacham. (pdf) {Duke} [Enge]

Quadrilles

» The Lancers Quadrille (♬) (p. 2)






John W. Moore. (1858). The Star Collection of Instrumental Music [Sheet Music with Dance Descriptions]. Boston: Oliver Ditson & Co. (pdf) {google} [Enge]

Quadrilles

» The Lancers' Quadrilles (♬) (p. 112)






Thomas Nelson & Sons (pub.). (c. 1858). The Cat's Quadrille. Edinburgh: Thomas Nelson & Sons. [Powers]


Felix Pepe. (1858). Recueil de Contre-Danses Françaises. Naples. (pdf) {google} [Enge]


Charles Vernier (ill.). (1858). La Rigolbochomanie: Croquis Lithographiques & Chorégraphiques. Paris. (pdf) {BNF} [Enge] [Powers]

Note: A book of illustrations including dancing.


P. T. Wallenhouer. (1858). Lancers Quadrille. St. Louis: Balmer & Weber. (pdf) {congress} [Enge]

Quadrilles

» Lancers Quadrille (♬) (p. 2)






H. G. O. Washburn. (1858). The Ball-Room Manual. Belfast, Maine. [Powers]


[Anonymous]. (1858). The Ball Room Guide, A Description of the Most Popular Contra Dances of the Day. Laconia, N.H. (pdf) [Enge [Powers]


1859


Henry G. Bohn (pub.). (1859). The Young Lady's Book. London: Henry G. Bohn. (pdf) {hathi} [Enge]

Couple Dances

» The Polka (p. 493)
» The Valse a Trois Temps (p. 494)
» The Valse a Deux Temps (p. 495)
» The Redowa (p. 496)
» The Schottische (p. 497)
» The Galopade (p. 497)
» The Varsovienne (p. 498)

Group Dances

» First Set (p. 491)
» Lancers (p. 492)
» Caledonians (p. 493)
» Spanish Dance (p. 497)
» Sir Roger de Coverley (p. 498)
» La Tempete (p. 498)

Henri Boizot. (1859). Quadrille de la Paix [Sheet Music with Dance Description]. Paris: Boizot. (pdf) {BNF} [Enge]

Quadrilles

» Quadrille de la Paix (♬) (p. 2)






Oliver Ditson & Company (pub.). (1859). The Home Circle, A Collection of Piano Forte Music [Sheet Music with Dance Descriptions]. Boston. (pdf) {google} [Enge] [Powers]

Group Dances

» Party Cotillion (♬) (p. 140)
» Operatic Cotillion (♬) (p. 143)
» Jullien's American Quadrille (♬) (p. 146)
» The Children of Haimon (♬) (p. 150)
» Martha Quadrilles (♬) (p. 155)
» Il Trovatore Quadrilles (♬) (p. 160)
» The Lancer's Quadrilles (♬) (p. 164)
» New Caledonian Quadrille (♬) (p. 168)
» Operatic Waltz Quadrille (♬) (p. 172)
» Aurora Waltz Quadrille (♬) (p. 176)
» Gipsey Polka Quadrille (♬) (p. 180)
» Saratoga Polka Quadrille (♬) (p. 185)
» Bowdoin Polka Redowa Quadrille (♬) (p. 190)
» Basket Cotillion (♬) (p. 195)
» Fisher's Hornpipe (♬) (p. 197)
» Durang's Hornpipe (♬) (p. 198)
» The Merry Dance (♬) (p. 200)
» Spanish Dance, No. 2 (♬) (p. 201)
» Chorus Jig (♬) (p. 204)
» Soldier's Joy (♬) (p. 205)
» The Land of Sweet Erin (♬) (p. 206)
» Money Musk (♬) (p. 206)
» Camp Town Hornpipe (♬) (p. 207)
» Pop Goes the Weasel (♬) (p. 208)
» College Hornpipe (♬) (p. 208)
» Rustic Reel (♬) (p. 209)
» Devil's Dream (♬) (p. 209)
» Life Let Us Cherish (♬) (p. 210)
» Rory O'More Dance (♬) (p. 210)
» Roy's Wife (The Highland Reel) (♬) (p. 211)
» Spanish Dance (♬) (p. 216)

Couple Dances

» The Original Gorlitza [general description] (♬) (p. 132)

Oliver Ditson (pub.). (1859). Newport Lancer Quadrilles [Sheet Music with Dance Description]. Boston: Oliver Ditson. (pdf) {Goucher} [Enge]

Quadrilles

» Newport Lancer Quadrilles (♬) (p. 3)






Allen Dodworth (dance), S. Jacob (music). (1859). Court Quadrilles (Körtanz) [Sheet Music with Dance Description]. New York: S. T. Gordon. (pdf) {Goucher} [Enge]

Quadrilles

» Court Quadrilles (♬) (p. 2)






Allen Dodworth (dance), F. D. Helmsmuller (music). (1859). The Lancers Quadrilles [Sheet Music with Dance Description]. New York: H. B. Dodworth. (pdf1) (pdf2) {JHU1} {JHU2} [Enge] [Powers]

Quadrilles

» The Lancers Quadrilles (♬) (p. 2)






H. B. Dodworth (pub.). (1859). The Caledonians. New York: H. B. Dodworth. (pdf) {JHU} [Enge]

Quadrilles

» The Caledonians (♬) (p. 2)






Th. Fahrbach. (1859). Le Prince Impérial, Nouveau Quadrille Français [Sheet Music with Dance Description]. St. Pétersbourg: Th. Stellowsky. (pdf) {RSL} [Enge]

Quadrilles

» Le Prince Impérial (♬) (p. 2)






Edward Ferrero. (1859). The Art Of Dancing, Historically Illustrated. New York: Dick & Fitzgerald. (pdf1) (pdf2) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Edward Ferrero. (1859). The Art Of Dancing. New York: Edward Ferrero. [Powers]


Philippe Gawlikowski. (1859). Guide Complet De La Danse (Bibliothéque Des Salons Edition). Paris. [Powers]


Hlasko (dance), Mark Hassler (music). (1859). Royal Horse Guards Quadrille [Sheet Music with Dance Description]. Philadelphia: G. Andr&eacue; & Co. (pdf) {Powers} [Enge] [Powers]

Couple Dances

» Royal Horse Guard Quadrille (♬) (p. 2)






Elias Howe. (1859). Howe's Complete Ball-Room Hand-Book. Boston. [Powers]


Elias Howe. (1859). Howe's Drawing Room Dances [Sheet Music with Dance Descriptions]. Boston: Oliver Ditson & Co. (pdf) {Powers} [Enge] [Powers]

Couple Dances

» The Original Gorlitza (♬) (p. 51)
» La Madrilainne (♬) (p. 51)

Group Dances

» Lancers Quadrilles (As danced in Boston) (♬) (p. 3)
» Crown Diamonds Quadrilles (♬) (p. 5)
» La Part Du Diable Quadrilles (♬) (p. 9)
» Victoria Sett of Waltz Quadrilles (♬) (p. 12)
» Alice Sett of Waltz Quadrilles (♬) (p. 14)
» Trovatore Quadrilles (♬) (p. 16)
» Maritana Quadrilles (♬) (p. 19)
» Military Cotillions (♬) (p. 23)
» Julien Polka (♬) (p. 25)
» Soiree Quadrilles (♬) (p. 26)
» Celestia Waltz Quadrilles (♬) (p. 28)
» Eugenia Waltz Quadrilles (♬) (p. 29)
» Louisville Polka (♬) (p. 31)
» Virginia Reel (Sir Roger De Coverly) (♬) (p. 31)
» Victoria's Court Quadrilles (♬) (p. 32)
» The Coquette Quadrilles (♬) (p. 34)
» Punch and Judy Set (Comic) (♬) (p. 36)
» The Empress Varsovienne (♬) (p. 39)
» Fairy Varsovienne (♬) (p. 39)
» Sociables Quadrilles (♬) (p. 40)
» Bohemian Quadrilles (♬) (p. 42)
» Calednonian Quadrille (♬) (p. 44)
» Piccolomini Quadrille No. 1 (♬) (p. 46)
» Piccolomini Quadrille No. 2 (♬) (p. 48)
» Star Quadrille (♬) (p. 52)
» Polka Quadrilles No. 1 (♬) (p. 54)
» Polka Quadrilles No. 2 (♬) (p. 56)
» Troubadour Polka (♬) (p. 58)
» The Military Sett of Polka Quadrilles (♬) (p. 59)
» Family Circle Polka Quadrilles (♬) (p. 62)
» Adelaide Polka Redowa (♬) (p. 65)
» Little Carrie's Favorite Galop (♬) (p. 65)
» Social Set of Polka Quadrilles (♬) (p. 66)
» Parlor Set of Schottische Quadrilles (♬) (p. 69)
» May Flower Schottische Quadrilles (♬) (p. 71)
» Lenore Polka Quadrilles (♬) (p. 74)
» Ronzani Gallop (♬) (p. 77)
» Storm Gallopade (♬) (p. 78)
» Coquette Polka (♬) (p. 79)
» Rose Polka Redowa (♬) (p. 80)
» Polka Mazurka (♬) (p. 81)
» Brussels Schottische (♬) (p. 82)
» Æsculap Polka (♬) (p. 83)
» Eclipse Polka (♬) (p. 84)
» College Hornpipe (♬) (p. 85)
» Washington Quickstep (♬) (p. 85)
» Durang's Hornpipe (♬) (p. 85)
» Fall of Paris (♬) (p. 86)
» Chorus Jig (♬) (p. 86)
» Hull's Victory (♬) (p. 87)
» Money Musk (♬) (p. 87)
» Devil's Dream (♬) (p. 87)
» The Campbells Are Comin' (♬) (p. 88)
» Rustic Reel (♬) (p. 88)
» Irish Washerwoman (♬) (p. 88)
» Soldier's Joy (♬) (p. 89)
» White Cockade (♬) (p. 89)
» Speed The Plough (♬) (p. 89)
» The Tempest (♬) (p. 90)
» The Flowers of Edinburgh (♬) (p. 90)
» Fisher's Hornpipe (♬) (p. 90)
» Pop Goes the Weasel (♬) (p. 91)
» Spanish Dance (♬) (p. 91)
» Over the Water to Charlie (♬) (p. 91)
» Lamplighter's Hornpipe (♬) (p. 92)
» Spirits of France (♬) (p. 92)
» Thunder Hornpipe (♬) (p. 92)
» Wilders' Hornpipe (♬) (p. 93)
» Camptown Hornpipe (♬) (p. 93)
» Jordan Is A Hard Road (♬) (p. 93)

Elias Howe. (1859/©1857). Young America's Instructor for the Violin. Boston: Russell and Tolman. [Powers]


Alfred Waldau. (1859). Böhmische Nationaltänze. Prague. (pdf) {google} [Enge] [Powers]


1860


Karol Czerniawski. (c. 1860). O Tańcach Narodowych z Poglądem Historycznym i Estetycznym na Tańce Róznych Narodów a w Szczególności, na Tanće Polskie. Warszawa: Drukarnia K. Kowalewskiego. (polona)


W. H. Basley. (c. 1860). The Dancer's Assistant. London: W. H. Basley. (pdf) {google}


Allen Dodworth. (1860). Le Prince Imperial, Nouveau Quadrille Français. New York: Harvey B. Dodworth.


Allen Dodworth. (1860). Varsovienne. New York: Harvey B. Dodworth. (pdf) {duke}

Couple Dances

» Varsovienne (Varsoviana) (♬ only) (♩144) ()







Андрей Осипович Сихра. (c. 1860). Собрание разного рода лёгких пьес. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Французская кадриль господина Сонета и вальс из песни "Соловей мой соловей". Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Французская кадриль из оперы "Цампа" и русская песня "Соловушко" сочинения Варламова. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Мазурка и две песни тирольские. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Любимая полька. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Военная полька Канталя. Москва: А. Гутхейль. (RSL)


Андрей Осипович Сихра. (c. 1860). Полька-редова и мазурка переделанные для семиструнной гитары. Москва: А. Гутхейль. (RSL)


Lucien Marpon (pub.). (1860). Markowski et ses Salons. Esquisse Parisienne. Paris: Lucien Marpon. (pdf) {BNF}


Cellarius. (c. 1860). 100 Neue Cotillon-Touren. Erfurt, Germany. [Powers] [WorldCat]


Eugène Coulon. (1860). Coulon's Hand-Book, Containing All the Last New and Fashionable Dances. London. (pdf) (djvu) (txt) [archive]


Elias Howe. (c. 1860). The Pocket Ball-Room Prompter, Vest Pocket Edition. Boston. [Powers]


T. Lewis. (c. 1860). The Figures To The First Set Of Quadrilles. Newport. [Powers] [WorldCat]


Frederick Warne (pub.). (c. 1860). The Ball-Room Guide. London. [Powers]


J. L. Battmann. (1861). Sicilienne. Paris: Colombier. (pdf) {BNF}


G. (Gustave) Desrat. (c. 1861). Methode De Danse De Salon, Avec Musique. Paris. (pdf) {Powers} [Powers]


Albert Czerwinski. (1862). Geschichte Der Tanzkunst Bei Den Cultivirten Völkern Von Den Ersten Anfängen. Leipzig: J. J. Weber. (pdf1) (pdf2) (djvu) {google} {congress} {archive} [Powers]


Philippe Gawlikowski. (1862). Guide Complet De La Danse. Paris: Alphonse Traide. [Powers]


Mrs. Nicholas Henderson. (c. 1862). Etiquette of the Ball-room and Guide to All the New and Fashionable Dances. London: Benjamin Blake. (pdf) (djvu) (txt) {archive} [Powers]


Elias Howe. (1862). American Dancing Master, And Ball-Room Prompter: Containing About Five Hundred Dances. Boston: Cambridge, Miles & Dillingham. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Domingo Ibarra. (1862). Colección De Bailes De Sala. México: Tipografia de Nabor Chavez. (pdf) (djvu) (txt) {google} {archive} [Powers]


Rudolph Voß. (1862). Neben von Heutigen Gesellschaftlichen Tanz und das Ballet. Wiemar: L. F. A. Kühn. (pdf) {google}


Harvey B. Dodworth. (1863). Raw Recruit Quadrille with New Figures Which May Be Danced instead of the Usual Quadrille Figures. New York: Harvey B. Dodworth. (pdf) {JHU}


Wm. Iucho. (1863). The Festival and Birth Day Ball, No. 5, Redowa. Boston: Oliver Ditson & Co. (pdf) {JHU}

Music for Redowa.


Thomas Baker, R. S. Manuel. (1863). Union Quadrille. Philadelphia: Lee & Walker. (pdf) {JHU}


S. Brainard's Sons (pub.). (1863). The Golden Chord. A Choice Collection of Favorite and Modern Piano-forte Music Consisting of Marches, Waltzes, Polkas, Schottisches, Mazurkas, Dances, Piano-forte Gems, Four Hand Pieces, etc. Cleveland: S. Brainard's Sons. (pdf) {google}


S. Brainard's Sons (pub.). (1863). The Welcome Guest: A Collection of Modern Piano-Forte Music, Being a Choice Repertoire of Pieces for Home Amusement. Comprising the Most Popular Rondos, Nocturnes, Marches, Waltzes, Polkas, Schottisches, Galops, Mazurkas, Redowas, Quadrilles, Cotillons, etc. New York: S. T. Gordon & Son. (pdf) {google} [Powers]

Music for March, Polka, Schottische, Galop, Mazurka, Redowa, Quadrilles, Cotillons, etc.


Lézaro Núñez Robres. (1863). Los Nuevos Lanceros Tanda de Rigodones y Schotisch para Piano. Madrid: Casimiro Matín. (pdf) {BNE}


Oliver Ditson & Co. (pub.). (1863). The Home Circle, A Collection Of Piano Forte Music. With Calls For Quadrilles And Set Dances. Boston. [Powers] [WorldCat]


Thomas Hillgrove. (1863). Hillgrove's Ballroom Guide - Practical Dancer: A Complete And Practical Guide To The Art Of Dancing. New York. (pdf) (djvu) (txt) {congress} {archive} [Enge] [Powers]


Polkarius (pseud.). (1863). Almanach Manuel De La Danse. Paris. (pdf1) (pdf2) {google} {BNF} [Powers]


Harrison Gray Otis Washburn. (1863). The Ball-Room Manual Of Contra Dances And Social Cotillions, Vest Pocket Edition. Belfast, Maine. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Карло Блазис. (1864). Танцы вообще. Балетные знаменитости и национальные танцы. Москва: Типография Лазаревского института восточных языков. (pdf) {google}


Николай Петрович Линдрот, К. Краль. (1864). Новый русский кадриль. Посвящается воспитанницам московских училищ Ордена Святой Екатерины и Александровского, Николаевского сиротского института и Александро-Мариинского заведения. Москва: Литография С. Кондратьева. (pdf) {HDA}


D. L. Carpenter. (1864). Waltzes, Gallopes, Quadrilles, &C. Philadelphia. (pdf) {Powers} [Powers]


Alfred Delvau. (1864). Les Cythères Parisiennes; Histoire Anecdotique Des Bals De Paris. Paris. (pdf) {google} [Powers]


Philippe Gawlikowski. (c. 1864). Guide Complet De La Danse (Different From 1862 Edition). Paris. [Powers]


Thomas Hillgrove. (1864). A Complete And Practical Guide To The Art Of Dancing. New York. [Powers]


Professor Bland, et al. (c. 1865). The Art Of Dancing. London. [Powers] [WorldCat]


Henri Cellarius, Hippolyte Barrez. (1865). Arcachon, Quadrille Polka, Nouvelle Danse de Salons. Paris. (pdf) {BNF}


William B. De Garmo. (1865). The Prompter: Containing Full Descriptions Of All The Quadrilles, Figures Of The German Cotillon, Etc. New York: Raymond & Caulon. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Allen Dodworth. (1865). Assistant For A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) {Powers} [Powers]


C. A. White. (1865). Quadrille Militaire "Les Hussards," A New Military Quadrille Composed for the Piano Forte, with Original Figures. Boston: Oliver Ditson. (pdf) {JHU}


Septimus Winner. (1865). Parlor Dances, Nine Pin Cotillions. Pennsylvania: Lee & Walker. (pdf) {duke}


Blasis & LeMaitre. (1866). Nouveau Manuel Complet De La Danse. Paris: Librairie Encyclopédique de Roret. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Charles Brooks. (1866). The Ball-Room Monitor; Or Guide To The Learner, Containing the Most Complete Sets of Quadrilles Ever Published Philadelphia: J. H. Johnson. (pdf) (djvu) (txt) {congress} {archive} [Powers]


William B. De Garmo. (1866). The Prompter (Third Edition, Revised And Corrected). New York. [Powers] [WorldCat]


Elias Howe. (1866). American Dancing Master, and Ball-Room Prompter, Containing About Five Hundred Dances, Including All the Latest and Most Fashionable. Boston: Cambridge, Miles & Dillingham. (pdf) {google}


Henry B. Moore. (1866). Ristori Redowa. Philadelphia: J. Starr Holloway.

Music for Redowa.


Camille Schubert. (c. 1866). Les Soirees Parisiennes. No. 1. La Seduisante (Redowa de Mabille). Mayence: B. Schott. (pdf) {JHU}

Music for Redowa.


Herman Strassburg. (1866). Manual For Pupils In Dancing. Detroit, MI. (pdf) {Powers} [Powers]


Frederick Warne (pub.). (1866). The Ball Room Companion / The Ball-Room Guide (Warne's Bijou Books). London: Frederick Warne and Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Septimus Winner (pub.). (1866). Winner's Dance Music With Couple Dance Set Descriptions, Mazourka Quadrilles, Etc. Philadelphia. [Powers] [WorldCat]


The Young Ladies' Journal. (c. 1866). The Young Ladies' Journal Complete Ball-Room Guide For Ladies And Gentlemen. London. [Powers]


Culiziari Zughi. (1866). Nuovo Manualetto Pratico Dei Balli Di Societa. Napoli. [Powers]


Joseph Eager Lowe. (c. 1867). Lowe's Assembly Guide. Melbourne. (pdf) {nlnz} [Enge]


G. Weingarten. (1867). Our Sailor Boy, Lancer's. New York: Dodworth & Son. (pdf) {JHU}


Kate Hughes. (1867). [The Dundalk Manuscript]. Dundalk: Tom Flett's Private Library. (brady)


Laurence De Garmo Brookes. (1867). Brookes On Modern Dancing, Containing a Full Description of All Dances, As Practised in the Ball Room and at Private Parties, Together with an Essay on Etiquette. New York. (pdf1) (pdf2) (djvu) (txt) {congress} {google} {archive} [Powers]


Eugene Coulon. (c. 1867). Coulon's Hand-Book; Containing All The Last New And Fashionable Dances. London. [Powers] [WorldCat]


Dunon & Fresné Rouge. (1867). Les Joyeuses Dames De Paris (Describing Bals Publics). Paris. (pdf) {BNF} [Powers]


Prof. F. X. C. Nott. (1867). Quadrilles, &C, &C. Paris, Kentucky. [Powers] [WorldCat]


Frederick Warne (pub.). (1867). The Ball Room Companion / The Ball-Room Guide, Warne's Bijou Books. London. [Powers]


[Anonymous]. (1868). Beadle's Dime Ball-Room Companion & Guide To Dancing. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Wilhelm Angerstein. (1868). Volkstänze im Deutschen Mittelalter. Berlin. (hathi)


Prof. [Henry] Bland. (c. 1868). The Ball Room Companion. London. (pdf) {google} [Powers]

Couple Dances & Figures

» The Polka (p. 11)
» The Schottische (p. 14)
» The Redowa (p. 17)
» The Waltz (p. 20)
» The Valse A Deux Temps () (p. 22)
» The Polka Mazurka () (p. 24)
» The Danish Waltz (p. 25)

Set Dances & Figures

» Quadrilles - The First Set (p. 26)
» Quadrilles - The Lancers (p. 31)
» Quadrilles - The Caledonians (p. 35)
» The Waltz Quadrilles (p. 38)
» The Spanish Dance () (p. 40)
» The Mazurka (p. 42)
» The Triumph Country Dance (p. 45)
» Sir Roger De Coverley () (p. 46)

Ludovic Celler. (1868). Les Origines de l'Opéra et le Ballet de la Reine. Paris: Didier et Compagnie. (pdf) {google}


Robert Coote. (c. 1868). Ball-Room Dancing Without A Master. London. [Powers] [WorldCat]


William B. De Garmo. (1868). The Prompter: Containing Full Description of All the Quadrilles, Figures of the German Cotillon, etc. (Fourth Edition, Revised And Corrected). New York: William A. Pond. (pdf) {google} [Powers]


Albert de Lasalle. (1868). Dictionnaire De La Musique (With Dances). Paris. (pdf) {google} [Powers]


Thomas Hillgrove. (1868). A Complete And Practical Guide To The Art Of Dancing. New York. [Powers] [WorldCat]


J. S. Knight. (1865). La Grand Duchesse Lancers Quadrille. Boston: Oliver Ditson & Co. (pdf) {duke}

Quadrilles

» Grand Duchesse Lancers (♬) (p. 2)






Martinet (pub.). (c. 1868). Les Bals De Paris. Paris. [Powers] [WorldCat]


Giovanni Poletti. (1868). Il Dilettante Di Quadriglie, Contenente Le Instruzioni Per Ben Comandare E Dirigere Le Medesime. Milan. [Powers] [WorldCat]


Gio Battista Rossi (ed.). (1868). Manualetto Dei Balli Di Societa. Napoli, Genova. (pdf) {google} [Powers]


George Routledge (pub.). (c. 1868). The Ball-Room Companion. London: George Routledge & Sons. (djvu) (txt) {archive} [Powers]

Couple Dances & Figures

» The Polka (p. 41)
» The Cellarius (Mazourka) (p. 49)
» The Polka Mazourka () (p. 58)
» The Redowa (Redova) (p. 59)
» The Schottische (p. 61)
» The Varsoviana (Varsovienne) (p. 64)
» The Gorlitza (p. 65)
» The Valse A Trois Temps (p. 68)
» The Valse A Deux Temps () (p. 72)
» The New Valse (p. 76)
» The Galop (p. 77)

Set Dances & Figures

» First Set of Quadrilles (p. 21)
» The Caledonians (p. 28)
» The Lancers (p. 30)
» The Lancers for Sixteen, or Double Lancers (p. 36)
» Coulon's Double Quadrille (p. 38)
» The Mazurka Quadrille (p. 54)
» The Cotillon (p. 73)
» The Spanish Dance () (p. 84)
» The Tempete (p. 86)
» Sir Roger De Coverley () (p. 90)

H. D. Willock. (c. 1868). Ball-Room Guide: A Manual Of Dancing (Revised Edition). Glasgow: John Cameron. (pdf) {Powers} [Powers]


C. B. (1869). Contredanses Françaises colle Aggiunte de "Balli de Societa" in Contradanza, Walzer e Galoppo. Naples. (pdf) (djvu) (txt) {archive}


Jean Jacques. (1869). Der Maitre de Plaisir beim Tanze. Hamburg: B. S. Berendsohn. (hathi)


Prof. Alexandre. (1869). Manuel Des Danses De Société. Lyon. (pdf) {BNF} [Powers]


D. Spencer. (1869). Spencer's Terpsichorean Monitor, Containing A Full Description of all Dances, As Practised In The Ball-Room And At Private Parties, Including a Explanation of the Figures of the "German," Together With A Few Hints And Suggestions. Peoria, IL: WM. T. Dowdall. (pdf) {Powers} [Powers]

Couple Dances

» The Polka (p. 50)
» The Polka Redowa () (p. 52)
» The Galop (Gallopade) (p. 52)
» The Schottische (p. 52)
» Valse A Trois Temps (p. 53)
» Redowa Waltz (p. 53)
» Deux Temps () (p. 53)
» Mazourka [Pas Glissé] (p. 55)
» Polka Mazourka () (p. 55)
» Varsovienne (p. 55)
» Thf [sic] Danish (p. 56)
» La Esmeralda () (p. 56)

Set Dances

» Quadrille Francaise (Plain or Standard Set) (p. 35)
» Quadrille Sociable (p. 37)
» Basket Quadrille (p. 37)
» Cheat, Or Coquette (p. 38)
» Star Figure (p. 38)
» Quadrille Militaire (p. 38)
» Lanciers Quadrille (p. 39)
» Caledonian Quadrille (p. 40)
» Prince Imperial Quadrille (p. 40)
» Les Varietes Parisiennes (p. 43)
      » 1. L'Invitation (p. 43)
      » 2. L'Etoile (p. 44)
      » 3. Le Prisonnier (p. 44)
» Quadrille Militaire - Les Zouaves (p. 44)
      » 1. Reveille (p. 44)
      » 2. Assembly of the Guards (p. 45)
      » 3. Assembly (p. 45)
      » 4. Attention (p. 46)
      » 5. Tattoo (p. 46)
» Prairie Queen Quadrilles (p. 46)
» Waltz Quadrilles [mentioned only, as being out of fashion] (p. 48)
» Montebello Quadrille (p. 48)
» Quadrille Nine-Pin (p. 49)

The Cotillon

» 1. The Excursion - La Course (p. 58)
» 2. The Rounds of Three - Les Rondes a Trois (p. 58)
» 3. The Chairs - Les Chaises (p. 58)
» 4. The Flowers - Les Fleurs (p. 59)
» 5. La Course Assise (p. 59)
» 6. The Columns - Les Colounes (p. 59)
» 7. The Cushion - Le Coussin (p. 60)
» 8. The Cards - Les Cartes (p. 60)
» 9. The Pyramid - La Pyramide (p. 60)
» 10. The Deceiver - La Trompeuse (p. 61)
» 11. The Basket, Ring and Flower (p. 61)
» 12. The Serpent - La Serpente (p. 61)
» 13. The Broken Round - La Ronde Brisee (p. 62)
» 14. The Handkerchief - Le Mouchoir (p. 62)
» 15. The Change of Ladies - Le Changment des Dames () (p. 62)
» 16. The Hat - Le Chapeau (p. 62)
» 17. The Scarf - L'Echarpe (p. 63)
» 18. The Ladies Seated - Les Dames Assissees (p. 63)
» 19. The Glass of Champagne - Le Verre de Vin de Champagne (p. 63)
» 20. The Rejected Couples - Les Couples Refuses (p. 64)
» 21. The Nosegays - Les Bouquets (p. 64)
» 22. The Presentation of Ladies - Les Dames Presentees (p. 64)
» 23. The Moving Cushion - Le Coussin Mobile (p. 64)
» 24. The Ladies Mocker - Les Dames Trompees (p. 65)
» 25. The Magic Hat - La Chapeau Magique (p. 65)
» 26. The Phalanx - La Phalange (p. 65)
» 27. The Mysterious Cloth - Le Drap Mysterieux (p. 66)
» 28. The Gentelmen Mocked - Le Cavalier Trompe (p. 66)
» 29. The Double Cross - La Croix Double (p. 66)
» 30. The Grand Rond - La Grande Ronde (p. 67)
» 31. The Twin Circles - Les Cercles Jumeaux (p. 67)
» 32. The Deceitful Round - La Ronder Trompeuse (p. 67)
» 33. The Convent Porter - Le Portier du Convent (p. 68)
» 34. The Coquette (p. 68)
» 35. The Mysterious Hands - Les Mains Mysterieux (p. 68)
» 36. The Handkerchief Chase - La Chasse aux Mouchoirs (p. 69)
» 37. The Stormy Sea - La Mer Agitee (p. 69)
» 38. Puss in the Corner - Les Quatre Coins (p. 69)
» 39. The Bower - Le Berceau (p. 70)
» 40. The Endless Rounds - Les Rondes Infinies (p. 70)
» 41. The Final Round - La Ronde Finale (p. 71)
» 42. The Pursuit - La Poursuite (p. 71)
» 43. The Handerchief - Le Mouchoir (p. 71)
» 44. Le Moulinet (p. 72)
» 45. The Four Chairs - Les Quatre Chaises (p. 72)
» 46. The Country Dance - La Contredanse (p. 72)
» Also mentioned, but not described: The Flying Shawls, The Fan, Blind Man's Buff, The Gentlemen Together, The Zigzags, THe Undulations, The Two Lines, The Crooked Lane, The Flying Hat, The Figure of Eight, The Mirror, The Intermingling of Arms, The Ladies' Moulinet, The Little Rounds, The Double Moulinet (p. 72)

Rodolph Voß. (1869). Der Tanz und seine Geschichte. Eine Kulturhistorisch-Choreographische Studie. Mit einem Lexikon der Tänze. Berlin: Oswald Seehagen. (pdf) {google} [Powers]


де Колиньяр. (1869). Практический самоучитель бальных танцев для обоего пола. Москва: Типография Шуман и Глушк. (pdf) {HDA}


[Anonymous]. (1869). Устав вдовьей и сиротской кассы немецкого танцевального общества в Санкт-Петербурге. Москва: Типография братьев Круг. (pdf) {HDA}


G. C. Raynolds. (1870). Twenty Five Gems for the Piano. Boston: Elias Howe. (congress)


Septimus Winner. (1870). Party Dances for Violin and Piano or Reed Organ Consisting of the Most Popular Cotillions, Polka Quadrilles, Lancers, Fancy Dances, Waltzes, Schottisches, Reels, Honrpipes, Jigs. With the Figures or Steps for Dancing. Arranged in a Light and Easy Manner. Boston: Oliver Ditson. (hathi)


Г. Ф. Кублицкий. (1870). Кадриль Лансье. Одесса: Типография Ульриха и Шульце.


Г. Ф. Кублицкий. (1870). Французский кадриль. Одесса: Типография Ульриха и Шульце.


Николай Петрович Линдрот, Эдуард Конюс. (1870). Метелица. Кадриль с новыми фигурами. Москва: А. Гутхейль. (pdf) {HDA}


[Anonymous]. (1870). Устав санкт- петербургского танцевального собрания. Москва: Типография Э. Треймана. (pdf) {HDA}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume I]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume II]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume III]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


François de Bassompierre. (c. 1870). Journal de ma Vie [Volume IV]. Paris: Marie Joseph Audoin de la Cropte Chantérac. (pdf) {BNF}


B. Cerato. (1870). Mon Pauvre Amour. Valse Boston pour Piano. Kieff: Léon Idzikowski.


J. Gallay. (1870). Le Mariage de la Musique avec la Danse. Paris: Libraire de Bibliophiles.


Polkarius, O. de Seltz. (c. 1870). Almanach Manuel de la Danse. Paris: Delarue. (pdf) {BNF}


W. G. Youens. (c. 1870). Youens's Dance Album & Ball-Room Guide. London: George Routledge and Sons. (pdf) {Powers} [Powers]


Eugene Coulon. (c. 1870). Coulon's Hand-Book; Containing All The Last New And Fashionable Dances (Third Edition). (See 1873 Edition.) London. [Powers]


Emile DeWalden. (c. 1870). Dewalden's Ball-Room Companion (Pirated From Cellarius). New York. [Powers]


Elias Howe. (c. 1870). Howe's Parlor Dances (Music With Dance Descriptions). Boston. [Powers] [WorldCat]


E. B. Reilley. (1870). The Amateur's Vademecum. A Practical Treatise On The Art Of Dancing. Philadelphia: J. Nicholas. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Geo. Routledge (pub.). (c. 1870). Routledge's Ball Room Companion. London. [Powers]


Donald Richard Mackenzie. (c. 1870). Illustrated Guide to the National Dances of Scotland containing an Alphabet of the Actual Steps Positions for Self-Instruction and Improvement. (abdn)


Hermann Buchholtz. (1871). Die Tanzkunst des Euripides. Leipzig: B. G. Teubner. (pdf) {google}


Николай Петрович Линдрот. (1870). Первоначальные правила для изучения бальных танцев. Москва: Типография В. Готье.


A. Johansen. (1870). Korrekt Anviisning til at Danse "Française", "Les Lanciers", "Jule-Quadrille", "Le Prince Imperial", og "Sextour". Kiøbenhavn: V. Pio's Forlag.


Prof. Maas. (1871). The Nilsson Dance & Ball-Room Guide. New York. [Powers] [WorldCat]


W. Warwick (pub.). (1871). Canadian Ten Cent Ball-Room Companion and Guide to Dancing. Toronto. [WorldCat]


Septimus Winner. (1872). Primary School for the Flute; A Thorough and Complete Course of Instruction for the Flute, Written and Arranged for Self-instruction as Well as for Teachers Use. Containing Full Exercises and Explanations, and a Large Collection of the New and Popular Melodies of the Day. Cleveland: S. Brainard's Sons. (hathi)


Hurst & Co (pub.). (1872). Ball-Room Dancing without a Master. New York: Hurst & Company. (pdf) (djvu) {congress} {archive} [Powers]

Group Dances

» First Set of Quadrilles (p. 19)
» Cheat Figure (p. 23)
» Jig Figure (p. 24)
» Basket Figure (p. 24)
» Double Quadrille (p. 24)
» Spanish Waltz (p. 31)
» The Waltz Cotillion (p. 35)
» Lancers (p. 36)
» The Tempête (p. 39)
» The Caledonians (p. 41)
» The New Valse Cotillion (p. 43)
» Virginia Reel, or Sir Roger de Coverley (p. 46)
» Pop Goes the Weasel (p. 51)
» Merrie England (p. 51)
» Polka Country Dance (p. 52)
» The Triumph (p. 52)
» Highland Reel (p. 53)
» Arkansas Traveller (p. 53)
» Portland Fancy Figure, "Tempest" (p. 53)
» Camptown Hornpipe (p. 54)
» Jordan Am A Hard Road (p. 54)
» Soldier's Joy (p. 54)
» London Polka Quadrille (p. 55)
» Flower Girl's Dance (p. 56)
» Circassian Circle (p. 56)
» Tempest (p. 57)
» Rustic Reel (p. 57)
» Devil's Dream (p. 57)

Couple Dances

» The Polka (p. 26)
» The Schottische (p. 28)
» The Redowa (p. 29)
» Polka Mazourka (p. 31)
» The Valse à Deux Temps (p. 33)
» The Galop (p. 34)
» The Mazourka Valse (p. 35)
» The Varsoviana (p. 47)
» The Gorlitza (p. 49)
» The New Valse (p. 50)

Mr. Layland. (c. 1872). The Victoria Danse Du Monde And Quadrille Preceptor. London. (pdf) {Powers} [Powers]


Caroline L. Smith. (1872/©1871). The American Home Book of In-Door Games, Amusements, and Occupations. Boston, Lee and Shepard. (pdf) {hathi} [Enge]

Group Dances

» Pop Goes the Weasel (p. 155)
» Ugly Mug (p. 155)
» Lancers (p. 157)
» Le Prince Imperial Quadrille (p. 160)
» Common Cotillon (p. 162)
» White Cockade (p. 163)
» Ninepin Dance (p. 164)
» Basket Dance (p. 164)
» Waltz and Polka Quadrille (p. 164)
» Caledonian Quadrilles (p. 166)
» Sir Roger de Coverley, or Virginia Reel (p. 166)
» March Quadrille (p. 177)

J. F. Wallace. (1872). The "Excelsior" Manual of Dancing. Glasgow: John Menzies & Co. (pdf) {google}


Elias Howe. (1873). Duets for Piano, and Violin, or Flute. Boston. (hathi)


Septimus Winner. (1873). Band of Four; Being a Choice Selections of Popular Melodies Arranged as Easy Quartets for the Violin or Flute, Cornet or Clarinet, Second Violin and Violoncello. Comprising Waltzes, Polkas, Galops, Cotillions and Other Fashionable Round, Square and Fancy Dances. New York: Oliver Ditson. (pdf) {Powers}


Septimus Winner. (1873). Musical Pastime: A New Collection of Popular Melodies, Arranged as Duets for the Violin and Piano. Consisting of the Latest and Best Marches, Galops, Waltzes, Polkas, Round and Square Dances &c. Together with a Choice Selection of Solos upon Classical Airs, Arranged for Amateurs. Boston: Oliver Ditson. (hathi)


Бернард Клемм. (1873). Теоретико-практический самоучитель общественных танцев, с аккомпаниментом музыки. Москва: Типография Н. Ф. Савича.


Eugene Coulon. (c. 1873). Coulon's Hand-Book, Containing All The Last New And Fashionable Dances (Third Edition). London: A Hammond & Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Allen Dodworth. (1873). Assistant for A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Boston (p. 33)
      » Basic Step (p. 35)
      » Pursuit Step (p. 36)
      » The Reverse (p. 37)
      » Two-Step Boston (The Dip) (p. 38)

Group Dances

» Ordinary Quadrille (p. 13)
» Jig Figure (p. 15)
» Cheat, or Coquette (p. 16)
» Basket Dance (p. 16)
» Virginia Reel, or Sir Roger De Coverly () (p. 17)
» The Lancers (p. 17)
» Caledonian Quadrille (p. 19)
» Le Prince Imperial Quadrille (p. 21)

The German (The Cotillon)
(Figures taken from Cellarius, 1847)

» La Course (p. 26)
» Les Ronds A Trois (p. 26)
» Les Chaises (p. 26)
» Les Fleures (p. 27)
» Les Cartes (p. 27)
» La Pyramide (p. 27)
» Les Petits Ronds (p. 28)
» Des Dames Moulinet (p. 28)
» Les Bras Enlaces (Charge of the Light Brigade) (p. 29)
» The Grand Chain (p. 29)
» Double Right and Left and Half Ladies' Chain (p. 30)
» Star and Circle (p. 31)
» Flag Figure (p. 31)
» Military Figure (p. 31)

Edward James (pub.). (1873). Jig, Clog And Breakdown Dancing Made Easy. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. F. Davis. (1874). The Lancers accompanying sheet music for God Guard Canada. Toronto: J. F. Davis. (pdf) {LAC} [Enge]

Quadrilles

» The Lancers (♬) (p. 4)






Septimus Winner. (1874). Musical Garland, A New Collection of First-class Duets for the Violin and Piano. Boston: Oliver Ditson & Company. (hathi)


Septimus Winner. (1874). Musical Present, For the Organ or Piano. Philadelphia: J. M. Stoddart & Company. (hathi)


E. J. Wivell. (1874). The Ball Room Companion and Pupil's Self-Help. Adelaide.


де Колиньяр. (1870). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 7 уроков без помощи учителя всем бальным танцам. С дополнением характерных танцев: русских плясок, венгерки, матлёта и других. Москва: Типография И. Н. Мышкина. (pdf) {HDA}


Carl Haraschin. (1874). Tanz-Fragmente. Wien. (pdf) {google}


J. J. Bordalo. (1874). Manual De Dança. Lisbon. [Powers] [WorldCat]


Arnold Brothers. (1874). Arnold Brothers' Jig, Song And Dance Book. New York. [Powers] [WorldCat]


Robert Coote. (c. 1874). Ball-Room Dancing Without A Master, For Home Practice / How To Dance, R. Cootes Ball-Room Guide. London. [Powers]


Frank Reed (pub.). (1874). The Dancer's Guide And Ball-Room Companion. New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Henry Tucker. (1874). Clog Dancing Made Easy. New York: Robert M. de Witt. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Robert Eitner. (1875). Taenze des 15. Bis 17. Jahrhunderts. Aus dem Quellen Gezogen und Veröffentlicht. Leipzig: Monatsheften für Musikgeschichte.


[Anonymous]. (c. 1875). Le Cancan (10 Plates Mounted On Boards, Illustrations Of A Couple Dancing Cancan). Paris. [Powers]


[Anonymous]. (c. 1875). How To Dance; Or The Etiquette Of The Ball-Room (Ward And Lock's How Hand-Books). London. [Powers] [WorldCat]


Au Bon Marché. (c. 1875). Le Cotillon, Theorie & Musique (Entirely Cotillion Figure Descriptions & Illustrations, No Music). Paris. [Powers]


Adolf Bittler. (c. 1875). Quadrille A La Cour (Similar To The Lancers). Strassburg. [Powers]


Wm. Clowes & Sons (pub.). (1875). Practical Guide To The Ballroom. London. [Powers]


William B. De Garmo. (1875). The Dance Of Society. New York: William A. Pond & Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


G. Desrat, Philippe Stutz. (1875). Nouvelle Danse Américaine De Sir Roger De Coverley. Paris: Heugel & Compagnie. (pdf) {BNE} [Powers]

Couple Dances

» Sir Roger De Coverley () (p. 3)







Allen Dodworth (dance), C. Nolf (music). (1875). Dodworth Waltz Lancers. New York: Frederick Blume. (pdf) {congress} [Powers]

Couple Dances

» Dodworth Waltz Lancers (♬) (p. 4)







C. Jeffery's (pub.). (1875). Practical Guide To The Ball Room. London. [Powers] [WorldCat]


W. W. Pound. (1875). Pound's Waltz Quadrille (Description And Sheet Music). Cincinnati. {congress - music, no description} [Powers]


M. & M. Roberts. (1875). Robert's Manual Of Fashionable Dancing And Vade-Mecum For The Ball-Room. Melbourne: George Robertson. (pdf) (djvu) (txt) {congress} {archive} [Powers]


E. J. Wivell. (c. 1875). The Ball-Room Companion And Pupil's Self-Help. Adelaide, Australia. [Powers] [WorldCat]


Bernhard Klemm. (1876). Katechismus der Tanzkunst. Ein Leitfaden für Lehrer und Lernende. Leipzig: J. J. Weber. (pdf) {HDA}


[Anonymous]. (1875). Плоды досуга. Источник веселья, забавы и смеха или сокровище для развлечения и приятного времяпрепровождения. Полная библиотека для обоих полов и всех сословий. Москва: Типография С. Орлова. (RSL)

Note: Dance descriptions, copied from Klemm, 1876, begin on p. 688.


Дебэ. (1873). Новооткрытая тайна исправления и усовершенствования человеческого голоса и речи, представляющая верные и простые средства каждому выработать свой голос годным для пения и свою речь сделать звучною и правильною, а равно уничтожить во всяком возрасте недостатки речи, как то: заикание, шепеляние, невыговаривание некоторых слов и пр. Необходимое руководство для певцов и желающих учиться пению, для ораторов, артистов, актёров, учителей, воспитателей, в школах и домашнем быту и пр. С приложением приготовительного курса пения и самоучителя танцев по совершенно новой методе, в которое время обучающей грации, мимике, пантомиме и всем современным общественным танцам, как то: польке, Французской кадрили, Лансье, вальсу, польке-мазурке, шоттиш и характерным танцам по методе Блазиса и Леметра. Москва: Книжный склад "Агент."


Émile Köhler. (1876). Les Cinq Parties du Monde, Quadrille-Polka, Nouvelle Danse des Salons Composé par Henri Cellarius Neveu. Paris: J. Marie.


[Anonymous]. (c. 1876). Fashionable Dances Made Easy, Complete Instructor In ... Society Dancing. New York. [Powers] [WorldCat]


Henry Gass. (c. 1876). The Waltz C. Mobile. (pdf) (djvu) (txt) {congress} {archive}

Couples Dances

» The Waltz C (p. 3)
      » Step of the Waltz C (p. 4)
      » Pursuit Step (Sidewise) (p. 6)
      » Pursuit Step (Forward) (p. 7)
      » Pursuit Step (Backward) (p. 8)















Offenbach. (1876). Magnet Hand Book: Offenbach's Dancing Without A Master. New York. [Powers]


Offenbach. (1876). Offenbach's Dancing Without A Master [Different Dances Than Above]. New York: Hurst & Co., Publishers. [Enge] [Powers]


Mrs. Charles Read. (c. 1876). Mrs. Chas. Read's Australian Ball Room Guide. Sydney: Geo. Robertson & Co. (pdf) {SLV} [Powers]

Group Dances

» The Most Popular Quadrille (p. 15)
» Paine's First Set (The Real English Quadrille) (p. 16)
» The Parisian Quadrille (p. 18)
» The Queen Quadrille (p. 19)
» The Lancers - Newest Set (p. 20)
» Lancers for Sixteen Persons (p. 24)
» The Caledonians (p. 29)
» Spanish Dance (p. 31)
» The Prince Imperial (p. 32)
» The French Cotillon (p. 34)
» The New French Cotillon (with Fans) (p. 35)
» The New Lancers (p. 36)
» Le Polo (p. 38)
» The Windsor Castle Quadrille (p. 41)
» Circassian Circle (p. 43)
» La Tempete (p. 46)
» Sir Roger de Coverley (p. 46)
» The Polonaise (p. 53)
» New Madrid Waltz (with Fans) (p. 55)
» The Swedish Dance (p. 63)

Couple Dances

» Minuet (p. 27)
» The Gorlitza (p. 42)
» La Varsoviana (p. 42)
» The New Waltz (p. 43)
» The German Schottische (p. 44)
» The Polka (p. 47)
» Galopade, or Le Galop (p. 48)
» Polka Mazurka (p. 49)
» The Slow Waltz, or Waltz à Trois Temps (p. 50)
» The Schottische (p. 50)
» The Highland Schottische (p. 51)
» The Quick Waltz, or Valse à Deux Temps (p. 52)
» Coquette (p. 54)
» The Latest Waltz (p. 54)
» The Barn Dance (p. 55)

H. G. O. Washburn. (1876). The Ball-Room Manual Of Contra Dances & Social Cotillons. Portland, ME. [Powers]


A. E. Bournique (dance), John A. Hand (music). (1877). La Belle Quadrille. Chicago: The Root & Sons Music Co. (pdf) {hathi} [Enge]

Quadrilles

» La Belle Quadrille (♬) (p. 3)






F. Paul. (1877). Le Cotillon Et Les Quadrilles Actuels; Traité Théorique Et Pratique. Paris: E. Gerard et Compagnie. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Rudolph Radestock. (1877). The Royal Ball-Room Guide. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Eben B. Towne. (1877). Eben's Order Book For Dancing. Nashua. [Powers]


Allen Dodworth. (1878). Our Little Scarf. New York: Frederick Blume. {congress} [Powers]


Thoinot Arbeau [Jehan Tabourot]. (1878). Die Tänzes des XVI, Jahrhunderts und die alte Französische Tanzschule vor Einführung der Menuett. Danzig: Albert Czerwinski. (pdf) {BNE}


W. Braybrooke Bayley. (1878). Royal Canadian Lancers. Toronto: A. & S. Nordheimer. (pdf) {LAC} [Enge]

Quadrilles

» Royal Canadian Lancers (♬) (p. 2)






М. Ю. Петрова. (1878). Петербургский новейший самоучитель всех общественных танцев. Санкт-Петербург: И. Л. Тузов.


C. H. Cleveland, Jr. (1878). Dancing At Home And Abroad. Boston: Oliver Ditson & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Dick & Fitzgerald (pub.). (1878). Dick's Quadrille Call Book & Ball-Room Prompter (1st Edition). New York: Dick & Fitzgerald. (pdf) (djvu) {congress} {archive} [Powers]


Allen Dodworth. (1878). Assistant For A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Waltzing [commentary only] (p. 17)

Group Dances

» Ordinary Quadrille (p. 11)
» Jig Figure (p. 13)
» Cheat, or Coquette (p. 13)
» Basket Dance (p. 14)
» Virginia Reel, or Sir Roger De Coverly () (p. 14)
» The Lancers (p. 15)

The German (The Cotillon)
(Noted as being taken from Cellarius, 1847)

» 1. The Excursion (p. 24)
» 2. The Round of Three (p. 24)
» 3. The Chairs (p. 24)
» 4. The Flowers (p. 25)
» 5. La Course Assise (p. 25)
» 6. The Columns (p. 26)
» 7. The Cushion (p. 26)
» 8. The Cardes (p. 26)
» 9. The Pyramid (p. 26)
» 10. The Deceiver (p. 27)
» 11. The Serpent (p. 27)
» 12. The Broken Round (p. 28)
» 13. The Handkerchief (p. 28)
» 14. The Change of Ladies () (p. 28)
» 15. The Hat (p. 29)
» 16. The Scarf (p. 29)
» 17. The Ladies Seated (p. 29)
» 18. The Gladd of Champagne (p. 30)
» 19. The Rejected Couples (p. 30)
» 20. The Bouquets (p. 30)
» 21. The Presentation of Ladies (p. 31)
» 22. The Moving Cushion (p. 31)
» 23. The Ladies Deceived (p. 31)
» 24. The Magic Hat (p. 32)
» 25. The Phalanx (p. 32)
» 26. The Mysterious Cloth (p. 32)
» 27. The Gentlemen Deceived (p. 33)
» 28. The Double Cross (p. 33)
» 29. The Grand Round (p. 33)
» 30. The Twin Circles (p. 34)
» 31. The Deceitful Round (p. 34)
» 32. The Convent Porter (p. 35)
» 33. The Mysterious Hands (p. 35)
» 34. The Handkerchief Chase (p. 35)
» 35. The Stormy Sea (p. 36)
» 36. The Four Corners (p. 36)
      » Another (p. 37)
» 37. The Bower (p. 37)
» 38. The Pursuit (p. 38)
» 39. The Final Round (p. 38)
» 40. The Endless Rounds (p. 38)
» 41. The Windmill (p. 39)
» 42. Changing Windmill (p. 39)
» 43. The Four Chairs (p. 40)
» 44. The Country Dance (p. 40)
» 45. The Handkerchief (p. 40)
» 46. The Flying Scarfs (p. 40)
» 47. The Fan (p. 41)
» 48. Blind-man's Buff (p. 41)
» 49. The Gentlemen Together (p. 41)
» 50. The Zigzags (p. 42)
» 51. The Undulations (p. 42)
» 52. The Two Lines (p. 42)
» 53. The Crooked Lane (p. 43)
» 54. The Flying Hat (p. 43)
» 55. The Figure of Eight (p. 44)
» 56. The Intermingling of Arms (p. 44)
» 57. The Ladies' Moulinet (p. 45)
» 58. The Little Rounds (p. 45)
» 59. The Double Moulinet (p. 46)
» 60. The X of the Gentlemen (p. 46)
» 61. The X of the Gentleman and his Lady (p. 47)
» 62. The English Right and Left (p. 47)
» 63. The Graces (p. 48)
» 64. The Contrary Rounds (p. 48)
» 65. The Genuflexions (p. 49)
» 66. The Right and Left (p. 49)
» 67. The Double Pastourelle (p. 49)
» 68. The Uninterruted Chains (p. 50)
» 69. The Inconstants (p. 51)
» 70. The Ladies Back to Back (p. 51)
» 71. Four Hands Round (p. 51)
» 72. The Changing Triangle (p. 52)
» 73. The Chains in line (p. 52)
» 74. The Labyrinth (p. 53)
» 75. Right and Left Varied (p. 53)
» 76. The Basket (p. 54)
» 77. The Triple Pass (p. 54)
» 78. The Runion of Couples (p. 55)
» 79. Simple Grand Chain (p. 55)
» 80. The Order of the Garter (p. 55)
» 81. Double Quadrille (p. 56)
» 82. The Bower (p. 57)
» 83. Favors or Decorations (p. 57)
» 84. The Undulations (p. 58)
» 85. The Mouse Trap (p. 58)
» 86. The Grand Chain Double (p. 59)
» 87. Star and Circle (p. 59)
» 88. Flag Figure (p. 60)
» 89. Military Figure (p. 60)

Aristodemo Panni. (c. 1878). Il Moderno Maestro Dei Balli. Milano. [Powers]


Luis Papanti. (1878). De Witt's Ball-Room Call Book. New York. [Powers] [WorldCat]


G. H. Rowe. (1878). The Prompter's Own Book, Or, Rowe's Calls For The Ball Room. Boston: Geo. H. Rowe. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Group Dances

» March and Circle () (p. 2)
» Lancer's Quadrille (p. 2)
» Portland Fancy (p. 3)
» Plain Quadrille [No. 1] (p. 4)
» Caledonian Quadrille (p. 5)
» Virginia Reel (p. 6)
» Fisher's Hornpipe (p. 6)
» Chorus Jig (p. 7)
» Hull's Victory (p. 7)
» Plain Quadrille [No. 2] (p. 7)
» Fancy Quadrille (p. 9)
» Fancy Medley (p. 9)

Tousey & Small (pub.). (1878). How To Dance. A Complete Ball-Room & Party Guide. Containing All The Latest Figures, Together With Old-Fashioned And Contra Dances Now In General Use. New York: Tousey & Small. (pdf) (djvu) (txt) {congress} {archive}

Couple Dances

» The Waltz A Trois Temps (p. 17)
» Waltz In Double Time (p. 18)
» Cellarius Or Mazourka Waltz (p. 18)
» The Schottische (p. 19)
» The Polka (p. 20)
» The Galop (p. 21)
» Redowa (p. 21)
» Polka Redowa () (p. 22)
» Esmerelda () (p. 22)
» Danish Polka (p. 22)
» The Mazourka Valse (p. 22)
» The Varsoviana (p. 26)
» The Gorlitza (p. 26)
» The New Valse (p. 27)
» The Tango (p. 45)

Group Dances

» The Quadrille (p. 10)
» Cheat Figure (p. 13)
» Jig Figure (p. 13)
» Basket Figure (p. 13)
» Double Quadrille (p. 13)
» The "Nine Pin" (p. 14)
» The Lanciers (p. 14)
» The Caledonians (p. 16)
» The Virginia Reel (p. 17)
» The Waltz Cotillion (p. 22)
» The New Waltz Cotillion (p. 24)
» Pop Goes The Weasel (p. 28)
» Polka Country Dance (p. 28)
» The Triumph (p. 28)
» Highland Reel (p. 29)
» Arkansas Traveler (p. 29)
» Portland Fancy (p. 29)
» Camptown Hornpipe (p. 30)
» Jordan Am A Hard Road (p. 30)
» Soldier's Joy () (p. 30)
» Sicilian Circle () (p. 30)
» Rustic Reel () (p. 31, 37)
» Money Musk (p. 32)
» Chorus Jig (p. 32)
» College Hornpipe (p. 32)
» London Polka Quadrille (p. 35)
» Flower Girl's Dance (p. 36)
» Circassian Circle () (p. 36)
» Tempest (p. 36)
» Devil's Dream (p. 37)
» The European Mazourka Quadrilles (p. 39)
» Mazourka Cotillion [mentioned only, as being out of fashion] (p. 41)
» The Military Quadrilles [mentioned only, as being too complicated to describe] (p. 41)
» Hungarian Rigadoon or Menuet Quadrille of Five Figures (p. 42)
» The Triplet - Galop (p. 45)
» Russian Mazourka Quadrilles (p. 49)
» Junior Schottische Quadrille (p. 52)

The Cotillion

» The Pursuit (p. 37)
» The Final Round (p. 37)
» The Snail (p. 38)
» The Two Lines (p. 38)
» The Winding Alley (p. 38)
» The Labyrinth (p. 39)
» First Figure (p. 47)
» The Pyramid (p. 48)
» The Two Flowers (p. 48)
» The Round And Grand Chain (p. 48)
» The Star (p. 49)

Frederick Warne (pub.). (c. 1878). The Ball Room Guide. London: Warne's Bijou Books. [Powers]


F. Frerck. (1879). No. 5, Harvard Medley Quadrille (Howe's Western Orchestral Journal). Boston: Howe & Grant.


A. F. Vaas. (1879). No. 7, Vaas Waltz Lancers Quadrille (Howe's Western Orchestral Journal). Boston: Howe & Grant. (pdf) {congress}

Note: Dance descriptions accompany the 2nd Violin part.

Group Dances

» Vaas' Waltz Lancers Quadrille (♬) (p. 14)







Paul Winkler. (c. 1879). Waltz Lancers. Montreal: Walter Street. (pdf) {LAC} [Enge]

Quadrilles

» Waltz Lancers (♬) (p. 2)






Richard Fricke. (1878). Der Elegante Ballordner. Sammlung Neuester und Geschmackvollster Gesellschaftstänze. Cöthen: Paul Schettler's Verlag.


Constantine Carpenter. (1879). Glides, Waltzes, Galops, Quadrilles, Etc. Philadelphia. (pdf) {Powers) [Powers]

Quadrilles

» Plain Quadrille (p. 5)
» French Lancier Quadrille (p. 6)
» New Polka Quadrille (p. 7)
» Mazourka Quadrille (p. 8)
» Schottische Quadrille (p. 9)
» Polacca Quadrille (p. 10)
» Double Lancers (p. 11)
» Polka Quadrille (p. 12)
» London Lancers (p. 13)
» Caledonian Quadrilles (p. 14)
» Figure Coquette (p. 15)
» Basket Figure (p. 15)
» New Year Figure (p. 15)
» Tempete (p. 15)
» Minuet Lanciers (p. 17)

Cartier & Baron. (1879). Cartier And Baron's Practical Illustrated Waltz Instructor, Ball Room Guide, And Call Book. Giving Ample Directions For Dancing Every Kind Of Square And Round Dances, Together With Cotillons - Including The Newest and Most Popular Figures Of "The German." New York: Clinton D. De Witt. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Note: An odd little book in terms of organization and formatting, but it's quite comprehensive.

Couple Dances

» The Modern Waltz (p. 25)
      » Reverse To The Left (p. 26)
» The New Waltz (p. 28)
      » Reverse To The Left (p. 26)
» The Knickerbocker Waltz (p. 28)
» The New Five Step Waltz () (p. 28)
» The Polka (p. 28)
      » The Revolving Step (p. 28)
      » The Forward Step (p. 29)
      » The Backward Step (p. 29)
» The Polka Redowa () (p. 29)
» The Galop (p. 29)
» The Schottische (p. 29)
» Polka Mazourka () (p. 30)
» The Varsovienne (p. 30)
» Danish Dance (p. 30)
» The Esmeralda () (p. 31)
» The Deux Temps () (p. 31)

Group Dances

» The Plain Quadrille (p. 7, 42)
» Variety Quadrille Figures (The Fancy Quadrille) (p. 9)
      » The Basket Figure (p. 9, 47)
      » Quadrille Star (The Star Figure) (p. 10, 49)
      » Quadrille Sociable (The Sociable Figure) (p. 10, 50)
      » The Cheat Figure (p. 10, 53)
      » The Jig Figure (p. 11, 52)
      » Another Jig Figure (p. 52)
      » The March Figure (p. 51)
      » The Gavotte Figure (p. 54)
      » The Minuet Figure (p. 55)
» The Lancers (p. 11, 55)
» Saratoga Lancers (p. 13)
» The Glide Lancers (p. 14)
» The Caledonians (p. 15, 59)
» The Prince Imperial (Prince Imperial Quadrille) (p. 17, 71)
» The Parisian Varieties (p. 19)
» Waltz Quadrille, No. 1 (p. 21)
» Waltz Quadrille, No. 2 (p. 22)
» The March (Grand March) () (p. 42)
» The Irish Quadrille (p. 64)
» The Surprise Quadrille (p. 67)
» The Ladies' Own Quadrille (p. 75)
» The Harlequin Quadrille (p. 78)
» The Sicilian Circle () (p. 82)
» The Spanish Dance () (p. 82)
» Pop Goes The Weasel (p. 83)
» The Virginia Reel (p. 84)

The German

» 1. The Excursion (p. 33)
» 2. The Scarf (p. 33)
» 3. The Hat (p. 33)
» 4. The Glass of Wine (p. 33)
» 5. The Chair (p. 33)
» 6. The Pledges (p. 34)
» 7. The Cards (p. 34)
» 8. The Bouquets and Boutonnieres (p. 34)
» 9. The Convent Porter (p. 34)
» 10. The Mysterious Screen (p. 35)
» 11. The Flags (p. 35)
» 12. The Four Corners (p. 35)
» 13. The Mask (p. 35)
» 14. The Mysterious Hands (p. 35)
» 15. The Auction (p. 36)
» 16. The Deciever (p. 36)
» 17. The Rope (p. 36)
» 18. The Fan (p. 36)
» 19. The Handkerchief (p. 36)
» 20. The Cushion (p. 37)
» 21. The Mirror (p. 37)
» 22. The Flying Hat (p. 37)
» 23. Blind Man's Buff (p. 37)
» 24. Blind Man's Buff With Six (p. 38)
» 25. The Carnival (p. 38)
» 26. The Four Chairs (p. 38)
» 27. The Figure "8" (p. 39)
» 28. The Handkerchief Chase (p. 39)
» 29. The Basket (p. 39)
» 30. The Columns (p. 39)
» 31. The Maze (p. 40)
» 32. The Apples (p. 40)
» 33. The Two Lines (p. 40)
» 34. The Contra Dance (p. 40)
» 35. Follow Your Leader (p. 40)
» 36. The Pursuit (p. 41)
» 37. The Final Round (p. 41)

J. Daniel & Sons (pub.). (1879). Ball-Room Guide, Or Dancing Taught without a Master. Aberdeen: J. Daniel and Son. (pdf) {abdn) [Powers]

Couple Dances

» Schottische (p. 9)
» The Polka (p. 9)
» La Varsoviana (p. 13)
» The Redowa (p. 15)
» Waltz (p. 20)
» Cellarius Waltz (p. 21)
» Common Waltz (p. 23)

Group Dances

» Payne's First Set (p. 3)
» The Lancers (p. 6)
» The Caledonians (p. 8)
» La Gallopade (p. 10)
» Country Dances (p. 11)
      » Voulez aous Dancer, Mademoiselle (p. 11)
      » John of Paris (p. 11)
      » Captain Fleming (p. 11)
      » The Honey Moon (p. 11)
      » The Triumph (p. 11)
      » Sir Roger de Coverly () (p. 11)
» The Mazourka (p. 14)
» Pop Goes The Weasel (p. 17)
» Country Dance - Hands Across (p. 19)
» Scotch Reel (p. 19)
» The Highland Reel (p. 21)
» Mazourka Quadrille (p. 24)

William B. DeGarmo. (1879, January). The Dance Of Society [2nd Edition, with New Step]. New York. [Powers] [WorldCat]


William B. DeGarmo. (1879, March). The Dance Of Society [3rd Edition, with Redowa-Glissade instead of New Step]. New York. [Powers] [WorldCat]


Allen Dodworth. (1879). "Heel And Toe." Dodworth's Bohemian and Combination Polkas, With Description Of Steps. New York: Frederick Blume. (pdf) {congress} [Powers]

Couple Dances

» Bohemian (Heel and Toe Polka) () (♬) (p. 3)
» Combination Polka () (♬) (p. 4)









Henry Gass. (1879). The Glide Elite Quadrille. Mobile, AL: Henry Gass. [Enge]

Quadrilles

» Glide Elite Quadrille






Two Amateur Leaders. (1879/©1878). The German. How To Give It. How To Lead It. How To Dance It. Chicago: Jansen, McClurg and Company. (pdf) (djvu) (txt) {congress} {archive} [Enge [Powers]

The German

Simple Figures
» I. Basket (p. 56)
» II. Lines (p. 57)
» III. Jerusalem (p. 57)
» IV. Pyramid (p. 58)
» V. Over and Under (p. 59)
» VI. Presentation (p. 59)
» VII. Arbor (p. 60)
» VIII. Star (p. 61)
» IX. Tunnel (p. 61)
» X. Serpent (p. 62)
» XI. Ladies' Chain and Change (p. 62)
» XII. Chain (p. 63)
» XIII. Baskets' Grand Chain (p. 64)
» XIV. Two Or None (p. 64)
» XV. Wheel (p. 65)
» XVI. Grand Chain (p. 65)
» XVII. Not! (p. 66)
» XVIII. Figure Eight (p. 66)
» XIX. Ladies Under (p. 67)
» XX. Graces (p. 67)
» XXI. Puss In The Corner (p. 68)
» XXII. Forfeits (p. 69)
» XXIII. Pretzel (p. 69)
» XXIV. Basket Tunnel (p. 70)
» XXV. "Honors Are Easy" (p. 70)
» XXVI. Dan Tucker (p. 71)
» XXXVII. Fife Orchestra (p. 71)
» XXVIII. Virginia Reel (p. 72)
» XXIX. The X (p. 73)
» XXX. The Bower (p. 73)
» XXXI. The Weak Leading the Blind (p. 74)
» XXXII. Odd And Even Numbers (p. 75)
» XXXIII. Contest of Grace (p. 75)
» XXXIV. The Running Quadrille (p. 76)
» XXXV. Chair Circle (p. 76)
» XXXVI. Couple Circle (p. 77)
» XXXVII. Handkerchief (p. 77)
» XXXVIII. Kneeling Square (p. 78)
» XXXIX. Causeway (p. 78)
» XL. Spiral (p. 79)
» XLI. Gates Ajar (p. 80)
» XLII. Les Corbeillettes (p. 81)
» XLIII. Athletics (p. 81)
» XLIV. Waltzing Quartette (p. 82)
» XLV. Blind Man's Buff (p. 82)
» XLVI. Swinging (p. 83)
» XLVII. Snake (p. 83)
» XLVIII. Cattle Pen (p. 84)
» XLIX. Right And Left Circle (p. 84)
» L. Windmill (p. 85)
» LI. Two Names (p. 85)
» LII. 1 2 3 4 - 4 3 2 1 (p. 86)
» LIII. All Up () (p. 87)

With Properties
» I. Taper (p. 88)
» II. Rain (p. 88)
» III. Flags (p. 89)
» IV. Flower Girl (p. 89)
» V. Tournament (p. 90)
» VI. Duel (p. 91)
» VII. Mitten (p. 91)
» VIII. Chase (p. 92)
» IX. Balls (p. 93)
» X. Satyrs And Nymphs (p. 93)
» XI. Apron (p. 94)
» XII. Mysterious Hands (p. 94)
» XIII. Peg And Rings (p. 95)
» XIV. Creenmoor (p. 96)
» XV. Scarf (p. 96)
» XVI. Billets-Doux (p. 97)
» XVII. Tenpins (p. 97)
» XVIII. Chairs And Wristlets (p. 98)
» XIX. Fishing (p. 98)
» XX. Fish-Pond (p. 99)
» XXI. Fan (p. 100)
» XXII. Umbrella (p. 100)
» XXIII. Boxing Glove (p. 101)
» XXIV. Mirror (p. 101)
» XXV. Braiding (p. 102)
» XXVI. Linked Couples (p. 103)
» XXVII. Running The Gauntlet (p. 103)
» XXVIII. Twirl The Platter (p. 104)
» XXIX. Pillow (p. 104)
» XXX. Hoop (p. 105)
» XX[X]I. Hurdle (p. 105)
» XXXII. Initials (p. 106)
» XXXIII. Cards (p. 107)
» XXXIV. Grab Bag (p. 107)
» XXXV. Dice (p. 108)
» XXXVI. Hearts (p. 108)
» XXXVII. Whips (p. 109)
» XXXVIII. Race (p. 110)
» XXXIX. The Mysterious Partners (p. 110)
» XL. Darts (p. 111)
» XLI. Prisoners (p. 112)
» XLII. Kings And Queens (p. 112)
» XLIII. Swallow Swallow (p. 113)
» XLIV. Mulligan Guards (p. 113)
» XLV. May Pole (p. 115)
» XLVI. Candle (p. 116)
» XLVII. Lassoo (p. 116)

Hall Figures
» I. Labyrinth (p. 117)
» II. Plaiting (p. 117)
» III. Wheel And Spiral Rings (p. 118)
» [I]V. Sun (p. 119)
» V. Four Rings (p. 119)
» VI. Mine (p. 120)

E. C. Spink (dance), G. Weingarten (music). (c. 1880). The New Dance Columbia with Steps. London: Charles Sheard & Co. (pdf) {NLA}

Couple Dances

» Columbia (♬) (p. 2)







Allen Dodworth. (1880). The New Knickerbocker Dance with Song. New York: Frederick Blume. {congress}


Allen Dodworth. (1880). New Court Minuet. New York: Frederick Blume. {congress}


Allen Dodworth. (1880). The Polo. A New Quarille. Original Figures by A. Paul. New York: William A. Pond & Company. {congress}


[Anonymous]. (1880). Abhandlung über Gesellschafts-Tänze nebst Beschreibung der Arlequinaden.


Wilhelm Jenny. (1880). Buch der Reigen. Eine Sammlung von Tanzreigen, Auszügen mit Gesang, Liederreigen und Kanonreigen zum Gebrauche beim Schulturnen, min Einleitungen und einem Anhange zur Selschichte des Reingens.


[Anonymous]. (c. 1880). Премия от парфюмерной фабрики "А. Ралле и компания." Москва. (pdf) {HDA}


Samuel Baron. (1880). Prof. Baron's Complete Instructor in All the Society Dances of America. New York: M. Young. [Enge] [Powers]


James Dorney. (c. 1880). The Dancer's Friend. W'Bool, Australia. [Powers]


Myles B. Foster. (1880). Routledge's Singing Quadrille. London. [Powers] [WorldCat]


Elias Howe. (c. 1880). Fifty Contra Dances, Hornpipes, Reels, Jigs, &c. Boston: Elias Howe. (pdf) {Goucher} [Powers]

Group Dances

» College Hornpipe (♬) (p. 1)
» Durang's Hornpipe (♬) (p. 1)
» The Tempest (♬) (p. 2)
» Fisher's Hornpipe (♬) (p. 2)
» Soldier's Joy (♬) (p. 3)
» White Cockade (♬) (p. 3)
» Speed the Plough (♬) (p. 3)
» Hull's Victory (♬) (p. 4)
» Money Musk (♬) (p. 4)
» Chorus Jig (♬) (p. 5)
» The German Redowa (♬) (p. 5)
» Ladies Triumph, or Katy's Rambles (♬) (p. 6)
» Portland Fancy (♬) (p. 7)
» Sicilian Circle (♬) (p. 7)
» Larry O'Gaff (♬) (p. 8)
» Rory O'More (♬) (p. 8)
» Miss Mcleod's Reel, or The Enterprise and Boxer (♬) (p. 9)
» Lady Walpole's Reel (♬) (p. 9)
» Campbells Are Coming (♬) (p. 10)
» Rustic Reel (♬) (p. 10)
» Irish Washerwoman (♬) (p. 11)
» Jordan Is A Hard Road (♬) (p. 12)
» Pop Goes the Weasel (♬) (p. 12)
» First Love Polka Redowa (♬) (p. 13)
» Feed Wilson's Clog Dance (♬) (p. 13)
» Good for the Tongue (♬) (p. 14)
» The Cuckoo (♬) (p. 14)
» Land of Sweet Erin (The Twin Sisters, or the Merry Dance) (♬) (p. 15)
» Beau of Oak Hill (♬) (p. 15)
» Favorite Dance (♬) (p. 16)
» La Tempete (♬) (p. 16)
» Cincinnati Hornpipe (♬) (p. 17)
» Liverpool Hornpipe (♬ only) (p. 17)
» Red Lion Hornpipe (♬) (p. 18)
» Flowers of Edinburgh (♬) (p. 18)
» John Anderson, or Old Cushion Dance (♬) (p. 19)
» Sir Rodger De Coverly (♬) (p. 19)
» Lamplighters Hornpipe (♬) (p. 20)
» Spirits of France (♬) (p. 20)
» Thunder Hornpipe (♬) (p. 20)
» Spanish Dance (♬) (p. 21)
» Over the Water to Charlie (♬) (p. 21)
» Vinton's Hornpipe (♬) (p. 22)
» Camptown Hornpipe (♬) (p. 22)
» Light Artillery (♬) (p. 23)
» Rickett's Hornpipe (♬) (p. 23)
» The Devil's Dream (♬) (p. 24)

Couple Dances

» Zulma (♬) (p. 6)
» The Gitana Waltz (♬) (p. 11)
» The Original Gorlitza (♬) (p. 24)

Margitta Roséri. (c. 1880). Katechismus Der Tanzkunst. Leipzig. [Powers] [WorldCat]


M. Judson Sause. (1880). The Art Of Dancing: Embracing a Full Description of the Various Dances of the Present Day, Together with Chapters on Etiquette, the Benefits, and History of Dancing (2nd Edition). New York. (djvu) (txt) {archive} [Powers]


James Scott Skinner & William Scott. (c. 1880s). A Guide to Fashionable Dancing. Aberdeen. (abdn)


Prof. H. Stanley. (1880). Prof. H. Stanley, Teacher of (Fashionable and Select) Dancing, Etiquette, Etc. Latest Glides, Waltzes, Galops, Quadrilles, Etc., Etc. Sandusky. [WorldCat]


A Teacher of Dancing. (c. 1880). The Ball-Room Guide with a Few Hints On Drawing-Room Etiquette. Aberdeen. [Powers] [WorldCat]


Prof. G. W. Williams. (c. 1880). Mazourka Quadrille. [Powers]


Prof. G. W. Williams. (c. 1880). Polacca Quadrille. [Powers]


Prof. G. W. Williams. (c. 1880). Robinson Schottisch Quadrille. [Powers]


Allen Dodworth. (1881). Polo Quadrille. New York: William A. Pond & Company. {congress}


George W. Allen (music), The Society of Professors of Dancing (dance). (1881). Lawn Tennis Quadrille. New York: Wm. A. Pond & Co. (pdf) {JHU}

Quadrilles

» Lawn Tennis Quadrille (♬) (p. 2)







G. A. Gaskell. (1881). Compendium of Forms, Educations, Social, Legal and Commercial: Embracing a Complete Self-teaching Course in Penmanship and Bookkeeping, and Aid to English Composition; Including Orthography, Capital Letters, Punctuation, Composition, Elocution, Oratory, Rhetoric, Letter Writing in All Its Forms, the Laws and By-laws of Social Etiquette, Business, Law and Commercial Forms, Complete Dictionary of Legal and Commercial Terms, Synonyms, Abbreviations, Foreign Phrases, Poetry, etc. etc. Also a Manual of Agriculture and Mechanics. With a Complete Guide to Parliamentary Practice. Rules of Order for Deliberative Assemblies, Organization and Conduct of Business, etc. etc. Elegantly Illustrated. Chicago: Fairbanks, Palmer & Company.

Note: Ball etiquette begins on p. 424.


Clarence R. Sidney (music), Prof. S. Asher (dance). (1881). Original Five Step Waltz with Figures in Full for Dancing as Taught and Danced by Professor S. Asher, Member of The N. Y. Society of Professors of Dancing. Philadelphia: Lee & Walker. (pdf) {congress}

Couple Dances

» The Original Five Step Waltz (♬) (p. 3)







Primera de Papel (pub.). (1881). Teoría del Baile. Habana: Primera de Papel. (pdf) {BNE} [Powers]


Samuel Baron. (1881). Prof. Baron's Complete Instructor In All The Society Dances Of America. New York. [Enge] [Powers]


Champion Publishing Company (pub.). (1881). The Way To Dance (Same As Wehman Bros., 1881). New York. [Powers]


A. L. Burt (pub.). (c. 1881). Popular Hand Books For Young People - The Way To Dance - Illustrated [Same As Wehman Bros., 1881]. New York. [Powers]


Wehman Bros. (pub.). (c. 1881). The Way to Dance, or Dancing without a Master. New York: Wehman Bros. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Group Dances

» The March (p. 16)
      » In File (p. 16)
      » In Column (p. 16)
      » By Platoons (p. 17)
      » Serpentine (p. 17)
      » The Arbor (p. 18)
      » In File (p. 16)
» The Plain Quadrille (p. 22)
» The Nine-Pin (p. 26)
» The Jig (p. 26)
» The Jig (No. 2) (p. 26)
» The March (p. 28)
» The Gavotte (p. 29)
» The Minuet (p. 30)
» The Sociable (p. 31)
» The Star (p. 31)
» The Basket (p. 32)
» The Surprise Quadrille (p. 33)
» The Lancers (p. 35)
» The Royal Lancers (p. 39)
» The Caledonians (p. 41)
» Prince Imperial (p. 45)
» Waltz Quadrille No. 1 (p. 49)
» Waltz Quadrille No. 2 (p. 50)
» The Glide Lancers (p. 51)
» The Virginia Reel (p. 52)
» Pop Goes the Weasel (p. 54)
» The Glide Caledonians (p. 55)

Couple Dances

» The Polka (p. 57)
» Redowa (p. 58)
» Polka Mazourka (p. 58)
» Schottische (p. 59)
» The Galop (p. 60)

Chas. D. Blake. (1882). Lily Redowa. Chicago: White, Smith & Company. (pdf) {JHU}

Music for Redowa.


Allen Dodworth. (1882). New Varsoviana with Description of Step. New York: William A. Pond & Company. {congress}


Александра Константиновна Буринская. (1882). Дамский сборник, настольная книга для дам и девиц. Санкт- Петербург: Бюро дамских поручений для иногородних.


[Anonymous]. (1882). Beadle's Dime Ball-Room Companion & Guide To Dancing. New York. [Powers]


Lucien O. Carpenter. (1882). J. W. Pepper's Universal Dancing Master, Prompter's Call Book And Violinist's Guide. Philadelphia. (pdf) (djvu) {congress} {archive} [Powers]


P. Valleau Cartier. (1882). Professor Cartier's Practical Illustrated Waltz Instructor, Ball Room Guide, And Call Book. New York: De Witt. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. H. Christison. (1882). J. H. Christison's Manual Of Dancing & Etiquette. Maitland, Australia. [Powers] [WorldCat]


Nugent Robinson. (1882). Collier's Cyclopedia of Commercial and Social Information and Treasury of Useful and Entertaining Knowledge on Art, Science, Pastimes, Belles-lettres, and Many Other Subjects of Interest in the American Home Circle. New York: Peter Fenelon Collier. (pdf) {google} [Powers]

Group Dances

» First Set of Quadrilles (p. 606)
» The Lancers (p. 607)
» The Lancers for Sixteen, or Double Lancers (p. 608)
» Double Quadrille (p. 608)
» The Mazourka Quadrille (p. 610)
» The Cotillon (p. 614)
» The Spanish Dance (p. 614)
» La Tempête (p. 615)
» Sir Roger de Coverley and A Virginny Reel (p. 615)

Couple Dances

» The Polka (p. 609)
» The Polka Mazourka (p. 611)
» The Redowa, or Redova (p. 611)
» The Schottische (p. 611)
» La Varsovienne (p. 612)
» The Gorlitza (p. 612)
» The Valse a Trois Temps (p. 613)
» The Valse a Deux Temps (p. 613)
» The Fine Step Valse (p. 613)
» The Galop (p. 614)

G. (Gustave) Desrat. (1882). Le Cotillon, Vade-Mecum. Paris. [Powers] [WorldCat]


J. F. Davis (dance). (1882). The Ripple, A New Popular Dance. Toronto: A. & S. Nordheimer. (pdf) {LAC} [Enge]

Couple Dances

» The Ripple (♬) (p. 2)






A.J. Dick & E.J.H. Stecher. (1882). Clog, Jig, Reel And Song And Dance Instructor. New York. [Powers]


Prof. W. [William] W. Florence. (1882). "Esmeralda" Waltz-Lanciers. St. Louis: Esmeralda Club. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» "Esmeralda" Waltz-Lanciers (p. 2)







Wm. E. Greene. (1882). Newport Waltzes, with a Full Description of the Steps and Manner of Dancing. Boston: White, Smith & Co. (pdf) {congress} [Powers]

Couple Dances

» The Newport (♬) (p. 2)







Elias Howe. (1882). Howe's New American Dancing Master. Boston. [Powers] [WorldCat]


Bobby Newcomb. (1882). Tambo: His Jokes and Funny Sayings with Hints to the Amateur Minstrel. New York. [Powers] [WorldCat]


Francois Paul. (1882). Le Polo Américain, Nouveau Quadrille, Avec Explication Des Figures (Description And Sheet Music). Paris. [Powers] [WorldCat]


Frank Tousey (pub.). (1882). How To Dance, A Complete Ball-Room & Party Guide (B&W Cover). New York. [Powers]


Allen Dodworth. (1882). Materna Polka. Boston: Elias Howe. {congress}


де Колиньяр. (1883). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 7 уроков без помощи учителя всем бальным танцам. С дополнением характерных плясок: камаринской, казачка, матросской и венгерской и полного курса светских приличий. Москва: Типография А. Гатцука. (pdf) {HDA}


М. Ю. Петрова. (1883). Петербургский новейший самоучитель всех общественных танцев (для обоего пола). Искусство в самое короткое время выучиться всем общественным, то есть бальным и характерным или костюмированным танцам, без помощи учителя. С политипажами в тексте. Санкт-Петербург: Типо-литография дома призрения малолетних и бедных. (pdf) {HDA}


Eugene Clement. (c. 1883). Manuel Du Cotillon (Cover: Le Cotillon, Manuel De La Danse). Paris. [Powers]


Allen Dodworth. (1883). Assistant For A. Dodworth's Pupils. New York: Nesbitt & Co. (pdf) {abdn) [Powers]


M. M. Gutstadt. (1883). The Prompter. Watertown, NY. [Powers] [WorldCat]


Mathias J. Koncen. (1883). Prof. M. J. Koncen's Quadrille Call Book & Ball Room Guide. St. Louis: S. P. Brearly & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]


E. Woodworth Masters. (1883). The Standard Dance Album. Boston. [Powers] [WorldCat]


Karol Mestenhauser. (c. 1884). Szkoła tańza [Volume I]. Warszawa. {polona}


Karol Mestenhauser. (c. 1884). Szkoła tańza [Volume II]. Warszawa. {polona}


Karol Mestenhauser. (c. 1884). Szkoła tańza [Volume III]. Warszawa. {polona}


E. N. Catlin. (1884). Quadrille "Prompter's Delight." Boston: Elias Howe. {congress}


Septimus Winner. (1884). Social Pastime. A Collection of Popular and Standard Melodies Arranged for Violin and Piano. Boston: Oliver Ditson & Company. {congress}


Septimus Winner. (1884). Social Pastime. A Collection of Popular and Standard Melodies Arranged for Violin. Boston: Oliver Ditson & Company. {congress}


Бернард Клемм. (1884). Теоретико- практический самоучитель общественных танцев и русских плясок, с аккомпаниментом музыки. Москва: Типография Е. И. Погодиной.


[Anonymous]. (1884). Новейший самоучитель к изучению общественных и художественных танцев. Санкт-Петербург: Типография А. Каспари.


Г. Ф. Кублицкий. (1884). Французская кадриль с финалом. Одесса: Типография Алексомати.


Альберт Яковлевич Цорн. (1884). Французский кадриль. Одесса: Типография А. Шульце.


Carlo Blasis. (1884). Nouveau Manuel Complet de la Danse. Paris: Librairie Encyclopédique de Roret. (pdf) {BNE}


James Scott Skinner. (1884). Dancing, Marching, Indian Rod and Expander Exercises. Aberdeen. (abdn)


Henry Huntlea. (1884). Tune Book. Cambridge. (vwml)


Professor Bonstein. (1884). Dancing and Prompting, Etiquette and Deportment of Society & Ball Room. Boston: White, Smith & Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Group Dances

» Tom Pete - A Country Dance (p. 12)
» Boston First Set (p. 14)
» Moonlight Quadrille (p. 15)
» The Grand Basket Set (p. 16)
» The First Lancers' Quadrilles (p. 17)
» Caledonian Quadrille (p. 17)
» The Casino Waltz Quadrilles (p. 18)
» Royal Schottische Quadrille (p. 20)
» The Graces Set (p. 21)
» The Militia - New Military Quadrille (p. 22)
» Partners for Life Waltz Quadrille (p. 26)
» The Duke's Lancers (p. 27)
» Caledonia Quadrilles (p. 28)
» Shamrock Quadrilles (p. 29)
» Royal Horse Guard Quadrille (p. 30)
» Fatherland Quadrille (p. 30)
» Imperial Quadrille (p. 31)
» The Queen's Lancers (p. 32)
» The Empire Quadrille (p. 33)
» Tom Pete (p. 36)
» Polka Redowa Quadrille (p. 36)
» Mazourka Quadrille (p. 37)
» The German (p. 38)
      » No. 1 (p. 38)
      » No. 2 (p. 39)
      » No. 3 (p. 39)
      » No. 4 (p. 39)
      » No. 5 (p. 40)
      » No. 6 (p. 40)
      » No. 7 (p. 41)
      » No. 8 (p. 41)
      » No. 9 (p. 41)
      » No. 10 (p. 41)
      » No. 11 (p. 42)
      » No. 12 (p. 42)
      » No. 13 (p. 42)
» Country Dances (p. 43)
      » Virginia Reel (p. 43)
      » Money Musk (p. 43)
      » Tempest (p. 44)
      » Chorus Jig (p. 44)
      » Soldier's Joy (p. 44)
      » Uncle Jasper's Reel (p. 44)
      » Opera Reel (p. 44)
      » Lady's Triumph, or Katy's Rambles (p. 45)
      » Hull's Victory (p. 45)
      » The Twin Sisters, or the Merry Dance (p. 45)
      » Miss Macleod's Reel, or the Enterprise and Boxer (p. 45)
      » Charley Over the Water (p. 46)
      » Pop Goes the Weasel (p. 46)
      » Fisher's Hornpipe (p. 46)
      » Fiddle-Bow Reel (p. 46)
      » Rustic Reel (p. 46)
      » Durang's Hornpipe (p. 47)
      » Speed the Plough (p. 47)
      » New Century Hornpipe (p. 47)
      » Rickett's Hornpipe (p. 47)
      » French Four (p. 47)
      » College Hornpipe (p. 47)
      » The Graces (p. 48)
      » Life Let Us Cherish (p. 48)
      » Arkansaw Traveler (p. 48)
      » Irish Washerwoman (p. 48)

Prof. L. E. Dare. (1884). Fashionable Quadrille Manual. Harrisburg, PA: Lane S. Hart. (pdf) {Powers) [Powers]

Group Dances

» Quadrille (p. 9)
» New Year (p. 9)
» Basket (p. 10)
» La Tempete (p. 10)
» Coquette (p. 10)
» Celebrated Opera Reel (p. 10)
» French Four (p. 10)
» Irish Washer Woman (p. 11)
» The Virginia Reel (p. 11)
» The New Society Quadrille (p. 12)
» French Lanciers Quadrille (p. 12)
» Saratoga Lanciers (p. 13)
» Loomis Minuet Lanciers (p. 14)
» Polka Quadrille (p. 14)
» Schottische Quadrille (p. 15)
» Asher's Mazourka Quadrille (p. 16)
» Lawn Tennis Quadrilles (p. 17)

William B. DeGarmo. (1884). The Dance Of Society (4th Edition, Paperback, With 26 Pages Of Dances Appended). New York. [Powers] [WorldCat]


Norman Pearson. (1884). "The Philosophy And Art Of Dancing" (Essay on Waltz). Lippincott's Magazine. New York. [Powers]


George E. Wilson. (1884). Wilson's Ball-Room Guide; Or, Dancing Self Taught. New York: Excelsior Publishing House. (pdf) {Powers} [Powers]

Group Dances

» The Grand March (♬) (p. 26)
» National Guard Quadrille (♬) (p. 32)
» Plain Quadrille (♬) (p. 41)
» The Saratoga Lancers (p. 46)
» The Lancers (♬) (p. 52)
» Caledonians' Quadrille (p. 58)
» Les Varieties Parisiennes (Parisian Varieties) (p. 64)
» The Basket Figure (♬) (p. 69)
» The Star Figure (p. 71)
» The Minuet Figure (p. 72)
» Cheat Figure (♬) (p. 73)
» Nine Pin Figure (p. 74)
» Waltz (or Glide) Lancers (♬) (p. 77)
» Waltz (or Glide) Caledonians (♬) (p. 81)
» The Prince Imperial Quadrille (p. 83)
» Quadrille Waltz (♬) (p. 86)
» Virginia Reel (p. 91)

Couple Dances

» The Waltz (♬) (p. 98)
» The Polka (♬) (p. 99)
» The Polka Redowa (p. 100)
» The Schottish (♬) (p. 100)
» The Galop (♬) (p. 101)
» The Deux Temps (p. 102)

The German (Cotillon)

» The Excursion (La Course) (p. 106)
» The Rounds of Three (Les Ronds a Trois) (p. 106)
» The Chairs (Les Chaires) (p. 107)
» The Flowers (Les Fleurs) (p. 107)
» La Course Assise (p. 108)
» The Columns (Les Colonnes) (p. 108)
» The Cushion (Le Coussin) (p. 109)
» The Cards (Les Cartes) (p. 109)
» The Pyramid (La Piramide) (p. 110)
» The Deceiver (La Trompeuse) (p. 110)
» The Serpent (La Serpent) (p. 111)
» The Broken Round (La Rond Brisé) (p. 111)
» The Handkerchief (Le Mouchir) (p. 112)
» The Change of Ladies (Le Changement des Dames) (p. 112)
» The Hat (Le Chapeau) (p. 113)
» The Shawl (L'Echarpe) (p. 113)
» The Ladies Seated (Les Dames Assises) (p. 113)
» The Glass of Champagne (La Verre de Vin de Champagne) (p. 114)
» The Rejected Couples (Les Couples Refusés) (p. 114)
» The Nosegays (Les Bouquests) (p. 115)
» The Presentation of Ladies (Les Dames Presentées) (p. 115)
» The Moving Cushion (Le Coussin Mobile) (p. 115)
» The Ladies Mocked (Les Dames Trompées) (p. 116)
» The Magic Hat (Le Chapeau Magique) (p. 116)
» The Phalanx (La Phalange) (p. 117)
» The Mysterious Cloth (Le Drap Mysterieux) (p. 117)
» The Gentlemen Mocked (Les Cavaliers Trompées) (p. 118)
» The Double Cross (Le Croix Doublé) (p. 118)
» The Grand Round (Le Grand Rond) (p. 119)
» The Twin Circles (Les Circles Jumeaux) (p. 119)
» The Deceitful Round (Le Rond Trompeuse) (p. 120)
» The Convent-Porte (Le Portier du Convent) (p. 120)
» The Mysterious Hands (Les Mains Mysterieux) (p. 121)
» The Handkerchief Chase (La Chasse aux Mouchoirs) (p. 121)
» The Stormy Sea (La Mer Agitée) (p. 122)
» Puss in the Corner (Les Quatre Coins) (p. 122)
» The Bower (Le Berceau) (p. 123)
» The Pursuit (La Poursuite) (p. 124)
» The Final Round (La Rond Final) (p. 124)
» The Endless Rounds (Les Ronds Infinis) (p. 125)
» Le Moulinet (p. 125)
» Le Moulinet Changeant (p. 126)
» The Four Chairs (Les Quatre Chaires) (p. 126)
» The Country Dance (La Contredanse) (p. 127)
» The Handkerchief (Le Mouchoir) (p. 127)
» The Flying Shawls (Les Echarpes Volantes) (p. 127)
» The Fan (L'Eventail) (p. 128)
» Blind-Man's Buff (La Colin Maillard) (p. 128)
» The Gentlemen Together (Les Cavaliers Ensemble) (p. 129)
» The Zigzags (Les Zigzags) (p. 129)
» The Undulations (Les Undulations) (p. 129)
» The Two Lines (Les Deux Lignes) (p. 130)
» The Crooked Lane (L'Allée Tournante (p. 130)
» The Flying Hat (Le Chapeau Volant) (p. 131)
» The Figure of Eight (La Huit) (p. 131)
» The Intermingling of Arms (Les Bras Enlacés (p. 132)
» The Ladies' Moulinet (Le Moulinet des Dames) (p. 132)
» The Little Rounds (Les Petits Ronds) (p. 133)
» The Double Moulinet (Le Double Moulinet) (p. 134)
» The X of the Gentlemen (L'X Des Cavaliers) (p. 134)
» The X of the Gentleman and His Lady (L'X de Cavalier et de la Dame (p. 135)
» The English Right and Left (La Grand Chaine Anglaise) (p. 136)
» The Graces (Les Graces) (p. 136)
» The Contrary Rounds (Les Ronds Contrariées (p. 137)
» The Genuflexions (Les Genuflexions) (p. 138)
» The Right and Left (Les Chaines ´ Quatre) (p. 138)
» The Crossed Chains (Les Chaines Croisées (p. 138)
» The Double Pastourelle (La Double Pastourelle) (p. 139)
» The Double Chain (La Double Chaine) (p. 140)
» The Uninterrupted Chains (Les Chaines Continuées (p. 140)
» The Inconstants (Les Cavaliers Changeants) (p. 141)
» The Ladies Back to Back (Les Dames Dos à Dos (p. 141)
» Four Hands Round (Les Ronds à Quatre) (p. 142)
» The Genuflexion of Four (La Genuflexion à Quatre) (p. 143)
» The Change of the Moulinet (Le Moulinet Changé) (p. 143)
» The Changing Triangle (La Triangle Changeant) (p. 144)
» The Chains in Line (Les Chaines en Ligne) (p. 144)
» The Labyrinth (Le Labyrinth) (p. 145)
» The Polka in Right and Left Varied (La Polka en Chaines Diverses) (p. 146)
» The Basket (La Corbeille) (p. 146)
» The Triple Pass (La Tripple Passe) (p. 147)
» The Lady to the Left (La Dame à Gauche) (p. 147)
» The Reunion of Couples (p. 148)
» Conclusion of the Cotillon (p. 148)

George Wilson. (1884). Wilson's Modern Dances (1892 Cover But The © And Contents Are All 1884). New York. [Powers] [WorldCat]


R. S. Sinclair. (1885). Louava Quadrille. Boston: Elias Howe. {congress}


A. H. Uhle. (1885). La Gorlitza. W. F. Shaw. {congress}


A. Freising. (1885). Neuestes Saison-Tanz-Album. Anleitung zum besseren Verständuss der Ball-Ordnung nebst einer Sammlung der neuesten und beliebtesten Tänze. Berlin: Plahn'schen Buchhandlung.


Алексей Балабанов. (1885). Кадриль "Цыганка Стёша" для фортепиано в 2 руки. Санкт-Петербург: Музыкальный магазин "Северная лира."


[Anonymous]. (c. 1885). Лихой русский танцор и плясун без помощи учителя или книга, школа и самоучитель всех русских плясок и домашних, бальных и общественных танцев. Москва: Типография Ф. К. Иогансон.


Louis Roland, Achille Decombes. (1885). Roland's Quick-Step. Nouvelle Danse de Salon. Paris: O. Legouix. (pdf) {BNF}


[Anonymous]. (c. 1885). Calls For Orchestrone Quadrille. [Powers]


Am. Society of Professors of Dancing. (1885). Society Quadrille (Description And Sheet Music). New York. (pdf) {congress} [Powers]


Eugéne Clement. (c. 1885). Petit Aide-Mémoire. Guide Des Quadrilles & Du Cotillion Pour Les Bals Officiels, Noces, Sauteries De Famille, Etc. Paris. (pdf) {HDA} [Powers]


Eugene Clement. (c. 1885). Polka, Polka-Mazurke, Schotisch Et Valse. Paris. [Powers]


Prof. DeVere. (c. 1885). Prof. Deveaux' Ball-Room Guide And Call-Book. New York. [Powers]


A. J. Dick (pub.). (c. 1885). Ball-Room Guide And Call Book. New York. [Powers] [WorldCat]


Allen Dodworth. (1885). Dancing and Its Relations to Education and Social Life. New York: Harper & Brothers. (pdf) {google} [Enge] [Powers]

Couple Dances

» Galop (p. 44)
      » Right Turn (p. 45)
      » Left or Reverse Turn (p. 45)
      » Backward Change (p. 47)
      » Forward Change (p. 47)
      » Deux Temps (Two Time) - Ignoramus Waltz (p. 47)
      » Trois Temps (Three Time) (p. 48)
      » Four Slide Galop (p. 49)
» Racket (p. 50)
      » Galop Racket (or One-Slide Racket) (p. 50)
      » Racket Waltz (One-Slide Racket in Waltz Time) (p. 51)
      » Two-Slide Racket to Mazurka or Polka Redowa (p. 51)
      » Three-Slide Racket to Galop (p. 51)
      » Alternating One and Three to Galop (p. 52)
      » Alternating One and Three to Waltz (p. 52)
» Polka (p. 52)
      » To Reverse of Turn to Left (p. 53)
      » Pursuit (p. 53)
» Polka Redowa (p. 54)
» Polka Mazurka (p. 54)
» Esmeralda (or Three-Slide Polka) (p. 55)
» Bohemian (or Heel-and-Toe Polka) (p. 56)
» Combination Polka (p. 57)
» Varsovianna (Old) (p. 57)
» Varsovianna (New) (p. 58)
» Five-Step (p. 59)
» New Five-Step (p. 59)
» Schottische (p. 60)
» Waltz (p. 62)
      » Reverse (p. 65)
      » Pursuit (Forward) (p. 66)
      » Pursuit (Backward (p. 66)
      » Turning to Right (p. 66)
      » Turning to Left, or Reverse (p. 67)
      » Backward Change from Right Turn to Reverse (p. 67)
      » Forward Change from Right Turn to Reverse (p. 68)
      » Various Accents Given to the Waltz (p. 68)
      » Starting the Waltz (p. 70)
» Knickerbocker (p. 70)
      » Knickerbocker Waltz (p. 71)
» Redowa (p. 72)
» Hop Waltz (p. 73)
» Boston (p. 73)
» Minuet (p. 125)

Group Dances

» Motions of the Quadrille (p. 81)
» Jig Figure (p. 94)
» Cheat, or Coquette (p. 95)
» Basket Dance (p. 95)
» The Polo Quadrille (p. 96)
» Caledonian Quadrille (p. 98)
» Lancers (p. 101)
» Original Lancers (p. 102)
» Double or Saratoga Lancers (p. 102)
» Dodworth's New York Lancers (p. 110)
» Court Quadrille (Hungarian Körtanz) (p. 113)
» Minuet as a Quadrille (p. 134)
» Virginia Reel (Sir Roger De Coverley) (p. 137)
» Polonaise (p. 138)

Cotillion or German

» 1. The Excursion or Presentation (p. 164)
» 2. Rounds of Three (p. 164)
» 3. The Columns (p. 164)
» 4. Basket, No. 1 (p. 164)
» 5. The Wolf (p. 165)
» 6. The Serpent (p. 165)
» 7. The Broken Round (p. 166)
» 8. The Trap (p. 166)
» 9. The Rejected Couples (p. 166)
» 10. The False Invitation (p. 167)
» 11. Presentation of Gentlemen (p. 167)
» 12. Presentation of Ladies (p. 168)
» 13. The Ladies Deceived (p. 168)
» 14. The Round of Three (p. 168)
» 15. The Bridge (p. 168)
» 16. The Come and Go (p. 169)
» 17. The Forsaken Gentleman (p. 169)
» 18. Presentation of Couples (p. 169)
» 19. The Serpentine (p. 170)
» 20. The Carousel (p. 170)
» 21. The Reunion of Couples (p. 170)
» 22. The X of the Gentleman and His Lady (p. 171)
» 23. The Graces (p. 171)
» 24. Hungarian Chain (p. 172)
» 25. The Rhymes (p. 172)
» 26. Double Chaine Anglaise - Right and Left (p. 173)
» 27. The Change of Ladies (p. 173)
» 28. Quadrille, No. 1 (p. 173)
» 29. Quadrille, No. 2 (p. 174)
» 30. Quadrille, No. 3 (p. 174)
» 31. The Deceiver (p. 174)
» 32. The Deceitful Round (p. 175)
» 33. Changing Moulinet (p. 175)
» 34. Gentlemen Together (p. 175)
» 35. The Ladies' Windmill (p. 176)
» 36. The Double Windmill (p. 176)
» 37. The English Right and Left (p. 177)
» 38. The X of the Gentlemen (p. 177)
» 39. Four Hands Round (p. 178)
» 40. Right and Left Varied (p. 178)
» 41. Triple Pass (p. 179)
» 42. The Basket, No. 2 (p. 179)
» 43. The Pyramid (p. 180)
» 44. The Pursuit (p. 180)
» 45. The Windmill (p. 181)
» 46. Changing Windmill (p. 181)
» 47. The Contrary Rounds (p. 182)
» 48. The Inconstants (p. 182)
» 49. The Changing Triangle (p. 183)
» 50. The Two Lines (p. 183)
» 51. The Double Chain (p. 183)
» 52. The Different Rounds (p. 184)
» 53. The Graces (p. 184)
» 54. The Four Corners Turned (p. 184)
» 55. The Square of Mahone's (p. 185)
» 56. The Rounds of Four (p. 185)
» 57. The Round Arch (p. 186)
» 58. Windmill, No. 1 (p. 186)
» 59. Windmill, No. 2 (p. 186)
» 60. Windmill, No. 3 (p. 186)
» 61. Windmill, No. 4 (p. 187)
» 62. The Augmented Windmill (p. 187)
» 63. The Grand Round (p. 187)
» 64. The Twin Circles (p. 188)
» 65. The Country Dance (p. 188)
» 66. The Bower, No. 1 (p. 189)
» 67. The Undulations (p. 189)
» 68. The Right and Left (p. 189)
» 69. The Double Pastourelle (p. 190)
» 70. The Uninterrupted Chain (p. 190)
» 71. The Ladies Back to Back (p. 191)
» 72. The Chains in Line (p. 191)
» 73. Double Quadrille (p. 192)
» 74. The Flowers (p. 192)
» 75. Star and Circle (p. 193)
» 76. Extended Circle (p. 193)
» 77. Double Grand Chain (p. 194)
» 78. The Zigzag (p. 194)
» 79. Triple Quadrille (p. 194)
» 80. The Bower, No. 2 (p. 195)
» 81. The Bower, No. 3 (p. 195)
» 82. The Surprise (p. 196)
» 83. The Half Turn (p. 196)
» 84. The Recontres (p. 197)
» 85. The Scissors (p. 197)
» 86. Presentation in Lines (p. 197)
» 87. The Continued Bridge (p. 198)
» 88. The Gentlemen Back to Back (p. 198)
» 89. The Opposite Rounds (p. 198)
» 90. Changing Places (p. 199)
» 91. The Round Turns (p. 199)
» 92. Circle Divided (p. 199)
» 93. Le Bandeau (p. 200)
» 94. The Eccentric Column (p. 200)
» 95. The Circular Road (p. 201)
» 96. The Knot (p. 201)
» 97. Little Rounds (p. 201)
» 98. The Final Round (p. 202)
» 99. The Endless Round (p. 203)
» 100. The Two Lines (p. 203)
» 101. The Crooked Lane (p. 204)
» 102. Reunion of Couples (p. 204)
» 103. Simple Grand Chain (p. 204)
» 104. The Merging of Columns (p. 205)
» 105. The Column Reversed (p. 205)
» 106. The Archway (p. 206)
» 107. Double Column, No. 1 (p. 206)
» 108. Double Column, No. 2 (p. 207)
» 109. Double Column, No. 3 (p. 208)
» 110. A Succession of Moulinets (p. 208)
» 111. Military Figure, No. 1 (p. 209)
» 112. The Quadruple Quadrille (p. 210)
» 113. The Double Rounds (p. 211)
» 114. The Alley Way (p. 211)
» 115. The Covered Alley Way (p. 211)
» 116. The Discarded Gentleman (p. 212)
» 117. Military Figure, No. 2 (p. 212)
» 118. The Triple Column (p. 213)
» 119. Double Column of Threes (p. 213)
» 120. Double Column, No. 4 (p. 214)
» 121. Partners Regained (p. 214)
» 122. The Broken Column (p. 214)
» 123. The Developed Circle (p. 215)
» 124. Thread the Needle (p. 215)
» 125. Two Circles Linked (p. 216)
» 126. The Grand Basket (p. 216)
» 127. The Double Serpent (p. 217)
» 128. Le Carillon de Dunkirque (p. 218)
» 129. Le Chat et la Souris (p. 218)
» 130. L'Allee (p. 218)
» 131. Les Dames Ensemble (p. 219)
» 132. The Four Lines (p. 219)
» 133. Les Passes en Rond (p. 220)
» 134. Le Rond Serpente (p. 220)
» 135. The Triple Round (p. 221)
» 136. Choice of Waltzers (p. 221)
» 137. Gliding Lines (best suited to the Galop) (p. 222)
» 138. La Sœur Tourière (p. 222)
» 139. The Mysterious Hands (p. 223)
» 140. The Grand Chain Double (p. 223)
» 141. Ladies Returned (p. 223)
» 142. Do-àDos Squares (p. 224)
» 143. Reversed Rounds (p. 224)
» 144. Chain and Line (p. 225)
» 145. The Three Passes (p. 225)
» 146. Little Rounds to the Side (p. 226)
» 147. Jeu Geographique (p. 227)
» 148. The Oracle (p. 227)
» 149. La Corbeille Mobile (p. 227)
» 150. Les Chasseurs (p. 228)
» 151. L'Amorce (p. 228)
» 152. The Struggle (p. 229)
» 153. The Barber (p. 229)
» 154. The Scarecrow (p. 229)
» 155. The Candle (p. 230)
» 156. The Canopy (p. 230)
» 157. The Fan (p. 230)
» 158. The Umbrella (p. 231)
» 159. The Passage of the Hoops (p. 231)
» 160. The Clown (p. 231)
» 161. The Bells, No. 2 (p. 232)
» 162. The Covered Pieces (p. 232)
» 163. The Mirror (p. 232)
» 164. Glass of Water and Biscuit (p. 233)
» 165. Rice Powder (p. 233)
» 166. The Call-Bell (p. 233)
» 167. The Pledges (p. 234)
» 168. The Knot in the Handkerchief (p. 234)
» 169. The Turning Hat (p. 234)
» 170. The Bride (p. 235)
» 171. L'Escrime (p. 235)
» 172. The Frogs (p. 235)
» 173. The Mottoes (p. 236)
» 174. The Two Magicians (p. 236)
» 175. The Terminations (p. 236)
» 176. The Bat (p. 237)
» 177. The Roller (p. 237)
» 178. The Order of the Garter (p. 237)
» 179. The Needles (p. 238)
» 180. The Cards (p. 238)
» 181. The Grotesque Mask (p. 238)
» 182. The Chairs (p. 239)
» 183. The Figure Eight (p. 239)
» 184. The Magic Hat (p. 239)
» 185. The Moving Cushion (p. 240)
» 186. The Glass of Champagne (p. 240)
» 187. The Hat (p. 240)
» 188. The Scarf (p. 241)
» 189. The Ribbons (p. 241)
» 190. The Soloists (p. 241)
» 191. La Frou Frou (p. 242)
» 192. L'Addresse (p. 242)
» 193. The Pleasure Box (p. 242)
» 194. The Garland (p. 243)
» 195. The Bell Figure (p. 243)
» 196. The Cups (p. 243)
» 197. The Ball and Baton (p. 244)
» 198. The Four Corners (p. 244)
» 199. The Mouse-Trap (p. 244)
» 200. The Handkerchief (p. 245)
» 201. La Course Assise (p. 245)
» 202. The Ladies Seated (p. 246)
» 203. Blindman's-Buff (p. 246)
» 204. Flowery Hedge (p. 247)
» 205. The Mute Orchestra (p. 247)
» 206. The Gentlemen Kneeling (p. 247)
» 207. Hopping Race (p. 248)
» 208. Four Balloons (p. 248)
» 209. The Scarfs Crossed (p. 248)
» 210. The Four-in-Hand (p. 249)
» 211. Good-Night, Neighbor (p. 249)
» 212. The Four Chairs (p. 249)
» 213. The Flying Scarfs (p. 250)
» 214. The Stormy Sea (p. 250)
» 215. The Enchanted Circle (p. 251)
» 216. The Volunteers (p. 251)
» 217. The Flags, No. 1 (p. 251)
» 218. The Flags, No. 2 (p. 252)
» 219. The Flags (Military), No. 3 (p. 252)
» 220. The Flags (Military), No. 4 (p. 253)
» 221. The Undulations (p. 253)
» 222. The Handkerchief Chase (p. 254)
» 223. The Initials (p. 254)
» 224. The May-Pole (p. 254)
» 225. Black and White (p. 255)
» 226. The Mysterious Curtain (p. 255)
» 227. The Golden Apple (p. 255)
» 228. The Veils (p. 256)
» 229. The Repose (p. 256)
» 230. The Bibs (p. 256)
» 231. Cup and Ball (p. 257)
» 232. Exchange of Decorations (p. 257)
» 233. The Butterflies (p. 257)
» 234. The False Noses (p. 257)
» 235. The Umbrellas (p. 258)
» 236. The Christmas-Trees (p. 258)
» 237. Les Quarte Saisons (p. 259)
» 238. The Annunciator (p. 259)
» 239. La Tombola (p. 259)
» 240. The Teetotums (p. 260)
» 241. The Inscriptions (p. 260)
» 242. The Dominoes (p. 260)
» 243. The Screen (p. 261)
» 244. The Dice (p. 261)
» 245. The Rounds of Paper (p. 261)
» 246. Vacant Chairs (p. 261)
» 247. The Aprons (p. 262)
» 248. The Bouquets (p. 262)
» 249. The Two Chairs (p. 262)
» 250. The Sphinx (p. 263)

Eugène Giraudet. (1885). La Danse, La Tenue, Le Maintien. Paris. (pdf1) (pdf2) (djvu1) (djvu2) (txt1) (txt2) {congress} {congress2} {archive} {archive2} [Powers]


Loomis' Dancing Academy. (c. 1885). Lanciers Quadrille And Loomis' Minuet Lanciers. New Haven, CT. [Powers]


An M. C., R. S. Cartwright (pub.). (c. 1885). How To Dance. London. [Powers]


Prof. J. F. Davis. (1885). Le Bronco, A Round Dance [Description And Sheet Music]. Boston. (See 1888 Version.) [Powers]

Couple Dances

» Le Bronco (♩120) () (p. 2)







C. H. Rivers. (1885). A Full Description Of Modern Dances. Brooklyn. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Franz Magnus Böhme. (1886). Geschichte des Tanzes in Deutschland. Beitrag zur deutschen Sitten-, Literatur- und Musikgeschichte. Nach den quellen zum erstenmal bearbeitet und mit alten Tanzliedern und Musikproben, Volume I. Leipzig: Breitkopf & Härtel. (pdf) (djvu) (txt) {archive}


Franz Magnus Böhme. (1886). Geschichte des Tanzes in Deutschland. Beitrag zur deutschen Sitten-, Literatur- und Musikgeschichte. Nach den quellen zum erstenmal bearbeitet und mit alten Tanzliedern und Musikproben, Volume II. Leipzig: Breitkopf & Härtel. (pdf) (djvu) (txt) {archive}


H. Diringer. (1886). Die Tanz-Kunst. Kulturhistorische Skizze. Die Tänze der einzelnen Völter und die practische Lehre der modernen Salon-Tänze nebst einem illustrirten Cotillon. München: Cäsar Frirsch.


[Anonymous]. (1886). Настольная книга для молодых людей, составленная под руководством "артистов Императорских театров" московским учителем танцев. Тифлис: Типография А. А. Михельсона.


Léopold Bagnat. (1886). Le Carillon. Danse de Salon. Paris: A. Biloir. (pdf) {BNF}


O. F. "Cub" Berdan. (1886). One Night In A Ball Room - Call Book. Detroit, MI. [Powers] [WorldCat]


Cartier. (1886). Cartier's Pocket Guide And Calls For Square Dances. New York. [Powers] [WorldCat]


Elias Howe. (1886). The Pocket Ball-Room Prompter. Boston: O. Ditson & Co. (pdf) (djvu) (txt) {congress} {archive}


Pennsylvania Company (pub.). (1886). Social Amusements: A Choice Collection of Parlor Games, Tricks, Charades, Tableaux, Parlor Theatricals, Pantomimes and Palmistry, and Figures and Calls for Dancing, and the Language of the Flowers, Etc., Etc. Chicago. (pdf) {google} [Powers]


F. Trifet. (1886). Trifet's Acme Of Dances, With Calls And Figures, 114 Dances. [Powers] [WorldCat]


Frederick Warne and Co. (pub.). (c. 1886). The Ball-Room Guide, A Handy Manual. London & New York. (pdf) {google} [Powers]


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part I].


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part II].


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part III].


Владимир Викторович Чуйко. (1887). История хореографии. Пляски, танцы и балеты [Part IV].


Edward Scott. (c. 1887). Dancing As It Should Be (1st Edition). London. [Powers] [WorldCat]


Mrs. John Sherwood. (1887). Manners and Social Usages. New York: Harper & Brothers. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Frederick Blume (pub.). (1887). Dodworth's Five Step Waltz. New York: Frederick Blume. (pdf) {duke}

Note: Music in 5/4 time, for dancing Five-Step Waltz.


A. Squire. (1887). Squire's Practical Prompter Or Ball-Room Call Book. Cincinnati. (pdf) {Powers} [Powers]


Frederick Warne & Co. (1887). Modern Etiquette In Public And Private (with Dance Descriptions). London & New York. (pdf) (djvu) (txt) {archive} [Powers]


[Anonymous]. (1888). Manuale Complete dei Balli di Società Ossia il Maestro da Ballo in Famiglia con le Istruzioni per Comandare e Dirigere Contradanze, Quadriglie, Cotillons, ecc. Milano: Casa Editice Guigoni.


Лев Петрович Стуколкин. (1888). Кают-компания. Мазурка. Санкт-Петербург: Николай Христианович Давингоф.


Meyer Lutz (comp.). (1888). Pas de Quatre, The Enormously Successful Dance from Opera Burlesque "Faust Up to Date." [London]. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 2)







Prof. J. F. Davis. (1888). Le Bronco, A Round Dance (Description And Sheet Music). Boston. (pdf) {Powers} [Powers]

Couple Dances

» Le Bronco (♩120) () (p. 2)







Allen Dodworth. (1888). Dancing and Its Relations to Education and Social Life (New and Enlarged Edition). New York: Harper & Brothers. (pdf) {google} [Enge] [Powers]

Note: Adds The York, Military Schottisch, Highland Schottisch, Caprice Waltz, Christmas Polka, and Cally Polka Quadrille to Dodworth, 1885.

Couple Dances

» Galop (p. 44)
      » Right Turn (p. 45)
      » Left or Reverse Turn (p. 45)
      » Backward Change (p. 47)
      » Forward Change (p. 47)
      » Deux Temps (Two Time) - Ignoramus Waltz (p. 47)
      » Trois Temps (Three Time) (p. 48)
      » Four Slide Galop (p. 49)
» Racket (p. 50)
      » Galop Racket (or One-Slide Racket) (p. 50)
      » Racket Waltz (One-Slide Racket in Waltz Time) (p. 51)
      » Two-Slide Racket to Mazurka or Polka Redowa (p. 51)
      » Three-Slide Racket to Galop (p. 51)
      » Alternating One and Three to Galop (p. 52)
      » Alternating One and Three to Waltz (p. 52)
» Polka (p. 52)
      » To Reverse of Turn to Left (p. 53)
      » Pursuit (p. 53)
» Polka Redowa (p. 54)
» Polka Mazurka (p. 54)
» Esmeralda (or Three-Slide Polka) (p. 55)
» Bohemian (or Heel-and-Toe Polka) (p. 56)
» Combination Polka (p. 57)
» Varsovianna (Old) (p. 57)
» Varsovianna (New) (p. 58)
» Five-Step (p. 59)
» New Five-Step (p. 59)
» Schottische (p. 60)
» Waltz (p. 62)
      » Reverse (p. 65)
      » Pursuit (Forward) (p. 66)
      » Pursuit (Backward (p. 66)
      » Turning to Right (p. 66)
      » Turning to Left, or Reverse (p. 67)
      » Backward Change from Right Turn to Reverse (p. 67)
      » Forward Change from Right Turn to Reverse (p. 67)
      » Various Accents Given to the Waltz (p. 68)
      » Starting the Waltz (p. 70)
» Knickerbocker (p. 70)
      » Knickerbocker Waltz (p. 71)
» Redowa (p. 72)
» Hop Waltz (p. 73)
» Boston (p. 73)
» Minuet (p. 125)
» The York (p. 279)
» Military Schottisch (p. 280)
» Highland Schottisch (p. 281)
» Caprice Waltz (p. 282)
» Christmas Polka (p. 283)

Group Dances

» Motions of the Quadrille (p. 81)
» Jig Figure (p. 94)
» Cheat, or Coquette (p. 95)
» Basket Dance (p. 95)
» The Polo Quadrille (p. 96)
» Caledonian Quadrille (p. 98)
» Lancers (p. 101)
» Original Lancers (p. 102)
» Double or Saratoga Lancers (p. 102)
» Dodworth's New York Lancers (p. 110)
» Court Quadrille (Hungarian Körtanz) (p. 113)
» Minuet as a Quadrille (p. 134)
» Virginia Reel (Sir Roger De Coverley) (p. 137)
» Polonaise (p. 138)
» La Pavane (p. 284)
» Cally Polka Quadrille (p. 293)

Cotillion or German

» 1. The Excursion or Presentation (p. 164)
» 2. Rounds of Three (p. 164)
» 3. The Columns (p. 164)
» 4. Basket, No. 1 (p. 164)
» 5. The Wolf (p. 165)
» 6. The Serpent (p. 165)
» 7. The Broken Round (p. 166)
» 8. The Trap (p. 166)
» 9. The Rejected Couples (p. 166)
» 10. The False Invitation (p. 167)
» 11. Presentation of Gentlemen (p. 167)
» 12. Presentation of Ladies (p. 168)
» 13. The Ladies Deceived (p. 168)
» 14. The Round of Three (p. 168)
» 15. The Bridge (p. 168)
» 16. The Come and Go (p. 169)
» 17. The Forsaken Gentleman (p. 169)
» 18. Presentation of Couples (p. 169)
» 19. The Serpentine (p. 170)
» 20. The Carousel (p. 170)
» 21. The Reunion of Couples (p. 170)
» 22. The X of the Gentleman and His Lady (p. 171)
» 23. The Graces (p. 171)
» 24. Hungarian Chain (p. 172)
» 25. The Rhymes (p. 172)
» 26. Double Chaine Anglaise - Right and Left (p. 173)
» 27. The Change of Ladies (p. 173)
» 28. Quadrille, No. 1 (p. 173)
» 29. Quadrille, No. 2 (p. 174)
» 30. Quadrille, No. 3 (p. 174)
» 31. The Deceiver (p. 174)
» 32. The Deceitful Round (p. 175)
» 33. Changing Moulinet (p. 175)
» 34. Gentlemen Together (p. 175)
» 35. The Ladies' Windmill (p. 176)
» 36. The Double Windmill (p. 176)
» 37. The English Right and Left (p. 177)
» 38. The X of the Gentlemen (p. 177)
» 39. Four Hands Round (p. 178)
» 40. Right and Left Varied (p. 178)
» 41. Triple Pass (p. 179)
» 42. The Basket, No. 2 (p. 179)
» 43. The Pyramid (p. 180)
» 44. The Pursuit (p. 180)
» 45. The Windmill (p. 181)
» 46. Changing Windmill (p. 181)
» 47. The Contrary Rounds (p. 182)
» 48. The Inconstants (p. 182)
» 49. The Changing Triangle (p. 183)
» 50. The Two Lines (p. 183)
» 51. The Double Chain (p. 183)
» 52. The Different Rounds (p. 184)
» 53. The Graces (p. 184)
» 54. The Four Corners Turned (p. 184)
» 55. The Square of Mahone's (p. 185)
» 56. The Rounds of Four (p. 185)
» 57. The Round Arch (p. 186)
» 58. Windmill, No. 1 (p. 186)
» 59. Windmill, No. 2 (p. 186)
» 60. Windmill, No. 3 (p. 186)
» 61. Windmill, No. 4 (p. 187)
» 62. The Augmented Windmill (p. 187)
» 63. The Grand Round (p. 187)
» 64. The Twin Circles (p. 188)
» 65. The Country Dance (p. 188)
» 66. The Bower, No. 1 (p. 189)
» 67. The Undulations (p. 189)
» 68. The Right and Left (p. 189)
» 69. The Double Pastourelle (p. 190)
» 70. The Uninterrupted Chain (p. 190)
» 71. The Ladies Back to Back (p. 191)
» 72. The Chains in Line (p. 191)
» 73. Double Quadrille (p. 192)
» 74. The Flowers (p. 192)
» 75. Star and Circle (p. 193)
» 76. Extended Circle (p. 193)
» 77. Double Grand Chain (p. 194)
» 78. The Zigzag (p. 194)
» 79. Triple Quadrille (p. 194)
» 80. The Bower, No. 2 (p. 195)
» 81. The Bower, No. 3 (p. 195)
» 82. The Surprise (p. 196)
» 83. The Half Turn (p. 196)
» 84. The Recontres (p. 197)
» 85. The Scissors (p. 197)
» 86. Presentation in Lines (p. 197)
» 87. The Continued Bridge (p. 198)
» 88. The Gentlemen Back to Back (p. 198)
» 89. The Opposite Rounds (p. 198)
» 90. Changing Places (p. 199)
» 91. The Round Turns (p. 199)
» 92. Circle Divided (p. 199)
» 93. Le Bandeau (p. 200)
» 94. The Eccentric Column (p. 200)
» 95. The Circular Road (p. 201)
» 96. The Knot (p. 201)
» 97. Little Rounds (p. 201)
» 98. The Final Round (p. 202)
» 99. The Endless Round (p. 203)
» 100. The Two Lines (p. 203)
» 101. The Crooked Lane (p. 204)
» 102. Reunion of Couples (p. 204)
» 103. Simple Grand Chain (p. 204)
» 104. The Merging of Columns (p. 205)
» 105. The Column Reversed (p. 205)
» 106. The Archway (p. 206)
» 107. Double Column, No. 1 (p. 206)
» 108. Double Column, No. 2 (p. 207)
» 109. Double Column, No. 3 (p. 208)
» 110. A Succession of Moulinets (p. 208)
» 111. Military Figure, No. 1 (p. 209)
» 112. The Quadruple Quadrille (p. 210)
» 113. The Double Rounds (p. 211)
» 114. The Alley Way (p. 211)
» 115. The Covered Alley Way (p. 211)
» 116. The Discarded Gentleman (p. 212)
» 117. Military Figure, No. 2 (p. 212)
» 118. The Triple Column (p. 213)
» 119. Double Column of Threes (p. 213)
» 120. Double Column, No. 4 (p. 214)
» 121. Partners Regained (p. 214)
» 122. The Broken Column (p. 214)
» 123. The Developed Circle (p. 215)
» 124. Thread the Needle (p. 215)
» 125. Two Circles Linked (p. 216)
» 126. The Grand Basket (p. 216)
» 127. The Double Serpent (p. 217)
» 128. Le Carillon de Dunkirque (p. 218)
» 129. Le Chat et la Souris (p. 218)
» 130. L'Allee (p. 218)
» 131. Les Dames Ensemble (p. 219)
» 132. The Four Lines (p. 219)
» 133. Les Passes en Rond (p. 220)
» 134. Le Rond Serpente (p. 220)
» 135. The Triple Round (p. 221)
» 136. Choice of Waltzers (p. 221)
» 137. Gliding Lines (best suited to the Galop) (p. 222)
» 138. La Sœur Tourière (p. 222)
» 139. The Mysterious Hands (p. 223)
» 140. The Grand Chain Double (p. 223)
» 141. Ladies Returned (p. 223)
» 142. Do-àDos Squares (p. 224)
» 143. Reversed Rounds (p. 224)
» 144. Chain and Line (p. 225)
» 145. The Three Passes (p. 225)
» 146. Little Rounds to the Side (p. 226)
» 147. Jeu Geographique (p. 227)
» 148. The Oracle (p. 227)
» 149. La Corbeille Mobile (p. 227)
» 150. Les Chasseurs (p. 228)
» 151. L'Amorce (p. 228)
» 152. The Struggle (p. 229)
» 153. The Barber (p. 229)
» 154. The Scarecrow (p. 229)
» 155. The Candle (p. 230)
» 156. The Canopy (p. 230)
» 157. The Fan (p. 230)
» 158. The Umbrella (p. 231)
» 159. The Passage of the Hoops (p. 231)
» 160. The Clown (p. 231)
» 161. The Bells, No. 2 (p. 232)
» 162. The Covered Pieces (p. 232)
» 163. The Mirror (p. 232)
» 164. Glass of Water and Biscuit (p. 233)
» 165. Rice Powder (p. 233)
» 166. The Call-Bell (p. 233)
» 167. The Pledges (p. 234)
» 168. The Knot in the Handkerchief (p. 234)
» 169. The Turning Hat (p. 234)
» 170. The Bride (p. 235)
» 171. L'Escrime (p. 235)
» 172. The Frogs (p. 235)
» 173. The Mottoes (p. 236)
» 174. The Two Magicians (p. 236)
» 175. The Terminations (p. 236)
» 176. The Bat (p. 237)
» 177. The Roller (p. 237)
» 178. The Order of the Garter (p. 237)
» 179. The Needles (p. 238)
» 180. The Cards (p. 238)
» 181. The Grotesque Mask (p. 238)
» 182. The Chairs (p. 239)
» 183. The Figure Eight (p. 239)
» 184. The Magic Hat (p. 239)
» 185. The Moving Cushion (p. 240)
» 186. The Glass of Champagne (p. 240)
» 187. The Hat (p. 240)
» 188. The Scarf (p. 241)
» 189. The Ribbons (p. 241)
» 190. The Soloists (p. 241)
» 191. La Frou Frou (p. 242)
» 192. L'Addresse (p. 242)
» 193. The Pleasure Box (p. 242)
» 194. The Garland (p. 243)
» 195. The Bell Figure (p. 243)
» 196. The Cups (p. 243)
» 197. The Ball and Baton (p. 244)
» 198. The Four Corners (p. 244)
» 199. The Mouse-Trap (p. 244)
» 200. The Handkerchief (p. 245)
» 201. La Course Assise (p. 245)
» 202. The Ladies Seated (p. 246)
» 203. Blindman's-Buff (p. 246)
» 204. Flowery Hedge (p. 247)
» 205. The Mute Orchestra (p. 247)
» 206. The Gentlemen Kneeling (p. 247)
» 207. Hopping Race (p. 248)
» 208. Four Balloons (p. 248)
» 209. The Scarfs Crossed (p. 248)
» 210. The Four-in-Hand (p. 249)
» 211. Good-Night, Neighbor (p. 249)
» 212. The Four Chairs (p. 249)
» 213. The Flying Scarfs (p. 250)
» 214. The Stormy Sea (p. 250)
» 215. The Enchanted Circle (p. 251)
» 216. The Volunteers (p. 251)
» 217. The Flags, No. 1 (p. 251)
» 218. The Flags, No. 2 (p. 252)
» 219. The Flags (Military), No. 3 (p. 252)
» 220. The Flags (Military), No. 4 (p. 253)
» 221. The Undulations (p. 253)
» 222. The Handkerchief Chase (p. 254)
» 223. The Initials (p. 254)
» 224. The May-Pole (p. 254)
» 225. Black and White (p. 255)
» 226. The Mysterious Curtain (p. 255)
» 227. The Golden Apple (p. 255)
» 228. The Veils (p. 256)
» 229. The Repose (p. 256)
» 230. The Bibs (p. 256)
» 231. Cup and Ball (p. 257)
» 232. Exchange of Decorations (p. 257)
» 233. The Butterflies (p. 257)
» 234. The False Noses (p. 257)
» 235. The Umbrellas (p. 258)
» 236. The Christmas-Trees (p. 258)
» 237. Les Quarte Saisons (p. 259)
» 238. The Annunciator (p. 259)
» 239. La Tombola (p. 259)
» 240. The Teetotums (p. 260)
» 241. The Inscriptions (p. 260)
» 242. The Dominoes (p. 260)
» 243. The Screen (p. 261)
» 244. The Dice (p. 261)
» 245. The Rounds of Paper (p. 261)
» 246. Vacant Chairs (p. 261)
» 247. The Aprons (p. 262)
» 248. The Bouquets (p. 262)
» 249. The Two Chairs (p. 262)
» 250. The Sphinx (p. 263)

E. W. Masters. (1888). La Marjolaine. The New Society Dance. (Description And Sheet Music). Boston. [Powers]

Couple Dances

» La Marjolaine







Edward Scott. (1888). Dancing And Dancers, Or, Grace And Folly. London. (pdf) {google} [Powers]


Two Amateur Leaders. (1888). The German - How To Dance It (©1878). Chicago. (See 1879 Edition.) [Powers] [WorldCat]


Lucien O. Carpenter. (1889). J. W. Pepper's Universal Dancing Master, Prompter's Call Book And Violinist's Guide. Philadelphia. (See 1882 Edition.) [Powers]


J. S. Christy. (1889). Nova Scotia, The New Round Dance. Pittsburg: John S. Christy. (pdf) {LAC} [Enge]

Couple Dances

» Nova Scotia (♬) (p. 2)






William E. Greene. (1889). The Terpsichorean Monitor. Providence, RI. (pdf) (djvu) (txt) {congress} {archive} [Powers]


J. H. Harvey. (1889). Wehman's Complete Dancing Master and Call Book: Containing a Full and Complete Description of All the Modern Dances, together with the Figures of the German. New York: Henry J. Wehman. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Elias Howe (pub.). (1889). Howe's New Ball-Room Guide (©1883). Boston. [Powers] [WorldCat]


E. W. Masters. (1889). The Original Yorke. A New Dance. (Description And Orchestra Music). Boston. [Powers]


Judson Sause. (1889). The Art Of Dancing, Embracing A Full Description Of The Various Dances Of The Present Day (5th Edition). New York. (pdf) (djvu) (txt) {congress} {archive} [Powers]


L. F. Segadlo. (1889). Course Of Instruction In Dancing And Aesthetic Development Of The Body. Newark, NJ. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Herman Strassburg. (c. 1889). Quadrilles As Taught By Herman Strassburg & Son. Detroit, MI. [Powers]


Herman A. Strassburg. (1889). Call Book Of Modern Quadrilles. Detroit: American Music Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]


1890



Sep. [Septimus] Winner. (1890). Banner Folio for Violin and Piano. Boston: Oliver Ditson Company. (pdf) {google}

Notes: Description of Plain Quadrille on p. 81, along with lots of other music.

Dance Music

» Plain Quadrille, Cotillon (♬) (p. 81)






де Колиньяр. (1890). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 9 уроков без помощи учителя всем бальным танцам. С дополнением гран-рона, котильона, мазурки, характерных плясок: камаринской, казачка, матросской и венгерской и полного курса светский приличий. Москва: Типография А. Гатцука. (pdf) {HDA}


В. С. Дунин-Барковская. (1890). Новейший учебник и самоучитель танцев. Тифлис.


Лев Петрович Стуколкин. (1890). Преподаватель и распорядитель бальных танцев. Общедоступное руководство к изучению всех общественных танцев и руководство для распорядителей на балах и семейных вечерах с указателем фигур для кадрили, котильона и мазурки. С приложением статей: 1) О пользе препопадавания танцев. 2) Краткий исторический очерк появления салонных танцев. 3) Характеристика национальных танцев. Санкт- Петербург: Типография А. Н. Тихонова.


[Anonymous]. (1890). Жизнь в свете, дома и при дворе. Санкт-Петербург.


Альберт Яковлевич Цорн. (1890). Грамматика танцевального искусства и хореографии. Одесса: Типография А. Шульце. (pdf) {RSL}


Альберт Яковлевич Цорн. (1890). Атлас к грамматике танцевального искусства и хореографии. Одесса: Типография А. Шульце. (pdf) {RSL)


Wiktor Kaźyński. (1890). Polka-Tremblante. Vienne: H. F. Müller.


Edouard Jouve, J. Molina de Silva. (c. 1890). Les Patineurs Anglais. English Skating Dance. Nouvelle Danse. Paris: Jacques Pisa.


C. Perrin Fils (dance), Albert Clément (music). (c. 1890). La Berline, Danse Nouvelle. Paris: Albert Clement. (pdf) {BNF}

Couple Dances

» La Berline (The Berline) (♬) (p. 2)
      » Coquette (p. 2)









Gustave Desrat. (c. 1890). Traité de la Danse. Paris: H. Delarue. (pdf) {BNE}


Alvaro Dias Patricio. (c. 1890). Novissimo e Completo Manual de Dança. Rio de Janeiro: B. L. Garnier. (pdf) {BNE}

Note: Includes a glossary of technical dance terms at the end (p. 177), and general discussion of music and dance at the beginning.

Group Dances

» Figuras Principaes Na Contradança (p. 48)
» Quadrilha Francesa (p. 54)
» Quadrilha Imperial (p. 61)
» Quadrilha Cruzada (p. 67)
» Les Lanciers (p. 68)
» Os Lanceiros (p. 76)
» Rocambole (p. 79)
» Princeza Imperial (p. 82)
» A Juventude (p. 85)
» Esmeralda ou Lanceiros Lusitanos (p. 88)
» Lanceiros Fluminenses (p. 91)
» Ultimas Proezas de Rocambole (p. 94)
» Le Polo (p. 98)

Couple Dances

» A Valsa (p. 103)
» Valsa a Tres Tempos (p. 104)
» Valsa a Dois Tempos (p. 105)
» Valsa Franceza a 4 Tempos (p. 106)
» Valsa Pulada a 4 Tempos (p. 107)
» Polka (p. 108)
» Schottisch (incl. Sauteuse) (p. 110)
» Mazurka (p. 113)
» Pas de Mazurka ou de Glissé (p. 113)
» Pas Polonais (p. 114)
» Pas Boiteux (p. 114)
» Polka-Mazurka (p. 115)
» Redowa (p. 117)
» Boston (p. 119)
» Siciliana (p. 121)
» Varsoviana (p. 123)
» Polka Hespanhola (Habanera) (p. 125)

Cotillon

» 1. La Présentation (p. 129)
» 2. Do-à-Dos (p. 129)
» 3. La Chaise (p. 130)
» 4. Les Impairs (p. 130)
» 5. Les Tours de Mains (p. 131)
» 6. Suivez-Moi, Jeune Homme (p. 131)
» 7. Les Rois (p. 132)
» 8. Les Ronds (p. 132)
» 9. les Fleurs (p. 133)
» 10. Le Coussin (p. 134)
» 11. Le Miroir (p. 134)
» 12. L'Eventail (p. 135)
» 13. Le Jeu des Cartes (p. 136)
» 14. Le Rond Interrompu (p. 136)
» 15. Les Fleurs ou Les Animaux (p. 137)
» 16. Les Mouchoirs (p. 138)
» 17. La Prison (p. 138)
» 18. Le Colin-Maillard (p. 139)
» 19. Le Huit (p. 140)
» 20. Les Berceaux (p. 141)
» 21. Le Dais (p. 142)
» 22. Les Moulinets (p. 142)
» 23. La Corbeille (p. 145)
» 24. Les Serpents (p. 147)
» 25. Un Portier du Couvent (p. 148)
» 26. Les Zig-Zags (p. 149)
» 27. Le Timbre Magique (p. 150)
» 28. Les Dames Refusées (p. 150)
» 29. Le Rond Brisé (p. 29)
» 30. Le Mouchoir (p. 152)
» 31. La Poursuite (p. 152)
» 32. Les Ondulations (p. 153)
» 33. La Grande Chaine Anglaise (p. 154)
» 34. Les Cavaliers Changeants (p. 155)
» 35. Le Peloton (p. 156)
» 36. La Tête (p. 157)
» 37. Les Lignes (p. 157)
» 38. La Chasse Aux Mouchoirs (p. 159)
» 39. Les Chaînes à Quatre (p. 160)
» 40. Les Dames Dos à Dos (p. 161)
» 41. Le Triangle (p. 162)
» 42. Changement de Dames (p. 163)
» 43. La Clef des Cœurs (p. 163)
» 44. L'Allée Tournante (p. 164)
» 45. La Pyramide (p. 165)
» 46. Les Drapeaux (p. 166)
» 47. La Phalange (p. 166)
» 48. La Guirlande (p. 167)
» 49. Les Arcades (p. 168)
» 50. Le Drap Mystérieux (p. 169)
» 51. Le Mouchoir (p. 169)
» 52. Rond Final (p. 170)
» 53. Le Refusé (p. 171)
» 54. Les Ronds Infinis (p. 171)
» 55. Le Double Moulinet (p. 172)
» 56. Le Final (p. 173)
» 57. Salut (Final) (p. 175)

Lucie H. Armstrong. (c. 1890). The Ball-room Guide Containing the Barn Dance, "The Minuet," Skirt-Dancing and Hints on Fancy Dress Balls &c (New and Revised Edition). London.


Cole's Book Arcade (pub.). (c. 1890). The Pocket Guide to the Dances. Melbourne, Australia: Cole's Book Arcade. (pdf) {SLV} [Powers]

Quadrilles

» First Set Quadrille
» Parisian Quadrille
» Waltz Cotillion
» Alberts Quadrille
» Fitzroy Quadrille
» Exions Quadrille
» Caledonians Quadrille
» Lancers

Lucie H. Armstrong. (c. 1890). The Ball-Room Guide, A New And Revised Edition. London/New York. [Powers] [WorldCat]


Prof. S. (Solomon) Asher. (1890). Prof. S. Asher's Pocket Edition On Dancing (Pocket Guide For Beginners And Advanced Dancers). Philadelphia. [Powers] [WorldCat]


Horace W. Beek. (1890). The Oxford Minuet. Chicago: Lyon and Healy. (pdf) {Duke} [Powers]

Couple Dances

» The Oxford Minuet (♬) (p. 2)






Horace W. Beek (dance), Morley McLaughlin (music). (c. 1890). The Oxford Minuet, New Dance. Hamilton, Canada: P. Grossman's Sons. (pdf) {LAC} [Enge]

Couple Dances

» The Oxford Minuet (♬) (p. 2)






Horace W. Beek (dance), Morley McLaughlin (music). (c. 1890). The Oxford Minuet, New Dance. Montreal: Walter Street. (pdf) [Enge]

Couple Dances

» The Oxford Minuet (♬) (p. 2)






E. Baehr. (c. 1890). The Oxford, New Dance. Toronto: Whaley, Royce & Co. (pdf) [Enge]

Couple Dances

» The Oxford Minuet (♬) (p. 2)






Prof. W. F. Braun. (1890). Braun's Manual. Calls And Dances. (W. F. Braun's Name And Address Handwritten Inside Cover). Pittsburgh, PA. [Powers]


J. F. Davis. (1890). Le Premier Waltz Minuet. Toronto: Prof. Davis. (pdf) [Enge]

Couple Dances

» The Waltz Menuet (♬) (p. 8)






M. [Melvin] B. [Ballou] Gilbert. (1890). Round Dancing. Portland, ME: M. B. Gilbert. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Full Playlist

Polka

» The Polka (★) (p. 45)
      » with Preliminary Hop (★) (p. 45)
» Reverse Polka (★) (p. 50)
      » Transition to Reverse Polka (★) (p. 52)
      » Transition from Reverse Polka (★) (p. 52)
» Glide Polka (★) (p. 53)
      a.k.a. Coquette Polka (p. 53)
      a.k.a. Rush Polka (p. 54)
      a.k.a. Three Slide Polka (p. 54)
» Cross Step Polka (★) () (p. 54)
» La Esmeralda () (★) (p. 55)
» Bohemian Polka () (★) (p. 55)
      a.k.a. Heel and Toe Polka (p. 56)
» Combination Polka () (★) (p. 56)
» The Berlin (★) (p. 56)
      a.k.a. German Polka (p. 63)
» The Wave (★) (p. 58)
» The Ruchter (★) (p. 58)
      a.k.a. Babies On Our Block (p. 59)
      a.k.a. Little Sallie Waters (p. 59)
      » in Military Position (★) (p. 59)
» The Portland (★) (p. 60)
» Polka Militaire (★) (p. 60)
      a.k.a. Coquette (p. 60)
» The Duchess (★) (p. 61)
» New Side Step Polka (p. 62)
» The Alsacian (★) (p. 62)
      a.k.a. Berlin Polka (p. 63)
» American Gavotte (★) (p. 63)
» Hornpipe Polka (★) (p. 64)
» The Metropolitan (★) (p. 64)
» The Carlton (★) (p. 64)
» The Antlers (★) (p. 65)
» The Ashland (★) (p. 65)
» Polka Russe (★) (p. 66)
» Baby Polka (★) (p. 69)

Pas De Basque

» Pas de Basque in 2/4 Time (p. 73)
» Pas de Basque in 3/4 Time (p. 75)

The Waltz

» The Waltz (★) (p. 76, 79)
      [a.k.a. Side-Step Redowa]
      a.k.a. The Present Popular Waltz
      » Reverse Waltz (p. 76, 79)
      » Transition to Reverse (p. 85)
      » Transition from Reverse (p. 85)
» The Glide Waltz (p. 88)
      » Reverse Glide Waltz (p. 88)
      » Transition to Reverse (p. 88)
      » Transition from Reverse (p. 88)
» The Original Waltz (p. 91)
      a.k.a. La Valse a Trois Temps (p. 62)
» La Valse a Deux Temps () (p. 92)
» Hop Waltz (p. 92)
» Redowa Waltz (p. 93)
» The Boston (p. 93)
» Boston Dip (p. 94)
» Polka Dot Waltz (p. 94)
» The Bowdoin (p. 94)
» Double Glide Waltz (p. 95)
» Knickerbocker Waltz (p. 95)
» Gavotte Glide (p. 96)
» Philadelphia Glide (p. 96)
» College Step (p. 96)
» The Eugenie (p. 97)
» Diagonal Waltz (p. 98)
» Redowa Glissade (p. 98)
» Racket Waltz (p. 99)
» Fascination (p. 99)
» La Madrilane (p. 100)
» Le Metropole (p. 100)
» The Society () (p. 101)
» Valse Les Patineurs (The Skaters Waltz) (p. 101)
» Waltz Minuet (p. 102)
» The Rosita (p. 103)
» Military Times (p. 103)
» Military Waltz (p. 103)

The Galop

» The Galop (p. 107)
      a.k.a. La Valse a Deux Temps () (p. 107)
      » Reverse Galop (p. 108)
      » Transition to Reverse (p. 108)
      » Transition from Reverse (p. 108)
» Four Step Galop (p. 109)
      a.k.a. Le Galop a Quatre Temps (p. 109)
      a.k.a. Four Slide Galop (p. 109)
» The Racket (p. 109)
» One Slide Racket (p. 110)
» Three Slide Racket (p. 110)
» Waltz Galop () (p. 110)
» The Jersey () (p. 110)
      a.k.a. Ripple Combination (p. 111)
» Ripple Galop () (p. 111)
» Le Galop a Pas Saute (p. 111)
» The Puritan Waltz () (p. 111)
      a.k.a. The Jubilee (p. 115)
» Polish Galop (p. 112)
» The Gaiety (p. 112)
» L'Eclair (p. 113)
      » Reverse L'Eclair (p. 114)
» Wave Galop (p. 114)
» Narragansett Pier (p. 114)
» Hecla Galop () (p. 115)
» The Fairy (p. 115)
» Le Beau (p. 116)
» Military Galop (p. 116)

The Schottische

» The Schottische (★) (p. 119)
» Military Schottische (★) (p. 120)
      a.k.a. Dancing in the Barn (p. 121)
      a.k.a. Kentucky Jubilee (p. 121)
      » Waltz Galop Version (★) (p. 120)
» Gavotte Schottische (p. 121)
» Glide Schottische (No. 1) (p. 121)
» Five Step Schottische (p. 122)
      a.k.a. Redowa Schottische (p. 127)
      a.k.a. New Schottische (p. 127)
      » Reverse Five Step Schottische (p. 122)
» Star Schottische (★) (p. 123)
» The Caprice (p. 123)
      a.k.a. Caprice Schottische (p. 131)
» Imperial Gavotte (p. 124)
» Bon-Ton Gavotte (p. 125)
» The Harvard (★) (p. 125)
» Polka Schottische (★) (p. 126)
» Schottische A Pas Saute (★) (p. 126)
      a.k.a. Hop Waltz (p. 126)
» Schottische Gavotte (p. 127)
» Stephanie Gavotte (p. 128)
» Loomis New Gavotte (p. 129)
» The Knickerbocker (★) (by Masters) (p. 130)
» Glide Schottische (No. 2) (p. 130)
» Edinburgh Schottische (p. 130)
» Gavotte (p. 131)
» The Vienna (p. 131)
» The Columbia (p. 132)
» The Mettlesome (p. 133)
» The Skaters (p. 134)
» The Knickerbocker (by Dodworth) (p. 134)
» The Celtic (p. 135)
» Highland Schottische (p. 135)
» Highland Gavotte (p. 137)
» Highland Glide (p. 138)

Redowa and Mazurka

» The Redowa (p. 141)
» Polka Redowa () (p. 141)
» The Mazurka (p. 141)
» Polka-Mazurka () (p. 142)
      » Reverse Polka-Mazurka (p. 142)
      » Zig Zag Polka-Mazurka (p. 142)
» The York (p. 143)
» The New York (by Cartier) (p. 143)
» The Newport () (p. 144)
      a.k.a. The Ripple (p. 145)
      a.k.a. La Mode (p. 145)
» The Ocean (p. 145)
» Ma Belle (p. 145)
» The Russia (p. 146)
» La Russe (p. 147)
» La Coska () (p. 147)
» Loomis Glide Mazurka (p. 148)
» Glide Mazurka (p. 148)
» The Rye (p. 148)
» Harriet Mazurka (p. 149)
» Loomis Yale University York (p. 149)
» Spanish Mazurka () (p. 150)
» Two Slide Racket (p. 110, 150)
» Three Step Galop () (p. 108, 151)
      a.k.a. Le Galop a Trois Temps (p. 108, 151)
      a.k.a. Le Galop a Trois Pas (p. 108, 151)
      a.k.a. Three Slide Galop (p. 108, 151)
» Gitana Waltz () (p. 151)
» La Zingarilla () (p. 151)
» The America (p. 152)
» The Latest York (p. 152)
» New York (by Brenneke) (p. 153)
» Five Step York (p. 153)
» The Musette (p. 154)
» Independent York (p. 154)
» Redowa L'Eclair (p. 154)
» The Maniton (p. 155)

Miscellaneous Dances

» La Reve (p. 159)
» The Detroit (p. 159)
» La Marjolaine (p. 160)
» Imperial Polka (p. 161)
» Waltz Gavotte (p. 161)
» The Sicilienne (p. 162)
» The Glissade (p. 163)
» The Rockaway (p. 163)
» Cadet Waltz (p. 164)
» The Bronco (♩120) () (p. 165)
» The Victoria (p. 165)
» The Varsouvianna (No. 1) (p. 166)
      » Zig Zag Varsouvianna (p. 166)
» The Varsouvianna (No. 2) (p. 167)
» The Varsouvianna (No. 3) (p. 167)
» Advance Varsouvianna (p. 167)
» The Maryland (Varsouvianna) (p. 168)
» Danish Dance (No. 1) (p. 169)
» Danish Dance (No. 2) (p. 170)
» Five Step Waltz (No. 1) () (p. 170)
» Five Step Waltz (No. 2) () (p. 171)

Eugène Giraudet. (c. 1890). Traité De La Danse - Seul Guide Complet Renfermant 200 Danses Differentes De Salons. Paris: A Veutin. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Elias Howe. (1890). Howe's New American Dancing Master. Boston. [Powers]


An M. C. (c. 1890). How To Dance And Guide To The Ball-Room. London. [Powers]


John M. Schell. (1890). Prompting, How To Do It. New York. (djvu) (txt) {archive} [Powers]

Circle Dances

» The March () (p. 9)
» Sicilian Circle () (p. 10)
» Circassian Circle () (p. 47)
» Flowers of Edinburgh (p. 50)
» Merry Haymakers (p. 57)
» Merry Midsummer (p. 57)
» Mischief (p. 57)
» Rustic Reel () (p. 61)
» Soldier's Joy () (p. 62)
» Spanish Dance () (p. 62)

Quadrilles

» [Schell's] First Plain Quadrille (p. 11)
» [Schell's] Second Plain Quadrille (p. 12)
» [Schell's] Third Plain Quadrille (p. 14)
» [Schell's] Fourth Plain Quadrille (p. 15)
» [Schell's] Fifth Plain Quadrille (p. 17)
» [Schell's] Sixth Plain Quadrille (p. 18)
» [Schell's] Seventh Plain Quadrille (p. 19)
» [Schell's] Eighth Plain Quadrille (p. 21)
» [Schell's] Ninth Plain Quadrille (p. 22)
» [Schell's] Tenth Plain Quadrille (p. 24)
» [Schell's] Eleventh Plain Quadrille (p. 25)
» [Schell's] Twelfth Plain Quadrille (p. 26)
» Portland Fancy Quadrille (p. 28)
» Caledonian (p. 28)
» Eight-Hand Reel (p. 30)
» Ninepin Quadrille (p. 30)
» Walk Around (p. 31)
» Standard Lancers (p. 32)
» Original Lancers (p. 33)
» Saratoga Lancers (p. 35)
» Centennial or Double Lancers (p. 37)
» Minuet Lancers (p. 38)
» Waltz Lancers (p. 40)
» Rage Quadrille (p. 41)
» Waltz Quadrille (p. 42)
» Fancy Medley (p. 43)

Contra Dances

» American Hornpipe (p. 44)
» Angenette's or Annie's Fancy (p. 45)
» Arkansas Traveller (p. 45)
» Beaux of Albany (p. 45)
» Beaux of Oak Hill (p. 45)
» Bennett's Favorite Reel (p. 45)
» Boston Fancy (p. 45)
» Bricklayer's Hornpipe (p. 45)
» Buckley's Favorite Reel (p. 46)
» Buenavista (p. 46)
» Campbells Are Coming (p. 46)
» Camptown Hornpipe (p. 46)
» Chase the Lady (p. 46)
» Chase the Squirrel (p. 46)
» Cheat the Lady (p. 47)
» Chorus Jig (p. 47)
» Christmas Hornpipe (p. 47)
» Cincinnati Hornpipe (p. 47)
» Cinderella Waltz (p. 47)
» College Hornpipe (p. 48)
» Constitution Hornpipe (p. 48)
» Democratic Hornpipe (p. 48)
» Derby Hornpipe (p. 48)
» Devil's Dream (p. 48)
» Dick Sands' Hornpipe (p. 48)
» Douglass' Favorite or Mountain Hornpipe (p. 49)
» Downfall of Paris (p. 49)
» Drunken Sailor (p. 49)
» Dundee Hornpipe (p. 49)
» Durang's Hornpipe (p. 49)
» Favorite Scotch Hornpipe (p. 50)
» Fiddle-Bow Reel (p. 50)
» Figure Eight (p. 50)
» Fisher's Hornpipe (p. 50)
» Flower Girl's Dance (p. 50)
» Fly (p. 51)
» Follow Me, Harry (p. 51)
» French Four (p. 51)
» Galway Reel (p. 51)
» German Polka (p. 51)
» Gipsey's Hornpipe (p. 51)
» Girl I Left Behind Me (p. 52)
» Good for the Tongue (p. 52)
» Good Girl (p. 52)
» Guilderoy (p. 52)
» Half Moon (p. 52)
» Hattie's Favorite (p. 53)
» Hewett's Fancy (p. 53)
» Highland Reel (p. 53)
» Highland Schottische (p. 53)
» Hohnstock's Polka (p. 53)
» Hull's Victory (p. 53)
» Irish Hornpipe (p. 54)
» Irish Washer-Woman (p. 54)
» Jackson's Hornpipe (p. 54)
» Jakie's Hornpipe (p. 54)
» Jenny-Lind Polka (p. 54)
» Jordan Is A Hard Road (p. 54)
» Kendall's Hornpipe (p. 55)
» Lady of the Lake (p. 55)
» Lady's Triumph (p. 55)
» Lady Walpole's Reel (p. 55)
» Lady Washington's Reel (p. 55)
» Lamplighter's Hornpipe (p. 55)
» Land of Sweet Erin (p. 56)
» Larry O'Gaff (p. 56)
» Le Petre's Hornpipe (p. 56)
» Life Let Us Cherish (p. 56)
» Light Artillery (p. 56)
» Light Dragoon (p. 56)
» Maid in the Pump Room (p. 57)
» Merry Dance (p. 57)
» Miss Brown's Reel (p. 57)
» Miss Gay's Reel (p. 58)
» Miss McLeod's Reel (p. 58)
» Money Musk (p. 58)
» Morning Fair Hornpipe (p. 58)
» New Century Hornpipe (p. 58)
» New York Fancy (p. 58)
» Niagara Hornpipe (p. 58)
» Old Countryman's Reel (p. 59)
» Old Zip Coon (p. 59)
» Ole Bull Hornpipe (p. 59)
» Opera Rel (p. 59)
» Oregon Hornpipe (p. 59)
» Oyster River (p. 59)
» Parish Hornpipe (p. 60)
» Petronella (p. 60)
» Pop Goes the Weasel (p. 60)
» Queen's Favorite (p. 60)
» Red Lion Hornpipe (p. 60)
» Reefer's Hornpipe (p. 60)
» Rickett's Hornpipe (p. 61)
» Roy's Wife (p. 61)
» Sailors Set on Stone (p. 61)
» Saratoga Hornpipe (p. 61)
» Savin-Hill Hornpipe (p. 61)
» Scotch Hornpipe (p. 62)
» Scottish Dance (p. 62)
» Shunster's Hornpipe (p. 62)
» Smith's Hornpipe (p. 62)
» Spanish Waltz (p. 63)
» Speed the Cable (p. 63)
» Speed the Plough (p. 63)
» Spirits of France (p. 63)
» Steamboat Quickstep (p. 63)
» St. Patrick's Day (p. 63)
» Tempest (p. 64)
» The Cuckoo (p. 64)
» The Coquette (p. 65)
» The Graces (p. 65)
» Thunder Hornpipe (p. 65)
» Tom and Jerry (p. 65)
» Trip to Nahant (p. 65)
» Twin Sisters (p. 65)
» Uncle Jasper's Reel (p. 66)
» Village Hornpipe (p. 66)
» Vinton's Hornpipe (p. 66)
» Virginia Reel (p. 66)
» Washington Quickstep (p. 66)
» Whipple's Hornpipe (p. 67)
» White Cockade (p. 67)

C. H. Rivers. (1891). New Dances. Brooklyn.


Людвиг Игнатьевич Праусс. (1891). Подробное описание французской кадрили (контрданса) с финалом. Одесса: Типография А. Шульце.


В. Ф. Яцковский. (1891). 100 фигур мазурки с обозначениями главных правил её и употребляемых в ней терминов (с приложением подробных чертежей). Необходимое и единственное полное руководство для дирижёров, а равно и для всех желающих изучить этот танец. Выбранное из польских руководств и дополненное. Кострома: Губернская типография.


R. Crompton (ed.). (1891 to 1893). Dancing Monthly Magazine (Bound Reprinting Of 24 Issues). London. [Powers]


The Musical Herald (pub.). (1891, August 1). "Questions and Answers: Metronome Rates." The Musical Herald. London. (pdf) {google}

Note: Metronome markings only, no dance descriptions.

Couple Dances

» Waltz (♩216)
» Polka (♩108)
» Schottische (♩126)











Prof. J. D. Holt. (1891). Practical Illustrated Waltz Instructor And Ball Room Guide. Pennsylvania. [Powers] [WorldCat]


"T. Erp Sichore" [Brown]. (1891). A Treatise on the Elements of Dancing. San Francisco: The Bankcroft Company. (pdf1) (pdf2) (djvu) (txt) {google} {congress} {archive} [Powers]

Couple Dances

» The Waltz (p. 17)
» The Polka (Round Polka) (p. 51)
» The Glide Polka (p. 57)
» The Heel and Toe Polka (p. 58)
» The Schottische (p. 59)
» The Redowa (p. 61)
» The Polka Redowa (p. 61)
» The Mazourka (p. 61)
» The Varsovienne (p. 62)
» The Racquet (p. 63)

Quadrilles

» Plain Quadrille (p. 71)
» The Basket Figure (p. 73)
» The Star Figure (p. 74)
» The Coquette (p. 74)
» The Sociable (p. 75)
» The Saratoga Lancers (p. 76)
» The Lancers (p. 80)
» Waltz Quadrille No. 1 (p. 82)
» Waltz Quadrille No. 2 (p. 84)
» Parisian Varieties (p. 86)
» The Polacca or Glide Waltz Quadrille (p. 89)
» Virginia Reel (p. 93)
» The Tempete (p. 96)

The German or Cotillion

» Bouquets and Boutonnieres (p. 99)
» The Chair (p. 100)
» The Columns (p. 100)
» The Chances (p. 101)
» The Cards (p. 101)
» The Triangular Moulinet (p. 102)
» The Changing Moulinet (p. 102)
» The Alternate Moulinet (p. 103)
» The Double Moulinet (p. 103)
» The Ladies' Moulinet (p. 104)
» The Country Dance (p. 105)
» The Choice (p. 105)
» Arches and Circles (p. 106)
» The Figure 8 (p. 106)
» The Pledges Redeemed (p. 107)
» The Pyramids (p. 107)
» The Screen (p. 108)
» Puss in the Corner (p. 108)
» The Flowers (p. 109)
» The Flags (p. 110)
» The Glass of Wine (p. 110)
» The Basket (p. 111)
» Basket, Ring and Flower (p. 111)
» The Masks (p. 112)
» The Rounds of Three (p. 112)
» The Excursion (p. 113)
» The Hat (p. 113)
» The Scarf (p. 114)
» The Change of Ladies (p. 114)
» The Twin Circle (p. 114)
» The Grand Round (p. 115)
» The Deceptive Round (p. 116)
» The Moving Hat (p. 116)
» The Double Pastourelle (p. 117)
» The Grand Chain (p. 117)
» The Coquet (p. 118)
» The Genuflections (p. 118)
» The Pursuit (p. 118)
» The Two Lines (p. 119)
» The Final Round (p. 119)

Edward Scott. (1891). Description of Steps and Movements of the Chorolistha, the New Round Dance. London. [WorldCat]


Edward Scott. (1891). The Versa, a New Valse Dance. London. [WorldCat]


Frederick Warne & Co. (1891). Modern Etiquette In Public And Private (with Dance Descriptions). London & New York. (See 1887 Version.) [Powers]


E. L. D'Egville (dance), Aigrette (music). (1892). Society Craze, Aigrette's New Barn Dance. London: J. B. Cramer & Co. (pdf) {Enge} [Enge]

Couple Dances

» Barn Dance (♬) (p. 2)






Horace W. Beek. (1892). Majestic Polonaise. Chicago: Lyon & Healy. (pdf) {JHU}

Note: Pages of music appear to be missing and/or doubled, but the dance description is complete.

Group Dances

» Majestic Polonaise (♬) (♩112) (p. 2)
      Deux Temps (p. 2)






S. M. Early (dance), Chas. Bohner (music). (1892). The Victoria, New Dance. Toronto: Whaley, Royce, & Co. (pdf) {LAC} [Enge]

Couple Dances

» The Victoria (♬) (p. 2)






W. J. Stépanow. (1892). Alphabet des Mouvements du Corps Humain. Paris: Paul Vigot.


Theo Bonheur. (c. 1892). The Washington Post: Barn Dance (Description And Sheet Music). London. [Powers] [WorldCat]


Robert Cocks & Co. (c. 1892). Robert Cocks Dance Album No. 3. London. [Powers]


William B. DeGarmo. (1892). The Dance Of Society (5th Edition, with New Dances Added). New York. [Powers]


G. (Gustave) Desrat. (c. 1892). Traité De La Danse Et Du Cotillon. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Prof. L. H. Elmwell. (1892). Prompter's Pocket Instruction Book. Boston: White-Smith Music Publishing Company. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Quadrilles

» [Elmwell's] Plain Quadrille No. 1 (p. 3)
» The Grand March () (p. 4)
» Portland Fancy (p. 6)
» [Elmwell's] Plain Quadrille [No. 2] (p. 7)
» [Elmwell's] Plain Quadrille [No. 3] (p. 8)
» [Elmwell's] Plain Quadrille [No. 4] (p. 9)
» [Elmwell's] Plain Quadrille [No. 5] (p. 11)
» [Elmwell's] Plain Quadrille [No. 6] (p. 11)
» [Elmwell's] Plain Quadrille [No. 7] (p. 12)
» [Elmwell's] Plain Quadrille [No. 8] (p. 13)
» [Elmwell's] Plain Quadrille [No. 9] (p. 14)
» [Elmwell's] Plain Quadrille [No. 10] (p. 16)
» [Elmwell's] Plain Quadrille [No. 11] (p. 16)
» [Elmwell's] Plain Quadrille [No. 12] (p. 18)
» [Elmwell's] Plain Quadrille [No. 13] (p. 19)
» [Elmwell's] Plain Quadrille [No. 14] (p. 20)
» [Elmwell's] Plain Quadrille [No. 15] (p. 21)
» [Elmwell's] Plain Quadrille [No. 16] (p. 22)
» Caledonian Quadrille (p. 24)
» Lancers Quadrille (p. 25)
» Lancers Quadrille [from San Francisco] (p. 27)
» Saratoga Lancers (p. 29)
» Waltz Lancers (p. 30)
» Polka Quadrille (p. 31)
» Schottische Quadrille (p. 32)
» Galop Quadrille (p. 32)
» Waltz Quadrille (p. 32)
» Fancy Medley [of all four dances] (p. 33)
» Nine-Pin Quadrille (p. 35)
» Eight Hand Reel (p. 35)

Circle Dances

» The German: Grand Right and Left Figure () (p. 34)

Contra Dances

» Arkansas Traveler (p. 37)
» American Hornpipe (p. 37)
» Boston Fancy (p. 37)
» Beaux of Albany (p. 37)
» Bricklayer's Hornpipe (p. 38)
» Buckley's Favorite Reel (p. 38)
» Camptown Hornpipe (p. 38)
» Campbells Are Coming (p. 38)
» Chase the Lady (p. 38)
» Chase the Squirrel (p. 39)
» Cheat the Lady (p. 39)
» Chorus Jig (p. 39)
» Cincinnati Hornpipe (p. 39)
» Circassian Circle () (p. 39)
» College Hornpipe (p. 40)
» Democratic Hornpipe (p. 40)
» Devil's Dream (p. 40)
» Dick Sand's Hornpipe (p. 40)
» Drunken Sailor (p. 40)
» Durang's Hornpipe (p. 41)
» Favourite Scotch Hornpipe (p. 41)
» Fisher's Hornpipe (p. 41)
» French Four (p. 41)
» Gipsey's Hornpipe (p. 41)
» Girl I Left Behind (p. 42)
» Good for the Tongue (p. 42)
» Highland Reel (p. 42)
» Hull's Victory (p. 42)
» Irish Washer-Woman (p. 43)
» Jordan Is A Hard Road (p. 43)
» Kendall's Hornpipe (p. 43)
» Lady of the Lake (p. 43)
» Lady's Triumph (p. 43)
» Lady Walpole's Reel (p. 44)
» Lady Washington's Reel (p. 44)
» Lamplighters Hornpipe (p. 44)
» Larry O'Gaff (p. 44)
» Maid in the Pump Room (p. 44)
» Merry Dance (p. 45)
» Mrs. Brown's Reel (p. 45)
» Miss McLeod's Reel (p. 45)
» Money Musk (p. 45)
» Old Zip Coon (p. 45)
» Oyster River (p. 46)
» Petronella (p. 46)
» Pop Goes the Weasel (p. 46)
» Roy's Wife (p. 46)
» Saratoga Hornpipe (p. 46)
» Soldier's Joy () (p. 47)
» Speed the Plough (p. 47)
» Steamboat Quickstep (p. 47)
» St. Patrick's Day (p. 47)
» Tempest (p. 48)
» Twin Sisters (p. 48)
» Virginia Reel (p. 48)
» Washington Quickstep (p. 48)
» White Cockade (p. 49)

R. G. Huntinghouse. (1892). The Illinois, A New Danse for Piano [Description and Sheet Music]. Chicago: Lyon & Healy. (pdf) {google} [Powers]

Couple Dances

» The Illinois (♬) (p. 6)






Mathias & Strickland (pub.). (c. 1892). The Washington Post [Description and Sheet Music]. London. [Powers] [WorldCat]


Edward Scott. (1892). Dancing As An Art And Pastime. London. (pdf) (djvu) (txt) {google} {archive} [Powers]

Square Dances (Quadrilles)

» The Quadrille (p. 151)
» The Lancers (p. 152)
» The Caledonians (p. 154)
» The Valse Cotillon (p. 155)
» The American or Diagonal Lancers (p. 155)

Round Dances (Couple Dances)

» The Polka (p. 164)
» The Schottische (p. 168)
» The Barn Dance, or Military Schottische (p. 170)
» The Highland Schottische [with variations] (p. 173)
» The Chorolistha (p. 173)
» The Polka-Mazurka (p. 181)
» The Galop (p. 183)
» The Waltz (p. 183)
» Reversing [Reverse Waltz] (p. 197)
» The Versa (p. 204)

John Philip Sousa (music), [Anonymous] (dance). (c. 1892). New Washington Post (or Two-Step) Dances. Melbourne: Allan & Co. Limited. (pdf) {NLA}

Couple Dances

» The Washington Post (♬) (p. 2)






[John Philip] Sousa (music), [Anonymous] (dance). (c. 1892). "Washington Post" Dance, The Original. Sydney: Nicholson & Co. (pdf) {Enge} [Enge]

Couple Dances

» The Washington Post (♬) (p. 2)






А. Розенберг. (1893). Клико. Вальс. Санкт-Петербург: П. К. Сильвестров.


Edmond Antréassian. (1893). La Véritable Ostendaise pour Piano. Paris: E. Deplaix. (pdf) {BNF}


C. Francis Malone (dance), J. Edward Geary (music). (1893). Yale Schottische for Piano. New Haven, CT: Geary Brothers. (pdf) {JHU}

Couple Dances

» Yale Schottische (♬) (p. 2)






Александр Дмитриевич Чистяков. (1893). Методическое руководство к обучению танцам в средне-учебных заведениях с 20-ю рисунками в тексте. С приложением руководства для дирижёров, с 157-ю фигурами для кадрили, мазурки, вальса, польки и котильона. Пособие для учителей танца в кадетских корпусах. Составлено применительно к требованиям утверждённого главным начальником военно-учебных заведений 27 июля 1890 г. Наставления для ведения внеклассных занятий в кадетских корпусах. Санкт-Петербург: Паровая скоропечатня П. О. Яблонского. (pdf) (djvu) {congress} {archive} [Powers]


J. A. French (ed.). (1893). The Prompter's Hand Book. Philadelphia. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Circle Dances

» Grand March () (p. 12)
» Sicilian Circle () (p. 13)
» Waltz - The German () (p. 51)

Quadrilles

» [French's] Quadrille [No. 1] (p. 16)
» [French's] Quadrille [No. 2] (p. 19)
» [French's] Quadrille [No. 3] (p. 22)
» [French's] Quadrille [No. 4] (p. 24)
» [French's] Quadrille [No. 5] (p. 27)
» [French's] Quadrille [No. 6] (p. 30)
» Portland Fancy (p. 33)
» Caledonian Quadrille (p. 34)
» Lancers (p. 37)
» Saratoga Lancers (p. 40)
» Centennial Lancers [for Eight Couples] (p. 43)
» Waltz Lancers (p. 46)
» Waltz Quadrille (p. 48)
» Polka Quadrille (p. 49)
» Fancy Medley [of Polka, Schottische, Waltz] (p. 50)
» [Antoine's] Society Quadrille (p. 53)
» [Watts'] Plain Quadrille (p. 55)
» [Sturtevant's] Plain Quadrille (p. 58)
» [Buffum's] Plain Quadrille (p. 60)
» [Carter's] Plain Quadrille (p. 62)
» [Barnes'] Plain Quadrille (p. 64)
» [Edney's] Lancers (p. 66)
» [Dyer's] Plain Quadrille (p. 68)
» [Russo's] Quadrille (p. 70)
» [Brigham's] Quadrille (p. 72)
» [Martin's] Quadrille (p. 74)
» [Austin's] Quadrille (p. 76)
» Eight-Hand Reel (p. 88)

Contra Dances

» Boston Fancy (p. 78)
      a.k.a. Lady Washington's Reel (p. 83)
» Chorus Jig (p. 79)
» College Hornpipe (p. 79)
» Cheat the Lady (p. 79)
» Chase the Squirrel (p. 79)
» Constitution Hornpipe (p. 80)
» Devil's Dream (p. 80)
» Durang's Hornpipe (p. 80)
» Fisher's Hornpipe (p. 80)
» French Four (p. 81)
» Girl I Left Behind Me (p. 81)
» Hulls' Victory (p. 81)
» Hay Makers (p. 81)
» Irish Washerwoman (p. 82)
» Kendall's Hornpipe (p. 82)
» Lady of the Lake (p. 82)
» Lady's Triumph (p. 82)
» Lady Walpole's Reel (p. 83)
» Land of Sweet Erin (p. 83)
» Lamplighters' Hornpipe (p. 83)
» Maid in the Pump Room (p. 83)
» Money Musk (p. 84)
» Oyster River (p. 84)
» Petronella (p. 84)
» Pop Goes the Weasel (p. 84)
» Roy's Wife (p. 85)
» Soldiers' Joy (p. 85)
» Speed the Plough (p. 85)
» Steamboat Quickstep (p. 86)
» Tempest (p. 86)
» Twin Sisters (p. 86)
» Virginia Reel (p. 86)
» White Cockade (p. 87)
» Walk Around (p. 87)

H. (Horatio) N. Grant. (1893). Grant's Dancing Academy (Lists All Dances Taught, And In Previous Years, Since 1887). Buffalo, NY. [Powers]


H. (Horatio) N. Grant. (1893). Guide to Quadrille Dancing, Consisting of Modern Society Dances from Many Prominent Authors. Buffalo, NY. [WorldCat]


H. (Horatio) N. Grant. (1893). How To Become Successful Teachers Of The Art Of Dancing In Conjunction with How to Manage a Favor-German. Buffalo, NY: Kraft & Stern. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Waltz (p. 3)
» The Redowa (p. 20)
» The Mazurka (p. 21)
» The Polka (p. 21)

The German

» The Opening March (p. 25)
» No. 1, The General Round (p. 28)
» No. 2, Favor Figure [No. 1] (p. 28)
» No. 3, Have A Hack (p. 29)
» No. 3 [sic], Favor Figure [No. 2] (p. 28)
» No. 4, Diminishing Rounds (p. 30)
» No. 5, Puss in the Corner (p. 31)
» No. 5, The Vanquished Couple (p. 31)

H. (Horatio) N. Grant. (1893). The Sailors Hornpipe and How To Teach It. Buffalo, NY. [Powers] [WorldCat]


J. G. Hoffman. (1893). The American National Call Book. Waverly, NY. [Powers]


Chas. (Charles) Link (pub.). (1893). Unique Dancing Call Book. Rochester, NY. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Set Dances

» Plain Quadrille (p. 3)
» Lanciers Quadrille (p. 9)
» Caledonias Quadrille (p. 14)
» Waltz Quadrille (p. 19)
» Prairie Queen (p. 22)
» Brookes Waltz Quadrille (p. 26)
» Glide Lanciers (p. 31)
» Varieties Quadrille (p. 35)
» Saratoga Lanciers (p. 40)
» National Guard Quadrille (p. 45)
» Centennial Lanciers (p. 51)
» Virginia Reel (p. 56)
» Monnie Musk (p. 57)
» Lady Washington (p. 57)
» Opera Reel (p. 58)
» Tempest (p. 58)
» Portland Fancy (p. 59)
» Scotch Reel (p. 59)
» Sicilian Circle () (p. 60)
» Firemans Dance (p. 60)
» Irish Trott (p. 61)
» Crocket S (p. 61)
» Old Dan Tucker (p. 62)
» Fiske Lanciers (p. 63)
» Minuet Lanciers (p. 68)
» Glide Elite (p. 73)
» May Queen Quadrille (p. 76)
» Elite Lanciers (p. 80)

Eadweard Muybridge. (1893). A Couple Waltzing [Zoopraxiscope Wheel]. (static disc) (spinning disc) (animated closeup) {wiki} [Enge]

Couple Dances

» Waltz






Routledge (pub.). (1893). How To Dance: A New And Complete Guide. London. [Powers] [WorldCat]


Mrs. S. J. Severance. (1893). Badger Gavotte (Description And Sheet Music). Milwaukee, WI. [Powers]


Septimus Winner. (1893). Music and Steps of the Round and Square Dances. Boston. [Powers] [WorldCat]


J. F. Davis. (1894). The Varsity, New Round Dance [Dance Description with Sheet Music]. Toronto: J. F. Davis. (pdf) {Goucher} [Enge]

Couple Dances

» The Varsity (♬) (p. 4)






Л. Дюкомен. (1894). Сорвалось. Мазурка. Санкт-Петербург: Я. А. Соколов. (pdf) {HDA}


Лев Петрович Стуколкин. (1894). Новый салонный танец "Кадриль-мазурка." Санкт-Петербург: Типография Б. Н. Лебедева.


Joseph Gearen. (1894). The Chicago Glide [Dance Description with Sheet Music]. Cincinnati: The John Church Company. (pdf1) (pdf2) {Goucher} {IMSLP} [Enge]

Couple Dances

» The Chicago Glide (♬) (p. 2)






J. Lagus (dance), Paul Chabeaux (music), C. Léon (history). (c. 1894). Biarritz Pas de Quatre [Dance Description with Sheet Music]. Paris: E. Fromont. (pdf) {BNF}

Couple Dances

» Biarritz Pas de Quatre (♬) (p. 3)






E. Louis, F. Bouget. (1894). Menuet-Trianon. Nouvelle Danse. Paris: Bossard-Bonnel. (pdf) {BNF}


Edna Witherspoon, Butterick Publishing Co. (pub.). (1894, May). The Perfect Art Of Modern Dancing, Vol. 7, No. 2. London. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» The Gallop [sic] (p. 20)
      » Right Turn (p. 20)
      » Left Turn (p. 20)
      » Forward Change (p. 21)
      » Backward Change (p. 21)
» The Polka (p. 21)
      » Right Turn (p. 22)
      » Left Turn (p. 22)
      » The Pursuit (p. 22)
      » Forward Change (p. 22)
      » Backward Change (p. 22)
» The Polka Redowa () (p. 22)
» The Polka-Mazourka (p. 23)
» The Three-Slide Polka (p. 23)
» The Varsovianna (p. 23)
» The Racket (p. 24)
» The Society (Racket Waltz) (p. 24)
» The Two-Slide Racket (p. 25)
» The Three-Slide Racket (p. 25)
» The Three-Plus-One Racket (p. 25)
» The Schottische (p. 25)
» The Waltz (p. 26)
      » The Pursuit (p. 27)
» The Knickerbocker (p. 28)
» The Bohemian or Heel-and-Toe Polka () (p. 54)
» The Yorke (p. 55)
» The American Gavotte (in Polka Time) (p. 55)
» Gavotte (in Schottische Time) (p. 55)
» Waltz-Galop (p. 55)
» The Minuet (p. 56)

Square Dances (Quadrilles)

» The Plain Quadrille (p. 5)
» Plain Quadrille in Lines (p. 9)
» The Lancers (p. 10)
» The New York Lancers (p. 13)
» The Caledonians (p. 46)
» The Waltz or Glide Caledonians (p. 48)
» Waltz Quadrille No. 1 (p. 49)
» Waltz Quadrille No. 2 (p. 50)
» The Cally Polka Quadrille (p. 52)
» The Quadrille Minuet (p. 57)
» The Kaiser's New Court Dance (The Gavotte Lanciers) (p. 58)

Contra-Dances

» The Virginia Reel (Sir Roger de Coverly) () (p. 15)
» La Tempête (The Storm) (p. 17)

The German

Figures of One Couple
» 1. The Excursion (p. 33)
» 2. Rounds of Three (p. 33)
» 3. The Columns (p. 34)
» 4. The Serpent (p. 34)
» 5. The Hat (p. 34)
» 6. The Scarf (p. 34)
» 7. The Chair (p. 34)
» 8. The Cheat (p. 34)
» 9. The Broken Circle (p. 34)
» 10. The Coquette (p. 34)
» 11. The Circle of Deceivers (p. 34)
» 12. The Two Lines of Six (p. 34)
» 13. The Fan (p. 34)
» 14. The Basket, Ring, and Flower (p. 35)
» 15. The Zigzags (p. 35)
» 16. The Knotted Handkerchief (p. 35)
» 17. The X of the Lady and Gentleman (p. 35)
» 18. The Cards (p. 35)
» 19. The Forfeits (p. 35)
» 20. The Raffle (p. 35)
» 21. The Basket of Six (p. 35)
» 21. The Love Knot (p. 36)
» 21. The Bridge (p. 36)
» 21. The Reunion of Couples (p. 36)

Figures of Two Couples
» 25. The Ladies Seated (p. 36)
» 26. The Change of Ladies () (p. 36)
» 27. The Phalanx (p. 36)
» 28. The Ladies' Moulinet (p. 36)
» 29. The Turning Hat (p. 36)
» 30. The X of the Gentlemen (p. 36)
» 31. Involution (p. 37)
» 32. The Rounds of Four (p. 37)
» 33. The Change of Four (p. 37)
» 34. The Royal Arch (p. 37)
» 35. The Rhymes (p. 38)
» 36. The Double Chain Anglaise (p. 38)
» 37. The Change of Ladies () (p. 38)
» 38. Quadrille No. 1 (p. 38)
» 39. Quadrille No. 2 (p. 38)
» 40. The Deceitful Round (p. 38)
» 41. The Changing Moulinet (p. 38)
» 42. Right and Left Varied (p. 38)
» 43. The Triple Pass (p. 38)
» 44. The Double Windmill, No. 1 (p. 38)

Figures of Three Couples
» 45. The Double Windmill, No. 2 (p. 38)
» 46. The Pyramid (p. 39)
» 47. The Mysterious Screen (p. 39)
» 48. The Changing Star (p. 39)
» 49. The May-Pole (p. 39)
» 50. The Reversed Round (p. 40)
» 51. The New Deal (p. 40)
» 52. The Inverted Column (p. 40)
» 53. The Pursuit (p. 41)

Figures of Four Couples
» 54. The Two Circles (p. 41)
» 55. The Grand Round (p. 41)
» 56. The Country Dance (p. 41)
» 57. The Ladies Reversed (p. 41)
» 58. The Double Pastourelle (p. 41)
» 59. The Star and Circle (p. 42)
» 60. The Little Rounds (p. 42)

Figures of Six Couples Up
» 61. The Extended Circle (p. 42)
» 62. The Double Grand Chain (p. 43)
» 63. The Bower (p. 43)
» 64. The Rencontres (p. 43)

Figures of Unlimited Couples
» 65. The Flower Girl (p. 43)
» 66. Over and Under (p. 43)
» 67. Peg and Rings (p. 43)
» 68. Braiding (p. 44)
» 69. The Grab-Bag (p. 44)
» 70. Whips (p. 44)
» 71. The Mulligan Guards (p. 44)
» 72. The Handkerchief Chase (p. 44)
» 73. The Continued Bridge (p. 44)
» 74. The Round (p. 45)
» 75. The Circular Round (p. 45)
» 76. The Knot (p. 45)
» 77. The Final Round (p. 45)

Elias Howe (pub.). (1894/©1883). Howe's New Ball-Room Guide. Boston. [Powers] [WorldCat]


Prof. A. C. Wirth. (1894). National Quadrille (Description And Sheet Music). Milwaukee, WI. [Powers]


Мейер Лутц. (1895). Pas de Quatre. Новый танец с фигурами. Объяснения на русском, французском и немецком языках. Москва: К. И. Мейков. (pdf) {HDA}


Мейер Лутц. (1895). Pas de Quatre. Новый танец с фигурами. Объяснения на русском, французском и немецком языках. Москва: А. Гутхейль. (pdf) {HDA}


Мейер Лутц. (1895). Pas de Quatre из комической английской оперетты "Современный Фауст" (Faust Up to Date). Санкт-Петербург: Нотопечатня В. Бессель и Компания. (pdf) {HDA}


Л. Г. Халиф. (1895). Искусство быть дирижёром. Сборник необходимых советов и наставлений танцующим, желающим быть распорядителями на свадебных вечерах, балах и семейно-танцевальных собраниях с приложением разных названий фигур, "па" и других танцевальных терминов. Одесса: Нотопечатня В. Типография З. Л. Слапака.


Р. Э. Щавурский. (1895). Мазурка. Практический урок для дирижёров. Житомир: Типо-литография М. Дененмана.


E. Beïsson. (1895). Pas de Quatre pour Piano. Paris: H. Thauvin. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







Paul Dedieu-Petérs. (1895). La Chasse, Pas de Quatre avec la Théorie. Paris: Costallat & Compagnie. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







Paul Dedieu-Petérs. (1895). Royal-Gardénia. Pas de Quatre pour le Piano. Paris: Ph. Maquet. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







E. Louis (dance), F. Bouget (music). (1895). Coquette Bretonne, Nouvelle Danse de Salon. Paris: J. Abot. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







E. Louis (dance), F. Bouget (music). (1895). Dinardaise, Souvenir de Dinard. Paris: J. Abot. (pdf) {BNF}

Couple Dances

» Pas de Quatre (p. 1)







Mozart Allan. (c. 1895). Allan's Reference Guide To The Ball-Room. Glasgow. [Powers] [WorldCat]


P. Bail & G. Stilb (1895). Guide Du Cotillon (Bound Les Danses De Salon). Paris. [Powers] [WorldCat]


Savin Balonchard. (1895). Ostendaise (Avec Théorie), Musique Nouvelle pour Piano. Paris: Emile Gallet. (pdf) {BNF}

Couple Dances

» Ostendaise (p. 2)







A. Busch. (c. 1895). Der Gewandte Tanz-Meister. Braunschweig. [Powers]


Raoul Charbonnel. (1895). La Danse: Comment On Dansait, Comment On Danse, Technique De Berthe Bernay. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]


Eugéne Clément. (c. 1895). Manuel Du Cotillon, Nouvelle Édition. Paris. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Polka (p. 123)
» Polka-Mazurke (p. 123)
» Schotisch (p. 123)
» Valse (p. 123)

Le Cotillon

Figures Avec Accessoires
» En Garde! (p. 13)
» La Balance Des Cœurs (p. 14)
» L'Orphéon (p. 15)
» On Ne Badine Pas Avec Le Feu (p. 16)
» La Marmite (p. 17)
» Le Dé (p. 18)
» Le Thermomètre (p. 19)
» La Houlette Avec Drapeaux Ou Folies (p. 20)
» La Cruche Cassée (p. 21)
» Pile Ou Face (p. 22)
» Oui Et Non (p. 23)
» L'Armement Des Chevaliers (p. 24)
» Le Rappel Des Tambours (p. 25)
» A Toute Vapeur (p. 26)
» La Laitière (p. 27)
» Le Jeu De Bagues (p. 28)
» La Plume Au Vent (p. 29)
» Le Jeu Normand (p. 30)
» Les Roseaux (p. 31)
» L'Heure Agréable (p. 32)
» Le Fruit Défendu (p. 33)
» Les Dés (p. 34)
» La Bonne Coupe (p. 35)
» Le Menu (p. 36)
» L'Ombre Chinoise (p. 37)
» Les Grosses Têtes (p. 38)
» La Pêche Aux Quilles (p. 39)
» En Flagrant Délit (p. 40)
» Tout En Rose (p. 41)
» Le Lawn Tennis (p. 42)
» La Crémaillère (p. 43)
» Dans Les Blés (p. 44)
» Les Fourches Caudines (p. 45)
» Le Diable M'Emporte (p. 46)
» Les Chiffres Magiques (p. 47)
» Les Guirlandes, Ou Danse Sous La Feuillée (p. 48)
» Le Seau Et La Cloche (p. 49)
» Le Tournoi (p. 50)
» Le Télégraphe (p. 51)
» Les Touristes (p. 52)
» Le Chapeau De Bocquillon (p. 53)
» Le Tir Au Pigeon (p. 54)
» Les Cloches De Corneville (p. 55)
» Le Judas Indiscret (p. 56)
» Les Graces (p. 57)
» Le Duel (p. 57)
» Les Sources Minérales de France (p. 58)
» La Cible (p. 59)
» Aïda (p. 60)
» 3,000f De Revenu En Élevant Des Lapins (p. 61)
» Le Téléphone (p. 62)
» Faisons Des Crêpes (p. 63)
» La Permission De Dix Heures (p. 64)

Figures Avec Accessoires
» L'Éventail (p. 65)
» L'Arcade (p. 66)
» Bon Gré, Mal Gré (p. 67)
» Attendez-Moi Sous L'Orme (p. 67)
» La Fourberie (p. 68)
» Le Bandeau (p. 68)
» La Barrière (p. 69)
» Le Préféré - La Préférée (p. 69)
» Le Piège (p. 70)
» Libre Échange (p. 70)
» Le Ravisseur (p. 71)
» L'Acceptation (p. 71)
» La Volte-Face (p. 72)
» Les Tabliers (p. 73)
» L'Ombrelle (p. 73)
» Le Tabouret (p. 74)
» Le Miroir De La Vérité (p. 75)
» Le Bonnet De Coton (p. 76)
» La Verre De Champagne (p. 76)
» Le Défileé (p. 77)
» L'Orange (p. 78)
» Les Quatre Coins (p. 78)
» Les Vis-A-Vis (p. 79)
» Le Destin Des Fleurs (p. 79)
» La Tombola (p. 80)
» La Quête (p. )
» L'Impromptu (p. 81)
» Le Mouchoir (p. 81)
» La Ronde Générale (p. 82)
» Les Arcades (p. 82)
» Le Colin-Maillard (p. 83)
» Le Moulinet (p. 84)
» La Rouge Et La Noire (p. 84)
» Le Fichu (p. 85)
» Les Présentations (p. 85)
» Le Grand Rond (p. 86)
» L'Aller Et Retour (p. 86)
» Le Pont D'Amour (p. 87)
» Les Mains Du Destin (p. 87)
» Le Guet-Apens (p. 88)
» Les Papillotes (p. 88)
» L'Obstacle (p. 89)
» L'Ouverture De La Pêche (p. 89)
» Les Adieux (p. 90)
» Les Grand Moulinet (p. 91)
» L'Écharpe (p. 92)
» L'Étegnoir (p. 92)
» Les Décorations (p. 93)
» Les Bouquets (p. 93)

F. Leslie Clendenen. (1895). Fashionable Quadrille Book And Guide To Etiquette. Davenport, IA. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Circle Dances

» Grand Promenade () (p. 13)

Quadrilles

» [Clendenen's] Plain Quadrille No. 1 (p. 17)
» [Clendenen's] Plain Quadrille No. 2 (p. 18)
» [Clendenen's] Plain Quadrille No. 3 (p. 19)
» [Clendenen's] Plain Quadrille No. 4 (p. 20)
» [Clendenen's] Plain Quadrille No. 5 (p. 21)
» [Clendenen's] Plain Quadrille No. 6 (p. 21)
» [Christy's] U.S. Quadrille (p. 23)
» [Aker's] Francaise (p. 24)
» [Clendenen's] Plain Lanciers (p. 25)
» Loomis' Saratoga Lanciers (p. 26)
» Loomis' Academy Lanciers (p. 27)
» Loomis' Lanciers (p. 28)
» Loomis' Metropolitan Lanciers (p. 29)
» Loomis' College Lanciers (p. 31)
» Loomis' Minuet Lanciers (p. 32)
» [Gibson's] Columbian Lanciers (p. 33)
» Sheldon's Deer Park Lanciers (p. 35)
» Prof. Cheldon's Oakland Minuet (p. 36)
» Chessman's Gulf City Lancers [No. 1] (p. 37)
» American National Lanciers (p. 39)
» Fiske Lanciers (p. 39)
» [Wirth's] Military Lanciers (p. 41)
» [Chessman's] Gulf City lancers [No. 2] (p. 43)
» [Carpenter's] St. George Lancers (p. 45)
» [Clendenen's] Cadet Lancers (p. 47)
» Waltz Lanciers (p. 48)
» De Gormo (p. 49)
» Waltz Quadrille (p. 49)
» [Hoffman's] Polacca (p. 50)
» The Chautauqua Square (p. 52)
» National Quadrille (p. 53)
» Prof. Sheldon's Presidential Polka Quadrille (p. 55)
» Parisienne (p. 56)
» Prairie Queen Quadrille (p. 57)
» Varieties Quadrille (p. 58)

» Mentioned, but not described:
Skirt Dance, Spanish Tambourine Dance, Spanish Castinet Dance, Sailors' hornpipe, Sand Jig, Skipping Rope, La Violet, Serpentine Dance, Otero Dance, Cachuca, Highland Fling, Fireman's Dance, Butterfly Dance, Salvation Tambourine, Indian [War Dance], Crinoline Dance, Grotesque, Boquet Polka, Quarrel Dance, Gitana, Carmencita, La Monola, La Zingarella, Crackovienna or the Daughter of the Regiment, La Tyrolean, Esmeralda, Pas Styrian, Espagnola, Sword Dance, Irish Washerwoman, Essence of Old Virginia (p. 61)

R. (Robert) Coote. (c. 1895). How To Dance The Old Dances. London. [Powers]


Robert Coote. (c. 1895). Ball-Room Dancing Without A Master For Home Practice. London. [Powers]


Henri de Soria Fils. (c. 1895). Manuel Du Maintien Et De La Danse (Deuxième Édition). Paris. (djvu) (txt) {archive} [Powers]

Couple Dances

» Valse En Deux Temps () (p. 50)
» Valse En Trois Temps (p. 51)
» Le Boston (p. 55)
» L'Américaine (Pas De Quatre) (p. 63)
» La Polka (p. 68)
» La Coquette (p. 69)
» La Polka Russe (p. 70)
» La Berline (Polka Militaire) (p. 74)
» La Raquette (p. 77)
» La Schottisch (p. 82)
» La Polka-Mazurka (p. 82)
» Rousskaia - Mazourka (Mazurka Russe) (p. 84)

» Generally described (music, no footwork):
Le Menuet (p. 19), La Gavotte (p. 20), La Pavane (p. 20), La Sarabande (p. 21), La Courante (p. 22), Le Passepied (p. 22), La Chacone (p. 23), La Passacaille (p. 24), La Bocane (p. 24), La Galliarde (p. 25), Le Rigaudon (p. 26), La Forlane (p. 26), La Volte (p. 27), Les Canaries (p. 28), La Bourrée (p. 29), La Gigue (p. 29)

» Mentioned, but not described:
» Le Branle (p. 28), Le Fandango, Le Zapateado, Le Zorongo, Le Bolero, La Cachucha, La Tarentelle, La Sicilienne, La Trévisane, La Mont-Ferrine (p. 30)

Set Dances

» Menuet De La Reine (p. 31)
» Le Quadrille Américain (p. 96)
» Quadrille Des Lanciers (p. 103)

G. (Gustave) Desrat. (1895). Dictionnaire De La Danse. Paris. (pdf) (djvu) (txt) {google} {archive} [Powers]


Dick & Fitzgerald (pub.). (1895). Dick's Quadrille Call Book (Revised Edition, Dick & Fitzgerald). New York. [Powers] [WorldCat]


Dick & Fitzgerald (pub.). (1895). How To Lead The German. New York: Dick & Fitzgerald. (pdf) (djvu) (txt) {congress} {archive} [Powers]

The German

Figures of One Couple
» 1. Excursion (p. 13)
» 2. Circles of Three (p. 13)
» 3. Columns (p. 13)
» 4. Serpent (p. 13)
» 5. Choice (p. 14)
» 6. Flowers (p. 14)
» 7. Cheat (p. 14)
» 8. Broken Circle (p. 15)
» 9. Rejected Couples (p. 15)
» 10. Rejected Ladies (p. 15)
» 11. Ladies Deluded (p. 16)
» 12. Love-Knot (p. 16)
» 13. Kangaroos (p. 17)
» 14. Bridge (p. 17)
» 15. Serpentine (p. 17)
» 16. Circle of Deceivers (p. 18)
» 17. Basket of Six (p. 18)

Figures of Two Couples
» 18. Basket of Twelve (p. 19)
» 19. Phalanx (p. 19)
» 20. Change of Ladies () (p. 20)
» 21. Changing Moulinet (p. 20)
» 22. Involution (p. 20)
» 23. Hungarian (p. 21)
» 24. Ladies' Moulinet (p. 21)
» 25. Gentleman's Cross (p. 22)
» 26. Grand Scotch Chain (p. 23)
» 27. Grand English Chain (p. 23)
» 28. Kneeling Knights (p. 23)
» 29. Double Pastourelle (p. 24)
» 30. Lanciers (p. 24)
» 31. Rounds of Four (p. 25)
» 32. Quadrille (p. 25)
» 33. Flirtation (p. 33)
» 34. Rings (p. 34)
» 35. Royal Arch (p. 34)

Figures of Three Couples
» 36. Pyramid (p. 27)
» 37. Triangular Moulinet (p. 28)
» 38. Double Moulinet (p. 28)
» 39. Two Lines of Six (p. 28)
» 40. Zigzags (p. 29)
» 41. Reversible Moulinet (p. 29)
» 42. Triple Basket (p. 29)
» 43. Changing Triangle (p. 30)
» 44. Reversed Round (p. 30)
» 45. New Deal (p. 31)
» 46. Inverted Columns (p. 32)
» 47. Arbor (p. 33)

Figures of Four or More Couples
» 48. Two Circles (p. 33)
» 49. Grand Round (p. 34)
» 50. Ladies Back to Back (p. 34)
» 51. The Inconstants (p. 35)
» 52. Country Dance (p. 35)
» 53. Square Right and Left (p. 35)
» 54. Star and Circle (p. 36)
» 55. Little Rounds (p. 36)
» 56. Captives Released (p. 37)
» 57. Opposing Columns (p. 37)
» 58. Perpetual Chains (p. 38)
» 59. Gentlemen Cheated (p. 39)
» 60. Maze (p. 39)
» 61. Grand Arbor (p. 40)
» 62. Revolving Star (p. 41)
» 63. Line Chains (p. 41)
» 64. Moulinet and Rings (p. 41)
» 65. Double Windmill (p. 42)
» 66. Gentlemen Mocked (p. 42)
» 67. Grand Chain (p. 43)
» 68. Changing Windmill (p. 43)
» 69. Spiral (p. 43)

Figures of Unlimited Couples
» 70. Arbor (p. 44)
» 71. Labyrinth (p. 45)
» 72. Pursuit (p. 45)
» 73. Winding Alley (p. 46)
» 74. Gentlemen to the Right (p. 46)
» 75. Two Lines (p. 46)
» 76. Final Round (p. 47)
» 77. Archway (p. 47)
» 78. In and Out (p. 47)
» 79. Two Columns (p. 48)
» 80. Covered Archway (p. 48)

Figures of Unlimited Couples
» 81. Hat (p. 49)
» 82. Scarf (p. 49)
» 83. Coquette (p. 49)
» 84. Glass of Champagne (p. 50)
» 85. Mysterious Hands (p. 50)
» 86. Parallel Chairs (p. 50)
» 87. Blind Man's Buff (p. 51)
» 88. Basket, Ring, and Flower (p. 51)
» 89. Figure Eight (p. 51)
» 90. Knotted Handkerchief (p. 52)
» 91. Cards (p. 52)
» 92. Pledges Redeemed (p. 52)
» 93. Raffle (p. 53)
» 94. Mirror (p. 53)
» 95. Fan (p. 53)
» 96. Parasol (p. 53)
» 97. Balloon (p. 54)
» 98. Four in Hand (p. 54)
» 99. Two Windmills (p. 54)
» 100. Ladies' Oracle (p. 55)
» 101. Blackballed (p. 55)
» 102. Flying Hat (p. 55)
» 103. Twisted Handkerchief (p. 56)
» 104. Surprise (p. 56)
» 105. Mysterious Screen (p. 56)
» 106. Masks (p. 57)
» 107. Handkerchief Chase (p. 57)
» 108. Rope (p. 57)
» 109. Flying Scarfs (p. 58)
» 110. Padlocks (p. 58)
» 111. Riddles (p. 58)
» 112. Mitten (p. 58)
» 113. Discord (p. 59)
» 114. Flags (p. 59)
» 115. Military Flags (p. 59)
» 116. May-Pole (p. 60)

Fitzgerald Publ. Co. (1895). Dick's Quadrille Call Book (Revised Edition, Fitzgerald). New York. [Powers]


Prof. Grant. (1895). Irine Skipping Rope Dance, Originated and Described. Buffalo: Electric City Press. (pdf) (djvu) (txt) {congress} {archive}

Note: No social dancing, just exhibition dances.


Prof. Grant. (1895). The Double Sword Dance. Buffalo: Electric City Press. (pdf) (djvu) (txt) {congress} {archive}

Note: No social dancing, just exhibition dances.


Prof. Grant. (1895). Song and Dance The "Little School Girl." Buffalo. (pdf) (djvu) (txt) {archive}

Note: No social dancing, just exhibition dances.


H. R. Johnson. (c. 1895). Pocket Guide To Ball Room Dances. London. [Powers]


Lilly Grove, F.R.G.S., and others. (1895). Dancing, with Musical Examples. London. (djvu) (txt) {archive} [Powers]


Rud. Knoll. (c. 1895). Rud. Knoll's Tanzbuchlein, Anleitung Zum Kommandieren. Hamburg. [Powers]


J. Lagus. (1895). Reglas Para Los Bailes De Salon. Barcelona: José González. (pdf) {BNE} [Powers]

Couple Dances

» Polka (p. 13)
» Polka-Mazurka (p. 15)
» El Vals Á Tres Tiempos (p. 17)
» El Vals Á Dos Tiempos (p. 19)
» Galop (p. 20)
» El Vals Boston (Vals Americano) (p. 21)
» El Schottisch Francés (p. 24)
» El Schottisch Americano (p. 25)
» Redowa (p. 28)
» El York (p. 30)
» El Ostendés (p. 31)
» Minué (p. 32)
» Pavana (p. 37)
» La Berlina (p. 39)
» La Varsoviana (p. 73)
» El Pas De Quatre (p. 77)

Quadrilles

» Los Lanceros (p. 44)
» Polo (p. 51)
» Cuadrilla Francesa: Rigodón (p. 56)
» Nueva Cuadrilla Americana (p. 63)
» Cuadrilla Parisién (p. 68)
» El Huracán (p. 74)

Cotillon Figures

» El Cotillón (p. 79)
» Las Damas En Línea (p. 81)
» Los Dos Cocineros (p. 81)
» El Pañuelo (p. 81)
» El Encuentro (p. 81)
» Las Flores (p. 82)
» Las Medias Vueltas (p. 82)
» Las Espadas (p. 83)
» El Dado (p. 83)
» Los Brazaletes (p. 83)
» Las Escarapelas (p. 83)
» Los Gallardetes (p. 84)
» La Charanga (p. 84)
» El Desquite (p. 85)
» La Sultana (p. 85)
» La Marcha Hacia Atrás (p. 86)
» El Chasco (p. 86)
» La Reparación (p. 86)
» Los Dos Rivales (p. 86)
» Las Cabezas Simpáticas (p. 87)
» Las Cuatro Sillas En Cuadrado (p. 87)
» El Sol (p. 88)
» La Copa De Champagne (p. 89)
» Los Caballeros En Acecho
» La Pirámide (p. 90)
» Los Cajones (p. 91)
» Caballero Con Retraso (p. 91)
» El Molino De Viento (p. 92)
» Las Dos Ruedas (p. 93)
» Las Cuatro Esquinas (p. 93)
» Los Elegidos (p. 94)
» Los Vis Á Vis (p. 94)
» Las Paralelas (p. 94)
» La Cacería (p. 95)
» Bajo Los Tilos (p. 96)
» Paseo Variado (p. 97)
» El Lazo De Cintas (p. 97)
» Pasillo Cubierto (p. 98)
» La Bóveda (p. 98)
» Pasillo Volteado (p. 99)
» El Tú Trasladado (p. 100)
» Las Vueltas De Manos Continuas (p. 101)
» El Saludo Final (p. 102)

Anna Lorenzová. (c. 1895). Elegantní Tanecník. Bohemia. (pdf) (djvu) {congress} {archive} [Powers]


E. Woodworth Masters (ed.). (1895). The Galop Magazine Vol. 12, No. 9. Boston. [Powers]


C. J. Melrose. (c. 1895). Dancing Up To Date, Ball Room Dancing Taught On Scientific Principles. London. [Powers]


Pietro Romano (music), [Anonymous] (dance). (c. 1895). The Adelaide, The Original Celebrated Kreuz Polka. Adelaide: S. Marshall & Sons. (pdf) {NLA}

Couple Dances

» Adelaide Kreuz Polka (♬) (p. 5)






Edward Scott. (1895). How to Dance, or The Etiquette of the Ball-Room (New Edition). London: Ward, Lock, and Bowden, Limited. (pdf) {Enge} [Enge]

Group Dances

» The Quadrille (p. 23)
» The Lancers (p. 30)
» The Caledonians (p. 34)
» The Valse Cotillon (p. 58)
» The Circassian Circle (p. 59)
» The Cotillon (p. 37)
» Sir Roger de Coverley (p. 61)

Couple Dances

» The Polka (p. 37)
» The Schottische (p. 40)
» The Barn Dance (p. 43)
» The Highland Schottische (p. 47)
» The Chorolistha (p. 50)
» The Galop (p. 54)
» The Polka Mazurka (p. 56)
» The Waltz (p. 68)
» The Versa: A New Valse Dance (p. 74)

Prof. G. Stilb. (1895). Les Danses De Salon (Bound with Guide Du Cotillon). Paris. [Powers] [WorldCat]


Frank Tousey. (1895). How To Dance, A Complete Ball-Room & Party Guide (Same As 1882, B&W Cover). New York. [Powers]


Geo. Wells. (c. 1895). Bon-Ton Gavotte! The Latest Society Dance. Toronto: S. & Co. (pdf) [Enge]

Couple Dances

» Bon-Ton Gavotte (♬) (p. 2)






Оскар Морлей. (1896). Mignon. Миньон. Новый танец (объяснение на русском и французском языках). Москва: К. И. Мейков. (pdf) {HDA}


Оскар Морлей. (1896). Mignon. Миньон. Новый танец (объяснение на русском и французском языках). Москва: К. И. Мейков. (pdf) {HDA}


де Колиньяр. (1896). Практический самоучитель бальных танцев для обоего пола. Лёгкий способ выучиться в 9 уроков без помощи учителя всем бальным танцам. С дополнением гран-рона, котильона, мазурки, характерных плясок: камаринской, казачка, матросской и венгерской и полного курса светский приличий. Москва: Типография Вильде. (pdf) {HDA}


Л. Г. Халиф. (1896). Французская кадриль. Одесса: Коммерческая типография Б. Сапожникова.


[Anonymous]. (1896). Руководство, как распоряжаться танцами на балах и танцевальных вечерах. Москва.


Ф. В. Раевский. (1896). Дирижёр. Практическое руководство дирижировать бальными и общественными танцами. Наставление для распорядителей на балах и семейных вечерах с приложением описания многих характерных танцев и терминологии для распорядителей. Санкт-Петербург: Типография А. Якобсона.


Mr. Stilb, Paul Dedieu-Péters (comp.). (1896). Menuet Dansé pour Piano. Paris: Costallat & Compagnie. (pdf) {BNF}

Couple Dances

» Menuet (♬) (p. 1)







Henri de Soria fils, Auguste Bosc. (c. 1896). Marche des Petits Pierrots. Two Step (Deux Pas). Nouvelle Danse Américaine. Paris: Auguste Bosc. (pdf) {BNF}

Couple Dances

» Two Step (Deux Pas) (♬) (p. 1)







Robert Coote. (c. 1896). Ball-Room Dancing Without A Master, For Home Practice (New Edition). London. [Powers]


R. M. Crompton (dance), Roland Black (music). (1896). Tantivy, The New Hunt Dance [Sheet Music with Dance Description]. London: E. Ascherberg & Co.

Couple Dances

» Tantivy (♬)






Gail & Ax's Navy Libra. (1896). Good Form. New York. [Powers]


E. H. Kopp. (1896). The American Prompter And Guide To Etiquette. Cincinnati: The John Church Co. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Asher's Glide Two-Step (p. 103)
» Wirth's La Carmencita Waltz (p. 104)
» Wirth's Cream City Minuet (p. 105)
» Wirth's Rye Waltz (p. 106)
» Wirth's Wirth Schottische (p. 107)
» Henshel's Assembly Glide (p. 108)
» Gearen's Chicago Glide (p.109 )
» Gearen's The Americus (p. 110)
» Chambers' The Society Minuet (p. 111)
» Chambers' The Dance Arlington (p. 112)
» Carr's La Veta (p. 113)
» Huntinghouse's The Tuxedo (p. 113)
» Masters' A l'Avenir (p. 114)
» U. of M. Waltz [University of Michigan Waltz] (p. 115)
» L'Athens (p. 116)
» Agatha Waltz (p. 116)
» The Waltz-Oxford (p. 117)
» The Peacock Stride (p. 118)
» Severance's The Badger Gavotte (p. 119)
» Severance's Santa Marie (p. 119)
» Sweet's The Aurora (p. 120)
» Sweet's Dance Infanta (p. 121)
» Thuma's The Pirouette (p. 122)
» Metcalfe's La Zelda (p. 123)
» Metcalfe's Dorado Paso (Golden Step) (p. 124)
» Metcalfe's Harvard Gavotte (p. 125)
» The Carlyle (p. 126)
» La Reve Polka (p. 127)
» The Altoona (p. 128)
» The Narragansett (p. 128)
» Weary Willie Schottische (p. 128)
» De La Grand (p. 129)

Circle Dances

» Grand Promenade () (p. 15)

Quadrilles

» Plain Quadrille (Many Figures) (p. 21)
» Jig Figures (p. 37)
» Cheat Figure (p. 38)
» Basket Figure (p. 38)
» Dixie Figure (p. 39)
» Asher's Plain Quadrille (p. 39)
» Tietzel's Mariella Quadrille (p. 40)
» Rutherford's Masons' Quadrille (p. 41)
» Lanciers (Standard) (p. 42)
» Beek's Standard Lanciers (p. 43)
» Masters' American National Lanciers (Diagonal) (p. 44)
» Wirth's Military Lanciers (p. 45)
» Worthington's Military Lanciers (p. 47)
» Sheldon's Deer Park Lanciers (p. 48)
» Sheldon's Oakland Minuet (p. 49)
» Chessman's Gulf City Lanciers (p. 50)
» Asher's Saratoga Lanciers (p. 52)
» Stillman's Two-Step Lanciers (p. 53)
» Waltz Lanciers (p. 54)
» Rutherford's New Glide Lanciers (p. 55)
» Mittmann's National Glide Lanciers (p. 56)
» Worthington's Contra Lanciers (p. 57)
» Worthington's Tally-Ho Lanciers (p. 58)
» Sweet's National Park Quadrille (p. 61)
» Montibello Quadrille (p. 62)
» Caledonian Quadrille (Scotch Varieties) (p. 64)
» The Caledonian Quadrille (p. 64)
» Le Prince Imperiale Quadrille (p. 65)
» Huntinghouse's Prince Imperial Quadrille (p. 66)
» Asher's Society Quadrille (p. 67)
» Wirth's National Quadrille (p. 68)
» Metcalf's Garden City Quadrille (p. 69)
» Masters' Triangle Cotilion Quadrille (p. 70)
» Asher's Polacca or Glide Quadrille (p. 72)
» Masters' Minuet Polacca Quadrille (p. 73)
» Parisian Varieties Quadrille (p. 74)
» Prairie Queen Quadrille (p. 75)
» Rutherford's Prairie Queen Quadrille (p. 77)
» Allen's Waltz Quadrille (p. 77)
» Waltz Quadrille No. 1 (p. 78)
» Rimpler's Favorite Waltz Quadrille (p. 79)
» Pound's Waltz Quadrille (Standard) (p. 79)
» Asher's Waltz Quadrille (p. 80)
» The De Garmo Quadrille (Standard) (p. 81)
» Waltz Quadrille No. 2 (p. 81)
» Prof. Asher's Original Mazurka Quadrille (p. 82)
» Mittmann's Minuet-Americaine Quadrille (p. 83)
» Sheldon's Presidential Polka Quadrille (p. 84)
» Asher's Polka Quadrille (p. 85)
» Worthington's The Royal Guards Quadrille (p. 86)

Contra Dances

» Wirth's The Kaleidoscope (p. 88)
» The Tempete (p. 89)
» The Tempest (p. 89)
» The Portland Fancy (p. 90)
» The Girl I Left Behind (p. 90)
» The Sicilian Circle () (p. 91)
» The Firemen's Dance (p. 91)
» The Opera Reel (p. 91)
» The Money Musk (p. 92)
» The Ninepin (p. 92)
» The Virginia Reel (p. 93)
» Old Dan Tucker (p. 93)

Der Cotillion (The German)

» I. Lawn Tennis (p. 95)
» II. Pyramid (p. 95)
» III. The Grand Round (p. 95)
» IV. The Zigzags (p. 96)
» V. The Fan (p. 96)
» VI. Flower Figure (p. 96)
» VII. Letter-Carrier Figure (p. 97)
» VIII. The Serpent (p. 97)
» IX. The Cards (p. 97)
» X. The Nosegays (p. 98)
» XI. The Scarf (p. 98)
» XII. The Basket, Ring, and Flower (p. 98)
» XIII. The Magic Hat (p. 99)
» XIV. The Figure Eight (p. 99)
» XV. The Glass of Wine (p. 99)
» XVI. Bad Weather (p. 100)
» XVII. The Danger Signal (p. 100)
» XVIII. The Mask Figure (p. 100)
» XIX. Scissors to Grind (p. 101)
» XX. Blind Buff of Six (p. 101)
» XXI. The Columns (p. 102)

Tempos Only (No Descriptions)

» Waltz (♩186)
» Redowa (Mazurka) (♩135 to 165)
» Galop (Two-Step) (♩90 to 130)
» Polka (♩110 to 120)
» Schottische (♩90)
» Quadrille (♩118 to 136)

F. C. Nott. (1896). Stage And Fancy Dancing. Cincinnati: J. M. Wright. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Note: As title suggests, this describes dances for the stage.


E. T. Root (pub.). (1896). Gems Of The Ball-Room, Call Book. Chicago. [Powers]


G. D. Wright. (1896). Valse Divertissante, New Round Dance [Sheet Music with Dance Description]. London: Francis, Day & Hunter. (pdf) {Enge} [Enge]

Couple Dances

» Valse Divertissante (♬) (p. 2)






[Anonymous]. (1897). "Американская кадриль." Вестник моды. Журнал моды, хозяйства и литературы. (pdf) {HDA }


Julian Horoszkiewicz. (c. 1897). Taniec Polski Według Dawnego Zwyczaju. Lwów: Drukarnia Ludowa. {polona}


Николай Людвигович Гавликовский, С. Ниторабов. (c. 1897). Новый салонный танец "Аликаз." "Alicase." Valse à Quatre Temps. Nouvelle Danse de Salon. Санкт-Петербург: Музыкальный магазин "Северная Лира."


Николай Людвигович Гавликовский, П. Константинов. (1897). La Chaconne. Новый салонный танец "Шакон." Санкт-Петербург: Музыкальный магазин "Северная Лира." (pdf) {HDA }


Николай Людвигович Гавликовский, П. Константинов. (1897). Danse Noble "La Chaconne." Санкт-Петербург: Музыкальный магазин "Северная Лира." (pdf) {HDA }


Оскар Морлей, Николай Людвигович Гавликовский. (1897). Новый салонный танец "Миньон." Санкт-Петербург: Музыкальный магазин "Северная Лира." (pdf) {HDA }


И. Лабади. (c. 1897). Венгерка. Москва: А. Гутхейль


Ferdinand Bolze. (1897). Traité Des Danses, Anciennes et Nouvelles. Lyon, France. [Powers]


J. R. Bosshardt-Strübi. (1897). Leitfaden Für Den Tanz Und Körperbildungs-Unterricht. Zurich: Zuchli & Beck. (pdf) (djvu) (txt) {congress} {archive} [Powers]

Couple Dances

» Der Walzer (p. 55)
      » 3 over 6 Schrittwalzer (p. 56)
      » Englischer Walzer (p. 57)
      » 2 oder 4 Schrittwalzer (p. 58)
      » Wiener-Walzer (p. 59)
      » 1 oder 2 Schrittwalzer (p. 61)
      » Balance-Walzer (p. 61)
» Der Schottisch (p. 62)
» Die Mazurka (p. 63)
» Die Rheinländer-Polka (p. 63)
» Die Polka-Mazurka (p. 65)
» Der Galopp (p. 66)
» Der Menuett-Walzer (p. 67)
» Salon-Csárdás (p. 69)
» Kreuz-Polka (p. 71)
» Strakschak (p. 72)

Quadrilles

» La Contredance Française (p. 26)
» Quadrille "Les Lanciers" (p. 39)

Circle Dances

» La Polonaise (p. 51)

Cotillion Figures

» 1. Spiegeltour (p. 74)
» 2. Das Polsterkissen (p. 74)
» 3. Leuchterbrandle (p. 74)
» 4. Das ABC (p. 75)
» 5. Ringerlreihen (p. 75)
» 6. Der Knoten(p. 75)
» 7. Blinde Kuh (p. 76)
» 8. Kartenspiel-Tour(p. 76)
» 9. Fächer-Tour (p. 77)
» 10. Ballwerfen (p. 77)

R. M. Crompton (dance), Oscar Morley (music). (1897). The Arcadian, New and Original Round Dance [Dance Description with Sheet Music]. London: E. Ascherberg & Co. (pdf) {Goucher} [Enge]

Couple Dances

» The Arcadian (♬) (p. 2)
» The Mignon (♬) (p. 7)










Mortlake W. Mann (dance), Karl Kaps (music). (1897). Niagara, New Round Dance. London: Francis, Day & Hunter. (pdf) [Enge]

Couple Dances

» Niagara (♬) (p. 2)






[Edna Witherspoon], The Butterick Publishing Co. (pub.). (1897). The Perfect Art Of Modern Dancing. London: The Butterick Publishing Co. (hathi) [Powers]

Note: Same as Witherspoon, 1894.

Couple Dances

» The Gallop [sic] (p. 20)
      » Right Turn (p. 20)
      » Left Turn (p. 20)
      » Forward Change (p. 21)
      » Backward Change (p. 21)
» The Polka (p. 21)
      » Right Turn (p. 22)
      » Left Turn (p. 22)
      » The Pursuit (p. 22)
      » Forward Change (p. 22)
      » Backward Change (p. 22)
» The Polka Redowa () (p. 22)
» The Polka-Mazourka (p. 23)
» The Three-Slide Polka (p. 23)
» The Varsovianna (p. 23)
» The Racket (p. 24)
» The Society (Racket Waltz) (p. 24)
» The Two-Slide Racket (p. 25)
» The Three-Slide Racket (p. 25)
» The Three-Plus-One Racket (p. 25)
» The Schottische (p. 25)
» The Waltz (p. 26)
      » The Pursuit (p. 27)
» The Knickerbocker (p. 28)
» The Bohemian or Heel-and-Toe Polka () (p. 54)
» The Yorke (p. 55)
» The American Gavotte (in Polka Time) (p. 55)
» Gavotte (in Schottische Time) (p. 55)
» Waltz-Galop (p. 55)
» The Minuet (p. 56)

Square Dances (Quadrilles)

» The Plain Quadrille (p. 5)
» Plain Quadrille in Lines (p. 9)
» The Lancers (p. 10)
» The New York Lancers (p. 13)
» The Caledonians (p. 46)
» The Waltz or Glide Caledonians (p. 48)
» Waltz Quadrille No. 1 (p. 49)
» Waltz Quadrille No. 2 (p. 50)
» The Cally Polka Quadrille (p. 52)
» The Quadrille Minuet (p. 57)
» The Kaiser's New Court Dance (The Gavotte Lanciers) (p. 58)

Contra-Dances

» The Virginia Reel (Sir Roger de Coverly) () (p. 15)
» La Tempête (The Storm) (p. 17)

The German

Figures of One Couple
» 1. The Excursion (p. 33)
» 2. Rounds of Three (p. 33)
» 3. The Columns (p. 34)
» 4. The Serpent (p. 34)
» 5. The Hat (p. 34)
» 6. The Scarf (p. 34)
» 7. The Chair (p. 34)
» 8. The Cheat (p. 34)
» 9. The Broken Circle (p. 34)
» 10. The Coquette (p. 34)
» 11. The Circle of Deceivers (p. 34)
» 12. The Two Lines of Six (p. 34)
» 13. The Fan (p. 34)
» 14. The Basket, Ring, and Flower (p. 35)
» 15. The Zigzags (p. 35)
» 16. The Knotted Handkerchief (p. 35)
» 17. The X of the Lady and Gentleman (p. 35)
» 18. The Cards (p. 35)
» 19. The Forfeits (p. 35)
» 20. The Raffle (p. 35)
» 21. The Basket of Six (p. 35)
» 21. The Love Knot (p. 36)
» 21. The Bridge (p. 36)
» 21. The Reunion of Couples (p. 36)

Figures of Two Couples
» 25. The Ladies Seated (p. 36)
» 26. The Change of Ladies () (p. 36)
» 27. The Phalanx (p. 36)
» 28. The Ladies' Moulinet (p. 36)
» 29. The Turning Hat (p. 36)
» 30. The X of the Gentlemen (p. 36)
» 31. Involution (p. 37)
» 32. The Rounds of Four (p. 37)
» 33. The Change of Four (p. 37)
» 34. The Royal Arch (p. 37)
» 35. The Rhymes (p. 38)
» 36. The Double Chain Anglaise (p. 38)
» 37. The Change of Ladies () (p. 38)
» 38. Quadrille No. 1 (p. 38)
» 39. Quadrille No. 2 (p. 38)
» 40. The Deceitful Round (p. 38)
» 41. The Changing Moulinet (p. 38)
» 42. Right and Left Varied (p. 38)
» 43. The Triple Pass (p. 38)
» 44. The Double Windmill, No. 1 (p. 38)

Figures of Three Couples
» 45. The Double Windmill, No. 2 (p. 38)
» 46. The Pyramid (p. 39)
» 47. The Mysterious Screen (p. 39)
» 48. The Changing Star (p. 39)
» 49. The May-Pole (p. 39)
» 50. The Reversed Round (p. 40)
» 51. The New Deal (p. 40)
» 52. The Inverted Column (p. 40)
» 53. The Pursuit (p. 41)

Figures of Four Couples
» 54. The Two Circles (p. 41)
» 55. The Grand Round (p. 41)
» 56. The Country Dance (p. 41)
» 57. The Ladies Reversed (p. 41)
» 58. The Double Pastourelle (p. 41)
» 59. The Star and Circle (p. 42)
» 60. The Little Rounds (p. 42)

Figures of Six Couples Up
» 61. The Extended Circle (p. 42)
» 62. The Double Grand Chain (p. 43)
» 63. The Bower (p. 43)
» 64. The Rencontres (p. 43)

Figures of Unlimited Couples
» 65. The Flower Girl (p. 43)
» 66. Over and Under (p. 43)
» 67. Peg and Rings (p. 43)
» 68. Braiding (p. 44)
» 69. The Grab-Bag (p. 44)
» 70. Whips (p. 44)
» 71. The Mulligan Guards (p. 44)
» 72. The Handkerchief Chase (p. 44)
» 73. The Continued Bridge (p. 44)
» 74. The Round (p. 45)
» 75. The Circular Round (p. 45)
» 76. The Knot (p. 45)
» 77. The Final Round (p. 45)

M. B. Gilbert. (1897, December to 1898, November). The Director: Dancing, Deportment, Etiquette, Aesthetics, Physical Training [Monthly Magazine, Bound As Book]. Portland, Maine: Melvin Ballou Gilbert. (pdf) {google} [Enge] [Powers]

Couple Dances

» The Boston Dip (Glissade Waltz, Cambridge Waltz, Dip Waltz) (1.1, p. 17)
» The Modern Varsovienne (p. 65)
» The Harvard Caprice (p. 212)
» The Varsovienne Series (p. 230)
» Harvard Dip (p. 246)
» Polka Series (p. 300)

Set Dances

» March for Sixteen (p. 106)
» Carl Marweg's Newport Lancers (p. 130)
» The Lancers as Danced at Mr. Frank Dodworth's (p. 178)

The German

» Octagonal Booth (p. 113)
» Baby Mine (p. 114)
» Matching Colors (p. 114)
» Final Figure (p. 114)
» Sweetmeats (p. 148)
» The Weak Leading the Blind (p. 148)
» Charge of the Light Brigade (p. 148)
» Umbrellas (p. 148)
» The Knot (p. 211)
» The Sprinters (p. 211)
» The Seated Circle (p. 211)
» The Bells Go Ringing for Sarah (p. 211)

William Lamb, Saxon & Co. (pub.). (c. 1897). Everybody's Guide To Ball-Room Dancing. London. [Powers]


Edward Lawson. (1897). Guide To Dancing. London. [Powers] [WorldCat]


Edward Scott. (1897). Dancing. London. [Powers]


W. Willemot. (1897). Skating. Pas Des Patineurs. Nouvelle Danse De Salon. Paris: Emile Gallet. (pdf) {JHU} [Powers]

Note: JHU (and Library of Dance) copy is missing the dance description.

Couple Dances

» Pas De Patineurs [missing] (♬)







Эдуард Жув, Николай Николаевич Яковлев. (1898). Конькобежцы. Новый салонный танец. Pas des Patineurs. Nouvelle Danse de Salon. Санкт-Петербург: А. Йогансон. (pdf) {HDA}


Оскар Морлей, Роберт Моррис Кромптон. (1898). The Arcadian (Aркадиен). Новый оригинальный бальный танец. Киев: Густав Форнер. (pdf) {HDA}


Paul André. (1898). Royalty. Pas de Quatre. Paris: Emile Deplaix. (pdf) {BNF}

Couple Dances

» Pas De Quatre (♬) (p. 3)







E. Louis, V. Casquil (comp.). (1898). Passepied. Danse à Quatre. Paris: Emile Gallet. (pdf) {BNF}

Note: Last page includes advertisements for many more dances with musical accompaniment.

Group Dances

» Passepied (Danse A Quatre) (♬) (p. 2)







James Finnigan (dance), Gustav Höwig (music). (1898). The Victoria Cross. Military Two-Step. London: Francis, Day & Hunter. (pdf) [Enge]

Couple Dances

» The Victoria Cross (♬)






Paul Raymond, Louis Balleron (comp.). (1898). Gavotte-Boston. Nouvelle Danse de Salon. Paris: Alfred Jullien. (pdf) {BNF}

Couple Dances

» Gavotte-Boston (♬) (p. 2)







Piotr Maszyński. (1898). Polonez "Dawnej daty." Polonaise Ancienne pour Piano. Berlin: Carl Simon.


T. Leggett Byrne. (1898). Terpsichore, Her Votaries And Fashions. Dublin. [Powers]


P. Gavina. (1898). Il Ballo, Storia Della Danza. Milano: Ulrico Hoepli. (pdf) {google} [Powers]

Couple Dances

» Waltzer a Sei (p. 46)
» Waltzer in Due Tempi (p. 54)
» Waltzer Saltato (p. 56)
» Polka (p. 56)
      » Season (p. 64)
      » Coquette (p. 66)
» Polka-Mazurka (p. 58)
» Boston (p. 60)
» Galop (p. 62)
» Schottisch (p. 63)
      » Dancig [sic] in the Barn (p. 67)
» Waltzer Louis XV (p. 68)
» Minuetto (p. 172)
» Gavotta (p. 179)
» Mazurka (p. 183)
» Redowa e Varsoviana (p. 187)
» Badoise (p. 187)

Set Dances

» La Quadriglia Inglese o i Lancieri (p. 76)
» Quadriglia Francese (p. 102)
» Quadriglia Delle Famiglie (p. 114)
» Quadriglia "Croisé" (p. 118)
» Quadriglia Americana (p. 133)
» Il Polo (p. 137)
» Giga Americana (p. 146)
» Quadriglia Irregolari (p. 150)

The German

» 1. Il Viale Mobile (p. 158)
» 2. La Parete (p. 159)
» 3. Il Ventaglio (p. 159)
» 4. I Dadi (p. 160)
» 5. A Mosca Cieca (p. 160)
» 6. La Caccia Ai Fazzoletti (p. 161)
» 7. I Gomitoli (p. 161)
» 8. I Biglietti Ferroviari (p. 161)
» 9. Il Cuscino (p. 162)
» 10. Il Giuoco Delle Carte (p. 162)
» 11. I Fiori (p. 162)
» 12. I Quattro Cantoni (p. 163)
» 13. I Braccialetti (p. 163)
» 14. Gli Amanti Celebri (p. 164)
» 15. Lo Specchio (p. 164)
» 16. I Pegni (p. 165)
» 17. Dos Á Dos (p. 165)
» 18. La Candela (p. 165)
» 19. Cambiamento Di Dama (p. 165)
» 20. La Figura Del Numero Otto (p. 166)
» 21. Le Dame Rifiutate (p. 166)
» 22. I Cucinieri (p. 166)
» 23. Lo Zig-Zag (p. 167)
» 24. La Separazione (p. 157)
» 25. Il Sole (p. 167)
» 26. El Viale Coperto (p. 168)
» 27. La Gara Del Circo (p. 168)
» 28. La Palla (p. 169)
» 29. La Fanfara (p. 169)
» 30. L'Addio Finale (p. 169)
» 31. Galop Finale (p. 169)

M. Molina da Silva. (c. 1898). On Dansera! Recueil De Danses Et Pas Nouveaux. Paris. [Powers]


M. Molina da Silva. (c. 1898). Pas De Quatre. Description And Sheet Music. Paris. [Powers]


J. [James] Scott Skinner (ed.). (c. 1898). The People's Ball Room Guide And Manual Of Dancing. Dundee: John Leng & Company. (pdf) {adbn} [Powers]

Set Dances

» The Reel (p. 11)
» Grand March (p. 12)
» The Reel O' Tulloch (Hoolichan, Thuilleachan) (p. 17)
» The Eightsome Reel (p. 18)
» The Quadrille (p. 19)
» The Lancers' Quadrille (p. 24)

Couple Dances

» The Waltz (Valse) (p. 26)
» The Galop (p. 30)
» The Polka (p. 31)
» La Varsoviana (La Va) (p. 33)
» The Highland Schottische (p. 35)
» German Schottische (p. 36)
» Pas De Quatre (Barn Dance) (p. 37)
» The Polka Mazurka () (p. 38)

Country Dances

» The Triumph (p. 39)
» Petronella (p. 42)
» The Flowers of Edinburgh (p. 42)
» La Tempete (p. 43)
» Rory O' More (p. 44)
» Waltz Country Dance (The Medley) (p. 44)
» The Merry Lads O' Ayr (p. 45)
» Circassian Circle () (p. 46)
» Galopade Country Dance (p. 46)
» The Haymakers (Sir Roger De Coverley) () (p. 47)

Exhibition Dances

» The Highland Fling [Solo] (p. 52)
» Sean Trews [Mentioned] (p. 54)
» Ghillie Callum (Sword Dance) [Mentioned] (p. 54)
» The Hornpipe [Solo] (p. 55)
» The Jig [Mentioned] (p. 57)

Frank Tousey (pub.). (1898). How To Dance, A Complete Ball-Room & Party Guide [Same As 1882, with Color Cover]. New York. [Powers]


Gaston Vuillier. (1898). La Danse. Paris: Hachette et Compagnie. (pdf) (djvu) (txt) {BSB} {archive} [Powers]


George E. Wilson. (1898). The Little Dancing Master. New York: Excelsior Publishing House. (pdf) {Powers} [Enge] [Powers]

Group Dances

» The Grand March (incl. Figures) (p. 17)
» La Pavane (p. 32)
» National Guard Quadrille (p. 39)
» Plain Quadrille (p. 50)
» The Saratoga Lancers (p. 56)
» The Lancers (p. 63)
» Caledonians' Quadrille (p. 70)
» Les Variétés Parisiennes (Parisian Varieties) (p. 77)
» Quadrille Figures (p. 82)
      The Basket Figure (p. 83)
      The Star Figure (p. 85)
      The Minuet Figure (p. 87)
      Cheat Figure (p. 88)
      The Nine Pin Figure (incl. Ladies' Nine Pin) (p. 89)
» Waltz (or Glide) Lancers (p. 92)
» Waltz (or Glide) Caledonians (p. 97)
» The Prince Imperial Quadrille (p. 99)
» Quadrille Waltz (p. 102)
» Virginia Reel (p. 107)
» The Minuet Lancers (p. 122)
» The Cally Polka Quadrille (p. 125)
» Newport Lancers (p. 131)

Couple Dances

» Christmas Polka (p. 25)
» The York (p. 27)
» Caprice Waltz (p. 30)
» Highland Schottish (p. 37)
» The Waltz (p. 115)
» The Polka (p. 117)
» The Polka Redowa (p. 118)
» The Schottish (p. 119)
» The Galop (p. 120)
» The Deux Temps (p. 120)
» Military Schottish (p. 130)

[Anonymous]. (1898). The Two Step Monthly Magazine, October Issue. New York. [Powers]


Otto Mieczysław Żukowski. (1899). O Polonezie. Przyczynek do Dziejów Choreografii i Muzyki Polskiej. Lwów: Drukarnia Ludowa. {SBC}


[Anonymous]. (1899). Оригинальный кэк-вок. Американский танец. Original Cake Walk. Санкт-Петербург: П. Н. Селиверстов. (RSL)


Владимир Христианович Давингоф. (1899). Придворный шакон. Санкт-Петербург: Николай Христианович Давингоф. (RSL)


Эдуард Жув, М. Виллемот. (1899). Краковяк. Из польских мотивов. Санкт-Петербург: К. И. Мейков. (pdf) {HDA}


Г. А. Казаченко. (1899). Pas des Patineurs. Конькобежцы. Nouvelle Danse Noble de Salon. Санкт-Петербург: П. Н. Селиверстов. (pdf) {HDA}


Оскар Морлей. (1899). Том-Тит. Новый английский танец. Санкт-Петербург: Музыкальный магазин "Северная лира."


Оскар Морлей. (1899). Tom Tit. Frühlings Tanz. Том-Тит. Новый английский танец. Москваг: П. А. Гутхейль. (pdf) {HDA}


И. В. Зет. (1899). Новый салонный танец "Каприз." Киев: Лито-типография И. Н. Харитонова.


Александр Александрович Царман. (1899). Новый салонный танец "Pas d'Espagne." Moсква: Печатня В. Гроссе.


С. Кузнецов, Николай Николаевич Яковлев. (1899). Помпадур. Новый салонный танец. Pompadour. Nouvelle Danse de Salon. Санкт-Петербург: Музыкальный магазин "Северная лира."


Николай Людвигович Гавликовский. (1899). Руководство для изучения танцев. Санкт-Петербург: Типо-литография В. А. Вацлика. (pdf) {HDA}


М. И. Идельсон. (1899). Венский вальс с фигурами. Гомель: Типо-литография Ш. Сеськина и Х. Кагана.


Э. Х. Кеворков. (1899). Дирижер бальных вечеров с исполнением обыкновенной Кадрили и Контрданс. Екатеринодар: Типо-литография А. П. Сташевского.


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