La Boulangere is an easy mixer that has been danced in various forms for over 250 years.
It is famous for being the only dance that Jane Austen mentioned by name, in Chapter 3 of Pride and Prejudice, as shown in the 1813 first edition above.
Several different versions of La Boulangere are described below.
In his first Potpourri Francois des Contre-Danse Ancienne (c. 1760), Mr. Landrin of Paris describes the figure of La Boulangere as follows:
Translated:
One man takes his lady's right hand and takes a turn around her, then leaves her.In other words:
Give the left hand to the man who is on his right and take a turn with him.
Come back and take a turn with your lady and continue to turn with everyone else and come back to turn your lady.
The first Lead offers his right hand to his partner and turns her once around by the right.
Then he offers his left hand to Lead to the right and they turn once around by the left.
Then he offers his right hand to his partner and turns her once around by the right again.
Then he turns that next dancer to the right (a Follow this time) once around by the left hand.
And turns his partner by the right again.
Repeat this pattern until he has danced with everyone.
All circle left, and all circle right back to places.
The first Lead turns the Follow to his left with his right hand.
Then he turns his partner with his left hand.
Repeat this pattern until he has danced with everyone.
Then repeat the circle left and circle right.
Then the Follow turns the Lead to the right with her right hand, and her partner with her left hand, repeating this with all Leads around the circle to place.
After the first couple has done this, every other couple does this in succession.
In his Fourth Collection, c. 1789, William Campbell describes La Boulanger as follows:
In other words:
All circle left, and all circle right back to places.
The first Follow turns the Lead to her right with her right hand.
Then she turns her partner with her left hand.
Repeat this pattern until she has danced with everyone.
Then every Follow dances the figure.
Then every Lead dances the figure.
Given the structure of the music, there is likely a grand round in between each repeat of the figure. This isn't explicitly stated, but it is strongly implied by the fact that two parts of the tune are mentioned, with the grand round being danced to the first part of the tune, and the figure to the second.
In his American Dancing Master from 1862 (and several other publications in the 1860s), Elias Howe describes La Boulangere as follows:
In other words:
In a single circle with the Leads facing in and the Follows facing out
All circle clockwise, and all circle counterclockwise back to places (Leads are technically circling left and Follows are technically circling right).
The first Lead turns his partner by the right hand.
Then he turns the next Follow by the left hand.
While he is doing this, his partner "turn[s] by herself inside the circle," while "keeping as far as she can from him."
Then he turns his partner by the right hand.
Repeat this pattern until he has danced with all of the Follows.
Then everyone dances the grand round again.
Then the second Lead dances the figure, then the third, and so on, always doing the grand round in between.
Then all of the Follows dance the figure in succession, always doing the grand round in between.
"When the party is very large, two couples may begin at the same time, one at the top and the other at the bottom of the room."
© 2020 Nick Enge
For more dance descriptions, see our three books on dancing:
The Book of Mixers: 100 Easy-Teach Dances for Getting Acquainted (2022) by Richard Powers and Nick & Melissa Enge,
Cross-Step Waltz: A Dancer's Guide (2019) by Richard Powers and Nick & Melissa Enge, and
Waltzing: A Manual for Dancing and Living (2013) by Richard Powers and Nick Enge.
For full-length teaching videos, visit: University of Dance.
For help crafting a life you love, visit: Project Quartz.
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