📜 Domenico da Piacenza. (c. 1455). De Arte Saltandi et Choreas Ducendi. Paris Ms. (pdf) {BNF} [Enge] [Powers]

Notes: The earliest known dance manual, laying the foundation for the Italian Renaissance dance tradition. Page numbers are for the pdf, and dance titles are as transcribed by Smith, 1995.

Dances

» Belreguardo (p. 22)
» Belreguardo Novo (p. 23)
» Lionzello Vecchio (p. 24)
» Lionzello Novo (p. 26)
» La Ingrata (p. 27)
» Le Giloxia (p. 29)
» Pizochara (p. 31)
» Verçepe (p. 33)
» Prexonera (p. 36)
» Belfiore (p. 37)
» Anello (p. 39)
» Marchexana (p. 40)
» Iupiter (p. 41)
» La Fia Guilmin (p. 44)
» L'Altra Fia Guielmina (p. 47)
» Mercantia (p. 49)
» Sobria (p. 51)
» Tesara (p. 54)
» [D]amnes (p. 59)
» [M]ignotto (p. 60)
» [M]ignotta Nova (p. 61)
» Corona (p. 62)
» Zoglioxa (p. 63)

📜 Antonio Cornazzano. (c. 1455). Libro Dell'Arte del Danzare. Rome Ms. (DVL) [Enge] [Powers]

Notes: One of the three foundational Italian Renaissance dance manuals, preserving many of the same dances as Domenico while also contributing unique choreographies and commentary. Indexed based on Inglehearn & Forsyth, 1981, but spelling of the dance titles has been returned to the spellings found in the manuscript.

Bassedanze

» Mercantia (p. 13r)
» Giove (p. 15r)
» Verceppe (p. 17r)
» Bereguardo Novo (p. 19r)
» Leoncello Novo (p. 20v)
» Prima Figlia Guglielmino (p. 23r)
» Be Figlia Guilielmin (p. 24r)
» Sobria (p. 26v)
» Mignotta Nova (p. 29r)
» Damnes (p. 30r)
» Corona (p. 31r)

📜 Guglielmo Ebreo da Pesaro. (c. 1463). De Practica Seu Arte Tripudii Vulgare Opusculum. Paris Ms. (pdf) {BNF} [Enge] [Powers]

Notes: One of the three foundational Italian Renaissance dance manuals, preserving the most extensive collection of choreographies from the foundational Italian dancing masters. Folio (f. ) references are those given in the manuscript's own Tavola on pdf p. 51.

Bassedanze

» Reale (f. 23)
» Alessandrescha (f. 23)
» Genevra (f. 23)
» Mignotta (f. 24)
» Pietosa (f. 24)
» Cupido (f. 24)
» Pellegrina (f. 26)
» Phoebus (f. 27)
» Daphnes (f. 27)
» Gioliva (f. 28)
» Patientia (f. 29)
» Flandescha (f. 30)
» Principessa (f. 30)
» Caterva (f. 31)

Balli

» Rostiboli Gioioso (f. 32)
» Duchscho (f. 32)
» Ligiadra (f. 33)
» Colonese (f. 34)
» Petit Rose (f. 34)
» Iove (f. 34)
» Presoniera (f. 36)
» Marchesana (f. 37)
» Bel Fiore (f. 37)
» Ingrata (f. 38)
» Anello (f. 39)
» Gielosia (f. 39)
» Belriguardo (f. 40)
» Leoncello (f. 40)
» Mercancia (f. 41)
» Gratioso (f. 42)
» Spero (f. 42)

📖 Michel Toulouze. (c. 1495). S'ensuit l'Art et Instruction de Bien Dancer. Paris. (pdf) {Lindahl} [Enge] [Powers]

Notes: The earliest known printed French dance manual, explaining the principles of basse danse and preserving numerous dance step patterns. Dance titles from the BNF, and page numbers are for the pdf.

Basses Danses

» Le Petit Rouen (p. 6)
» Filles à Marier (p. 6)
» Ma Maistresse (p. 6)
» Le Hault Et Bas (p. 7)
» Le Moys Demay (p. 7)
» Triste Playsir (p. 8)
» La Poytevine (p. 8)
» Langueur En Nul Soit Destresse (p. 9)
» Le Joyeulx Espoyr (p. 9)
» Casulle La Novele (p. 9)
» Turin (p. 10)
» Le Grand Roysin (p. 10)
» Avignon (p. 10)
» Je Languis (p. 11)
» Le Petit Roysin (p. 11)
» Ma Myeux Aymeye (p. 12)
» Le Grand Thorin (p. 12)
» Ma Doulce Amour (p. 12)
» La Beaulté De Castille (p. 13)
» Roti Bolli Joieulx (p. 13)
» L'Espérance De Bourbon (p. 14)
» Aliot Novelle (p. 14)
» La Basse Dance Du Roy (p. 15)
» L'Espoyr (p. 15)
» Beaulté (p. 16)
» Ma Mie (p. 16)
» La Verdelete (p. 16)
» Le Joyeulx De Brucelles (p. 17)
» Engolesme (p. 17)
» La Belle (p. 17)
» Bayonne (p. 18)
» La Navaroyse (p. 18)
» Barcelone (p. 18)
» Florentine (p. 19)
» La Tantayne (p. 19)
» Barbesieux (p. 19)
» La Rochele (p. 20)
» Orlyans (p. 20)
» M'Amour (p. 21)
» Alenchon (p. 21)
» La Portingaloyse (p. 21)
» Va-T-En Mon Amoureux Désir (p. 21)
» Joyeusement (p. 22)
» Passe Rose (p. 22)
» La Basine (p. 22)
» Ma Soverayne (p. 22)
» La Marguerite (p. 23)
» Vyses (p. 23)

📜 [Anonymous]. (c. 1495). Basses Danses Dites de Marguerite d'Autriche [a.k.a. Brussels MS 9085 a.k.a. The Brussels Manuscript]. Brussels Ms. (pdf) {LOC} [Enge]

Notes: The largest known 15th-century collection of basse danses, preserving nearly sixty choreographies from the Burgundian court tradition. Folio 7r (pdf p. 16) is missing in the LOC copy, and has been restored using a later digitization. Dance titles are from another later digitization by IDEM.

Basses Danses

» Beaulte (p. 16)
» Ma mie (p. 16)
» Engoulesme (p. 17)
» La belle (p. 17)
» La margarite (p. 18)
» Luises (p. 18)
» La Franchoise (p. 19)
» Le rosin (p. 20)
» La basse danse du roy d'Espaigne (p. 20)
» Avignon (p. 21)
» Je languis (p. 21)
» La tantaine (p. 22)
» Barbesieux (p. 22)
» La rochelle (p. 23)
» Orleans (p. 23)
» Le petit Rouen (p. 24)
» Filles à marier (p. 24)
» Maistresse (p. 25)
» Le hault et le bas (p. 25)
» Mamour (p. 26)
» Alenchon (p. 26)
» La Portingaloise (p. 27)
» Sans faire de vous departie (p. 27)
» Une fois avant que morir (p. 28)
» Beaulte de Castille (p. 28)
» Le doulz espoir (p. 29)
» Lyron (p. 30)
» Le petit roysin (p. 30)
» Ma mieulx ammee (p. 31)
» La danse de Ravestain (p. 31)
» Triste plaisir (p. 32)
» Le grant Rouen (p. 32)
» Mon leal desir (p. 33)
» Le mois de may (p. 33)
» Bayonne (p. 34)
» La Navaroise (p. 34)
» Barcelonne (p. 35)
» Flourentine (p. 35)
» La potevine (p. 36)
» Languir en mille destresse (p. 36)
» La verdelete (p. 37)
» Le joyeulx de Brucelles (p. 37)
» Aliot nouvella (p. 38)
» La basse danse du roy (p. 38)
» Marchon la dureau (p. 39)
» Je suis povere de leesse (p. 39)
» La non pareille (p. 40)
» Vaten mon amoureux (p. 40)
» Joieusement (p. 41)
» Passe rose (p. 41)
» Le grant Thorin (p. 42)
» Ma douce amour (p. 42)
» Venise (p. 43)
» La haulte Bourgogne (p. 43)
» Roti boully ioyeulx (p. 44)
» Lesperance (p. 45)
» La danse de Cleves (p. 46)
» La Franchoise nouvelle (p. 47)

📜 [Anonymous]. (c. 1496). The Cervera Manuscript. Cervera Ms. (pdf) {Lindahl} [Enge] [Powers]

Note: The earliest known dance treatise to include graphic notation for dance steps. Dance titles are from Nocilli, 2013.

Baixes Danses

» La baixa de Castilla (p. 1)
» Joiós (p. 1)
» Egipciana (p. 1)
» Fagarda (p. 1)
» La baixa morisqua (p. 2)
» Joiós (p. 2)
» La baixa duriens (p. 2)
» Amorost (p. 2)
» Filles amaria (p. 2)
» Anglatera (p. 2)
» Gepciana (p. 2)

📜 [Anonymous]. (c. 1500). The Gresley Dance Collection. Derbyshire Ms. (Fallows transcription) [Enge]

Note: The earliest known English dance manuscript, preserving choreographies for 26 dances from around the turn of the 16th century. Indexed based on the Fallows transcription.

Dances

» Esperans (p. 54)
» Talbott (p. 55)
» Mowbray (p. 55)
» Egle (p. 56)
» Bugill (p. 58)
» Prenes a Gard (p. 59)
» Prenes on Gre (p. 60)
» Princitore (p. 60)
» Armynn (p. 61)
» What So Ever Ye Wyll (p. 61)
» Petygay (p. 62)
» Tamrett (p. 62)
» Grengynger (p. 62)
» Sofferance (p. 63)
» Lebens Disinens (p. 63)
» Aras (p. 64)
» Eglamowr (p. 64)
» New Yer (p. 65)
» Roye (p. 65)
» Oringe (p. 66)
» Hawthorne (p. 67)
» Newcastell (p. 67)
» Damesyn (p. 68)
» Rawty (p. 69)
» Temperans (p. 70)
» Northumberland (p. 70)

📜 Johannes Cochläus. (1517). The Nürnberg Manuscript. Nürnberg Ms. (pdf) {Lindahl} [Enge] [Powers]

Note: The earliest surviving dance manuscript from the German-speaking world, preserving seven Italian choreographies. Indexed based on the transcription in Smith, 1995.

Balli

» Der Spanier (lines 3-4)
» Rostibin (lines 5-22)
» Angelosa (lines 23-38)
» l'Amorosa (lines 39-57)
» Leoncell (lines 58-81)
» Bellregwerd (lines 82-91)
» Mercasan (lines 92-124)
» Vite de Colei (lines 125-145)

📖 Robert Coplande [Robert Copland]. (1521). The Maner of Dauncynge of Bace Dauces. London. (pdf) (Patri transcription) [Enge] [Powers]

Note: Two pages on Basse Dance appended to Alexander Barclay's The Introductory to Wryte, and to Pronounce Frenche.

Basse Dances

» Filles à Marier
» Le Petit Rouen
» Amours
» La Gorriere
» La Allemande
» La Brette
» La Royne

📖 Jacques Moderne. (c. 1532). S'ensuyvent Plusieurs Basses Dances Tant Communes que Incommunes. Lyon. (pdf) (Mathias partial translation) {Lindahl} [Enge]

Note: The largest surviving collection of basse danses, organizing approximately 200 dances by the 116 step patterns they share.

Basses Danses Communes

» [Pattern 1] (p. 11)
      › La marquise (p. 11)
      › Si tu moys le temps perdu (p. 11)
      › Lespine (p. 11)
      › Cest a grant tort (p. 11)
      › La frisque (p. 11)
      › Par trop ie suis brunet (p. 11)
      › De mon triste desplaisir (p. 11)
      › Quant my souuient (p. 11)
      › La galliotte (p. 11)
      › La gotte (p. 11)
» [Pattern 2] (p. 12)
      › Marry de par sa femme (p. 11)
      › La gaye (p. 11)
      › Mal maridade (p. 11)
      › La pamine (p. 11)
      › Katherine (p. 12)
      › Sainct Roch (p. 12)
      › Sancerre (p. 12)
      › Neuers (p. 12)
      › Picardie la iolye (p. 12)
      › Lure benez y dont (p. 12)
» [Pattern 3] (p. 12)
      › Ie demeure seule esgarce (p. 12)
      › La mosque de biscaye (p. 12)
      › Lentree du fol (p. 12)
      › A sa venue de Noel (p. 12)
      › La peronnelle (p. 12)
      › A la bannye (p. 12)
      › Gouuernas (p. 12)
      › Foire (p. 12)
      › Verdure (p. 12)
      › Princesse damours (p. 12)
» [Pattern 4] (p. 13)
      › Le cueur est mien (p. 12)
      › Le cueur est bon (p. 13)
      › Iouyssance (p. 13)
      › Chasteau Brient (p. 13)
      › Beurre frais (p. 13)
» [Pattern 5] (p. 13)
      › Sensuyt le residu (p. 13)
» [Pattern 6] (p. 13)
      › Le residu en autre maniere (p. 13)

Basses Danses Imparfaites

» [Pattern 7] (p. 13)
      › Elle sen va (p. 13)
      › La ducatte (p. 13)
      › Hors de soucy (p. 13)
      › Jacqueline (p. 13)
» [Pattern 8] (p. 14)
      › Le grant helas (p. 13)
      › Tant ay denuy (p. 13)
» [Pattern 9] (p. 14)
      › Mon cueur sera dapaymer (p. 14)
» [Pattern 10] (p. 14)
      › La seignose (p. 14)
      › Beauregard (p. 14)
» [Pattern 11] (p. 14)
      › Les regretz du more (p. 14)
» [Pattern 12] (p. 14)
      › La douloureuse (p. 14)
      › Sans elle ne puis (p. 14)
» [Pattern 13] (p. 14)
      › Perrichon (p. 14)
» [Pattern 14] (p. 15)
      › Maulgre dangier (p. 14)
      › En lombre dung buissonnet (p. 14)
      › La doulceur qui au cueur me blesse (p. 14)
      › La fleurie (p. 15)
» [Pattern 15] (p. 15)
      › Frere pierre (p. 15)
      › Les grans regretz (p. 15)
» [Pattern 16] (p. 15)
      › Uaten regret (p. 15)
      › Toute noble cite (p. 15)
» [Pattern 17] (p. 15)
      › Ny boutez pas tout (p. 15)
      › Ny boutez que le bout (p. 15)
      › Les regretz de lusigneaa (p. 15)
» [Pattern 18] (p. 15)
      › Le bail despaigne (p. 15)
      › Neuers (p. 15)
» [Pattern 19] (p. 16)
      › La merciere (p. 16)
      › La trippiere (p. 16)
» [Pattern 20] (p. 16)
      › Mesenfans (p. 16)
» [Pattern 21] (p. 16)
      › Cest simplement donne conge (p. 16)
» [Pattern 22] (p. 16)
      › Mon con est deuenu se grant (p. 16)
» [Pattern 23] (p. 16)
      › Par faulx semblant (p. 16)
      › La valentinoyse (p. 16)
» [Pattern 24] (p. 16)
      › Trop et impol (p. 16)
» [Pattern 25] (p. 17)
      › Le regnom dungesgaree (p. 17)
» [Pattern 26] (p. 17)
      › Fortune atort (p. 17)
      › Testimonium (p. 17)
» [Pattern 27] (p. 17)
      › Lalabre (p. 17)
» [Pattern 28] (p. 17)
      › Quest deuenue ma mignonne (p. 17)
» [Pattern 29] (p. 17)
      › Lestrac (p. 17)
» [Pattern 30] (p. 17)
      › Amours (p. 17)
» [Pattern 31] (p. 18)
      › Lesperance (p. 18)
» [Pattern 32] (p. 18)
      › Len attenduit la grace de ma mignonne (p. 18)
» [Pattern 33] (p. 18)
      › Robinet (p. 18)
» [Pattern 34] (p. 18)
      › Triste plaisir (p. 18)
» [Pattern 35] (p. 18)
      › Regoroy piorny (p. 18)
      › Loyselet (p. 18)
» [Pattern 36] (p. 18)
      › Lescaye (p. 18)
» [Pattern 37] (p. 18)
      › Len elle nay plus de fiance (p. 18)
» [Pattern 38] (p. 19)
      › En plains et pleurs ie prens conge (p. 19)
» [Pattern 39] (p. 19)
      › Robinet (p. 19)
» [Pattern 40] (p. 19)
      › La douloureuse (p. 19)
      › Sans elle ne puis (p. 19)
» [Pattern 41] (p. 19)
      › Perrichon (p. 19)
      › Le que scauez (p. 19)
» [Pattern 42] (p. 19)
      › Mon con est deuenu sergent (p. 19)
      › Quil est bon (p. 19)
» [Pattern 43] (p. 19)
      › Esperance (p. 19)
» [Pattern 44] (p. 20)
      › Dxpel inpol (p. 20)
      › Tire toy sa guillot (p. 20)
» [Pattern 45] (p. 20)
      › Amours mont faictz desplaisir (p. 20)
» [Pattern 46] (p. 20)
      › Par fault semblant (p. 20)
      › La diasentmoyse (p. 20)
      › La pastience damore (p. 20)
» [Pattern 47] (p. 20)
      › Le regnoy dung esgare (p. 20)
» [Pattern 48] (p. 20)
      › Le petit helas (p. 20)
» [Pattern 49] (p. 20)
      › Les souspirs du poullin (p. 20)
» [Pattern 50] (p. 21)
      › Triste plaisir (p. 21)
      › Lest moy desire (p. 21)
» [Pattern 51] (p. 21)
      › Amoures (p. 21)
» [Pattern 52] (p. 21)
      › Amoy retoure (p. 21)
      › Ie ne scay pas pour quoy (p. 21)
» [Pattern 53] (p. 21)
      › Quest deuenue ma mignonne (p. 21)
» [Pattern 54] (p. 21)
      › Lacalabre (p. 21)
      › Ie ne suis plus (p. 21)
» [Pattern 55] (p. 21)
      › Lestrac (p. 21)
» [Pattern 56] (p. 22)
      › Pourees gendarmes (p. 22)
      › Faisons la faisons (p. 22)
» [Pattern 57] (p. 22)
      › Noire et tennee (p. 22)
» [Pattern 58] (p. 22)
      › Le faulcheron (p. 22)
      › La belle Francoyse (p. 22)
» [Pattern 59] (p. 22)
      › Sans elle ne puis (p. 22)
» [Pattern 60] (p. 22)
      › Ce nest pas ieu (p. 22)
      › Cest ma pensee (p. 22)
» [Pattern 61] (p. 22)
      › Loyal espoir (p. 22)
      › Beaulte (p. 22)
» [Pattern 62] (p. 22)
      › Te gratiorius (p. 22)
» [Pattern 63] (p. 23)
      › Pacience (p. 23)
» [Pattern 64] (p. 23)
      › Cest mon plaisir (p. 23)
» [Pattern 65] (p. 23)
      › Nauarre (p. 23)
      › La douloureuse (p. 23)
» [Pattern 66] (p. 23)
      › Hacboer daing (p. 23)
» [Pattern 67] (p. 23)
      › Fortune lassemande (p. 23)
      › Les pensez de madame (p. 23)
» [Pattern 68] (p. 23)
      › Densez tous la peur (p. 23)
» [Pattern 69] (p. 23)
      › Regnault le fort (p. 23)
      › Elle a grant tort (p. 23)
      › Ie ne scay pas pour quoy (p. 24)
» [Pattern 70] (p. 24)
      › Helas que vous a faict mon cueur (p. 24)
» [Pattern 71] (p. 24)
      › Noblesse (p. 24)
      › Tout au rebours (p. 24)
» [Pattern 72] (p. 24)
      › O dieu que cufemme iauoye (p. 24)
» [Pattern 73] (p. 24)
      › En attendant la grace de mamignonne (p. 24)
» [Pattern 74] (p. 24)
      › Ie ne fais plus (p. 24)
» [Pattern 75] (p. 25)
      › Lheure est venue de me plaindre (p. 24)
» [Pattern 76] (p. 25)
      › Mon cueur sera daymer (p. 25)
» [Pattern 77] (p. 25)
      › Lausbat (p. 25)
      › Cest mon mal (p. 25)
» [Pattern 78] (p. 25)
      › Dulcis amica (p. 25)
» [Pattern 79] (p. 25)
      › Quil est bon (p. 25)
      › Ama semblance (p. 25)
» [Pattern 80] (p. 25)
      › La chaulte (p. 25)
» [Pattern 81] (p. 25)
      › Les chasteaulx (p. 25)
      › A moy retour (p. 25)
» [Pattern 82] (p. 26)
      › Mon gouuernement (p. 26)
» [Pattern 83] (p. 26)
      › Maysonnet (p. 26)
      › Pampelune (p. 26)
» [Pattern 84] (p. 26)
      › Ils ont menty (p. 26)
» [Pattern 85] (p. 26)
      › Pour auoir faict augre de mon mary (p. 26)
» [Pattern 86] (p. 26)
      › Les manteaulx iaunes (p. 26)
» [Pattern 87] (p. 26)
      › Maioye (p. 26)
      › Le que pense (p. 26)
» [Pattern 88] (p. 27)
      › Ma cousine (p. 27)
» [Pattern 89] (p. 27)
      › Le moy de la digne (p. 27)
      › Toute semblable (p. 27)
» [Pattern 90] (p. 27)
      › Cest ma mignonne (p. 27)
» [Pattern 91] (p. 27)
      › Tant denuy (p. 27)
      › Elle reuient (p. 27)
» [Pattern 92] (p. 27)
      › A la moytie (p. 27)
      › Tous les biens (p. 27)
» [Pattern 93] (p. 27)
      › Ce qui vous plaira (p. 27)
» [Pattern 94] (p. 27)
      › La marguerite (p. 27)
» [Pattern 95] (p. 28)
      › La ghiroflee (p. 28)
» [Pattern 96] (p. 28)
      › Cest attendant la grace de ma dame (p. 28)
» [Pattern 97] (p. 28)
      › Passion (p. 28)
      › La belle francoyse (p. 28)
      › La grant peine (p. 28)
      › La gaige (p. 28)
      › Dazamon (p. 28)
» [Pattern 98] (p. 28)
      › Iurez le pois (p. 28)
» [Pattern 99] (p. 28)
      › Maplaisance (p. 28)
      › Il est en bonne heure re (p. 28)
» [Pattern 100] (p. 29)
      › La nuyct (p. 29)
» [Pattern 101] (p. 29)
      › Ie men fray rendre rommanie (p. 29)
» [Pattern 102] (p. 29)
      › Pacience (p. 29)
» [Pattern 103] (p. 29)
      › La doulceur de lescuyer (p. 29)
» [Pattern 104] (p. 29)
      › La doulceur de lacharte (p. 29)
» [Pattern 105] (p. 29)
      › Le grant allemant (p. 29)
      › Adieu men voye (p. 29)
» [Pattern 106] (p. 30)
      › Or fait il bon (p. 30)
» [Pattern 107] (p. 30)
      › Puis quen amours suis malheureux (p. 30)
» [Pattern 108] (p. 30)
      › Ala uerdure (p. 30)
» [Pattern 109] (p. 30)
      › Sur toutes les couleurs (p. 30)
» [Pattern 110] (p. 30)
      › La lesne (p. 30)
» [Pattern 111] (p. 30)
      › En la bonne heure (p. 30)
      › Or fait il bon aymer (p. 30)
» [Pattern 112] (p. 30)
      › Le temps passe (p. 30)
» [Pattern 113] (p. 31)
      › Le ioly boys (p. 31)
      › Heure vient (p. 31)
      › Le plus dolent (p. 31)
» [Pattern 114] (p. 31)
      › Mes plaisirs chantz (p. 31)
» [Pattern 115] (p. 31)
      › Mon ioly cueur (p. 31)
» [Pattern 116] (p. 31)
      › Bon pied bon oeil (p. 31)

📖 Antoine Arena. (1538). Antonius Arena, Provincialis de Bragardissima Villa de Soleriis. Lyon. (pdf) (Guthrie & Zorzi translation) {BNF} [Enge]

Note: A satirical poem on student life that preserves basse dance technique, etiquette, and the step patterns for dozens of dances. Dance titles are from the Guthrie & Zorzi translation.

Basse Dance Step Patterns

» [Pattern 1] (p. 92)
      › Le Grand Helas (p. 92)
      › Elle Me Tient (92)
      › Tant Ay d'Ennuy (p. 92)
      › Verdemont (p. 92)
» [Pattern 2] (p. 93)
      › La Grant Douleur (p. 92)
      › Lo Brot de la Vigno (p. 92)
      › Dulcis Amica (p. 92)
      › La Gayha (p. 92)
      › Par Faulx Semblant (p. 92)
      › L'Espervier (p. 92)
      › Confortez Moy (p. 92)
» [Pattern 3] (p. 93)
      › Tout Noble Cueur (p. 93)
      › Ma Mye (p. 93)
      › Fleur de Beaulte (p. 93)
      › Va-t'-en Regretz (p. 93)
      › L'Amour de Moy (p. 93)
      › Joye Sans Fin (p. 93)
      › Le Vieil Testament (p. 93)
      › Si J'ay Perdue Ma Mye (p. 93)
      › Je Tient Ma Mye (p. 93)
» [Pattern 4] (p. 93)
      › Si Je Me Plains (p. 93)
      › M'Amour Vous Ay Donnee (p. 93)
      › M'Amour (p. 93)
      › La Fricasseo (p. 93)
» [Pattern 5] (p. 93)
      › Pampalone (p. 93)
      › Helas Ma Dame (p. 93)
      › Amours M'ont (p. 93)
      › Helas Si J'ay Mon Joly Temps Perdu (p. 93)
» [Pattern 6] (p. 93)
      › Ma Plaisance (p. 93)
      › La Pensée de Ma Dame (p. 93)
» [Pattern 7] (p. 93)
      › La Penseio (p. 93)
      › So Fasso (p. 93)
      › La Desporveue (p. 93)
» [Pattern 8] (p. 93)
      › La Fanfarre (p. 93)
      › La Douleur des Gens (p. 93)
» [Pattern 9] (p. 93)
      › Fortuno Fort (p. 93)
      › Testimonium (p. 93)
» [Pattern 10] (p. 94)
      › Mes Amourettes (p. 93)
» [Pattern 11] (p. 94)
      › Consumo la Vita Mio (p. 94)
» [Pattern 12] (p. 94)
      › Tout Ferlorum (p. 94)
» [Pattern 13] (p. 94)
      › Helas Que Vous a Faict Mon Cueur (p. 94)
      › Le Scarpe Dole (p. 94)
» [Pattern 14] (p. 94)
      › Tout S'Adoubera (p. 94)
» [Pattern 15] (p. 94)
      › Pacience (p. 94)
» [Pattern 16] (p. 94)
      › Monsieur Vault Bien Ma Dame (p. 94)
» [Pattern 17] (p. 94)
      › Bon Temps (p. 94)
» [Pattern 18] (p. 94)
      › Adieu Soulas et Joye (p. 94)
» [Pattern 19] (p. 94)
      › Pour Avoir Faict Au Gré de Mon Amy (p. 94)
» [Pattern 20] (p. 94)
      › Ilz Ont Menty (p. 94)
» [Pattern 21] (p. 95)
      › Ma Doulce Dame (p. 94)
      › La Douleur du Moro (p. 94)
» [Pattern 22] (p. 95)
      › Ce Que Mon Cueur Pense (p. 95)
» [Pattern 23] (p. 95)
      › La Florie (p. 95)
» [Pattern 24] (p. 95)
      › Le Manteau Jaulne (p. 95)
» [Pattern 25] (p. 95)
      › Lo Bas d'Espagno (p. 95)
» [Pattern 26] (p. 95)
      › La Grolo (p. 95)
» [Pattern 27] (p. 95)
      › Les Quatre Basses Danses (p. 95)
» [Pattern 28] (p. 95)
      › Adieu M'Amour Jolye (p. 95)

📜 Giovannino, Il Lanzino, and Il Papa. (c. 1550). Manoscritto di balletti composti da Giovannino e Il Lanzino e Il Papa [a.k.a. The Il Papa Manuscript]. Florence Ms. (pdf) (Casazza & Cain transcription) {nypl} [Enge]

Notes: A mid-16th-century manuscript preserving fifteen balletti attributed to the Italian dance masters Giovannino, Il Lanzino, and Il Papa. Page numbers are for the pdf.

Balletti

» La Vita (p. 6)
» Ippiter (p. 8)
» Lasso (p. 9)
» No Mi Parto (p. 10)
» I Tromboni (p. 11)
» La Traditora (p. 13)
» Lucretia (p. 14)
» Che Faralla (p. 16)
» La Primauera (p. 17)
» La Reale (p. 18)
» La Franciosetta (p. 20)
» Lo Dimostra (p. 22)
» La Villanella (p. 25)
» Baramattio (p. 26)
» Fiametta (p. 28)

📜 [Anonymous]. (c. 1550). The Nancy Manuscript. Paris Ms. (pdf) (Wilson transcription) {BNF} [Enge]

Notes: A single surviving manuscript page preserving seven basse dance choreographies from the French basse dance tradition.

Basses Danses

» Basse Dance de Bourgogne (p. 1)
» De la Royne de Cessile (p. 1)
» De Bourbon (p. 1)
» De Ma Dame de Kalabre (p. 1)
» Ma Dame la Daufine (p. 1)
» Ma Dame de Facon (p. 1)
» Falet (p. 1)

📜 [Anonymous]. (c. 1550). The Tuscan Manuscript. Florence Ms. (pdf) (Corti transcription) {ARC} [Enge]

Notes: One of the few surviving mid-16th-century Italian dance manuscripts, preserving four balli with choreography and accompanying lute tablature. Page numbers are for the pdf.

Balli

» Ruota di Fortuna (♬) (p. 4)
» La Bataglia (♬) (p. 6)
» La Infelice (♬) (p. 11)
» Adolorato Core (♬) (p. 13)

📖 Lutio Compasso. (1560). Ballo Della Gagliarda. Florence. (pdf) (Lindahl transcription) {WLS} [Enge]

Notes: The earliest known treatise devoted entirely to the galliard, preserving more than 200 mutanze (step variations) together with instructions for leaps and caprioles. Mutanze 101–134 are numbered 1–34 in the source and have been renumbered here to avoid ambiguity.

Gagliarda Variations

» Mutanze Scempie
      › 1 (p. 8)
      › 2 (p. 8)
      › 3 (p. 8)
      › 4 (p. 8)
      › 5 (p. 8)
      › 6 (p. 8)
      › 7 (p. 8)
      › 8 (p. 8)
      › 9 (p. 8)
      › 10 (p. 8)
      › 11 (p. 8)
      › 12 (p. 8)
      › 13 (p. 8)
      › 14 (p. 8)
      › 15 (p. 8)
      › 16 (p. 8)
      › 17 (p. 8)
      › 18 (p. 8)
      › 19 (p. 8)
      › 20 (p. 8)
      › 21 (p. 8)
      › 22 (p. 8)
      › 23 (p. 9)
      › 24 (p. 9)
      › 25 (p. 9)
      › 26 (p. 9)
      › 27 (p. 9)
      › 28 (p. 9)
      › 29 (p. 9)
      › 30 (p. 9)
      › 31 (p. 9)
      › 32 (p. 9)
» Mutanze Doppie
      › 1 (p. 9)
      › 2 (p. 9)
      › 3 (p. 9)
      › 4 (p. 9)
      › 5 (p. 9)
      › 6 (p. 9)
      › 7 (p. 10)
      › 8 (p. 10)
      › 9 (p. 10)
      › 10 (p. 10)
      › 11 (p. 10)
      › 12 (p. 10)
      › 13 (p. 10)
      › 14 (p. 10)
      › 15 (p. 10)
      › 16 (p. 10)
      › 17 (p. 10)
      › 18 (p. 10)
      › 19 (p. 11)
      › 20 (p. 11)
      › 21 (p. 11)
      › 22 (p. 11)
      › 23 (p. 11)
      › 24 (p. 11)
      › 25 (p. 11)
      › 26 (p. 11)
      › 27 (p. 11)
      › 28 (p. 11)
      › 29 (p. 11)
      › 30 (p. 12)
      › 31 (p. 12)
      › 32 (p. 12)
      › 33 (p. 12)
      › 34 (p. 12)
      › 35 (p. 12)
      › 36 (p. 12)
      › 37 (p. 12)
      › 38 (p. 13)
      › 39 (p. 13)
      › 40 (p. 13)
      › 41 (p. 13)
      › 42 (p. 13)
      › 43 (p. 13)
      › 44 (p. 13)
      › 45 (p. 13)
      › 46 (p. 14)
      › 47 (p. 14)
      › 48 (p. 14)
      › 49 (p. 14)
      › 50 (p. 14)
      › 51 (p. 14)
      › 52 (p. 14)
      › 53 (p. 15)
» Mutanze Più Difficili e Più Belle
      › 54 (p. 15)
      › 55 (p. 15)
      › 56 (p. 15)
      › 57 (p. 15)
      › 58 (p. 16)
      › 59 (p. 16)
      › 60 (p. 16)
      › 61 (p. 16)
      › 62 (p. 16)
      › 63 (p. 16)
      › 64 (p. 16)
      › 65 (p. 17)
      › 66 (p. 17)
      › 67 (p. 17)
      › 68 (p. 17)
      › 69 (p. 17)
      › 70 (p. 17)
      › 71 (p. 18)
      › 72 (p. 18)
      › 73 (p. 18)
      › 74 (p. 18)
      › 75 (p. 18)
      › 76 (p. 18)
      › 77 (p. 18)
      › 78 (p. 19)
      › 79 (p. 19)
      › 80 (p. 19)
      › 81 (p. 19)
      › 82 (p. 19)
      › 83 (p. 19)
      › 84 (p. 20)
      › 85 (p. 20)
      › 86 (p. 20)
      › 87 (p. 20)
      › 88 (p. 20)
      › 89 (p. 20)
      › 90 (p. 21)
      › 91 (p. 21)
      › 92 (p. 21)
      › 93 (p. 21)
      › 94 (p. 21)
      › 95 (p. 21)
      › 96 (p. 21)
      › 97 (p. 21)
      › 98 (p. 22)
      › 99 (p. 22)
      › 100 (p. 22)
      › 101 (p. 22)
      › 102 (p. 22)
      › 103 (p. 22)
      › 104 (p. 23)
      › 105 (p. 23)
      › 106 (p. 23)
      › 107 (p. 23)
      › 108 (p. 23)
      › 109 (p. 23)
      › 110 (p. 24)
      › 111 (p. 24)
      › 112 (p. 24)
      › 113 (p. 24)
      › 114 (p. 24)
      › 115 (p. 25)
      › 116 (p. 25)
      › 117 (p. 25)
      › 118 (p. 25)
      › 119 (p. 25)
      › 120 (p. 26)
      › 121 (p. 26)
      › 122 (p. 26)
      › 123 (p. 26)
      › 124 (p. 26)
      › 125 (p. 26)
      › 126 (p. 27)
      › 127 (p. 27)
      › 128 (p. 27)
      › 129 (p. 27)
      › 130 (p. 27)
      › 131 (p. 27)
      › 132 (p. 27)
      › 133 (p. 28)
      › 134 (p. 28)
» Salti e Capriole
      › Salto Riverso (p. 28)
      › Salto Riverso [alternate method] (p. 29)
      › Capriola (p. 29)
      › Capriola Spartita e Passata in Terzo (p. 29)
      › Capriola Doppia e Vera (p. 30)
      › Salto del Fiocco (p. 30)
      › Pirlotto (p. 30)
      › Pirlotto [alternate method] (p. 31)
      › Salto Spaccato (p. 31)

📜 Evangelista Papazzone. (c. 1576). Tractatus de Arte Saltandi Italicus. Florence Ms. (pdf) (Filimonov & Motnik transcription) {ONB} [Enge]

Notes: One of the few surviving Italian dance manuscripts of the late Renaissance, preserving a substantial collection of choreographic material outside the major printed treatises. Many of the passaggi are untitled and unnumbered, so they are indexed by incipit (opening words).

Pavana / Pass'e Mezzo

» Pavana
» Pass'e Mezzo

Cinque Passi

» Li Passi Cinque Contrapassati
» Li Passi Cinque Piegati Delicati
» Li Passi Quattro Dritti e Genocchiati
» Li Sei Passi con Vno Fioretto
» Li Sei Passi con Ponti Doppij
» Li Sei Passi con Sfiorezzati Alti di Piedi di Tremoli
» Li Quattro Passi Genocchiati in Uolta
» Li Passi Cinque con Capriola
» Li Passi Sei Contra Misura con Leuata di Gamba
» Li Passi Cinque Rouersi in Uolta

Passaggi [Cinque Passi]

» "Campanella dritta"
» "Saltata inanzi e mezza Campanella"
» "Campanella in uolta"
» "Sopra gamba"
» "In gallon con mezza Campanella"
» "Ponta di Calcagno in uolta"
» "Crosate et mezza Campanella"
» "Di Campanella in uolta con Salto tondo"
» "Reccacciate in uolta"
» "Battuta di piè di gallonata"
» "Mezze Capriole"
» "Gamba rotta in aria e passi tre"
» "Gambade in aria e mezza Campanella"
» "Di Sfiorezzata con tre mezze Capriole"
» "Li Tre Caprioli dritti doppij"

Mudanze e Passaggi Doppij [Cinque Passi]

» "Campanella in uolta con due fioretti"
» "Sopra gamba con due reccacciate"
» "Di Pontezzata con piè"
» "Di Gallon con mezza Campanella"
» "Mezza Campanella con ponta di calcagno"
» "Due Campanelle dritte"
» "Sopra gamba con pesata"
» "Alte di piè con riuerenza"
» "Di Campanella in uolta con due contrapassi"
» "Saltate con finti due"
» "La dritta mezza Campanella"
» "Gamba di dentro uia"
» "La Giostra"
» "Di Campanella in uolta con due rodate"
» La Bellina
» La Follina
» "Gambada di dentro uia con pasata"
» "Passi genocchiati dritti"
» "Rossina, Scaccati in uolta"
» "Le tre Campanelle finte"
» "Di Campanella in uolta con gambada rotta"
» "Di passi gallanti"
» L'Ariosa
» "Di Pontezzata di Cinque passi di gallon"
» "Di Campanella in uolta con pesata"
» "Di Gambada di dentro uia"
» "Di Gallon con Campanella in uolta"
» La Gentile
» L'Angelosica
» "Il Contrapasso sfiorezzato"
» "Di Crocciata con mezza Campanella"
» La Delicata
» La Ferfogliosa
» La Scaramuzzina
» La Gagliarda
» "Di Campanella in uolta et saltata alta"
» La Bellina
» La Ferraresa
» La Fantastica
» La Terribile
» La Ducale
» La Imperiale
» La Sforzata
» La Regale
» La Caualliera
» La Marchesa
» La Nobile
» La Regina

📖 Fabritio Caroso da Sermoneta. (1581). Il Ballarino. Venice. (pdf) {Lindahl} [Enge] [Powers]

Notes: The first of Caroso’s two great dance manuals, combining etiquette, step descriptions, music, and choreographies for late Renaissance Italian court dance. Page numbers are for the pdf. The Regoles at the beginning of the work (pp. 19–45) explain the dance vocabulary used throughout the Balli indexed below.

Balli

» Alba Novella (p. 52)
» Alta Regina (p. 60)
» Este Gonzaga (p. 65)
» Avstria Gonzaga (p. 72)
» Ardente Sole (p. 78)
» Bassa Colonna (p. 84)
» Gagliarda di Spagna (p. 89)
» Amor Costante (p. 96)
» Fulgente Stella (p. 102)
» Florido Giglio (p. 107)
» Occhi Leggiadri (p. 112)
» Pavaniglia (p. 118)
» Villanella (p. 126)
» Sqvilina Cascarda (p. 131)
» Passo e Mezo (p. 136)
» Il Conto dell'Orco (p. 145)
» Bassa Dvcale (p. 149)
» Se Pensand' al Partire (p. 154)
» Copia Felice (p. 159)
» Contentezza d'Amore (p. 165)
» Le Bellezze d'Olimpia (p. 174)
» Cesia Orsina (p. 180)
» Alta Orsina (p. 186)
» Bassa Sauella (p. 190)
» Bassa Honorata (p. 194)
» Barriera (p. 199)
» Bassa Romana (p. 205)
» Gratia d'Amore (p. 209)
» Lvcretia Favorita (p. 213)
» Bentivoglio (p. 218)
» Pvngente Dardo (p. 221)
» Coppia Cappelli (p. 225)
» Amor Felice (p. 228)
» Bella Gioiosa (p. 233)
» Nobiltà (p. 237)
» Fiamma d'Amore (p. 240)
» Saporita (p. 243)
» Leggiadria d'Amore (p. 246)
» Alta Vittoria (p. 250)
» Amor mio (p. 256)
» Allegrezza d'Amore (p. 260)
» Coppia Matthei (p. 266)
» Pavana Matthei (p. 270)
» Chiara Stella (p. 275)
» Gentilezza d'Amore (p. 279)
» Rvstica Palina (p. 283)
» Alta Sergarda (p. 288)
» Gloria d'Amore (p. 291)
» Candida Lvna (p. 294)
» Rvstica Amorosa (p. 298)
» Ombrosa Valle (p. 302)
» Alta Ragonia (p. 306)
» Gracca Amorosa (p. 310)
» Alta Morona (p. 314)
» Givnto m'ha Amore (p. 318)
» Maraviglia d'Amore (p. 321)
» La Castellana (p. 325)
» Laccio d'Amore (p. 329)
» Nvoua Fenice (p. 332)
» Leggiadra Ninfa (p. 336)
» Fedeltà (p. 339)
» Contrapasso Nvovo (p. 340)
» Furioso (p. 344)
» Cesarina (p. 348)
» Felice Vittoria (p. 351)
» Bassa et Alta (p. 355)
» Ballo del Fiore (p. 361)
» Torneo Amoroso (p. 365)
» Bassa Toscana (p. 368)
» Spagnoletta (p. 372)
» Spagnoletta Nvova (p. 375)
» Bassa Pompilia (p. 377)
» Tordiglione (p. 380)
» Vita e Qvanto Haggio (p. 386)
» Barriera (p. 389)
» Contrapasso (p. 392)
» Dolce Amoroso Foco (p. 394)
» Alta Rvissa (p. 396)
» Chiaranzana (p. 399)
» Il Canario (p. 404)
» Ballo del Piantone (p. 409)

📖 Thoinot Arbeau [Jehan Tabourot]. (1589). Orchésographie. Langres. (pdf) {BNF} [Enge] [Powers]

Notes: One of the best-known and most influential dance manuals ever published, documenting the dances and etiquette of late 16th-century France.

Basse Dance

» Basse-Dance (p. 24)

Tourdion & Gaillarde

» Tourdion & Gaillarde (p. 38)

Other Dances

» La Volte (p. 63)
» La Courante (p. 65)
» L'Allemande (p. 67)
» Gavotes (p. 93)
» Morisques (p. 94)
» Canaries (p. 95)
» Pavane d'Espagne (p. 96)

Branles

» Branle Double (p. 68)
» Branle Simple (p. 71)
» Branle Gay (p. 71)
» B. de Bourgoigne (p. 72)
» B. du Hault Barrois (p. 73)
» Branle Couppé Nommé Cassandre (p. 74)
» Branle Couppé Appellé Pinagay (p. 75)
» Branle Couppé Charlotte (p. 76)
» Branle Couppé de la Guerre (p. 77)
» Branle Couppé Appellé Aridan (p. 78)
» Branle de Poictou (p. 79)
» Branle d'Escosse (p. 79)
» Triory de Bretagne (p. 81)
» Branle de Malte (p. 82)
» B. des Lavandieres (p. 83)
» Branle des Pois (p. 84)
» B. des Hermites (p. 85)
» B. du Chandelier (Branle de la Torche) (p. 86)
» Branle des Sabots (p. 87)
» B. des Chevaulx (p. 88)
» B. de la Montarde (p. 89)
» Branle de la Haye (p. 90)
» B. de l'Official (p. 91)

Les Bouffons

» Les Bouffons (p. 97)
      › Passage des Trois Coups (p. 101)
      › Passage des Quinze Coups (p. 102)
      › Passage de l'Estocade (p. 102)
      › Passage du Bastion (p. 103)
      › Passage de la Haye (p. 103)

📖 Prospero Luti. (1589). Opera Bellissima Nella Quale Si Contengono Molte Partite et Passeggi Di Gagliarda. Perugia. (pdf) (Casazza & Filimonov transcription) [Enge]

Notes: One of the most important late Renaissance galliard treatises, expanding the repertory of variations for advanced dancers. The numbered Passeggi and Partite are indexed as separate entries. There appears to be no Partita 16, and Partita 29 is misnumbered Partita 24 in the source.

Capriole Variations

» Capriola (p. 9)
» Capriola Doppia e Vera (p. 9)
» Capriola in Crociata (p. 9)

Passeggi e Partite di Gagliarda

» Passeggio 1 (p. 10)
      › Partita 1 (p. 10)
» Passeggio 2 (p. 10)
      › Partita 2 (p. 10)
» Passeggio 3 (p. 11)
      › Partita 3 (p. 11)
» Passeggio 4 (p. 11)
      › Partita 4 (p. 11)
» Passeggio 5 (p. 11)
      › Partita 5 (p. 11)
» Passeggio 6 (p. 12)
      › Partita 6 (p. 12)
» Passeggio 7 (p. 12)
      › Partita 7 (p. 12)
» Passeggio 8 (p. 12)
      › Partita 8 (p. 13)
» Passeggio 9 (p. 13)
      › Partita 9 (p. 13)
» Passeggio 10 (p. 13)
      › Partita 10 (p. 13)
» Passeggio 11 (p. 14)
      › Partita 11 (p. 14)
» Passeggio 12 (p. 14)
      › Partita 12 (p. 14)
» Passeggio 13 (p. 15)
      › Partita 13 (p. 15)
» Passeggio 14 (p. 15)
      › Partita 14 (p. 15)
» Passeggio 15 (p. 16)
      › Partita 15 (p. 16)
» Passeggio 16 (p. 16)

Partite Ritratte di Capriole

» Partita 17 (p. 16)
» Partita 18 (p. 17)
» Partita 19 (p. 17)
» Partita 20 (p. 17)

Passeggi e Partite di Gagliarda (cont.)

» Passeggio 17 (p. 17)
      › Partita 21 (p. 18)
» Passeggio 18 (p. 18)
      › Partita 22 (p. 18)
» Passeggio 19 (p. 18)
      › Partita 23 (p. 18)
» Passeggio 20 (p. 19)
      › Partita 24 (p. 19)
» Passeggio 21 (p. 19)
      › Partita 25 (p. 19)
» Passeggio 22 (p. 20)
      › Partita 26 (p. 20)
» Passeggio 23 (p. 20)
      › Partita 27 (p. 20)
» Passeggio 24 (p. 21)
      › Partita 28 (p. 21)
» Partita 24 [29] (p. 21)
» Partita 30 (p. 21)
» Partita 31 (p. 22)
» Partita 32 (p. 22)

📖 [Anonymous]. (c. 1590). Reglas del Danzar. Madrid. (Priasco transcription) [Enge]

Note: A rare surviving fragment of a Spanish Renaissance dance manual, preserving three choreographies from the Iberian dance tradition.

Dances

» Baxa [Baja]
» Alta
» Pavana Italiana

📜 John Willoughbye. (1594). The Olde Measures. Somerset Ms. (Filimonov transcription) [Enge]

Note: The earliest known manuscript of the English Old Measures, documenting the ceremonial dance tradition of the Elizabethan Inns of Court.

Measures

» The Quadran Pavin (p. 1)
» Turculonye (p. 1)
» The Earle off Essex his Measure (p. 1)
» Tinternell (p. 1)
» The Olde Almaine (p. 1)
» The Queenes Almaine (p. 1)
» Sicillia Almaine (p. 1)
» The Blacke Almaine (p. 1)

📖 Fabritio Caroso. (1600). Nobiltà Di Dame. Venice. (pdf) {LOC} [Enge] [Powers]

Note: One of the most influential Renaissance dance manuals, containing nearly fifty choreographies along with extensive instruction on dance technique, etiquette, ornamentation, and the use of gracie (embellishments). Reissued in 1630 under the title Raccolta di Varij Balli.

Dances

» Nuova Regina (♬) (p. 93)
» Alta Regina (♬) (p. 98)
» Amorosina Grimana (♬) (p. 103)
» Laura Suave (♬) (p. 111)
» Alta Gonzaga (♬) (p. 123)
» Passo e Mezzo (♬) (p. 130)
» Barriera (♬) (p. 139)
» Spagnoletta Nuova (♬) (p. 151)
» Gagliarda di Spagna (♬) (p. 156)
» Bassa, et Alta (♬) (p. 162)
» Altezza d'Amore (♬) (p. 172)
» Coppia Colonna (♬) (p. 179)
» Rosa Felice (♬) (p. 185)
» Barriera Nuova (♬) (p. 190)
» Doria Colonna (♬) (p. 196)
» Alta Colonna (♬) (p. 201)
» Allegrezza d'Amore (♬) (p. 206)
» Amor Costante (♬) (p. 211)
» Forza d'Amore (♬) (p. 217)
» Bassa Honorata (♬) (p. 223)
» Cesarina (♬) (p. 229)
» Bellezze d'Olimpia (♬) (p. 236)
» Contrapasso Nuovo (♬) (p. 242)
» Specchio d'Amore (♬) (p. 247)
» Contentezza d'Amore (♬) (p. 251)
» Bassa Savella (♬) (p. 257)
» Conto dell'Orco Nuovo (♬) (p. 262)
» Furioso all'Italiana (♬) (p. 266)
» Ghirlanda d'Amore (♬) (p. 273)
» Furioso alla Spagnuola (♬) (p. 278)
» Contrapasso (♬) (p. 284)
» Nido d'Amore (♬) (p. 289)
» Alta Vittoria (♬) (p. 296)
» Furioso Nuovo (♬) (p. 305)
» Spagnoletta Regolata (♬) (p. 311)
» Ballo del Fiore (♬) (p. 314)
» Tordiglione (♬) (p. 319)
» Vero Amore (♬) (p. 326)
» Ninfa Leggiadra (♬) (p. 330)
» Il Piantone (♬) (p. 333)
» Cortesia (♬) (p. 338)
» Pungente Dardo (♬) (p. 343)
» Rara Belta (♬) (p. 348)
» Amor Prudente (♬) (p. 352)
» Donna Leggiadra (♬) (p. 356)
» Selva Amorosa (♬) (p. 359)
» Fulgenti Rai (♬) (p. 365)
» Alta Cardana (♬) (p. 369)

📜 [Anonymous]. (c. 1600). Questa Qarta de Danses es Fete XIII del Mes [a.k.a. The Hospital Manuscript a.k.a. The Tarragó Manuscript]. Barcelona Ms. (pdf) {BC} [Enge]

Note: This manuscript provides brief descriptions of 18 dances (some incomplete) in either written form or using graphic notation. On the back, it says it was owned by Jatot Tarragó. Indexed based on Sparti reading of the text (p. 155).

Dances

» [Untitled] [incomplete]
» Soyba [incomplete]
» L'Alta [incomplete]
» Francazeta [incomplete]
» Esperança
» Peu de Xivau
» Valentiana
» Contrapas
» Sancto Tome
» Dama de Valor
» Gentil Cavalero
» Francesa la Velal
» Esperança [notation]
» Cativo [notation]
» La Quim Vol Be [notation]
» Royero [notation]
» Pavana [notation]
» Lo Ballet [incomplete]

📖 Cesare Negri. (1604). Nuove Inventioni di Balli. Milan. (pdf) (de Guardiola transcription) {BNF} [Enge] [Powers]

Note: First published in 1602 as Le Gratie d'Amore. This revised 1604 edition, published as Nuove Inventioni di Balli, is the standard edition used by modern scholars. It contains 43 complete choreographies together with extensive instruction on dance technique, etiquette, and ornamentation. Page numbers are as originally printed in the source, with a pdf page number provided for Alta Regina due to a pagination error in the source.

Dances

» Lo Spagnoletto (♬) (p. 116)
» Il Villanicco (♬) (p. 119)
» La Barriera (♬) (p. 122)
» Il Brando Gentile (♬) (p. 126)
» Pavaniglia alla Romana (♬) (p. 132)
» Il Gratioso (♬) (p. 137)
» Il Torneo Amoroso (♬) (p. 140)
» Il Bianco Fiore (♬) (p. 145)
» Il Cesarino (♬) (p. 149)
» Brando di Cales (♬) (p. 152)
» La Pavaniglia (♬) (p. 157)
» La Cortesia Amorosa (♬) (p. 161)
» La Biscia Amorosa (♬) (p. 165)
» Bassa Gioiosa (♬) (p. 170)
» Bassa delle Ninfe (♬) (p. 174)
» Amor Felice (♬) (p. 178)
» Alta Visconte (♬) (p. 182)
» L'Alemana d'Amore (♬) (p. 185)
» Gallaria d'Amore (♬) (p. 189)
» Tordiglione Nuovo (♬) (p. 193)
» Il Canario (♬) (p. 198)
» Bassa Imperiale (♬) (p. 204)
» Laura Gentile (♬) (p. 209)
» Alta Mendozza (♬) (p. 213)
» Adda Felice (♬) (p. 217)
» Il Bizzarro (♬) (p. 218)
» So Ben Mi Chi Ha Buon Tempo (♬) (p. 222)
» Il Pastor Leggiadro (♬) (p. 226)
» Alta Somaglia (♬) (p. 230)
» Il Bigara (♬) (p. 234)
» Leggiadra Marina (♬) (p. 238)
» Fedeltà d'Amore (♬) (p. 242)
» Leggiadra Gioiosa (♬) (p. 246)
» Nobiltà d'Amore (♬) (p. 250)
» Bizzarria d'Amore (♬) (p. 254)
» La Battaglia (♬) (p. 257)
» La Corrente (♬) (p. 265)
» La Nizzarda (♬) (p. 268)
» Ballo Fatto da Sei Dame (♬) (p. 271)
» Ballo Fatto da Sei Cavalieri (♬) (p. 274)
» La Catena d'Amore (♬) (p. 277)
» La Caccia d'Amore (♬) (p. 281)
» Brando detto Alta Regina (♬) (p. 291, pdf p. 310)

📖 Livio Lupi da Carravaggio. (1607). Libro di Gagliarda, Tordiglione, Passo e Mezzo, Canarii e Passeggi. Palermo. (pdf) {SCA} [Enge] [Powers]

Note: A specialized technique manual containing over 500 variations of the galliard, tordiglione, passo e mezzo, and canari. It also includes some additional vocabulary, and two complete choreographies.

Introductory Vocabulary

» Riverenza alla Francese (p. 6)
» Fioretto tracocciato (p. 6)
» Fioretto fugato (p. 7)
» Fioretto sincopato (p. 7)
» Delli sincopi (p. 7)
» Finta sincopata (p. 7)
» Finta ordinaria (p. 7)
» Salto finto (p. 7)
» Sotto piede sollevato (p. 7)
» Sotto piede francheggito (p. 8)
» Trabucetto tracanciato (p. 8)
» Trito minuto ovvero scorsa (p. 8)
» Groppo (p. 8)
» Groppo inuolta, o attorno (p. 8)
» Fuga (p. 8)
» Recacciata (p. 8)
» Finta di vita (p. 9)
» Gambata (p. 9)
» Triglio, o tremolante (p. 9)
» Finta di riverenza (p. 9)

Dances

» Alta Carreta (♬) (p. 10)
» Leggiadra Pargoletta (♬) (p. 15)

Cinque Passi della Gagliarda

» 1 (p. 18)
» 2 (p. 18)
» 3 (p. 18)
» 4 (p. 18)
» 5 (p. 18)
» 6 (p. 18)
» 7 (p. 18)
» 8 (p. 18)
» 9 (p. 18)
» 10 (p. 18)
» 11 (p. 18)
» 12 (p. 18)
» 13 (p. 18)
» 14 (p. 18)
» 15 (p. 18)
» 16 (p. 18)
» 17 (p. 19)
» 18 (p. 19)
» 19 (p. 19)
» 20 (p. 19)
» 21 (p. 19)
» 22 (p. 19)
» 23 (p. 19)
» 24 (p. 19)
» 25 (p. 19)
» 26 (p. 19)
» 27 (p. 19)
» 28 (p. 19)
» 29 (p. 19)
» 30 (p. 19)

Cinque Passi di Due Tempi

» 1 (p. 19)
» 2 (p. 19)
» 3 (p. 19)
» 4 (p. 19)
» 5 (p. 19)
» 6 (p. 19)
» 7 (p. 19)
» 8 (p. 19)
» 9 (p. 19)
» 10 (p. 20)
» 11 (p. 20)
» 12 (p. 20)
» 13 (p. 20)
» 14 (p. 20)
» 15 (p. 20)
» 16 (p. 20)
» 17 (p. 20)
» 18 (p. 20)
» 19 (p. 20)
» 20 (p. 20)
» 21 (p. 20)
» 22 (p. 20)
» 23 (p. 20)
» 24 (p. 20)
» 25 (p. 20)
» 26 (p. 20)
» 27 (p. 20)
» 28 (p. 20)
» 29 (p. 20)
» 30 (p. 21)
» 31 (p. 21)
» 32 (p. 21)
» 33 (p. 21)
» 34 (p. 21)
» 35 (p. 21)
» 36 (p. 21)
» 37 (p. 21)
» 38 (p. 21)
» 39 (p. 21)
» 40 (p. 21)
» 41 (p. 21)
» 42 (p. 21)
» 43 (p. 21)
» 44 (p. 21)
» 45 (p. 21)
» 46 (p. 22)
» 47 (p. 22)
» 48 (p. 22)
» 49 (p. 22)
» 50 (p. 22)

Mutanze di Gagliarda di Sei, Setti Tempi, con li Suoi Passeggi

» 1 (p. 22)
» 2 (p. 23)
» 3 (p. 23)
» 4 (p. 23)
» 5 (p. 24)
» 6 (p. 24)
» 7 (p. 24)
» 8 (p. 25)
» 9 (p. 25)
» 10 (p. 26)
» 11 (p. 26)
» 12 (p. 26)
» 13 (p. 27)
» 14 (p. 27)
» 15 (p. 28)
» 16 (p. 28)
» 17 (p. 29)
» 18 (p. 29)
» 19 (p. 29)
» 20 (p. 30)
» 21 (p. 30)
» 22 (p. 31)
» 23 (p. 31)
» 24 (p. 31)
» 25 (p. 32)
» 26 (p. 32)
» 27 (p. 32)
» 28 (p. 33)
» 29 (p. 33)
» 30 (p. 34)
» 31 (p. 34)
» 32 (p. 34)
» 33 (p. 35)
» 34 (p. 35)
» 35 (p. 35)
» 36 (p. 36)
» 37 (p. 36)
» 38 (p. 37)
» 39 (p. 37)
» 40 (p. 37)
» 41 (p. 38)
» 42 (p. 38)
» 43 (p. 38)
» 44 (p. 39)
» 45 (p. 39)
» 46 (p. 40)
» 47 (p. 40)
» 48 (p. 40)
» 49 (p. 41)
» 50 (p. 41)

Mutanze di Gagliarda di Otto, Dieci, e Dodici Tempi

» 1 (p. 42)
» 2 (p. 42)
» 3 (p. 43)
» 4 (p. 43)
» 5 (p. 43)
» 6 (p. 44)
» 7 (p. 44)
» 8 (p. 45)
» 9 (p. 45)
» 10 (p. 45)
» 11 (p. 46)
» 12 (p. 46)
» 13 (p. 46)
» 14 (p. 47)
» 15 (p. 47)
» 16 (p. 47)
» 17 (p. 48)
» 18 (p. 48)
» 19 (p. 48)
» 20 (p. 49)
» 21 (p. 49)
» 22 (p. 50)
» 23 (p. 50)
» 24 (p. 51)
» 25 (p. 51)
» 26 (p. 51)
» 27 (p. 52)
» 28 (p. 52)
» 29 (p. 53)
» 30 (p. 53)
» 31 (p. 54)
» 32 (p. 54)
» 33 (p. 55)
» 34 (p. 55)
» 35 (p. 55)
» 36 (p. 56)
» 37 (p. 56)
» 38 (p. 57)
» 39 (p. 57)
» 40 (p. 58)
» 41 (p. 58)
» 42 (p. 58)
» 43 (p. 59)
» 44 (p. 59)
» 45 (p. 59)
» 46 (p. 60)
» 47 (p. 60)
» 48 (p. 61)
» 49 (p. 61)
» 50 (p. 62)

Passeggio, e Mutanza

» 1 (p. 63)
» 2 (p. 63)
» 3 (p. 63)
» 4 (p. 63)
» 5 (p. 64)
» 6 (p. 64)
» 7 (p. 64)
» 8 (p. 64)
» 9 (p. 64)
» 10 (p. 64)
» 11 (p. 64)
» 12 (p. 64)
» 13 (p. 65)
» 14 (p. 65)
» 15 (p. 65)
» 16 (p. 65)
» 17 (p. 65)
» 18 (p. 65)
» 19 (p. 65)
» 20 (p. 66)
» 21 (p. 66)
» 22 (p. 66)
» 23 (p. 66)
» 24 (p. 66)
» 25 (p. 66)
» 26 (p. 66)
» 27 (p. 67)
» 28 (p. 67)
» 29 (p. 67)
» 30 (p. 67)
» 31 (p. 67)
» 32 (p. 67)
» 33 (p. 68)
» 34 (p. 68)
» 35 (p. 68)
» 36 (p. 68)
» 37 (p. 68)
» 38 (p. 68)
» 39 (p. 68)
» 40 (p. 68)
» 41 (p. 69)
» 42 (p. 69)
» 43 (p. 69)
» 44 (p. 69)
» 45 (p. 69)
» 46 (p. 70)
» 47 (p. 70)
» 48 (p. 70)
» 49 (p. 70)
» 50 (p. 70)

Tordiglione con le Mutanze Differnti d'un Pied e l'Altro tanto del Cavaliere quanto de la Dama

» Prima mutanza del Cavaliere, e passeggio della Dame (p. 71)
» Prima mutanza della Dame, e passeggio del Cavaliere (p. 72)
» Seconda mutanza del Cavaliere, e passeggio della Dame (p. 72)
» Seconda mutanza della Dame, e passeggio del Cavaliere (p. 73)
» Terza mutanza del Cavaliere, e passeggio della Dame (p. 73)
» Terza mutanza della Dame, e passeggio del Cavaliere (p. 74)
» Quarta mutanza del Cavaliere, e passeggio della Dame (p. 74)
» Quarta mutanza della Dame, e passeggio del Cavaliere (p. 74)
» Quinta mutanza del Cavaliere, e passeggio della Dame (p. 75)
» Quinta mutanza della Dame, e passeggio del Cavaliere (p. 75)

Mutanze di Tordiglione, Differente d'un Pied & l'Altro

» 1 (p. 76)
» 2 (p. 76)
» 3 (p. 77)
» 4 (p. 77)
» 5 (p. 77)
» 6 (p. 77)
» 7 (p. 77)
» 8 (p. 77)
» 9 (p. 77)
» 10 (p. 78)
» 11 (p. 78)
» 12 (p. 78)
» 13 (p. 78)
» 14 (p. 78)
» 15 (p. 78)
» 16 (p. 79)
» 17 (p. 79)
» 18 (p. 79)
» 19 (p. 79)
» 20 (p. 79)
» 21 (p. 79)
» 22 (p. 80)
» 23 (p. 80)
» 24 (p. 80)
» 25 (p. 80)
» 26 (p. 80)
» 27 (p. 81)
» 28 (p. 81)
» 29 (p. 81)
» 30 (p. 81)
» 31 (p. 81)
» 32 (p. 82)
» 33 (p. 82)
» 34 (p. 82)
» 35 (p. 82)
» 36 (p. 83)
» 37 (p. 83)
» 38 (p. 83)
» 39 (p. 83)
» 40 (p. 83)
» 41 (p. 84)
» 42 (p. 84)
» 43 (p. 84)
» 44 (p. 84)
» 45 (p. 84)
» 46 (p. 85)
» 47 (p. 85)
» 48 (p. 85)
» 49 (p. 85)
» 50 (p. 86)
» 51 (p. 86)
» 52 (p. 86)
» 53 (p. 86)
» 54 (p. 87)
» 55 (p. 87)
» 56 (p. 87)
» 57 (p. 87)
» 58 (p. 87)
» 59 (p. 87)
» 60 (p. 88)
» 61 (p. 88)
» 62 (p. 88)
» 63 (p. 88)
» 64 (p. 88)
» 65 (p. 89)
» 66 (p. 89)
» 67 (p. 89)
» 68 (p. 89)
» 69 (p. 89)
» 70 (p. 90)
» 71 (p. 90)
» 72 (p. 90)
» 73 (p. 90)
» 74 (p. 90)
» 75 (p. 91)
» 76 (p. 91)
» 77 (p. 91)
» 78 (p. 91)
» 79 (p. 91)
» 80 (p. 92)
» 81 (p. 92)
» 82 (p. 92)
» 83 (p. 92)
» 84 (p. 92)
» 85 (p. 93)
» 86 (p. 93)
» 87 (p. 93)
» 88 (p. 93)
» 89 (p. 94)
» 90 (p. 94)
» 91 (p. 94)
» 92 (p. 94)
» 93 (p. 94)
» 94 (p. 95)
» 95 (p. 95)
» 96 (p. 95)
» 97 (p. 95)
» 98 (p. 95)
» 99 (p. 96)
» 100 (p. 96)
» 101 (p. 96)
» 102 (p. 96)
» 103 (p. 96)
» 104 (p. 97)
» 105 (p. 97)
» 106 (p. 97)
» 107 (p. 97)
» 108 (p. 97)
» 109 (p. 98)
» 110 (p. 98)
» 111 (p. 98)
» 112 (p. 98)
» 113 (p. 99)
» 114 (p. 99)
» 115 (p. 99)
» 116 (p. 99)
» 117 (p. 99)
» 118 (p. 100)
» 119 (p. 100)
» 120 (p. 100)
» 121 (p. 100)
» 122 (p. 100)
» 123 (p. 101)
» 124 (p. 101)
» 125 (p. 101)
» 126 (p. 101)
» 127 (p. 102)
» 128 (p. 102)
» 129 (p. 102)
» 130 (p. 102)
» 131 (p. 102)
» 132 (p. 103)
» 133 (p. 103)
» 134 (p. 103)
» 135 (p. 103)
» 136 (p. 103)
» 137 (p. 104)
» 138 (p. 104)
» 139 (p. 104)

Mutanze di Tordiglione, per Dame

» 1 (p. 105)
» 2 (p. 105)
» 3 (p. 105)
» 4 (p. 105)
» 5 (p. 105)
» 6 (p. 105)
» 7 (p. 105)
» 8 (p. 106)
» 9 (p. 106)
» 10 (p. 106)
» 11 (p. 106)
» 12 (p. 106)
» 13 (p. 106)
» 14 (p. 106)
» 15 (p. 107)
» 16 (p. 107)
» 17 (p. 107)
» 18 (p. 107)
» 19 (p. 107)
» 20 (p. 107)
» 21 (p. 107)
» 22 (p. 107)
» 23 (p. 107)
» 24 (p. 107)
» 25 (p. 107)
» 26 (p. 107)
» 27 (p. 107)
» 28 (p. 108)
» 29 (p. 108)
» 30 (p. 108)

Passo, e Mezzo in Gagliarda

» Prima mutanza del Cavaliere, & passeggio della Dama (p. 109)
» Prima mutanza della Dama, & passeggio del Cavaliere (p. 109)
» Seconda mutanza del Cavaliere, & passeggio della Dama (p. 110)
» Seconda mutanza della Dama, & passeggio del Cavaliere (p. 110)
» Terza mutanza del Cavaliere, & passeggio della Dama (p. 111)
» Terza mutanza della Dama, & passeggio del Cavaliere (p. 111)
» Passeggi che si sa insieme in rota (p. 111)
» Quarta mutanza del Cavaliere, & passeggio della Dama (p. 111)
» Quarta mutanza della Dama, & passeggio del Cavaliere (p. 112)
» Quinta mutanza del Cavaliere, & passeggio della Dama (p. 112)
» Quinta mutanza della Dama, & passeggio del Cavaliere (p. 112)
» Sesta mutanza del Cavaliere, & passeggio della Dama (p. 113)
» Sesta mutanza della Dama, & passeggio del Cavaliere (p. 113)
» Passeggi che si sa insieme in rota (p. 113)

Mutanze di Passo, e Mezzo

» 1 (p. 114)
» 2 (p. 114)
» 3 (p. 115)
» 4 (p. 115)
» 5 (p. 115)
» 6 (p. 115)
» 7 (p. 116)
» 8 (p. 116)
» 9 (p. 116)
» 10 (p. 117)
» 11 (p. 117)
» 12 (p. 117)
» 13 (p. 118)
» 14 (p. 118)
» 15 (p. 118)
» 16 (p. 118)
» 17 (p. 119)
» 18 (p. 119)
» 19 (p. 119)
» 20 (p. 120)
» 21 (p. 120)
» 22 (p. 120)
» 23 (p. 120)
» 24 (p. 121)
» 25 (p. 121)
» 26 (p. 121)
» 27 (p. 122)
» 28 (p. 122)
» 29 (p. 122)
» 30 (p. 122)
» 31 (p. 123)
» 32 (p. 123)
» 33 (p. 123)
» 34 (p. 123)
» 35 (p. 123)
» 36 (p. 124)
» 37 (p. 124)
» 38 (p. 124)
» 39 (p. 124)
» 40 (p. 125)
» 41 (p. 125)
» 42 (p. 125)
» 43 (p. 125)
» 44 (p. 126)
» 45 (p. 126)

Canari con le Mutanze del Cavaliere, e della Dama

» Prima mutanza del Cavaliere (p. 126)
» Mutanza della Dama (p. 127)
» Seconda mutanza del Cavaliere (p. 127)
» Seconda mutanza della Dama (p. 128)
» Terza mutanza del Cavaliere (p. 128)
» Terza mutanza della Dama (p. 129)
» Quarta mutanza del Cavaliere (p. 129)
» Quarta mutanza della Dama (p. 130)
» Quinta mutanza del Cavaliere (p. 130)
» Quinta mutanza della Dama (p. 130)

Mutanze di Canari

» 1 (p. 131)
» 2 (p. 132)
» 3 (p. 132)
» 4 (p. 133)
» 5 (p. 133)
» 6 (p. 134)
» 7 (p. 134)
» 8 (p. 134)
» 9 (p. 135)
» 10 (p. 135)
» 11 (p. 136)
» 12 (p. 136)
» 13 (p. 137)
» 14 (p. 137)
» 15 (p. 138)
» 16 (p. 138)
» 17 (p. 139)
» 18 (p. 139)
» 19 (p. 140)
» 20 (p. 140)
» 21 (p. 141)
» 22 (p. 141)
» 23 (p. 142)
» 24 (p. 142)
» 25 (p. 143)
» 26 (p. 143)
» 27 (p. 144)

Passeggi di Canari

» 1 (p. 144)
» 2 (p. 144)
» 3 (p. 144)
» 4 (p. 145)
» 5 (p. 145)
» 6 (p. 145)
» 7 (p. 145)
» 8 (p. 145)
» 9 (p. 145)
» 10 (p. 145)
» 11 (p. 145)
» 12 (p. 146)
» 13 (p. 146)
» 14 (p. 146)
» 15 (p. 146)
» 16 (p. 146)
» 17 (p. 146)
» 18 (p. 147)
» 19 (p. 147)
» 20 (p. 147)
» 21 (p. 147)
» 22 (p. 147)
» 23 (p. 147)
» 24 (p. 147)
» 25 (p. 148)
» 26 (p. 148)
» 27 (p. 148)
» 28 (p. 148)
» 29 (p. 148)
» 30 (p. 148)
» 31 (p. 148)
» 32 (p. 148)
» 33 (p. 149)
» 34 (p. 149)
» 35 (p. 149)
» 36 (p. 149)

📜 John Ramsey. (c. 1609). Practise for Dauncinge. Oxford Ms. (pdf) (Wilson transcription) {oxford} [Enge] [Powers]

Note: An early 17th-century English manuscript preserving the Old Measures together with additional court dances.

Dances

» Quadran Pavin (p. 1)
» Turkelone (p. 1)
» The Earle of Essex Measures (p. 1)
» Tinternell (p. 1)
» The Ould Almaine (p. 1)
» The Queen's Almaine (p. 1)
» Cecilia (p. 1)
» Blacke (p. 1)
» The Cinque Pace (p. 1)
» Robertoes Galliard (p. 1)
» The Bodkin Galliard / Marke Williams his Galliard / Passemeasurs Galliard (p. 2)
» The Temple Coranta (p. 2)
» The Spanish Pavin (p. 2)
» The French Levolto (p. 2)
» The Ladye Laytons Measures (p. 2)
» The Spanioletta (p. 2)
» The Measures of Heaven & Earth / Mapeur (p. 3)
» Basilina (p. 3)
» Lesters Galliard (p. 3)
» The French Galliarde (p. 3)
» The French Brawles (p. 3)

📜 Anthoine Emeraud [?]. (c. 1610). Instruction pour Dancer les Dances Cy Apres Nommez. Wiesbaden Ms. (pdf) {TUD} [Enge]

Note: A French manuscript preserving choreographies from the early 17th-century court dance tradition.

Dances

» Le branle simple (p. 1)
» Le branle gay (p. 1)
» Le branle de Poictou (p. 1)
» Le branle double de Poictou (p. 2)
» Le branle de Montiranday (p. 2)
» Le [branle] double de Montirande (p. 2)
» La gauotte (p. 2)
» La bourree (p. 3)
» La danse du chandellier (p. 7)
» La Boesme (p. 9)
» La Gillotte (p. 12)
» Les quatres bransles de la chappelle (p. 15)
» La pauanne (p. 19)
» Les quatres bransles de Loraine (p. 30)
» Les quatres branles de la Grenee (p. 33)
» Le passepied de Bretaigne (p. 36)
» Les bransles de Bretaigne (p. 37)

📜 Ercole Santucci. (1614). Mastro da Ballo. Stockholm Ms. (Lindahl transcription) {gutenberg} [Enge]

Note: An Italian manuscript preserving over 700 steps, passeggi, and mutanze.

Dance Steps

» Alzata de piedi (p. 23)
» Battuta de piedi (p. 24)
» Cambiata de piedi (p. 26)
» Cambiata de piedi strisciata (p. 27)
» Passi naturali (p. 28)
» Passi semigraui (p. 29)
» Passi longhi (p. 30)
» Passi minimi (p. 30)
» Passi semiminimi (p. 30)
» Passi cromatici (p. 31)
» Passi indietro (p. 31)
» Passi in volta (p. 32)
» Passi strisciati indietro (p. 33)
» Passi strisciati in volta (p. 34)
» Passi per fianco (p. 34)
» Passi finti indietro (p. 35)
» Passi finti strisciati indietro (p. 36)
» Passi incrociati (p. 37)
» Passi incrociati strisciati (p. 38)
» Passi strisciati inanzi (p. 38)
» Passo trango (p. 39)
» Passo costatetto (p. 40)
» Passo finto inanzi e dello strisciato (p. 40)
» Passi in aere (p. 41)
» Passo in aere cromatico (p. 42)
» Passi in aere strisciati (p. 43)
» Sottopiede (p. 43)
» Sottopiede strisciato (p. 44)
» Sottopiede per fianco (p. 44)
» Sottopiede à piedi pari per le Dame (p. 45)
» Trabocchetto breue (p. 45)
» Trabocchetto minimo anco per le Dame (p. 46)
» Trabocchetto semibreue (p. 46)
» Trabocchetto strisciato (p. 47)
» Balzetti à piedi pari per fianco (p. 47)
» Balzetti à piedi pari inanzi (p. 49)
» Balzetti à piedi pari indietro (p. 50)
» Balzetti in volta (p. 51)
» Balzetti inanzi (p. 52)
» Strisci per fianco (p. 53)
» Balzetti indietro (p. 53)
» Strisci in volta (p. 54)
» Zoppetto ordinario (p. 54)
» Zoppetto per fianco (p. 54)
» Zoppetto strisciato (p. 55)
» Zoppetto finto inanzi (p. 55)
» Zoppetto finto indietro, tornato inanzi (p. 56)
» Zoppetto indietro (p. 56)
» Zoppetto incrociato indietro (p. 57)
» Incrociata di gamba indietro (p. 57)
» Zoppetto di punta de piedi (p. 58)
» Zoppetto di calcagnio (p. 59)
» Schicciata di punta (p. 60)
» Caminata strisciata per fianco (p. 60)
» Passi à piedi pari (p. 60)
» Schicciata di calcagnio (p. 62)
» Finta inanzi (p. 63)
» Finta strisciata inanzi (p. 63)
» Finta indietro (p. 63)
» Finta strisciata indietro (p. 64)
» Caminata strisciata inanzi (p. 64)
» Caminata strisciata indietro (p. 65)
» Ganzo in prospettiua (p. 66)
» Ganzo in volta (p. 66)
» Ganzo rouerso (p. 67)
» Incrociata di gamba inanzi (p. 67)
» Trillo de piedi per fianco (p. 68)
» Trillo inanzi et indietro (p. 69)
» Trillo doppio (p. 70)
» Cadenza ordinaria (p. 70)
» Cadenza di Zoppetto (p. 71)
» Cadenza spaccata (p. 72)
» Cadenza strisciata (p. 73)
» Cadenza ritornata (p. 74)
» Cadenza ritornata strisciata (p. 75)
» Cadenza battuta (p. 76)
» Cadenza finta (p. 76)
» Cadenza à piedi pari in prospettiua (p. 77)
» Soprapiede ordinario (p. 77)
» Soprapiede strisciato (p. 78)
» Incrociata di punta strisciata (p. 79)
» Scrociata di punta strisciata (p. 80)
» Scrociata di calcagnio strisciata ordinaria (p. 81)
» Punta dè piedi ordinaria inanzi, et indietro (p. 82)
» Punta dè piedi strisciata caminata (p. 82)
» Calcagnio di piede ordinario (p. 83)
» Calcagnio di piede strisciato caminato (p. 83)
» Spaccata inanzi (p. 83)
» Spaccata indietro (p. 84)
» Spaccata doppia (p. 85)
» Spaccata per fianco (p. 85)
» Spaccata incrociata inanzi (p. 85)
» Spaccata incrociata per fianco (p. 86)
» Spaccata in prospettiua (p. 87)
» Spaccata indietro in volta (p. 87)
» Spaccata incrociata in volta (p. 88)
» Spaccata ricacciata (p. 89)
» Spaccata in prospettiua indietro (p. 90)
» Capriola terza (p. 90)
» Capriola quarta (p. 91)
» Capriola quinta (p. 92)
» Capriola sesta (p. 92)
» Capriola terza con un piede in aria (p. 92)
» Capriola quarta con un piede in aria (p. 93)
» Capriola quinta con un piede in aria (p. 94)
» Capriola quarta sul collo del piede (p. 95)
» Capriola sul collo del piede, et intrecciata (p. 96)
» Capriola intrecciata, ò vero incrociata (p. 97)
» Capriola intrecciata in volta (p. 98)
» Capriola intrecciata doppia (p. 98)
» Capriola intrecciata di cadenza (p. 98)
» Meza Capriola di passo in aria (p. 99)
» Meza Capriola di cadenza ordinaria (p. 99)
» Meza Capriola di cadenza ritornata (p. 100)
» Meza Capriola per fianco (p. 100)
» Meza Capriola di fioretto (p. 100)
» Meza Capriola indietro (p. 101)
» Meza Capriola sul collo del piede (p. 102)
» Meza Capriola recacciata in prospettiua & in volta (p. 102)
» Meze Capriole tagliate in quinto (p. 103)
» Salto tondo ordinario in aria (p. 104)
» Salto tondo due ò trè volte in aria (p. 105)
» Salto tondo incrociato (p. 105)
» Salto tondo spacchato (p. 106)
» Salto tondo rouerso (p. 107)
» Salto tondo spacchato incrociato recacciato (p. 107)
» Salto del fiocco (p. 108)
» Salto del fiocco scorso (p. 109)
» Salto del fiocco tondo incrociato (p. 110)
» Salto del fiocco incrociato scorso (p. 111)
» Salto del fiocco mezo rouerso (p. 111)
» Salto del fiocco rouerso (p. 112)
» Zurlo pirlato, ò Girata (p. 113)
» Girata de ginocchio (p. 114)
» Girata incrociata (p. 115)
» Recacciata in prospettiua (p. 116)
» Recacciata per fianco (p. 117)
» Recacciata in volta (p. 117)
» Represa inanzi (p. 117)
» Represa per fianco (p. 118)
» Represa indietro (p. 119)
» Represa strisciata inanzi, per fianco, e indietro (p. 119)
» Campanella ordinaria (p. 120)
» Campanella in volta (p. 120)
» Campanella strisciata in volta (p. 120)
» Punta e Calcagnio ordinario (p. 121)
» Punta, e Calcagnio di Zoppetto (p. 122)
» Punta, e Calcagnio strisciata, e battuta (p. 122)
» Punta, e Calcagnio strisciata caminata (p. 122)
» Dattilo (p. 123)
» Groppo (p. 123)
» Sincopa (p. 124)
» Spondeo (p. 124)
» Trito minuto (p. 124)
» Corintho (p. 125)
» Destice (p. 126)
» Fioretto ordinario (p. 126)
» Fioretto di cadenza ritornata (p. 126)
» Fioretto graue (p. 127)
» Fioretto per fianco (p. 128)
» Fioretto fianchegiato (p. 128)
» Fioretto tagliato (p. 129)
» Fioretto battuto (p. 129)
» Fioretto in volta (p. 129)
» Fioretto battuto doppio (p. 130)
» Fioretto strisciato (p. 130)
» Seguito ordinario (p. 131)
» Seguito semidoppio (p. 131)
» Seguito finto (p. 131)
» Seguito doppio (p. 132)
» Seguito battuto (p. 133)
» Seguito battuto doppio (p. 133)
» Seguito scorso (p. 134)
» Seguito trangato (p. 134)
» Seguito trangato doppio (p. 134)
» Seguito franzese ordinario (p. 135)
» Seguito franzese alterato (p. 135)
» Seguito spezzato ordinario (p. 136)
» Seguito spezzato finto (p. 136)
» Seguito spezzato puntato (p. 136)
» Seguito battuto spezzato strisciato (p. 137)
» Seguito spezzato indietro (p. 137)
» Seguito spezzato strisciato (p. 137)
» Seguito soffice (p. 138)
» Doppio breue (p. 138)
» Doppio graue (p. 138)
» Doppio semigraue (p. 139)
» Doppio pontato (p. 139)
» Doppio franzese (p. 139)
» Passo puntato breue (p. 140)
» Passo puntato graue (p. 140)
» Passo puntato semigraue (p. 140)
» Passo puntato minimo (p. 141)
» Passo puntato semibreue (p. 141)
» Continenza graue (p. 142)
» Continenza semigraue (p. 143)
» Continenza breue (p. 143)
» Continenza semibreue (p. 143)
» Caminare, e portar la vita (p. 144)
» Girata battuta (p. 145)
» Reuerenza graue alla Spagniuola (p. 149)
» Reuerenza semigraue (p. 150)
» Reuerenza breue (p. 150)
» Reuerenza semibreue (p. 151)
» Reuerenza caminata (p. 151)
» Meza Reuerenza (p. 151)
» Reuerenza spezzata (p. 152)

Passeggi

» Regola Prima, de Cinque Passi Ordinarij (p. 157)
      › Regola Seconda (p. 158)
      › Regola Terza (p. 158)
      › Regola Quarta (p. 159)
      › Regola Quinta (p. 159)
      › Regola Sesta (p. 160)
      › Regola Settima (p. 160)
      › Regola Ottaua (p. 161)
      › Regola Nona (p. 161)
      › Regola Decima (p. 161)
      › Regola Undecima (p. 162)
      › Regola Duodecima (p. 162)
» Passeggi cominciati con Balzetti (p. 163)
      › Passeggio Primo (p. 163)
      › Passeggio Secondo (p. 163)
      › Passeggio Terzo (p. 163)
      › Passeggio Quarto (p. 164)
      › Passeggio Quinto (p. 164)
      › Passeggio Sesto (p. 164)
      › Passeggio Settimo (p. 165)
      › Passeggio Ottauo (p. 165)
      › Passeggio Nono (p. 165)
      › Passeggio Decimo (p. 166)
      › Passeggio Undecimo (p. 166)
      › Passeggio Duodecimo (p. 167)
» Passeggi cromatici con un Fioretto (p. 167)
      › Passeggio Primo (p. 167)
      › Passeggio Secondo (p. 168)
      › Passeggio Terzo (p. 168)
      › Passeggio Quarto (p. 168)
      › Passeggio Quinto (p. 168)
      › Passeggio Sesto (p. 169)
      › Passeggio Settimo (p. 169)
      › Passeggio Ottauo (p. 170)
      › Passeggio Nono (p. 170)
      › Passeggio Decimo (p. 170)
      › Passeggio Undecimo (p. 171)
      › Passeggio Duodecimo (p. 171)
» Passeggi cominciati con un Sottopiede (p. 172)
      › Passeggio Primo (p. 172)
      › Passeggio Secondo (p. 172)
      › Passeggio Terzo (p. 172)
      › Passeggio Quarto (p. 173)
      › Passeggio Quinto (p. 173)
      › Passeggio Sesto (p. 174)
      › Passeggio Settimo (p. 174)
      › Passeggio Ottauo (p. 175)
      › Passeggio Nono (p. 175)
      › Passeggio Decimo (p. 176)
      › Passeggio Undecimo (p. 176)
      › Passeggio Duodecimo (p. 177)
» Passeggi cominciati con Cadenza ritornata (p. 177)
      › Passeggio Primo (p. 177)
      › Passeggio Secondo (p. 177)
      › Passeggio Terzo (p. 178)
      › Passeggio Quarto (p. 178)
      › Passeggio Quinto (p. 179)
      › Passeggio Sesto (p. 179)
      › Passeggio Settimo (p. 179)
      › Passeggio Ottauo (p. 180)
      › Passeggio Nono (p. 180)
      › Passeggio Decimo (p. 181)
      › Passeggio Undecimo (p. 181)
      › Passeggio Duodecimo (p. 181)
» Passeggi cominciati con Zoppetto (p. 182)
      › Passeggio Primo (p. 182)
      › Passeggio Secondo (p. 182)
      › Passeggio Terzo (p. 183)
      › Passeggio Quarto (p. 183)
      › Passeggio Quinto (p. 184)
      › Passeggio Sesto (p. 184)
      › Passeggio Settimo (p. 185)
      › Passeggio Ottauo (p. 185)
      › Passeggio Nono (p. 185)
      › Passeggio Decimo (p. 186)
      › Passeggio Undecimo (p. 186)
      › Passeggio Duodecimo (p. 186)
» Passeggi cominciati con Sottopiede e Soprapiede cromatici (p. 187)
      › Passeggio Primo (p. 187)
      › Passeggio Secondo (p. 188)
      › Passeggio Terzo (p. 188)
      › Passeggio Quarto (p. 189)
      › Passeggio Quinto (p. 189)
      › Passeggio Sesto (p. 190)
      › Passeggio Settimo (p. 190)
      › Passeggio Ottauo (p. 191)
      › Passeggio Nono (p. 191)
      › Passeggio Decimo (p. 192)
      › Passeggio Undecimo (p. 192)
      › Passeggio Duodecimo (p. 193)
» Passeggi cominciati con Zoppetti incrociati indietro (p. 193)
      › Passeggio Primo (p. 193)
      › Passeggio Secondo (p. 194)
      › Passeggio Terzo (p. 194)
      › Passeggio Quarto (p. 194)
      › Passeggio Quinto (p. 195)
      › Passeggio Sesto (p. 195)
      › Passeggio Settimo (p. 196)
      › Passeggio Ottauo (p. 196)
      › Passeggio Nono (p. 197)
      › Passeggio Decimo (p. 197)
      › Passeggio Undecimo (p. 197)
      › Passeggio Duodecimo (p. 198)
» Passeggi cominciati con Passo finto inanzi (p. 198)
      › Passeggio Primo (p. 198)
      › Passeggio Secondo (p. 199)
      › Passeggio Terzo (p. 199)
      › Passeggio Quarto (p. 199)
      › Passeggio Quinto (p. 200)
      › Passeggio Sesto (p. 200)
      › Passeggio Settimo (p. 200)
      › Passeggio Ottauo (p. 201)
      › Passeggio Nono (p. 201)
      › Passeggio Decimo (p. 202)
      › Passeggio Undecimo (p. 202)
      › Passeggio Duodecimo (p. 203)
» Passeggi cominciati con Campanella ordinaria (p. 203)
      › Passeggio Primo (p. 203)
      › Passeggio Secondo (p. 203)
      › Passeggio Terzo (p. 204)
      › Passeggio Quarto (p. 204)
      › Passeggio Quinto (p. 204)
      › Passeggio Sesto (p. 205)
      › Passeggio Settimo (p. 205)
      › Passeggio Ottauo (p. 205)
      › Passeggio Nono (p. 206)
      › Passeggio Decimo (p. 206)
      › Passeggio Undecimo (p. 206)
      › Passeggio Duodecimo (p. 207)
» Passeggi cominciati con Campanella in volta (p. 207)
      › Passeggio Primo (p. 207)
      › Passeggio Secondo (p. 207)
      › Passeggio Terzo (p. 208)
      › Passeggio Quarto (p. 208)
      › Passeggio Quinto (p. 208)
      › Passeggio Sesto (p. 209)
      › Passeggio Settimo (p. 209)
      › Passeggio Ottauo (p. 210)
      › Passeggio Nono (p. 210)
      › Passeggio Decimo (p. 210)
      › Passeggio Undecimo (p. 211)
      › Passeggio Duodecimo (p. 211)
» Passeggi cominciati con Punta e Calcagnio ordinario (p. 211)
      › Passeggio Primo (p. 211)
      › Passeggio Secondo (p. 212)
      › Passeggio Terzo (p. 212)
      › Passeggio Quarto (p. 212)
      › Passeggio Quinto (p. 213)
      › Passeggio Sesto (p. 213)
      › Passeggio Settimo (p. 213)
      › Passeggio Ottauo (p. 214)
      › Passeggio Nono (p. 214)
      › Passeggio Decimo (p. 215)
      › Passeggio Undecimo (p. 215)
      › Passeggio Duodecimo (p. 215)
» Passeggi cominciati con Punta e Calcagnio di Zoppetto (p. 216)
      › Passeggio Primo (p. 216)
      › Passeggio Secondo (p. 216)
      › Passeggio Terzo (p. 216)
      › Passeggio Quarto (p. 217)
      › Passeggio Quinto (p. 217)
      › Passeggio Sesto (p. 217)
      › Passeggio Settimo (p. 218)
      › Passeggio Ottauo (p. 218)
      › Passeggio Nono (p. 218)
      › Passeggio Decimo (p. 219)
      › Passeggio Undecimo (p. 219)
      › Passeggio Duodecimo (p. 219)
» Passeggi cominciati con Cambiata di piede (p. 220)
      › Passeggio Primo (p. 220)
      › Passeggio Secondo (p. 220)
      › Passeggio Terzo (p. 221)
      › Passeggio Quarto (p. 221)
      › Passeggio Quinto (p. 221)
      › Passeggio Sesto (p. 222)
      › Passeggio Settimo (p. 222)
      › Passeggio Ottauo (p. 223)
      › Passeggio Nono (p. 223)
      › Passeggio Decimo (p. 223)
      › Passeggio Undecimo (p. 224)
      › Passeggio Duodecimo (p. 224)
» Passeggi cominciati con Recacciata (p. 225)
      › Passeggio Primo (p. 225)
      › Passeggio Secondo (p. 225)
      › Passeggio Terzo (p. 226)
      › Passeggio Quarto (p. 226)
      › Passeggio Quinto (p. 227)
      › Passeggio Sesto (p. 227)
      › Passeggio Settimo (p. 227)
      › Passeggio Ottauo (p. 228)
      › Passeggio Nono (p. 228)
      › Passeggio Decimo (p. 229)
      › Passeggio Undecimo (p. 229)
      › Passeggio Duodecimo (p. 229)
» Passeggi cominciati con Riprese (p. 230)
      › Passeggio Primo (p. 230)
      › Passeggio Secondo (p. 230)
      › Passeggio Terzo (p. 231)
      › Passeggio Quarto (p. 231)
      › Passeggio Quinto (p. 232)
      › Passeggio Sesto (p. 232)
      › Passeggio Settimo (p. 233)
      › Passeggio Ottauo (p. 233)
      › Passeggio Nono (p. 233)
      › Passeggio Decimo (p. 234)
      › Passeggio Undecimo (p. 234)
      › Passeggio Duodecimo (p. 235)
» Passeggi cominciati con Trabocchetto (p. 235)
      › Passeggio Primo (p. 235)
      › Passeggio Secondo (p. 236)
      › Passeggio Terzo (p. 236)
      › Passeggio Quarto (p. 236)
      › Passeggio Quinto (p. 237)
      › Passeggio Sesto (p. 237)
      › Passeggio Settimo (p. 238)
      › Passeggio Ottauo (p. 238)
      › Passeggio Nono (p. 239)
      › Passeggio Decimo (p. 239)
      › Passeggio Undecimo (p. 240)
      › Passeggio Duodecimo (p. 240)
» Passeggi cominciati con Striscio (p. 241)
      › Passeggio Primo (p. 241)
      › Passeggio Secondo (p. 241)
      › Passeggio Terzo (p. 242)
      › Passeggio Quarto (p. 242)
      › Passeggio Quinto (p. 243)
      › Passeggio Sesto (p. 243)
      › Passeggio Settimo (p. 244)
      › Passeggio Ottauo (p. 244)
      › Passeggio Nono (p. 244)
      › Passeggio Decimo (p. 245)
      › Passeggio Undecimo (p. 245)
      › Passeggio Duodecimo (p. 246)
» Passeggi cominciati con Passo incrociato (p. 246)
      › Passeggio Primo (p. 246)
      › Passeggio Secondo (p. 247)
      › Passeggio Terzo (p. 247)
      › Passeggio Quarto (p. 248)
      › Passeggio Quinto (p. 248)
      › Passeggio Sesto (p. 248)
      › Passeggio Settimo (p. 249)
      › Passeggio Ottauo (p. 250)
      › Passeggio Nono (p. 250)
      › Passeggio Decimo (p. 251)
      › Passeggio Undecimo (p. 251)
      › Passeggio Duodecimo (p. 252)
» Passeggi cominciati con Intrecciata di gamba (p. 252)
      › Passeggio Primo (p. 252)
      › Passeggio Secondo (p. 252)
      › Passeggio Terzo (p. 253)
      › Passeggio Quarto (p. 253)
      › Passeggio Quinto (p. 254)
      › Passeggio Sesto (p. 254)
      › Passeggio Settimo (p. 254)
      › Passeggio Ottauo (p. 255)
      › Passeggio Nono (p. 255)
      › Passeggio Decimo (p. 256)
      › Passeggio Undecimo (p. 256)
      › Passeggio Duodecimo (p. 256)
» Passeggi cominciati con il Ganzo ordinario in prospettiua (p. 257)
      › Passeggio Primo (p. 257)
      › Passeggio Secondo (p. 257)
      › Passeggio Terzo (p. 258)
      › Passeggio Quarto (p. 258)
      › Passeggio Quinto (p. 258)
      › Passeggio Sesto (p. 259)
      › Passeggio Settimo (p. 259)
      › Passeggio Ottauo (p. 260)
      › Passeggio Nono (p. 260)
      › Passeggio Decimo (p. 261)
      › Passeggio Undecimo (p. 261)
      › Passeggio Duodecimo (p. 261)
» Passeggi cominciati con Spacchata inanzi (p. 262)
      › Passeggio Primo (p. 262)
      › Passeggio Secondo (p. 262)
      › Passeggio Terzo (p. 263)
      › Passeggio Quarto (p. 263)
      › Passeggio Quinto (p. 263)
      › Passeggio Sesto (p. 264)
      › Passeggio Settimo (p. 264)
      › Passeggio Ottauo (p. 264)
      › Passeggio Nono (p. 265)
      › Passeggio Decimo (p. 265)
      › Passeggio Undecimo (p. 266)
      › Passeggio Duodecimo (p. 266)
» Passeggi cominciati con Sottopiede e Meza Capriola di passo in aria (p. 267)
      › Passeggio Primo (p. 267)
      › Passeggio Secondo (p. 267)
      › Passeggio Terzo (p. 267)
      › Passeggio Quarto (p. 268)
      › Passeggio Quinto (p. 268)
      › Passeggio Sesto (p. 269)
      › Passeggio Settimo (p. 269)
      › Passeggio Ottauo (p. 270)
      › Passeggio Nono (p. 270)
      › Passeggio Decimo (p. 270)
      › Passeggio Undecimo (p. 271)
      › Passeggio Duodecimo (p. 271)
» Passeggi cominciati con Fioretti tagliati (p. 272)
      › Passeggio Primo (p. 272)
      › Passeggio Secondo (p. 272)
      › Passeggio Terzo (p. 273)
      › Passeggio Quarto (p. 273)
      › Passeggio Quinto (p. 274)
      › Passeggio Sesto (p. 274)
      › Passeggio Settimo (p. 274)
      › Passeggio Ottauo (p. 275)
      › Passeggio Nono (p. 275)
      › Passeggio Decimo (p. 275)
      › Passeggio Undecimo (p. 276)
      › Passeggio Duodecimo (p. 276)
» Passeggi cominciati con Meza Capriola di cadenza ritornata (p. 277)
      › Passeggio Primo (p. 277)
      › Passeggio Secondo (p. 277)
      › Passeggio Terzo (p. 277)
      › Passeggio Quarto (p. 278)
      › Passeggio Quinto (p. 278)
      › Passeggio Sesto (p. 279)
      › Passeggio Settimo (p. 279)
      › Passeggio Ottauo (p. 280)
      › Passeggio Nono (p. 280)
      › Passeggio Decimo (p. 281)
      › Passeggio Undecimo (p. 281)
      › Passeggio Duodecimo (p. 282)
» Passeggi cominciati con Capriola terza di piede in aria (p. 282)
      › Passeggio Primo (p. 282)
      › Passeggio Secondo (p. 283)
      › Passeggio Terzo (p. 283)
      › Passeggio Quarto (p. 284)
      › Passeggio Quinto (p. 284)
      › Passeggio Sesto (p. 285)
      › Passeggio Settimo (p. 285)
      › Passeggio Ottauo (p. 285)
      › Passeggio Nono (p. 286)
      › Passeggio Decimo (p. 286)
      › Passeggio Undecimo (p. 287)
      › Passeggio Duodecimo (p. 287)
» Passeggi cominciati con Capriola terza (p. 288)
      › Passeggio Primo (p. 288)
      › Passeggio Secondo (p. 288)
      › Passeggio Terzo (p. 288)
      › Passeggio Quarto (p. 289)
      › Passeggio Quinto (p. 289)
      › Passeggio Sesto (p. 290)
      › Passeggio Settimo (p. 290)
      › Passeggio Ottauo (p. 290)
      › Passeggio Nono (p. 291)
      › Passeggio Decimo (p. 291)
      › Passeggio Undecimo (p. 291)
      › Passeggio Duodecimo (p. 292)
» Passeggi cominciati con Capriola quarta di piede in aria (p. 292)
      › Passeggio Primo (p. 292)
      › Passeggio Secondo (p. 293)
      › Passeggio Terzo (p. 293)
      › Passeggio Quarto (p. 294)
      › Passeggio Quinto (p. 294)
      › Passeggio Sesto (p. 294)
      › Passeggio Settimo (p. 295)
      › Passeggio Ottauo (p. 295)
      › Passeggio Nono (p. 296)
      › Passeggio Decimo (p. 296)
      › Passeggio Undecimo (p. 296)
      › Passeggio Duodecimo (p. 296)
» Passeggi cominciati con Capriola quarta (p. 297)
      › Passeggio Primo (p. 297)
      › Passeggio Secondo (p. 298)
      › Passeggio Terzo (p. 298)
      › Passeggio Quarto (p. 298)
      › Passeggio Quinto (p. 299)
      › Passeggio Sesto (p. 299)
      › Passeggio Settimo (p. 299)
      › Passeggio Ottauo (p. 300)
      › Passeggio Nono (p. 300)
      › Passeggio Decimo (p. 300)
      › Passeggio Undecimo (p. 301)
      › Passeggio Duodecimo (p. 301)
» Passeggi cominciati con Capriola intrecciata (p. 302)
      › Passeggio Primo (p. 302)
      › Passeggio Secondo (p. 302)
      › Passeggio Terzo (p. 302)
      › Passeggio Quarto (p. 303)
      › Passeggio Quinto (p. 303)
      › Passeggio Sesto (p. 303)
      › Passeggio Settimo (p. 304)
      › Passeggio Ottauo (p. 304)
      › Passeggio Nono (p. 304)
      › Passeggio Decimo (p. 305)
      › Passeggio Undecimo (p. 305)
      › Passeggio Duodecimo (p. 305)

Galliard Variations (Mutanze)

» Mutanze fatte in dui tempi di Gagliarda (p. 306)
      › Mutanza Prima (p. 306)
      › Mutanza Seconda (p. 307)
      › Mutanza Terza (p. 307)
      › Mutanza Quarta (p. 308)
      › Mutanza Quinta (p. 308)
      › Mutanza Sesta (p. 309)
      › Mutanza Settima (p. 309)
      › Mutanza Ottaua (p. 310)
      › Mutanza Nona (p. 310)
      › Mutanza Decima (p. 311)
      › Mutanza Undecima (p. 312)
      › Mutanza Duodecima (p. 312)
      › Mutanza XIII (p. 313)
      › Mutanza XIV (p. 313)
      › Mutanza XV (p. 314)
» Mutanze fatte in trè tempi di Gagliarda (p. 315)
      › Mutanza XVI (p. 315)
      › Mutanza XVII (p. 316)
      › Mutanza XVIII (p. 317)
      › Mutanza XVIIII (p. 318)
      › Mutanza XX (p. 319)
      › Mutanza XXI (p. 320)
      › Mutanza XXII (p. 321)
      › Mutanza XXIII (p. 322)
      › Mutanza XXIIII (p. 323)
      › Mutanza XXV (p. 324)
      › Mutanza XXVI (p. 325)
      › Mutanza XXVII (p. 325)
      › Mutanza XXVIII (p. 326)
      › Mutanza XXIX (p. 327)
      › Mutanza XXX (p. 328)
» Mutanze fatte in quattro tempi di Gagliarda (p. 329)
      › Mutanza XXXI (p. 329)
      › Mutanza XXXII (p. 330)
      › Mutanza XXXIII (p. 331)
      › Mutanza XXXIIII (p. 333)
      › Mutanza XXXV (p. 334)
      › Mutanza XXXVI (p. 335)
      › Mutanza XXXVII (p. 336)
      › Mutanza XXXVIII (p. 337)
      › Mutanza XXXIX (p. 339)
      › Mutanza XL (p. 340)
      › Mutanza XLI (p. 341)
      › Mutanza XLII (p. 342)
      › Mutanza XLIII (p. 343)
      › Mutanza XLIIII (p. 344)
      › Mutanza XLV (p. 345)
      › Mutanza XLVI (p. 346)
      › Mutanza XLVII (p. 347)
      › Mutanza XLVIII (p. 349)
      › Mutanza XLVIIII (p. 349)
      › Mutanza L (p. 351)
      › Mutanza LI (p. 352)
      › Mutanza LII (p. 353)
      › Mutanza LIII (p. 354)
      › Mutanza LIIII (p. 355)
      › Mutanza LV (p. 357)
      › Mutanza LVI (p. 358)
      › Mutanza LVII (p. 359)
» Mutanze fatte in cinque tempi di Gagliarda (p. 360)
      › Mutanza LVIII (p. 360)
      › Mutanza LVIIII (p. 362)
      › Mutanza LX (p. 363)
      › Mutanza LXI (p. 364)
      › Mutanza LXII (p. 366)
      › Mutanza LXIII (p. 367)
» Mutanze fatte in sei tempi di Gagliarda (p. 369)
      › Mutanza LXIIII (p. 369)
      › Mutanza LXV (p. 371)
      › Mutanza LXVI (p. 373)
      › Mutanza LXVII (p. 375)
» Mutanze fatte in sette tempi di Gagliarda (p. 376)
      › Mutanza LXVIII (p. 376)
      › Mutanza LXIX (p. 378)
» Mutanze fatte in otto tempi di Gagliarda (p. 380)
      › Mutanza LXX (p. 380)
      › Mutanza LXXI (p. 382)
» Regola de Cinque Passi per le Dame (p. 385)
      › Regola Prima (p. 385)
      › Regola Seconda (p. 385)
      › Regola Terza (p. 386)
      › Regola Quarta (p. 386)
      › Regola Quinta (p. 386)
      › Regola Sesta (p. 387)
      › Regola Settima (p. 387)
      › Regola Ottaua (p. 387)
      › Regola Nona (p. 387)
      › Regola Decima (p. 388)
      › Regola Undecima (p. 388)
      › Regola Duodecima (p. 388)
» Mutanze per le Dame fatte in dui tempi di Gagliarda (p. 389)
      › Mutanza Prima (p. 389)
      › Mutanza Seconda (p. 389)
      › Mutanza Terza (p. 390)
» Mutanze per le Dame fatte in trè tempi di Gagliarda (p. 390)
      › Mutanza Quarta (p. 390)
      › Mutanza Quinta (p. 391)
      › Mutanza Sesta (p. 392)
» Mutanze fatte per le Dame in quattro tempi di Gagliarda (p. 393)
      › Mutanza Settima (p. 393)
      › Mutanza Ottaua (p. 394)
      › Mutanza Nona (p. 394)
      › Mutanza Decima (p. 395)
      › Mutanza Undecima (p. 396)
      › Mutanza Duodecima (p. 397)

Dances

» Canario (p. 398)
» Balletto (p. 398)
» Mutanze di Canario per le Dame (p. 419)
» Spagnioletta (p. 423)
» Alta Regina (p. 426)
» Barriera (p. 428)
» Pauaniglia [Padoello Version] (p. 433)
» Pauaniglia [Santucci Version] (p. 440)
» Contrapasso in Sesto (p. 451)
» Gagliarda di Spagnia (p. 455)
» Galleria d'Amore (p. 462)
» Allegrezza d'Amore (p. 466)

📖 F. [François] de Lauze. (1623). Apologie de la Danse. London. (pdf) {BNF} [Enge]

Note: The first (and only) known printed French dance manual of the 17th century. This work was famously plagiarized by de Lauze's rival de Montagut in a manuscript version entitled Louange de la Danse.

Instruction for Gentlemen

» La Courante (p. 28)
» Bransles [general information] (p. 36)
» Premier Bransle (p. 38)
» Second Bransle (Branle Gay) (p. 40)
» Troisieme Bransle (Bransle de Poictou) (p. 41)
» La Gaillarde (p. 44)
» La Capriole (p. 47)

Instruction for Ladies

» Premier Bransle (Bransle Simple) (p. 57)
» Bransle Gay (p. 59)
» Bransle de Poictou (p. 60)
» Quatriesme Bransle (Bransle Double de Poictou) (p. 62)
» Cinquiesme Bransle (p. 63)
» La Gavotte (p. 64)
» La Courante (p. 65)
» La Gaillarde (p. 66)

📜 [Anonymous]. (c. 1640). The Stephens Manuscript. London Ms. (Swaine transcription) [Enge]

Note: A brief mid-17th century English manuscript preserving choreography for four country dances.

Country Dances

» The Maurice Daunce
» Lavena
» Newcastle
» Put Up Thy Dagger

📖 Juan de Esquivel Navarro. (1642). Discursos Sobre el Arte del Dançado. Sevilla. (pdf) (Lindahl transcription) {BNE} [Enge]

Note: The only known printed Spanish dance manual of the 17th century. While it contains no complete choreographies, it is a comprehensive manual of dance theory and technique in the Spanish tradition. Page numbers are for the pdf.

Dance Movements

» Floretas (p. 51)
» Saltos al lado y en buelta (p. 52)
» Encaxes (p. 53)
» Campanela (p. 54)
      › Campanela breue (p. 56)
      › Campanela de compás mayor (p. 56)
      › Campanela por de dentro (p. 56)
» Bazios (p. 57)
» Cabriolas enteras (p. 58)
» Cabriolas atrauessadas (p. 59)
» Medias Cabriolas (p. 60)
» Sacudidos (p. 60)
» Quatropeados (p. 61)
      › Quatropeados atras (p. 61)
» Bueltas de pecho (p. 62)
» Bueltas de Folias (p. 62)
» Buelta al descuydo (p. 64)
» Giradas (p. 64)
» Substenido (p. 67)
» Cruzado (p. 68)
» Reuerencia cortada (p. 68)
» Floreo (p. 68)
» Carrerillas (p. 69)
» Cargados (p. 70)
» Retiradas (p. 71)
» Boleo (p. 71)
» Dobles (p. 72)
» Rompidos (p. 73)
» Passos (p. 74)
» Villano (p. 79)

📜 [Anonymous]. (c. 1649). The Lovelace Manuscript a.k.a. The Pattricke Manuscript. Harvard Ms. (pdf) (Cyhoeddwr transcription) {Macks} [Enge]

Note: A unique, independent witness to many early English country dances, including numerous dances also found in Playford.

Country Dances

» Moll Peatlye (p. 3)
» Noahs flood (p. 4)
» Tenn Pounde (p. 5)
» The milking Payle (p. 6)
» The highway to Westminster (p. 7)
» Ladyes Piller (p. 9)
» The cherping of the Nightingall (p. 10)
» The Winde Mille (p. 12)
» The Gipsyes (p. 13)
» The Goddisses (p. 14)
» Lightly Love (p. 16)
» Trenchmore (p. 18)
» The Old Man with a Bed full of bones (p. 21)
» A Mayden fayre (p. 24)
» Cuckles All a Row (p. 26)
» Tom a Bedlam, or Grayes Inn Maske (p. 29)
» St. Johns (p. 32)
» The Boone Companion (p. 36)
» Step Stately (p. 37)
» The Picking of Stickes (p. 38)
» Jack Pudding (p. 40)
» Roses white, and roses red (p. 44)
» Harts ease (p. 46)
» The Tumbling of Jone (p. 48)
» Greenwood (p. 51)
» Natly (p. 53)
» A Helth to Betty (p. 55)
» Boobin Jone (p. 57)
» Murry (p. 59)
» Jogg On (p. 61)
» Good Your Worship (p. 62)
» The Fryer and the Nunne (p. 65)

📖 John Playford (ed.). (1651). The English Dancing Master [1st Edition]. London. (pdf) {Lindahl} [Enge]

Note: The foundational collection of English country dances. The first edition contains 105 dances and began a publishing tradition that continued through eighteen editions over more than seventy years. The Library of Dance copy has been cropped for ease of use.

English Country Dances

» Upon a Summers day (♬) (p. 1)
» Blew Cap (♬) (p. 2)
» The Night Peece (♬) (p. 3)
» Boate man (♬) (p. 4)
» The Begger Boy (♬) (p. 5)
» Parsons farewell (♬) (p. 6)
» Bobbing Joe (♬) (p. 7)
» The New Exchange (♬) (p. 8)
» The Whish (♬) (p. 9)
» Stingo, Or the Oyle of Barly (♬) (p. 10)
» The Wherligig (♬) (p. 11)
» Picking of sticks (♬) (p. 12)
» The Old Mole (♬) (p. 13)
» Grimstock (♬) (p. 14)
» Wooddicock (♬) (p. 15)
» Greenwood (♬) (p. 16)
» The Saraband (♬) (p. 17)
» Hit and misse (♬) (p. 18)
» Confesse (♬) (p. 19)
» Mage on a Cree (♬) (p. 20)
» A Health to Betty (♬) (p. 21)
» Millisons Jegge (♬) (p. 22)
» The Spanish Jeepsie (♬) (p. 23)
» Lady Spellor (♬) (p. 24)
» Kemps Jegg (♬) (p. 25)
» The Cherping of the Larke (♬) (p. 26)
» If all the World were Paper (♬) (p. 27)
» Adsons Saraband (♬) (p. 28)
» Nonesuch (♬) (p. 29)
» Daphne (♬) (p. 30)
» The merry merry Milke Maids (♬) (p. 31)
» Mill-field (♬) (p. 32)
» The fine Companion (♬) (p. 33)
» Skellamefago (♬) (p. 34)
» Cast a Bell (♬) (p. 35)
» The Spanyard (♬) (p. 36)
» Rose is white and Rose is red (♬) (p. 37)
» Have at thy Coat old woman (♬) (p. 38)
» Drive the cold winter away (♬) (p. 39)
» The Gun (♬) (p. 40)
» Peppers Black (♬) (p. 41)
» The Maid peept out at the window, or the Frier in the Well (♬) (p. 42)
» Halfe Hannikin (♬) (p. 43)
» Lord of Carnarvans Jegg (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» Faine I would (♬) (p. 46)
» Once I loved a Maiden faire (♬) (p. 47)
» The Irish Lady, or Anniseed-water Robin (♬) (p. 48)
» All a Mode de France (♬) (p. 49)
» My Lady Cullen (♬) (p. 50)
» The Bath (♬) (p. 51)
» Goddesses (♬) (p. 52)
» Jog on (♬) (p. 53)
» Hearts Ease (♬) (p. 54)
» The Health (♬) (p. 55)
» Jack Pudding (♬) (p. 56)
» Prince Ruperts March (♬) (p. 57)
» Argeers (♬) (p. 58)
» Dissembling Love (♬) (p. 59)
» The London Gentlewoman, Or the Hemp-Dresser (♬) (p. 60)
» Lavena (♬) (p. 61)
» Mayden Lane (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Chirping of the Nightingale (♬) (p. 64)
» Souldiers Life (♬) (p. 65)
» Saint Martins (♬) (p. 66)
» Cuckolds all a row (♬) (p. 67)
» Petticoat wag (♬) (p. 68)
» Pauls Steeple (♬) (p. 69)
» Rufty tufty (♬) (p. 70)
» All in a Garden green (♬) (p. 71)
» Sedanny, or Dargason (♬) (p. 71)
» The Punks Delight (The new way) (♬) (p. 72/"27")
» Aye Me, or the Simphony (♬) (p. 73)
» Broome: The bonny bonny Broome (♬) (p. 74)
» The Milke-Mayds Bobb (♬) (p. 75)
» An Old man is a Bed full of bones (♬) (p. 76)
» Newcastle (♬) (p. 77)
» Cheerily and merrily (♬) (p. 78)
» The Countrey Coll (♬) (p. 79)
» Saturday night and Sunday morn (♬) (p. 80)
» Dull Sir John (♬) (p. 81)
» Hockley in the hole (♬) (p. 82)
» New Boe peep (♬) (p. 83)
» The Fryar and the Nun (♬) (p. 84)
» Chestnut (or Doves Figary) (♬) (p. 85)
» Pauls Wharfe (♬) (p. 86)
» Stanes Morris (♬) (p. 87)
» Tom Tinker (♬) (p. 88)
» Kettle Drum (♬) (p. 89)
» Mundesse (♬) (p. 90)
» Hide Parke (♬) (p. 91)
» Lady lye neare mee (♬) (p. 92)
» Lulle me beyond thee (♬) (p. 93)
» The Glory of the West (♬) (p. 94)
» Jenny pluck Pears (♬) (p. 95)
» Gathering Peascods (♬) (p. 96)
» Up Tailes all (♬) (p. 97)
» New New Nothing (♬) (p. 98)
» Scotch Cap (♬) (p. 99)
» Step Stately (♬) (p. 100)
» Shepheards Holyday, or Labour in Vaine (♬) (p. 101)
» Row well ye Marriners (♬) (p. 102)
» Graies Inne Maske (♬) (p. 103)
» The Slip (♬) (p. 104)

📖 John Playford (ed.). (1652). The Dancing Master [2nd Edition]. London. (pdf) {imslp} [Enge]

Note: Adds seven dances (italicized) to the 1st Edition (1651), in addition to alphabetizing the dances and changing the spelling of several dance titles.

English Country Dances

» All in a Garden green (♬) (p. 1)
» Adsons Saraband (♬) (p. 2)
» All a Mode de France (♬) (p. 3)
» Aye me, Or the Simphony (♬) (p. 4)
» Argeers (♬) (p. 5)
» An Old man is a Bed full of bones (♬) (p. 6)
» Blew Cap (♬) (p. 7)
» Boat-man (♬) (p. 8)
» The Begger Boy (♬) (p. 9)
» Bobbing Joe (♬) (p. 10)
» The Bath (♬) (p. 11)
» Broome: The bonny bonny Broome (♬) (p. 12)
» Confesse (♬) (p. 13)
» The Chirping of the Larke (♬) (p. 14)
» Cast a Bell (♬) (p. 15)
» Chirping of the Nightingale (♬) (p. 16)
» Cheerily and merrily (♬) (p. 17)
» The Country Coll (♬) (p. 18)
» Cuckolds all a row (♬) (p. 19)
» Chestnut (or Doves Figary) (♬) (p. 20)
» Daphne (♬) (p. 21)
» Drive the cold Winter away (♬) (p. 22)
» Dissembling Love (♬) (p. 23)
» Dargason, or Sedany (♬) (p. 24)
» Dull Sir John (♬) (p. 25)
» The fine Companion (♬) (p. 26)
» Faine I would (♬) (p. 27)
» The Fryar and the Nun (♬) (p. 28)
» Grimstock (♬) (p. 29)
» Greenwood (♬) (p. 30)
» The Gun (♬) (p. 31)
» Goddesses (♬) (p. 32)
» Grayes Inne Maske (♬) (p. 33)
» Gathering Peascods (♬) (p. 34)
» The Glory of the West (♬) (p. 35)
» Hit and misse (♬) (p. 36)
» A Health to Betty (♬) (p. 37)
» Have at thy Coat old woman (♬) (p. 38)
» Halfe Hannikin (♬) (p. 39)
» Hearts Ease (♬) (p. 40)
» The Health (♬) (p. 41)
» Hockley in the hole (♬) (p. 42)
» Hide Parke (♬) (p. 43)
» If all the World were Paper (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» The Irish Lady, or Aniseed-water Robin (♬) (p. 46)
» Jog on (♬) (p. 47)
» Jack Pudding (♬) (p. 48)
» Jack a Lent (♬) (p. 49)
» Jenny pluck Pears (♬) (p. 50)
» I loved thee once, I love no more (♬) (p. 51)
» Kemps Jegg (♬) (p. 52)
» Kettle Drum (♬) (p. 53)
» Lady Spellor (♬) (p. 54)
» Lord of Carnarvans Jegg (♬) (p. 55)
» My Lady Cullen (♬) (p. 56)
» The London Gentlewoman, Or the Hemp-Dresser (♬) (p. 57)
» Lavena (♬) (p. 58)
» Lady lye near me (♬) (p. 59)
» Lulle me beyond thee (♬) (p. 60)
» Mage on a Cree (♬) (p. 61)
» Millisons Jegg (♬) (p. 62)
» The merry merry Milk Maids (♬) (p. 63)
» Mill-field (♬) (p. 64)
» The Maid peept out at the window, Or the Frier in the Well (♬) (p. 65)
» Mayden Lane (♬) (p. 66)
» The Milk-Mayds Bobb (♬) (p. 67)
» Mundesse (♬) (p. 68)
» The Night Peece (♬) (p. 69)
» The New Exchange (♬) (p. 70)
» None such (♬) (p. 71)
» Newcastle (♬) (p. 72)
» New New Nothing (♬) (p. 73)
» New Boe peep (♬) (p. 74)
» The Old Mole (♬) (p. 75)
» Once I lov'd a Maiden fair (♬) (p. 76)
» Parsons farewell (♬) (p. 77)
» Picking of sticks (♬) (p. 78)
» Peppers Black (♬) (p. 79)
» Petticoat wag (♬) (p. 80)
» Pauls Steeple (♬) (p. 81)
» The Punks Delight (♬) (p. 82)
» Parson upon Dorothy (♬) (p. 83)
» Pauls Wharfe (♬) (p. 84)
» Rose is white and Rose is red (♬) (p. 85)
» Row well ye Marriners (♬) (p. 86)
» Stingo, or the Oyle of Barley (♬) (p. 87)
» The Saraband (♬) (p. 88)
» The Spanish Jeepsie (♬) (p. 89)
» Skellamefago (♬) (p. 90)
» The Spanyard (♬) (p. 91)
» Souldiers life (♬) (p. 92)
» Saint Martins (♬) (p. 93)
» Saturday night and Sunday morn (♬) (p. 94)
» Stanes Morris (♬) (p. 95)
» Scotch Cap (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Solomons Jigge (♬) (p. 98)
» Shepheards Holyday, or Labour in Vain (♬) (p. 99)
» The Slip (♬) (p. 100)
» Tom Tinker (♬) (p. 101)
» Tutch and take (♬) (p. 102)
» Trenchmore (♬) (p. 103)
» Upon a Summers Day (♬) (p. 104)
» Up Tails all (♬) (p. 105)
» The Whish (♬) (p. 106)
» The Whirligig (♬) (p. 107)
» Woodicock (♬) (p. 108)
» Under and over (♬) (p. 109)
» Winifreds Knot, or Open the door to three (♬) (p. 110)
» Mr. Webbs Fancy (♬) (p. 111)
» The Silver Faulken (♬) (p. 112)

📖 Johann Georg Pasch. (1659). Kurtze doch Gründliche Unterrichtung der Pique. Osnabrück. (pdf) {WLB} [Enge]

Notes: Primarily a military manual, but also contains descriptions of dance footwork variations. Page numbers are for the pdf.

Dance Lessons

» 1. Sarabanda (♬) (p. 441)
      › 1. Lection (p. 442)
      › 2. Lection (p. 442)
      › 3. Lection (p. 443)
      › 4. Lection (p. 443)
      › 5. Lection (p. 444)
      › 6. Lection (p. 444)
» 2. Curant (♬) (p. 445)
      › 1. Lection (p. 446)
      › 2. Lection (p. 447)
      › 3. Lection (p. 447)
      › 4. Lection (p. 448)
      › 5. Lection (p. 448)
      › 6. Lection (p. 449)
      › 7. Lection (p. 449)
      › 8. Lection (p. 449)
» 3. Prandel (♬) (p. 450)
      › 1. Lection (p. 452)
      › 2. Lection (p. 452)
      › 3. Lection (p. 452)
      › 4. Lection (p. 453)
      › 5. Lection (p. 454)
      › 6. Lection (p. 454)
      › 7. Lection (p. 455)
» 4. Sarabanda (♬) (p. 456)
      › 1. Lection (p. 457)
      › 2. Lection (p. 458)
      › 3. Lection (p. 459)
      › 4. Lection (p. 459)
      › 5. Lection (p. 460)
      › 6. Lection (p. 461)
      › 7. Lection (p. 461)
      › 8. Lection (p. 462)
      › 9. Lection (p. 463)
» 5. Sarabande (♬) (p. 464)
      › 1. Lection (p. 465)
      › 2. Lection (p. 465)
      › 3. Lection (p. 466)
      › 4. Lection (p. 467)
      › 5. Lection (p. 467)
      › 6. Lection (p. 468)
      › 7. Lection (p. 469)
      › 8. Lection (p. 469)
» 6. Curant (♬) (p. 471)
      › 1. Lection (p. 473)
      › 2. Lection (p. 473)
      › 3. Lection (p. 474)
      › 4. Lection (p. 474)
      › 5. Lection (p. 476)
      › 6. Lection (p. 476)
      › 7. Lection (p. 477)
      › 8. Lection (p. 478)

📜 [Anonymous]. (c. 1660). The Ward Manuscript. Harvard Ms. (pdf) (Swaine transcription) {harvard} [Enge]

Note: Page numbers are for the pdf.

Country Dances

» The Goddesses (p. 7)
» What You Please (p. 9)
» My Lord Taff (p. 9)
» The Gunne-fleet (p. 11)
» May Hill (p. 13)
» The Maid in the Mill (p. 15)
» Over and Under (p. 15)
» Black Jack (p. 17)
» A Health to Betty (p. 19)
» Mulberry Garden (p. 21)
» Singleton-Slipp (p. 23)
» The Kings Jigg (p. 25)
» The Flagollet (p. 27)
» Mr Youngs Delight (p. 29)
» Amaryllis (p. 31)
» May the 29th (p. 33)
» The Garden of Eden (p. 35)

📖 John Playford (ed.). (1665). The Dancing Master [3rd Edition]. London. (pdf) {imslp} [Enge]

Notes: For those interested in the publication history of The Dancing Master, this is technically the "2nd Version" of the 3rd Edition (the "1st Version" of the 3rd Edition was published in 1657). Aside from superficial changes, both 3rd Editions include the same dances in the same order, so only the 2nd Version is indexed here, since that's the version the Library of Dance holds. Both 3rd Editions closely follow the 2nd Edition (1652), with mostly superficial changes at first, before removing and adding dances toward the end. Page 18 has been de-duplicated in the Library of Dance copy.

English Country Dances

» All in a Garden Green (♬) (p. 1)
» Adsons Saraband (♬) (p. 2)
» All a Mode de France (♬) (p. 3)
» Ay me, Or the Symphony (♬) (p. 4)
» Argeres (♬) (p. 5)
» An old man is a bed full of bones (♬) (p. 6)
» Blew Cap (♬) (p. 7)
» Boat-man (♬) (p. 8)
» The Begger Boy (♬) (p. 9)
» Bobbing Joe (♬) (p. 10)
» The Bath (♬) (p. 11)
» Broom: The bonny bonny Broom (♬) (p. 12)
» Confesse (♬) (p. 13)
» Chirping of the Larke (♬) (p. 14)
» Cast a Bell (♬) (p. 15)
» Chirping of the Nightingale (♬) (p. 16)
» Cheerily and merrily (♬) (p. 17)
» The Country Coll (♬) (p. 18)
» Cuckolds all a Row (♬) (p. 19)
» Chestnut (or Doves Figary) (♬) (p. 20)
» Daphne (♬) (p. 21)
» Drive the cold Winter away (♬) (p. 22)
» Dissembling Love (♬) (p. 23)
» Dargason, or the Sedany (♬) (p. 24)
» Dull Sir John (♬) (p. 25)
» The fine Companion (♬) (p. 26)
» Faine I would (♬) (p. 27)
» The Friar and the Nun (♬) (p. 28)
» Grimstock (♬) (p. 29)
» Greenwood (♬) (p. 30)
» The Gun (♬) (p. 31)
» Goddesses (♬) (p. 32)
» Grayes Inne Mask (♬) (p. 33)
» Gathering Peascods (♬) (p. 34)
» The Glory of the West (♬) (p. 35)
» Hit and Miss (♬) (p. 36)
» A health to Betty (♬) (p. 37)
» Have at thy Coat Old Woman (♬) (p. 38)
» Half Hannikin (♬) (p. 39)
» Hearts-ease (♬) (p. 40)
» The Health (♬) (p. 41)
» Hockley in the hole (♬) (p. 42)
» Hide-Park (♬) (p. 43)
» If all the World were Paper (♬) (p. 44)
» Irish Trot (♬) (p. 45)
» The Irish Lady, or Aniseed water Robin (♬) (p. 46)
» Jog on (♬) (p. 47)
» Jack Pudding (♬) (p. 48)
» Jack a Lent (♬) (p. 49)
» Jenny pluck Pears (♬) (p. 50)
» I loved thee once, I love no more (♬) (p. 51)
» Kemps Jigge (♬) (p. 52)
» Kettle Drum (♬) (p. 53)
» Lady Spellor (♬) (p. 54)
» Lord of Carnarvan's Jigg (♬) (p. 55)
» My Lady Cullen (♬) (p. 56)
» The London Gentlewoman, or the Hemp-Dresser (♬) (p. 57)
» Lavena (♬) (p. 58)
» Lady lye near me (♬) (p. 59)
» Lulle me beyond thee (♬) (p. 60)
» Mage on a Cree (♬) (p. 61)
» Millisons Jigge (♬) (p. 62)
» The Merry merry Milk-maids (♬) (p. 63)
» Mill field (♬) (p. 64)
» The Maid peept out at the window, or The Frier in the Well (♬) (p. 65)
» Mayden Lane (♬) (p. 66)
» The Milk Maids Bob (♬) (p. 67)
» Mundesse (♬) (p. 68)
» The Night piece (♬) (p. 69)
» The New Exchange (♬) (p. 70)
» None such (♬) (p. 71)
» Newcastle (♬) (p. 72)
» New new Nothing (♬) (p. 73)
» New Bo peep (♬) (p. 74)
» The Old Mole (♬) (p. 75)
» Once I lov'd a Maiden fair (♬) (p. 76)
» Parsons Farewell (♬) (p. 77)
» Picking of sticks (♬) (p. 78)
» Pepper's black (♬) (p. 79)
» Petticoat wag (♬) (p. 80)
» Pauls Steeple (♬) (p. 81)
» The Punks delight (The new way) (♬) (p. 82)
» Parson upon Dorothy (♬) (p. 83)
» Pauls Wharfe (♬) (p. 84)
» Rose is white and Rose is red (♬) (p. 85)
» Row well ye Marriners (♬) (p. 86)
» Stingo, or the Oyle of Barley (♬) (p. 87)
» The Saraband (♬) (p. 88)
» The Spanish Gypsie (♬) (p. 89)
» Scellamefago (♬) (p. 90)
» The Spaniard (♬) (p. 91)
» Souldiers life (♬) (p. 92)
» Saint Martins (♬) (p. 93)
» Stanes Morris (♬) (p. 94)
» Saturday night and Sunday morn (♬) (p. 95)
» Scotch Cap (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Solomons Jigge (♬) (p. 98)
» Shepherds Holiday, or Labour in Vain (♬) (p. 99)
» The Slip (♬) (p. 100)
» Tom Tinker (♬) (p. 101)
» Touch and Take (♬) (p. 102)
» Trenchmore (♬) (p. 103)
» Upon a Summers day (♬) (p. 104)
» Up Tales all (♬) (p. 105)
» The Whish (♬) (p. 106)
» The Whirligig (♬) (p. 107)
» Woodycock (♬) (p. 108)
» Under and over (♬) (p. 109)
» Open the door to three (♬) (p. 110)
» Watton Town's end (♬) (p. 111)
» The Twins (♬) (p. 112) » What you please (♬) (p. 113)
» Simple Simon (♬) (p. 114)
» Spring Garden (♬) (p. 115)
» Ginnie Pug (♬) (p. 116)
» Abergenie (♬) (p. 117)
» The Divels Dream (♬) (p. 118)
» Smiths Rant (♬) (p. 119)
» Lady in the Dark (♬) (p. 120)
» Black Nagg (♬) (p. 121)
» Gelding of the Devil (♬) (p. 122)
» The merry Conceit (♬) (p. 123)
» The New Exchange (♬) (p. 124) » The Duke of Lorain's March (♬) (p. 125)
» Lady Banbury's Horn Pipe (♬) (p. 126)
» Hunsdon House (♬) (p. 127)
» Chelsey Reach (♬) (p. 128)
» Althea (♬) (p. 129)
» The Gossips Frolick (♬) (p. 130)
» Oringes and Lemmons (♬) (p. 131)
» Sellengers Round (♬) (p. 132)

📜 [Anonymous]. (1667). The Boys Manuscript. Oxford Ms. (Swaine transcription) [Enge]

Country Dances

» A Health to Betty
» Punks Delight
» Margery Cree
» Cuckolds all a row [name only]
» Irish Trott
» Have att thy Coat old woman
» Amarillis
» Black Jacke
» What you please
» Devells Dreame
» Buffe Coat
» New Figarys
» The Frier & The Nun
» Richmond or ye Gunfleet
» New Exchange
» Cavililly Man
» Jack a Dandy
» Hunsdon House
» Dull Sr John

📖 John Playford (ed.). (1670). The Dancing Master [4th Edition]. London. (pdf) {imslp} [Enge]

Notes: Completely rearranged from the 3rd Edition (1665), with new dances added. The dances are reorganized by formation (round or longways) and number of dancers, although this organizational scheme is abandoned later in the volume. The IMSLP (and thus Library of Dance) copy is missing four pages (p. 77 to 80), but those dances can be found in the next few editions, which follow this one closely. There are two pages labeled p. 108, and no p. 120 (as a result of the doubled p. 108). There's also no pp. 82-83, but based on later editions, no dances appear to be missing, so this is also likely due to mispagination.

English Country Dances

» Sellengers Round, or The begining of the World (♬) (p. 1)
» Gelding of the Divel (♬) (p. 2)
» Open the door to three (♬) (p. 3)
» Rose is white and Rose is red (♬) (p. 4)
» Peppers black (♬) (p. 5)
» Mill-field (♬) (p. 6)
» Jenny pluck Pears (♬) (p. 7)
» If all the World were Paper (♬) (p. 8)
» Gathering Peascods (♬) (p. 9)
» The fine Companion (♬) (p. 10)
» Chirping of the Nightingale (♬) (p. 11)
» Kemps Jigge (♬) (p. 12)
» Kettle Drum (♬) (p. 13)
» Mage on a Tree (♬) (p. 14)
» Mundesse (♬) (p. 15)
» Newcastle (♬) (p. 16)
» Up Tales all (♬) (p. 17)
» Sage Leaf (♬) (p. 18)
» Argeres, or the Wedding Night (♬) (p. 19)
» Hearts-ease (♬) (p. 20)
» Parsons Farewel (♬) (p. 21)
» Saint Martain (♬) (p. 22)
» Lady in the Dark (♬) (p. 23)
» Althea (♬) (p. 24)
» All in a Garden Green (♬) (p. 25)
» Adsons Saraband (♬) (p. 26)
» Al la Mode d' France (♬) (p. 27)
» Ay me, or the Symphony (♬) (p. 28)
» Blew Cap for me (♬) (p. 29)
» The Begger Boy (♬) (p. 30)
» Broom: The bonny bonny Broom (♬) (p. 31)
» Confess, or the Court Lady (♬) (p. 32)
» Chirping of the Lark (♬) (p. 33)
» Cheerily and Merrily (♬) (p. 34)
» The Country Coll, or Sir Nicholas Cully (♬) (p. 35)
» Chestnut (or Doves Figary) (♬) (p. 36)
» Cuckolds all a Row (♬) (p. 37)
» Daphne, or the Shepherdess (♬) (p. 38)
» Drive the cold Winter away (♬) (p. 39)
» Dissembling Love, (or the lost Heart) (♬) (p. 40)
» Dargason, or the Sedany (♬) (p. 41)
» The Friar and the Nun (♬) (p. 42)
» Grimstock (♬) (p. 43)
» Greenwood, or the Hunts man (♬) (p. 44)
» The Gun, or (The Valiant Captain) (♬) (p. 45)
» A Health to Betty (♬) (p. 46)
» Hit or Miss (♬) (p. 47)
» Have at thy Coat Old Woman (♬) (p. 48)
» An Old man a bed full of bones (♬) (p. 49)
» The Boat-Man (♬) (p. 50)
» Bobbing Joe (♬) (p. 51)
» The Bath (♬) (p. 52)
» Black Nagg (♬) (p. 53)
» Cast a Bell (♬) (p. 54)
» Goddesses (♬) (p. 55)
» Grayes-Inn Mask, or (Mad Tom) (♬) (p. 56)
» Half Hannykin (♬) (p. 57)
» The Healths, or (The merry Wasel) (♬) (p. 58)
» Hockley in the Hole (♬) (p. 59)
» Jog on my Honey (♬) (p. 60)
» The Irish Lady, or Anniseed-water-Robin (♬) (p. 61)
» Jack Pudding, or (Merry Andrew) (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Blew Breeches, or (I'le love no more) (♬) (p. 64)
» Lady Spellor (♬) (p. 65)
» Lord of Carnavan's Jigg (♬) (p. 66)
» The Hemp-Dresser, or The London Maid (♬) (p. 67)
» Lady lye near me (♬) (p. 68)
» Lavena, or (The Passionate Lover) (♬) (p. 69)
» Millisons Jigg (♬) (p. 70)
» The merry merry Milk maids (♬) (p. 71)
» The Maid peept put at the Window, or (The Frier in the Well) (♬) (p. 72)
» Maiden Lane (♬) (p. 73)
» The Milk Maids Bob (♬) (p. 74)
» The Night piece, or (The shaking of the Sheets) (♬) (p. 75)
» Durham Stable, or (The New Exchange) (♬) (p. 76)
» The Old Mole [missing] (♬) (p. 77)
» The New Bo Peep, or Pickadilla [missing] (♬) (p. 78)
» Maiden Fair [missing] (♬) (p. 79)
» Picking of Sticks [missing] (♬) (p. 80)
» Pauls Steeple (♬) (p. "79" [handwritten])
» Petticoat wag, or (The Taylors Daughter) (♬) (p. 80)
» The Shepherds Daughter (♬) (p. 81)
[no pp. 82-83, but no dances appear to be missing]
» Stingo, or the Oyl of Barley (♬) (p. 84)
» The Glory of the West (♬) (p. 85)
» New new Nothing (♬) (p. 86)
» The Maid in the Moon (♬) (p. 87)
» Putney Ferry (♬) (p. 88)
» Epping Forest (♬) (p. 89)
» Put on thy Smock a Munday (♬) (p. 90)
» Oken Leaves (♬) (p. 91)
» Catching of Quailes (♬) (p. 92)
» Thomas you Cannot (♬) (p. 93)
» Sweet Kate (♬) (p. 94)
» Mall Peatly (♬) (p. 95)
» Blew Petticoats or Green Garters (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Scotch Capp, or Edenborough Castle (♬) (p. 98)
» Souldiers Life (♬) (p. 99)
» Green Goose-Fair, or Solomons Jigg (♬) (p. 100)
» The Spanish Jepsie (♬) (p. 101)
» The Saraband (♬) (p. 102)
» Skellamefago, or Don Pedro (♬) (p. 103)
» Trenchmore (♬) (p. 104)
» Shepherds Holiday, or Labour in Vain (♬) (p. 105)
» Row well ye Mariners (♬) (p. 106)
» The Garland, or a Summers day (♬) (p. 107)
» Under and over (♬) (p. 108)
» The Lord Chamberlins Delight (♬) (p. 108 [#2])
» The Lady Murrys Delight (♬) (p. 109)
» Pegasus, or the Flying-Horse (♬) (p. 110)
» Catching of Fleas (♬) (p. 111)
» The Phenix (♬) (p. 112)
» Saturday night and Sunday morning (♬) (p. 113)
» The Whish (♬) (p. 114)
» Woddycock, or the Green man (♬) (p. 115)
» What you Please (♬) (p. 116)
» The Twins (♬) (p. 117)
» Watton Town's end (♬) (p. 118)
» Spring Garden (♬) (p. 119)
[no p. 120 due to mispagination of p. 108]
» Abergenie (♬) (p. 121)
» Ginnie Pug, or Strawberries and Cream (♬) (p. 122)
» Simple Simon, or Huddle-duddle (♬) (p. 123)
» The New Conceit, (or the Sparaguss Garden) (♬) (p. 124) » The New Royal Exchange (♬) (p. 125)
» Prince Ruperts March (♬) (p. 126)
» The Duke of Lorain's March (♬) (p. 127)
» The Cuckow, or Smiths Rant (♬) (p. 128)
» The Slip (♬) (p. 129)
» Tom Tinker (♬) (p. 130)
» The Gossips Frolick (♬) (p. 131)
» The Divels Dream (♬) (p. 132)
» The Puncks Delight (The new way) (♬) (p. 133)
» My Lady Cullen (♬) (p. 134)
» Lady Banbury's Horn-Pipe (♬) (p. 135)
» The Whirligig (♬) (p. 136)
» Amarillis (♬) (p. 137)
» Black Jack (♬) (p. 138)
» The New Vegarie (♬) (p. 139)
» Cavy Lillyman (♬) (p. 140)
» Wallingford-House (♬) (p. 141)
» Jameko (♬) (p. 142)
» The Mulbury-Garden (♬) (p. 143)
» Singletons Slip (♬) (p. 144)
» Motsons Jigg (♬) (p. 145)
» Northern Nancy (♬) (p. 146)
» The Irish Trot (♬) (p. 147)
» Lulle me beyond thee (♬) (p. 148)
» Buff-coat (♬) (p. 149)
» Ten Pound Lass (♬) (p. 150)
» Buckingham-House, or Chelsey-Reach (♬) (p. 151)
» Parthenia, or Fain I would (♬) (p. 152)
» Hunsdon House (♬) (p. 153)
» Dull Sir John (♬) (p. 154)
» Oranges and Lemons (♬) (p. 155)

📜 [Anonymous]. (c. 1670). The Lansdowne Manuscript. London Ms. (pdf) (Swaine transcription) [Enge]

Country Dances

» [Dance 1] (p. 1)
» [Dance 2] (p. 2)
» [Dance 3] (p. 3)
» [Dance 4] (p. 4)

📖 John Playford (ed.). (1675). The Dancing Master [5th Edition]. London. (pdf) {imslp} [Enge]

Note: Closely follows the 4th Edition (1670), but adds several dances at the end. The mispagination present in the 4th Edition remains.

English Country Dances

» Sellengers Round, or The beginning of the World (♬) (p. 1)
» Gelding of the Devil (♬) (p. 2)
» Open the Door to three (♬) (p. 3)
» Rose is white and Rose is red (♬) (p. 4)
» Peppers black (♬) (p. 5)
» Mill-field (♬) (p. 6)
» Jenny pluck Pears (♬) (p. 7)
» If all the World were Paper (♬) (p. 8)
» Gathering Peascods (♬) (p. 9)
» The Fine Companion (♬) (p. 10)
» Chirping of the Nightingale (♬) (p. 11)
» Kemps Jigg (♬) (p. 12)
» Kettle Drum (♬) (p. 13)
» Mage on a Tree (♬) (p. 14)
» Mundesse (♬) (p. 15)
» New-Castle (♬) (p. 16)
» Up Tales all (♬) (p. 17)
» Sage-Leaf (♬) (p. 18)
» Argeres, or the Wedding Night (♬) (p. 19)
» Hearts-ease (♬) (p. 20)
» Parsons Farewel (♬) (p. 21)
» Saint Martain (♬) (p. 22)
» Lady in the Dark (♬) (p. 23)
» Althea (♬) (p. 24)
» All in a Garden Green (♬) (p. 25)
» Adsons Saraband (♬) (p. 26)
» Al la Mode d' France (♬) (p. 27)
» Ay me, or the Symphony (♬) (p. 28)
» Blew Cap for me (♬) (p. 29)
» The Begger Boy (♬) (p. 30)
» Broom: The bonny bonny Broom (♬) (p. 31)
» Confess, or the Court Lady (♬) (p. 32)
» Chirping of the Lark (♬) (p. 33)
» Cherily and Merrily (♬) (p. 34)
» The Country Coll, or Sir Nicholas Cully (♬) (p. 35)
» Chestnut (or Doves Figary) (♬) (p. 36)
» Cuckolds all a Row (♬) (p. 37)
» Daphne, or the Shepherdess (♬) (p. 38)
» Drive the cold Winter away (♬) (p. 39)
» Dissembling Love, (or the lost Heart) (♬) (p. 40)
» Dargason, or the Sedany (♬) (p. 41)
» The Fryar and the Nun (♬) (p. 42)
» Grimstock (♬) (p. 43)
» Greenwood, or the Hunts-man (♬) (p. 44)
» The Gun, or (The Valiant Captain) (♬) (p. 45)
» A Health to Betty (♬) (p. 46)
» Hit or Miss (♬) (p. 47)
» Have at thy Coat old Woman (♬) (p. 48)
» An Old man a Bed full of Bones (♬) (p. 49)
» The Boat-Man (♬) (p. 50)
» Bobbing Joe (♬) (p. 51)
» The Bath (♬) (p. 52)
» Black Nagg (♬) (p. 53)
» Cast a Bell (♬) (p. 54)
» Goddesses (♬) (p. 55)
» Grayes-Inn Mask, or (Mad Tom) (♬) (p. 56)
» Half Hannykin (♬) (p. 57)
» The Healths, or The merry Wasel (♬) (p. 58)
» Hockley in the Hole (♬) (p. 59)
» Jog on my Honey (♬) (p. 60)
» The Irish Lady, or Anniseed-water-Robin (♬) (p. 61)
» Jack Pudding, or (Merry Andrew) (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Blew Breeches, or (I'le love no more) (♬) (p. 64)
» Lady Spellor (♬) (p. 65)
» Lord of Carnavan's Jigg (♬) (p. 66)
» The Hemp-dresser, or the London Maid (♬) (p. 67)
» Lady lye near me (♬) (p. 68)
» Lavena, or (The Passionate Lover) (♬) (p. 69)
» Millisons Jigg (♬) (p. 70)
» The Merry merry Milk-maids (♬) (p. 71)
» The Maid peept out of the Window, or (The Fryer in the Well) (♬) (p. 72)
» Maiden-Lane (♬) (p. 73)
» The Milk-Maids Bob (♬) (p. 74)
» The Night piece, or (The shaking of the Sheets) (♬) (p. 75)
» Durham Stable, or (The New Exchange) (♬) (p. 76)
» The Old Mole (♬) (p. 77)
» The New Bo Peep, or (Pickadilla) (♬) (p. 78)
» Maiden Fair (♬) (p. 79)
» Picking of sticks (♬) (p. 80)
» Pauls Steeple (♬) (p. 81)
» Petticoat wag, or (The Taylors Daughter) (♬) (p. 82)
» The Shepherds Daughter (♬) (p. 83)
» Stingo, or the (Oyl of Barley) (♬) (p. 84)
» The Glory of the West (♬) (p. 85)
» New new Nothing (♬) (p. 86)
» The Maid in the Moon (♬) (p. 87)
» Putney Ferry (♬) (p. 88)
» Epping-Forest (♬) (p. 89)
» Put on they Smock a Monday (♬) (p. 90)
» Oaken Leaves (♬) (p. 91)
» Catching of Quails (♬) (p. 92)
» Thomas you cannot (♬) (p. 93)
» Sweet Kate (♬) (p. 94)
» Mall Peatly (♬) (p. 95)
» Blew Petticoats, or Green Garters (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Scotch Capp, or Edenborough Castle (♬) (p. 98)
» Souldiers Life (♬) (p. 99)
» Green-Goose-Fair, or Solomons Jigg (♬) (p. 100)
» The Spanish Jepsie (♬) (p. 101)
» The Saraband (♬) (p. 102)
» Skellamefago, or Don Pedro (♬) (p. 103)
» Trenchmore (♬) (p. 104)
» Shepherds Holiday, or Labour in Vain (♬) (p. 105)
» Row well ye Marriners (♬) (p. 106)
» The Garland, or a Summers day (♬) (p. 107)
» Under and over (♬) (p. 108)
» The Lord Chamberlins delight (♬) (p. 108 [#2])
» The Lady Murrys Delight (♬) (p. 109)
» Pegasus, or the Flying-Horse (♬) (p. 110)
» Catching of Fleas (♬) (p. 111)
» The Phenix (♬) (p. 112)
» Saturday night and Sunday morning (♬) (p. 113)
» The Whish (♬) (p. 114)
» Woddycock, or the Green-man (♬) (p. 115)
» What you Please (♬) (p. 116)
» The Twins (♬) (p. 117)
» Watton Town's end (♬) (p. 118)
» Spring Garden (♬) (p. 119)
[no p. 120 due to mispagination of p. 108]
» Abergenie (♬) (p. 121)
» Ginnie Pug, or Strawberries and Cream (♬) (p. 122)
» Simple Simon, or Huddle-duddle (♬) (p. 123)
» The New Conceit, (or the Sparaguss Garden) (♬) (p. 124) » The New Royal Exchange (♬) (p. 125)
» Prince Ruperts March (♬) (p. 126)
» The Duke of Lorain's March (♬) (p. 127)
» The Cuckow, or Smiths Rant (♬) (p. 128)
» The Slip (♬) (p. 129)
» Tom Tinker (♬) (p. 130)
» The Gossips Frolick (♬) (p. 131)
» The Devils Dream (♬) (p. 132)
» The Puncks Delight (The new way) (♬) (p. 133)
» My Lady Cullen (♬) (p. 134)
» Lady Banbury's Horn-Pipe (♬) (p. 135)
» The Whirligig (♬) (p. 136)
» Amarillis (♬) (p. 137)
» Black Jack (♬) (p. 138)
» The New Vagarie (♬) (p. 139)
» Cavy Lillyman (♬) (p. 140)
» Wallingford-House (♬) (p. 141)
» Jameko (♬) (p. 142)
» The Mulberry Garden (♬) (p. 143)
» Singletons Slip (♬) (p. 144)
» Motsons Jigg (♬) (p. 145)
» Northern Nancy (♬) (p. 146)
» The Irish Trot (♬) (p. 147)
» Lulle me beyond thee (♬) (p. 148)
» Buff-Coat (♬) (p. 149)
» Ten Pound Lass (♬) (p. 150)
» Buckingham-House, or Chelsey-reach (♬) (p. 151)
» Parthenia, or Fain I would (♬) (p. 152)
» Hunsdon-House (♬) (p. 153)
» Dull Sir John (♬) (p. 154)
» Oranges and Limons (♬) (p. 155)
» Green Stockens (♬) (p. 156)
» The Witches (♬) (p. 157)
» White-Hall (♬) (p. 158)
» The Opera (♬) (p. 159)
» New Market (♬) (p. 160)

📖 John Playford (ed.). (1679). The Dancing Master [6th Edition]. London. (pdf) {imslp} [Enge]

Notes: There's a second p. 108, which causes there to be no p. 120. Someone later renumbered the supplement pages, so both the original number and later number are provided. There's an extra dance description with no music on the top of supplement p. 21, which Robert Keller previously identified as "Never love thee more."

English Country Dances

» Sellenger's Round, or The beginning of the World (♬) (p. 1)
» Gelding of the Devil (♬) (p. 2)
» Open the Door to three (♬) (p. 3)
» Rose is white and Rose is red (♬) (p. 4)
» Peppers black (♬) (p. 5)
» Mill-field (♬) (p. 6)
» Jenny pluck Pears (♬) (p. 7)
» If all the World were Paper (♬) (p. 8)
» Gathering Peascods (♬) (p. 9)
» The Fine Companion (♬) (p. 10)
» Chirping of the Nightingale (♬) (p. 11)
» Kemps Jigg (♬) (p. 12)
» Kettle Drum (♬) (p. 13)
» Mage on a Tree (♬) (p. 14)
» Mundesse (♬) (p. 15)
» New-Castle (♬) (p. 16)
» Up Tails all (♬) (p. 17)
» Sage-Leaf (♬) (p. 18)
» Argeres, or the Wedding Night (♬) (p. 19)
» Hearts-ease (♬) (p. 20)
» Parsons Farewel (♬) (p. 21)
» Saint Martain (♬) (p. 22)
» Lady in the Dark (♬) (p. 23)
» Althea (♬) (p. 24)
» All in a Garden Green (♬) (p. 25)
» Adsons Saraband (♬) (p. 26)
» Al la Mode d'France (♬) (p. 27)
» Ay me, or the Symphony (♬) (p. 28)
» Blew Cap for me (♬) (p. 29)
» The Begger-Boy (♬) (p. 30)
» Broom: The bonny bonny Broom (♬) (p. 31)
» Confess, or the Court Lady (♬) (p. 32)
» Chirping of the Lark (♬) (p. 33)
» Cherily and Merrily (♬) (p. 34)
» The Country Coll, or Sir Nicholas Cully (♬) (p. 35)
» Chestnut (or Doves Figary) (♬) (p. 36)
» Cuckolds all a Row (♬) (p. 37)
» Daphne, or the Shepherdess (♬) (p. 38)
» Drive the cold Winter away (♬) (p. 39)
» Dissembling love, (or the lost Heart) (♬) (p. 40)
» Dargason, or The Sedany (♬) (p. 41)
» The Fryer and the Nun (♬) (p. 42)
» Grimstock (♬) (p. 43)
» Greenwood, or The Hunts-man (♬) (p. 44)
» The Gun, or The Valiant Captain (♬) (p. 45)
» A Health to Betty (♬) (p. 46)
» Hit or Miss (♬) (p. 47)
» Have at thy Coat old Woman (♬) (p. 48)
» An Old Man a Bed full of Bones (♬) (p. 49)
» The Boat-man (♬) (p. 50)
» Bobbing Joe (♬) (p. 49/51)
» The Bath (♬) (p. 52)
» Black Nagg (♬) (p. 53)
» Cast a Bell (♬) (p. 54)
» Goddesses (♬) (p. 56/55)
» Grayes-Inn Mask, or (Mad Tom) (♬) (p. 56)
» Half Hannykin (♬) (p. 57)
» The Healths, or The merry Wasel (♬) (p. 58)
» Hockley in the Hole (♬) (p. 59)
» Jog on my Honey (♬) (p. 60)
» The Irish Lady, or Anniseed-water-Robin (♬) (p. 61)
» Jack Pudding, or (Merry Andrew) (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Blew Breeches, or (I'le love no more) (♬) (p. 64)
» Lady Spellor (♬) (p. 65)
» Lord of Carnarvan's Jigg (♬) (p. 66)
» The Hemp-dresser, or the London Maid (♬) (p. 67)
» Lady lye near me (♬) (p. 68)
» Lavena, or (The Passionate Lovers) (♬) (p. 69)
» Millisons Jigg (♬) (p. 70)
» The Merry merry Milk-maids (♬) (p. 71)
» The Maid peept out of the Window, or (The Frier in the Well) (♬) (p. 72)
» Maiden-Lane (♬) (p. 73)
» The Milk-maids Bob (♬) (p. 74)
» The Night-piece, or (The shaking of the Sheets) (♬) (p. 75)
» Durham Stable, or (The New Exchange) (♬) (p. 76)
» The Old Mole (♬) (p. 77)
» The New Bo-peep, or (Pickadilla) (♬) (p. 78)
» Maiden-Fair (♬) (p. 79)
» Picking of Sticks (♬) (p. 80)
» Pauls Steeple (♬) (p. 81)
» Petticoat wag, or (The Taylors Daughter) (♬) (p. 82)
» The Shepherds Daughter (♬) (p. 83)
» Stingo, or (The Oyl of Barley) (♬) (p. 84)
» The Glory of the West (♬) (p. 85)
» New new Nothing (♬) (p. 86)
» The Maid in the Moon (♬) (p. 87)
» Putney Ferry (♬) (p. 88)
» Epping-Forrest (♬) (p. 89)
» Put on thy Smock a Monday (♬) (p. 90)
» Oaken Leaves (♬) (p. 91)
» Catching of Quails (♬) (p. 92)
» Thomas you cannot (♬) (p. 93)
» Sweet Kate (♬) (p. 94)
» Mall Peatley (♬) (p. 95)
» Blew Petticoats, or Green Garters (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Scotch Cap, or Edenborough Castle (♬) (p. 98)
» Souldiers Life (♬) (p. 99)
» Green-Goose-Fair, or Solomons Jigg (♬) (p. 100)
» The Spanish Gypsie (♬) (p. 101)
» The Saraband (♬) (p. 102)
» Skellamefago, or Don Pedro (♬) (p. 103)
» Trenchmore (♬) (p. 104)
» Shepherd's Holiday, or Labour in vain (♬) (p. 105)
» Row well ye Mariners (♬) (p. 106)
» The Garland, or A Summers day (♬) (p. 107)
» Under and Over (♬) (p. 108)
» The Lord Chamberlains Delight (♬) (p. 108 [#2])
» The Lady Murrys Delight (♬) (p. 109)
» Pegasus, or The Flying-Horse (♬) (p. 110)
» Catching of Fleas (♬) (p. 111)
» The Phenix (♬) (p. 112)
» Saturday night, and Sunday morning (♬) (p. 113)
» The Whish (♬) (p. 114)
» Woodycock, or The Green man (♬) (p. 115)
» What you please (♬) (p. 116)
» The Twins (♬) (p. 117)
» Watton Towns end (♬) (p. 118)
» Spring Garden (♬) (p. 119)
[no p. 120 due to mispagination of p. 108]
» Abergenie (♬) (p. 121 )
» Ginnie Pug, or Strawberries and Cream (♬) (p. 122)
» Simple Simon, or Huddle-duddle (♬) (p. 123)
» The New Conceit, (or the Sparaguss Garden) (♬) (p. 124)
» The New Royal Exchange (♬) (p. 125)
» Prince Rupert's March (♬) (p. 126)
» The Duke of Lorain's March (♬) (p. 127)
» The Cuckow, or Smiths Rant (♬) (p. 128)
» The Slip (♬) (p. 129)
» Tom Tinker (♬) (p. 130)
» The Gossips Frolick (♬) (p. 131)
» The Devil's Dream (♬) (p. 132)
» The Puncks Delight (The new way) (♬) (p. 133)
» My Lady Cullen (♬) (p. 134)
» The Lady Banburies Horn-pipe (♬) (p. 135)
» The Whirligig (♬) (p. 136)
» Amarillis (♬) (p. 137)
» Black Jack (♬) (p. 138)
» The New Vagary (♬) (p. 139)
» Cavy Lillyman (♬) (p. 140)
» Wallingford-House (♬) (p. 141)
» Jamaico (♬) (p. 142)
» The Mulberry Garden (♬) (p. 143)
» Singleton's Slip (♬) (p. 144)
» Motsons Jigg (♬) (p. 145)
» Northern Nancy (♬) (p. 146)
» The Irish Trot (♬) (p. 147)
» Lulle me beyond thee (♬) (p. 148)
» Buff-Coat (♬) (p. 149)
» Ten Pound Lass (♬) (p. 150)
» Buckingham-House, or Chelsey-reach (♬) (p. 151)
» Parthenia, or Fain I would (♬) (p. 152)
» Hunsdon-House (♬) (p. 153)
» Dull Sir John (♬) (p. 154)
» Oranges and Limons (♬) (p. 155)
» Green Stockens (♬) (p. 156)
» The Witches (♬) (p. 157)
» White-Hall (♬) (p. 158)
» The Opera (♬) (p. 159)
» New Market (♬) (p. 160)
» The King's Jigg (♬) (p. S1, "161")
» The Ladies Delight (♬) (p. S2, 162")
» The Duke of York's Delight (♬) (p. S3, 163")
» Mr. Staging's Jigg (♬) (p. S4, 164")
» No-Body's Jigg (♬) (p. S5, 165")
» The Cobbler's Jigg (♬) (p. S6, 166")
» Parsons upon Dorothy (♬) (p. S7, "167")
» Under the Green-Wood Tree (♬) (p. S8, "168")
» Sawney and Jockey (♬) (p. S9, "169")
» Dragoons March (♬) (p. S10, "170")
» Well-Hall (♬) (p. S11, "171")
» Valentine's Day (♬) (p. S12, "172")
» The Bore, or Sweet William (♬) (p. S13, "173")
» Hedge-Lane (♬) (p. S14, "174")
» Bouzer Castle (♬) (p. S15, "175")
» Bore la Bass (♬) (p. S16, "176")
» Christchurch Bells (♬) (p. S17, "177")
» The Mermaid (♬) (p. S18, "178")
» Hey-Boys Up Go We (♬) (p. S19, "179")
» Smith's New Rant (♬) (p. S20, "180")
» [Never love thee more] (p. S21, "181")
» Jack's Health (♬) (p. S22, "181")
» Old Simon the King (♬) (p. S23, "182")

📜 [Anonymous]. (c. 1679). The Sloane Manuscript. London Ms. (pdf) (Swaine transcription) [Enge]

Country Dances

» Bobbing Joe (p. 1)
» The Marriners (p. 1)
» Amy (p. 2)
» Parsons Farewell (p. 2)
» The Boone Companion (p. 3)
» Sollibrand (p. 3)
» Abergany [just says "Lead up"] (p. 4)
» Ladie Duchesse (p. 5)
» Jog On (p. 6)
» Sheppheards Holi (p. 6)
» Jack Pudding (p. 8)

📜 Juan Antonio Jaque. (1680). Libro de Danzar de Don Baltasar de Rojas Pantoja [a.k.a. The Jaque Manuscript]. Madrid Ms. (pdf) (Subirá transcription) {BNE} [Enge]

Note: An important late 17th-century Spanish dance manuscript preserving choreographies and dance instruction from the Spanish court tradition. Each spread has a single page number in the upper right corner of the right page.

Dances

» Pabana (p. 2)
      › La Entrada (p. 2)
      › Primera Mudanza (p. 2)
      › Segunda Mudanza (p. 3)
      › Tercera Mudanza (p. 3)
      › Quarta Mudanza (p. 4)
      › Quinta Mudanza (p. 4)
      › Sexta Mudanza (p. 5)
      › Séptima Mudanza (p. 6)
      › Octava Mudanza (p. 6)
» Gallarda (p. 7)
      › La Entrada (p. 7)
» Jácara (p. 11)
» Foliado [Folias in later handwriting] (p. 13)
      › La Entrada (p. 13)
      › Primera Mudanza (p. 13)
      › Segunda Mudanza (p. 14)
      › Tercera Mudanza (p. 15)
      › Quarta Mudanza (p. 15)
» Villano (p. 17)
      › La Entrada (p. 17)
      › Primera Mudanza (p. 17)
      › Segunda Mudanza (p. 18)
      › Tercera Mudanza (p. 19)
» Las Paradetas (p. 20)
      › La Entrada (p. 20)

📜 André Lorin. (c. 1680). Livre de Contredanse Présenté au Roi. Paris Ms. (pdf) {BNF} [Enge]

Note: The earliest known French manuscript devoted entirely to contredanses. Pagination is odd, so page numbers are for the pdf. Several pages in the BNF version have been doubled or tripled, which has been corrected in the LOD version.

Contredanses

» Contredance pour Sa Majesté; Christ church bells; Les cloches de L'Egliese de Jesu Christ (♬) (p. 20)
» Contredance pour Monseigneur; White-hall; Salle blanche; ou le Louvre (♬) (p. 22)
» Contredance Nouvelle pour Madame la Dauphine (♬) (p. 24)
» Contredance pour Monseigneur Le Duc de Bourgogne; menuet Anglais (♬) (p. 32)
» Contredance pour Monsieur; Valentines Day; Le Jour de Saint Valentin (♬) (p. 34)
» Contredance Nouvelle pour Madame ou pour Mademoiselle (♬) (p. 36)
» Contredance pour Monsieur le Duc de Chartre; The new bath; Le bain neuf (♬) (p. 38)
» Contredance pour Monsieur et Madame La Duchesse; Winsdort Castle; Le Chateau de Winsdort (♬) (p. 40)
» Contredance pour Madame La Princesse de Conty; Cupid garden; Le Jardin de Cupidon (♬) (p. 42)
» Contredance pour Madame de Maintenon; Excuse my; Excusez moy (♬) (p. 44)
» Contredance pour Monsieur Le Marechal d'Humieres; Irish tege; Double Irlandois (♬) (p. 46)
» Contredance pour Mademoiselle de Pienne; Wienna; Vienne (♬) (p. 48)
» Contredance pour Monsieur et Madame de Chatillon; Hedge Lane; La Ruelle (♬) (p. 50)

📜 [Anonymous]. (c. 1685). A Coppy of the Old Measures in þe Inner Temple. London Ms. (pdf) (Filimonov transcription) {Archive} [Enge]

Notes: An anonymous later-17th century manuscript describing the Old Measures. Includes some notes on dance program order on p. 7. Page numbers are for the pdf.

Measures

» Quadrian Pavin (p. 5)
» Treky Lorny (p. 5)
» Earle of Essex Measure (p. 5)
» Tentarnayle (p. 5)
» The Old Almane round measure (The old Almayne) (p. 5)
» The Queens Almayne a round measure (p. 6)
» Sissilea Almayne (p. 6)
» The Black Amaine (p. 6)

📖 John Playford (ed.). (1686). The Dancing Master [7th Edition]. London. (pdf) {imslp} [Enge]

Notes: This copy includes two out of the three "Additional Sheets" (#2 and #3) that were previously indexed by Robert Keller.

English Country Dances

» Sellenger's Round, or The beginning of the World (♬) (p. 1)
» Gelding of the Devil (♬) (p. 2)
» Open the Door to three (♬) (p. 3)
» Rose is white, and Rose is red (♬) (p. 4)
» Pepper's black (♬) (p. 5)
» Mill-Field (♬) (p. 6)
» Jenny pluck Pears (♬) (p. 7)
» If all the World were Paper (♬) (p. 8)
» Gathering Peascods (♬) (p. 9)
» The Fine Companion (♬) (p. 10)
» Chirping of the Nightingale (♬) (p. 11)
» Kemp's Jigg (♬) (p. 12)
» Kettle Drum (♬) (p. 13)
» Mage on a Tree (♬) (p. 14)
» Mundesse (♬) (p. 15)
» New-Castle (♬) (p. 16)
» Up Tails all (♬) (p. 17)
» Sage-Leaf (♬) (p. 18)
» Argiers, or The Wedding-night (♬) (p. 19)
» Heart's-ease (♬) (p. 20)
» Parson's Farewel (♬) (p. 21)
» Saint Martin (♬) (p. 22)
» Lady in the dark (♬) (p. 23)
» Althea (♬) (p. 24)
» All in a Garden Green (♬) (p. 25)
» Adson's Saraband (♬) (p. 26)
» Al la Mode d'France (♬) (p. 27)
» Ay me, or The Symphony (♬) (p. 28)
» Blue-Cap for me (♬) (p. 29)
» The Begger-Boy (♬) (p. 30)
» Broom: The bonny bonny Broom (♬) (p. 31)
» Confess, or the Court Lady (♬) (p. 32)
» Chirping of the Lark (♬) (p. 33)
» Cherily and Merrily (♬) (p. 34)
» The Country Coll, or Sir Nicholas Cully (♬) (p. 35)
» Chestnut (or Dove's Figary) (♬) (p. 36)
» Cuckolds all a Row (♬) (p. 37)
» Daphne, or The Shepherdess (♬) (p. 38)
» Drive the cold Winter away (♬) (p. 39)
» Dissembling Love, or The lost Heart (♬) (p. 40)
» Dargason, or The Sedany (♬) (p. 41)
» The Fryer and the Nun (♬) (p. 42)
» Grimstock (♬) (p. 43)
» Greenwood, or The Huntsman (♬) (p. 44)
» The Gun, or The Valiant Captain (♬) (p. 45)
» A Health to Betty (♬) (p. 46)
» Hit or miss (♬) (p. 47)
» Have at thy Coat old Woman (♬) (p. 48)
» An old Man is a Bed full of Bones (♬) (p. 49)
» The Boat-man (♬) (p. 50)
» Bobbing Joe (♬) (p. 51)
» The Bath (♬) (p. 52)
» Black Nag (♬) (p. 53)
» Cast a Bell (♬) (p. 54)
» Goddesses (♬) (p. 55)
» Gray's-Inn Mask, or Mad Tom (♬) (p. 56)
» Half Hannykin (♬) (p. 57)
» The Healths, or The merry Wasel (♬) (p. 58)
» Hockley in the Hole (♬) (p. 59)
» Jog on my Honey (♬) (p. 60)
» The Irish Lady, or Anniseed water-Robin (♬) (p. 61)
» Jack Pudding, or Merry Andrew (♬) (p. 62)
» Jack a Lent (♬) (p. 63)
» Blew Breeches, or I'le love no more (♬) (p. 64)
» Lady Spellor (♬) (p. 65)
» Lord of Carnarvan's Jigg (♬) (p. 66)
» The Hemp-dresser, or The London Maid (♬) (p. 67)
» Lady lye near me (♬) (p. 68)
» Lavena, or The Passionate Lovers (♬) (p. 69)
» Millison's Jigg (♬) (p. 70)
» The merry Milk-maids (♬) (p. 71)
» The Maid peep'd out of the Window, The Frier in the Well (♬) (p. 72)
» Maiden Lane (♬) (p. 73)
» The Milk-maid's Bob (♬) (p. 74)
» The Night-piece, or The shaking of the Sheets (♬) (p. 75)
» Durham Stable, or The New Exchange (♬) (p. 76)
» The Old Mole (♬) (p. 77)
» The New Bo-peep, or Pickadilla (♬) (p. 78)
» Maiden-Fair (♬) (p. 79)
» Picking of Sticks (♬) (p. 80)
» Paul's Steeple (♬) (p. 81)
» Petticoat wag, or The Taylor's Daughter (♬) (p. 82)
» The Shepherd's Daughter (♬) (p. 83)
» Stingo, or The Oyl of Barley (♬) (p. 84)
» The Glory of the West (♬) (p. 85)
» New new Nothing (♬) (p. 86)
» The Maid in the Moon (♬) (p. 87)
» Putney Ferry (♬) (p. 88)
» Epping Forrest (♬) (p. 89)
» Put on thy Smock a Monday (♬) (p. 90)
» Oaken Leaves (♬) (p. 91)
» Catching of Quails (♬) (p. 92)
» Paul's Steeple (♬) (p. 93)
» Sweet Kate (♬) (p. 94)
» Mall Peatley (♬) (p. 95)
» Blue Petticoats, or Green Garters (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Scotch Cap, or Edenborough Castle (♬) (p. 98)
» Souldier's Life (♬) (p. 99)
» Green Goose Fair, or Solomon's Jigg (♬) (p. 100)
» The Spanish Gypsie (♬) (p. 101)
» The Saraband (♬) (p. 102)
» Skellamefago, or Don Pedro (♬) (p. 103)
» Trenchmore (♬) (p. 104)
» Shepherd's Holiday, or Labour in vain (♬) (p. 105)
» Row well ye Mariners (♬) (p. 106)
» The Garland, or A Summers day (♬) (p. 107)
» Under and over (♬) (p. 108)
» The Lord Chamberlain's Delight (♬) (p. 109)
» The Lady Murray's Delight (♬) (p. 110)
» Pegasus, or The Flying-Horse (♬) (p. 111)
» Catching of Fleas (♬) (p. 112)
» The Phoenix (♬) (p. 113)
» Saturday night, and Sunday morning (♬) (p. 114)
» The Whish (♬) (p. 115)
» Woodycock, or The Green Man (♬) (p. 116)
» What you please (♬) (p. 117)
» The Twins (♬) (p. 118)
» Watton Town's end (♬) (p. 119)
» Spring-Garden (♬) (p. 120)
» Abergenny (♬) (p. 121)
» Ginnie Pug, or Strawberries and Cream (♬) (p. 122)
» Simple Simon, or Huddle-duddle (♬) (p. 123)
» The New Conceit, or The Asparagus Garden (♬) (p. 124)
» The New Royal Exchange (♬) (p. 125)
» Prince Rupert's March (♬) (p. 126)
» The Duke of Lorain's March (♬) (p. 127)
» The Cuckow, or Smith's Rant (♬) (p. 128)
» The Slip (♬) (p. 129)
» Tom Tinker (♬) (p. 130)
» The Gossips Frolick (♬) (p. 131)
» The Devil's Dream (♬) (p. 132)
» The Punk's Delight. (The new way) (♬) (p. 133)
» The Lady Cullen (♬) (p. 134)
» The Lady Banbury (♬) (p. 135)
» The Whirligig (♬) (p. 136)
» Amarillis (♬) (p. 137)
» Black Jack (♬) (p. 138)
» The New Vagary (♬) (p. 139)
» Cavy Lillyman (♬) (p. 140)
» Wallingford-House (♬) (p. 141)
» Jamaica (♬) (p. 142)
» The Mulberry Garden (♬) (p. 143)
» Singleton's Slip (♬) (p. 144)
» Motson's Jigg (♬) (p. 145)
» Northern Nancy (♬) (p. 146)
» The Irish Trot (♬) (p. 147)
» Lulle me beyond thee (♬) (p. 148)
» Buff-Coat (♬) (p. 149)
» Ten Pound Lass (♬) (p. 150)
» Buckingham-house, or Chelsey-reach (♬) (p. 151)
» Parthenia, or Fain I would (♬) (p. 152)
» Hunsdon-house (♬) (p. 153)
» Dull Sir John (♬) (p. 154)
» Oranges and Limons (♬) (p. 155)
» Green Stockings (♬) (p. 156)
» The Witches (♬) (p. 157)
» White-hall (♬) (p. 158)
» The Opera, or The Apes Dance (♬) (p. 159)
» Newmarket (♬) (p. 160)
» The King's Jigg (♬) (p. 161)
» The Ladies Delight (♬) (p. 162)
» The Duke of York's Delight (♬) (p. 163)
» Mr. Staggin's Jigg (♬) (p. 164)
» No-Body's Jigg (♬) (p. 165)
» The Cobler's Jigg (♬) (p. 166)
» Parsons upon Dorothy (♬) (p. 167)
» Under the Green-wood Tree (♬) (p. 168)
» Sawney and Jockey (♬) (p. 169)
» Dragoons March (♬) (p. 170)
» Well-hall (♬) (p. 171)
» Valentine's Day (♬) (p. 172)
» The Bore, or Sweet William (♬) (p. 173)
» Hedge-Lane (♬) (p. 174)
» Bouzer Castle (♬) (p. 175)
» Bore la Bass (♬) (p. 176)
» Christchurch Bells (♬) (p. 177)
» The Mermaid (♬) (p. 178)
» Hey-Boys up go we (♬) (p. 179)
» Smith's new Rant (♬) (p. 180)
» Young Jemmy (♬) (p. 181)
» Love lies a bleeding (♬) (p. 182)
» Never love thee more (♬) (p. 183)
» Jack's Health (♬) (p. 184)
» Old Simon the King (♬) (p. 185)
» Green-Sleeves and Pudding-Pies (♬) (p. 186)
» Sion-House (♬) (p. 187)
» Excuse Me (♬) (p. 188)
» The Rummer (♬) (p. 189)
» Miller's Jigg (♬) (p. 190)
» Westmorland (♬) (p. 191)
» Hap-hazard (♬) (p. 192)
» Country Abigail (♬) (p. 193)
» The new Bath (♬) (p. 194)
» Prince George (♬) (p. 195)
» The Granadeers March (♬) (p. 196)
» Arcadia (♬) (p. 197)
» Pall-Mall (♬) (p. 198)
» Johnny, cock thy Beaver (♬) (p. 199)
» Black and Gray (♬) (p. 200)
» Short's Garden (♬) (p. 201)
» Hey ho my Honey (♬) (p. 202)
» Vienna (♬) (p. 203)
» Wolverton-Hall (♬) (p. 204)
» The Fit's come on me now (♬) (p. 205)
» The Knot (♬) (p. 206)
» The 29th of May (♬) (p. 207)
» Joan Sanderson, or The Cushion Dance (♬) (p. 208)
» Painted Chamber (♬) (p. A1)
» Cupid's Garden (♬) (p. A2)
» Lady of Pleasure (♬) (p. A3)
» Holy-Rood day (♬) (p. A4)
» The Jockey (♬) (p. A5)
» The Garter (♬) (p. A6)
» The Mask (♬) (p. A7)
» The Maids Delight (♬) (p. A8)
» Bonny Dundee (♬) (p. A9)
» Jenny, come tye my Cravat (♬) (p. A10)
» Ladies of London (♬) (p. A11)
» Astrope Wells (♬) (p. A12)
» Maids Morris (♬) (p. B1)
» The Juice of Barly (♬) (p. B2)
» The Siege of Buda (♬) (p. B3)
» Rigadoon (♬) (p. B4)
» Bellamira (♬) (p. B5)
» Cold and Raw (♬) (p. B6)

📜 André Lorin. (c. 1688). Livre de Contredance du Roy Presenté a Sa Majesté. Paris. (pdf) {BNF} [Enge] [Powers]

Contredances

» Les Cloches ou Le Carillon (♬) (p. 35)

📖 Henry Playford (ed.). (1690). The Dancing Master [8th Edition]. London. (pdf) {imslp} [Enge]

Notes: Duplicated pages have been de-duplicated in the Library of Dance copy.

English Country Dances

» Sellenger's Round, or The beginning of the World (♬) (♬) (p. 1)
» Gelding of the Devil (♬) (p. 2)
» Open the Door to three (♬) (p. 3)
» Rose is white, and Rose is red (♬) (p. 4)
» Pepper's black (♬) (p. 5)
» Mill-Field (♬) (p. 6)
» Jenny pluck Pears (♬) (p. 7)
» If all the World were Paper (♬) (p. 8)
» Gathering Peascods (♬) (p. 9)
» The fine Companion (♬) (p. 10)
» Chirping of the Nightingale (♬) (p. 11)
» Kemp's Jigg (♬) (p. 12)
» Kettle Drum (♬) (p. 13)
» Madge on a Tree (♬) (p. 14)
» Newcastle (♬) (p. 15)
» Up Tails all (♬) (p. 16)
» Sage-Leaf (♬) (p. 17)
» Argiers, or The Wedding Night (♬) (p. 18)
» Heart's-ease (♬) (p. 19)
» Parson's Farewel (♬) (p. 20)
» Lady in the dark (♬) (p. 21)
» All in a Garden green (♬) (p. 22)
» Adson's Saraband (♬) (p. 23)
» A la mode de France (♬) (p. 24)
» Ay me, or The Symphony (♬) (p. 25)
» Blue-Cap for me (♬) (p. 26)
» The Beggar-boy (♬) (p. 27)
» Broom: The bonny bonny Broom (♬) (p. 28)
» Confess, or The Court Lady (♬) (p. 29)
» Chirping of the Lark (♬) (p. 30)
» Cherily and Merrily (♬) (p. 31)
» The Country Coll, or Sir Nicholas Cully (♬) (p. 32)
» Chestnut, or Dove's Figary (♬) (p. 33)
» Cuckolds all arow (♬) (p. 34)
» Daphne, or The Shepherdess (♬) (p. 35)
» Drive the cold Winter away (♬) (p. 36)
» Dissembling Love, or The lost Heart (♬) (p. 37)
» Dargason, or The Sedany (♬) (p. 38)
» The Fryer and the Nun (♬) (p. 39)
» Grimstock (♬) (p. 40)
» Stingo, or The Oyl of Barly (♬) (p. 41)
» The Maid in the Moon (♬) (p. 42)
» Putney Ferry (♬) (p. 43)
» Epping Forest (♬) (p. 44)
» Put on thy Smock a Monday (♬) (p. 45)
» Oaken Leaves (♬) (p. 46)
» Catching of Quails (♬) (p. 47)
» Buff-Coat (♬) (p. 48)
» Ten Pound Lass (♬) (p. 49)
» Hunsdon House (♬) (p. 50)
» Parthenia, or Fain I would (♬) (p. 51)
» Buckingham House, or Chelsea Reach (♬) (p. 52)
» Oranges and Limons (♬) (p. 53)
» Dull Sir John (♬) (p. 54)
» Green Stockings (♬) (p. 55)
» Greenwood, or The Huntsman (♬) (p. 56)
» A Health to Betty (♬) (p. 57)
» The Gun, or The Valiant Captain (♬) (p. 58)
» Hit or miss (♬) (p. 59)
» Have at thy Coat old Woman (♬) (p. 60)
» An old Man a Bed full of Bones (♬) (p. 61)
» The Boat-man (♬) (p. 62)
» Bobbing Joe (♬) (p. 63)
» The Bath (♬) (p. 64)
» Black Nag (♬) (p. 65)
» Cast a Bell (♬) (p. 66)
» Goddesses (♬) (p. 67)
» Gray's-Inn Mask, or Mad Tom (♬) (p. 68)
» Half Hannykin (♬) (p. 69)
» The Healths, or The merry Wassel (♬) (p. 70)
» Hockly in the Hole (♬) (p. 71)
» Jog on my Honey (♬) (p. 72)
» The Irish Lady, or Anniseed-water Robin (♬) (p. 73)
» Jack Pudding, or Merry Andrew (♬) (p. 74)
» Jack-a-Lent (♬) (p. 75)
» Blue Breeches, or I'le love no more (♬) (p. 76)
» Lady Spellor (♬) (p. 77)
» Lord of Carnarvan's Jigg (♬) (p. 78)
» The Hep dresser, or The London Maid (♬) (p. 79)
» Lady lye near me (♬) (p. 80)
» Millison's Jigg (♬) (p. 81)
» The Maid peep'd out of the Window, or The Fryer in the Well (♬) (p. 82)
» The merry Milk-maids (♬) (p. 83)
» Maiden-Lane (♬) (p. 84)
» The Milk-maid's Bob (♬) (p. 85)
» The Night-piece, or The shaking of the Sheets (♬) (p. 86)
» The new Bo-peep, or Pickadilly (♬) (p. 87)
» Maiden fair (♬) (p. 88)
» Picking of Sticks (♬) (p. 89)
» Paul's Steeple (♬) (p. 90)
» Petticoat wag, or The Taylor's Daughter (♬) (p. 91)
» The Shepherd's Daughter (♬) (p. 92)
» New new Nothing (♬) (p. 93)
» Sweet Kate (♬) (p. 94)
» Mall Peatley (♬) (p. 95)
» Blue Petticoats, or Green Garters (♬) (p. 96)
» Step Stately (♬) (p. 97)
» Scotch Cap, or Edinburgh Castle (♬) (p. 98)
» Soldier's Life (♬) (p. 99)
» Green-Goose Fair, or Solomon's Jigg (♬) (p. 100)
» Skellamefago, or Don Pedro (♬) (p. 101)
» The Spanish Gypsie (♬) (p. 102)
» Trenchmore (♬) (p. 103)
» Shepherd's Holiday, or Labour in vain (♬) (p. 104)
» Row well ye Mariners (♬) (p. 105)
» The Garland, or A Summers Day (♬) (p. 106)
» Under and over (♬) (p. 107)
» The Lord Chamberlain's Delight (♬) (p. 108)
» The Lady Murray's Delight (♬) (p. 109)
» Catching of Fleas (♬) (p. 110)
» The Phoenix (♬) (p. 111)
» Saturday Night and Sunday Morning (♬) (p. 112)
» The Whish (♬) (p. 113)
» Woodycock, or The Green Man (♬) (p. 114)
» What you please (♬) (p. 115)
» The Twins (♬) (p. 116)
» Watton Town's End (♬) (p. 117)
» Spring-Garden (♬) (p. 118)
» Abergenny (♬) (p. 119)
» Simple Simon, or Huddle-duddle (♬) (p. 120)
» The New Royal Exchange (♬) (p. 121)
» Prince Rupert's March (♬) (p. 122)
» The Duke of Lorrain's March (♬) (p. 123)
» The Cuckow, or Smith's Rant (♬) (p. 124)
» The Slip (♬) (p. 125)
» Tom Tinker (♬) (p. 126)
» The Gossips Frolick (♬) (p. 127)
» The Devil's Dream (♬) (p. 128)
» The Punk's Delight, (The new way) (♬) (p. 129)
» Lady Cullen (♬) (p. 130)
» Lady Banbury (♬) (p. 131)
» Amarillis (♬) (p. 132)
» Black Jack (♬) (p. 133)
» Cavylilly Man (♬) (p. 134)
» Wallingford House (♬) (p. 135)
» Jamaica (♬) (p. 136)
» Mulberry Garden (♬) (p. 137)
» Singleton's Slip (♬) (p. 138)
» Motson's Jigg (♬) (p. 139)
» Northern Nancy (♬) (p. 140)
» The Irish Trot (♬) (p. 141)
» Lull me beyond thee (♬) (p. 142)
» The Witches (♬) (p. 143)
» Whitehall (♬) (p. 144)
» The Opera, or The Apes Dance (♬) (p. 145)
» The King's Jigg (♬) (p. 146)
» Newmarket (♬) (p. 147)
» The Ladies delight (♬) (p. 148)
» The Duke of York's Delight (♬) (p. 149)
» Mr. Staggin's Jigg (♬) (p. 150)
» The Cobler's Jigg (♬) (p. 151)
» No-body's Jigg (♬) (p. 152)
» Parsons upon Dorothy (♬) (p. 153)
» Under the Greenwood Tree (♬) (p. 154)
» Sawney and Jockey (♬) (p. 155)
» Dragoons March (♬) (p. 156)
» Well-hall (♬) (p. 157)
» Valentine's Day (♬) (p. 158)
» The Bore, or Sweet William (♬) (p. 159)
» Hedge-Lane (♬) (p. 160)
» Bouzer Castle (♬) (p. 161)
» Bore la Bass (♬) (p. 162)
» Christchurch Bells (♬) (p. 163)
» The Mermaid (♬) (p. 164)
» Hey-Boys up go we (♬) (p. 165)
» Smith's new Rant (♬) (p. 166)
» Young Jemmy (♬) (p. 167)
» Love lies a bleeding (♬) (p. 168)
» Never love thee more (♬) (p. 169)
» Jack's Health (♬) (p. 170)
» Old Simon the King (♬) (p. 171)
» Green-Sleeves and Pudding Pyes (♬) (p. 172)
» Sion House (♬) (p. 173)
» Excuse Me (♬) (p. 174)
» The Rummer (♬) (p. 175)
» Miller's Jigg (♬) (p. 176)
» Westmerland (♬) (p. 177)
» Hap hazard (♬) (p. 178)
» Country Abigail (♬) (p. 179)
» The New Bath (♬) (p. 180)
» Prince George (♬) (p. 181)
» The Grendiers March (♬) (p. 182)
» Arcadia (♬) (p. 183)
» Pall-mall (♬) (p. 184)
» Johnny, cock thy Beaver (♬) (p. 185)
» Black and Grey (♬) (p. 186)
» Hey ho my Honey (♬) (p. 187)
» Short's Garden (♬) (p. 188)
» Vienna (♬) (p. 189)
» Wolverton-hall (♬) (p. 190)
» The Fit's come on me now (♬) (p. 191)
» The Knot (♬) (p. 192)
» The 29th of May (♬) (p. 193)
» Joan Sanderson, or The Cushion Dance (♬) (p. 194)
» Painted Chamber (♬) (p. 195)
» Cupid's Garden (♬) (p. 196)
» Lady of Pleasure (♬) (p. 197)
» Bonny Dundee (♬) (p. 198)
» Jenny, come tye my Cravat (♬) (p. 199)
» Holyrood-day (♬) (p. 200)
» The Jockey (♬) (p. 201)
» Ladies of London (♬) (p. 202)
» Astrope Wells (♬) (p. 203)
» The Garter (♬) (p. 294/204)
» The Maid's Delight (♬) (p. 205)
» Maids Morris (♬) (p. 206)
» Juice of Barly (♬) (p. 207)
» The Siege of Buda (♬) (p. 207)
» The Mask (♬) (p. 208)
» Bellamira (♬) (p. 209)
» Rigadoon (♬) (p. 210)
» Cold and Raw (♬) (p. 211)
» A Paspe (♬) (p. 212)
» Alchurch (♬) (p. 213)
» Welcom home old Rowley (♬) (p. 214)
» Pool's hole (♬) (p. 214)
» Essex Buildings (♬) (p. 215)
» Lilli Burlero (♬) (p. 216)
» The Emperor of the Moon (♬) (p. 217)
» A New Rigadoon (♬) (p. 218)
» Pretty Miss (♬) (p. 219)
» I often for my Jenny strove (♬) (p. 220)

📖 John Playford (ed.). (1695). The Dancing Master [9th Edition]. London. (pdf) {imslp} [Enge]

Notes: The Library of Dance copy has been cropped for ease of use.

English Country Dances

» Sage Leaf (♬) (p. 1)
» Open the Door to Three (♬) (p. 2)
» Mill-Field (♬) (p. 3)
» If all the World were Paper (♬) (p. 4)
» Madge on a Tree (♬) (p. 5)
» Catching of Quails (♬) (p. 6)
» Joan Sanderson, or The Cushion Dance (♬) (p. 7)
» Kemp's Jigg (♬) (p. 8)
» Hunsdon House (♬) (p. 9)
» Dull Sir John (♬) (p. 10)
» Step Stately (♬) (p. 11)
» Confess, or The Court Lady (♬) (p. 12)
» The Boat-man (♬) (p. 13)
» The Gallopping Nag (♬) (p. 14)
» Maiden-Lane (♬) (p. 15)
» Picking of Sticks (♬) (p. 16)
» Scotch Cap, or Edinburgh Castle (♬) (p. 17)
» Shepherd's Holiday, or Labour in vain (♬) (p. 18)
» Ten Pound Lass (♬) (p. 19)
» Cuckolds all arow (♬) (p. 20)
» Broom: The bonny, bonny Broom (♬) (p. 12/21)
» Green Stockings (♬) (p. 22)
» Hit or miss (♬) (p. 23)
» Gray's-Inn Mask, or Mad Tom (♬) (p. 24)
» Cherily and merrily (♬) (p. 25)
» Lord Carnarvan's Jigg (♬) (p. 26)
» The merry Milk-maids (♬) (p. 27)
» The Milk-maid's Bob (♬) (p. 28)
» Mall Peatley (♬) (p. 29)
» Green-Goose Fair, or Salomon's Jigg (♬) (p. 30)
» The Spanish Gypsie (♬) (p. 31)
» The Phoenix (♬) (p. 32)
» The Twins (♬) (p. 33)
» Spring Garden (♬) (p. 34)
» Abergenny (♬) (p. 35)
» Simple Simon, or Huddle-duddle (♬) (p. 36)
» Prince Rupert's March (♬) (p. 37)
» The New Royal-Exchange (♬) (p. 38)
» The 29th of May (♬) (p. 39)
» Buff-Coat (♬) (p. 40)
» An old Man a Bed full of Bones (♬) (p. 41)
» Cast a Bell (♬) (p. 42)
» St. Paul's Steeple (♬) (p. 43)
» Trenchmore (♬) (p. 44)
» Have at thy Coat, old Woman (♬) (p. 45)
» The Goddesses (♬) (p. 46)
» Blue Petticoats, or Green Garters (♬) (p. 47)
» A Soldier's Life (♬) (p. 48)
» Saturday Night, and Sunday Morning (♬) (p. 49)
» What you please (♬) (p. 50)
» Watton Town's End (♬) (p. 51)
» A la mode de France (♬) (p. 52)
» Drive the cold Winter away (♬) (p. 53)
» The Frier and the Nun (♬) (p. 54)
» An Health to Betty (♬) (p. 55)
» The Valiant Captain (♬) (p. 56)
» Bobbing Joe (♬) (p. 57)
» Hockley in the Hole (♬) (p. 58)
» Jogg on, my Honey (♬) (p. 59)
» The Hemp-dresser (♬) (p. 60)
» Piccadilly (♬) (p. 61)
» Maiden Fair (♬) (p. 62)
» The Taylor's Daughter (♬) (p. 63)
» Sweet Kate (♬) (p. 64)
» Row well, ye Mariners (♬) (p. 65)
» Under and Over (♬) (p. 66)
» Catching of Fleas (♬) (p. 67)
» Duke of Lorain's March (♬) (p. 68)
» The Slip (♬) (p. 69)
» Tom Tinker (♬) (p. 70)
» The Gossips Frolick (♬) (p. 71)
» The Devil's Dream (♬) (p. 72)
» The Punk's Delight, (The new way) (♬) (p. 73)
» Lady Cullen (♬) (p. 74)
» Amarillis (♬) (p. 75)
» Black Jack (♬) (p. 76)
» Cavylilly-Man (♬) (p. 77)
» Wallingford-House (♬) (p. 78)
» Jamaica (♬) (p. 79)
» Mulberry-Garden (♬) (p. 80)
» Singleton's Slip (♬) (p. 81)
» Motson's Jigg (♬) (p. 82)
» Northern Nancy (♬) (p. 83)
» The Irish Trot (♬) (p. 84)
» The Witches (♬) (p. 85)
» Whitehall (♬) (p. 86)
» The Opera, or The Ape's Dance (♬) (p. 87)
» The King's Jigg (♬) (p. 88)
» Newmarket (♬) (p. 89)
» Duke of York's Delight (♬) (p. 90)
» Mr. Staggin's Jigg (♬) (p. 91)
» The Cobler's Jigg (♬) (p. 92)
» No-body's Jigg (♬) (p. 93)
» Parsons upon Dorothy (♬) (p. 94)
» Under the Greenwood Tree (♬) (p. 95)
» Sawney was tall (♬) (p. 96)
» Westmerland (♬) (p. 97)
» Well-hall (♬) (p. 98)
» Valentine's-Day (♬) (p. 99)
» The Bore, or Sweet William (♬) (p. 100)
» Young Jemmy (♬) (p. 101)
» Bouzer-Castle (♬) (p. 102)
» Bore la Bass (♬) (p. 103)
» Christ-church Bells in Oxon (♬) (p. 104)
» The Mermaid (♬) (p. 105)
» Hey-boys, up go we (♬) (p. 106)
» Smith's Rant (♬) (p. 107)
» Hedge-Lane (♬) (p. 108)
» Love lies a bleeding (♬) (p. 109)
» Never love thee more (♬) (p. 110)
» Jack's Health (♬) (p. 111)
» Old Simon the King (♬) (p. 112)
» Green Sleeves, and Pudding-Pies (♬) (p. 113)
» Sion-House (♬) (p. 114)
» Excuse Me (♬) (p. 115)
» The Rummer (♬) (p. 116)
» Miller's Jigg (♬) (p. 117)
» Dragoons March (♬) (p. 118)
» Country Abigail (♬) (p. 119)
» The New Bath (♬) (p. 120)
» Hap-hazard (♬) (p. 121)
» Prince George (♬) (p. 122)
» The Granadiers March (♬) (p. 123)
» Arcadia (♬) (p. 124)
» Pell-mell (♬) (p. 125)
» Johnny, cock thy Beaver (♬) (p. 126)
» Black and Grey (♬) (p. 127)
» Hey ho, my Honey (♬) (p. 128)
» Short's Garden (♬) (p. 129)
» Vienna (♬) (p. 130)
» Wolverton-Hall (♬) (p. 131)
» The Fit's come on me now (♬) (p. 132)
» Lady of Pleasure (♬) (p. 133)
» Painted Chamber (♬) (p. 134)
» Cupid's Garden (♬) (p. 135)
» The Knot (♬) (p. 136)
» Bonny Dundee (♬) (p. 137)
» Jenny, come tye my Cravat (♬) (p. 138)
» Holyrood-Day (♬) (p. 139)
» The Jockey (♬) (p. 140)
» Ladies of London (♬) (p. 141)
» Astrope Wells (♬) (p. 142)
» The Garter (♬) (p. 143)
» The Maid's Delight (♬) (p. 144)
» Maids Morris (♬) (p. 145)
» Cold and Raw (♬) (p. 146)
» Siege of Buda (♬) (p. 147)
» The Mask (♬) (p. 148)
» Bellamira (♬) (p. 149)
» Rigadoon (♬) (p. 150)
» A Paspe (♬) (p. 151)
» Alchurch (♬) (p. 152)
» Welcom home old Rowley (♬) (p. 153)
» Pool's Hole (♬) (p. 154)
» Essex-Buildings (♬) (p. 155)
» Lilli Burlero (♬) (p. 156)
» Emperor of the Moon (♬) (p. 157)
» New Rigadoon (♬) (p. 158)
» Pretty Miss (♬) (p. 159)
» I often for my Jenny strove (♬) (p. 160)
» Kensington-Court (♬) (p. 161)
» Sancho-Pancho (♬) (p. 162)
» Whitney's Farewel (♬) (p. 163)
» Pye-corner (♬) (p. 164)
» Old Batchelor (♬) (p. 165)
» O Mother, Roger (♬) (p. 166)
» Roger of Coverly (♬) (p. 167)
» Of Noble Race was Shinkin (♬) (p. 168)
» Daniel Cowper (♬) (p. 169)
» The Whim (♬) (p. 170)
» Spanish Jigg (♬) (p. 171)
» Valiant Jockey (♬) (p. 172)
» Siege of Limerick (♬) (p. 173)
» Mr. Lane's Minuet (♬) (p. 174)
» The Maid's last Wish (♬) (p. 175)
» Duke of Luxemburgh's March (♬) (p. 176)
» Red-House (♬) (p. 177)
» Mr. Beveridge's Ground (♬) (p. 178)
» Betty's Magot (♬) (p. 179)
» Mr. Beveridge's Magot (♬) (p. 180)
» Pope Joan (♬) (p. 181)
» Jacob Hall's Jig (♬) (p. 182)
» Marriage-Hater (♬) (p. 183)
» Easter Tuesday (♬) (p. 184)
» Mad Robin (♬) (p. 185)
» Johnson's Jigg (♬) (p. 186)
» The last new Rigadoon (♬) (p. 187)
» Rockingham Castle (♬) (p. 188)
» The new Bore (♬) (p. 189)
» Tythe Pig (♬) (p. 190)
» Huntington's Magot (♬) (p. 191)
» Arundel-street (♬) (p. 192)
» Mr. Isaac's Magot (♬) (p. 193)
» Mr. Lane's Magot (♬) (p. 194)

📖 Henry Playford (ed.). (1696). The Second Part of the Dancing Master [1st Edition, Supplementing 9th Edition]. London. (pdf) {imslp} [Enge]

Notes: The Library of Dance copy has been cropped for ease of use. Robert Keller's prior index attributed 12 additional dances to this work (the next 12 in the second edition), but this particular copy clearly ends ("Finis") after The Geud Man of Ballangigh.

English Country Dances

» Man was for Woman made (♬) (p. 1)
» Mr. Lane's Trumpet-Minuet, to be danc'd with the Minuet step (♬) (p. 2)
» The Happy Marriage (♬) (p. 3)
» Black Bess (♬) (p. 4)
» St. Martin's Lane (♬) (p. 5)
» The more the merrier (♬) (p. 6)
» The Soldier and the Sailer (♬) (p. 7)
» Irish Boree (♬) (p. 8)
» Take not a Woman's Anger ill, For if one won't, another will (♬) (p. 9)
» Bishop of Chester's Jigg (♬) (p. 10)
» Wa is me, what mun I do! (♬) (p. 11)
» Epsom Wells (♬) (p. 12)
» Mr. Young's Delight (♬) (p. 13)
» The Happy Meeting (♬) (p. 14)
» Bury Fair (♬) (p. 15)
» Hobb's Wedding: A Kissing Dance in the Country Wake (♬) (p. 16)
» Mr. Eaglesfield's New Hornpipe (♬) (p. 17)
» The Purlongs (♬) (p. 18)
» The Cornish Squire (♬) (p. 19)
» Love for Love: Danc'd in the Play (♬) (p. 20)
» 'Twas within a Furlong of Edinborough Town (♬) (p. 21)
» The Happy Miller (♬) (p. 22)
» The Britains (♬) (p. 23)
» The Geud Man of Ballangigh; To a New Scotch Jigg (♬) (p. 24)

📖 Henry Playford (ed.). (1698). The Dancing Master [10th Edition]. London. (pdf) {imslp} [Enge]

Notes: Odd pagination. Follow handwritten corrections in the source. The Library of Dance copy has been cropped for ease of use, and duplicated pages (title page and pp. 209-210) have been de-deduplicated.

English Country Dances

» Sage-Leaf (♬) (p. 1)
» Open the Door to Three (♬) (p. 2)
» Mill-Field (♬) (p. 3)
» If all the World were Paper (♬) (p. 4)
» Madge on a Tree (♬) (p. 5)
» Catching of Quails (♬) (p. 6)
» Joan Sanderson, or The Cushion Dance (♬) (p. 7)
» Kemp's Jigg (♬) (p. 8)
» Hunsdon House (♬) (p. 9 / "10")
» Dull Sir John (♬) (p. 10)
» Step Stately (♬) (p. 11)
» Confess, or The Court Lady (♬) (p. 12)
» The Boat-man (♬) (p. 13)
» The Gallopping Nag (♬) (p. 14)
» Maiden-Lane (♬) (p. 15)
» Picking of Sticks (♬) (p. 16)
» Scotch Cap, or Edinburgh Castle (♬) (p. 17)
» Shepherd's Holiday, or Labour in vain (♬) (p. 18)
» Ten Pound Lass (♬) (p. 19)
» Cuckolds all arow (♬) (p. 20)
» Broom: The bonny, bonny Broom (♬) (p. 21)
» Green Stockings (♬) (p. 22)
» Hit or Miss (♬) (p. 23)
» Gray's-Inn Mask, or Mad Tom (♬) (p. 24)
» Cherily and Merrily (♬) (p. 25)
» Lard Carnarvan's Jigg (♬) (p. 26)
» The merry Milk-maids (♬) (p. 27)
» The Milk-maids Bob (♬) (p. 28)
» Mall Peatley (♬) (p. 29)
» Green-Goose Fair, or Salomon's Jigg (♬) (p. 30)
» The Spanish Gypsie (♬) (p. 31)
» The Phoenix (♬) (p. 32)
» The Twins (♬) (p. 33)
» Spring-Garden (♬) (p. 34)
» Abergenny (♬) (p. 35)
» Simple Simon, or Huddle-duddle (♬) (p. 36)
» Prince Rupert's March (♬) (p. 37)
» The New Royal-Exchange (♬) (p. 38)
» The 29th of May (♬) (p. 39)
» Buff-Coat (♬) (p. 40)
» An old Man a Bed full of Bones (♬) (p. 41)
» Cast a Bell (♬) (p. 42)
» St. Paul's Steeple (♬) (p. 43)
» Trenchmore (♬) (p. 44)
» Have at thy Coat, old Woman (♬) (p. 45)
» The Goddesses (♬) (p. 46)
» Blue Petticoats, or Green Garters (♬) (p. 47)
» A Soldier's Life (♬) (p. 48)
» Saturday Night, and Sunday Morning (♬) (p. 49)
» What you please (♬) (p. 50)
» Watton Town's End (♬) (p. 51)
» A la mode de France (♬) (p. 52)
» Drive the cold Winter away (♬) (p. 53)
» The Frier and the Nun (♬) (p. 54)
» An Health to Betty (♬) (p. 55)
» The Valiant Captain (♬) (p. 56)
» Bobbing Joe (♬) (p. 57)
» Hockley in the Hole (♬) (p. 58)
» Jog on, my Honey (♬) (p. 59)
» The Hemp-dresser (♬) (p. 60)
» Piccadilly (♬) (p. 61)
» Maiden Fair (♬) (p. 62)
» The Taylor's Daughter (♬) (p. 63)
» Sweet Kate (♬) (p. 64)
» Row well, ye Mariners (♬) (p. 65)
» Under and Over (♬) (p. 66)
» Catching of Fleas (♬) (p. 67)
» Duke of Lorrain's March (♬) (p. 68)
» The Slip (♬) (p. 69)
» Tom Tinker (♬) (p. 70)
» The Gossips Frolick (♬) (p. 71)
» The Devil's Dream (♬) (p. 72)
» The Punk's Delight, (The New way) (♬) (p. 73)
» Lady Cullen (♬) (p. 74)
» Amaryllis (♬) (p. 75)
» Black Jack (♬) (p. 76)
» Cavylilly-Man (♬) (p. 77)
» Wallingford-House (♬) (p. 78)
» Jamaica (♬) (p. 79)
» Mulberry-Garden (♬) (p. 80)
» Singleton's Slip (♬) (p. 81)
» Motson's Jigg (♬) (p. 82)
» Northern Nancy (♬) (p. 83)
» The Irish Trot (♬) (p. 84)
» The Witches (♬) (p. 85)
» White-hall (♬) (p. 86)
» The Opera, or The Ape's Dance (♬) (p. 87)
» The Kings Jigg (♬) (p. 88)
» Newmarket (♬) (p. 89)
» Duke of York's Delight (♬) (p. 90)
» Mr. Staggin's Jigg (♬) (p. 91)
» The Cobler's Jigg (♬) (p. 92)
» No-body's Jigg (♬) (p. 93)
» Parsons upon Dorothy (♬) (p. 94)
» Under the Greenwood Tree (♬) (p. 95)
» Sawney was tall (♬) (p. 96)
» Westmorland (♬) (p. 97)
» Well-hall (♬) (p. 98)
» Valentine's-Day (♬) (p. 99)
» The Bore, or Sweet William (♬) (p. 100)
» Young Jemmy (♬) (p. 101)
» Bouzer-Castle (♬) (p. 102)
» Bore la Bass (♬) (p. 103)
» Christ-Church Bells in Oxon (♬) (p. 104)
» The Mermaid (♬) (p. 105)
» Hey-boys' up go we (♬) (p. 106)
» Smith's Rant (♬) (p. 107)
» Hedge-Lane (♬) (p. 108)
» Love lies a bleeding (♬) (p. 109)
» Never love thee more (♬) (p. 110)
» Jack's Health (♬) (p. 111)
» Old Simon the King (♬) (p. 112)
» Green Sleeves, and Pudding-Pies (♬) (p. 113)
» Sion House (♬) (p. 114)
» Excuse Me (♬) (p. 115)
» The Rummer (♬) (p. 116)
» Miller's Jigg (♬) (p. 117)
» Dragoons March (♬) (p. 118)
» Country Abigail (♬) (p. 119)
» The New Bath (♬) (p. 120)
» Hap hazard (♬) (p. 121)
» Prince George (♬) (p. 122)
» The Granadiers March (♬) (p. 123)
» Arcadia (♬) (p. 124)
» Pell-mell (♬) (p. 125)
» Johnny, Cock thy Beaver (♬) (p. 126)
» Black and Grey (♬) (p. 127)
» Hey ho, my Honey (♬) (p. 128)
» Short's Garden (♬) (p. 129)
» Vienna (♬) (p. 130)
» Wolverton-Hall (♬) (p. 131)
» The Fit's come on me now (♬) (p. 132)
» Lady of Pleasure (♬) (p. 133)
» Painted Chamber (♬) (p. 134)
» Cupid's Garden (♬) (p. 135)
» The Knot (♬) (p. 136)
» Bonny Dundee (♬) (p. 137)
» Jenny, come tye my Cravat (♬) (p. 138)
» Holyrood-Day (♬) (p. 139)
» The Jockey (♬) (p. 140)
» Ladies of London (♬) (p. 141)
» Astrope Wells (♬) (p. 142)
» The Garter (♬) (p. 143)
» The Maid's Delight (♬) (p. 144)
» Maids Morris (♬) (p. 145)
» Cold and Raw (♬) (p. 146)
» Siege of Buda (♬) (p. 147)
» The Mask (♬) (p. 148)
» Bellamira (♬) (p. 149)
» Rigadoon (♬) (p. 150)
» A Paspe (♬) (p. 151)
» Alchurch (♬) (p. 152)
» Welcom home old Rowley (♬) (p. 153)
» Pool's Hole (♬) (p. 154)
» Essex-Building (♬) (p. 155)
» Lilli Burlero (♬) (p. 156)
» Emperor of the Moon (♬) (p. 157)
» New Rigadoon (♬) (p. 158)
» Pretty Miss (♬) (p. 159)
» I often for my Jenny strove (♬) (p. 160)
» Kensington-Court (♬) (p. 161)
» Sancho-Pancho (♬) (p. 162)
» Whitney's Farewel (♬) (p. 163)
» Pye Corner (♬) (p. 164)
» Old Batchelor (♬) (p. 165)
» O Mother, Roger (♬) (p. 166)
» Roger of Coverly (♬) (p. 167)
» Of Noble Race was Shinkin (♬) (p. 168)
» Daniel Cowper (♬) (p. 169)
» The Whim (♬) (p. 170)
» Spanish Jigg (♬) (p. 171)
» Valiant Jocky (♬) (p. 172)
» Siege of Limerick (♬) (p. 173)
» Mr. Lane's Minuet (♬) (p. 174)
» The Maid's last Wish (♬) (p. 175)
» Duke of Luxemburgh's March (♬) (p. 176)
» Red-House (♬) (p. 177)
» Mr. Beveridge's Ground (♬) (p. 178)
» Betty's Maggot (♬) (p. 179)
» Mr. Beveridge's Maggot (♬) (p. 180)
» Pope Joan (♬) (p. 181)
» Jacob Hall's Jigg (♬) (p. 182)
» Marriage-Hater (♬) (p. 183)
» Easter Tuesday (♬) (p. 184)
» Mad Robin (♬) (p. 185)
» Johnson's Jigg (♬) (p. 186)
» The last new Rigadoon (♬) (p. 187)
» Rockingham Castle (♬) (p. 188)
» The New Bore (♬) (p. 189)
» Tythe Pig (♬) (p. 190)
» Huntington's Maggot (♬) (p. 191)
» Arundel-street (♬) (p. 192)
» Mr. Isaac's Magot (♬) (p. 193)
» Mr. Lane's Magot (pp. 194)
» Ely Minster (♬) (p. 198)
» The Coronation Day (♬) (p. 199/"194")
» New-Years Eve (♬) (p. 200/"195")
» Winchester (♬) (p. 201)
» Scotland (♬) (p. 202)
» The Mock Hoby-Horse (♬) (p. 203/"198")
» Devonshire-House (♬) (p. 204/"199")
» Lincoln or Bolton (♬) (p. 205)
» The Mug house (♬) (p. 206)
» Lady Day (♬) (p. 207/"202")
» The King of Poland (♬) (p. 208/"203")
» The red Bull (♬) (p. 209)
» Puddings and Pies (♬) (p. 210)
» Joan's Placket (♬) (p. 211)
» The Maid in the Mill (♬) (p. 212)
» The Dumps (♬) (p. 213)
» Glory of the West (♬) (p. 214)
» Three Ship Skins (♬) (p. 215)

📖 Henry Playford (ed.). (1698). The Second Part of the Dancing Master [2nd Edition, Supplementing 10th Edition]. London. (pdf) {imslp} [Enge]

Notes: Adds 22 additional dances to the 1st Edition. Odd pagination. After p. 35, rely on pdf page numbers for accurate finding.

English Country Dances

» Man was for Woman made (♬) (p. 1)
» Mr. Lane's Trumpet-Minuet, to be danc'd with the Minuet step (♬) (p. 2)
» The Happy Marriage (♬) (p. 3)
» Black Bess (♬) (p. 4)
» St. Martin's Lane (♬) (p. 5)
» The more the merrier (♬) (p. 6)
» The Soldier and the Sailer (♬) (p. 7)
» Irish Boree (♬) (p. 8)
» Take not a Woman's Anger ill, For if one won't, another will (♬) (p. 9)
» Bishop of Chester's Jigg (♬) (p. 10)
» Wa is me, what mun I do! (♬) (p. 11)
» Epsom Wells (♬) (p. 12)
» Mr. Young's Delight (♬) (p. 13)
» The Happy Meeting (♬) (p. 14)
» Bury Fair (♬) (p. 15)
» Hobb's Wedding: A Kissing Dance in the Country Wake (♬) (p. 16)
» Mr. Eaglesfield's New Hornpipe (♬) (p. 17)
» The Purlongs (♬) (p. 18)
» The Cornish Squire (♬) (p. 19)
» Love for Love: Danc'd in the Play (♬) (p. 20)
» 'Twas within a Furlong of Edinborough Town (♬) (p. 21)
» The Happy Miller (♬) (p. 22)
» The Britains (♬) (p. 23)
» The Geud Man of Ballangigh; To a New Scotch Jigg (♬) (p. 24)
» Young Sir Salomon (♬) (p. 25)
» The bonny Grey-Ey'd Morn (♬) (p. 26)
» De'il take the Wars (♬) (p. 27)
» Edinburgh Castle (♬) (p. 28)
» The Lord Mayor's Delight (♬) (p. 29)
» The Hole in the Wall (♬) (p. 30)
» None such (♬) (p. 30)
» Anna Maria (♬) (p. 31)
» Captain's Magot (♬) (p. 32)
» Winchester Wedding (♬) (p. 33)
» Lambeth Wells (♬) (p. 34)
» Dunmore Kate (♬) (p. 35)
» Europes Revels (♬) (p. 25, pdf p. 42)
» The Sham Doctor (♬) (p. 26, pdf p. 43)
» The Mock Match (♬) (p. 27, pdf p. 44)
» The Temple-Change (♬) (p. 28, pdf p. 45)
» Walton Abey (♬) (p. 29, pdf p. 46)
» Mad Moll (♬) (p. 30, pdf p. 47)
» Westminster-Hall (♬) (p. 31, pdf p. 48)
» The Hilanders March (♬) (p. 32, pdf p. 49)
» Greenwich Park (♬) (p. 33, pdf p. 50)
» Shores Trumpet Tune (♬) (p. 34, pdf p. 51)
» My Lord Byron's Delight (♬) (p. 35, pdf p. 52)
» The Barly-Mow (♬) (p. 36, pdf p. 53)
» The Saylors Delight (♬) (p. 37, pdf p. 54)
» Dr. Pope's Jigg (♬) (p. 38, pdf p. 55)
» Windsor-Castle (♬) (p. 39, pdf p. 56)
» The New Fagary (♬) (p. 40, pdf p. 57)
» The Jovial Beggars (♬) (p. 41, pdf p. 58)
» Damme (♬) (p. 42, pdf p. 59)
» The Jacks Farewell (♬) (p. 43, pdf p. 60)
» The Dutches (♬) (p. 44, pdf p. 61)
» From Aberdeen (♬) (p. 45, pdf p. 62)
» Hay to the Camp (♬) (p. 46, pdf p. 63)

📖 Thomas Bray. (1699). Country Dances. London. (pdf) {EEBO} [Enge] [Powers]

Notes: A small collection of English country dances published outside the Playford tradition, illustrating the broader country dance repertoire at the close of the 17th century. Page numbers are duplicated in the source, so the indexed page number refers to the second occurrence. The duplicated page 11 in the EEBO copy has been corrected in the Library of Dance copy.

English Country Dances

» The Gloucester (♬) (p. 1)
» The Duke of Gloucester's March (♬) (p. 2)
» St. Jame's-House (♬) (p. 3)
» Lincolns-Inn Garden (♬) (p. 4)
» The Spring (♬) (p. 5)
» The Woman's the Man (♬) (p. 6)
» Rosamonds Pond (♬) (p. 7)
» The Parson's Cap (♬) (p. 8)
» The Wives Victory (♬) (p. 9)
» Gleanham-Hall (♬) (p. 10)
» Braye's Magott (♬) (p. 11)
» A Conceal'd Health (♬) (p. 12)
» Short and Sweet (♬) (p. 13)
» Bartlett-House (♬) (p. 14)
» Granadiers Exercise (♬) (p. 15)
» Love and a Bottle (♬) (p. 16)
» The Lovers Luck (♬) (p. 17)
» The Scotch Measure (♬) (p. 18)
» Cupid's Bridge (♬) (p. 19)
» the last of Twenty [A Minuet] (♬) (p. 20)

🎼 Mr. de Beauchamp. (c. 1700). Sarabande. Salzburg Ms. (pdf) {NYBD} [Enge]

Dances

» Sarabande (♬) (p. 1)

📖 M. Feuillet. (1700). Choregraphie, ou l'Art de de'Crire la Dance. Paris. (pdf) {BNF} [Enge]

Notes: A complete explanation of Feuillet notation by Mr. Feuillet himself. Feuillet, 1701 is a revised and expanded version.

📖 M. Feuillet. (1700). Recueil de Dances. Paris. (pdf) {BNF} [Enge]

Dances

» Le Rigaudon de la Paix (♬) (p. 1)
» Gigue a Deux (♬) (p. 8)
» Entrée a Deux (♬) (p. 12)
» Autre Entrée a Deux (♬) (p. 17)
» Sarabande pour Femme (♬) (p. 21)
» Sarabande pour Homme (♬) (p. 25)
» Sarabande Espagnole pour Homme (♬) (p. 29)
» Folie d'Espagne pour Femme (♬) (p. 33)
» Canary à Deux (♬) (p. 39)
» Gigue pour Homme (♬) (p. 41)
» Entrée pour Homme (♬) (p. 45)
» Autre Entrée pour Homme (♬) (p. 49)
» Entrée Grave pour Homme (♬) (p. 53)
» Entrée d'Apolon (♬) (p. 60)
» Balet de Neuf Danseurs (♬) (p. 67)

🎼 Monsieur Pecour, Mr. Feüillet. (1700). La Passepied Nouveau, Dance. Paris. (pdf) {BNF} [Enge]

Dances

» La Passepied Nouveau (♬) (p. 1)

🎼 Monsr. Pecour, Mr. Feüillet. (1700). La Pavane des Saisons, Dance Nouvelle. Paris. (pdf) {BNF} [Enge]

Dances

» La Pavane Des Saisons (♬) (p. 1)

📖 M. Pecour, M. Feuillet. (1700). Recueil de Dances. Paris. (pdf) {BNF} [Enge]

Dances

» La Bourée d'Achille (♬) (p. 1)
» La Mariée (♬) (p. 12)
» Le Passepied (♬) (p. 22)
» La Contredance (♬) (p. 32)
» Le Rigaudon des Vaisseaux (♬) (p. 37)
» La Bourgogne (♬) (p. 43)
» La Savoye (♬) (p. 54)
» La Forlana (♬) (p. 62)
» La Conty (♬) (p. 68)

🎼 Mr. Pecour. (1700). La Seconde Nouvelle Mariée. Paris.

[Anonymous]. (c. 1700). Contredanses; Description des Figures, Plan des Figures. Paris. (pdf) (djvu) {congress} {archive}

[Anonymous]. (c. 1700). Contredanses pour un Instrument Avec les Figures Chorégraphique. Paris Ms. (pdf) {BNF}

[Anonymous]. (c. 1700). Follias, Ballets, Sardanas, Contradansas, Minuets, Balls, Pasapies, y Moltas Altres Cosas de Aquell Temps Vell, Que Ara Son Poch Usadas; Pero Ab Tot Son Bonicas y Molt Alegres. Barcelona Ms. (pdf) {Catalunya}

[Anonymous]. (c. 1700). [Graces, Etc]. London Ms. (VWML)

[Anonymous]. (c. 1700). Old Reels and Dance Tunes and Old Yorkshire Tunes. London Ms. (VWML)

[Anonymous]. (c. 1700). Piezas para Clave. Madrid Ms. (pdf) {BNE}

[Anonymous]. (c. 1700). [The Rose Tree, Etc]. London Ms. (VWML)

📖 M. Feuillet. (1701). Choregraphie, ou l'Art de'Crire la Dance. Paris. (pdf) {BNF} [Enge] [Powers]

Notes: A revised and expanded version of Feuillet, 1700.

📜 Francesc Olivelles. (1701). Memoria de las Danças. Barcelona Ms.

🎼 Monsieur Pecour, Mr. Feuillet. (1701). Aimable Vainqueur, Dance Nouvelle. Paris. (pdf) {BNF} [Enge]

Dances

» Aimable Vainqueur (♬) (p. 1)

📖 Henry Playford (ed.). (1701). The Dancing Master [11th Edition]. London. {Keller analysis}

English Country Dances

» Sage-Leaf (p. 1)
» Open the Door to Three (p. 2)
» Madge on a Tree (p. 3)
» Joan Sanderson, or The Cushion Dance (p. 4)
» Kemp's Jigg (p. 5)
» Ely Minster (p. 6)
» The Coronation Day (p. 7)
» New-Years Eve (p. 8)
» Hunsdon House (p. 9)
» Dull Sir John (p. 10)
» Winchester (p. 11)
» Devonshire-House (p. 12)
» The Gallopping Nag (p. 13)
» Ten Pound Lass (p. 14)
» Cuckolds all arow (p. 15)
» The Bonny, Bonny Broom (p. 16)
» Green Stockings (p. 17)
» Hit or Miss (p. 18)
» Scotland (p. 19)
» The Mug House (p. 20)
» Lady Day (p. 21)
» The Mock Hoby-Horse (p. 22)
» Lincoln or Bolton (p. 23)
» The King of Poland (p. 24)
» Cherily and Merrily (p. 25)
» Lard Carnarvan's Jigg (p. 26)
» The Merry Milk-Maids (p. 27)
» The Red Bull (p. 28)
» Puddings and Pies (p. 29)
» Joan's Placket (p. 30)
» The Spanish Gypsie (p. 31)
» The Maid in the Mill (p. 32)
» The Twins (p. 33)
» Spring-Garden (p. 34)
» Abergenny (p. 35)
» The Dumps (p. 36)
» Prince Rupert's March (p. 37)
» The New Royal-Exchange (p. 38)
» The 29th of May (p. 39)
» Buff-Coat (p. 40)
» An Old Man a Bed full of Bones (p. 41)
» Cast a Bell (p. 42)
» Glory of the West (p. 43)
» Trenchmore (p. 44)
» Have at thy Coat, old Woman (p. 45)
» The Goddesses (p. 46)
» Three Ship Skins (p. 47)
» A Soldier's Life (p. 48)
» Saturday Night, and Sunday Morning (p. 49)
» What You Please (p. 50)
» Watton Town's End (p. 51)
» A la mode de France (p. 52)
» Drive the Cold Winter Away (p. 53)
» The Frier and the Nun (p. 54)
» An Health to Betty (p. 55)
» Windsor-Castle (p. 56)
» Bobbing Joe (p. 57)
» Dr. Pope's Jigg (p. 58)
» The Saylors Belight (p. 59)
» The Hemp-dresse (p. 60)
» Piccadilly (p. 61)
» The New Fagary (p. 62)
» From Aberdeen (p. 63)
» Sweet Kate (p. 64)
» Row well, ye Mariners (p. 65)
» Under and Over (p. 66)
» Hay to the Camp (p. 67)
» Duke of Lorain's March (p. 68)
» The Slip (p. 69)
» The Jovial Beggars (p. 70)
» The Gossips Frolick (p. 71)
» The Devil's Dream (p. 72)
» The Punk's Delight (The new way) (p. 73)
» Lady Cullen (p. 74)
» Amaryllis (p. 75)
» Black Jack (p. 76)
» Cavylilly Man (p. 77)
» Wallingford-House (p. 78)
» Jamaica (p. 79)
» Mulberry-Garden (p. 80)
» Singleton's Slip (p. 81)
» The Kings Jigg (p. 82)
» Northern Nancy (p. 83)
» The Irish Trot (p. 84)
» The Witches (p. 85)
» White-Hall (p. 86)
» The Opera, or The Ape's Dance (p. 87)
» Newmarket (p. 88)
» Duke of York's Delight (p. 90)
» Mr. Staggin's Jigg (p. 91)
» The Cobler's Jigg (p. 92)
» No-body's Jigg (p. 93)
» Parson upon Dorothy [#2] (p. 94)
» Under the Greenwood Tree (p. 95)
» Sawny was Tall (p. 96)
» Westmorland (p. 97)
» Well-Hall (p. 98)
» Valentine's Day (p. 99)
» Damme (p. 100)
» Young Jemmy (p. 101)
» Bouzer-Castle (p. 102)
» Bore la Bass (p. 103)
» Christ-Church Bells in Oxon (p. 104)
» The Mermaid (p. 105)
» Hey-Boy's up go We (p. 106)
» Smith's Rant (p. 107)
» Hedge-Lane (p. 108)
» Love Lies a Bleeding (p. 109)
» Never Love Thee More (p. 110)
» Jack's Health (p. 111)
» Old Simon the King (p. 112)
» Green Sleeves, and Pudding-Pies (p. 113)
» Sion-House (p. 114)
» Excuse Me (p. 115)
» The Rummer (p. 116)
» Miller's Jigg (p. 117)
» Dragoons March (p. 118)
» Country Abigail (p. 119)
» The New Bath (p. 120)
» Hap hazard (p. 121)
» Prince George (p. 122)
» The Granadiers March (p. 123)
» Arcadia (p. 124)
» Pell-Mell (p. 125)
» Johnny, Cock thy Beaver (p. 126)
» Black and Grey (p. 127)
» Hey ho, my Honey (p. 128)
» Short's Garden (p. 129)
» Vienna (p. 130)
» Wolverton-Hall (p. 131)
» The Fit's Come on Me now (p. 132)
» Lady of Pleasure (p. 133)
» Painted Chamber (p. 134)
» Cupid's Garden (p. 135)
» The Knot (p. 136)
» Bonney Dundee (p. 137)
» Jenny, come Tye my Cravat (p. 138)
» Holyrood-Day (p. 139)
» The Jockey (p. 140)
» Ladies of London (p. 141)
» Astrope Wells (p. 142)
» The Garter (p. 143)
» The Maid's Delight (p. 144)
» Maids Morris (p. 145)
» Cold and Raw (p. 146)
» Siege of Buda (p. 147)
» The Mask (p. 148)
» Bellamira (p. 149)
» Rigadoon (p. 150)
» A Paspe (p. 151)
» Alchurch (p. 152)
» Welcom home old Rowley (p. 153)
» Pool's Hole (p. 154)
» Essex-Building (p. 155)
» Lilli Burlero (p. 156)
» Emperor of the Moon (p. 157)
» New Rigadoon (p. 158)
» Pretty Miss (p. 159)
» I often for my Jenny strove (p. 160)
» Kensington-Court (p. 161)
» Sancho Pancho (p. 162)
» Whitney's Farewel (p. 163)
» The Jacks Farewell (p. 164)
» Old Batchelor (p. 165)
» O Mother, Roger (p. 166)
» Roger of Coverly (p. 167)
» Of Noble Race was Shinkin (p. 168)
» Daniel Cowper (p. 169)
» The Whim (p. 170)
» Spanish Jigg (p. 171)
» Valiant Jocky (p. 172)
» Siege of Limerick (p. 173)
» Mr. Lane's Minuet (p. 174)
» The Maid's last Wish (p. 175)
» Duke of Luxemburgh's March (p. 176)
» Red-House (p. 177)
» The Dutches (p. 178)
» Betty's Maggot (p. 179)
» Mr. Beveridge's Maggot (p. 180)
» Rockingham Castle (p. 181)
» Jacob Hall's Jigg (p. 182)
» Marriage-Hater (p. 183)
» Easter Tuesday (p. 184)
» Mad Robin (p. 185)
» Johnson's Jigg (p. 186)
» The Last New Rigadoon (p. 187)
» Pope Joan (p. 188)
» The New Bore (p. 189)
» Mr. Isaac's Magot (p. 190)
» Huntington's Maggot (p. 191)
» Arundel-Street (p. 192)
» Man was for Woman made (p. 193)
» Mr. Lane's Trumpet-Minuet (p. 194)
» The Happy Marriage (p. 195)
» Black Bess (p. 196)
» St. Martin's Lane (p. 197)
» The More the Merrier (p. 198)
» The Soldier and the Sailor (p. 199)
» Irish Boree (p. 200)
» Take not a Woman's Anger ill, For if One won't, Another will (p. 201)
» Bishop of Chester's Jigg (p. 202)
» Wa is me, what mun I do! (p. 203)
» Epsom Wells (p. 204)
» Mr. Young's Delight (p. 205)
» The Happy Meeting (p. 206)
» Bury Fair (p. 207)
» Hobb's Wedding. A Kissing Dance in the Country Wake (p. 208)
» Mr. Eaglesfield's New Hornpipe (p. 209)
» The Purlongs (p. 210)
» Mr. Lane's Magot (p. 211)
» Love for Love. Danc'd in the Play (p. 212)
» Twas within a Furlong of Edinborough Town (p. 213)
» The Happy Miller (p. 214)
» The Britains (p. 215)
» The Geud Man of Ballangigh. To a New Scotch Jigg (p. 216)
» Young Sir Solamon (p. 217)
» The Bonny Grey-Ey'd Morn (p. 218)
» De'il take the Wars (p. 219)
» Edinburgh Castle (p. 220)
» The Lord Mayor's Delight (p. 221)
» The Hole in the Wall (p. 222)
» None Such (p. 223)
» Captain's Magot (p. 224)
» Winchester Wedding (p. 225)
» Lambeth Wells (p. 226)
» Dunmore Kate (p. 227)
» Anna Maria (p. 228)
» Europes Revels (p. 229)
» The Sham Doctor (p. 230)
» The Mock Match (p. 231)
» The Temple-Change (p. 232)
» Walton Abey (p. 233)
» Mad Moll (p. 234)
» Westminster-Hall (p. 235)
» The Hilanders March (p. 236)
» Greenwich Park (p. 237)
» Shores Trumpet Tune (p. 238)
» My Lord Byron's Delight (p. 239)
» The Barly-Mow (p. 240)
» Cheshire Rounds (p. 241)
» The Beaux Delight (p. 242)
» Portsmouth (p. 243)
» The Irish Ground (p. 244)
» My Lord Byron's Magott (p. 245)
» The Tyger (p. 246)
» Moll Peatley, The New Way (p. 247)
» Woolly and Georgey (p. 248)
» New-Whitehall (p. 249)
» The Beautiful Scrabmagg, by G.B. (p. 250)
» Lumps of Pudding (p. 251)
» Enfield Common (p. 252)
» The New Bore (p. 253)
» The Duke of Gloucester's March (p. 254)
» The Hair's Magott (p. 255)
» Mount Hills (p. 256)
» The Gilford (p. 257)
» The Carpenters Magott (p. 258)
» St. Albans (p. 259)
» The Queens Jigg (p. 260)
» Childgrove (p. 261)
» Well's Humour (p. 262)
» Reeve's Magott (p. 263)
» George's Magott (p. 264)
» Notingham Castle (p. 265)
» The French Embasseder (p. 266)
» The Indian Queen (p. 267)
» The Ladyes Magott (p. 268)
» Caries Maggott (p. 269)
» The New Invention (p. 270)
» The Coblers Hornpipe (p. 271)
» The Pillgrim (p. 272)
» The Lord Phopington (p. 273)
» The Temple (p. 274)
» Whimbleton House (p. 275)
» The English Pasby (p. 276)
» Touch and Go (p. 277)
» The Frolick (p. 278)
» Ely Court (p. 279)
» Crossbey-Square (p. 280)
» The Princess (p. 281)
» The Round (p. 282)
» Friday Night (p. 283)
» Buskin (p. 284)
» The Jolly Brees (p. 284)
» The Bishop of Bangor's Jigg (p. 286)
» Easter Eve (p. 287)
» St. Catherine (p. 288)
» The Trip to the Jubilee, as 'tis danc'd at the Play-House (p. 289)
» Cheshire Alley (p. 290)
» Czar of Muscovy (p. 290)
» Dantty Davey (p. 292)
» Akeroyde's Padd (p. 292)
» White-Hall Minuett (p. 294)
» Black Nell (p. 295)
» Hill's Maggot (p. 296)
» Barham Down (p. 297)
» Golden Square (p. 298)
» The Fidlers Morris (p. 299)
» Mother Brown's Catt (p. 300)
» Bufords March, or The Private Wedding (p. 301)
» The Punch-Bowl (p. 302)
» Black Heath (p. 303)
» Cockle-Shells (p. 304)
» The Catch Club (p. 305)
» The America (p. 306)
» Rub her down with Straw (p. 307)
» The Mansell (p. 308)
» The Last New French Rigadoon (p. 309)
» The Ladies Conveniency (p. 310)
» The Last Mew Figgaries (p. 311)
» Taylors Tripp (p. 312)

🎼 Mr. Feüillet. (c. 1702). La Trioumphante. Paris. (pdf) {BNF} [Enge]

Dances

» La Trioumphante (♬) (p. 1)

🎼 Monsr. Pecour, Mr. Feuillet. (1702). L'Allemande, Danse Nouvelle. Paris. (pdf) {BNF} [Enge]

Dances

» L'Allemande (♬) (p. 1)

🎼 M. Pécour, M. Feüillet. (1702). Per. Recüeil de Danses de Bal pour l'Année 1703. Paris. (pdf) {BNF} [Enge]

Dances

» Les Contrefaiseur Contredanse (♬) (p. 1)
» La Paysanne (♬) (p. 16)

🎼 Monsieur Feüillet. (1703). La Madalena, Danse Nouvelle. Paris. (pdf) {BNF} [Enge]

Dances

» La Madalena (♬) (p. 1)

🎼 Mr. Pécour, Mr. Feüillet. (1703). IIme. Recueil de Danses de Bal pour l'Année 1704. Paris. (pdf) {BNF} [Enge]

Dances

» La Saltarelle (♬) (p. 1)
» La Carignan (♬) (p. 7)
» La Madalena (♬) (p. 7)

📖 Henry Playford (ed.). (1703). The Dancing Master [12th Edition]. London. (pdf) {BNF} [Enge]

English Country Dances

» Sage Leaf (p. 1)
» Madge on a Tree (p. 2)
» Joan Sanderson, or The Cushion Dance (p. 3)
» Kemp's Jigg (p. 4)
» Ely Minster (p. 5)
» The Coronation Day (p. 6)
» New-Years Eve (p. 7)
» Hunsdon House (p. 8)
» Dull Sir John (p. 9)
» Winchester (p. 10)
» Devonshire-House (p. 11)
» The Galloping Nag (p. 12)
» Open the Door to Three (p. 13)
» Ten Pound Lass (p. 14)
» Cuckolds all arow (p. 15)
» The Bonny Bonny Broom (p. 16)
» Green Stockings (p. 17)
» Hit or Miss (p. 18)
» Scotland (p. 19)
» The Mug House (p. 20)
» Lady Day (p. 21)
» The Mock Hoby-Horse (p. 22)
» Lincoln or Bolton (p. 23)
» The King of Poland (p. 24)
» Chearily and Merrily (p. 25)
» Lord Carnarvan's Jigg (p. 26)
» The Merry Milk-Maids (p. 27)
» The Red Bull (p. 28)
» Puddings and Pies (p. 29)
» Joan's Placket (p. 30)
» The Spanish Gypsie (p. 31)
» The Maid in the Mill (p. 32)
» The Twins (p. 33)
» Spring-Garden (p. 34)
» Abergenny (p. 35)
» The Dumps (p. 36)
» Prince Rupert's March (p. 37)
» The New Royal Exchange (p. 38)
» The 29th of May (p. 39)
» Buff-Coat (p. 40)
» An Old Man a Bed full of Bones (p. 41)
» Cast a Bell (p. 42)
» Glory of the West (p. 43)
» Trenchmore (p. 44)
» Have at thy Coat old Woman (p. 45)
» The Goddesses (p. 46)
» Three Ship Skins (p. 47)
» A Soldier's Life (p. 48)
» Saturday Night, and Sunday Morning (p. 49)
» What You Please (p. 50)
» Watton Town's End (p. 51)
» A la mode de France (p. 52)
» Drive the Cold Winter Away (p. 53)
» The Frier and the Nun (p. 54)
» An Health to Betty (p. 55)
» Windsor Castle (p. 56)
» Bobbing Joe (p. 57)
» Pope's Jigg (p. 58)
» The Saylors Delight (p. 59)
» The Hemp-dresse (p. 60)
» Piccadilly (p. 61)
» The New Vagary (p. 62)
» From Aberdeen (p. 63)
» Sweet Kate (p. 64)
» Row well ye Mariners (p. 65)
» Under and Over (p. 66)
» Hay to the Camp (p. 67)
» Duke of Lorrain's March (p. 68)
» The Slip (p. 69)
» The Jovial Beggars (p. 70)
» The Gossips Frolick (p. 71)
» The Devil's Dream (p. 72)
» The Punk's Delight (The new way) (p. 73)
» Lady Cullen (p. 74)
» Amaryllis (p. 75)
» Black Jack (p. 76)
» Cavylilly-Man (p. 77)
» Wallingford-House (p. 78)
» Jamaica (p. 79)
» Mulberry Garden (p. 80)
» Singleton's Slip (p. 81)
» The King's Jigg (p. 82)
» Northern Nancy (p. 83)
» The Irish Trot (p. 84)
» The Witches (p. 85)
» White-Hall (p. 86)
» The Opera, or The Ape's Dance (p. 87)
» Newmarket (p. 88)
» Duke of York's Delight (p. 90)
» Mr. Staggin's Jigg (p. 91)
» The Cobler's Jigg (p. 92)
» No-body's Jigg (p. 93)
» Parson upon Dorothy (p. 94)
» Under the Greenwood Tree (p. 95)
» Sawny was Tall (p. 96)
» Westmorland (p. 97)
» Well-Hall (p. 98)
» Valentine's-Day (p. 99)
» Damme (p. 100)
» Young Jemmy (p. 101)
» Bouzer-Castle (p. 102)
» Bore la Bass (p. 103)
» Christ-Church Bells in Oxon (p. 104)
» The Mermaid (p. 105)
» Hey-Boys up go We (p. 106)
» Smith's Rant (p. 107)
» Hedge-Lane (p. 108)
» Love Lies a Bleeding (p. 109)
» Never Love Thee More (p. 110)
» Jack's Health (p. 111)
» Old Simon the King (p. 112)
» Green Sleeves, and Pudding-Pies (p. 113)
» Sion-House (p. 114)
» Excuse Me (p. 115)
» The Rummer (p. 116)
» Miller's Jigg (p. 117)
» Dragoons March (p. 118)
» Country Abigail (p. 119)
» The New Bath (p. 120)
» Hap-hazard (p. 121)
» Prince George (p. 122)
» The Granadiers March (p. 123)
» Arcadia (p. 124)
» Pell-Mell (p. 125)
» Johnny, Cock thy Beaver (p. 126)
» Black and Grey (p. 127)
» Hey ho, my Honey (p. 128)
» Short's Garden (p. 129)
» Vienna (p. 130)
» Wolverton-Hall (p. 131)
» The Fit's Come on Me now (p. 132)
» Lady of Pleasure (p. 133)
» Painted Chamber (p. 134)
» Cupid's Garden (p. 135)
» The Knot (p. 136)
» Bonny Dundee (p. 137)
» Jenny come Tye my Cravat (p. 138)
» Holyrood-day (p. 139)
» The Jockey (p. 140)
» Ladies of London (p. 141)
» Astrope Wells (p. 142)
» The Garter (p. 143)
» The Maid's Delight (p. 144)
» Maids Morris (p. 145)
» Cold and Raw (p. 146)
» Siege of Buda (p. 147)
» The Mask (p. 148)
» Bellamira (p. 149)
» Rigadoon (p. 150)
» A Paspe (p. 151)
» Alchurch (p. 152)
» Welcom home old Rowley (p. 153)
» Pool's Hole (p. 154)
» Essex-Building (p. 155)
» Lilli Burlero (p. 156)
» Emperor of the Moon (p. 157)
» Old Rigadoon (p. 158)
» Pretty Miss (p. 159)
» I often for my Jenny strove (p. 160)
» Kensington-Court (p. 161)
» Sancho Pancho (p. 162)
» Whitney's Farewel (p. 163)
» The Jacks Farewell (p. 164)
» Old Batchelor (p. 165)
» O Mother, Roger (p. 166)
» Roger of Coverly (p. 167)
» Of Noble Race was Shinkin (p. 168)
» Daniel Cowper (p. 169)
» The Whim (p. 170)
» Spanish Jigg (p. 171)
» Valiant Jocky (p. 172)
» Siege of Limerick (p. 173)
» Mr. Lane's Minuet (p. 174)
» The Maid's last Wish (p. 175)
» Duke of Luxemburgh's March (p. 176)
» Red-House (p. 177)
» The Dutchess (p. 178)
» Betty's Maggot (p. 179)
» Mr. Beveridge's Maggot (p. 180)
» Rockingham Castle (p. 181)
» Jacob Hall's Jigg (p. 182)
» Marriage-Hater (p. 183)
» Easter Tuesday (p. 184)
» Mad Robin (p. 185)
» Johnson's Jigg (p. 186)
» The Last New Rigadoon (p. 187)
» Pope Joan (p. 188)
» The New Bore (p. 189)
» Mr. Isaac's Maggot (p. 190)
» Huntington's Maggot (p. 191)
» Arundel-Street (p. 192)
» Man was for Woman made (p. 193)
» Mr. Lane's Trumpet-Minuet (p. 194)
» The Happy Marriage (p. 195)
» Black Bess (p. 196)
» St. Martin's-Lane (p. 197)
» The More the Merrier (p. 198)
» The Soldier and the Sailor (p. 199)
» Irish Boree (p. 200)
» Take not a Woman's Anger ill, For if One won't, Another will (p. 201)
» Bishop of Chester's Jigg (p. 202)
» Wa is me, what mun I do! (p. 203)
» Epsom Wells (p. 204)
» Mr. Young's Delight (p. 205)
» The Happy Meeting (p. 206)
» Bury Fair (p. 207)
» Hobb's Wedding. A Kissing Dance in the Country Wake (p. 208)
» Mr. Eglesfield's New Hornpipe (p. 209)
» The Purlongs (p. 210)
» Mr. Lane's Maggot (p. 211)
» Love for Love. Danc'd in the Play (p. 212)
» Twas within a Furlong of Edinborough Town (p. 213)
» The Happy Miller (p. 214)
» The Britains (p. 215)
» The Geud Man of Ballangigh. To a New Scotch Jigg (p. 216)
» Young Sir Solamon (p. 217)
» The Bonny Grey-Ey'd Morn (p. 218)
» De'il take the Wars (p. 219)
» Edinborough Castle (p. 220)
» The Lord Mayor's Delight (p. 221)
» The Hole in the Wall (p. 222)
» None-such (p. 223)
» Captain's Maggot (p. 224)
» Winchester Wedding (p. 225)
» Lambeth Wells (p. 226)
» Dunmore Kate (p. 227)
» Anna Maria (p. 228)
» Europes Revels (p. 229)
» The Sham Doctor (p. 230)
» The Mock Match (p. 231)
» The Temple-Change (p. 232)
» Walton Abbey (p. 233)
» Mad Moll (p. 234)
» Westminster-Hall (p. 235)
» The Highlanders March (p. 236)
» Greenwich Park (p. 237)
» Shore's Trumpet Tune (p. 238)
» My Lord Byron's Delight (p. 239)
» The Barly-Mow (p. 240)
» Cheshire Rounds (p. 241)
» The Beaux Delight (p. 242)
» Portsmouth (p. 243)
» The Irish Ground (p. 244)
» My Lord Byron's Maggot (p. 245)
» The Tyger (p. 246)
» Moll Peatly, The New Way (p. 247)
» Woolly and Georgey (p. 248)
» New Whitehall (p. 249)
» The Beautiful Scrabmagg, by G.B. (p. 250)
» Lumps of Pudding (p. 251)
» Enfield Common (p. 252)
» The New Bore (p. 253)
» The Duke of Gloucester's March (p. 254)
» The Hair's Maggot (p. 255)
» Mount Hills (p. 256)
» The Gilford (p. 257)
» The Carpenters Maggot (p. 258)
» St. Albans (p. 259)
» The Queen's Jigg (p. 260)
» Childgrove (p. 261)
» Well's Humour (p. 262)
» Reeve's Maggot (p. 263)
» George's Maggot (p. 264)
» Nottingham Castle (p. 265)
» The French Embassador (p. 266)
» The Indian Queen (p. 267)
» The Ladies Maggot (p. 268)
» Cary's Maggot (p. 269)
» The New Invention (p. 270)
» The Coblers Hornpipe (p. 271)
» The Pilgrim (p. 272)
» The Lord Phopington (p. 273)
» The Temple (p. 274)
» Wimbleton-house (p. 275)
» The English Pasby (p. 276)
» Touch and Go (p. 277)
» The Frolick (p. 278)
» Ely Court (p. 279)
» Crossbey-Square (p. 280)
» The Princess [#1] (p. 281)
» The Round (p. 282)
» Friday Night (p. 283)
» Buskin (p. 284)
» The Jolly Brees (p. 284)
» The Bishop of Bangor's Jigg (p. 286)
» Easter-Eve (p. 287)
» St. Catherine (p. 288)
» The Trip to the Jubile, as 'tis danc'd at the Play-House (p. 289)
» Cheshire Alley (p. 290)
» Czar of Muscovy (p. 290)
» Dainty Davy (p. 292)
» Akeroyde's Padd (p. 292)
» White-Hall Minuett (p. 294)
» Black Nell (p. 295)
» Hill's Maggot (p. 296)
» Barham Down (p. 297)
» Golden-Square (p. 298)
» The Fidlers Morris (p. 299)
» Mother Brown's Catt (p. 300)
» Bufords March, or The Private Wedding (p. 301)
» The Punch-Bowl (p. 302)
» Black-Heath (p. 303)
» Cockle-Shells (p. 304)
» The Catch Club (p. 305)
» The America [#1] (p. 306)
» Rub her down with Straw (p. 307)
» The Mansell (p. 308)
» The Last New French Rigadoon (p. 309)
» The Ladies Conveniency (p. 310)
» The Last New Figgaries (p. 311)
» Taylors Tripp (p. 312)
» The Princess's Court (p. 313)
» The Ladies Misfortune (p. 314)
» The Virgin Queen (p. 315)
» Slaughter-House (p. 316)
» The Jolly Boy (p. 317)
» Fidlers Maggot (p. 318)
» Old Noll's Jigg (p. 319)
» Apley House (p. 320)
» My Lady Foster's Delight (p. 321)
» Hang Sorrow (p. 322)
» Graneys Delight (p. 323)
» Cottey House (p. 324)
» The Country Farmer (p. 325)
» Twelfth Eve (p. 326)
» The Man-Tiger (p. 327)
» The Sword Dance (p. 328)
» Ormand House (p. 329)
» A Trip to Bury (p. 330)
» Jack's Maggot (p. 331)
» Dick's Maggot (p. 332)
» The Queen's Head (p. 333)
» News from Tripoly (p. 334)
» Old Abigal's Delight (p. 335)
» Whely House (p. 336)
» The Cookow (p. 337)
» The Queen's Birth-day (p. 338)
» Wooden Shoes (p. 339)
» Nowill Hills (p. 340)
» Bloomsberry Market (p. 341)
» The New Round O (p. 342)
» Up with Aily (p. 343)
» Christmas Cheer (p. 344)
» Lincolns-Inn (p. 345)
» Nobe's Maggot (p. 346)
» Jockey was a Dowdy Lad (p. 347)
» The Royal Navy (p. 348)
» Vigo (p. 349)
» Fy, nay, prithee John (p. 350)
» May Fair (p. 351)
» Tunbridge Walks (p. 352)
» The Devonshire Lass (p. 353)
» The Colonel's Health (p. 354)

🎼 Mr. Feuillet. (1704). La Bretagne, Danse Nouvelle. Paris. (pdf) {BNF} [Enge]

Dances

» La Bretagne (♬) (p. 1)

🎼 Mr. Pécour, Mr. Feüillet. (1704). IIIme. Recueil de Danses de Bal pour l'Année 1705. Paris. (pdf) {BNF} [Enge]

Dances

» La Babeth (♬) (p. 1)

📖 Mr. Pecour, Mr. Feüillet. (1704). Recüeil de Dances. Paris. (pdf) {BNF} [Enge]

Dances

» Sarabande Pour Une Femme (♬) (p. 1)
» Entrée Pour Une Femme (♬) (p. 5)
» Chacone Pour Une Femme (♬) (p. 10)
» Passacaille Pour Une Femme (♬) (p. 20)
» Entrée Espagnolle Pour Une Femme (♬) (p. 36)
» Gigue Pour Une Femme (♬) (p. 41)
» Menuet à Deux Pour Une Homme Et Une Femme (♬) (p. 48)
» Entré Pour Deux Femmes (♬) (p. 51)
» Entrée Pour Un Homme et Une Femme (♬) (p. 57)
» Entrée Pour Un Homme et Une Femme [#2] (♬) (p. 64)
» Entrée Pour Un Homme et Une Femme [#3] (♬) (p. 68)
» Entrée Espagnole Pour Un Homme et Une Femme (♬) (p. 74)
» Passacaille Pour Un Homme et Une Femme [#2] (♬) (p. 70)
» Entrée Pour Un Homme et Une Femme [#4] (♬) (p. 91)
» 2e. Entrée de Percée (♬) (p. 97)
» Entrée a Deux (♬) (p. 109)
» Autre Entrée a Deux (♬) (p. 117)
» Entrée à Deux [#2] (♬) (p. 122)
» Sarabande à Deux (♬) (p. 127)
» Contre-Dance à Deux (♬) (p. 132)
» Entrée Pour Un Berger et Une Bergere (♬) (p. 139)
» 2e. Entrée (♬) (p. 144)
» Entrée Pour Deux Hommes (♬) (p. 148)
» Sarabande Pour Deux Hommes (♬) (p. 154)
» Canary Pour Deux Hommes (♬) (p. 158)
» Entrée Pour Deux Hommes [#2] (♬) (p. 164)
» Loure Pour Deux Hommes (♬) (p. 169)
» Chaconne Pour Un Homme (♬) (p. 176)
» Chaconne de Phaeton Pour Un Homme (♬) (p. 185)
» Entrée d'Appolon (♬) (p. 195)
» l'Aimable Vainqueur (♬) (p. 202)
» Sarabande Pour Un Homme (♬) (p. 210)
» Entrée Pour Un Homme (♬) (p. 216)
» Folies d'Espagne Pour Un Homme (♬) (p. 221)
» Sarabande Pour Un Homme [#2] (♬) (p. 225)

📖 Huguo Bonnefond. (1705). Abregée des Principes de la Danse Tirée des Meilleurs Maitres de l'Art. Braunschweig. (pdf) {WDB} [Enge]

📖 Mr. Feüillet. (1705). IIIIme. Recueil de Danses de Bal pour l'Année 1706. Paris. (pdf) {BNF} [Enge]

Notes: Pagination resets for each dance, so page numbers below are pdf page numbers.

Dances

» La Baviere (♬) (p. 7)
» La Fanatique (♬) (p. 15)
» Le Cotillon (♬) (p. 27)

📖 I. H. P. (1705). Maître de Danse, Oder Tanz-Meister. Glückstadt. (pdf) {DKB} [Enge]

Dances

» Die Menuet d'Anjou (♬) (p. 10)
» Die Alte Passe-Pied (♬) (p. 17)
» Die Mittelste Passe-Pied (♬) (p. 24)
» Die Bourgogne (♬) (p. 32)

📖 Monsieur Feüillet, P. Siris (tr.). (1706). The Art of Dancing Demonstrated by Characters and Figures. London. (pdf) {BNE} [Enge]

Notes: A detailed explanation of Feuillet notation in English. Also includes two complete dances at the end. Page numbers are pdf page numbers.

Dances

» The Rigaudon (♬) (p. 95)
» The French Bretagne (♬) (p. 109)

📖 Monsieur Feuillet, John Weaver (tr.). (1706). Orchesography, or, the Art of Dancing, by Characters and Demonstrative Figures. London. (pdf) (Lindahl transcription) {Lindahl} [Enge]

Notes: A detailed explanation of Feuillet notation in English.

📖 Mr. Feüillet. (1706). Recüeil de Contredances Mises en Chorégraphie. Paris. (pdf) {BNF} [Enge]

Contredances

» La Bonne Amitié (♬) (p. 1)
» La Jalousie (♬) (p. 5)
» La Bergere (♬) (p. 9)
» Le Pistolet (♬) (p. 13)
» Les Manches Vertes (♬) (p. 17)
» Excuses My (♬) (p. 25)
» Le Prince George (♬) (p. 33)
» Les Galeries d'Amour (♬) (p. 39)
» La Bussecotte (♬) (p. 45)
» Le Carillon d'Oxfort (♬) (p. 49)
» Podain (♬) (p. 55)
» Le Tourbillon d'Amour (♬) (p. 61)
» Jeanne Qui Saute (♬) (p. 65)
» La Lirboulaire (♬) (p. 70)
» La Coquette (♬) (p. 76)
» Vienne (♬) (p. 81)
» La Menuet de la Reine (♬) (p. 89)
» Le Menuet du Chevalier (♬) (p. 94)
» La Valantine (♬) (p. 100)
» La Bourée de Basque (♬) (p. 107)
» La Bacante (♬) (p. 113)
» La Matelote (♬) (p. 121)
» La Pantomime (♬) (p. 129)
» La Folichon (♬) (p. 133)
» La Gasconne (♬) (p. 137)
» La Fée (♬) (p. 145)
» L'Epiphanie (♬) (p. 151)
» L'Amoureuse (♬) (p. 157)
» La Fanatique (♬) (p. 161)
» La Chasse (♬) (p. 166)
» La Chaîne (♬) (p. 177)
» La Nouvelle Figure (♬) (p. 184)

📖 [Monsieur Feuillet,] John Weaver (tr.). (1706). A Small Treatise of Time and Cadence in Dancing. London. (pdf) {Lindahl} [Enge]

Notes: A supplement to the above that provides information about the musical timing of various steps, accompanied by those steps in Feuillet notation.

📖 Mr. Feüillet. (1706). Vme Recueil de Danses de Bal pour l'Année 1707. Paris. (pdf) {BNF} [Enge]

Dances

» La Bacchante (♬) (p. 1)
» La Matelotte (♬) (p. 9)
» Le Menuet a Quatre (♬) (p. 17)

📖 Mr. Isaac, John Weaver. (1706). A Collection of Ball-Dances Perform'd at Court. London. (pdf) {LOC} [Enge] [Powers]

Notes: Pagination resets, so page numbers below are pdf page numbers.

Dances

» The Rigadoon (♬) (p. 7)
» The Rondeau (♬) (p. 13)
» The Richmond (♬) (p. 20)
» The Favorite, A Chaconne (♬) (p. 26)
» The Spanheim (♬) (p. 31)
» The Britannia (♬) (p. 36)

📖 Henry Playford (ed.). (1706). The Dancing Master (13th Edition). London. {Keller analysis}

English Country Dances

» Sage Leaf (p. 1)
» Madge on a Tree (p. 2)
» Joan Sanderson, or The Cushion Dance (p. 3)
» Kemp's Jigg (p. 4)
» Ely Minster (p. 5)
» The Coronation Day (p. 6)
» New-Years Eve (p. 7)
» Hunsdon-House (p. 8)
» Dull Sir John (p. 9)
» Winchester (p. 10)
» Devonshire House (p. 11)
» The Galloping Nag (p. 12)
» Open the Door to Three (p. 13)
» Ten Pound Lass (p. 14)
» Cuckolds all arow (p. 15)
» The Bonny, Bonny Broom (p. 16)
» Green Stockings (p. 17)
» Hit or Miss (p. 18)
» Scotland (p. 19)
» The Mug House (p. 20)
» Lady Day (p. 21)
» The Mock Hoby-Horse (p. 22)
» Lincoln or Bolton (p. 23)
» The King of Poland (p. 24)
» Chearily and Merrily (p. 25)
» Lard Canarvan's Jigg (p. 26)
» The Merry Milk-Maids (p. 27)
» The Red Bull (p. 28)
» Puddings and Pies (p. 29)
» Joan's Placket (p. 30)
» The Spanish Gypsie (p. 31)
» The Maid in the Mill (p. 32)
» The Twins (p. 33)
» Spring-Garden (p. 34)
» Abergenny (p. 35)
» The Dumps (p. 36)
» Prince Rupert's March (p. 37)
» The New Royal Exchange (p. 38)
» The 29th of May (p. 39)
» Buff-Coat (p. 40)
» An Old Man a Bed full of Bones (p. 41)
» Cast a Bell (p. 42)
» Glory of the West (p. 43)
» Trenchmore (p. 44)
» Have at thy Coat, old Woman (p. 45)
» The Goddesses (p. 46)
» Three Ship Skins (p. 47)
» A Soldier's Life (p. 48)
» Saturday Night, and Sunday Morning (p. 49)
» What You Please (p. 50)
» Watton Town's End (p. 51)
» A la mode de France (p. 52)
» Drive the Cold Winter Away (p. 53)
» The Frier and the Nun (p. 54)
» An Health to Betty (p. 55)
» Windsor-Castle (p. 56)
» Bobbing Joe (p. 57)
» Dr. Pope's Jigg (p. 58)
» The Saylors Delight (p. 59)
» The Hemp-dresser (p. 60)
» Piccadilly (p. 61)
» The New Fagary (p. 62)
» From Aberdeen (p. 63)
» Sweet Kate (p. 64)
» Row well, ye Mariners (p. 65)
» Under and Over (p. 66)
» Hay to the Camp (p. 67)
» Duke of Lorrain's March (p. 68)
» The Slip (p. 69)
» The Jovial Beggars (p. 70)
» The Gossips Frolick (p. 71)
» The Devil's Dream (p. 72)
» Punk's Delight (The new way) (p. 73)
» Lady Cullen (p. 74)
» Amaryllis (p. 75)
» Black Jack (p. 76)
» Cavylilly-Man (p. 77)
» Wallingford-House (p. 78)
» Jamaica (p. 79)
» Mulberry Garden (p. 80)
» Singleton's Slip (p. 81)
» The King's Jigg (p. 82)
» Northern Nancy (p. 83)
» The Irish Trot (p. 84)
» The Witches (p. 85)
» White-Hall (p. 86)
» The Opera, or The Ape's Dance (p. 87)
» Newmarket (p. 88)
» Duke of York's Delight (p. 90)
» Mr. Staggin's Jigg (p. 91)
» The Cobler's Jigg (p. 92)
» No body's Jigg (p. 93)
» Parson upon Dorothy (p. 94)
» Under the Greenwood Tree (p. 95)
» Sawny was Tall (p. 96)
» Westmorland (p. 97)
» Well-Hall (p. 98)
» Valentine's-Day (p. 99)
» Damme (p. 100)
» Young Jemmy (p. 101)
» Bouzer Castle (p. 102)
» Bore la Bass (p. 103)
» Christ-Church Bells in Oxon (p. 104)
» The Mermaid (p. 105)
» Hey-Boys up go We (p. 106)
» Smith's Rant (p. 107)
» Hedge-Lane (p. 108)
» Love Lies a Bleeding (p. 109)
» Never Love Thee More (p. 110)
» Jack's Health (p. 111)
» Old Simon the King (p. 112)
» Green Sleeves, and Pudding-Pies (p. 113)
» Sion-House (p. 114)
» Excuse Me (p. 115)
» The Rummer (p. 116)
» Miller's Jigg (p. 117)
» Dragoons March (p. 118)
» Country Abigail (p. 119)
» The New Bath (p. 120)
» Hap-hazard (p. 121)
» Prince George (p. 122)
» The Granadiers March (p. 123)
» Arcadia (p. 124)
» Pell-Mell (p. 125)
» Johnny, Cock thy Beaver (p. 126)
» Black and Grey (p. 127)
» Hey ho, my Honey (p. 128)
» Short's Garden (p. 129)
» Vienna (p. 130)
» Wolverton-Hall (p. 131)
» The Fit's Come on Me now (p. 132)
» Lady of Pleasure (p. 133)
» Painted Chamber (p. 134)
» Cupid's Garden (p. 135)
» The Knot (p. 136)
» Bonney Dundee (p. 137)
» Jenny, come Tye my Cravat (p. 138)
» Holyrood-Day (p. 139)
» The Jockey (p. 140)
» Ladies of London (p. 141)
» Astrope Wells (p. 142)
» The Garter (p. 143)
» The Maid's Delight (p. 144)
» Maids Morris (p. 145)
» Cold and Raw (p. 146)
» Siege of Buda (p. 147)
» The Mask (p. 148)
» Bellamira (p. 149)
» Rigadoon (p. 150)
» A Paspe (p. 151)
» Alchurch (p. 152)
» Welcom home old Rowley (p. 153)
» Pool's Hole (p. 154)
» Essex-Building (p. 155)
» Lilli Burlero (p. 156)
» Emperor of the Moon (p. 157)
» New Rigadoon (p. 158)
» Pretty Miss (p. 159)
» I often for my Jenny strove (p. 160)
» Kensington-Court (p. 161)
» Sancho Pancho (p. 162)
» Whitney's Farewel (p. 163)
» The Jacks Farewell (p. 164)
» Old Batchelor (p. 165)
» O Mother, Roger (p. 166)
» Roger of Coverly (p. 167)
» Of Noble Race was Shinkin (p. 168)
» Daniel Cowper (p. 169)
» The Whim (p. 170)
» Spanish Jigg (p. 171)
» Valiant Jocky (p. 172)
» Siege of Limerick (p. 173)
» Mr. Lane's Minuet (p. 174)
» The Maid's last Wish (p. 175)
» Duke of Luxemburgh's March (p. 176)
» Red-House (p. 177)
» The Dutches (p. 178)
» Betty's Maggot (p. 179)
» Mr. Beveridge's Maggot (p. 180)
» Rockingham Castle (p. 181)
» Jacob Hall's Jigg (p. 182)
» Marriage-Hater (p. 183)
» Easter Tuesday (p. 184)
» Mad Robin (p. 185)
» Johnson's Jigg (p. 186)
» The Last New Rigadoon (p. 187)
» Pope Joan (p. 188)
» The New Bore (p. 189)
» Mr. Isaac's Maggot (p. 190)
» Huntington's Maggot (p. 191)
» Arundel-Street (p. 192)
» Man was for Woman made (p. 193)
» Mr. Lane's Trumpet-Minuet, to be danc'd with the Minuet step (p. 194)
» The Happy Marriage (p. 195)
» Black Bess (p. 196)
» St. Martin's-Lane (p. 197)
» The More the Merrier (p. 198)
» The Soldier and the Sailer (p. 199)
» Irish Boree (p. 200)
» Take not a Woman's Anger ill, For if One won't, Another will (p. 201)
» Bishop of Chester's Jigg (p. 202)
» Wa is me, what mun I do! (p. 203)
» Epsom Wells (p. 204)
» Mr. Young's Delight (p. 205)
» The Happy Meeting (p. 206)
» Bury Fair (p. 207)
» Hobb's Wedding. A Kissing Dance in the Country Wake (p. 208)
» Mr. Eaglesfield's New Hornpipe (p. 209)
» The Purlongs (p. 210)
» Mr. Lane's Maggot (p. 211)
» Love for Love. Danc'd in the Play (p. 212)
» Twas within a Furlong of Edinborough Town (p. 213)
» The Happy Miller (p. 214)
» The Britains (p. 215)
» The Geud Man of Ballangigh. To a New Scotch Jigg (p. 216)
» Young Sir Solamon (p. 217)
» The Bonney Grey-Ey'd Morn (p. 218)
» De'il take the Wars (p. 219)
» Edinborough Castle (p. 220)
» The Lord Mayor's Delight (p. 221)
» The Hole in the Wall (p. 222)
» None-such (p. 223)
» Captain's Maggot (p. 224)
» Winchester Wedding (p. 225)
» Lambeth Wells (p. 226)
» Dunmore Kate (p. 227)
» Anna Maria (p. 228)
» Europes Revels (p. 229)
» The Sham Doctor (p. 230)
» The Mock Match (p. 231)
» The Temple-Change (p. 232)
» Walton Abey (p. 233)
» Mad Moll (p. 234)
» Westminster-Hall (p. 235)
» The Hilanders March (p. 236)
» Greenwich Park (p. 237)
» Shore's Trumpet Tune (p. 238)
» My Lord Baron's Delight (p. 239)
» The Barly-Mow (p. 240)
» Cheshire Rounds (p. 241)
» The Beaux Delight (p. 242)
» Portsmouth (p. 243)
» The Irish Ground (p. 244)
» My Lord Byron's Maggot (p. 245)
» The Tyger (p. 246)
» Moll Peatley, The New Way (p. 247)
» Woolly and Georgey (p. 248)
» New Whitehall (p. 249)
» The Beautiful Scrabmagg, by G.B. (p. 250)
» Lumps of Pudding (p. 251)
» Enfield Common (p. 252)
» The New Bore (p. 253)
» The Duke of Gloucester's March (p. 254)
» The Hair's Maggot (p. 255)
» Mount Hills (p. 256)
» The Gilford (p. 257)
» The Carpenters Maggot (p. 258)
» St. Albans (p. 259)
» The Queens Jigg (p. 260)
» Childgrove (p. 261)
» Well's Humour (p. 262)
» Reeve's Maggot (p. 263)
» George's Maggot (p. 264)
» Nottingham Castle (p. 265)
» The French Embassader (p. 266)
» The Indian Queen (p. 267)
» The Ladies Maggot (p. 268)
» Cary's Maggot (p. 269)
» The New Invention (p. 270)
» The Coblers Hornpipe (p. 271)
» The Pilgrim (p. 272)
» The Lord Phopington (p. 273)
» The Temple (p. 274)
» Whimbleton-House (p. 275)
» The English Pasby (p. 276)
» Touch and Go (p. 277)
» The Frolick (p. 278)
» Ely Court (p. 279)
» Crossbey-Square (p. 280)
» The Princess (p. 281)
» The Round (p. 282)
» Friday Night (p. 283)
» Buskin (p. 284)
» The Jolly Brees (p. 284)
» The Bishop of Bangor's Jigg (p. 286)
» Easter-Eve (p. 287)
» St. Catherine (p. 288)
» The Trip to the Jubile, as 'tis danc'd at the Play-House (p. 289)
» Cheshire Alley (p. 290)
» Czar of Muscovy (p. 290)
» Dainty Davy (p. 292)
» Akeroyde's Padd (p. 292)
» White-Hall Minuett (p. 294)
» Black Nell (p. 295)
» Hill's Maggot (p. 296)
» Barham Down (p. 297)
» Golden Square (p. 298)
» The Fidlers Morris (p. 299)
» Mother Brown's Catt (p. 300)
» Buford's March, or The Private Wedding (p. 301)
» The Punch-Bowl (p. 302)
» Black-Heath (p. 303)
» Cockle-Shells (p. 304)
» The Catch Club (p. 305)
» The America (p. 306)
» Rub her down with Straw (p. 307)
» The Mansell (p. 308)
» The Last New French Rigadoon (p. 309)
» The Ladies Conveniency (p. 310)
» The Last New Figgaries (p. 311)
» Taylors Tripp (p. 312)
» The Princesse's Court (p. 313)
» The Ladies Misfortune (p. 314)
» The Virgin Queen (p. 315)
» Slaughter-House (p. 316)
» The Jolly-Boy (p. 317)
» Fidlers Maggot (p. 318)
» Old Noll's Jigg (p. 319)
» Apley House (p. 320)
» My Lady Foster's Delight (p. 321)
» Hang Sorrow (p. 322)
» Graneys Delight (p. 323)
» Cottey House (p. 324)
» The Country Farmer (p. 325)
» Twelfth Eve (p. 326)
» The Man-Tiger (p. 327)
» The Sword Dance (p. 328)
» Ormond House (p. 329)
» A Trip to Bury (p. 330)
» Jack's Maggot (p. 331)
» Dick's Maggot (p. 332)
» The Queen's Head (p. 333)
» News from Tripoly (p. 334)
» Old Abigal's Delight (p. 335)
» Whely House (p. 336)
» The Cookow (p. 337)
» The Queen's Birth-day (p. 338)
» Wooden Shoes (p. 339)
» Nowill Hills (p. 340)
» Bloomsberry Market (p. 341)
» The New Round O (p. 342)
» Up with Aily (p. 343)
» Christmas Cheer (p. 344)
» Lincolns-Inn (p. 345)
» Nobe's Maggot (p. 346)
» Jockey was a Dowdey Lad (p. 347)
» The Royal Navy (p. 348)
» Vigo (p. 349)
» Fy, nay, prithee John (p. 350)
» May Fair (p. 351)
» Tunbridge Walks (p. 352)
» The Devonshire Lass (p. 353)
» The Colonel's Health (p. 354)
» Londons Loyalty (p. 355)
» The Russel (p. 356)
» The Resolution, or The Quaker Grace (p. 357)
» Barker's Maggott (p. 358)
» The Marlborough (p. 359)
» Drapers Garden (p. 360)
» Count Tallard (p. 361)
» Drapers Maggot (p. 362)
» The Queen's Delight (p. 363)
» Ianthe (p. 364)

🎼 Mr. Feüillet. (1707). VIme. Recüeil de Danses de Bal pour l'Année 1708. Paris. (pdf) {BNF} [Enge]

Dances

» La Nouvelle Bourgogne (♬) (p. 1)
» La Nouvelle Mariée (♬) (p. 11)

Contredanses

» La Micarême (♬) (p. 19)
» Le Dessein (♬) (p. 20)
» La Reception (♬) (p. 22)
» La Frêne (♬) (p. 24)
» La Vénitienne (♬) (p. 26)
» La Diligente (♬) (p. 27)

🎼 Mr. Isaac, John Weaver. (1707). The Union, a New Dance. London. (pdf) {Gale} [Enge]

Dances

» The Union (♬) (p. 1)

📖 I. H. P. (1707). Maître de Danse, Oder Tanz-Meister. Glückstadt. (pdf) {SUB} [Enge]

Notes: Adds errata to the end of the 1705 edition.

Dances

» Die Menuet d'Anjou (♬) (p. 10)
» Die Alte Passe-Pied (♬) (p. 17)
» Die Mittelste Passe-Pied (♬) (p. 24)
» Die Bourgogne (♬) (p. 32)

📖 Johann Pasch. (1707). Beschreibung Wahrer Tanz-Kunst. Frankfurt. (pdf) {BSB} [Enge]

🎼 Pecour, Feüillet. (1707). La Nouvelle Bourgogne. Paris. (pdf) {BNF} [Enge]

Dances

» La Nouvelle Bourgogne (♬) (p. 1)

🎼 Mr. Isaac. (1708). The Saltarella. London. (pdf) [Enge]

Dances

» The Saltarella (♬) (p. 1)

📜 Nicolas Rodrigo Noveli. (1708). Choregraphie Figurativa, Y Demostrativa del Arte de Danzar, En la Forma Española. Madrid Ms. (pdf) {RAB} [Enge]

📖 Samuel Rudolph Behr. (1709). Maitre de Dance, Wohlgegründete Tantz-Kunst. Leipzig. (pdf) {ULB} [Enge]

📖 Mr. Feüillet. (1709). IXme. Recueil de Danses de Bal pour l'Année 1711. Paris. (pdf) {BNF} [Enge]

Dances

» La Nouvelle Forlanne (♬) (p. 1)
» Le Passapied a Quatre (♬) (p. 9)
» La Médicis (♬) (p. 17)

📖 Mr. Feüillet. (1709). Recueil de Dances Composeés par Mr. Feüillet. Paris. (pdf) {LOC} [Enge] [Powers]

Dances

» La Rigaudon de la Paix (♬) (p. 1)
» Gigue a Deux (♬) (p. 8)
» Entrée a Deux (♬) (p. 12)
» Autre Entrée a Deux (♬) (p. 17)
» Sarabande Pour Femme (♬) (p. 21)
» Sarabande Pour Homme (♬) (p. 25)
» Sarabande Espagnole Pour Homme (♬) (p. 29)
» Folie d'Espagne Pour Femme (♬) (p. 33)
» Canary à Deux (♬) (p. 39)
» Gigue Pour Homme (♬) (p. 41)
» Entrée Pour Homme (♬) (p. 45)
» Autre Entrée Pour Homme (♬) (p. 49)
» Entrée Grave Pour Homme (♬) (p. 53)
» Entrée d'Apolon (♬) (p. 60)
» Balet de Neuf Danseurs (♬) (p. 67)

📖 Mr. Feüillet. (1709). VIIIme. Recueil de Danses de Bal pour l'Année 1710. Paris. (pdf) {BNF} [Enge]

Dances

» La Bourbon (♬) (p. 3)
» La Petite Bourée (♬) (p. 7)
» La Gouastalla (♬) (p. 13)

📖 Mr. Feüillet. (1709). VIIme. Recueil de Danses de Bal pour l'Année 1709. Paris. (pdf) {BNF} [Enge]

Dances

» La Nouvelle Galliarde (♬) (p. 1)
» Le Menuet d'Alcide (♬) (p. 9)
» Charmant Vainqueur (♬) (p. 21)

🎼 Mr. Isaac (choreography), Mr. Paisible (music), Mr. de la Garde (notation). (1709). The Royal Portuguez. London. (pdf) {LOC} [Enge] [Powers]

Dances

» The Royal Portuguez (♬) (p. 1)

📖 M. Pécour, M. Feüillet. (1709). Recueil de Dances Composeés par M. Pecour. Paris. (pdf) {congress} [Enge] [Powers]

Dances

» La Bourée d'Achille (♬) (p. 1)
» La Mariée (♬) (p. 12)
» Le Passepied (♬) (p. 22)
» La Contredance (♬) (p. 32)
» Le Rigaudon des Vaisseaux (♬) (p. 37)
» La Bourgogne (♬) (p. 43)
» La Savoye (♬) (p. 54)
» La Forlana (♬) (p. 62)
» La Conty (♬) (p. 68)

🎼 Mr. Siris. (1709). The Brawl of Audenarde, New Dance for the Year 1709. London. (pdf) {google} [Enge]

Dances

» The Brawl of Audenarde (♬) (p. 1)

🎼 Mr. Siris. (1709). The Camilla. London.

Dances

» The Camilla (♬) (p. 1)

📖 John Young (ed.). (1709). The Dancing-Master [14th Edition]. London. (pdf - missing some pages) {imslp} [Enge] [Powers]

English Country Dances

» Sage Leaf (p. 1)
» Madge on a Tree (p. 2)
» Joan Sanderson, or The Cushion Dance (p. 3)
» Kemp's Jigg (p. 4)
» Ely Minster (p. 5)
» The Coronation Day (p. 6)
» New-Years Eve (p. 7)
» Hunsdon-House (p. 8)
» Dull Sir John (p. 9)
» Winchester (p. 10)
» Devonshire-House (p. 11)
» The Galloping Nag (p. 12)
» Open the Door to Three (p. 13)
» Ten Pound Lass (p. 14)
» Cuckolds all arow (p. 15)
» Up with Aily (p. 16)
» Green Stockings (p. 17)
» Hit or Miss (p. 18)
» Scotland (p. 19)
» The Mug House (p. 20)
» Lady Day (p. 21)
» The Mock Hoby-Horse (p. 22)
» Lincoln or Bolton (p. 23)
» The King of Poland (p. 24)
» Chearily and Merrily (p. 25)
» Lord Canarvan's Jigg (p. 26)
» The Merry Milk-Maids (p. 27)
» Red Bull (p. 28)
» Puddings and Pies (p. 29)
» Joan's Placket (p. 30)
» The Spanish Gypsie (p. 31)
» The Maid in the Mill (p. 32)
» London's Loyalty (p. 33)
» Spring-Garden (p. 34)
» Abergenny (p. 35)
» The Dumps (p. 36)
» Prince Rupert's March (p. 37)
» New Royal Exchange (p. 38)
» The 29th of May (p. 39)
» Buff-Coat (p. 40)
» An Old Man, a Bed full of Bones (p. 41)
» Cast a Bell (p. 42)
» Glory of the West (p. 43)
» Trenchmore (p. 44)
» Have at thy Coat, old Woman (p. 45)
» The Goddesses (p. 46)
» Three Sheep Skins (p. 47)
» A Soldier's Life (p. 48)
» Saturday Night, and Sunday Morning (p. 49)
» What You Please (p. 50)
» Watton Town's End (p. 51)
» A la mode de France (p. 52)
» Drive the Cold Winter Away (p. 53)
» The Frier and the Nun (p. 54)
» A Health to Betty (p. 55)
» Windsor-Castle (p. 56)
» Bobbing Joe (p. 57)
» Dr. Pope's Jigg (p. 58)
» The Sailers Delight (p. 59)
» Hemp-dresser (p. 60)
» Piccadilly (p. 61)
» The New Fagary (p. 62)
» From Aberdeen (p. 63)
» Sweet Kate (p. 64)
» Row well, ye Mariners (p. 65)
» Under and Over (p. 66)
» Hay to the Camp (p. 67)
» Duke of Lorrain's March (p. 68)
» The Slip (p. 69)
» The Jovial Beggars (p. 70)
» The Gossips Frolick (p. 71)
» The Devil's Dream (p. 72)
» Punk's Delight (The new way) (p. 73)
» Lady Cullen (p. 74)
» Amaryllis (p. 75)
» Black Jack (p. 76)
» Cavylilly Man (p. 77)
» Wallingford-House (p. 78)
» Jamaica (p. 79)
» Mulberry Garden (p. 80)
» Singleton's Slip (p. 81)
» Count Tallard (p. 82)
» Northern Nancy (p. 83)
» The Irish Trot (p. 84)
» The Witches (p. 85)
» White-Hall (p. 86)
» Opera, or The Ape's Dance (p. 87)
» Newmarket (pp. 88-89)
» Duke of York's Delight (p. 90)
» Mr. Staggin's Jigg (p. 91)
» The Cobler's Jigg (p. 92)
» No-body's Jigg (p. 93)
» Parson upon Dorothy (p. 94)
» Under the Greenwood Tree (p. 95)
» Sawny was Tall (p. 96)
» Westmorland (p. 97)
» Well-Hall (p. 98)
» Valentine's-Day (p. 99)
» Damey (p. 100)
» Young Jemmy (p. 101)
» Bouzer Castle (p. 102)
» Bore la Bass (p. 103)
» Christ Church Bells in Oxon (p. 104)
» Mermaid (p. 105)
» Hey-Boys up go We (p. 106)
» Smith's Rant (p. 107)
» Hedge-Lane (p. 108)
» Love Lies a Bleeding (p. 109)
» Never Love Thee More (p. 110)
» Jack's Health (p. 111)
» Old Simon the King (p. 112)
» Green Sleeves, and Pudding Pies (p. 113)
» Sion-House (p. 114)
» Excuse Me (p. 115)
» Rummer (p. 116)
» Miller's Jigg (p. 117)
» Dragoons March (p. 118)
» Country Abigail (p. 119)
» New Bath (p. 120)
» Hap-hazard (p. 121)
» Prince George (p. 122)
» Granadiers March (p. 123)
» Arcadia (p. 124)
» Pell-Mell (p. 125)
» Johnny Cock thy Beaver (p. 126)
» Black and Gray (p. 127)
» Hey ho, my Honey (p. 128)
» Short's Garden (p. 129)
» Vienna (p. 130)
» Wolverton-Hall (p. 131)
» The B. of Chesters Jigg, or The Fit's Come on Me now (p. 132)
» Lady of Pleasure (p. 133)
» Painted Chamber (p. 134)
» Cupid's Garden (p. 135)
» The Knot (p. 136)
» Bonney Dundee (p. 137)
» Jenny come Tye my Cravat (p. 138)
» Holyrood-Day (p. 139)
» Four Pence half-Peny Farthing, or The Jockey [#1] (p. 140)
» Ladies of London (p. 141)
» Astrope Wells (p. 142)
» Garter (p. 143)
» The Maids Delight (p. 144)
» Maids Morris (p. 145)
» Cold and Raw (p. 146)
» Siege of Buda (p. 147)
» Mask (p. 148)
» Bellamira (p. 149)
» Rigadoon (p. 150)
» A Paspe (p. 151)
» Alchurch (p. 152)
» Welcom home old Rowley (p. 153)
» Pool's Hole (p. 154)
» Essex-Building (p. 155)
» Lilli Burlero (p. 156)
» Emperor of the Moon (p. 157)
» Rigadoon (p. 158)
» Pretty Miss (p. 159)
» I often for my Jenny strove (p. 160)
» Kensington-Court (p. 161)
» Sancho Pancho (p. 162)
» Whitney's Farewel (p. 163)
» The Jacks Farewel (p. 164)
» Old Batchelor (p. 165)
» O Mother, Roger (p. 166)
» Roger of Coverly (p. 167)
» Of Noble Race was Shinkin (p. 168)
» Daniel Cowper (p. 169)
» The Whim (p. 170)
» Spanish Jigg (p. 171)
» Valiant Jocky (p. 172)
» Siege of Limerick (p. 173)
» Mr. Lane's Minuet (p. 174)
» The Maid's last Wish (p. 175)
» Duke of Luxemburgh's March (p. 176)
» Red-House (p. 177)
» The Dutches (p. 178)
» Betty's Maggot (p. 179)
» Mr. Beveridge's Maggot (p. 180)
» Rockingham Castle (p. 181)
» Jacob Hall's Jigg (p. 182)
» Marriage-Hater (p. 183)
» Easter Tuesday (p. 184)
» Mad Robin (p. 185)
» Johnson's Jigg (p. 186)
» Rigadoon (p. 187)
» Pope Joan (p. 188)
» Drapers Gardens (p. 189)
» Mr. Isaac's Maggot (p. 190)
» Huntington's Maggot (p. 191)
» Arundel-Street (p. 192)
» Man was for Woman made (p. 193)
» Mr. Lane's Trumpet-Minuet, to be Danc'd with the Minuet step (p. 194)
» The Happy Marriage (p. 195)
» Black Bess (p. 196)
» St. Martin's-Lane (p. 197)
» The More the Merrier (p. 198)
» A Soldier and a Sailer (p. 199)
» Irish Boree (p. 200)
» Take not a Woman's Anger ill, For if One won't, Another will (p. 201)
» The Queen's Delight (p. 202)
» Drapers Maggot (p. 203)
» Epsom Wells (p. 204)
» Mr. Young's Delight (p. 205)
» Happy Meeting (p. 206)
» Bury Fair (p. 207)
» Hobb's Wedding. A Kissing Dance in the Country Wake (p. 208)
» Mr. Eaglesfield's New Hornpipe (p. 209)
» Purlongs (p. 210)
» Mr. Lane's Maggot (p. 211)
» Love for Love. Danc'd in the Play (p. 212)
» Twas within a Furlong of Edinborough Town (p. 213)
» The Happy Miller (p. 214)
» The Britains (p. 215)
» The Geud Man of Ballangigh. To a New Scotch Jigg (p. 216)
» Young Sir Solamon (p. 217)
» The Bonney Grey-Ey'd Morn (p. 218)
» De'il take the Wars (p. 219)
» Edinborough Castle (p. 220)
» The Lord Mayor's Delight (p. 221)
» Hole in the Wall (p. 222)
» None Such (p. 223)
» Captain's Maggot (p. 224)
» Winchester Wedding, or The King's Jigg (p. 225)
» Lambeth Wells (p. 226)
» Dunmore Kate (p. 227)
» Anna Maria (p. 228)
» Europes Revels (p. 229)
» Sham Doctor (p. 230)
» Mock Match (p. 231)
» Temple-Change (p. 232)
» Walton Abey (p. 233)
» Mad Moll (p. 234)
» Westminster-Hall (p. 235)
» The Hilanders March (p. 236)
» Greenwich Park (p. 237)
» Shore's Trumpet Tune (p. 238)
» My Lord Byron's Delight (p. 239)
» The Barley-Mow (p. 240)
» Cheshire Rounds (p. 241)
» The Beaux Delight (p. 242)
» Portsmouth (p. 243)
» The Irish Ground (p. 244)
» My Lord Byron's Maggot (p. 245)
» The Tyger (p. 246)
» Moll Peatly, The New Way (p. 247)
» Woolly and Georgey (p. 248)
» New Whitehall (p. 249)
» The Beautiful Scrabmagg, by G.B. (p. 250)
» Lumps of Pudding (p. 251)
» Enfield Common (p. 252)
» The New Bore (p. 253)
» The Duke of Gloucester's March (p. 254)
» The Hare's Maggot (p. 255)
» Mount Hills (p. 256)
» The Gilford (p. 257)
» Carpenters Maggot (p. 258)
» St. Albans (p. 259)
» The Queen's Jigg (p. 260)
» Childgrove (p. 261)
» Well's Humour (p. 262)
» Reeve's Maggot (p. 263)
» George's Maggot (p. 264)
» Nottingham Castle (p. 265)
» French Embassader (p. 266)
» Indian Queen (p. 267)
» The Ladies Maggot (p. 268)
» Cary's Maggot (p. 269)
» The New Invention (p. 270)
» Coblers Hornpipe (p. 271)
» The Pilgrim, or The Lord Phopington (p. 272)
» The Lord Phopington (p. 273)
» The Temple (p. 274)
» Whimbleton-House (p. 275)
» The English Pasby (p. 276)
» Touch and Go (p. 277)
» The Frolick (p. 278)
» Ely Court (p. 279)
» Crosbey-Square (p. 280)
» The Princes (p. 281)
» The Round (p. 282)
» Friday Night (p. 283)
» Buskin (p. 284)
» The Jolly Breeze (pp. 284-285)
» Bishop of Bangor's Jigg (p. 286)
» Easter-Eve (p. 287)
» St. Catherine (p. 288)
» A Trip to the Jubile, as 'tis danc'd at the Play-House (p. 289)
» Cheshire Alley (p. 290)
» Czar of Muscovy (pp. 290-291)
» Dainty Davy (p. 292)
» Christmas Cheer (p. 293)
» White-Hall Minuet (p. 294)
» Black Nell (p. 295)
» Hill's Maggot (p. 296)
» Lincolns-Inn (p. 297)
» Golden Square (p. 298)
» The Fidlers Morris (p. 299)
» Mother Brown's Catt (p. 300)
» Buford's March, or Jocky was a dowdy Lad (p. 301)
» Nobe's Maggot (p. 302)
» Black Heath (p. 303)
» Cockle-Shells (p. 304)
» The Catch Club (p. 305)
» America (p. 306)
» Rub her down with Straw (p. 307)
» The Mansell (p. 308)
» The Royal Navy (p. 309)
» Ladies Conveniency (p. 310)
» The Last New Vagaries (p. 311)
» Taylors Tripp (p. 312)
» The Princesse's Court (p. 313)
» The Ladies Misfortune (p. 314)
» The Virgin Queen (p. 315)
» Slaughter-House (p. 316)
» Jolly-Boy (p. 317)
» Fidlers Maggot (p. 318)
» Old Noll's Jigg (p. 319)
» Apley House (p. 320)
» My Lady Foster's Delight (p. 321)
» Hang Sorrow (p. 322)
» Graneys Delight (p. 323)
» Cottey House (p. 324)
» Country Farmer (p. 325)
» Twelfth Eve (p. 326)
» Man-Tiger (p. 327)
» Vigo (p. 328)
» Fy, nay, prithee John (p. 329)
» A Trip to Bury (p. 330)
» Jack's Maggot (p. 331)
» Dick's Maggot (p. 332)
» The Queen's Head (p. 333)
» News from Tripoly (p. 334)
» Old Abigal's Delight (p. 335)
» Whely House (p. 336)
» The Cookow (p. 337)
» The Queen's Birth-day (p. 338)
» Wooden Shooes (p. 339)
» Nowill Hills, or Love Neglected (p. 340)
» Bloomsbury Market (p. 341)
» The Russel (p. 342)
» Tunbridge Walks (p. 343)
» Resolution, or The Quakers Grace (p. 344)
» The Marlborough (p. 345)
» The Colonel's Health (p. 346)
» Scotch Ayre (p. 347)
» Barker's Maggott (p. 348)
» May Fair, or Grief Allamode (p. 349)
» The Punch-Bowl (p. 350)
» Akeroyde's Padd (pp. 350-351)
» Ianthe (p. 352)
» Ormond House (p. 353)
» Round O (p. 354)
» The French Kings Mistake (p. 355)
» Barham Down (p. 356)
» Hunt the Squiril (p. 357)
» A Trip to St. John's Court (p. 358)

📖 Monsr. Feuillet, John Essex (tr.). (1710). For the Furthur Improvement of Dancing. London. (pdf) {LOC} [Enge] [Powers]

Country Dances

» A Trip to the Iubilee (♬) (p. 25)
» Micar'eme (♬) (p. 31)
» The Diligent (♬) (p. 35)
» The Great Turk (♬) (p. 39)
» The Busie Body (♬) (p. 44)
» Pantomime (♬) (p. 49)
» Gasconne (♬) (p. 53)
» The Female Saylor (♬) (p. 61)
» The Tatler (♬) (p. 69)
» The Tost (♬) (p. 79)

🎼 Mr. Isaac. (c. 1710). The Marlborough. London. [WorldCat]

Dances

» The Marlborough (♬) (p. 1)

🎼 Mr. Isaac (choreography), Mr. Paisible (music), Mr. de la Garde (notation). (1710). The Royall Gailliarde. London. (pdf) {congress} [Enge] [Powers]

Dances

» The Royall Gailliarde (♬) (p. 1)

Mr. Isack. (1710). The Princess. London. (pdf) {LOC} [Enge]

Dances

» The Princess (♬) (p. 1)

🎼 Nathaniel Kynaston. (1710). Twenty Eight New Country Dances for the Year 1710. London. [WorldCat]

🎼 Nathaniel Kynaston. (1710). Twenty Four New Country Dances for the Year 1710. London. [WorldCat]

📖 John Young (ed.). (c. 1710). The Dancing Master, Volume II [1st Edition]. London.

English Country Dances

» The Tattler (p. 1)
» Soulton Jigg (p. 2)
» The Female Tattler (p. 3)
» Orielton House (p. 4)
» Madam Betty (p. 5)
» Old Noll's Hornpipe [#1] (p. 6)
» Mr. Heath's Dance (p. 7)
» Lady Herbert's Delight (p. 8)
» Lord Hereford's Delight (p. 9)
» The Bonny Lass (p. 10)
» Shropshire Round (p. 11)
» Moreton Castle (p. 12)
» Young Sir John (p. 13)
» The Jolly Widow (p. 14)
» Shawbury Park (p. 15)
» Old Harry [#1] (p. 16)
» St. Brides (p. 17)
» Hordley Hall (p. 18)
» Daphne's Delight (p. 19)
» St. David's Day (p. 20)
» The Penelope (p. 21)
» New Margery (p. 22)
» The Welch Whim (p. 23)
» Hailston Jigg (p. 24)
» Hodgsdon Square (p. 25)
» Pauls Alley (p. 26)
» St. Margarets Hill (p. 27)
» New Man Tyger (p. 28)
» Duke of Marlborough's March (p. 29)
» Donawert Pass (p. 30)
» Hochstet Battle (p. 31)
» Blenheim Pound (p. 32)
» Catherine-Street (p. 33)
» Brisk and Airy (p. 34)
» Subligny's Dance (p. 35)
» A Trip to the Bell (p. 36)
» Furbelows and Aprecocks, or Mad Frolick (p. 37)
» Old Roger the New Way (p. 38)
» New Roger, or Don Boin [#1] (p. 39)
» Queen Ann's Coronation Day (p. 40)
» Lambeth Ferry (p. 41)
» London's Glory [#1] (p. 42)
» Montague House (p. 43)
» Wedding Supper (p. 44)
» Lord what's come to my Mother (p. 45)
» Belinda (p. 46)
» Draw Cupid Draw (p. 47)
» The Wedding Dance (p. 48)
» Jolly Roger (p. 49)
» London Bridge (p. 50)
» Queens-Burrough (p. 51)
» Highland Lass [#1] (p. 52)
» The Quakers Dance. Danc'd in the Play House (pp. 52-53)
» Tunbridge Minuet (p. 54)
» Twas o'er the Hills,' (p. 55)
» Barcelona (p. 56)
» Hamstead Heath [#1] (p. 57)
» Freemans Yard (p. 58)
» Frank and Easie (p. 59)
» Ever Happy (p. 60)
» Manage the Mizar (p. 61)
» Tunbridge Beauties (p. 62)
» Double the Cape (p. 63)
» Albion's Queen (p. 64)
» Moderation (p. 65)
» Confederacy (p. 66)
» Venecian Embasador (p. 67)
» New Anything (p. 68)
» A Trip to Islington (p. 69)
» Bleinheim Castle (p. 70)
» Jigg it E Foot (p. 71)
» The Union (p. 72)
» Prince George's Birth-Day (p. 73)
» The Devil in the Bush (p. 74)
» Grigs Maggot (p. 75)
» Lord Cutt's March (p. 76)
» Vigo or St. Mary's Port (p. 77)
» Hombey House (p. 78)
» Marlborough House (p. 79)
» Lady Essex (p. 80)
» The Spanheim (p. 81)
» Scotch Union (p. 82)
» The Forlong (pp. 82-83)
» Ruben (p. 84)
» May Day (p. 85)
» Coppindger's Maggot (p. 86)
» Prince Eugene's March (p. 87)
» Mr. Hill's New Paspey (p. 88)
» New Zear (p. 89)
» Kindlinton Green (p. 90)
» Salutation (p. 91)
» Horsey-Down Fields (p. 92)
» Woodstock Bower (p. 93)
» Morgin's Thought (p. 94)
» Bump her Belly (p. 95)
» Monk's March, with the Wanders (p. 96)
» Ramellis Rout [#1] (p. 97)
» Belgia Retriv'd (p. 98)
» Vain Promise (p. 99)
» Godwin's Maggot (p. 100)
» Kill him with Kindness (p. 101)
» Dutch Skipper (p. 102)
» Frisk It Freely (p. 103)
» We'll wed and we'll bed (p. 104)
» Hambleton's Round O (p. 105)
» Pretty Poll (p. 106)
» Queen Bess's Dame of Honour (p. 107)
» Young Strephon (p. 108)
» Mrs. Savages Whim (p. 109)
» Audenard Battle, or London Spye (p. 110)
» Dash the Drawer (p. 111)
» A Trip to Marrow-Bone [#1] (p. 112)
» Orleance Baffled (p. 113)
» The Voluntere (p. 114)
» In the Fields in Frost and Snow (p. 115)
» Slaters Fancy (p. 116)
» Eccles's Maggot (p. 117)
» Juspers Maggot (p. 118)
» All alive (p. 119)
» Ducks and Drakes (p. 120)
» Put in All (p. 121)
» A Pint of Darby (p. 122)
» Berkshire (p. 123)
» Epsome New Wells (p. 124)
» North Britains (p. 125)
» Merry be your Hearts (p. 126)
» Islington Wells (p. 127)
» I mun be Married a Tuesday (p. 128)
» Miss Hoyden (p. 129)
» Buckingham House [#1] (p. 130)
» Livingstone's Green (p. 131)
» Kelston House (p. 132)
» Churchill's March (p. 133)
» Well House (p. 134)
» About Ship (p. 135)
» The Tub (p. 136)
» Nymph Divine (p. 137)
» Boys and Girls to Play (p. 138)
» Billings-Gate (p. 139)
» Sturbitch Fair (p. 140)
» Evans's Jigg (p. 141)
» A Trip o'er Tweed (p. 142)
» The Way of the World (p. 143)
» Barr a Barr (p. 144)
» Patts Maggot (p. 145)
» The Irish Round [#1] (p. 146)
» The Ladies Last Stake (p. 147)
» Wou'd you have a young Virgin, or Poor Robbin's Maggot (p. 148)
» Drive the Mounsieur from Flanders (p. 149)
» The Bunters Delight, or Stepney Cakes and Ale (p. 150)
» The Pursuit (p. 151)
» Golden Grove (p. 152)
» The Kit Cat Club [#1] (p. 153)
» Lady Mary's Courant (p. 154)
» May Fair (p. 155)
» Scotch Moggy (p. 156)
» Barn Elms (p. 157)
» The Sword Dance, or Strum (p. 158)
» Jack the French-Man (p. 159)
» The Elector of Hanover's March (p. 160)
» Camberwell (p. 161)
» Every Lad his Lass (p. 162)
» The Health (p. 163)
» Justice Busie (p. 164)
» New Minuet (p. 165)
» Loves Triumph (p. 166)
» Marlborough's Victory (p. 167)
» Vendosme's Retreat (p. 168)
» The Beaux Stratagem (p. 169)
» Count Leon (p. 170)
» Exeter Ladies (p. 171)
» Dutchess of Grafton (p. 172)
» Fort Mounjoy, or Saturday Nights Ramble (p. 173)
» Lord Killmurry's Delight (p. 174)
» Recruiting Officer (p. 175)
» A Trip to Nottingham (p. 176)
» Union Jigg (p. 177)
» Burgundy's Flight (p. 178)
» Lisle (p. 179)
» George's Maggot (p. 180)
» The Constant Lover (p. 181)
» Wood Lark (p. 182)
» Merry Conceit [#2] (p. 183)
» Disappointment (p. 184)
» Mrs. Hill's Dance (p. 185)
» Lady Dainty (p. 186)
» Humours of the Age (pp. 186-187)
» Shropshire Lass (p. 188)
» Love in a Bottle (p. 189)
» Young Roger (p. 190)
» Paston's Maggot (p. 191)
» Farewel to the Gout (p. 192)
» Blackwell-Hall (p. 193)
» Richmond Green (p. 194)
» Of all Comforts, or White-Chapel Mount (p. 195)
» Mourning in Fashion (p. 196)
» Mr. Motley's St. James's (p. 197)
» Diamont-Hall (p. 198)
» Ludlow Castle (p. 199)
» A Trip to Westminster-Hall (p. 200)

🎼 [Mr. Isaac] (choreography), [Mr. de la Garde] (notation). (1711). The Rigadoon Royal. London. (pdf) {congress} [Enge] [Powers]

Dances

» The Rigadoon Royal (♬) (p. 1)

🎼 [Mr. Isaac]. (1711). The Royall. London. (pdf) {congress} [Enge]

Dances

» The Royal (♬) (p. 1)

🎼 Nathaniell Kynaston. (1711). Twenty Four New Country Dances for the Year 1711. London. (pdf) {Barber}

Note: This copy is missing pages (and dances) 14 and 16.

» The Dispairing Lover (p. 1)
» The Intrigue (p. 2)
» The Faithfull Confidant (p. 3)
» Blenheim House (p. 4)
» Woodstock Park (p. 5)
» Mr Claytons Facer (p. 6)
» Bickerstaffs Prophesie (p. 7)
» Capt. Tom (p. 8)
» The Happy Hit (p. 9)
» Scotch Jemmy (p. 10)
» Jockey's Jigg (p. 11)
» Mock Nightingale (p. 12)
» The Female Warriour (p. 13)
» Hills Aviary [missing] (p. 14)
» Beautious Grove (p. 15)
» Strata Florida [missing] (p. 16)
» Generall Stanhop's March (p. 17)
» Almenara Battle (p. 18)
» The Spanish Flight (p. 19)
» The She Favourite (p. 20)
» Drury Lane (p. 21)
» Doctor Sa[??]lls Jigg (p. 22)
» Vaughan's Ramble (p. 23)
» Shropshire Round (p. 24)

📖 E. Pemberton. (1711). An Essay for the Further Improvement of Dancing. London. (pdf) {congress} [Enge] [Powers]

Notes: Page numbers are for the pdf.

Dances

» An Ecchoe (p. 8)
» [Holt's] Minuet (p. 14)
» [Caverley's] Minuet (p. 18)
» [Shirley's] Minuet (p. 22)
» [Prince's] [?] (p. 27)
» [Hickford's] Jigg (p. 31)
» [Preist's] Minuet (p. 33)
» A Chacone (p. 39)
» A Passacaille (p. 51)
» [Pecour's] Jigg (p. 59)

🎼 Sr. Dezais. (1712). II. Recueil de Nouvelles Contredances Mises en Chorégraphie. Paris. (pdf) {BNF} [Enge] [Powers]

Contredances

» La Folette (♬) (p. 1)
» L'Alliance (♬) (p. 9)
» La Petite Jeanneton (♬) (p. 15)
» La Badine (♬) (p. 21)
» La Charpentier (♬) (p. 24)
» La Maréchal (♬) (p. 33)
» La Conti (♬) (p. 37)
» L'Argentine (♬) (p. 43)
» Sont des Navets (♬) (p. 53)
» La Villars (♬) (p. 58)
» Madame Robin (♬) (p. 62)
» La Samardique (♬) (p. 70)
» La Gigue Espagnol (♬) (p. 53)
» La Baptistine (♬) (p. 88)
» Le Rigaudon d'Angleterre (♬) (p. 100)
» Ha Voyé Donc (♬) (p. 110)
» Les Mariniers (♬) (p. 113)
» La Cribelée (♬) (p. 119)
» La Gentilly (♬) (p. 124)
» La Victoire (♬) (p. 131)
» Milord Biron (♬) (p. 139)
» L'Emperor Dans La Lune (♬) (p. 149)
» Les Folies d'Isac (♬) (p. 158)
» La Triomphante (♬) (p. 167)
» Plaisirs Sans Crainte (♬) (p. 173)
» Marche du Tékéli (♬) (p. 181)
» La Jeunesse (♬) (p. 187)

🎼 Mr. Isaac (dance), Mr. Paisible (music). (1712). The Royal Ann. London. (pdf) {congress} [Enge] [Powers]

Dances

» The Royal Ann (♬) (p. 2)

🎼 Mr. Siris (dance), Mr. C. (music). (1712). The New Englich Passepied. London. (pdf) {BL} [Enge]

Dance

» New Passepied (♬) (p. 2)

📖 John Weaver. (1712). An Essay Towards an History of Dancing. London. (pdf) {BNE} [Enge]

Note: No step descriptions, but an important early history of and commentary on various kinds of dancing.

🎼 Mr. Dezais. (1712). X. Recüeil de Danses pour l'Année 1712. Paris. (pdf) {BNF} [Enge]

Note: Based on the advertisement at the back, the last dance may not have originally been part of this collection, but it is included between this collection and the next in the BNF's combined document, so it is included here.

Dances

» La Silvie (♬) (p. 1)
» La Dombe (♬) (p. 9)
» L'Asturienne (♬) (p. 15)
» Le Canary de Madame la Dauphine (♬) (p. 27)

📖 Samuel Rudolf Behr. (1713). L'Art de Bien Danser, Die Kunst Wohl zu Tanzen. Leipzig.

📖 Mr. Dezais. (1713). XIe. Recüeil de Danses pour l'Année 1713. Paris. (pdf) {BNF} [Enge]

Dances

» La Melanie (♬) (p. 1)
» La Denain (♬) (p. 13)

📖 Mrs. Feuillet et Dezais. (1713). Chorégraphie, ou l'Art de Décrire la Dance. Paris. (pdf) {BNF} [Enge] [Powers]

Notes: A posthumous edition of Feuillet, 1701.

🎼 Mr. Isaac. (1713). The Gloucester. London. (pdf) {BL} [Enge]

Dances

» The Gloucester (♬) (p. 2)

🎼 Mr. Isaac. (c. 1713). The Northumberland. London. (pdf) {LOC} [Enge]

Dances

» The Northumberland (♬) (p. 1)

🎼 Mr. Isaac (choreography), Mr. Paisible (music), Mr. Pemberton (notation). (1713). The Pastorall. London. (pdf) {LOC} [Enge] [Powers]

Dances

» The Pastorall (♬) (p. 3)

📖 Meletaon [Johann Leonhard Rost]. (1713). Von der Nutzbarkeit des Tantzens. Frankfurt. (pdf) {WDB} [Enge]

🎼 Mr. Pecour, Mr. Gaudrau. (c. 1713). Nouveau Recüeil de Dance de Bal et Celle de Ballet. Paris. (pdf) {BNF} [Enge]

Notes: Page numbering resets after p. 42.

Dances

» La Royalle (♬) (p. 1)
» Le Cherubain (♬) (p. 6)
» La Bourée (La Charolois) (♬) (p. 8)
» La Badine (♬) (p. 12)
» La Contredance (♬) (p. 16)
» La Galliarde (♬) (p. 19)
» La Bourbon (♬) (p. 23)
» Menuet a Quatre (♬) (p. 26)
» Rigaudon a Quattre (♬) (p. 34)
» Entrée Pour Un Homme et Une Femme (♬) (p. 1)
» Entrée Pour Un Homme et Une Femme [#2] (♬) (p. 5)
» Entrée Pour Un Homme et Une Femme [#3] (♬) (p. 11)
» Entrée d'un Pastre et d'une Pastourelle (♬) (p. 17)
» Entrée des Fastes Venitienne (♬) (p. 20)
» Entrée Pour Un Berger et Une Bergere (♬) (p. 23)
» Entrée d'un Pastre et d'une Pastourelle [#2] (♬) (p. 27)
» Sarabande à Deux (♬) (p. 33)
» Entrée à Deux (♬) (p. 36)
» Entrée à Deux [#2] (♬) (p. 39)
» Canarye (♬) (p. 43)
» La Paysanne Pour Un Homme et Une Femme (♬) (p. 46)
» Entrée de Deux (♬) (p. 51)
» La Muszette à Deux (♬) (p. 57)
» Entrée de Deux Bacchante (♬) (p. 61)
» Entrée de Deux Femme (♬) (p. 64)
» Entrée Seul Pour Une Femme (♬) (p. 67)
» Gigue Pour Une Femme (♬) (p. 69)
» Entrée Pour Une Femme (♬) (p. 73)
» Gigue Pour Une Femme [#2] (♬) (p. 75)
» Entrée Pour Une Femme [#2] (♬) (p. 77)
» Passacaille Pour Une Femme (♬) (p. 79)
» Loure Dancée (♬) (p. 87)
» Entrée de Deux Homme (♬) (p. 91)
» Entrée de Deux Homme [#2] (♬) (p. 95)
» Entrée de Cithe (♬) (p. 99)
» Entrée Seul Pour Un Homme (♬) (p. 102)
» Entrée Seul Pour Un Homme [#2] (♬) (p. 104)
» Entrée Seul Pour Un Homme [#3] (♬) (p. 107)

📖 John Young (ed.). (c. 1713). The Dancing Master [15th Edition]. London. [Powers]

English Country Dances

» Sage Leaf (p. 1)
» Madge on a Tree (p. 2)
» Joan Sanderson, or The Cushion Dance (p. 3)
» Kemp's Jigg (p. 4)
» Ely Minster (p. 5)
» The Coronation Day (p. 6)
» New-Years Eve (p. 7)
» Hunsdon-House (p. 8)
» Dull Sir John (p. 9)
» Winchester (p. 10)
» Devonshire House (p. 11)
» The Galloping Nag (p. 12)
» Open the Door to Three (p. 13)
» Ten Pound Lass (p. 14)
» Cuckolds all arow (p. 15)
» Up with Aily (p. 16)
» Green Stockings (p. 17)
» Hit or Miss (p. 18)
» Scotland (p. 19)
» Mug-House (p. 20)
» Lady Day (p. 21)
» Mock Hoby-Horse (p. 22)
» Lincoln or Bolton (p. 23)
» King of Poland (p. 24)
» Chearily and Merrily (p. 25)
» Lord Canarvan's Jigg (p. 26)
» The Merry Milk-Maids (p. 27)
» Red Bull (p. 28)
» Puddings and Pies (p. 29)
» Joan's Placket (p. 30)
» Spanish Gypsie (p. 31)
» The Maid in the Mill (p. 32)
» London's Loyalty (p. 33)
» Spring Garden (p. 34)
» Abergenny (p. 35)
» The Dumps (p. 36)
» Prince Rupert's March (p. 37)
» New Royal-Exchange (p. 38)
» The 29th of May (p. 39)
» Buff-Coat (p. 40)
» An Old Man, a Bed full of Bones (p. 41)
» Cast a Bell (p. 42)
» Glory of the West (p. 43)
» Trenchmore (p. 44)
» Have at thy Coat, old Woman (p. 45)
» The Goddesses (p. 46)
» Three Sheep Skins (p. 47)
» A Soldier's Life (p. 48)
» Saturday Night, and Sunday Morning (p. 49)
» What You Please (p. 50)
» Watton Town's End (p. 51)
» A la mode de France (p. 52)
» Drive the Cold Winter Away (p. 53)
» The Frier and the Nun (p. 54)
» An Health to Betty (p. 55)
» Windsor-Castle (p. 56)
» Bobbing Joe (p. 57)
» Dr. Pope's Jigg (p. 58)
» The Sailors Delight (p. 59)
» Hemp-dresser (p. 60)
» Piccadilly (p. 61)
» The New Fagary (p. 62)
» From Aberdeen (p. 63)
» Sweet Kate (p. 64)
» Row well, ye Mariners (p. 65)
» Under and Over (p. 66)
» Hay to the Camp (p. 67)
» Duke of Lorrain's March (p. 68)
» The Slip (p. 69)
» The Jovial Beggars (p. 70)
» The Gossips Frolick (p. 71)
» The Devil's Dream (p. 72)
» Punk's Delight (The new way) (p. 73)
» Lady Cullen (p. 74)
» Amaryllis (p. 75)
» Black Jack (p. 76)
» Cavylilly-Man (p. 77)
» Wallingford-House (p. 78)
» Jamaica (p. 79)
» Mulberry Garden (p. 80)
» Singleton's Slip (p. 81)
» Count Tallard (p. 82)
» Northern Nancy (p. 83)
» The Irish Trot (p. 84)
» The Witches (p. 85)
» White-Hall (p. 86)
» Opera, or The Ape's Dance (p. 87)
» Newmarket (pp. 88-89)
» Duke of York's Delight (p. 90)
» Mr. Staggin's Jigg (p. 91)
» The Cobler's Jigg (p. 92)
» No-body's Jigg (p. 93)
» Parson upon Dorothy (p. 94)
» Under the Greenwood Tree (p. 95)
» Sawney was Tall (p. 96)
» Westmorland (p. 97)
» Well-Hall (p. 98)
» Valentine's-Day (p. 99)
» Damme (p. 100)
» Young Jemmy (p. 101)
» Bouzer Castle (p. 102)
» Bore la Bass (p. 103)
» Christ Church Bells in Oxon (p. 104)
» Mermaid (p. 105)
» Hey-Boys up go We (p. 106)
» Smith's Rant (p. 107)
» Hedge-Lane (p. 108)
» Love Lies a Bleeding (p. 109)
» Never Love Thee More (p. 110)
» Jack's Health (p. 111)
» Old Simon the King (p. 112)
» Green Sleeves and Pudding-Pies (p. 113)
» Sion-House (p. 114)
» Excuse Me (p. 115)
» Rummer (p. 116)
» Miller's Jigg (p. 117)
» Dragoons March (p. 118)
» Country Abigail (p. 119)
» New Bath (p. 120)
» Hap-hazard (p. 121)
» Prince George (p. 122)
» Granadiers March (p. 123)
» Arcadia (p. 124)
» Pell-Mell (p. 125)
» Johnny Cock thy Beaver (p. 126)
» Black and Grey (p. 127)
» Hey ho, my Honey (p. 128)
» Short's Garden (p. 129)
» Vienna (p. 130)
» Wolverton-Hall (p. 131)
» The B. of Chesters Jigg, or The Fit's Come on Me now (p. 132)
» Lady of Pleasure (p. 133)
» Painted Chamber (p. 134)
» Cupid's Garden (p. 135)
» The Knot (p. 136)
» Bonney Dundee (p. 137)
» Jenny, come Tye my Cravat (p. 138)
» Holyrood-Day (p. 139)
» Four Pence half-Peny Farthing, or The Jockey (p. 140)
» Ladies of London (p. 141)
» Astrope Wells (p. 142)
» Garter (p. 143)
» The Maids Delight (p. 144)
» Maids Morris (p. 145)
» Cold and Raw (p. 146)
» Siege of Buda (p. 147)
» Mask (p. 148)
» Bellamira (p. 149)
» Rigadoon (p. 150)
» A Paspe (p. 151)
» Alchurch (p. 152)
» Welcom home old Rowley (p. 153)
» Pool's Hole (p. 154)
» Essex-Building (p. 155)
» Lilli Burlero (p. 156)
» Emperor of the Moon (p. 157)
» Rigadoon (p. 158)
» Pretty Miss (p. 159)
» I often for my Jenny strove (p. 160)
» Kensington Court (p. 161)
» Sancho Pancho (p. 162)
» Whitney's Farewel (p. 163)
» The Jacks Farewel (p. 164)
» Old Batchelor (p. 165)
» O Mother, Roger (p. 166)
» Roger of Coverly (p. 167)
» Of Noble Race was Shinkin (p. 168)
» Daniel Cowper (p. 169)
» The Whim (p. 170)
» Spanish Jigg (p. 171)
» Valiant Jocky (p. 172)
» Siege of Limerick (p. 173)
» Mr. Lane's Minuet (p. 174)
» The Maid's last Wish (p. 175)
» Duke of Luxemburgh's March (p. 176)
» Red-House (p. 177)
» The Dutches (p. 178)
» Betty's Maggot (p. 179)
» Mr. Beveridge's Maggot (p. 180)
» Rockingham Castle (p. 181)
» Jacob Hall's Jigg (p. 182)
» Marriage-Hater (p. 183)
» Easter Tuesday (p. 184)
» Mad Robin (p. 185)
» Johnson's Jigg (p. 186)
» Rigadoon (p. 187)
» Pope Joan (p. 188)
» Drapers Gardens (p. 189)
» Mr. Isaac's Maggot (p. 190)
» Huntington's Maggot (p. 191)
» Arundel-Street (p. 192)
» Man was for Woman made (p. 193)
» Mr. Lane's Trumpet-Minuet, to be danc'd with the Minuet step (p. 194)
» The Happy Marriage (p. 195)
» Black Bass (p. 196)
» St. Martin's-Lane (p. 197)
» The More the Merrier (p. 198)
» A Soldier and a Sailer (p. 199)
» Irish Boree (p. 200)
» Take not a Woman's Anger ill, For if One won't, Another will (p. 201)
» The Queen's Delight (p. 202)
» Drapers Maggot (p. 203)
» Epsom Wells (p. 204)
» Mr. Young's Delight (p. 205)
» Happy Meeting (p. 206)
» Bury Fair (p. 207)
» Hobb's Wedding. A Kissing Dance in the Country Wake (p. 208)
» Mr. Eaglesfield's New Hornpipe (p. 209)
» Purlongs (p. 210)
» Mr. Lane's Maggot (p. 211)
» Love for Love. Danc'd in the Play (p. 212)
» Twas within a Furlong of Edinborough Town (p. 213)
» The Happy Miller (p. 214)
» The Britains (p. 215)
» The Geud Man of Ballangigh. To a New Scotch Jigg (p. 216)
» Young Sir Solamon (p. 217)
» The Bonny Grey-Ey'd Morn (p. 218)
» De'il take the Wars (p. 219)
» Edinborough Castle (p. 220)
» The Lord Mayor's Delight (p. 221)
» Hole in the Wall (p. 222)
» None-such (p. 223)
» Captain's Maggot (p. 224)
» Winchester Wedding, or The Kings Jigg (p. 225)
» Lambeth Wells (p. 226)
» Dunmore Kate (p. 227)
» Anna Maria (p. 228)
» Europes Revels (p. 229)
» Sham Doctor (p. 230)
» Mock Match (p. 231)
» Temple-Change (p. 232)
» Walton Abey (p. 233)
» Mad Moll (p. 234)
» Westminster-Hall (p. 235)
» Hilandres March (p. 236)
» Greenwich Park (p. 237)
» Shore's Trumpet Tune (p. 238)
» My Lord Baron's Delight (p. 239)
» The Barley-Mow (p. 240)
» Cheshire Rounds (p. 241)
» The Beaux Delight (p. 242)
» Portsmouth (p. 243)
» The Irish Ground (p. 244)
» My Lord Byron's Maggot (p. 245)
» The Tyger (p. 246)
» Moll Peatley The New Way (p. 247)
» Woolly and Georgey (p. 248)
» New Whitehall (p. 249)
» The Beautiful Scrabmagg, by G.B. (p. 250)
» Lumps of Pudding (p. 251)
» Enfield Common (p. 252)
» New Bore (p. 253)
» The Duke of Gloucester's March (p. 254)
» The Hare's Maggot (p. 255)
» Mount Hills (p. 256)
» The Gilford (p. 257)
» The Carpenters Maggot (p. 258)
» St. Albans (p. 259)
» The Queen's Jigg (p. 260)
» Childgrove (p. 261)
» Well's Humour (p. 262)
» Reeve's Maggot (p. 263)
» George's Maggot (p. 264)
» Nottingham Castle (p. 265)
» The French Embassader (p. 266)
» Indian Queen (p. 267)
» The Ladies Maggot (p. 268)
» Cary's Maggot (p. 269)
» The New Invention (p. 270)
» Coblers Hornpipe (p. 271)
» The Pilgrim, or The Lord Phopington (p. 272)
» Lord Phoppington (p. 273)
» The Temple (p. 274)
» Whimbleton-House (p. 275)
» The English Pasby (p. 276)
» Touch and Go (p. 277)
» The Frolick (p. 278)
» Ely Court (p. 279)
» Crosbey-Square (p. 280)
» The Princes (p. 281)
» The Round (p. 282)
» Friday Night (p. 283)
» Buskin (p. 284)
» The Jolly Breeze (pp. 284-285)
» Bishop of Bangor's Jigg (p. 286)
» Easter-Eve (p. 287)
» St. Catherine (p. 288)
» A Trip to the Jubilee, as 'tis danc'd at the Play-House (p. 289)
» Cheshire Alley (p. 290)
» Czar of Muscovy (pp. 290-291)
» Dainty Davy (p. 292)
» Christmas Cheer (p. 293)
» White-Hall Minuett (p. 294)
» Black Nell (p. 295)
» Hill's Maggot (p. 296)
» Lincolns-Inn (p. 297)
» Golden Square (p. 298)
» The Fidlers Morris (p. 299)
» Mother Brown's Catt (p. 300)
» Buford's March, or Jocky was a dowdy Lad (p. 301)
» Nobe's Maggot (p. 302)
» Black-Heath (p. 303)
» Cockle-Shells (p. 304)
» The Catch Club (p. 305)
» America (p. 306)
» Rub her down with Straw (p. 307)
» The Mansell (p. 308)
» The Royal Navy (p. 309)
» Ladies Conveniency (p. 310)
» The Last New Vagaries (p. 311)
» Taylors Tripp (p. 312)
» The Princess's Court (p. 313)
» The Ladies Misfortune (p. 314)
» The Virgin Queen (p. 315)
» Slaughter-House (p. 316)
» Jolly-Boy (p. 317)
» Fidlers Maggot (p. 318)
» Old Noll's Jigg (p. 319)
» Apley House (p. 320)
» My Lady Foster's Delight (p. 321)
» Hang Sorrow (p. 322)
» Granny's Delight (p. 323)
» Cottey House (p. 324)
» Country Farmer (p. 325)
» Twelfth Eve (p. 326)
» Man-Tiger (p. 327)
» Vigo (p. 328)
» Fye, nay, prithee John (p. 329)
» A Trip to Bury (p. 330)
» Jack's Maggot (p. 331)
» Dick's Maggot (p. 332)
» The Queen's Head (p. 333)
» News from Tripoly (p. 334)
» Old Abigal's Delight (p. 335)
» Whely House (p. 336)
» The Cookow (p. 337)
» The Queen's Birth-day (p. 338)
» Wooden Shoos (p. 339)
» Nowil Hills, or Love Neglected (p. 340)
» Bloomsbury Market (p. 341)
» The Russel (p. 342)
» Tunbridge Walks (p. 343)
» Resolution, or The Quaker's Grace (p. 344)
» The Marlborough (p. 345)
» The Colonel's Health (p. 346)
» Scotch Ayre (p. 347)
» Barker's Maggott (p. 348)
» May Fair, or Grief Alamode (p. 349)
» The Punch-Bowl (p. 350)
» Akeroyde's Padd (pp. 350-351)
» Ianthe (p. 352)
» Ormond House (p. 353)
» Round O (p. 354)
» The French Kings Mistake (p. 355)
» Barham Down (p. 356)
» Hunt the Squiril (p. 357)
» A Trip to St. John's-Court (p. 358)